- 2 days ago
A relentless tale of vengeance where rage refuses to die.
Driven by loss, pain, and betrayal, a soul rises beyond the boundary of death itself.
Fury Beyond Death delivers raw emotion, dark atmosphere, and unstoppable wrath—where anger becomes eternal and justice is carved in blood and shadows.
Perfect for fans of dark cinema, classic revenge stories, and intense dramatic narratives.
Driven by loss, pain, and betrayal, a soul rises beyond the boundary of death itself.
Fury Beyond Death delivers raw emotion, dark atmosphere, and unstoppable wrath—where anger becomes eternal and justice is carved in blood and shadows.
Perfect for fans of dark cinema, classic revenge stories, and intense dramatic narratives.
Category
🎥
Short filmTranscript
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00:04:57Got a light?
00:04:59Keep your hands where they are. We're going for a ride.
00:05:07Move. Move.
00:05:11Get in.
00:05:16All right. Let me tell Tony.
00:05:21Come on.
00:05:4725 to 1, mister. 25 to 1.
00:05:4925 to 1. You're a winner. Look.
00:05:51Look.
00:06:01What's this money?
00:06:03Belongs to him.
00:06:05He's a winner.
00:06:07He's a very lucky guy.
00:06:09There's a New Yorker right in the middle of your town and you don't even know why.
00:06:13He wouldn't come voluntarily to tell me why.
00:06:17So I've arranged a friendly kidnapping with the ransom being a little information.
00:06:23Be careful, Ternaro. Don't do anything that would let New York in on what we're doing.
00:06:27Don't worry. I just want us to be the only ones to have secrets.
00:06:31Mr. Gallo.
00:06:33Sorry.
00:06:35It's time to go and chat with the Americans.
00:06:39Where is he?
00:06:41He's dead.
00:06:43Dead?
00:06:45And you come straight to my house?
00:06:47Nobody so we come in.
00:06:48I'm positive.
00:06:49Nobody.
00:06:50What's positive is that nobody's going to see you go out.
00:06:51No.
00:06:52No.
00:06:53No.
00:06:54No.
00:06:55No.
00:06:56No.
00:06:57No.
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00:07:24No.
00:07:25No.
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00:07:30No.
00:07:31No.
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00:07:34No.
00:07:35No.
00:07:36No.
00:07:37No.
00:07:38No.
00:07:39I don't know what you're talking about.
00:07:42Well, I hope you never do.
00:07:44Who's the one over there?
00:07:46An American bodyguard.
00:07:48Some bodyguard.
00:07:50Well, now we wait.
00:07:52For what?
00:07:54I have a feeling that this gentleman's American friends
00:07:57are going to be sending over a Christmas present
00:07:59in the form of a small army.
00:08:09I don't know.
00:08:36If I send another guy over,
00:08:37chances are they'll send us back in a box.
00:08:43You're not just going to let it go?
00:08:45No.
00:08:47Who am I going to send?
00:08:50I know.
00:08:52Peter Marcian.
00:09:00Peter Marcian.
00:09:00Maybe he's right.
00:09:03Maybe he's right.
00:09:05He's changed since they killed his brother.
00:09:07He's a different man now.
00:09:10I don't think he'll do it.
00:09:12I know he will.
00:09:13You're not just going to let himega.
00:09:19I don't think he'll do it.
00:09:21Oh.
00:09:23Oh, yeah.
00:09:25Oh.
00:09:29Oh.
00:09:30Oh, yeah.
00:09:35Oh, yeah.
00:09:37Oh, yeah.
00:09:43Any luck, Peter?
00:10:06Fishing's got nothing to do with luck.
00:10:13What's on your mind?
00:10:25Sal Leonardi is on my mind.
00:10:28He's dead.
00:10:29$50,000.
00:10:33Not me.
00:10:36Peter, I know you have your reasons for not working.
00:10:40I have a reason that'll make you change your mind.
00:10:45A good reason that'll make you change your mind.
00:10:49Your brother, the man who ordered him killed, did it for his own reasons.
00:10:54We knew nothing about him.
00:10:56I promised that one day I'd give you an address and a name.
00:10:58The man who had Leonardi killed is the man who shot your brother.
00:11:04The address?
00:11:06Names.
00:11:08Name?
00:11:08De Naro Gallo.
00:11:11De Naro Gallo.
00:11:11Name?
00:11:15Ere message.
00:11:15Name?
00:11:15Name.
00:11:16Name.
00:11:20Name.
00:11:21Name.
00:11:24Here.
00:11:25Take care.
00:11:26Name.
00:11:28Name.
00:11:30solicitation.
00:11:34Name.
00:11:36Name.
00:11:36Name.
00:11:37Name.
00:11:38Name.
00:11:38Name.
00:11:39Name.
00:11:40Name.
00:11:40Name.
00:13:10Sorry.
