[الحب رقصة خطيرة] Series!#reelshorts

GlobalMini.Series

El drama corto más candente de 2026 - The hottest short drama of 2026

Transcript

00:00:00Before my mom died, she arranged my marriage to Elliot Hargrove

00:00:04to secure my future as prima ballerina of the Hargrove Ballet Company.

00:00:09Against her wishes, my father and my stepmother sent me to live on a farm in Indiana.

00:00:14But I never stopped training, waiting for the day I'd marry Elliot

00:00:17and finally live the dream that was stolen from me.

00:00:22Dad's calling me to New York City to break off my engagement,

00:00:25but I won't let him ruin my dreams again.

00:00:28Hey, what are you-

00:00:30Shh.

00:00:31Nobody move!

00:00:38Viper, where are you?

00:00:44He's not getting away again!

00:00:47Boss, he's the Viper, the deadliest assassin on the planet.

00:00:51He slaughtered 14 of our best guys before we even had him.

00:00:54If you can't do it, then 50 million to ever break me the Viper's head!

00:01:00Okay, go!

00:01:01Get out of the way!

00:01:02Come on!

00:01:06I said moan.

00:01:09Or I'll make you.

00:01:10What are you doing?

00:01:11Get out of here!

00:01:11Oh, well maybe don't fuck in public if you don't want people to watch.

00:01:15All right, keep it fucking moving!

00:01:17Come on!

00:01:17He's gotta be here somewhere!

00:01:19Get going!

00:01:19I protected you.

00:01:21And now your gun will help me protect myself.

00:01:24Thank you, Miss...

00:01:31Nobody.

00:01:33Well, Miss Nobody.

00:01:35I owe you my life.

00:01:36How much do you want in return?

00:01:37I don't want your dirty money.

00:01:39I want you to get out of my room.

00:01:41Dirty.

00:01:42You have no idea who you're talking to.

00:01:45See you around.

00:01:46Miss Nobody.

00:01:47There was blood on his face.

00:01:49And those mobsters were after him.

00:01:52He had a hidden gun a gun I stole.

00:01:55What kind of deadly trap have I fallen into?

00:01:57Hannah!

00:01:59You were such an ugly baby, but look!

00:02:02You grew into that nose!

00:02:05Do you remember your half-sister, Valerie?

00:02:07We'll take you to the Hargrove studio tomorrow.

00:02:10Ew.

00:02:11Do they not have running water in bumfuck, Indiana?

00:02:15Be nice, Valerie.

00:02:17You know Hannah grew up in foster care.

00:02:21Still dancing.

00:02:23I didn't know they taught ballet on the farm.

00:02:25I wouldn't call pirouetting through pig shit.

00:02:28Dancing.

00:02:29My stepmom's the reason my dad sent me away.

00:02:32Just wait until I become prima ballerina of the Hargrove ballet

00:02:35and take back what belongs to me.

00:02:38Valerie will dance circles around this farm animal.

00:02:42She really thinks she has a chance with a Hargrove?

00:02:46Pathetic.

00:02:47As soon as Elliot sees Valerie, it's game over.

00:02:50If you embarrass me in front of the Hargroves tomorrow,

00:02:52I'll scratch your eyes out.

00:02:53Got it.

00:02:54Hello, little thief.

00:02:58You're in my city now.

00:03:00Things are about to get interesting.

00:03:02Picked off a dozen arrival checks, best guys,

00:03:04but the head of the beast still needs slang.

00:03:08Oof.

00:03:09Looks like those dirtbag mobsters don't appreciate you cleaning house.

00:03:13The bounty on your head just went up.

00:03:14Any intel on that woman?

00:03:16The train records show nothing.

00:03:18Checked them myself.

00:03:19And the little thief swiped my favorite gun.

00:03:23Find her for me.

00:03:25I want to thank her.

00:03:27You are hopeless.

00:03:30Loyola!

00:03:31Stunning, as always.

00:03:34This is Hannah.

00:03:37Elliot's betrothed.

00:03:39Clearly they weren't compatible.

00:03:41So, how should we handle breaking off the engagement?

00:03:44Elliot is out of the country,

00:03:46but if you want to break off the engagement,

00:03:49I'm absolutely-

00:03:49Madam Hargrove,

00:03:51may I speak with you privately?

00:03:55This should be interesting.

00:03:57What could a country girl like you have to say to me?

00:04:01Quite graceful.

00:04:02I thought she grew up on a pig farm in Indiana.

00:04:06Madam Hargrove,

00:04:07I refuse to break off my engagement to your son.

00:04:10You've got a lot of nerve, farm girl.

00:04:12My son Elliot stands to inherit the Hargrove Ballet Company

00:04:16and everything that goes with it.

00:04:19You're not even good enough to be his whore.

00:04:22With all due respect,

00:04:24you made a promise to my mother that I would marry Elliot

00:04:27and I need you to keep it.

00:04:28My life depends on this marriage

00:04:30and I am good enough to be prima ballerina.

00:04:33I just need the Hargrove Ballet Company behind me.

00:04:35Hannah Thatcher!

00:04:35You will never dance for the Hargrove Ballet Company

00:04:39and you will never marry my son.

00:04:42You can try to get rid of me,

00:04:45but it's going to be a lot harder

00:04:47to get rid of all of this evidence.

00:04:51My mom gave me these before she died

00:04:53as an insurance policy,

00:04:54just in case my future mother-in-law

00:04:57forgets her promise.

00:04:58I thought I destroyed every trace of the affair,

00:05:02but she has photos, letters,

00:05:05even the abortion record.

00:05:07If my husband finds out I slept with his enemy,

00:05:10I'll lose the company

00:05:11if he doesn't murder me first.

00:05:13This is blackmail!

00:05:16I have done nothing to you

00:05:18and you're ruining my life

00:05:19just to marry my son?

00:05:22This,

00:05:23this is a dangerous game you're playing.

00:05:25This isn't a game,

00:05:27Madam Hargrove.

00:05:28All I want

00:05:29is to be prima ballerina

00:05:31and marrying your son,

00:05:33that is my way in.

00:05:35Give me one year

00:05:36to prove myself

00:05:37and then,

00:05:38then we can get a divorce.

00:05:40Give me the originals

00:05:41and we have a deal.

00:05:42Don't worry.

00:05:43Bringing down the whole company

00:05:44would ruin my career too.

00:05:46So I won't say anything

00:05:47about your little scandal

00:05:48unless you break your promise.

00:05:51And why

00:05:52would I trust you?

00:05:54Because you have no other choice.

00:05:56I need you to host a party tomorrow night.

00:05:59Tell all of the ballet's elite benefactors

00:06:01that I

00:06:02will be Elliot's wife.

00:06:05Blackmailing the most powerful woman in the city?

00:06:08It's a bold move, little thief.

00:06:09There's more to you than meets the eye.

00:06:13Then I guess you give me no choice.

00:06:15Glad that you see it my way.

00:06:18Feel free to keep the copies.

00:06:19I have many, many more.

00:06:21Well?

00:06:22Is the engagement off?

00:06:24No.

00:06:25Actually,

00:06:26Luriel is throwing a party tomorrow night.

00:06:28All of the ballet's benefactors are coming

00:06:29and

00:06:29she's making a very

00:06:31important announcement.

00:06:33I guess Madam Hargrove

00:06:34wants to end the engagement publicly.

00:06:37Don't worry.

00:06:38New York's a big city.

00:06:40I'm sure you'll find somebody

00:06:41more suitable.

00:06:42There are plenty of lonely

00:06:43door dashers

00:06:44looking for love.

00:06:47Once this mess

00:06:48with Hannah is resolved,

00:06:50you will swoop

00:06:51right in

00:06:51and take her place

00:06:53as Elliot's

00:06:53fiance.

