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00:00:00Musik
00:00:30Musik
00:01:00Musik
00:01:30Go flute
00:01:32K
00:01:51know
00:01:52all time
00:01:54any new customers
00:01:55Yep
00:01:56five last night
00:01:573 suicides
00:01:58Die anderen zwei, wir wissen nicht was.
00:02:00Okay, ich werde den Hingern.
00:02:01Okay.
00:02:28I can't recognize this guy. What hit him?
00:02:37A subway train. He jumped off the 42nd Street station last night.
00:02:58Hello? Oh yes, Mr. Bloom. Yes, we have a report on your case.
00:03:28We've located your wife in Philadelphia. She's at a hotel over there.
00:03:32Oh, I'm sorry. I can't mention names over the phone.
00:03:35You better come down here and we'll give you the details.
00:03:38All right. Goodbye.
00:03:41Have you had any news from my Clara yet?
00:03:44Who's handling your case? Mr. Conlon.
00:03:47If you'll just step in there, I think you'll find Mr. Conlon.
00:03:50Thank you.
00:03:56Yes?
00:03:57Yes?
00:03:58This is Miss Topsy Gordon and her press agent, Mr. Angle.
00:04:03Where do you locate Miss Gordon?
00:04:04We found her hiding out in a farm up near Albany.
00:04:08Miss Gordon, you have got this considerable time and expense looking for you.
00:04:12Why did you disappear?
00:04:13It was a publicity stunt.
00:04:15A scheme my press agent invented to get my name and picture in the papers.
00:04:19I'm opening in a play on Broadway called The Blue Moon.
00:04:22If we could have kept her hidden for another week, she would have landed on the front page of every paper in the country.
00:04:27This department is up to its neck trying to be of service to people who need us badly.
00:04:31If you waste the time of my men for a cheap stunt like this, I ought to throw you both in jail.
00:04:35Oh, please don't. We were only trying to...
00:04:37Yes, I know. Trying to fool a lot of people including the police department.
00:04:40Well, I'll forget it this time, but get out.
00:04:45When did you say she disappeared, Mr. Newbury?
00:04:47Night before last.
00:04:48She was your housekeeper, you say?
00:04:49Yes, Miss Wilson had been with me for nearly six months.
00:04:52Sort of looking after things for me.
00:04:54You're a bachelor?
00:04:55Yes.
00:04:56Did she cop anything?
00:04:58I mean, did she take anything with her?
00:05:01No, she was not the kind of a woman who would steal.
00:05:03She was a good Christian woman.
00:05:04Went to church every Sunday morning and prayer meeting on Wednesday nights.
00:05:08You said you had some news from me, Captain?
00:05:11Yes, I think I have.
00:05:12At the same time, I hope I haven't.
00:05:14That's why I brought you out here.
00:05:15I don't believe that your wife is in any condition to be of much help to us now.
00:05:32That body was taken out of the East River this morning.
00:05:36Is that your daughter?
00:05:52We found your wife at this address.
00:05:54We've had a talk with her and she's willing to come back.
00:05:56I think you'd better go see her.
00:05:58No, I can't.
00:06:00I can't do it.
00:06:02After all the trouble we've had to find her,
00:06:05you won't even go and talk to her?
00:06:06No, I'm afraid.
00:06:09Afraid of your wife?
00:06:10No, afraid of myself.
00:06:13Afraid I might kill the guy that took her away from me.
00:06:16I'm a dirty rat.
00:06:22Give me that address.
00:06:24She's of medium height, about 36 years of age,
00:06:26auburn hair and brown eyes.
00:06:29That's right.
00:06:32What were your relations with this woman?
00:06:34She, she was my housekeeper.
00:06:38Is that all?
00:06:40You don't think for a moment that I'd have improper relations with my...
00:06:43She was a good Christian woman, went to church regularly.
00:06:45She's going to be the first time she's been killed.
00:06:46I would suggest that you forget all about Miss Wilson.
00:06:47But I was very fond of her.
00:06:49I don't understand.
00:06:51No, of course you don't.
00:06:52This is simply her form of racket.
00:06:53She finds herself a nice, lonesome bachelor, such as you are,
00:06:55and moves in under the respectable title of housekeeper.
00:06:59Yes, but...
00:06:59It's all right, it's all right.
00:07:00I have no wish to pry into your personal relations with this woman.
00:07:02That's none of my business.
00:07:03I'm simply telling you that when she grows tired of one man,
00:07:04she disappears and finds herself another.
00:07:06But she was a...
00:07:07Yes, yes, I know.
00:07:08I know.
00:07:09I know.
00:07:10I know.
00:07:11She was a good Christian woman.
00:07:18Hey!
00:07:18Where do you think you're going?
00:07:19I'm looking for two blondes and a white horse.
00:07:20Hey, wait a minute.
00:07:21You can't go in there.
00:07:22I'll bet you down at six bits.
00:07:23I'll bet you're going to miss him.
00:07:24That you're going to miss him.
00:07:25I'll bet you're going to win six bits.
00:07:26About nine and ten years later.
00:07:27One bens of each other gets a whole.
00:07:28Yes, give me the time to take the bird.
00:07:29And he's not giving you a great man to hang.
00:07:30And that's the kind of thing.
00:07:31How do you say, Hilary?
00:07:32And it's the only thing to do,
00:07:34that's not my work.
00:07:36You are looking for two blinds and a white horse.
00:07:37Wait a minute.
00:07:38You can't go in there.
00:07:39$6.00.
00:07:45Hi, Skipper.
00:07:47Oh.
00:07:49Detective Butch Saunders, eh?
00:07:51In the flesh! Can you imagine that Dizzy Dame out there?
00:07:52I didn't even know who I was.
00:07:54You want an apology?
00:07:55No, that's all right, Captain.
00:07:56Let it pass.
00:07:59Well,
00:08:01how's the kindergarten getting along?
00:08:03Kindergarten?
00:08:05Oh, oh.
00:08:07We're doing all right.
00:08:08You know,
00:08:09the trouble with this joint is,
00:08:11they're all too soft around this bureau.
00:08:13You waste a lot of time looking for runaway guys,
00:08:15and after you find them, you act like they was doing you a favor.
00:08:17You're up against hoodlums and gorillas,
00:08:19just like we are in the robbery detail.
00:08:21You ought to shoot and slug and ask questions later.
00:08:23Yes, I understand you're pretty good at that sort of thing.
00:08:25Me? I'm the best guy in the robbery detail.
00:08:27When they send me after anybody, I bring them in.
00:08:28I got five notches on my gun and plenty more on my knuckles.
00:08:31I can go after them.
00:08:31Congratulations.
00:08:32And get your feet off my desk.
00:08:34Where do you think you are at home?
00:08:35Okay, Chief.
00:08:36Tell me I'm supposed to come over and see you.
00:08:37What do you got? A tough pickup or something?
00:08:38I'm always willing to oblige.
00:08:40Thanks, that's splendid.
00:08:41Well, make it snappy.
00:08:42I got to get back to the department.
00:08:43I handle a couple of cases over there.
00:08:44You got to get over to what department?
00:08:45Robbery detail.
00:08:46No, no.
00:08:47This is your department.
00:08:50What do you mean?
00:08:51I've been...
00:08:51Transferred, yes.
00:08:53You now belong to the kindergarten.
00:08:57You don't seem very enthusiastic.
00:09:00Who's been double-crossing me?
00:09:02I think it was a fellow by the name of...
00:09:05Butch Saunders.
00:09:07Huh?
00:09:08Have you any idea why you've been transferred?
00:09:10Sure, those monkeys over there are afraid of me.
00:09:12They know I've got too much on the ball.
00:09:13No, no.
00:09:13I'll tell you why, Saunders.
00:09:15You're a good, hard-boiled, two-fisted cop.
00:09:17That's right.
00:09:18But you're bullheaded and you're stupid.
00:09:20You know all about knocking a man's teeth out and dragging him down
00:09:22and throwing him into the jug, but you don't know anything about using your brains.
00:09:26Well, I got the best record for arresting the department.
00:09:27Oh, I know.
00:09:28More arrest than anybody in the department.
00:09:30Unnecessary arrest, many of them.
00:09:32Our business is to protect, not persecute the public.
00:09:35Anybody ever tell you that?
00:09:37Yes, paragraph three, instructions for detectives.
00:09:40Oh, oh, you've read the book.
00:09:42That's splendid.
00:09:43Well, Saunders, I'm going to give you a chance to learn a little discipline here.
00:09:46I'm going to give you a chance to learn to use your brains.
00:09:49And if you don't learn, I'll transfer you right down the line.
00:09:52You'll probably wind up as a night watchman somewhere.
00:09:54What am I supposed to say?
00:09:55Thanks.
00:09:56It might be better if you didn't say anything for once in your life.
00:10:01If we're going to work together, let's get a few things straight.
00:10:05You know, we're not dealing with mugs and gorillas altogether in this department.
00:10:10We very seldom make an arrest.
00:10:12We don't have to.
00:10:13Our business is to find people who, for some reason or other, have lost themselves.
00:10:17We restore them to their friends, their families, and their jobs.
00:10:21And that doesn't require strong-arm methods.
00:10:23That requires brains.
00:10:25So you'll probably do some of your best work.
00:10:28Sitting in a chair, thinking.
00:10:33That's great.
00:10:34Desk job, huh?
00:10:36You know, I work very closely with the men that are assigned to me.
00:10:41And I like to feel that we're all friends.