00:13:11Where have you been, huh?
00:13:33I don't know how the inspector gets when you keep him waiting.
00:13:38It's not for the inspector.
00:13:40Okay, okay, okay.
00:13:43The inspector's in there.
00:13:46Thanks.
00:13:53Would you look at this?
00:13:54Who let you in?
00:14:05I let myself in.
00:14:07Let yourself out.
00:14:09Oh, inspector, listen.
00:14:11The money that the American won, part of it's mine.
00:14:14That money belongs to his heirs.
00:14:16If you want to talk to him about your commission, you can do so.
00:14:19But you have no legal claim to it.
00:14:21I earned it.
00:14:22You know how it works.
00:14:24You'll bet your ass I know how it works.
00:14:25If you don't want me to book you for it, you'll stop wasting my time.
00:14:28Look who just checked in at the Hotel Excelsior.
00:14:33So, that's the army, huh?
00:14:37Webber had Leonardi killed.
00:14:38Might turn himself in when he finds out Marciani's looking for him.
00:14:40A professional killer comes into town under his own name,
00:14:46and we find out about it from the hotel.
00:14:48Now, what the hell are the airport police doing?
00:14:51On strike?
00:14:52They're good at that.
00:14:53You, beat it.
00:14:55Out.
00:14:55Come on.
00:14:56Out.
00:14:56Come on.
00:14:57Come on, get out of here.
00:14:57Yeah, all right.
00:14:58Out.
00:14:59I'm going, I'm going.
00:15:00Out.
00:15:00Don't worry.
00:15:02Hey, you think this Peter Marciani will pay off Leonardi's debts?
00:15:06Sure, with a kick in the ass.
00:15:08Oh, and he must be a cop.
00:15:09Mr. Marciani.
00:15:24Mr. Marciani.
00:15:29I, uh, I'm Angelo.
00:15:31I heard you were in Naples, and, um, well, uh, I came to see if I could do anything for you.
00:15:39Like what?
00:15:40What?
00:15:40I don't know.
00:15:43Neither do I.
00:15:45If you need me, I'll be at the track.
00:15:48That's where I was when they killed Mr. Leonardi.
00:15:50Coming up to the homestretch, Lady Hamilton, please, Rosalie.
00:16:01Rosalie is overtaking.
00:16:03Yes, Rosalie is the winner.
00:16:06Number three.
00:16:08Lady Hamilton, number five.
00:16:10Second.
00:16:12And Stuart, number two.
00:16:14Third.
00:16:14Look.
00:16:16Take this, okay?
00:16:17Here.
00:16:17The lot on 13.
00:16:23Mr. Marciani, I didn't think I'd see you here.
00:16:26I was going to be an associate of Mr. Leonardi's.
00:16:29I like the way I can find things out.
00:16:31Yeah?
00:16:31What's that?
00:16:32Lots of things.
00:16:34Like the horses.
00:16:36Well, uh, this race, the favorite is...
00:16:39Yes, number one.
00:16:42Now he's a good horse, but, um, he's going to break stride in the south turn.
00:16:48Just you watch.
00:16:49Let me know him.
00:16:51Yeah?
00:16:52Take care of this gentleman.
00:17:04Here.
00:17:06Keep your eyes open, Ditto.
00:17:19They're at the starting gate.
00:17:32They're off.
00:17:34Number six.
00:17:36Following closely behind Rabat.
00:17:39Number one.
00:17:40He's moving up.
00:17:42Now, number one is in the lead.
00:17:45Rabat.
00:17:46Lucifer.
00:17:47And Paul.
00:17:49Wellington on the outside.
00:17:52Number five.
00:17:54Wellington overtakes Rabat.
00:17:56It's Wellington in the lead.
00:17:59Followed by Paul.
00:18:01And Rabat.
00:18:03Wellington maintains first place.
00:18:06Now, Rabat forward.
00:18:10They're halfway around the course now with Rabat back to the lead.
00:18:13Number one breaks stride.
00:18:21Number one.
00:18:23The favorite for this race is disqualified.
00:18:26Number six.
00:18:28And Lucifer takes the lead on the outside.
00:18:30From number one.
00:18:32Gladiator jumps second place.
00:18:36Lucifer.
00:18:37Yes, Lucifer wins.
00:18:39Number six.
00:18:40Second, gladiator number two.
00:18:44And third, Wellington number five.
00:18:47I lose my commission.
00:18:55Am I?
00:18:56No.
00:18:56Why should you pay?
00:18:59Well, 20%, 200,000.
00:19:0210%, two coffees.
00:19:04Mr. Gallup.
00:19:05Come on.
00:19:06Come on.
00:19:07Come on, let's go.
00:19:25Come on.
00:19:28Come on.
00:19:28Hey, what's this?
00:19:38How about this number six?
00:19:43Now do you think you can use me?
00:19:45Sure.