00:06:54You better go enjoy

00:06:55your free trip

00:06:56to the city

00:06:57while you can.

00:06:58After the party tomorrow,

00:07:00you'll be back to

00:07:01shucking corn

00:07:02and shoveling pig shit.

00:07:03You can find your own way home,

00:07:05right?

00:07:06Mom,

00:07:06I need the new outfits

00:07:07to party tomorrow.

00:07:08Yeah.

00:07:09They think my engagement is off

00:07:11and Valerie's in.

00:07:12I can't wait to see their faces

00:07:14when Madam Hargrove announces

00:07:16that I'm

00:07:16the future Mrs. Elliot Hargrove.

00:07:19And once I'm a Hargrove,

00:07:20I'll take my place

00:07:21as prima ballerina.

00:07:23We meet again,

00:07:24little thief.

00:07:25Oh my God.

00:07:27It's him.

00:07:29Come on.

00:07:29We're going for a ride.

00:07:31Help!

00:07:32Help!

00:07:33Somebody please help me!

00:07:34Please!

00:07:34The stranger is kidnapping me!

00:07:35Please!

00:07:36No!

00:07:36Stranger?

00:07:37I thought I made

00:07:38more of an impression.

00:07:39You stole my gun.

00:07:41I don't know

00:07:41what you're talking about.

00:07:43It took me no time

00:07:44to track you down,

00:07:45so don't lie to me.

00:07:46Or you'll find out

00:07:47what else I'm capable of.

00:07:48What do you want from me?

00:07:49I want to know

00:07:50your real name.

00:07:51And I want to know

00:07:56if all the city boys

00:07:57go around kidnapping women

00:07:58or is that just you?

00:08:01You stole from me.

00:08:03I can't just let you

00:08:04walk away.

00:08:06I don't have your gun.

00:08:09Go ahead.

00:08:10Check me.

00:08:12See?

00:08:13I don't have your gun.

00:08:16And I don't belong to you.

00:08:18But I bet you wish you did.

00:08:20You busy?

00:08:21I got a present for you.

00:08:23Rifle check's right-hand man

00:08:25and another one of his goons.

00:08:27It's my lucky day.

00:08:2921st and Lex.

00:08:31Drive.

00:08:32Come.

00:08:33See how I work.

00:08:34Is this the old

00:08:35Harkofe ballet studio?

00:08:37Today?

00:08:38It's my office.

00:08:39Oh, look.

00:08:41He brought his little slut.

00:08:42Your last words

00:08:43better be an apology

00:08:44or I'll make this last.

00:08:45Have you ever seen

00:08:46a life leave a man's eyes before?

00:08:49Then you might want

00:08:49to look away.

00:08:50How much was Rival Check

00:08:51paying for my head?

00:08:52Fifty million.

00:08:53Seems kind of low,

00:08:54don't you think?

00:08:54Please, Jack,

00:08:55let me just go, please.

00:08:56I'd say tell Rival Check

00:08:57he's a cheap bastard.

00:08:59You're tougher than I thought

00:09:00you were, little thief.

00:09:01You're gonna kill me, too?

00:09:03Or can I leave now?

00:09:04East 23rd Street.

00:09:07Roy Thatcher and Kim Parrish's place.

00:09:09How do you know?

00:09:10I know more than where you live,

00:09:12Hannah Thatcher.

00:09:14I also know you're engaged

00:09:15to Elliot Hargrove.

00:09:16And you almost kissed me.

00:09:18The Hargroves run the most

00:09:20elite ballet company

00:09:21in the country.

00:09:22Their family is rich

00:09:23and powerful

00:09:24and I heard that

00:09:26the older brother

00:09:27is the most deadliest

00:09:28assassin in the world.

00:09:30Aren't you scared of him?

00:09:31She has no idea

00:09:33it's me she's talking about.

00:09:35I could sleep with you

00:09:36on stage

00:09:37at the opening night

00:09:38of the ballet

00:09:38and no one

00:09:40would say a thing to me.

00:09:42Who the hell

00:09:43are you?

00:09:45How bad do you want to know?

00:09:46I'll see you around.

00:09:47Hannah Thatcher.

00:09:48Track the little thief for me.

00:09:51Tell me everywhere she goes.

00:09:52I find that girl

00:09:53strangely fascinating.

00:09:56She won't be

00:09:57my brother's fiance for long.

00:09:59He's not afraid

00:10:00of the Hargroves

00:10:01and he knows where I sleep.

00:10:03Why did I steal

00:10:04his stupid gun?

00:10:06Whoever he is,

00:10:08whatever he wants,

00:10:09I won't let him stop me

00:10:10from securing my husband

00:10:12and my spot.

00:10:13as Prima Ballerina.

00:10:14Out of bed now

00:10:16we have a party

00:10:17to go to.

00:10:19It's the night

00:10:20of my engagement party

00:10:21and I'm dreaming

00:10:22about a man

00:10:23who kidnapped me.

00:10:26I'm here to marry

00:10:27Elliot Hargrove

00:10:28and become Prima Ballerina

00:10:29not fall for a criminal.

00:10:31Hannah

00:10:32let me be very clear.

00:10:35The only reason

00:10:37you're coming with us

00:10:38to this party

00:10:39is so we can see

00:10:40the pitiful look

00:10:41on your face

00:10:42when Madame Hargrove

00:10:44decides to end

00:10:45your engagement

00:10:45with her son

00:10:46in front of all

00:10:47the richest,

00:10:49most powerful people

00:10:51in New York.

00:10:53Face it, Hannah.

00:10:55The city's no place

00:10:56for a farm girl.

00:10:58I know you're desperate

00:10:59for a rich man

00:11:00to save you

00:11:00from your sad life

00:11:02in the slums,

00:11:03but the Hargroves?

00:11:07They'll never let

00:11:08an untalented

00:11:09hick

00:11:10like you

00:11:11tarnish their family name.

00:11:13That's what you think.

00:11:15Oh,

00:11:16there she is,

00:11:17Baron.

00:11:19Elliot's fiancé.

00:11:21The farm girl.

00:11:23Well, there is a certain

00:11:24elegance about her.

00:11:26As long as she can dance,

00:11:28I don't see the problem.

00:11:29Have Hannah perform

00:11:31the crowd-favorite

00:11:32pas de deux.

00:11:33If she can dance,

00:11:34then we'll know

00:11:35that she's worthy

00:11:36of marrying our son.

00:11:38That hillbilly

00:11:40thinks she could

00:11:40blackmail me.

00:11:42I might not be able

00:11:43to kill her,

00:11:44but I can still

00:11:45end this engagement.

00:11:48Do not let

00:11:49that farm girl

00:11:50perform on stage

00:11:52tonight.

00:11:53Break her legs

00:11:54if you have to.

00:11:56You tell anyone

00:11:57that this came from me?

00:11:59You're dead.

00:12:00After tonight,

00:12:01Hannah will never

00:12:02dance again.

00:12:04Hannah Thatcher.

00:12:06As the Hargroves

00:12:07VIP guest,

00:12:09they insist you

00:12:10perform act two

00:12:10pas de deux

00:12:11from the Black Swamp

00:12:12for our guests

00:12:12tonight.

00:12:14Um, and is

00:12:15Elliot going to be

00:12:17dancing with me?

00:12:18He's away

00:12:18performing for

00:12:19the Royal Ballet,

00:12:20but I'm sure

00:12:21you can find

00:12:21another suitable partner.

00:12:23Does Loyola

00:12:24really think

00:12:24no one's going

00:12:25to dance with me?

00:12:26Or that I'm not

00:12:26talented enough

00:12:27to pull this off?