00:10:46So how about you, Butch?
00:10:47Well, let's check with me.
00:10:51Good.
00:10:52And another thing.
00:10:53I am the head of this department.
00:10:56I don't always tell all I know.
00:10:59So until you're the head man here,
00:11:03I make all the decisions.
00:11:05Got that?
00:11:06Oh, that's all right, Captain.
00:11:08It won't take me long.
00:11:09What won't take you long?
00:11:11I'll become head man here.
00:11:20Hey.
00:11:21How many hours on murder?
00:11:24Uh, two.
00:11:26Yeah, yeah, that's right.
00:11:27Two.
00:11:32Oh, men.
00:11:33Chief.
00:11:34We've got a new boy in school.
00:11:38This is Detective Butch Saunders.
00:11:39I am.
00:11:40Just been transferred to this department.
00:11:42So get your eyes open, Butch.
00:11:44See what you can pick up around here.
00:11:45Kind of familiarize yourself with the files
00:11:47and current cases.
00:11:49Maybe I'll assign you to a district in a few days.
00:11:51Right, Chief.
00:11:53You look out for him, will you, Joe?
00:11:54Okay, Chief.
00:11:58You a homicide man?
00:11:59No, robbery.
00:12:01The guy you're replacing was a rape man.
00:12:02He was no good on this stuff.
00:12:04Too much of a one-track mind.
00:12:05Yeah, I always hate to see homicide and rape men come in here.
00:12:08Largo came over from assault, but he got over it.
00:12:10He's our jigsaw puzzle expert.
00:12:14Oh, what do you have to do, jigsaw puzzles too?
00:12:16Well, sometimes we get an unidentified body so badly caught up,
00:12:19it's a puzzle to put them together again.
00:12:21I had a beautiful case this morning.
00:12:23Come here.
00:12:32Take your hands at that.
00:12:34You'd never think that was the human body, would you?
00:12:36All chopped up and stuck in a suitcase.
00:12:39When I put it together, ain't it, honey?
00:12:41We identified it through the gold fillings in her teeth.
00:12:43If you ever get one like that, hang on to her teeth.
00:12:46I still think it might be Gwendolyn.
00:12:48You're dope.
00:12:49Has she got a mole in her chin?
00:12:50I know.
00:12:51Gwendolyn.
00:12:52Gwendolyn Harris.
00:12:53Hank's been looking for it for six months.
00:12:55She disappeared the night after her wedding.
00:12:57Still might be Gwendolyn.
00:12:58She might have had that mole removed by electricity.
00:13:00Electricity would have left the sky anyway.
00:13:01She's a blonde, ain't she?
00:13:02Well, that don't mean anything, does it?
00:13:03Oh, go away.
00:13:05Oh.
00:13:06I'm working on a case now.
00:13:07Maybe you can be of some use to me.
00:13:09Look, see this guy?
00:13:10Yeah.
00:13:11He left home a couple of days ago.
00:13:12Said he was going on a business trip, but he didn't.
00:13:15His wife and kids are taking it pretty hard.
00:13:17We haven't given to the papers yet,
00:13:18because Captain Webber's got a hunch on this one.
00:13:20He thinks the guy's right here in town with a lady friend.
00:13:23I get it. Works on hunches, does he?
00:13:25Well, I found out he's got a little blonde uptown.
00:13:27I'm going up to see her now.
00:13:29I got an idea.
00:13:30That guy is right up there doing a hideout.
00:13:40You mean Caesar Paul, the boy violinist?
00:13:43Yes.
00:13:44And we demand that he be found immediately.
00:13:46Can you imagine?
00:13:47Symphony Hall was sold out for tonight,
00:13:49and now we have to return the money.
00:13:51How old did you say he was?
00:13:53Twelve.
00:13:54A baby.
00:13:55He knows nothing at all about the world.
00:13:57We've brought him up so carefully.
00:13:58A little fool.
00:14:00He becomes more ungrateful every day.
00:14:02Ungrateful for what?
00:14:04Ungrateful for all we've done for him.
00:14:07We've made him the greatest violinist in the world.
00:14:10Why, he's played before Keynes,
00:14:12and now he runs away and treats us like this.
00:14:14Is this description of him correct?
00:14:15Yes.
00:14:16I'll send out a general alarm.
00:14:18Calling all cars.
00:14:19Calling all cars.
00:14:20Calling all cars.
00:14:21Missing person.
00:14:22Caesar Paul.
00:14:23Boy violinist.
00:14:24Age twelve.
00:14:25Height five feet.
00:14:27Weight between 90 and 100 pounds.
00:14:29Dark curly hair.
00:14:39Hey, you.
00:14:42We're looking for a guy named Kingman.
00:14:44What apartment is he in?
00:14:46I don't know.
00:14:47Don't give me that.
00:14:48Awesome, Butch.
00:14:49Go easy, will you?
00:14:50Easy?
00:14:51What are you guys running?
00:14:52A school for fans?
00:14:53These Kingman's in his joint,
00:14:54and I'm gonna find him.
00:14:55Come on, now.
00:14:56Wait a minute, Butch.
00:14:57You ain't raiding no speakeasy.
00:14:59Where's this guy's apartment?
00:15:02You mean the big tall fellow?
00:15:03We mean that guy, right there.
00:15:05I don't know.
00:15:06You square head.
00:15:07I'll bust him in the cabin.
00:15:08Wait, wait, wait.
00:15:09I'll tell you.
00:15:10Apartment twenty-one.
00:15:11Sometime he'll come there.
00:15:12Twenty-one, huh?
00:15:13Well, why didn't you say so?
00:15:14Go on out and get a cab, Joe.
00:15:15I'll handle this.
00:15:39No, Burton.
00:15:40Don't go.
00:15:43Oh, don't be silly, dear.
00:15:44No one knows who I am here.
00:15:53Who is it?
00:15:54Come on, Kingman.
00:15:55Open up.
00:15:59Hurry, Burton.
00:16:07Come on, hurry up.
00:16:09Come on.
00:16:10Come on.
00:16:11You're gonna open up.
00:16:30What do you mean by breaking in my apartment?
00:16:32How dare you?
00:16:33I'll call the police and have you arrested.
00:16:34Well, I'll save you the trouble.
00:16:35Now, where's Kingman?
00:16:36I'm sure I don't know.
00:16:37Oh, yes, you do.
00:16:38Come on, Alice in Wonderland.
00:16:39Where's the boyfriend?
00:16:40Come on.
00:16:41Where did he go?
00:16:42I tell you, I don't know anything about it.
00:16:43And keep your dirty hands off me.
00:16:47So you got him up, did you?
00:16:50Well, you're not as dumb as you look.
00:16:55Say, young fellow.
00:16:56What right of you to annoy this young man?
00:16:57She and a guy named Kingman been playing house,
00:16:59and I'm gonna find him.
00:17:00You're gonna pay for that door?
00:17:01I'm sure I'm gonna pay the war debt too,
00:17:02but I'm gonna find the Airedale that was in this room.
00:17:04I won't stand for this kind of treatment for anyone.
00:17:06I'm going to move.
00:17:07Please, Miss Gray.
00:17:08Come on, sister.
00:17:09You're going bye-bye.
00:17:10What do you mean?
00:17:11I'm taking you down to the department.
00:17:12You mean you're arresting me?
00:17:14Oh, no.
00:17:15We're going out canoeing.
00:17:16I won't go.
00:17:17I don't have to.
00:17:18I've done nothing.
00:17:19Go on.
00:17:20Button up your mug.
00:17:21You're going places.
00:17:22I'll sue you for that door, you understand?
00:17:23I'll sue you for that door.
00:17:24You'll have to pay.
00:17:25Here you are, Chief.
00:17:26The guy took a potter,
00:17:27but I brought the girlfriend.
00:17:28Will you please,
00:17:29keep your hands off me.
00:17:30Oh.
00:17:31So you'll run out of me, could you?
00:17:32Just a minute, Sandra.
00:17:33Just a minute.
00:17:34A young woman.
00:17:35Do you know this gentleman?
00:17:36No, I never met him before in my life.
00:17:38This is the most insulting thing
00:17:39that's ever happened to me.
00:17:40Well, why are you doing this?
00:17:41You're doing this?
00:17:42A young woman.
00:17:43Do you know this gentleman?
00:17:45No, I've never met him before in my life.
00:17:47This is the most insulting thing
00:17:49that's ever happened to me.
00:17:50Well, why are you doing this?
00:17:51Well, why have you brought this girl here?
00:17:53Why, you want to find Kingman, don't you?
00:17:55She knows where he is.
00:17:57Here's his pajamas.
00:17:59Found him in her apartment.
00:18:00This is Mr. Kingman, right here.
00:18:06Never mind, Alice.
00:18:07I've confessed everything.
00:18:09I had to.
00:18:10We'll straighten everything out.
00:18:12You had no right to annoy this young lady.
00:18:15I'm very sorry this happened.
00:18:17And I think, Sandra,
00:18:19that you owe the lady an apology.
00:18:20Apology?
00:18:23Me?
00:18:24Certainly.
00:18:25You brought her here against her will.
00:18:26That was quite unnecessary.
00:18:27Mr. Kingman was missing,
00:18:29not the girl.
00:18:33Well, I...
00:18:34I'm sorry, babe.
00:18:37I'll take you home in a taxi.
00:18:38Not while I'm conscious.
00:18:42May I go now?
00:18:43Certainly.
00:18:44Thank you, Captain.
00:18:45May I go too?