00:19:46Next time I have a horse, I want shot.
00:19:49I'll call for you right away.
00:19:57No, he's got a personal reason.
00:19:58I'm sorry for coming after me, and personal reasons lead to mistakes.
00:20:03Do you really believe that?
00:20:05Look at him.
00:20:06Coming out into the open like that.
00:20:09He's taking chances just to scare me.
00:20:15So that's two mistakes already.
00:20:18One, mechanics don't take chances.
00:20:20Two, I'm not scared.
00:20:22I know you're a sitting duck out here.
00:20:24Good way to get a look at the hunters.
00:20:25Mr. Marciani, I'll give you a good look at them.
00:20:31Meet me at the club, around the corner from the hotel, tonight.
00:20:37Look who I put.
00:20:39It's yesterday's.
00:20:40Come back here, you stupid bitch.
00:20:48I won't let you get away.
00:20:49Stop me.
00:20:50You'll pay for that.
00:20:51I can't wait.
00:20:52Let me send me night.
00:20:52Jesus.
00:20:53Come on, girls.
00:20:54What's happening?
00:20:55That's enough of that crap.
00:20:57Let's get some work done around here.
00:20:58Who is it?
00:21:05It's me, Angela.
00:21:06Hi.
00:21:08Annie, will you do me a favor?
00:21:10That depends.
00:21:13Annie.
00:21:15Tonight there's an American coming to the club to see me.
00:21:19And you could help.
00:21:23I tell you what.
00:21:25Later, I'll go out there and take my clothes off right in front of him.
00:21:27How's that, huh?
00:21:31You're going to spend the night with him.
00:21:35Get out.
00:21:37Oh, come on.
00:21:38Come on, Annie.
00:21:39What's the difference if, uh...
00:21:40Angelo.
00:21:42Yeah?
00:21:43Now, you know I do a lot for my friends.
00:21:45But I've got to draw the line somewhere.
00:21:46So just forget it.
00:21:47Okay, Annie.
00:21:50Sorry.
00:21:51That's all right.
00:21:52It's not the first time.
00:21:53I tell you what.
00:21:55If you're a good boy, I'll let you take me to lunch tomorrow.
00:21:58That way you can tell me about your big meeting.
00:22:01It's a deal.
00:22:04Well, we'll be watching you.
00:22:10Ciao.
00:22:11Ciao.
00:22:11Ciao.
00:22:11Ciao.
00:22:11Ciao.
00:22:17Come with me.
00:22:29Hey, what is this?
00:22:30Where are we going?
00:22:31Where are you taking me?
00:22:37Sorry, we're full.
00:22:38Who better let him in?
00:22:39Yeah, who is he?
00:22:40A very important man.
00:22:42And this is his bodyguard.
00:22:43All right, go in.
00:22:45Come on.
00:22:45What are you waiting for?
00:22:46Have a good time.
00:23:09Hi.
00:23:10Don't you want to see the show?
00:23:16Okay, I can see everything.
00:23:32Well?
00:23:34Take a look.
00:23:38Pretty, huh?
00:23:39Long story.
00:23:44What is this?
00:23:46What is this?
00:23:47You see the men in her life.
00:23:51Pasquale Russo.
00:23:53Kidnapper.
00:23:54Hunters.
00:23:58Nice work.
00:23:59Antonio Lopresti.
00:23:59Antonio Lopresti.
00:24:02Safecracker.
00:24:03His accomplice, Mario Mancuso.
00:24:05Tino Garagiola.
00:24:07Known as the chemist.
00:24:08Makes up bombs.
00:24:10Poison.
00:24:11Cooks morphine base.
00:24:12Ladies and gentlemen,
00:24:23it gives me great pleasure
00:24:24to present the lady
00:24:25you all came here to see,
00:24:27the one and only
00:24:27Lady Anne.
00:24:29Sposito Costello.
00:24:51Carries a Beretta,
00:24:51765,
00:24:53finger blades.
00:24:53And this is one of
00:24:55Gallo's hitmen,
00:24:56Gastoni Sauro.
00:24:57Hianni Sp ged bist.
00:24:59Yep.
00:25:00Meek.
00:25:01Superior Hawk.
00:25:03Tino Garagiola.
00:25:05HanaliEEE.
00:25:05displacement.
00:25:08walk.
00:25:09happy coaster doc.
00:25:10suddenly.
00:25:12somebody.
00:25:13tune.
00:25:14happy coaster doc.
00:25:14hallelujah list.
00:25:15à Grand speaking gryole.
00:25:16dym
00:25:25ch SARAX
00:25:26c
00:25:26sport.
00:26:32You better think this back where they came from.
00:26:47I will.
00:26:48Well, can I work for you?
00:26:51You already have.
00:26:53But I can do more.
00:26:55No.
00:26:56Go to bed because that's what I'm going to do.
00:26:57Good night, sir.