00:12:28She's going to

00:12:29see how wrong

00:12:30she is.

00:12:31These are two

00:12:32of the very best

00:12:33male dancers

00:12:34the company

00:12:34has to offer.

00:12:37I hear you're

00:12:38from Indiana.

00:12:40I bet you can't

00:12:41even pronounce

00:12:41pas de deux,

00:12:42much less dance it.

00:12:44I'm Hargrove's

00:12:44best dancer.

00:12:45No way I'm going

00:12:46to dance with

00:12:46some flat-footed

00:12:47farm girl.

00:12:49You're only here

00:12:50because you're

00:12:51engaged to Elliot

00:12:52Hargrove,

00:12:52but I'm sure

00:12:53he's not in it

00:12:54for love.

00:12:55Clearly,

00:12:55he just wants

00:12:56his own personal

00:12:56milkmaid.

00:13:00You have no

00:13:01idea why I'm

00:13:02here or what

00:13:02I'm capable of.

00:13:03Okay, sorry

00:13:04about my idiot

00:13:05half-sister.

00:13:06But she lacks

00:13:07in talent,

00:13:07she makes up

00:13:08for an ego.

00:13:10We all know

00:13:11you don't belong

00:13:12in the Hargrove

00:13:12family.

00:13:13In fact,

00:13:14you'd be more

00:13:14fit to dance

00:13:15in a cage

00:13:16for tips.

00:13:17Oh!

00:13:17At least then

00:13:20you can afford

00:13:21new pointe shoes.

00:13:23What's so funny,

00:13:25hmm?

00:13:25The only dance

00:13:26you can pull off

00:13:27is a lap dance.

00:13:31I'll be your

00:13:32first customer.

00:13:33What's the matter,

00:13:34Hannah?

00:13:35I mean,

00:13:35you'd make more

00:13:36money in one dance

00:13:37than you ever

00:13:37made slinging pig shit.

00:13:40Let me go

00:13:41or else...

00:13:42Or what?

00:13:43Heard of the

00:13:44Reaper assassins?

00:13:45You're one of them?

00:13:46I got paid

00:13:47to do a job

00:13:47to perform

00:13:48a show for me.

00:13:50I'm gonna break

00:13:51your legs.

00:13:56You think

00:13:56you can humiliate me?

00:13:58Let me put on

00:13:58a real show.

00:14:00Baron,

00:14:01how can Hannah

00:14:02be prima ballerina

00:14:03or even marry

00:14:04our son

00:14:04when she is

00:14:05straddling rich guys

00:14:06for cash?

00:14:08You're right.

00:14:09It's disgraceful.

00:14:10She could ruin

00:14:11the Hargrove

00:14:12ballet's reputation?

00:14:13Absolutely.

00:14:15Maybe we should

00:14:15call off

00:14:16the engagement.

00:14:17Do you ride

00:14:18horses,

00:14:18farm girl?

00:14:20I know you

00:14:20can do better

00:14:21than that.

00:14:21How about

00:14:22this?

00:14:24Ah,

00:14:24ah,

00:14:25fuck!

00:14:25Fuck!

00:14:27You fucking

00:14:30bitch!

00:14:31Fuck!

00:14:32Pretty

00:14:33little

00:14:33prima.

00:14:34They touch you

00:14:35again,

00:14:36and the next one

00:14:36goes through

00:14:37your skull,

00:14:38Viper.

00:14:39Yeah,

00:14:39I heard he's

00:14:40the deadliest

00:14:40assassin in the

00:14:41world.

00:14:42Is he here

00:14:42to kill

00:14:42someone?

00:14:44I didn't mean

00:14:45to.

00:14:45I heard he

00:14:46slit a guy's

00:14:46throat with

00:14:47a poker

00:14:47guard.

00:14:47I heard

00:14:48it was

00:14:48through you.

00:14:49That's why

00:14:49they call him

00:14:50the Viper.

00:14:51If he's

00:14:51after you,

00:14:52you're already

00:14:53dead.

00:14:54Oh my god.

00:14:54The man

00:14:55whose gun I

00:14:55stole,

00:14:56the man

00:14:56who I

00:14:56almost kissed,

00:14:58is the

00:14:58world's

00:14:59deadliest

00:14:59assassin?

00:15:01Anyone

00:15:02else touch

00:15:02her?

00:15:03What the

00:15:03hell is my

00:15:04eldest son

00:15:04doing here?

00:15:05He knows

00:15:06better than

00:15:06to walk

00:15:07into a

00:15:07crowded club

00:15:08with a

00:15:08multi-million

00:15:09dollar bounty

00:15:10on his head.

00:15:11The bigger

00:15:11question is,

00:15:12what is he

00:15:13doing protecting

00:15:14Hannah?

00:15:15Hey boss,

00:15:16check this

00:15:16out.

00:15:17A reaper

00:15:17assassin targeting

00:15:19his leader's

00:15:19future daughter-in-law.

00:15:21Who hired you to do

00:15:22something so stupid?

00:15:23You're gonna have to

00:15:23kill me.

00:15:24He saved me in the

00:15:25nick of time.

00:15:26Has he been

00:15:26watching over me

00:15:27this whole time?

00:15:29Maybe he's not as

00:15:30evil as I thought.

00:15:32You know what?

00:15:32Just leave me

00:15:34alone.

00:15:34I came here to

00:15:35dance, to prove

00:15:37myself to everyone

00:15:38that I can be

00:15:38prima ballerina,

00:15:39and I have no

00:15:40interest in getting

00:15:41mixed up with a

00:15:41guy like you.

00:15:43It's a little

00:15:43too late for

00:15:44that.

00:15:45This is it.

00:15:46This is how he

00:15:47gets me back for

00:15:48stealing his gun.

00:15:49He only saved me

00:15:50so he could end

00:15:51me himself.

00:15:53Oh my god,

00:15:54is he gonna finish

00:15:54the other guy's

00:15:55job?

00:15:56You wanna prove

00:15:56yourself?

00:16:00Then dance

00:16:00with me.

00:16:04Before my mom

00:16:05died, she arranged

00:16:07my marriage to

00:16:07Elliot Hargrove

00:16:08to secure my

00:16:09future as prima

00:16:10ballerina of the

00:16:11Hargrove Ballet

00:16:12Company.

00:16:13Against her

00:16:14wishes, my

00:16:14father and my

00:16:15stepmom were

00:16:16sent me to live

00:16:17on a farm in

00:16:17Indiana, but I

00:16:19never stopped

00:16:19training, waiting

00:16:20for the day I'd

00:16:21marry Elliot and

00:16:22finally live the

00:16:23dream that was

00:16:24stolen from me.

00:16:27Dad's calling me

00:16:28to New York City

00:16:28to break off my

00:16:29engagement, but I

00:16:30won't let him

00:16:31ruin my dreams

00:16:32again.

00:16:33Hey, what are

00:16:33you-

00:16:34Shh!

00:16:36Nobody move!

00:16:38He's not

00:16:50getting away

00:16:51again!

00:16:51Boss, he's

00:16:52the Viper, the

00:16:53deadliest assassin

00:16:54on the planet.

00:16:56He slaughtered 14

00:16:57of our best guys

00:16:58before we even

00:16:58had him.

00:16:58If you can't

00:17:00do it, then 50

00:17:01million to ever

00:17:02break me the Viper's

00:17:03head!

00:17:04Okay, go!

00:17:05Get out of the way!

00:17:06Come on!

00:17:07I said moan

00:17:13or I'll make you.

00:17:15What are you

00:17:15doing?

00:17:15Get out of here!

00:17:16Oh, well, maybe

00:17:17don't fuck in public

00:17:18if you don't want

00:17:19people to watch.