00:18:46No.
00:18:47I think you'd better wait.
00:18:53Well...
00:18:54Goodbye, Burton.
00:18:57Goodbye, Alice.
00:19:04You know, Mr. Kingman,
00:19:05and Mr. Kingman,
00:19:06we still have your case to settle.
00:19:09Very kind of you to come in with Mr. Music
00:19:10and explain your disappearance.
00:19:13Well, I...
00:19:14I had no idea it would cause so much trouble.
00:19:17I must have been mad to have done such a thing.
00:19:20Unfortunately, there are those who love you very much.
00:19:25If I should report this incident,
00:19:26it wouldn't do my department any good,
00:19:28and it might ruin the happiness of your wife and children.
00:19:31I know a lot about human weaknesses, Mr. Kingman.
00:19:34But it's not my business to blame you
00:19:36or condone what you've done.
00:19:38My business was to find you.
00:19:41And now you've got to find some means
00:19:43of restoring you to your family
00:19:44without them knowing the truth.
00:19:46Well, that...
00:19:47that's very considerate of you.
00:19:50I'd like to keep the truth from my family
00:19:52if it's humanly possible.
00:19:53There's a little town called Allendale,
00:19:56about 60 miles from here.
00:19:58You buy a ticket to that town.
00:20:00I'll see that the Allendale police
00:20:02pick you up as an amnesia case.
00:20:04Then I'll notify your wife.
00:20:06And you'll be sent home as a man
00:20:07who has temporarily lost his bearing through over work.
00:20:10Your family will be so glad to see you.
00:20:12They won't ask any questions,
00:20:13and you can go back to being a model husband again.
00:20:17Well, that's...
00:20:18that's the most human thing I've ever had happen to me.
00:20:21that happened to me.
00:20:26I...
00:20:28I won't forget your kindness to me.
00:20:30No.
00:20:31No.
00:20:32I'm trying to be kind to your wife and children.
00:20:37Thank you.
00:20:38Well, Skipper,
00:20:39we sure solved that one in a hurry, didn't we?
00:20:40Yes.
00:20:41For only one day in the department,
00:20:42you're making quite a showing.
00:20:43Thanks.
00:20:44I guess there's any chance
00:20:45to do a thing the wrong way,
00:20:46and you've overlooked it.
00:20:47It's because the day's too short,
00:20:48and you're a little cramped for time.
00:20:49You know, Saunders,
00:20:50you're getting nearer that night watchman's job.
00:20:51quicker than I thought.
00:20:52You drop that cigarette on the floor.
00:20:54Pick it up and put it in the basket.
00:20:58Missing Persons Bureau.
00:20:59Yeah.
00:21:00Detective Hank Slade speaking.
00:21:01Huh?
00:21:02What was his name?
00:21:03Oh, I'm sorry.
00:21:04You're not asking,
00:21:05but I'm not asking.
00:21:06You're making quite a showing.
00:21:07Thanks.
00:21:08I guess there's any chance
00:21:09to do a thing the wrong way,
00:21:10and you've overlooked it,
00:21:11because the day's too short,
00:21:12and you're a little cramped for time.
00:21:13Das ist der Fall.
00:21:15Der Fall.
00:21:17Der Fall.
00:21:19Der Fall.
00:21:21Was er?
00:21:23Gottfried.
00:21:25Das war gut.
00:21:27Nachmittag.
00:21:29Bitte eine Bezeichnung?
00:21:31Ja.
00:21:33Der Hände.
00:21:35Der Hände.
00:21:37Der Hände.
00:21:39Der Hände.
00:21:41Der Hände.
00:21:43Der Hände.
00:21:45Der Hände.
00:21:47Der Hände.
00:21:49Der Hände.
00:21:51Der Hände.
00:21:53Der Hände.
00:21:55Der Hände.
00:21:57Hast du eine Bezeichnung von Gremlin?
00:21:59Nein.
00:22:01Ich weiß nicht.
00:22:03Es gibt eine neue Bezeichnung von der Morgue.
00:22:05Ich glaube, ich werde mit meiner Familie gehen.
00:22:07Du kannst nicht wissen.
00:22:09Du kannst sie finden.
00:22:11Ja, ich werde mit meiner Bezeichnung.
00:22:13Das ist das.
00:22:39Ich werde mit meiner Bezeichnung von Gryan verbraten.
00:22:43Du kannst die Bezeichnung von Gryan herauskennen.
00:22:45Ich werde mit einer Bezeichnung von Gryan herauskennen.
00:22:47Aber Sie werden eine Bezeichnung von Gryan herauskennen.
00:22:49Das ist das nicht.
00:22:50Sie werden über die Bezeichnung von Gryan herauskennen.
00:22:52Das war's.
00:23:22Ich bin der Mann.
00:23:24Ich bin der Mann.
00:23:26Ich bin der Mann.
00:23:28Ich bin der Mann.
00:23:30Ich bin der Mann.
00:23:32Ich bin der Mann.
00:23:34Das ist mein Haus.
00:23:36Geh aus!
00:23:38Es ist ein guter Schlauch.
00:23:40Ich hoffe, dass ich einen Schlauch nicht find.
00:23:42Du schlauchst auch?
00:23:44Ja.
00:23:46Aber nicht sagen.
00:23:48Ich bin der Mann.
00:23:50Was hast du da?
00:23:54Sie sind gut.
00:23:55Wo hast du sie?
00:23:56Der Mann.
00:23:58Ja?
00:24:00Kann ich dir ein Bier?
00:24:02Okay, danke.
00:24:07Wie lange hast du hier gemacht?
00:24:0910 Tage.
00:24:10Wann du das?
00:24:12Nein.
00:24:13Es ist großartig.
00:24:15Ich bin der Mann.
00:24:17Wir haben viel Spaß.
00:24:19Du machst.
00:24:20Was?
00:24:21Was?
00:24:22Was?
00:24:23Was?
00:24:24Was?
00:24:25Was?
00:24:26Was?
00:24:27Was?
00:24:28Was?
00:24:29Ich habe zwei von der Mannschaft.
00:24:31Oh, du willst mit deinen Fisch.
00:24:34Du willst mit deinen Gehirn.
00:24:36Wie ich mache.
00:24:38Ich würde mich ein großer Schlauch.
00:24:40Du bist ein großer Schlauch.
00:24:42Ich habe zwei andere Schlauchte.
00:24:44Ich habe zwei andere Schlauchte.
00:24:46Ich habe zwei andere Schlauchte.
00:24:47Ich habe zwei andere Schlauchte.
00:24:48Ja.
00:24:49Ja.
00:24:50Nein.
00:24:51Nein.
00:24:52Nein.
00:24:53Nein.
00:24:54Nein.
00:24:55Das war sie.
00:24:56Das war sie.
00:24:57Wer ist sie?
00:24:58Wendelin Harris.
00:24:59Was du noch für diese Frau?
00:25:01Ich habe mir gedacht.
00:25:02Ich habe mir gedacht.
00:25:03Ich habe mir gedacht.
00:25:04Du hast einen Chinamen in Shanghai.
00:25:06Oh, ja?
00:25:14Ich habe mir gedacht.
00:25:16Ich habe ihn auf 10th Avenue.
00:25:17Ich habe ihn im Hintergrund.
00:25:19Oh, ja.
00:25:20Wie geht's dir?
00:25:21Ich habe mich gut.
00:25:22Ich habe ihn.
00:25:24Wo hast du ihn?
00:25:25Ich habe ihn auf 10th Avenue.
00:25:26Ich habe ihn auf dem St.
00:25:27Schlauchte.
00:25:28Warum?
00:25:29Warum?
00:25:30Ich habe ihn aus dem St.
00:25:32Ich habe ihn verletzt.
00:25:33Ich habe ihn verletzt.
00:25:34Ich bin auch immer zu spielen.
00:25:35Ich bin sehr gerne zu spielen.
00:25:36Ich bin sehr froh.
00:25:37Ich bin sehr froh.
00:25:38Ich bin sehr froh,
00:25:39wenn ich in den Theater vor allem.
00:25:40Ich bin ein Genie.
00:25:41Ich bin nicht so ein Genie.
00:25:43Ich möchte nicht so ein Genie.
00:25:45Ich möchte mich wie andere Kinder.
00:25:48Ich habe keine Lust.
00:25:50Ich habe immer noch etwas Spaß.
00:25:51Ich habe immer wieder zu sein.
00:25:53Ich bin sehr schön.
00:25:54Ich denke, es ist schön schön zu sein.
00:25:57Ich bin sehr froh.
00:25:59Ich bin sehr froh.
00:26:01Ich liebe ihn.
00:26:02Mein Vater machen mich immer noch immer.
00:26:04Ich ich bin nicht für mich,
00:26:06oder mich,
00:26:07wie andere Kinder.
00:26:09Ich bin so, ich bin aus.
00:26:12Ich verstehe.
00:26:13Ich verstehe.
00:26:14Du bist so froh.
00:26:16Ich bin glücklich, dass du ihn hast.
00:26:18Oh, mein ganzes Schatz.
00:26:19Mein Alexander.
00:26:20Mein lieber Herr Escher.
00:26:21Wo sind Sie?
00:26:22Was haben Sie?
00:26:24Oh, du bist so froh.
00:26:26Schau mal, deine Kleine.
00:26:28Do you realize that you have to play with the symphony tomorrow
00:26:31and you haven't practiced for 10 days?
00:26:33I won't play anymore.