00:26:58Wait, Annie's coming over.
00:26:59Annie, you have an admirer.
00:27:00Mr. Lanham.
00:27:01Hello.
00:27:02Have a drink with us.
00:27:03I'll have some of yours.
00:27:04Yeah.
00:27:05I'll have some of yours.
00:27:06Yeah.
00:27:07I know such a thing.
00:27:08What's the matter?
00:27:09Your big meeting already over?
00:27:10I guess so.
00:27:11Sure.
00:27:12I guess so.
00:27:13Sure.
00:27:14If I are you or I'd shoot.
00:27:15You're worth double a life.
00:27:16If I are you, I'd never be sure.
00:27:18It's tough.
00:27:23What's your mind, you're worth double a life.
00:27:41If I were you I'd shoot. You're worth double the life. If I were you I'd still shoot. Oh, go on.
00:27:56You got in my way. You got in yours you'd have done the same. Move.
00:28:11Come on, girls. You're broke.
00:28:18Come on, get this car out of here. You can't stop here.
00:28:22Well, gentlemen, thank you very much. Goodbye.
00:28:31Oh, you bulls are all alike. Any excuse.
00:28:34Compton dupe, goddammit, you're covered with me. I ain't done nothing.
00:28:38Nothing. I earn honestly. I'm no criminal.
00:29:09I won't do that.
00:29:10All right.
00:29:12All right.
00:29:13Cheers.
00:29:14Cheers.
00:29:16civilian
00:29:19Go down there.
00:29:49Go down there.
00:30:07Go down there.
00:30:13Go down there.
00:30:17Go down there.
00:30:31Go down there.
00:30:37Go down there.
00:30:41Go down there.
00:30:45Go down there.
00:30:59Is it painful?
00:31:05Yes.
00:31:07Very painful.
00:31:09Well, it certainly sounds like glaucoma.
00:31:11Let's have another look.
00:31:13Well, it's not glaucoma.
00:31:15Just write the prescription for me.
00:31:17Better to have another look.
00:31:19Please.
00:31:21Sit down there.
00:31:27Go down there.
00:31:29Mr. Marciani, if your condition is getting worse, as you say, you may be losing your sight.
00:31:39You know, eyes are very strange instruments.
00:31:43They are both extremely tough and terribly fragile.
00:31:49Probably more so than any other organ of the body.
00:31:53You are right.
00:31:55It is not glaucoma.
00:31:57You are right.
00:31:59It is not glaucoma.
00:32:01Write the prescription, doctor.
00:32:03The same as these.
00:32:05Pylocarpine.
00:32:19Well, as long as you keep thinking that the problem is in your eyes, I suppose the drops will offer some relief.
00:32:23Personally, I recommend you try to treat the cause and not the symptoms.
00:32:29There is nothing wrong with your eyes, Mr. Marciani.
00:32:50There is nothing wrong with your eyes, Mr. Marciani.
00:32:57Okay, go on.
00:33:16I've got two boys following him into the fish market.
00:33:27No, no, no, thank you.
00:33:43The shopping spree?
00:33:46Hello. No, I was just looking for some dishes to throw out the window.
00:33:51To throw out the window.
00:33:53I guess you've never been to Naples for New Year's.
00:33:55It's crazy.
00:33:57We have firecrackers and people throw things out the windows.
00:34:00What about this?
00:34:02Yes, it's not bad.
00:34:03Let's try it.
00:34:04It's really awful, China.
00:34:08Well?
00:34:08It breaks nicely.
00:34:09Nice sound, too.
00:34:15What? What's he saying?
00:34:17He says it was a priceless antique, one of a kind.
00:34:21Tell him we'll take a half a dozen just like it.
00:34:25It's stupid, signor.
00:34:30Is Annie upstairs?
00:34:32No, she went out.
00:34:33To the market.
00:34:39You're talking about Angelo?
00:34:41I've known him for years.
00:34:43He's a friend of mine.
00:34:43He's very fond of me.
00:34:45I'm glad to hear it.
00:34:46You mean last night you left because you thought...
00:34:52Something like that.
00:34:53That's stupid.
00:34:54I've known him for years.
00:35:14What gorgeous things.
00:35:24Bye
00:35:54Hey, what's going on what's going on you had you had two hoods following you
00:36:08There were two cops Angelo never take out the lady without the chaperone
00:36:14Okay
00:36:17Now you've had a good laugh I'll get out of your way. Hey
00:36:21People who work for me don't live until I tell them to
00:36:27We need a car discreet and fast here buy one
00:36:34Okay boss
00:36:45It's about time let's go
00:36:51I
00:36:54Might have a little trouble finding boys to go after him
00:36:58Masiani's alleged
00:36:59Yeah
00:37:01Well, so is the price I'm paying
00:37:03Plenty look my boys had it, but they tried to bring him in alive
00:37:10Tell yours not to make the same mistake, right?