00:17:20All right, keep it

00:17:21fucking moving!

00:17:21Come on!

00:17:22He's gotta be here

00:17:23somewhere!

00:17:23Get going!

00:17:24I protected you,

00:17:25and now your gun

00:17:27will help me

00:17:27protect myself.

00:17:29Thank you, Miss...

00:17:36Nobody.

00:17:37Wow, Miss

00:17:39Nobody.

00:17:40I owe you my life.

00:17:41How much do you want

00:17:41in return?

00:17:42I don't want your

00:17:42dirty money.

00:17:44I want you to get

00:17:44out of my room.

00:17:45Dirty?

00:17:46You have no idea

00:17:48who you're talking

00:17:48to.

00:17:49See you around.

00:17:51Nice to know, buddy.

00:17:52There was blood on his

00:17:53face, and those

00:17:54mobsters were after

00:17:55him.

00:17:56He had a hidden gun

00:17:57a gun I stole.

00:17:59What kind of deadly

00:18:00trap have I fallen

00:18:01into?

00:18:02Hannah!

00:18:03You were such an

00:18:05ugly baby, but look!

00:18:07You grew into that

00:18:08nose!

00:18:08Do you remember

00:18:10your half-sister,

00:18:11Valerie?

00:18:12We'll take you to

00:18:13the Hargrove studio

00:18:14tomorrow.

00:18:15Ew.

00:18:16Do they not have

00:18:16running water

00:18:17in bumfuck, Indiana?

00:18:19Be nice, Valerie.

00:18:21You know Hannah

00:18:22grew up in foster care.

00:18:26Still dancing.

00:18:27I didn't know they

00:18:28taught ballet on the

00:18:29farm.

00:18:30I wouldn't call

00:18:30pirouetting through

00:18:31pig shit.

00:18:32Dancing.

00:18:33My stepmom's the

00:18:35reason my dad sent

00:18:35me away.

00:18:36Just wait until I

00:18:38become prima

00:18:38ballerina of the

00:18:39Hargrove ballet and

00:18:40take back what

00:18:41belongs to me.

00:18:42Valerie will dance

00:18:44circles around this

00:18:45farm animal.

00:18:47She really thinks she

00:18:48has a chance with a

00:18:49Hargrove?

00:18:50Pathetic.

00:18:51As soon as Elliot

00:18:52sees Valerie, it's

00:18:54game over.

00:18:54If you embarrass me

00:18:55in front of the

00:18:56Hargroves tomorrow,

00:18:57I'll scratch your

00:18:57eyes out.

00:18:58Got it.

00:19:00Hello little thief.

00:19:02You're in my city

00:19:03now.

00:19:04Things are about to

00:19:05get interesting.

00:19:06Picked off a dozen

00:19:07arrival checks,

00:19:08best guys, but the

00:19:10head of the beast

00:19:10still needs slaying.

00:19:13Oof.

00:19:14Looks like those

00:19:14dirtbag mobsters

00:19:15don't appreciate you

00:19:16cleaning house.

00:19:17The bounty on your

00:19:18head just went up.

00:19:19Any intel on that

00:19:19woman?

00:19:20The train records

00:19:21show nothing.

00:19:22Checked them myself.

00:19:24And the little thief

00:19:25swiped my favorite

00:19:26gun.

00:19:27Find her for me.

00:19:29I want to thank her.

00:19:30You are hopeless.

00:19:32Loyola!

00:19:33Stunning, as always.

00:19:39This is Hannah.

00:19:42Elliot's betrothed.

00:19:43Clearly they weren't

00:19:44compatible.

00:19:45So, how should we handle

00:19:47breaking off the

00:19:47engagement?

00:19:49Elliot is out of the

00:19:50country, but if you want

00:19:52to break off the

00:19:53engagement, I'm

00:19:54absolutely...

00:19:54Madam Hargrove, may I

00:19:56speak with you

00:19:57privately?

00:19:59This should be

00:20:00interesting.

00:20:01What could a country

00:20:02girl like you have to

00:20:03say to me?

00:20:06Quite graceful.

00:20:07I thought she grew up

00:20:08on a pig farm in

00:20:10Indiana.

00:20:11Madam Hargrove, I

00:20:12refuse to break off my

00:20:13engagement to your son.

00:20:15You've got a lot of

00:20:16nerve, farm girl.

00:20:17My son, Elliot, stands to

00:20:19inherit the Hargrove

00:20:20Ballet Company and

00:20:21everything that goes

00:20:23with it.

00:20:23You're not even good

00:20:24enough to be his whore.

00:20:26With all due respect,

00:20:28you made a promise to

00:20:29my mother that I would

00:20:31marry Elliot and I

00:20:32need you to keep it.

00:20:33My life depends on

00:20:34this marriage and I am

00:20:36good enough to be

00:20:36prima ballerina.

00:20:37I just need the

00:20:38Hargrove Ballet Company

00:20:39behind me.

00:20:39Hannah Thatcher!

00:20:41You will never dance

00:20:42for the Hargrove

00:20:43Ballet Company and

00:20:44you will never marry

00:20:46my son.

00:20:47You can try to get

00:20:49rid of me, but it's

00:20:50going to be a lot

00:20:51harder to get rid of

00:20:53all of this evidence.

00:20:55My mom gave me these

00:20:56before she died as an

00:20:58insurance policy, just

00:20:59in case my future

00:21:00mother-in-law forgets

00:21:02her promise.

00:21:03I thought I destroyed

00:21:04every trace of the

00:21:06affair, but she has

00:21:07photos, letters, even

00:21:10the abortion record.

00:21:12If my husband finds out

00:21:13I slept with his enemy,

00:21:15I'll lose the company.

00:21:17If he doesn't murder me

00:21:18first, this is blackmail.

00:21:21I have done nothing to

00:21:22you and you're ruining

00:21:23my life just to marry

00:21:25my son?

00:21:26This, this is a dangerous

00:21:29game you're playing.

00:21:30This isn't a game,

00:21:32Madam Hargrove.

00:21:33All I want is to be

00:21:35prima ballerina and

00:21:36marrying your son, that

00:21:38is my way in.

00:21:39Give me one year to

00:21:41prove myself and then

00:21:42then we can get a

00:21:44divorce.

00:21:44Give me the originals

00:21:45and we have a deal.

00:21:46Don't worry.

00:21:48Bringing down the

00:21:48whole company would

00:21:49ruin my career too.

00:21:50So I won't say

00:21:51anything about your

00:21:52little scandal unless

00:21:54you break your promise.

00:21:56And why would I

00:21:57trust you?

00:21:59Because you have

00:22:00no other choice.

00:22:01I need you to host a

00:22:02party tomorrow night.

00:22:04Tell all of the ballet's

00:22:05elite benefactors that

00:22:06I will be Elliot's wife.

00:22:09Blackmailing the most

00:22:10powerful woman in the

00:22:11city?

00:22:12It's a bold move,

00:22:13little thief.

00:22:14There's more to you

00:22:15than meets the eye.

00:22:17Then I guess you give

00:22:18me no choice.

00:22:20Glad that you see it

00:22:21my way.

00:22:22Feel free to keep the

00:22:23copies.

00:22:23I have many, many

00:22:25more.

00:22:26Well, is the

00:22:27engagement off?

00:22:29No.

00:22:30Actually, L'Oreal is

00:22:31throwing a party

00:22:31tomorrow night.

00:22:32All of the ballet's

00:22:33benefactors are coming

00:22:34and she's making a

00:22:35very important

00:22:36announcement.

00:22:37I guess Madam

00:22:38Hargrove wants to

00:22:40end the engagement

00:22:41publicly.

00:22:42Don't worry.