00:26:35Don't tell me what you'll do and what you won't do.
00:26:37We've got contracts.
00:26:38Wait a minute, Mr. Porra. Why don't you leave them alone for a while?
00:26:40What do you know about music?
00:26:41Well, never mind the music.
00:26:43Why don't you give the kid a break?
00:26:45Let him be a boy. Let him play with boys.
00:26:48Let him have some fun once in a while.
00:26:50You're driving the kid away from you.
00:26:52I think we've successfully raised this genius without your help thus far, young man.
00:26:55Come, darling. We'll go home now and get a nice bath and some nice clean clothes.
00:27:01Now, look what you did.
00:27:04Come on, dear.
00:27:12Well, believe me.
00:27:14If I'd have known they were like that, I'd have left the kid on the roof.
00:27:19Excuse me, please.
00:27:21I want to see Detective Butch Saunders.
00:27:24And it's awfully personal.
00:27:25Well, if it's personal, it can wait.
00:27:26Oh, but it can't wait.
00:27:29I haven't seen him in a long time and I want to surprise him.
00:27:31Well, you know how it is when you haven't seen anybody in a long time.
00:27:36All right, I'll tell him you're here.
00:27:37Oh, no.
00:27:39Now, that would spoil everything.
00:27:41Oh, come on, now, please.
00:27:43All right, he's in there.
00:27:45Thanks.
00:27:46Thanks.
00:27:46Thanks.
00:27:49Oh, but you want you?
00:27:49Oh, but you want you?
00:27:50Oh, but you want you?
00:27:51Oh, but you want you?
00:28:14Oh, I certainly will, Inspector.
00:28:15Yeah, yeah, I'll be down in about five minutes.
00:28:17And about that other matter, well, wait a minute.
00:28:19Will you get out of here?
00:28:20Can't you see this is important?
00:28:22Hello, Flatfoot.
00:28:24I'm in again.
00:28:24Oh, why don't you break out with the hives and scratch yourself to death?
00:28:28Let me get out of here.
00:28:29What for?
00:28:30I just caught up with you.
00:28:32Yeah, and I'm sick of you catching up with me.
00:28:34What do you think this is?
00:28:35I think it's payday.
00:28:36Oh, listen, Bill, why don't you give me an even shake?
00:28:39I'm going to be an important guy around here if you let me alone.
00:28:42What did I ever do to you?
00:28:43You married me.
00:28:44I sure didn't know what I was doing that night.
00:28:47Oh, you don't want me.
00:28:49And I certainly haven't got any end for you.
00:28:50Now, why don't you give me a break?
00:28:52Every time I give you a break, you tell me how broke you are.
00:28:54Listen, Bill.
00:28:56Why don't you and me get a nice quiet annulment or something?
00:28:59You know, call the whole thing off.
00:29:00Nothing doing, come across.
00:29:03If you don't lie off on me, I'm going to punch your ears off.
00:29:05Oh, no, you're not.
00:29:06You wouldn't want me to start a scandal around here, would you?
00:29:09Or have you a jug for none support?
00:29:11It might not be so good for your job, you're such an important guy around here.
00:29:15Come on, Butch, be nice.
00:29:17Well, how much do you want?
00:29:20How much have you got?
00:29:27You sure you can spare this?
00:29:29Oh, certainly, darling.
00:29:30Come on.
00:29:34Haven't you had any news from my Clara yet?
00:29:37I'm sorry, Mrs. Gilchrist, we haven't heard a thing.
00:29:40Well, Joe, you haven't heard anything, have you, about, uh...
00:29:43No, sir.
00:29:44But I'll telephone you as soon as we do hear.
00:29:46And you'll keep looking, won't you?
00:29:48Certainly.
00:29:49Thank you.
00:29:53I found her at Clara this morning.
00:29:54You did?
00:29:55Where?
00:29:56In jail over in Brooklyn.
00:29:57They pinched her last night for lifting the guy's wallet.
00:29:59I didn't think you'd want to tell her, you old girl.
00:30:04No, no.
00:30:06Hello, is this the morgue?
00:30:08Yeah.
00:30:10This is Detective Hank Slade.
00:30:12Yeah, you got a stiff down there by the name of Gwendolyn Harris?
00:30:16No, Gwendolyn Harris, female.
00:30:20Now, let me know if she turns up, will you?
00:30:22Good-bye, darling.
00:30:25See you soon.
00:30:29Blessing you.
00:30:30You let that dame in there again and I'll...
00:30:32Could I speak to you a minute?
00:30:33What?
00:30:34I said I'd like to speak to you a minute.
00:30:35Well, haven't you spoken to this young lady?
00:30:36Oh, she's so busy and I've been waiting here an awfully long time.
00:30:40Oh, you mean I'll do?
00:30:41It doesn't make any difference who I speak to
00:30:42as long as someone in the Bureau can help me.
00:30:44Okay, beautiful.
00:30:45You're a cinch.
00:30:46Come on in.
00:30:48This is Theodore Arno, Captain.
00:30:49We located Mr. Arno in Galveston, Texas.
00:30:51He was running a small candy shop there.
00:30:55This is Theodore Arno, Captain.
00:30:56We located Mr. Arno in Galveston, Texas.
00:30:59He was running a small candy shop there.
00:31:00Sit down. Sit down, Mr. Arno.
00:31:05Thank you.
00:31:06Here we go, Tony.
00:31:07I want to speak to Mr. Arno alone.
00:31:09Well, Mr. Arno,
00:31:10it's taken us over a year to find you.
00:31:13This is one case I can't figure out.
00:31:15Your wife tells me that you've been married for 10 years.
00:31:18Happy and contented and good income.
00:31:20I'm happy and happy and happy and happy.
00:31:23I'm happy and happy and happy and happy.
00:31:26I'm happy and happy and happy and happy.
00:31:29And good income.
00:31:31In fact, I understand that your wife is a very lovely woman.
00:31:34Very devoted to you.
00:31:35That's just the trouble, sir.
00:31:37She was too devoted.
00:31:39Well, I wouldn't call that trouble.
00:31:44This is a little embarrassing to explain, but I'll try.
00:31:49You see, sir, my wife is 15 years younger than I am.
00:31:54She's youthful, vivacious.
00:31:56We married 10 years ago, but she never seemed to realize that our honeymoon was over.
00:32:02I was an accountant.
00:32:04It's hard work, long hours.
00:32:06Justice to both of us, I left my wife.
00:32:08It seemed to be the only solution.
00:32:10Yes, I think I understand.
00:32:12What can I do?
00:32:13If I return home, the same thing is bound to happen again.
00:32:16Oh, no, no, no, no.
00:32:17You go back to your wife and have a talk with her.
00:32:19Tell her, explain that you've both grown up.
00:32:22Tell her that you still love her, but she must settle down to a quiet, normal married life.
00:32:27Under those conditions, you'll be satisfied to remain at home.
00:32:30She must face the facts.
00:32:33Our honeymoon can't last forever.
00:32:37I'll try it.
00:32:38I'll go back to her and have a talk.
00:32:40Good.
00:32:41I shall be glad to hear from you.
00:32:43Thank you very much.
00:32:44Goodbye.
00:32:48Oh, Captain Webb.
00:32:50Yes?
00:32:50Captain Webb, this is Mrs. Roberts.
00:32:53Mrs. Roberts?
00:32:55She and her husband are up from Baltimore.
00:32:56They had a little fight in the hotel room last night and the guy walked.
00:33:00Well, I've known lots of husbands quarrel with their wives and now turn up for two or three days.
00:33:05Did your husband drink much?
00:33:07No.
00:33:07No, he's very sensitive.
00:33:09He's had two attacks of amnesia.
00:33:10Always talks about going on a ship.
00:33:12I've been watching the docks all day.
00:33:14I'm afraid that's what he's done.
00:33:16I must find him.
00:33:17I never should have let him out of my sight.
00:33:18This is serious.
00:33:20Have you been married long?
00:33:23No.
00:33:23Oh, bride and groom, eh?
00:33:26Have you a photograph of your husband that might help us identify him?
00:33:39Is that the best one you have?
00:33:41That's all I have here.
00:33:42That's a false mustache.
00:33:44He's clean-shaven.
00:33:45That might be a picture of anybody.
00:33:47Well, you couldn't do much with that.
00:33:50Sorry.
00:33:51Just give Detective Sanders the details of how your husband is dressed,
00:33:54any marks of identification, and we'll run a circular without any picture.
00:34:00Come and see me when you're through.
00:34:01What's your full name?
00:34:09Norma.
00:34:10Norma Robas.
00:34:11Norma.
00:34:12What does this bird...
00:34:16What does your husband have on?
00:34:18Well, his clothes are gone.
00:34:19I don't know.
00:34:20He usually wears tweeds.
00:34:21Oh, tweeds.
00:34:22How about his eyes?
00:34:23Gray.
00:34:25Hair?
00:34:25Dark, a little gray at the temples, except when he dyes it.
00:34:30Height?
00:34:32About six feet.
00:34:34Weight?
00:34:35Oh, about 185, I guess.
00:34:38How about his teeth?
00:34:40Fair.
00:34:41Gold filling in this one.
00:34:44Any marks or scars, you know, tattoo marks?
00:34:47I don't think so.
00:34:48Vaccination.
00:34:50I guess so.
00:34:50Well, on his right or his left arm or on his leg.
00:34:57I really don't know.
00:34:58You don't know?
00:35:00You never had a good look at this guy, did you?
