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Sweetpea - Season 1 Episode 4 - kisskh
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Transcript
00:01The following programme contains strong language, violence and scenes of a sexual nature.
00:27Barrett? Yes, ma'am?
00:28I just got Jackson Pollocked. Suspect opened a couple...
00:30People I'd love to kill.
00:32Don't suppose you could pop into Next and buy me a tub on your way in?
00:35The DI, for calling me at inappropriate times, asking me to do inappropriate things.
00:39No man-made fibres as well.
00:44My landlady, for having a bath every fucking morning.
00:50Mrs. Wheeler, the water was cold again.
00:53Gosh, I'm sorry.
00:55Perhaps you should try waking up a touch earlier.
00:58Ensure you get some.
01:11Whoever let these jokers join the police?
01:13I mean, I took a video because I thought I'm probably first on the scene.
01:21Make sure you get DNA evidence.
01:23That's how they...
01:24Witnesses who've listened to too many true crime podcasts.
01:27Of course, death looks like loads of stabbing.
01:29And of course, people who think they can actually kill people.
01:43And get away with it.
01:44I scroll on my tongue, back of my throat, like it's finite.
01:53Only so long I can chew till I choke, hide in plain sight.
01:57What have you done, my rabbit run, caught in the headlight?
02:01And I'm weak now.
02:14So say my name like I'm ten feet tall.
02:18Are you afraid like I'm going to?
02:22I guess my blood's morning colder.
02:37What the fuck?
02:57This is actually a kidnapping.
02:59You're doing a kidnapping.
03:01Well...
03:02It was meant to be a murder, but...
03:04Once again, you have to go and ruin everything.
03:06Rhiannon, please.
03:11Rhiannon, you're clearly going through something because of your dad.
03:15So why don't I get out of your hair,
03:17and you can call the Samaritans or something.
03:21Are you taking the piss?
03:22We were kids! It was a joke!
03:24A joke!
03:25You bullied me until I started pulling my hair out.
03:28That was years ago, Rhiannon.
03:30We're adults now. You need to get over it.
03:33It's not healthy being so stuck in the past.
03:35I wore a wig until I was 23.
03:41Rhiannon, I'm stuck here because of you.
03:44You did this.
03:46You made me feel fucking invisible, Julia.
03:50And I stayed in this town, in this house because of you,
03:54and now you're trying to take that away from me too.
03:57I don't care about your shit life, you...
04:00You're fucking done, Julia.
04:03This is just like you, Rhiannon.
04:07Stop it.
04:09Stop what?
04:11I'm not the one playing out some dramatic kidnap fantasy.
04:14You're a murderer now. A serial killer. Fuck off.
04:17Actually, to be a serial killer, you have to have killed three people, and I've only killed two. So...
04:23This is weird, Rhiannon. Why are you so fucking weird? You're not a victim. You're a fucking loser who blames everyone else for your shit life.
04:35You just can't stand that my life is actually good, and you have nothing to do.
04:37You just can't stand that my life is actually good, and you have nothing to do.
04:41Killing me won't change that. Wait! I'll deal with you later.
04:44You just can't stand that my life is actually good, and you have nothing. Killing me won't change that. Wait! I'll deal with you later.
05:11I'll deal with you later.
05:41Noooo.
06:08I'm not a loser.
06:35Fucking hell!
06:36Oh, my God.
06:38Let's see if that's a week.
06:39We're doing your shit together.
06:40Craig, I need to speak to you.
06:42Oh, Rhiannon, hi.
06:44Fucking what are you doing?
06:46Now!
06:51Look, about last night...
06:55What about it?
06:56You flirting with Julia,
06:57or you helped me sell my house out from under me.
06:59I had no idea that you didn't know about the house.
07:02Who said you could put your shirt back on?
07:04Come back on.
07:07Sit.
07:08Whoa.
07:09You like Julia?
07:10You like Julia?
07:12Ow!
07:13Ah!
07:14Shut up.
07:15Shut up.
07:16You like Julia?
07:17Ow!
07:18Ah!
07:19Shut up.
07:20Oh, my God.
07:21I can't do that.