00:22:43New York's a big

00:22:44city.

00:22:45I'm sure you'll find

00:22:46somebody more suitable.

00:22:47There are plenty of

00:22:48lonely door dashers

00:22:49looking for love.

00:22:51Once this mess with

00:22:53Hannah is resolved,

00:22:55you will swoop right

00:22:56in and take her place

00:22:57as Elliot's fiancé.

00:22:59You better go enjoy

00:23:00your free trip to the

00:23:02city while you can.

00:23:03After the party

00:23:04tomorrow, you'll be

00:23:04back to shucking

00:23:06corn and shoveling

00:23:07pig shit.

00:23:08You can find your own

00:23:09way home, right?

00:23:10Mom, I need

00:23:11the new outfits

00:23:12to the party

00:23:12tomorrow.

00:23:13Yeah.

00:23:14They think my

00:23:15engagement is off

00:23:15and Valerie's in.

00:23:17I can't wait to see

00:23:18their faces when

00:23:19Madame Hargrove

00:23:20announces that I'm

00:23:21the future Mrs.

00:23:22Elliot Hargrove.

00:23:23And once I'm a

00:23:24Hargrove, I'll take

00:23:25my place as

00:23:26prima ballerina.

00:23:28We meet again,

00:23:29little thief.

00:23:31Oh my God,

00:23:32it's him.

00:23:33Come on,

00:23:34we're going for a ride.

00:23:36Help!

00:23:37Help!

00:23:37Somebody please,

00:23:38a stranger

00:23:39is kidnapping me,

00:23:40please!

00:23:40Somebody!

00:23:41Stranger?

00:23:42I thought I made

00:23:43more of an impression.

00:23:44You stole my gun.

00:23:45I don't know

00:23:46what you're talking

00:23:46about.

00:23:47It took me no time

00:23:49to track you down,

00:23:49so don't lie to me.

00:23:51Or you'll find out

00:23:51what else I'm capable of.

00:23:53What do you want

00:23:53from me?

00:23:54I want to know

00:23:54your real name.

00:23:59Yeah?

00:24:00Yeah.

00:24:00And I want to know

00:24:01if all the city boys

00:24:02go around kidnapping

00:24:02women, or is that

00:24:03just you?

00:24:04Hmm?

00:24:05He stole from me.

00:24:07He can't just

00:24:08let you walk away.

00:24:11I don't have

00:24:12your gun.

00:24:13Go ahead.

00:24:15Check me.

00:24:16See?

00:24:18I don't have

00:24:19your gun.

00:24:21And I don't

00:24:21belong to you.

00:24:23But I bet

00:24:23you wish you did.

00:24:25You busy?

00:24:26I got a present

00:24:27for you.

00:24:28Rifle check's

00:24:28right-hand man

00:24:30and another

00:24:30one of his goons.

00:24:32It's my lucky day.

00:24:3421st and Lex.

00:24:35Drive.

00:24:36Come.

00:24:37See how I work.

00:24:38Is this the old

00:24:39Hargrove ballet studio?

00:24:41Today?

00:24:42It's my office.

00:24:44Oh, look.

00:24:45He brought

00:24:46his little slut.

00:24:47Your last words

00:24:48better be an apology

00:24:48or I'll make this last.

00:24:50Have you ever seen

00:24:50my wife leave

00:24:51a man's eyes before?

00:24:53Then you might

00:24:54want to look away.

00:24:55How much was

00:24:55rival check paying

00:24:56for my head?

00:24:5750 million.

00:24:57Seems kind of low,

00:24:58don't you think?

00:24:59Please, Jack,

00:24:59can we just go?

00:25:01I'd say tell rival check

00:25:02he's a cheap bastard.

00:25:04You're tougher than I thought

00:25:04you were,

00:25:05little thief.

00:25:06You're going to kill me,

00:25:06too?

00:25:07What can I leave now?

00:25:09East 23rd Street.

00:25:11Roy Thatcher

00:25:12and Kim Parrish's place.

00:25:13How do you know?

00:25:14I know more

00:25:15than where you live,

00:25:17Hannah Thatcher.

00:25:18I also know

00:25:19you're engaged

00:25:20to Elliot Hargrove.

00:25:21And you almost

00:25:22kissed me?

00:25:23The Hargroves run

00:25:24the most elite ballet company

00:25:26in the country.

00:25:27Their family is rich

00:25:28and powerful

00:25:29and I heard

00:25:30that the older brother

00:25:31is the most deadliest

00:25:33assassin in the world.

00:25:35Aren't you scared of him?

00:25:36She has no idea

00:25:37it's me

00:25:38she's talking about.

00:25:39I could sleep with you

00:25:40on stage

00:25:41at the opening night

00:25:42of the ballet

00:25:43and no one

00:25:44would say a thing

00:25:46to me.

00:25:46Who the hell

00:25:47are you?

00:25:49How bad do you want to know?

00:25:51See you around.

00:25:52Hannah Thatcher.

00:25:53Track the little thief

00:25:54for me.

00:25:55Tell me everywhere she goes.

00:25:56I find that girl

00:25:58strangely fascinating.

00:26:01She won't be

00:26:01my brother's fiance

00:26:02for long.

00:26:04He's not afraid

00:26:05of the Hargroves

00:26:05and he knows

00:26:06where I sleep.

00:26:08Why did I steal

00:26:09his stupid gun?

00:26:10However he is,

00:26:12whatever he wants,

00:26:14I won't let him

00:26:15stop me from

00:26:15securing my husband

00:26:16and my spot

00:26:17as prima ballerina.

00:26:19Out of bed now

00:26:20we have a party

00:26:22to go to.

00:26:24It's the night

00:26:25of my engagement party

00:26:26and I'm dreaming

00:26:27about a man

00:26:28who kidnapped me.

00:26:30I'm here to marry

00:26:31Elliot Hargrove

00:26:32and become

00:26:33prima ballerina

00:26:33not fall for

00:26:35a criminal.

00:26:36Hannah,

00:26:37let me be

00:26:38very clear.

00:26:40The only reason

00:26:41you're coming

00:26:42with us to this party

00:26:43is so we can see

00:26:44the pitiful look

00:26:46on your face

00:26:46when Madame Hargrove

00:26:48decides to end

00:26:49your engagement

00:26:50with her son

00:26:51in front of

00:26:52all the richest

00:26:53most powerful

00:26:55people in New York.

00:26:56face it,

00:26:59Hannah.

00:26:59The city is no place

00:27:00for a farm girl.

00:27:03I know you're desperate

00:27:04for a rich man

00:27:04to save you

00:27:05from your sad life

00:27:07in the slums,

00:27:08but the Hargroves?

00:27:11They'll never let

00:27:12an untalented

00:27:14hick

00:27:14like you

00:27:16tarnish their family name.

00:27:18That's what you think.

00:27:19Oh,

00:27:20there she is,

00:27:22Baron.

00:27:23Elliot's fiancé,

00:27:25the farm girl.

00:27:27Well,

00:27:28there is a certain

00:27:29elegance

00:27:30about her.

00:27:31As long as she can dance,

00:27:33I don't see the problem.

00:27:34Have Hannah

00:27:35perform the crowd

00:27:36favorite,

00:27:37pas de deux.

00:27:37If she can dance,

00:27:39then we'll know

00:27:40that she's worthy

00:27:40of marrying our son.

00:27:42That hillbilly

00:27:44thinks she could

00:27:45blackmail me.

00:27:46I might not be able

00:27:47to kill her,

00:27:49but I can still

00:27:50end this engagement.

00:27:51Do not let

00:27:53that farm girl

00:27:54perform

00:27:55on stage

00:27:56tonight.

00:27:58Break her legs

00:27:58if you have to.