00:35:02Oh, yes.
00:35:04Jewelry?
00:35:06Well, he's a thin gold chain in his left wrist.
00:35:08No Masonic rings or oxy, anything like that?
00:35:10No.
00:35:11What do you smoke?
00:35:13Tobacco, I suppose.
00:35:14Yeah, I know that, but I mean, cigars, pipe or corn silk?
00:35:19Oh, cigars.
00:35:21Drink?
00:35:23A little.
00:35:24Does he swear?
00:35:26Off.
00:35:29Well, that finishes it.
00:35:31But aren't you going to do anything now?
00:35:33Sure, we're going to do plenty.
00:35:34I mean, now, this minute.
00:35:36Will you go to the docks with me tonight?
00:35:37There are ships sailing.
00:35:38Well, I go with you.
00:35:39Listen, beautiful, I'll go anywhere with you.
00:35:40How about having dinner with me tonight?
00:35:41If you only go to the docks with me.
00:35:43No, dinner first, docks afterwards.
00:35:44Now, I've got to talk business with the captain.
00:35:45Tell you what I'll do, I'll pick you up at 7 o'clock.
00:35:47What do you say?
00:35:49It's a date.
00:35:50Can you imagine my husband running away with my cook?
00:35:57We'll do everything we can to find your husband.
00:35:59Oh, never mind about him.
00:36:01I want my cook.
00:36:01I want my cook.
00:36:05Oh, captain.
00:36:07Here's all that over, and this is Robert's husband.
00:36:08Guess I better get to work on it, huh?
00:36:09I don't know whether I'll let you handle this.
00:36:11This is not in your district, you know, Butch.
00:36:13Oh, gee, I've gone this far with it.
00:36:15I certainly would appreciate it if you let me go through with it.
00:36:17You think you can handle it?
00:36:18I'll bet you down to six bits.
00:36:21You seem to have taken a lot of interest in this case.
00:36:24Well, I suppose I would, too, if I was 20 years younger.
00:36:27All right, hop to it.
00:36:28Thanks, captain.
00:36:39What do you say, beautiful?
00:36:41Let's go in and tie on the nose bag.
00:36:42I'm not hungry.
00:36:44Well, maybe you're not.
00:36:45But I am.
00:36:47Come on.
00:36:58Give me a cigarette, will you?
00:37:00Okay, beautiful.
00:37:05Say, do you like onions?
00:37:06I'm not hungry.
00:37:08I asked you if you liked onions.
00:37:11I don't care.
00:37:12Look, I'm only trying to put a little hot food into you.
00:37:14You're tired.
00:37:15It'll do you good.
00:37:16Two hamburgers with onions, a couple of jabbers.
00:37:19Hey, buddy, slip us the salt, will you?
00:37:22All right.
00:37:23Thanks.
00:37:26Say, what time is it?
00:37:27No, it's about 12.30.
00:37:30Hey, lady, let's get sugar, will you?
00:37:32Say, listen, you know this thing hanging around the dark sea and two or three ships off every night isn't going to get you anything?
00:37:42We've got every dark cover and you can't be in 17 places at once.
00:37:46Yeah, but I just can't sit still in a hotel room.
00:37:48There are a hundred ways you might get away.
00:37:50I've got to feel I'm doing something.
00:37:52Anyhow, those men of yours hardly looked at the people going up the gangplank tonight.
00:37:56Oh, no?
00:37:57Well, don't kid yourself.
00:37:59Hey, buddy, throw us the ketchup, will you?
00:38:01Yes.
00:38:04Right.
00:38:06Thanks.
00:38:08Say, do you ever find many people that get lost that way?
00:38:10Sure, about 90% of them.
00:38:12Yeah, but there are some you don't find, aren't there?
00:38:14Say, will you quit worrying about that slug you're with me now?
00:38:17Well, I've got to find you.
00:38:18Supposing you don't?
00:38:20Listen, you don't know what it means to me.
00:38:26Gee, it certainly must be swell to have somebody care for you like that.
00:38:29I wish it was me you were looking for.
00:38:34Hope you know I appreciate all you're doing for me.
00:38:35Ah, forget it.
00:38:36I can't forget it.
00:38:38They don't want to tell you something.
00:38:40I'm going to keep right on looking for this guy, but it's one time I hope I flop.
00:38:44But if I do flop, it'll be the first time in my life.
00:38:52Sugar, salt, pepper, ketchup.
00:38:53Seven.
00:39:09Now, Joe, this is Mr. Case.
00:39:11Do you remember Mr. Case's son disappeared about 10 days ago?
00:39:13Yes, sir.
00:39:14He disappeared on his way to Atlantic City.
00:39:16Today, Mr. Case received this note and these pigeons.
00:39:23That's a hot one.
00:39:39How are you going to get a line on them?
00:39:41Listen, I want you to tie paper instead of money to the legs of each one of these pigeons.
00:39:46Charter a fast plane, release the pigeons, take a couple of men,
00:39:49and follow these birds by plane to the hiding place.
00:39:52But, Chief, I'm a guy with both feet on the ground.
00:39:55The minute there's nothing under me, I get sick.
00:39:59All right, all right, never mind.
00:40:01Conlon, you handle this, but step on it.
00:40:03All right, Mr. Case.
00:40:13You know, every time I get in one of those bird cages, I feel like a canary.
00:40:17Say, tell me something.
00:40:18What are you living in a joint like this for?
00:40:20That's all I can afford.
00:40:21Besides, I won't be here long.
00:40:23You won't, huh?
00:40:25Say, it's awfully late.
00:40:28I don't think you'd better come in.
00:40:29Oh, that's okay, beautiful.
00:40:31I know the house deck.
00:40:46The joint looks like it's haunted.
00:40:50There, they all lost tomorrow.
00:41:02Ich bin schon.
00:41:15Wie geht's mit mir?
00:41:18Du hast mich nicht mehr gesehen, von Tag nach Tag nach Tag?
00:41:22Nein, ich bin gut.
00:41:25Wie geht's mit dir?
00:41:26Ich bin gut.
00:41:28Aber ich kann nicht sagen, dass du mich ausstattest.
00:41:30Warum nicht? Ich bin jung und wütend.
00:41:34Ich werde auf der Bühne arbeiten.
00:41:36Wenn der dumm Mann ausgesucht hat,
00:41:40hat er nicht mehr Geld gegeben?
00:41:41Nicht so.
00:41:45Hat er genug Geld für dieses Ratsnest?
00:41:48Nein, es geht nicht.
00:41:50Ich bin gut.
00:41:51Ja? Was für Geld?
00:41:53Der Manager wird mir geholfen.
00:41:55Ich versuche es, wenn ich nach Baltimore zurückkeine.
00:41:57Why don't you leave it to me?
00:42:00Oh, Butch, thanks.
00:42:02Oh, but no, you can't do that.
00:42:03Oh, I'll bet you a dollar six bits.
00:42:05Go on, leave it to me and I'll fix it so the manager won't bother you anymore.
00:42:08Thanks.
00:42:10Oh, wait a minute.
00:42:13Come here, don't rush off.
00:42:17I want to talk to you.
00:42:20Say, look.
00:42:22Can't you forget this guy for a while?
00:42:24Well, you know, let's not mix business with pleasure.
00:42:31Oh, Butch, don't.
00:42:47What do you say you and me go out and get plastered?
00:42:50Well, what else is there to do?
00:42:54It's a tough break, beautiful.
00:42:56You're married and so am I.
00:42:57We both drew blanks.
00:42:59Oh, it's okay.
00:43:01We've been separated for a year.
00:43:02She don't mean a thing to me.
00:43:06Look.
00:43:07The only reason I'm telling you this is because I want to be on the level with you.
00:43:17Because, well, I'm nuts about you.
00:43:24And I, I hope you're kind of like me too.
00:43:28Do you?
00:43:29Of course, I do.
00:43:30But...
00:43:32But what?
00:43:33We like each other, don't we?
00:43:36Oh, you don't know how impossible it all is.
00:43:39Oh, come on, baby.
00:43:44Don't be that way.
00:43:46Can't you forget that other donkey for a while?
00:43:48I'm not.
00:43:50We're not.
00:43:52We're not.
00:43:54We're not.
00:43:56We're not.
00:43:57Okay.
00:44:03Oh, come on, baby, don't be that way.
00:44:06Can't you forget that other donkey for a while?
00:44:09Oh, I'm sorry, Butch, it's no use.
00:44:12You might as well go.
00:44:15Well, that's a fine how you've been.
00:44:20Say, listen, beautiful. How about kissing me goodnight?
00:44:23All right?
00:44:53All right, Chief.
00:44:54Oh, Butch, come here. Come on.
00:44:59You know whose picture that is?
00:45:03Oh, I'm sorry.
00:45:05Oh, I'm sorry.
00:45:07Oh, I'm sorry.
00:45:09Oh, I'm sorry.
00:45:11Oh, I'm sorry.
00:45:13Oh, I'm sorry.
00:45:15Oh, I'm sorry.
00:45:17Oh, I'm sorry.
00:45:19Oh, I'm sorry.
00:45:20I'm sorry.
00:45:23Sure.
00:45:24It's Norma Roberts.
00:45:25Yeah.
00:45:27Alias Norma Williams.
00:45:29What?
00:45:30What was her husband's name?
00:45:32Thurm.
00:45:34Thurm Roberts.
00:45:36She murdered him in Chicago ten days ago.
00:45:39She murdered?
00:45:41Oh, that's impossible. She couldn't do that.