07:22I can't do that.
07:23Can you do it?
07:24Oh, I can't do it.
07:25I can't do that.
07:26You need to breathe.
07:27I can't do it.
07:28Yeah, I can't do it.
07:29Whoa!
07:30Wow!
07:32Do you like Julia?
07:33Whoa.
07:34You like Julia?
07:35Ow!
07:38Shut up.
07:45Oh my fucking God.
07:50Look at me.
07:52What? Rhi!
07:54Fuck!
08:05Ah!
08:09Ah!
08:11Ah!
08:13Ah!
08:21You're so fucking hot.
08:23Oh shit.
08:30Oh.
08:32Look at me.
08:35Look at me. Look at me.
08:37Look at me.
08:38Look at me.
08:40Look at me.
08:41Look at me.
08:42Ah!
08:44Ah!
08:46Ah!
09:02Rhi, that was magical.
09:05Yeah.
09:06Why does he feel quite emotional?
09:10Oh fuck.
09:17Yeah.
09:18When can I see you again?
09:20When I say you can.
09:22All right.
09:38Hi Saren, it's me.
09:39Just wondering when you were going to tell me that you agreed enough with Julia to buy Dad's house.
09:43If you could stop pretending that I don't exist, that would be great.
09:46Thanks.
09:47Oh, I'm sorry.
09:48Did I make you uncomfortable?
09:49Oh, I'm sorry.
09:50Did I make you uncomfortable?
09:51Oh, I'm sorry.
09:52Did I make you uncomfortable?
09:53Oh, I'm sorry.
09:54Did I make you uncomfortable?
09:55Oh, I'm sorry.
09:56Did I make you uncomfortable?
09:57Morning.
09:58Morning.
09:59Morning.
10:00Morning.
10:01Morning.
10:02Morning.
10:04Oh.
10:05Oh.
10:06Oh.
10:07Just working on the old dexterity.
10:08Got a bit of a weak grip.
10:09I've got a scoop for you.
10:10People tend not to be uncomfortable.
10:11Oh.
10:12Oh.
10:13Oh.
10:14Oh.
10:15Oh.
10:16Oh.
10:17Oh.
10:18Oh.
10:19Oh.
10:20Oh.
10:21Oh.
10:22Oh.
10:23Oh.
10:24Oh.
10:25Oh.
10:26Oh.
10:27Oh.
10:28Oh.
10:29Oh.
10:30Oh.
10:31Oh.
10:32Oh.
10:33Oh.
10:34Oh.
10:35Oh.
10:36Oh.
10:37Oh.
10:38Oh.
10:39Oh, it's not to say a scoop in the real world, sweet pea.
10:41Tzay, lead or exclusive.
10:43It's about the murders.
10:45Geoff?
10:46I'm not telling you what it is unless you promote me.
10:48Junior reporter like Ajay.
10:51What's going on?
10:52She wants to be a junior reporter.
10:54We both know I deserve it.
10:56Well.
10:57I'm not sure we are there just yet, sweet pea.
11:00You would never have gotten the real Ryan story without me.
11:03You know that. I know you'll love this one.
11:05It's bigger than a double murder.
11:07And the Telegram haven't got a whiff of it yet.
11:08We don't need two junior reporters, Norman.
11:10One's bad enough.
11:14Trial period. Probationary.
11:17What?
11:17OK.
11:18This is blatant box ticking.
11:19I mean, people wonder why white men are so depressed.
11:21I'm sorry, this is absolutely...
11:22If it makes you that sad, Geoff, you can take a personal day.
11:33Not so fast. Story first.
11:37Missing woman. Think she could be our third victim.
11:39Come off it. That's such a tenuous link.
11:42And if it was a missing person, I'd know about it.
11:43I know people. Police people. So, yeah, I'd know about it.
11:46Not if the police don't know about it yet.
11:49Who's your source?
11:51Yeah, good one, Geoff.
11:53You go right it.
11:56Junior reporter.
11:57Should you be doing that?
12:12You're a reporter now.
12:16I hope it doesn't end up being one of those Hunger Games-type scenarios
12:19where you and I have to fight to the death in a bid to survive.