00:28:00You tell anyone

00:28:01that this came

00:28:03from me,

00:28:03you're dead.

00:28:05After tonight,

00:28:06Hannah will never

00:28:07dance again.

00:28:09Hannah Thatcher,

00:28:11as the Hargroves

00:28:12VIP guest,

00:28:13they insist

00:28:14you perform

00:28:14act two

00:28:15pas de deux

00:28:15from the Black Swamp

00:28:16for our guests

00:28:17tonight.

00:28:19And is

00:28:20Elliot

00:28:21going to be

00:28:21dancing with me?

00:28:22He's away

00:28:23performing for

00:28:24the Royal Ballet,

00:28:25but I'm sure

00:28:25you can find

00:28:26another suitable

00:28:27partner.

00:28:28Does Loyola

00:28:28really think

00:28:29no one's

00:28:29going to dance

00:28:30with me?

00:28:31Or that I'm

00:28:31not talented

00:28:31enough to

00:28:32pull this off?

00:28:33She's going to

00:28:34see how wrong

00:28:34she is.

00:28:36These are two

00:28:36of the very best

00:28:38male dancers

00:28:38the company

00:28:39has to offer.

00:28:41I hear you're

00:28:43from Indiana.

00:28:45I bet you

00:28:45can't even

00:28:45pronounce pas de deux,

00:28:46much less

00:28:47dance it.

00:28:48I'm Hargrove

00:28:49best dancer.

00:28:50No way I'm

00:28:50going to dance

00:28:51with some

00:28:51flat-footed

00:28:52farm girl.

00:28:54You're only

00:28:54here because

00:28:55you're engaged

00:28:56to Elliot

00:28:56Hargrove.

00:28:57But I'm

00:28:58sure he's

00:28:58not in it

00:28:58for love.

00:28:59Clearly

00:29:00he just

00:29:00wants his

00:29:00own

00:29:00personal

00:29:01milk

00:29:01made.

00:29:04You have

00:29:05no idea

00:29:06why I'm

00:29:06here or

00:29:07what I'm

00:29:07capable of.

00:29:08Okay,

00:29:08sorry about

00:29:08my idiot

00:29:10half-sister.

00:29:11But she

00:29:11lacks in

00:29:12talent,

00:29:12she makes

00:29:12up for

00:29:13an ego.

00:29:15We all

00:29:15know you

00:29:16don't belong

00:29:16in the

00:29:17Hargrove

00:29:17family.

00:29:18In fact,

00:29:18you'd be

00:29:19more fit

00:29:19to dance

00:29:20in a cage

00:29:21for tips.

00:29:24At least

00:29:25then you

00:29:25could afford

00:29:25new pointe

00:29:26shoes.

00:29:28What's so

00:29:29funny?

00:29:30The only

00:29:30dance you

00:29:31can pull

00:29:31off is a

00:29:32lap dance.

00:29:33I'll be

00:29:36your first

00:29:37customer.

00:29:38What's

00:29:38the matter,

00:29:39Hannah?

00:29:40I mean,

00:29:40you'd make

00:29:40more money

00:29:41in one

00:29:41dance than

00:29:42you ever

00:29:42made slinging

00:29:43pig shit.

00:29:45Let me

00:29:46go or

00:29:46else...

00:29:46Or what?

00:29:48Heard of the

00:29:48Reaper assassins?

00:29:49You're one of them?

00:29:51I got paid to

00:29:51do a job,

00:29:52so perform a

00:29:53show for me.

00:29:55I'm gonna

00:29:55break your

00:29:57legs.

00:30:00You think

00:30:01you can

00:30:01humiliate me?

00:30:03Let me put

00:30:03on a real

00:30:03show.

00:30:04Baron,

00:30:06how can

00:30:06Hannah be

00:30:06prima ballerina

00:30:07or even

00:30:08marry our

00:30:08son when

00:30:09she is

00:30:10straddling

00:30:10rich guys

00:30:11for cash?

00:30:13You're

00:30:13right.

00:30:13It's

00:30:13disgraceful.

00:30:15She could

00:30:15ruin the

00:30:16Hargrove

00:30:17ballet's

00:30:17reputation?

00:30:18Absolutely.

00:30:19Maybe we

00:30:20should call

00:30:20off the

00:30:21engagement.

00:30:22Do you

00:30:22ride horses,

00:30:23farm girl?

00:30:24I know you

00:30:25can do better

00:30:25than that.

00:30:26How about

00:30:27this?

00:30:28Ah!

00:30:29Fuck!

00:30:30Fuck!

00:30:32Fuck!

00:30:33You

00:30:34fucking

00:30:35bitch!

00:30:36Fuck!

00:30:37Pretty

00:30:37little

00:30:38prima.

00:30:39They

00:30:39touch her

00:30:40again,

00:30:40and the

00:30:40next one

00:30:41goes through

00:30:41your skull,

00:30:42viper.

00:30:43Bill,

00:30:44I heard

00:30:44he's the

00:30:44deadliest

00:30:45assassin in the

00:30:45world.

00:30:46Is he

00:30:47here to

00:30:47kill

00:30:47someone?

00:30:49I didn't mean

00:30:49to.

00:30:50I heard he

00:30:50slit a guy's

00:30:51throat with

00:30:51a poker

00:30:52card.

00:30:52I heard

00:30:53it was

00:30:53through you.

00:30:53That's why

00:30:54they call

00:30:54him the

00:30:54viper.

00:30:55If he's

00:30:56after you,

00:30:57you're

00:30:57already

00:30:57dead.

00:30:58Oh my

00:30:59god.

00:30:59The man

00:30:59whose gun

00:31:00I stole.

00:31:00The man

00:31:01who I

00:31:01almost

00:31:01kissed.

00:31:03Is the

00:31:03world's

00:31:03deadliest

00:31:04assassin?

00:31:06Anyone

00:31:06else touch

00:31:07her?

00:31:08What the

00:31:08hell is

00:31:08my eldest

00:31:09son doing

00:31:09here?

00:31:10He knows

00:31:10better than

00:31:11to walk

00:31:11into a

00:31:12crowded

00:31:12club with

00:31:13a multi-million

00:31:14dollar bounty

00:31:14on his

00:31:15head.

00:31:15The bigger

00:31:16question is,

00:31:17what is he

00:31:18doing protecting

00:31:19Hannah?

00:31:19Hey boss,

00:31:20check this

00:31:21out.

00:31:21A reaper

00:31:22assassin,

00:31:23targeting his

00:31:24leader's future

00:31:24daughter-in-law.

00:31:26Who hired you to do

00:31:26something so

00:31:27stupid?

00:31:28You're gonna

00:31:28have to kill

00:31:28me.

00:31:29He saved

00:31:29me in the

00:31:30nick of

00:31:30time.

00:31:31Has he been

00:31:31watching over

00:31:32me this

00:31:32whole time?

00:31:33Maybe he's

00:31:34not as evil

00:31:34as I

00:31:35thought.

00:31:37You know

00:31:37what,

00:31:37just leave

00:31:38me alone.

00:31:39I came

00:31:39here to

00:31:40dance,

00:31:41to prove

00:31:41myself to

00:31:42everyone that

00:31:42I can be

00:31:43prima ballerina

00:31:44and I have

00:31:44no interest

00:31:45in getting

00:31:45mixed up

00:31:46with a guy

00:31:46like you.

00:31:48It's a

00:31:48little too

00:31:48late for

00:31:49that.

00:31:50This is

00:31:50it.

00:31:51This is

00:31:51how he

00:31:52gets me

00:31:52back for

00:31:52stealing his

00:31:53gun.

00:31:54He only

00:31:54saved me

00:31:55so he

00:31:55could end

00:31:55me himself.