00:45:43She couldn't do that, but she did do that.
00:45:46What are you going to do about this?
00:45:50Well, I don't know.
00:45:54I don't get this at all.
00:45:56I'm afraid you'll have to pick her up.
00:45:58If you'd like to make a rest, here's your chance.
00:46:00Captain, do me one favor, will you?
00:46:02Ask Chicago for the whole story on this.
00:46:04Oh, no.
00:46:05You still don't believe it, huh?
00:46:06Well, I don't know.
00:46:08I don't know.
00:46:10I don't get this at all.
00:46:12I'm afraid you'll have to pick her up.
00:46:14If you'd like to make a rest, here's your chance.
00:46:16Captain, do me one favor, will you?
00:46:18Ask Chicago for the whole story on this.
00:46:20Oh, you still don't believe it, huh?
00:46:22Well, I don't know.
00:46:25Who is the guy she's looking for, if it isn't Thurm Roberts?
00:46:28Oh, probably an accomplice or a boyfriend or nobody at all.
00:46:32Turn this all over to the Homicide Squad, let them worry about that.
00:46:35Butch will go along with it, he'll show you where this girl is.
00:46:37All right, I'll send a couple of men with him.
00:46:42Well, well, get going.
00:46:44That's too bad, madam.
00:46:48Uh, when did your husband leave you?
00:46:49Three days ago.
00:46:51Three days, yes.
00:46:52And the last thing he said to me before he disappeared was,
00:46:55if I hung any more of the baby's diapers on the radiator, he'd leave me.
00:46:58And now he's done it?
00:46:59Yeah, now he's done it.
00:47:00Well, you put an ad in the paper.
00:47:01Tell him I won't do it anymore if he'll just come home.
00:47:04All right, no diapers on the radiator.
00:47:07Oh, no diapers on the radiator.
00:47:14You got the keys to this room?
00:47:41Uh, yes, but, uh...
00:47:42Never mind, open it up.
00:47:45I hope you won't disturb any of the other guests.
00:47:47Open it up.
00:47:56Let's look in here.
00:48:02I'll do it again.
00:48:14Well, come on out.
00:48:18What did you do it for?
00:48:20Listen, Butch, I can explain it to you.
00:48:21Honest, I can.
00:48:22But don't let him take me.
00:48:23Don't let him take me.
00:48:27All right, I'll be back.
00:48:28Well, she's not in there.
00:48:34Let's go.
00:48:42Well, the only thing we can do is to just stick around and wait until she comes back, I guess.
00:48:45Oh, you won't have to do that.
00:48:46Go on back to the department, send out your alarm.
00:48:48Now stick around, see if you can't get an alarm on her.
00:48:50Go ahead now.
00:48:51Come on, Durgon.
00:48:53You'll do this as quietly as possible, won't you?
00:48:55Sure, there won't be any trouble in your hotel at all.
00:48:57Thank you.
00:49:05Yes, sir.
00:49:06Come on.
00:49:19Well, come on.
00:49:36Come on.
00:49:54Well, Butch.
00:49:56What's the matter with you?
00:49:58You seem a little ragged.
00:49:59Did you ever have a dame make a sucker out of you?
00:50:02Not lately.
00:50:04Believe me, I'll get that dame.
00:50:05I'll get her if it's the last thing I ever do.
00:50:07Why, I've looked at 150 suspects in the last 12 hours.
00:50:09I've been at every precinct in this town.
00:50:11I've seen all the screwy dames who want to see the rest of my life,
00:50:13except the right one Norma Williams.
00:50:14And when I catch up with that double-crossing two-timing punk of...
00:50:19Hello.
00:50:20Captain Webb speaking.
00:50:22Where?
00:50:24Brooklyn Pier 3.
00:50:26Tell them to hold everything just as it is.
00:50:27I'll be right over.
00:50:30Well, Butch.
00:50:31That may be your answer.
00:50:33They just found some women's clothing in a dock in Brooklyn, Pier 3.
00:50:36A hat and a coat and a handbag.
00:50:38With Norma Williams' card in it.
00:50:40You mean she's jumping the river?
00:50:42Just possible.
00:50:44Let's just take a run over there.
00:50:54Where's the watchman that found this stuff?
00:50:56Well, Tom, come here.
00:51:05When did you find this clothing?
00:51:06This morning.
00:51:07Right here on the dock.
00:51:08Did you see a woman on the dock last night?
00:51:09No, sir.
00:51:10She could have come out here when I was at the other end.
00:51:13No, it's Norma Williams, all right.
00:51:15I recognize the hat and the bag.
00:51:17Are you sure?
00:51:18Yeah, absolutely.
00:51:19I'll get the dredging company to drag the river.
00:51:22Bring your stuff along.
00:51:29What is it, Joe?
00:51:30Remember that Fritz Erdman who said his wife walked out on him?
00:51:34You mean the night watchman at the slaughterhouse?
00:51:36That's the guy.
00:51:37Well, last night I went down to the slaughterhouse to have a look around.
00:51:40They got a big machine down there where they grind up all the bones to make fertilizer.
00:51:44I found this piece of comb and wedding ring.
00:51:47I thought you might like to have a look.
00:51:51Well.
00:51:55That solves the disappearance of Mrs. Erdman.
00:51:59Better take this stuff over to the Homicide Squad, Joe.
00:52:02Tell them where they can pick up Fritz Erdman for the murder of his wife.
00:52:04Yes, sir.
00:52:15Well, Butch, you look at all you're thinking, are you?
00:52:17Hey, wait a minute.
00:52:18I am thinking.
00:52:19About what?
00:52:20Norma Williams.
00:52:22Oh.
00:52:23Have you found her?
00:52:24No.
00:52:25Well, maybe the tide carried the body out.
00:52:27They say a body comes to the surface in nine days.
00:52:29Is that right, Captain?
00:52:30Usually.
00:52:32Well, this one won't.
00:52:34What makes you think it won't?
00:52:35That dame is too smart to jump in the river.
00:52:36I got a hunch it's a phony.
00:52:38Yes, I've been thinking the same thing.
00:52:40I'm checking every means of her leaving the city.
00:52:42She'll overplay her hand if we give her time.
00:52:44She's not so far away.
00:52:45And if you let me do what I want to do, I'll find her.
00:52:48Well, what do you want to do?
00:52:49I want to borrow a body from the morgue.
00:52:53A body?
00:52:54What for?
00:52:55A funeral.
00:52:56But it's all one they're going to bury anyway.
00:52:58Then, then I want to plant something in the morning papers.
00:53:01Now, if she's around town, she's going to be reading the papers very carefully.
00:53:06Did you ever see a woman that could stay away from her own funeral?
00:53:10Come on, Captain.
00:53:11Give me an order on the morgue.
00:53:14Butch, I think you're beginning to use your head.
00:53:16Come in the office.
00:53:17I'll give you the order.
00:53:18That's a swell idea. I couldn't have thought of a better one myself.
00:53:25Say, is everything ready down there?
00:53:26All set. I'll see you at the funeral parlor.
00:53:28I'll be on time. The performance starts at 2 o'clock.
00:53:29Okay.
00:53:30Okay.
00:53:31The performance starts at 2 o'clock.
00:53:32Okay.
00:53:33Okay.
00:53:34Oh, butchie-watchie.
00:53:35Oh, butchie-watchie.
00:53:36Well, I'm gonna go to the bar.
00:53:37I'll be on time. The performance starts at 2 o'clock.
00:53:39Okay.
00:53:40Oh, butchie-watchie.
00:53:41Das ist eine gute Idee. Ich hätte nicht gedacht, dass ich eine bessere Idee habe.
00:53:46Alles in Ordnung?
00:53:48Alles in Ordnung. I'll see you at the funeral parlor.
00:53:50I'll be on time. The performance starts at 2 o'clock.
00:53:52Okay.
00:53:59Oh, Butchie Wachie!
00:54:03Oh, wie ist meine Lieblings?
00:54:06Unwrap dich, du Octopus.
00:54:09Butchie Wachie!
00:54:13How did you get in here?
00:54:15To the door.
00:54:16Well, I'm gonna throw you right out of your bustle.
00:54:17Oh, no, you're not.
00:54:18How are you gonna stop me?
00:54:19You know how I'll stop you? And I don't mean maybe.
00:54:21That bankroll you gave me was nothing but a bunch of ones,
00:54:24wrapped up in a tin spot to make it look big.
00:54:26Oh, you can't get away with that.
00:54:28I gave you all I had and that's all you're gonna get.
00:54:30Now get out of here.
00:54:31I'll go and I get my allowance.
00:54:39Thank you, darling.
00:54:45Thank you, darling.
00:54:47Sweet.
00:55:09Did she show up yet?
00:55:12No, she's late.
00:55:14Late for her own funeral.
00:55:19Look at that bunch of morons.
00:55:21Sure.
00:55:23This kind of thing always draws flies.
00:55:25Well, it's a better funeral than Clara could have got any other way.
00:55:28Clara who?
00:55:30Don't you know who you got in that box?
00:55:32Sure, some stiff they sent up from the morgue.
00:55:35Nah.
00:55:36You remember Mrs. Gilchrist?
00:55:38The little old lady who's always coming into the department
00:55:40and looking for her daughter?
00:55:41Yeah.
00:55:42Well, Clara's her daughter.
00:55:45No kidding.
00:55:46Sure.
00:55:47She died in a hop joint the other night.