12:23Yeah, you'll be all right.
12:24I heard there's a job going on reception now.
12:27I'm happy for you.
12:30Thanks.
12:31You really wanted this.
12:33Got that vibe the first time we met.
12:35And there's something about you.
12:38Anyway, the second murder victim.
12:42Bit of a tosser, apparently.
12:43Local landlord.
12:46Two-bed flats with, like, 18 people living in them.
12:49Evicted a single mum and her newborn
12:51so he could exploit a load of immigrants.
12:53I'm thinking we have, like, a vigilante on our hands,
12:56like a kind of murder-y Robin Hood kind of thing.
12:59You do.
13:00That's...
13:01That's a pretty cool take.
13:06Do you...
13:06Do you think it's any good?
13:09I mean, if it's true, then, yeah, I think it's cool.
13:15Cool.
13:15Well, maybe I'll pitch it to Norman.
13:19Maybe I'll get you a third murder victim.
13:22What?
13:23Because I, uh...
13:24I think I found one.
13:26Yeah.
13:27I'll let you know.
13:29Okay.
13:33Um...
13:34Quiz at the bell later?
13:36Yeah, sure.
13:38Oh, it's on me.
13:39And, yeah, I'll just do the rest of these.
13:40It's good practice, but...
13:43Conception.
13:52Yeah.
13:53Ooh, paperwork.
13:54I'll just chuck it in the bin.
13:56Yeah, there's just so many dead ends to work through.
13:58Well, I can always give it to someone else
13:59if it's too inconvenient for you.
14:01Not at all.
14:02I love it.
14:03Love paperwork.
14:04Love it.
14:05It's just...
14:08I think it's a dead end.
14:10Uh, DS Stager and I
14:11spoke to everyone at the club
14:13and no-one saw anything.
14:14I was hoping to go join the others
14:16at the second crime scene.
14:17Rory said something about a witness
14:18mentioning some laddie lads.
14:20Did you look into that?
14:21Yeah.
14:21I just didn't think being laddie qualified
14:23is much of a motive, ma'am.
14:25That's not what I asked.
14:27I need facts, DC Farrah,
14:28and you're giving me your interpretation, so...
14:30Go back through the CCTV, look into it.
14:32Focus on your task.
14:35Oh, and I've got a few more for you
14:36for on the second victim.
14:37A bit dry for my tastes.
14:39Read them all.
14:42Right, let's do this, team.
14:44These are the cases podcasts are made of.
14:46Oh.
15:05Hi, it's Rihanna.
15:21Oh, all okay?
15:27Wow.
15:27Oh, my God, wow.
15:29So, she just didn't come home?
15:35Shit.
15:37No, I know.
15:38I mean, yeah, I would be too.
15:40Well, you know, um, I actually work at the Gazette.
15:48No, I, uh, just got promoted, actually, so...
15:53Uh, I could speak to my editor.
15:55Maybe write a piece about Julia's disappearance.
15:59You draw attention to it.
16:00You know, the first 24 hours are the most vital.
16:05Okay, great.
16:07Yeah, no, uh...
16:09Yeah, that, that sounds good.
16:11So, I'll, uh...
16:13I'll see you there.
16:16Great, okay, uh, bye.
16:24Uh, going to meet some contacts for the story.
16:28Yes!
16:31Who knew, eh?
16:36So, uh, what made you think that something was wrong with Julia?
16:39She hasn't posted a story in 17 hours.
16:41Like, not even a meme.
16:43It is really unlike her.
16:45She's not responded on the group chat, either.
16:47And she is such a quick texter.
16:49Yeah, that is...concerning.
16:51And then Marcus said she didn't come home last night.
16:54Honestly, that's the most worrying thing.
16:55They do everything together.
16:57He came to my hen do.
16:58They're so sweet together.
17:00Hm.
17:01Sounds like the perfect relationship.
17:04No problems whatsoever.
17:06You know, it pretty much is.
17:08It's actually kind of sickening.
17:09What about other areas of her life?
17:11Is she worried about anything?
17:13Under pressure at work?