00:31:57Oh my

00:31:58God,

00:31:58is he

00:31:58gonna finish

00:31:59the other

00:31:59guy's job?

00:32:00You wanna

00:32:01prove yourself?

00:32:04Then dance

00:32:05with me.

00:32:09Before my

00:32:10mom died,

00:32:11she arranged

00:32:11my marriage

00:32:12to Elliot

00:32:12Hargrove

00:32:13to secure

00:32:14my future

00:32:14as prima

00:32:15ballerina

00:32:15of the

00:32:15Hargrove

00:32:16Ballet

00:32:16Company.

00:32:18Against

00:32:18her wishes,

00:32:19my father

00:32:19and my

00:32:20stepmom

00:32:20sent me to

00:32:21live on a

00:32:21farm in

00:32:22Indiana.

00:32:23But I

00:32:23never stopped

00:32:24training,

00:32:25waiting for

00:32:25the day

00:32:25I'd marry

00:32:26Elliot

00:32:26and finally

00:32:27live the

00:32:28dream that

00:32:28was stolen

00:32:29from me.

00:32:31Dad's

00:32:32calling me

00:32:32to New

00:32:32York City

00:32:33to break

00:32:33off my

00:32:33engagement,

00:32:34but I

00:32:35won't let

00:32:36him ruin

00:32:36my dreams

00:32:36again.

00:32:37Hey,

00:32:38what are

00:32:38you?

00:32:39Shh!

00:32:40Nobody,

00:32:41move!

00:32:43Grrrr!

00:32:46Grrrr!

00:32:47Fyfer!

00:32:48Where are

00:32:49you?

00:32:50Grrrr!

00:32:51Grrrr!

00:32:52Grrrr!

00:32:53He's

00:32:54not

00:32:54getting

00:32:55away

00:32:55again!

00:32:56Boss,

00:32:57he's

00:32:57the

00:32:57Viper,

00:32:58the

00:32:58deadliest

00:32:58assassin

00:32:59on

00:32:59the

00:33:00planet.

00:33:00He

00:33:00slaughtered

00:33:0114

00:33:01of our

00:33:02best

00:33:02guys

00:33:02before we

00:33:03even

00:33:03had

00:33:03him.

00:33:03If you

00:33:04can't do

00:33:05it,

00:33:05then

00:33:0650

00:33:06million

00:33:06to

00:33:07ever

00:33:07bring

00:33:07me

00:33:07the

00:33:07Viper's

00:33:08head!

00:33:09Okay,

00:33:10go!

00:33:10Get out

00:33:10the

00:33:10way!

00:33:11Come on!

00:33:15I said

00:33:16moan

00:33:17or I'll make

00:33:19you.

00:33:19What are you

00:33:20doing?

00:33:20Get out

00:33:20of here!

00:33:21Oh,

00:33:21well,

00:33:21maybe don't

00:33:22fuck in

00:33:22public if

00:33:23you don't

00:33:23want people

00:33:24to watch.

00:33:24All right,

00:33:25keep it

00:33:25fucking

00:33:26moving!

00:33:26Come on!

00:33:27He's

00:33:27gotta be

00:33:27here

00:33:27somewhere!

00:33:28Get

00:33:28going!

00:33:29I

00:33:29protected

00:33:29you,

00:33:31and now

00:33:31your gun

00:33:31will help

00:33:32me protect

00:33:32myself.

00:33:35Thank

00:33:38you,

00:33:39Miss...

00:33:40Nobody.

00:33:42Wow,

00:33:43Miss

00:33:43Nobody.

00:33:44I owe you

00:33:45my life.

00:33:45How much

00:33:45do you

00:33:46want in

00:33:46return?

00:33:46I don't

00:33:47want your

00:33:47dirty

00:33:47money.

00:33:48I want

00:33:48you to

00:33:49get out

00:33:49of my

00:33:49room.

00:33:50Dirty?

00:33:51You have

00:33:52no idea

00:33:52who you're

00:33:53talking to.

00:33:54See you

00:33:54around,

00:33:55Miss

00:33:55Nobody.

00:33:56There was

00:33:57blood on

00:33:57his face,

00:33:59and those

00:33:59mobsters

00:33:59were after

00:34:00him.

00:34:01He had

00:34:01a hidden

00:34:02gun,

00:34:02a gun

00:34:02I stole.

00:34:04What

00:34:04kind of

00:34:05deadly trap

00:34:05have I

00:34:05fallen

00:34:06into?

00:34:07Hannah,

00:34:08you were

00:34:09such an

00:34:10ugly baby,

00:34:10but look,

00:34:11you grew

00:34:12into that

00:34:12nose.

00:34:14Do you

00:34:14remember your

00:34:15half-sister

00:34:16Valerie?

00:34:16We'll take

00:34:17you to the

00:34:18Hargrove

00:34:18studio

00:34:19tomorrow.

00:34:20Ew,

00:34:20do they

00:34:21not have

00:34:21running

00:34:21water

00:34:22in

00:34:22bumfuck

00:34:22Indiana?

00:34:24Be

00:34:24nice,

00:34:25Valerie.

00:34:26You know

00:34:26Hannah

00:34:27grew up

00:34:28in foster

00:34:28care.

00:34:30Still

00:34:31dancing.

00:34:32I didn't

00:34:32know they

00:34:32taught ballet

00:34:33on the

00:34:34farm.

00:34:34I

00:34:35wouldn't

00:34:35call

00:34:35pirouetting

00:34:35through

00:34:36pig

00:34:36shit.

00:34:37Dancing.

00:34:38My

00:34:38stepmom's

00:34:39the reason

00:34:39my dad

00:34:40sent me

00:34:40away.

00:34:41Just

00:34:41wait until

00:34:42I become

00:34:42prima

00:34:43ballerina

00:34:43of the

00:34:44Hargrove

00:34:44ballet

00:34:44and take

00:34:45back

00:34:46what

00:34:46belongs

00:34:46to

00:34:46me.

00:34:47Valerie

00:34:47will

00:34:48dance

00:34:48circles

00:34:49around

00:34:49this

00:34:50farm

00:34:50animal.

00:34:51She

00:34:51really

00:34:52thinks

00:34:52she

00:34:53has a

00:34:53chance

00:34:53with

00:34:53a

00:34:54Hargrove?

00:34:55Pathetic.

00:34:56As

00:34:56soon as

00:34:57Elliot sees

00:34:57Valerie,

00:34:58it's

00:34:58game

00:34:58over.

00:34:59If

00:34:59you

00:34:59embarrass

00:35:00me

00:35:00in front

00:35:00of the

00:35:00Hargroves

00:35:01tomorrow,

00:35:01I'll

00:35:02scratch

00:35:02your

00:35:02eyes

00:35:02out.

00:35:03Got

00:35:03it.

00:35:05Hello,

00:35:06little

00:35:06thief.

00:35:07You're

00:35:07in my

00:35:08city

00:35:08now.

00:35:09Things

00:35:09are

00:35:09about

00:35:10to

00:35:10get

00:35:10interesting.

00:35:11Picked

00:35:11off

00:35:11a dozen

00:35:12arrival

00:35:12checks

00:35:12best

00:35:13guys,

00:35:13but

00:35:13the

00:35:14head

00:35:14of

00:35:15the

00:35:15beast

00:35:15still

00:35:15needs

00:35:15slang.

00:35:18Looks

00:35:18like

00:35:19those

00:35:19dirtbag

00:35:19mobsters

00:35:20don't

00:35:20appreciate

00:35:20you

00:35:21cleaning

00:35:21house.

00:35:22The

00:35:22bounty

00:35:22on

00:35:22your

00:35:22head

00:35:23just

00:35:23went

00:35:23up.