00:37:13Right, you know where I'll be and let me know when you've got something organized
00:37:19It's always been my dream to go there. Is it nice nice?
00:37:27Nice?
00:37:28No, New York isn't nice
00:37:31New York is like the whole world with all the good and the bad mixed together so close
00:37:36That you can't tell one from the other
00:37:38It isn't nice
00:37:41It isn't nice
00:37:44But it's beautiful
00:37:47It's really the only town there is
00:37:50Will you take me there?
00:37:52Sure
00:37:55In York there's a sound of every language in the world
00:38:00All day, all night
00:38:03Instead of hills and mountains there
00:38:06There's huge buildings
00:38:09That make you feel like a giant
00:38:11Like
00:38:11Like there's
00:38:15Nowhere else you'd ever want to be
00:38:18Except right here
00:38:20Oh, yes, except right here
00:38:24Let's go
00:38:46Oh
00:38:47does that happen in New York too in New York they don't even knock
00:38:59thank you
00:39:11what kind of medicine all the better to see you with ah the big bad wolf what did you do with
00:39:28my granny I sent her to buy some eye drops ha ha ha very funny we have to go out and buy some more
00:39:38things to throw out the window see anything in the room you like you mean I can take anything
00:39:42in here sure why not let's see that looks like a great objet now what Peter
00:40:09it's acid don't worry I'm not about to be thrown out of the window but you can add this to your
00:40:22collection come I'll show you the rest
00:40:25a whole potter please
00:40:37yes mr. Marciani I have it right here
00:40:45I'm sorry sir but I thought it was best not to disturb you yes sir I'll send it right up
00:40:54room 430
00:40:56how's this for my collection a beauty
00:41:01yeah
00:41:13yeah
00:41:17yeah
00:41:29yes yes it's me inspector
00:41:45you don't expect me to believe that do you why not lots of italian americans visit the whole
00:41:54country to see where they might have been born to look at the kind of people they might have become
00:42:00or to finish a family feud you sure you're not hungry no no no we italians have our evening meal
00:42:09in the evening not in the late afternoon well if you don't want to eat what do you want a little
00:42:15straight talk from you about what well to start with about your brother now i received a wire from
00:42:22new york this morning which says that gennaro gallo was the prime suspect in your brother's killing
00:42:27okay they didn't have enough evidence for an indictment and besides gallo was being
00:42:32deported on other charges so new york city police dropped the investigation
00:42:36now over here gallo is a respectable citizen and he has a legitimate export business
00:42:44he's watched so closely he couldn't do otherwise sounds to me like he's not being watched closely
00:42:49enough afraid you're right now if i could get him for trying to have you killed we'd be able to
00:42:56watch him through the bars of a cell see and you can tell your friends in new york the gallo was
00:43:02arrested before you could get to him the only people try to kill me are those maniacs usually
00:43:07licenses do i'm a tourist how would you like to tour one of our prisons for 10 or 15 years for the
00:43:14murder of two men in the subway last night arrest me no no gallo's hiding out someplace and you're
00:43:24going to lead me to him you can do this voluntarily then you're free to leave the country if you don't
00:43:31i'm going to keep you here forever
00:43:34thanks
00:43:43thanks
00:43:46thank you
00:44:00thank you
00:44:04Come on.
00:44:34What's happened?
00:44:46Get the car and stick close to me.
00:45:04Keep the engine running and stay ready for anything.
00:45:19May I help you?
00:45:23May I help you?
00:45:26Give me one of these.
00:45:27Come back in a bit.
00:45:48That's all I need.
00:45:49Get going, will you?
00:46:00Over.
00:46:06The inspector told me you went out last night.
00:46:08You always talk to cops.
00:46:10I had to identify a friend of mine.
00:46:11He was laid out on a slab in the morgue.
00:46:14Yeah, I'm sorry.
00:46:16I saw that.
00:46:17It was my fault.
00:46:20You keep your mind on what you're doing, not on what you've done.
00:46:23Watch out for a white house Romeo Giulia with Naples plate.
00:46:43Hey, you're blind or what?
00:47:02Cut them off down below.
00:47:17Let's go.
00:50:28Get up!
00:50:37Get up!
00:50:38Get up!
00:50:48Get up!
00:50:49Get up!
00:50:50Get up!
00:50:51Get up!
00:50:52Get up!
00:50:53Get up!
00:50:54Get up!
00:50:55Get up!
00:50:56Get up!
00:50:57Get up!
00:50:58Get up!
00:51:02Get up!
00:51:36Where's Gennaro Gallo?
00:52:01I don't know.
00:52:06Where's Gennaro Gallo?
00:52:22I don't know.
00:52:23Where is he?
00:52:26Where is Gallo?
00:52:28Who's that?
00:52:30Don't shoot your gun to the villa.
00:52:32He told us what we want to know.