17:15Wedding stress?
17:16Mm, no.
17:18Well, did she have any enemies?
17:21Is there anyone that might have wanted to harm her?
17:24What?
17:24No.
17:26Everyone loves Julia.
17:28Sorry, why are you asking that?
17:30Oh, just, uh, context, really.
17:34People love some of the details.
17:35The worse, the better.
17:36So, if you can think of anything...
17:39Look at you.
17:40Being all...
17:42Quarterly.
17:42Well, you know, just doing my job, really.
17:46It's great to see you doing so well now.
17:49I know things were hard at school.
17:53Not that hard.
18:00No.
18:00I mean, doesn't everyone think school is hard?
18:04This is really nice.
18:06Yeah.
18:07Well, no, because our friend is missing.
18:10But, I mean, catching up.
18:13We should go for drinks.
18:14You seem like really fun now.
18:16Oh.
18:17Yeah.
18:18I am.
18:21Yeah.
18:22Boom.
18:24What are you up to?
18:25Oh, playing Where's Wally with a bunch of rugby lads.
18:30What?
18:31I'm following up on the Rhianna Lewis state week.
18:33She said she saw some dodgy lads the night of Ryan Lloyd's murder.
18:36Oh, the one whose dog died?
18:38Yeah.
18:39Ah.
18:40I don't know if I'd go out the night my dog died,
18:42but then again, grief affects us all differently.
18:45Yeah.
18:47Sweet girl.
18:54Yeah, I've got, like, three more hours of this to be.
18:55Yeah, them, there.
19:00I'll leave you to it, then.
19:02That's for you, by the way.
19:04Uh-huh.
19:07Yeah, really scary.
19:08I'm sorry.
20:10Hi.
20:11Hi. Marcus. I'm Rhiannon Lewis. I work at the Gazette. Julia's friends got in touch.
20:17Right. How can I help?
20:20I'm writing a piece about Julia's disappearance. Raise awareness. Help. Should I find her?
20:25Please. Come on in.
20:26Um, can I get you a cup of tea? Coffee?
20:31Yeah, thanks.
20:34I like your home. It's very modern.
20:38Yeah, no, this is Julia's favorite type of architecture. When we first bought the place, it was just completely soulless, but she really put her mark on it. She made a whole Pinterest board just on couches, and I made fun of it. But now I can't stop looking at that couch wondering, is she ever going to sit there again?
20:55Um, so, why don't you tell me what's happened?
21:01She's just never done anything like this before, you know. She always replies to my texts, and, um, until last night, and she didn't come home. I just...
21:09I just don't know what to do, you know? What do people do in these situations? I just feel so fucking useless. Sorry.
21:21So what did you do?
21:23Well, when I couldn't reach her around seven, I, um, I checked to find my friends, and that was turned off, and we're always able to reach one another, you know?
21:33And you don't know where she could have gone? She said she had no plans last night?
21:37We go through our plans every morning. She said she was coming straight home after work, and she gets off at 6.45.
21:43And how have things been between you? Are you happy? Is she happy? Any secret drinking problems or anything?
21:52I don't know, you have to ask that question. It's just, no, no, we're... We're fine. We're good, you know.
21:58And, um, have you reported her disappearance to the police yet?
22:10Um, yeah, first thing this morning. I mean, I would have done it last night. It's just, you know, I kept hoping she'd walk through the door, but then she didn't, and then it was six o'clock in the morning.
22:21Uh, what did the police say?
22:24Um, just that they'd keep an eye out.
22:29Keep an eye out? Doesn't seem very thorough.
22:34I'm sure they're doing everything they can.
22:39Do you have any photos I could use for the article?
22:43Yeah, this one.
22:46She's so joyful here.
22:47Yeah.
22:51Maybe too joyful.
22:54Do you have anything more, uh, wistful, maybe?
22:58Wistful?
23:00Yeah.
23:00Yeah, I've got just the one.
23:01Mm-hmm.
23:21Yeah, I've got just the one.
23:31Mm-hmm.
23:34Yeah.
23:38Mm-hmm.
23:45Mm-hmm.
23:47Mm-hmm.