00:55:49We couldn't turn the body over to the old lady
00:55:51because she'd have found out what her daughter was doing.
00:55:53So we're giving her a funeral anyway.
00:55:57I get it.
00:55:58This funeral was set for 2 o'clock.
00:56:00It's after 3 now.
00:56:02What are you going to do?
00:56:03Oh, I don't know.
00:56:04Well, can't we go ahead with it?
00:56:06Looks like you'll have to.
00:56:09Wait a minute.
00:56:10Where's your telephone?
00:56:11Well, there's one in the back room there.
00:56:13Okay.
00:56:17How's business these days?
00:56:19Has the depression bothered you much?
00:56:23Oh, hello, Captain Webb.
00:56:25It's Butch.
00:56:27Yeah.
00:56:30Well, I guess I'm licked.
00:56:33No, no.
00:56:34She didn't come.
00:56:35All right, Chief.
00:56:36I'm coming in.
00:56:38Well?
00:56:41Can you imagine spending 200 bucks on a funeral
00:56:43and the dame don't show up?
00:56:45Well, what are you going to do about it?
00:56:46I can't wait any longer.
00:56:49Well, there's nothing much to do about it,
00:56:50but go ahead with it.
00:56:51All right.
00:57:07Come on, you.
00:57:21Come on.
00:57:24Sit down.
00:57:25Are you a dirty little double-crosser?
00:57:26No, I'm not.
00:57:27I can explain everything.
00:57:28Shut up.
00:57:29Everything you told me was a pack of lies.
00:57:31And I fell for them because I was nuts about you.
00:57:33I'd have given you anything in the world.
00:57:34You know that, don't you?
00:57:35Yeah, I know.
00:57:37Yeah, and that night we were together,
00:57:38another one of your lies,
00:57:39putting your arms around me
00:57:40and telling me that you love me.
00:57:41And the next day you let me risk my job to save you,
00:57:43and you land out and left me holding the bag
00:57:44playing me for a sucker.
00:57:45What's your racket?
00:57:46Come on, talk.
00:57:47I meant everything I said to you.
00:57:49Ah, don't give me that.
00:57:50Listen.
00:57:51You found out I was wanted for a murder I didn't commit.
00:57:53I didn't want you to turn me in
00:57:54while there was still a chance of proving it,
00:57:56so I ran away.
00:57:57Won't you believe me?
00:57:58Why should I believe you?
00:57:59Sit down here.
00:58:00I'm going to tell you this.
00:58:01I've been wanting to tell you for a long time.
00:58:02Well, come on, let's have it.
00:58:04You better make it good.
00:58:05I worked for Thurm Roberts.
00:58:07He was an investment broker in Chicago.
00:58:08I was his private secretary.
00:58:10So what?
00:58:11Well, I discovered, quite by accident,
00:58:14that Roberts had a twin brother,
00:58:15the exact likeness of himself,
00:58:17who was being kept out of the way.
00:58:18I went to Roberts' house one day to take dictation,
00:58:20and I saw him for the first time.
00:58:22He kept twisting his mouth and blinking his eyes,
00:58:25and then I knew why Roberts kept him locked in his room.
00:58:28He was an idiot, a foolish, gibbering idiot.
00:58:30Daffy, huh?
00:58:31Why didn't Roberts put him in the bug house?
00:58:33Because he was ashamed of it.
00:58:34He wanted to keep it a secret.
00:58:35All right, go on.
00:58:37Well, one day I was called into Roberts' private office.
00:58:40I saw what I thought was Roberts sitting there at the desk,
00:58:43and I was talking to him,
00:58:45and then suddenly I realized I was talking to a dead man.
00:58:48Somebody left a gun beside him.
00:58:50I picked up the gun,
00:58:51and while I was holding it, the police came in.
00:58:53Of course, I was confused and dazed, and they arrested me.
00:58:56And then I looked more closely at the body,
00:58:58and I realized it wasn't Mr. Roberts at all,
00:59:00but that of his insane brother,
00:59:01dressed in Mr. Roberts' clothes,
00:59:03and Thurm Roberts was gone.
00:59:04They kept me in jail for three days,
00:59:06and all the time I was convinced that Roberts
00:59:08had killed his own brother and put him in his place
00:59:10to keep from being arrested,
00:59:12because I knew he was wanted on charges of embezzlement.
00:59:14Did you tell all this to the police?
00:59:16Yes, of course, but they wouldn't believe me.
00:59:18They didn't even know Roberts had a brother.
00:59:20Well, one day they released me in custody
00:59:23of the attorneys of the Thurm
00:59:24to be questioned about books and transactions of the business,
00:59:27and I got away from them.
00:59:29And I started out to find Thurm Roberts.
00:59:31He's the only man in the world that can save me.
00:59:33Now, you do understand, don't you?
00:59:35Well, what did you tell me Thurm Roberts was your husband for?
00:59:37So I could ask you to help me find him.
00:59:39If I told you the truth then,
00:59:40why, you'd have sent me right back to Chicago.
00:59:46So you've been smoking hot?
00:59:47Now listen, Butch, I know it sounds impossible,
00:59:49but it's the truth.
00:59:50Well, if you're looking for Roberts,
00:59:52what are you hanging around here for today?
00:59:54To find Roberts.
00:59:55I thought he might have read him a funeral.
00:59:57I've been watching for him in the drugstore
00:59:58across the street all day.
01:00:00And then, well, my curiosity got the better of me.
01:00:02I wanted to see what I looked like in a coffin.
01:00:05Oh, you do believe me, don't you, Butch?
01:00:08No.
01:00:09You're giving it to me again.
01:00:11Honestly, I'm not.
01:00:14Well, I still think you're playing me for a sucker.
01:00:16But I'm going to find out.
01:00:17Come on.
01:00:29Look.
01:00:30See that man?
01:00:32What about him?
01:00:35That's Thurm Roberts.
01:00:41Wait a minute. Where are you going?
01:00:42I tell you, that's Thurm Roberts.
01:00:43I'm not going to let him get away.
01:00:52Listen.
01:00:53Hold that cab, will you?
01:01:02Come on, Musler.
01:01:03Step on him.
01:01:08Come on, Musler.
01:01:09Step on him.
01:01:32Come on, I'll get him.
01:01:33Let's see.
01:01:34Come on.
01:01:51Listen, stay here.
01:01:52If it's Thurm Roberts, he's able to shoot.
01:01:53Be careful, will you?
01:01:54Ich habe mich nicht mehr überrascht.
01:01:56Es geht mir nicht mehr.
01:01:58Kann ich dich warten?
01:01:59Ja.
01:02:00Okay.
01:02:01Auf Wiedersehen.
01:02:02Natürlich.
01:02:03Alles klar.
01:02:17Ich möchte dich sehen.
01:02:18Geh zurück.
01:02:24Was ist der Fall?
01:02:27Was ist der Fall?
01:02:29Was ist das?
01:02:31Wer bist du? Was willst du?
01:02:33Du solltest du wissen.
01:02:34Ich bin sehr sorry, aber ich weiß nicht.
01:02:36Du solltest, als ich dich in die Headquarters kommen.
01:02:38Headquarters?
01:02:39Das ist doch ein Fehler.
01:02:41Wer bist du für?
01:02:43Ich bin für ein Mann, Thurm Roberts.
01:02:45Ich bin sehr sorry, aber mein Name ist nicht Thurm Roberts.
01:02:48Wie weiß ich das?
01:02:49Wie weiß ich das?
01:02:51Ich weiß nicht, dass ich meine Lieblingsbeziehungen habe.
01:02:53Vielleicht wird das überzeugt.
01:02:55Du bist in Chicago?
01:02:57Ja.
01:02:58Einmal.
01:02:59Wie lange?
01:03:03Ich weiß nicht, ich glaube, das war in 1923.
01:03:05Warum hast du mich gewonnen?
01:03:07Ja.
01:03:08Aber ich habe mich verletzt, von einem Mann,
01:03:11weil ich ein bisschen Geld habe.
01:03:13Ich habe meine Sachen.
01:03:15Ich wollte mich verletzen.
01:03:17Ich werde mich verletzen.
01:03:19Ich werde mich verletzen.
01:03:20Ich werde mich verletzen.
01:03:21Ich werde mich verletzen.
01:03:22Ich werde mich verletzen.
01:03:23Mein Freund.
01:03:24Ich habe meine Identität in diesem Raum.
01:03:26Ich weiß nichts über den Mann,
01:03:28du bist.
01:03:29Ich werde mich verletzen.
01:03:30Ich werde mich verletzen.
01:03:31Okay.
01:03:34Ich werde mich nicht nach der Headquarters kommen.
01:03:37Ich habe eine Frau hierher,
01:03:38die Sie kennen Sie.
01:03:40Sie sind Thurm Roberts.
01:03:42Sie werden Sie mit ihr?
01:03:44Ja.
01:03:45Ich freue mich.
01:03:46Ich freue mich.
01:03:48Ich freue mich.
01:03:49Ich freue mich.
01:03:55Okay, ich freue mich.
01:03:56Ich freue mich.
01:03:57Ich freue mich.
01:03:58Ich freue mich.
01:03:59Ich freue mich.
01:04:00Ich freue mich.
01:04:01Ich freue mich.
01:04:02Ich freue mich.
01:04:03Ich freue mich.
01:04:04Ich freue mich.
01:04:05Ich freue mich.
01:04:06Ich freue mich.
01:04:07Ich freue mich.
01:04:08Ich freue mich.
01:04:09Ich freue mich.