00:52:46Why kill him?
00:52:47So you couldn't tell that we're now.
00:52:50What's going to happen?
00:53:21When they find that corpse at the cemetery.
00:53:23They're going to bury it.
00:53:28All right.
00:53:29Repeat what you're going to do.
00:53:30Well, first I call Annie.
00:53:35And?
00:53:36And I don't tell her where we are.
00:53:39No matter what.
00:53:42Then I go to the station, pick up the bag, and come right back.
00:53:49Okay?
00:53:52Here's your claim check.
00:53:53Thanks.
00:53:54Thanks.
00:53:54Thanks.
00:54:25Hello, Angelo.
00:54:27Where's Peter? Is he all right?
00:54:29Sure. Sure, he's fine.
00:54:31Angelo, please, tell me where he is.
00:54:33I can't.
00:54:36All right, all right.
00:54:37I guess you're right.
00:54:39But listen, will you do me a favor?
00:54:41Would you please tell him that I...
00:54:42He told me to tell you that he loves you very much.
00:54:46He did? He really did? He really said that?
00:54:49Yeah, he really did.
00:54:51And he means it.
00:54:52I'm very happy for you, Annie.
00:54:54Thank you. That's very sweet of you.
00:54:56Take care now.
00:54:57Okay, you take care. Bye-bye.
00:55:03Yeah?
00:55:04I'm his lawyer.
00:55:05All right, go in.
00:55:06Who are you?
00:55:14I'm standing in for your lawyer, Ravelli.
00:55:16He's in court and can't come today.
00:55:19He sent me to settle this business.
00:55:27Finished already?
00:55:28No, but I need the arresting officer's report.
00:55:30How do I get downstairs?
00:55:32Just follow the corridor to the right.
00:55:35You will.
00:55:36All right, now you get down here and just go through the mug shots.
00:55:49See if you've identified the lawyer.
00:55:50I'll get someone over to Ravelli's office.
00:55:55Well, what's going to happen to you?
00:55:57I don't know what's going to happen to you.
00:55:59I'm sure as hell not going to get a medal for it, I can tell you that.
00:56:02Now, just get down here fast.
00:56:07The witness?
00:56:08Right.
00:56:09Uh, what do we do now?
00:56:16Well, you can't beat him, you have to join him.
00:56:21I'm going to try to get a message to Gallo.
00:56:24Ah, the old man.
00:56:27Right again.
00:56:29I'll be at Gargiulo's.
00:56:31Keep smiling.
00:56:39I'll be at Gargiulo's.
00:57:09I'll be at Gargiulo's.
00:57:39I'll be at Gargiulo.
00:57:55Come on.
00:58:25Ah, Senor Gazzullo, I appreciate you seeing me.
00:58:34Senor Gazzullo, I want to know where Gennaro Gallo is hiding.
00:58:46And don't tell me that he has become an honest businessman.
00:58:49I mean, I know better than that.
00:58:50But I also know that Peter Marciani is looking for him for more than one reason.
00:59:01At least, you can help me get a message to Gallo.
00:59:05Now, the Americans want to see him dead now that I'm on to him.
00:59:17Is he useful to this organization here?
00:59:23You see, I have to bring in somebody for what's been going on here.
00:59:27For everything that's been going on here.
00:59:30I would settle for Marciani.
00:59:34Then...
00:59:35Then, I would help Gallo save his business and his reputation.
00:59:44If you'll help me set a trap.
00:59:47Who knows?
00:59:49It may even save his life.
00:59:52So long.
00:59:53Then, I would like to see him.
01:00:14I would like to see him.
01:00:18Me
01:00:38Where is he
01:00:43Where is he
01:00:48It's true. No, it's a lie
01:00:58Somebody call the police she's in attack
01:01:03Don't worry poor child
01:01:07I help you I come now
01:01:18And never
01:01:24Forget the dog
01:01:28Time
01:01:30Only
01:01:32It's time
01:01:33After
01:01:35In
01:01:37Yes
01:01:40Thanks
01:02:12Peter, Peter, Peter.
01:02:42Where have you been?
01:03:06How does it go?
01:03:14No problem.
01:03:15I had a car on my tail, but they didn't have a chance.
01:03:21Good.
01:03:23Go ahead, open it.
01:03:25Go ahead, open it.
01:03:53Try to rack it.
01:03:55Go ahead.
01:03:59Go ahead.
01:04:01Go ahead.
01:04:03Go ahead.
01:04:04Go ahead.
01:04:05Go ahead.
01:04:06Go ahead.
01:04:07Go ahead.
01:04:08Go ahead.
01:04:19Go ahead.
01:04:21Jesus, it does everything but pull its own trigger.
01:04:28That's just it.
01:04:36Left nipple.
01:04:39Forgive me, my lord and master.
01:04:46Try that gun.
01:04:49It's too easy.