23:47If you could return this after you're done, I'd really appreciate it.
24:17One night after too much chat-to-pap, we picked our missing person photos for a laugh.
24:25This was her idea, like she knew.
24:32I'll take care of her for you.
24:38What time did you go to the club?
24:40About 11, until late.
24:44Were you with anyone?
24:45Pidge, Annie, Lucille, Julia Blenkinsop.
24:49Hello, Badgertons.
25:06I would like to speak to Julia Blenkinsop, please.
25:09I'm afraid Julia's unavailable.
25:10This is DC Farrah, calling from the North Berkshire Police.
25:14It would be great to speak to her as soon as possible.
25:16As I said, she's unavailable.
25:18I'd recommend calling tomorrow.
25:20Look, she'll be back tomorrow.
25:32Spa weekend, lovers tiff, drugs bender.
25:35I mean, there's loads of reasons.
25:37This is a reckless report here.
25:39Night, Jeff.
25:40Yeah.
25:41What do you think, Phil?
25:43It's official.
25:44You're a published writer.
25:45Oh!
25:46I'm so sorry.
25:47No, it's fine.
25:48Hold on.
25:49Oh, thanks.
25:50Sorry, my phone's ringing.
25:53Hi, Saren.
25:55Julia offered a great price, and I had to make a decision.
25:56I knew you'd freak out.
25:57Well, because you didn't even...
25:58Of course you exist.
25:59You're making me very aware of that.
26:00But I'm the oldest, and I need a deposit.
26:01This is happening.
26:02I can't get hold of Julia to finalise, but the survey is coming round today.
26:05Oh, no.
26:06Oh, no.
26:07Oh, no.
26:08Oh, no.
26:09Oh, no.
26:10Oh, no.
26:11Oh, no.
26:12Oh, no.
26:13Oh, no.
26:14Oh, no.
26:15Oh, no.
26:16Oh, no.
26:17Oh, no.
26:18Oh, no.
26:19Oh, no.
26:20Oh, no.
26:21Oh, no.
26:22Oh, no.
26:23Oh, no.
26:24Oh, no.
26:25What?
26:26When?
26:27Not...
26:28Yeah, now.
26:29He's got keys, so you don't have to put yourself out.
26:30Fuck.
26:31Oh.
26:32Is everything all right?
26:33Uh, yeah, fine.
26:34I just...
26:35I have to sort something at the house.
26:36I'll take the pile.
26:40Hey!
26:41Stop!
26:42This is trespassing!
26:43Oh, no.
26:44It's, um...
26:45I'm Neil, the surveyor, from Badgerton's.
26:47She said you could come into my house.
26:48Oh, there's Stella.
26:49Stella Gleeson, from...
26:50from Badgerton's.
26:51Yeah, well, Stella doesn't know what she's not about,
26:52because we're not selling.
26:53So...
26:55Uh...
26:56Are you sure?
26:57Because Stella said...
26:58Get the fuck off my porch, Neil.
26:59Get the fuck off my porch, Neil.
27:29Oh.
27:30I know.
27:31Come on.
27:42Yeah.
27:43Yeah.
27:44Be quiet!
28:10You wouldn't bother.
28:12Nobody can hear you.
28:14Perks of living on a dual carriageway.
28:16Should have put that in the listing.
28:19Anyway, I'm going out, so...
28:21You're just going to exhaust yourself.
28:23But...
28:25What's that?
28:27Why am I celebrating?
28:29Oh, well, because my life's not shit any more.
28:36You know, I got a promotion today.
28:38Published an amazing story.
28:40A deep dive into a local estate agent.
28:44A woman who seemed to have it all and then, poof, just disappeared.
28:51Ended up dead.
28:56See?
28:57Don't underestimate me.
29:06Somebody help! I'm not going to go!
29:09Help!
29:10You know, I used to think about you dying all the time.
29:26All my life would be like if you weren't in it.
29:29And do you know what?
29:30I think it will just keep getting better.
29:32This is insane.
29:34You're going to get caught.
29:36Marcus will be looking for me and then...
29:38But you turned off your fine my friends when you went to see Craig last night, didn't you?