01:04:10Ich freue mich.
01:04:11Ich freue mich.
01:04:12Ich freue mich.
01:04:13Ich freue mich.
01:04:14Ich freue mich.
01:04:15Ich freue mich.
01:04:16Ich freue mich.
01:04:17Ich freue mich.
01:04:18Ich freue mich.
01:04:19Ich freue mich.
01:04:20Ich freue mich.
01:04:21Ich freue mich.
01:04:22Ich freue mich.
01:04:23Ich freue mich.
01:04:24Ich freue mich.
01:04:25Ich freue mich.
01:04:26Ich freue mich.
01:04:27Ich freue mich.
01:04:28Ich freue mich.
01:04:29Ich freue mich.
01:04:30Ich freue mich.
01:04:31Ich freue mich.
01:04:32Ich freue mich.
01:04:33Ich habe eine Unterrichtung.
01:04:34Ich freue mich.
01:04:35Ich gehe zu den Hauptsammeln.
01:04:36Oh, bitte.
01:04:37Ich freue mich.
01:04:38Ich freue mich.
01:04:39Ich freue mich.
01:04:46Ich freue mich.
01:04:47Ich habe mich nicht mehr.
01:04:48Gwendolyn, die sechs Monate Jahre nachgegenziger.
01:04:49Ich bin alle.
01:04:51Ich habe überall gesehen. Ich habe die ganze Stadt gesucht.
01:04:55Hotels, hospitals, die Morgue,
01:04:57die Frauen und die Frauen, die Frauen.
01:05:02Herr Harris, ich sage Ihnen, ich bin nur ein Mensch.
01:05:10Das ist sie!
01:05:12Wer?
01:05:13Gwendolyn!
01:05:16Gwendolyn, Gwendolyn, wo hast du?
01:05:19Warum hast du mich verlassen?
01:05:20Ich konnte es nicht.
01:05:21Was?
01:05:22Du warst immer in der Küche essen.
01:05:24Ich habe nicht in der Küche einen Küche essen.
01:05:27Gwendolyn, Gwendolyn?
01:05:29Ja. Was soll ich das tun?
01:05:30Nichts.
01:05:32Wenn ich mich nicht verstehe,
01:05:33würde ich mich nicht verletzen.
01:05:39Hallo, Herr.
01:05:44Was ist das?
01:05:45Ich dachte, du warst ein Problem.
01:05:47Ich habe mich für einen Polizisten.
01:05:49Wenn ich zurückgekehrt war, warst du schon.
01:05:51Ja? Was ist dieser Mann?
01:05:53Er sagt er hat sich nicht in Chicago seit 1923 gesagt.
01:05:56Frau Williams, Sie kennen diesen Mann?
01:05:58Natürlich. Das ist Thurm Roberts.
01:06:00Ich verstehe. Wer ist diese Frau?
01:06:03Warum bin ich hierher?
01:06:05Du kennst mich sehr gut.
01:06:07Ich habe nie gesehen, in meinem Leben.
01:06:09Schauen Sie diese Brunnen.
01:06:11Sie war eine Blonde.
01:06:12Ich bin Norma Williams.
01:06:14Das bedeutet Ihnen nichts?
01:06:15Norma Williams?
01:06:17Was ist das?
01:06:19Was ist das?
01:06:21Was ist Ihr Name?
01:06:23Julian C. Forbes.
01:06:25Es ist möglich, Herr Forbes, dass es ein Verständnis ist.
01:06:29Aber wir wollen Sie mit uns zusammenarbeiten?
01:06:32Natürlich.
01:06:34Ihr könntest.
01:06:35Ihr könntest.
01:06:36Natürlich.
01:06:37Ihr könntest nicht, Captain.
01:06:39Ask ihn über die goldmache.
01:06:41Ich weiß nicht, dass ich eine goldmache goldmache.
01:06:44Ich weiß nicht, dass ich eine goldmache.
01:06:46Aber ich weiß nicht, dass es sich in diesem Land gibt.
01:06:48Ich habe einen Weg zu erreichen.
01:06:50Ich habe einen Weg zu erreichen.
01:06:52Hallo, McGuire.
01:06:54Schau dir die Warte.
01:06:55Schau dir, dass ich mich sofort
01:06:57eine Telefoto von Thurm Roberts habe.
01:06:59Ich habe einen Mann hier in der Arbeit,
01:07:01für ihn.
01:07:02Ich bin hier in der Arbeit.
01:07:03Seid ihr euch in Ordnung.
01:07:05Ich bin, Herr Roberts.
01:07:06Entschuldigung, Herr Forbes.
01:07:07Aber ich bin.
01:07:08Ich bin, Herr Forbes.
01:07:09Das war's.
01:07:12Danke.
01:07:13Sorry to know you further.
01:07:15But we will have all the evidence that we will need in a few minutes.
01:07:18Butch, can I talk to you one minute?
01:07:22Go ahead.
01:07:27Who was the blonde that came this morning and called you Butchie Wuchie?
01:07:30Who wants to know?
01:07:33The young man outside for one?
01:07:36Was this her?
01:07:37Ja, das ist sie.
01:07:41Hey, du.
01:07:46Wo hast du das?
01:07:48Das ist meine Frau.
01:07:50Sie hat sich verloren.
01:07:52Was?
01:07:53Meine Frau.
01:07:55Was ist sie?
01:07:56Frau Howard.
01:07:57Ich bin Mr. Howard.
01:07:58Homer Howard.
01:07:59Wie lange hast du dich?
01:08:00Two Jahre und ein paar Jahre.
01:08:02Two Jahre und ein paar Jahre?
01:08:03Das ist fantastisch.
01:08:05Das ist gut.
01:08:05Das ist gut.
01:08:06Ja, aber sie ist immer wieder weg.
01:08:07Ich kann nicht wissen, wo sie geht.
01:08:09Das ist wunderbar.
01:08:10Nein, das ist nicht.
01:08:11Das ist total.
01:08:12Gib mir deine Behandlung.
01:08:13Hier ist mein Auto.
01:08:14Das ist gut.
01:08:15Ich sage dir, du gehst nach Hause.
01:08:17Und nach dem Morgen,
01:08:17ich werde deine Frau in deinem Arm.
01:08:19Du wirst?
01:08:20Ich werde.
01:08:21Du willst sie, nicht?
01:08:22Oh, ja.
01:08:23Du kannst sie.
01:08:25Und ich sage es nicht.
01:08:26Ich sage es nicht mehr,
01:08:27dass du sie wieder aus der Lage bist.
01:08:28Ich sage es?
01:08:30Vielen Dank.
01:08:31Du bist willkommen.
01:08:33Tschüss, Homer.
01:08:34Tschüss.
01:08:34Vielen Dank, Herr Kollege.
01:08:39Butchie, wotchie.
01:08:47Hier, Butchie.
01:08:49Ich habe das.
01:08:58So, das ist Thurm, Roberts.
01:09:04Good work, Butch.
01:09:09Ich dachte so.
01:09:17All right.
01:09:20Ich bin Thurm, Robert.
01:09:23Das ist nicht so gut.
01:09:27Er hat sich geholfen, als du sehr jung warst.
01:09:34Er hat sich geholfen.
01:09:37Er hat sich geholfen.
01:09:39Herr?
01:09:41Er hat sich geholfen.
01:09:44Nein, keine Chance.
01:09:59Herr, wir haben das gemacht.
01:10:04Er hat sich geholfen.
01:10:08Dann bin ich frei.
01:10:10Nein, nicht ganz genau.
01:10:12Es ist wichtig, dass du nach Chicago zurückkriegst.
01:10:15Ich werde dich in den Händen.
01:10:17Ich werde dich in den Händen.
01:10:18Ich bin nach ihr, Captain.
01:10:20Du denkst du siehst?
01:10:22Ich bin ein Dollar.
01:10:24Ich kann nicht genug, Captain.
01:10:26Alles klar, Frau Williams.
01:10:27Alles klar, Butch.
01:10:28Alles klar, Frau.
01:10:35Ich bin wieder.
01:10:40Entschuldigung, ich werde gleich zurück.
01:10:45Gut, gut, gut.
01:10:47Gut, gut.
01:10:48Gut.
01:10:50Gut.
01:10:51Gut.
01:10:52Gut.
01:10:53Gut.
01:10:54Gut.
01:11:04Gut.
01:11:324-3-7-6
01:11:33Ja
01:11:34Hallo
01:11:38Oh, hallo
01:11:40Hallo, ist das du, Homer?
01:11:43Ja, das ist Homer
01:11:44Well, ich habe deine Frau
01:11:47Ja
01:11:48Ja, sie hat eine kleine Schmerzen
01:11:50Hm?
01:11:52Nein, nein, nichts anderes
01:11:54Nur ein paar Schmerzen
01:11:56Oh, ich denke, du kannst du sie
01:11:58Ja
01:12:00Ja, ich denke, du kannst du sie
01:12:02Ja, ich denke, du kannst du sie
01:12:05Was ist da?
01:12:06Ich sage, du kannst du sieben?
01:12:08Was?
01:12:10Ich sagte, du kannst du sieben?
01:12:12Ich habe einen Schmerzen, ich habe einen Schmerzen
01:12:15Du bist so schön, Frau
01:12:17Wir gehen, wir gehen
01:12:23Oh, wuschig, wuschig
01:12:30Ich sage, du kannst du sieben?
01:12:34Ich sage, du kannst du sieben?
01:12:36bilang
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