01:04:51Turn your back to it.
01:04:53Hide the rifle in front of your body.
01:04:58And when I say go, you'll have exactly four seconds to turn, shoot, and get behind that wall.
01:05:06All right.
01:05:07I'll count.
01:05:10Go.
01:05:10One.
01:05:13Three.
01:05:15Four.
01:05:17Five.
01:05:19Six.
01:05:20Not too bad, huh?
01:05:25Not too good.
01:05:30Now look.
01:05:31There are only three important things in this business.
01:05:34The preparation, the shot, and the getaway.
01:05:38Make a mistake in any one of them, and you're dead.
01:05:41Or under arrest.
01:05:44As for the target, it's just another tin can.
01:05:47When it's hit, you don't even watch it fall.
01:05:50You're gone before it hits the ground.
01:05:53You don't hate it.
01:05:54You're not even killing it.
01:05:56You could be in death from the moment you took the contract.
01:06:09Shoot it out.
01:06:10I don't know.
01:06:11I don't know.
01:06:14Come on.
01:06:15You're the cowboy.
01:06:16Show your stuff.
01:06:25Come on.
01:06:26You can do it.
01:06:27No, I can't.
01:06:28You have to.
01:06:29Why do I have to?
01:06:31Because tonight, you're going to kill a man.
01:06:35Well, you must be very tough.
01:07:06Thank you, Doctor.
01:07:09Goodbye, Miss Inspector.
01:07:10Thank you, Doctor.
01:07:11Thank you again.
01:07:12Well, that's good news now.
01:07:14No broken bones.
01:07:15How do you feel?
01:07:17I'm all right.
01:07:19And you didn't tell him anything, did you?
01:07:22I don't know anything.
01:07:24Well, Miss, you see, you just had a little lesson,
01:07:27a little taste of the kind of game that Marciano was playing.
01:07:31You got lucky.
01:07:32So far, he's been lucky, too, but it won't last, believe me.
01:07:39Now, if you want to see him alive again,
01:07:42you have to tell me where he is.
01:07:46Even if I did know, I wouldn't tell you.
01:07:48But I don't know.
01:07:50Well, then, identify the men who beat you up.
01:07:54I didn't see their faces very well.
01:07:56Oh, come on, Miss.
01:07:58Come on, now.
01:07:59These men could lead me to the man that hired them.
01:08:07Sorry.
01:08:08I can't help you.
01:08:09You're sorry, huh?
01:08:12Is that the way you want it?
01:08:15All right.
01:08:16Now, the doctor says that you can leave the hospital,
01:08:22and that means that you are healthy enough to go to jail.
01:08:26And we will call it protective custody to start with.
01:08:33All right?
01:08:34And then if Marciano spills any more blood in this town,
01:08:37just one more drop,
01:08:38I'm going to book you as an accomplice.
01:08:41Is that clear?
01:08:43You understand?
01:08:43You understand?
01:08:46I'll send the car for you later.
01:09:11Sorry, you can't go with it.
01:09:16Well, I would like police protection for both of us
01:09:36from now until tomorrow at noon when we fly to New York.
01:09:40I'm afraid we're going to have to use two separate cells.
01:09:43That won't be necessary.
01:09:45I've arranged for your secluded cottage.
01:09:48Inspector!
01:09:48What is it?
01:09:51Nothing.
01:09:52Nothing.
01:09:52Look what the boys found out at the beach.
01:10:17Must be some political group.
01:10:19Where was it?
01:10:21In the car?
01:10:22No, further down the beach.
01:10:26Hello?
01:10:27Hello, Inspector.
01:10:28Happy New Year.
01:10:29We're going to have a big party here tonight.
01:10:34Well, I don't think so.
01:10:36No.
01:10:37I don't want to stand in your way.
01:10:40Have a good party.
01:10:41Yeah, well, I want to know how come he's in there
01:10:46while we're out here freezing our asses off.
01:10:48The guy's a killer, isn't he?
01:10:51He's an American.
01:10:55Move around.
01:10:56To us.
01:11:11To us and to our New Year's.
01:11:13Peter, how much of your life have you spent being happy?
01:11:25The first six years.
01:11:28And the last three days.
01:11:31Me too, like a child.
01:11:33We are lucky, you know.
01:11:34I'm lucky.
01:11:43I guess it's time, isn't it?
01:11:46Yes, it's time.
01:11:47Time.
01:11:47Time.
01:12:04Hey, come here.
01:12:08Quick.
01:12:11The light.
01:12:12Something's up.
01:12:14Something's up all right.
01:12:15It's getting warmer.
01:12:15Yeah.
01:12:34Good-bye, Peter.
01:12:55Good-bye, Peter.
01:12:55Good-bye, Peter.
01:13:04Look who's home for the holidays.
01:13:23What's this all about?
01:13:24We found him on the racetrack, shooting horses.