29:44Marcus told me.
29:46Cocked that up, didn't you?
29:47Is that my top?
29:51Yeah, it is.
29:53Nice wine, by the way.
29:55Yeah, thanks for that.
29:57And your house just...
29:59Anyway, like I said, I'm going out, so...
30:03I'll deal with you later.
30:05You look shit.
30:11Like one of those child beauty pageant contestants.
30:15Creepy little preteen.
30:16You can insult me all you want when you're dying tonight.
30:46You can insult me all this out.
30:49I'll do it anyway.
30:50But, now, I'm so sorry.
30:53I'm sorry to go.
30:56I just want you to say you, I won't be the only one heartache.
31:00I just want you to start.
31:02You're so sorry.
31:04I know I have this.
31:05I was scared.
31:06I can't say you're not too bad.
31:09I mean, you're the only one heartache.
31:11You're the only one heartache and you're the only one heartache.
31:15and the answer is
31:23Cheryl Swede
31:25hey
31:28hey
31:29where are the others
31:30well I thought
31:31it's just us
31:33but I can
31:35call Jeff
31:36oh no
31:38cool yeah
31:41that's
31:41don't do that
31:43thanks
31:48are you alright
31:54it's all
31:54all I get at home
31:56yeah
31:58why
31:59what do you mean
32:00no I don't know
32:00I just
32:01thought you've been
32:02a bit
32:03you're just
32:08scared I'm coming
32:09for your job
32:10so
32:11no I'm not
32:11and now
32:13for the bonus
32:14question
32:15right the category
32:16is
32:17famous
32:18murderers
32:19in honour of
32:21those poor
32:22men
32:22in 1972
32:24Seattle's Crime
32:25Prevention Advisory
32:26Committee
32:27unknowingly appointed
32:29which
32:30serial killer
32:31uh
32:34uh
32:36Charles Manson
32:37um
32:3770s
32:38too
32:38oh the chainsaw guy
32:40Ed
32:41yeah
32:42John Wayne Gacy
32:43no it's Ted Bundy
32:44Ted Bundy
32:45you sure
32:45it's Ted Bundy
32:46it's Ted Bundy
32:46pens down
32:50for five bonus points
32:52the answer was
32:54Ted Bundy
32:56yes
32:56yes
32:57you are full
32:58of surprises
32:59oi
33:02get your hands
33:03off my missis
33:03he wasn't
33:05oh
33:05sorry
33:06you two
33:07his face
33:08I'm fucking
33:09with you
33:10she's not my
33:10poem
33:11yet
33:12you up
33:15mate
33:15oh
33:16I'm AJ
33:19alright yeah
33:21he's
33:22Craig
33:22that's
33:23quite a grip
33:24yeah mate
33:25that's a grafter's grip
33:25that's what that is
33:26yeah
33:26I'm on the tools all day
33:28do you know what I mean
33:28picking up concrete blocks
33:29yeah that's my gym
33:31so
33:31cool
33:32yeah
33:33actually do you mind
33:35if I
33:35grab her for a couple of minutes
33:37is that okay
33:37it'd be good if we could
33:39actually finally talk some business
33:40we keep getting distracted
33:41yeah
33:42we keep having sex
33:44yeah
33:45yeah
33:46yeah I'll
33:47leave you to it then
33:49oh
33:49AJ you don't
33:50no I do actually
33:51have to go
33:52because it was supposed to be a quick point
33:53so
33:54yeah
33:55I'll um
33:56I'll see you at work
33:58look at that mate
34:01it was a bit moist didn't he
34:05good
34:10alright
34:11uh what
34:14AJ
34:18AJ come on
34:21AJ
34:23AJ
34:24fuck's sake
34:35Marcus
34:36it's okay
34:38you alright
34:39I'm fine
34:40I'm fine
34:42she back
34:45she come back yet
34:48it's fine she'll be back
34:50she always comes back
34:51when a monzo runs out
34:53what Marcus
34:54you
34:54you
34:55Marcus
34:56what do you mean
34:59you said that she hasn't done this before
35:01you called the police
35:02you called the police
35:02yeah I lied
35:04I know she'll be back
35:06Marcus
35:06we need to talk
35:07give me the keys and drive me home
35:09right
35:16so you're going to tell me what's really been going on then
35:18I'm not sure Julie would like that
35:27fuck her
35:29what
35:30she doesn't even love me
35:32Marcus
35:33what do you mean you said that everything was
35:35you said that everything was done
35:36yeah
35:37Marcus what's coming on
35:39spring rolls
35:39watch them
35:41yeah okay
35:42and
35:43spring rolls
35:44okay
35:45what else you want
35:48hello
35:52hello
35:54okay
35:58you
36:00you
36:13you
36:14you
36:18I don't know.
36:48I don't know.
37:18I'm on to you.
37:25That hurts, Rhiannon.
37:27You make it look like you've got this perfect life, but actually, it's all fake, isn't it?
37:38What?
37:38Everyone thinks that you're fucking lovely, that you've got this fucking lovely life, but actually, you don't, do you?
37:48And you're not.
37:50You're awful.
37:52I know it.
37:55Marcus knows it.
37:57Marcus?
37:59What's he got to do with it?
38:01That's right.
38:02You won't have seen his many, many messages.
38:06So, I'll share them, shall I?
38:08Why won't you fucking reply?
38:14You always do this, you fucking bitch.
38:17Why are you always trying to hurt me?
38:20I'm going to kill myself, and it will all be your fault.
38:26It's fucking abuse.
38:28You're abusive.
38:29That's not even the worst of them.
38:33Fuck off, Rhiannon.
38:35So, what'd you do to him?
38:37Nothing.
38:38Right, you must have done something, because he is not happy with you.
38:43I didn't do anything.
38:44What was it?
38:45Did you erode his self-worth in general context in the world?
38:48No.
38:49You ruin lives, Julia.
38:52You're like cancer, or climate change, or Russia.
38:59Yeah.
39:00The world would be a better place without you.
39:04Except, at least with Russia, everyone knows what a psycho Putin is.
39:08No one even knows about you.
39:10And by the time they do, it's too late, because you've already destroyed them.
39:14Fine.
39:15I'm a terrible person.
39:17I deserve him.
39:18I deserve this.
39:20It's all a lie.
39:22I'm a huge fucking fake.
39:24Is that what you want to hear?
39:29What?
39:31He's a fucking monster.
39:42I don't know how to get out.
39:43I don't know how to get out.
39:46I don't know how to get out.
39:51I don't know how to get out.
39:53He controls everything.
39:56I don't know how to get out.
39:57I don't know how to get out.
39:59I don't know how to get out.
40:03I don't know how to get out.
40:17Oh, fuck me.
40:23Cheeky. Careful, I'll have you up for inappropriate conduct.
40:27Apologies, ma'am. I hadn't realised I'd answered so quickly.
40:31Robust reflexes. Good thing you're not on the gun squad, eh?
40:34Yeah.
40:35Listen, have you seen the gazette?
40:37A woman's gone missing, says the husband reported it this morning,
40:41but, well, I've had a look and there's nothing on file.
40:44We need to get across this. Can't take any chances.
40:47Oh, my God.
40:51Is everything OK?
40:52Uh, yeah, I think I might have something. Can I call you back?
40:57Cheeky, be all nice.
40:57Meow.
40:59Meow.
41:00Meow.
41:00Meow.
41:01Meow.
41:03Meow.
41:05Meow.
41:07Meow.
41:09Meow.
41:11Meow.
41:13Meow.
41:15You got them all by the balls, causing waterfalls, stone walls, barbells, common stalls at constant halls.
41:39To you they crawl, bodies sprawl, sloped in palm walls, close calls, stand tall, doll, you make them feel so small.
41:46And they love it!
41:59The boys wanna be her, the girls wanna be her, the boys wanna be her, the girls wanna be her, the boys wanna be her, the boys wanna be her,
42:08the girls wanna be her, the boys wanna be her, I wanna be her, yes I do.
42:15New London
42:211
42:212
42:242
42:251
42:302
42:331
42:352
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