01:13:28Hmm.
01:13:30One of these days, you're going to put somebody's eye out with this.
01:13:34Sit down.
01:13:40Now, listen.
01:13:44Why, why don't you get yourself a partner who can really shoot?
01:13:48So I missed once.
01:13:50So what?
01:13:51It's harder than it looks.
01:13:53I'll bet you that Angelo never misses, huh?
01:13:56I wouldn't know.
01:13:58You wouldn't know, is that so?
01:14:00Well, you just don't want to admit that he's that good, is that right?
01:14:03Angelo's not so good.
01:14:05He's just young, that's all.
01:14:07Boy, when I was his age.
01:14:08Where is he?
01:14:09I ain't seen him since the American condo town.
01:14:13Where would he go if he wanted to hide out?
01:14:15You can go free if you tell me.
01:14:17Well, he, uh...
01:14:20Used to try to take the girls on the beach.
01:14:27The beach.
01:14:28Hmm, beach.
01:14:52God, Julo's place.
01:14:54Hmm.
01:14:55Jesus.
01:14:56Jesus.
01:14:58That stupid little bastard.
01:15:03Get me through the countervalley.
01:15:05Listen, I want three cars downstairs immediately.
01:15:12Hello?
01:15:13Yes?
01:15:14Intervalley, listen.
01:15:15Any trouble yet?
01:15:16No, everything's just fine.
01:15:18All right, now you listen to me.
01:15:20If Marciani sticks his head out that door, you shoot that bastard, you understand?
01:15:24Sure.
01:15:24But don't you worry, he's not going to move.
01:15:26Okay, let him go.
01:15:30You, come with me.
01:15:31Let's go.
01:16:01Let's go.
01:16:31If anyone gets there before I do, don't shoot the boy if you can help him.
01:16:59Let's go.
01:17:00Let's go.
01:17:01Let's go.
01:17:02Let's go.
01:17:03Let's go.
01:17:04Let's go.
01:17:05Let's go.
01:17:07Let's go.
01:17:08Let's go.
01:17:09Let's go.
01:17:10Let's go.
01:17:11Let's go.
01:17:12Let's go.
01:17:13Let's go.
01:17:15Let's go.
01:17:16Let's go.
01:17:17Let's go.
01:17:18Let's go.
01:17:19Let's go.
01:17:20Let's go.
01:17:21Let's go.
01:17:22Let's go.
01:17:23Let's go.
01:17:24Let's go.
01:17:25Let's go.
01:17:26Let's go.
01:17:27Let's go.
01:17:28Let's go.
01:17:29Let's go.
01:17:30Let's go.
01:17:31Let's go.
01:17:32Let's go.
01:17:33Let's go.
01:17:34Let's go.
01:17:35Let's go.
01:17:36Let's go.
01:17:37Let's go.
01:17:38Let's go.
01:17:39Let's go.
01:17:40Let's go.
01:17:41Let's go.
01:17:42Let's go.
01:17:43Let's go.
01:17:44Let's go.
01:17:45Let's go.
01:17:46Let's go.
01:17:47It happens all the time.
01:18:14Let's go.
01:18:15Let's go.
01:18:16Let's go.
01:18:17Let's go.
01:18:18Let's go.
01:18:19Let's go.
01:18:20Let's go.
01:18:21Let's go.
01:18:22Let's go.
01:18:23You're not the killer.
01:18:24Be grateful for it.
01:18:44Let's go.
01:19:14No, no.
01:19:16No, no.
01:19:17Robert!
01:19:18No, no.
01:19:19No, no!
01:19:21Let's go.
01:19:23No, no, no.
01:19:24No!
01:19:25No!
01:19:29Peter!
01:19:31It's the night, when people get rid of things that they don't need anymore.
01:19:43anymore. I don't need you anymore.
01:20:13He got gallop. Well, you fooled me, mister. In many ways. I almost believed you, Mr. Marciani.
01:20:43I don't know.
01:21:13I don't know.
01:21:20So you were there when he got it. He always used to work alone.
01:21:43Now, what's all this about a message for me? There's something you made up so you could
01:21:50ask for a job. You've got quite an imagination. No. Peter knew that you paid Gallo to kill
01:21:58his brother. Here's the message.
01:22:05I don't know.
01:22:12I don't know.
01:22:19I don't know.
01:22:26I don't know.
01:22:33I don't know.
01:22:40I don't know.
01:22:47I don't know.
01:22:48I don't know.
01:22:49I don't know.
01:22:50I don't know.
01:22:51You've made your choice.
01:22:57From now on, you'll work for us in Peter Marciani's place.
01:23:04I don't know.
01:23:11I don't know.
01:23:12I don't know.
01:23:13I don't know.
01:23:14I don't know.
01:23:16I don't know.
01:23:17I don't know.
01:23:18I don't know.
01:23:19I don't know.
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