00:35:23Any

00:35:23intel

00:35:24on

00:35:24that

00:35:24woman?

00:35:25The

00:35:25train

00:35:25records

00:35:26show

00:35:26nothing.

00:35:27Check

00:35:27them

00:35:27myself.

00:35:31find

00:35:32her

00:35:32for

00:35:32me.

00:35:34I

00:35:34want

00:35:35to

00:35:35thank

00:35:35her.

00:35:36You

00:35:36are

00:35:37hopeless.

00:35:39Loyola!

00:35:41Stunning

00:35:41as

00:35:42always.

00:35:43This

00:35:44is

00:35:45Hannah.

00:35:46Elliot's

00:35:47betrothed.

00:35:48Clearly

00:35:48they weren't

00:35:49compatible.

00:35:50So,

00:35:50how should

00:35:51we handle

00:35:51breaking

00:35:52off the

00:35:52engagement?

00:35:54Elliot is

00:35:54out of

00:35:54the

00:35:55country,

00:35:55but

00:35:55if you

00:35:56want to

00:35:57break

00:35:57off the

00:35:57engagement,

00:35:58I'm

00:35:58absolutely...

00:35:58Madam

00:35:59Hardrope,

00:36:00may I

00:36:01speak

00:36:01with

00:36:01you

00:36:01privately?

00:36:04This

00:36:04should

00:36:05be

00:36:05interesting.

00:36:06What

00:36:06could

00:36:06a

00:36:06country

00:36:07girl

00:36:07like

00:36:07you

00:36:07have

00:36:08to

00:36:08say

00:36:08to

00:36:08me?

00:36:10Quite

00:36:11graceful.

00:36:12I

00:36:12thought

00:36:12she

00:36:12grew

00:36:13up

00:36:13on

00:36:13a

00:36:13pig

00:36:14farm

00:36:14in

00:36:14Indiana.

00:36:15Madam

00:36:16Hardrope,

00:36:16I refuse

00:36:17to break

00:36:18off my

00:36:18engagement

00:36:18to your

00:36:19son.

00:36:19You've

00:36:20got a

00:36:20lot

00:36:20of

00:36:20nerve,

00:36:21farm

00:36:21girl.

00:36:22My

00:36:22son,

00:36:22Elliot,

00:36:23stands

00:36:24to

00:36:24inherit

00:36:24the

00:36:24Hardrope

00:36:25Ballet

00:36:25Company

00:36:25and

00:36:26everything

00:36:27that

00:36:27goes

00:36:27with

00:36:27it.

00:36:28You're

00:36:28not even

00:36:29good

00:36:29enough

00:36:29to

00:36:30be

00:36:30his

00:36:30whore.

00:36:31With

00:36:31all

00:36:31due

00:36:32respect,

00:36:33you

00:36:33made

00:36:33a

00:36:33promise

00:36:34to

00:36:34my

00:36:34mother

00:36:34that

00:36:35I

00:36:35would

00:36:35marry

00:36:35Elliot

00:36:36and

00:36:36I

00:36:36need

00:36:37you

00:36:37to

00:36:37keep

00:36:37it.

00:36:38My

00:36:38life

00:36:38depends

00:36:39on

00:36:39this

00:36:39marriage

00:36:39and

00:36:39I

00:36:40am

00:36:40good

00:36:41enough

00:36:41to

00:36:41be

00:36:41prima

00:36:41ballerina.

00:36:42I

00:36:42just

00:36:42need

00:36:42the

00:36:42Hardgrove

00:36:43Ballet

00:36:43Company

00:36:43behind me.

00:36:44Hannah

00:36:44Thatcher,

00:36:45you

00:36:46will

00:36:46never

00:36:46dance

00:36:47for

00:36:47the

00:36:47Hardgrove

00:36:48Ballet

00:36:48Company

00:36:48and

00:36:49you

00:36:49will

00:36:49never

00:36:58of

00:36:58this

00:36:59evidence.

00:37:00My

00:37:00mom

00:37:00gave

00:37:01me

00:37:01these

00:37:01before

00:37:01she

00:37:02died

00:37:02as

00:37:02an

00:37:02insurance

00:37:03policy

00:37:03just

00:37:04in

00:37:04case

00:37:04my

00:37:05future

00:37:05mother-in-law

00:37:06forgets

00:37:06her

00:37:06promise.

00:37:07I

00:37:07thought

00:37:08I

00:37:08destroyed

00:37:09every

00:37:09trace

00:37:10of

00:37:10the

00:37:10affair

00:37:11but

00:37:11she

00:37:11has

00:37:12photos

00:37:12letters

00:37:13even

00:37:14the

00:37:15abortion

00:37:15record.

00:37:17If

00:37:17my

00:37:17husband

00:37:17finds

00:37:18out

00:37:18I

00:37:18slept

00:37:18with

00:37:18his

00:37:19enemy

00:37:19I'll

00:37:20lose

00:37:20the

00:37:20company

00:37:20if

00:37:21he

00:37:21doesn't

00:37:22murder

00:37:22me

00:37:22first.

00:37:24This

00:37:24is

00:37:24blackmail.

00:37:25I

00:37:25have done

00:37:26nothing

00:37:26to

00:37:27you

00:37:27and

00:37:27you're

00:37:28ruining

00:37:28my

00:37:28life

00:37:29just

00:37:29to

00:37:30marry

00:37:30my

00:37:30son?

00:37:31This

00:37:31is a

00:37:33dangerous

00:37:33game

00:37:34you're

00:37:34playing.

00:37:35This

00:37:35isn't

00:37:36a

00:37:36game

00:37:36Madame

00:37:37Hargrove.

00:37:37All

00:37:38I

00:37:38want

00:37:39is

00:37:39to

00:37:39be

00:37:39prima

00:37:40ballerina

00:37:40and

00:37:41marrying

00:37:41your

00:37:41son

00:37:42that

00:37:43is

00:37:43my

00:37:43way

00:37:43in.

00:37:44Give

00:37:44me

00:37:44one

00:37:45year

00:37:45to

00:37:46prove

00:37:46myself

00:37:46and

00:37:47then

00:37:47we

00:37:48can

00:37:48get

00:37:48a

00:37:48divorce.

00:37:49Give

00:37:49me

00:37:49the

00:37:49originals

00:37:50and

00:37:50we

00:37:50have

00:37:50a

00:37:51deal.

00:37:51Don't

00:37:51worry

00:37:52bringing

00:37:52down

00:37:53the

00:37:53whole

00:37:53company

00:37:53would

00:37:53ruin

00:37:54my

00:37:54career

00:37:54too.

00:37:55So

00:37:55I

00:37:55won't

00:37:56say

00:37:56anything

00:37:56about

00:37:57your

00:37:57little

00:37:57scandal

00:37:58unless

00:37:59you

00:37:59break

00:37:59your

00:37:59promise.

00:38:00And

00:38:00why

00:38:01would

00:38:02I

00:38:02trust

00:38:03you?

00:38:04Because

00:38:04you

00:38:04have

00:38:04no

00:38:04other

00:38:05choice.

00:38:06I

00:38:06need

00:38:06you

00:38:06to

00:38:06host

00:38:07a

00:38:07party

00:38:07tomorrow

00:38:07night.

00:38:08Tell

00:38:09all

00:38:09of

00:38:09the

00:38:09ballet's

00:38:10elite

00:38:10benefactors

00:38:10that

00:38:11I

00:38:11will

00:38:12be

00:38:12Elliot's

00:38:13wife.

00:38:14Blackmailing

00:38:14the most

00:38:15powerful

00:38:15woman

00:38:15in the

00:38:16city.

00:38:17Bold

00:38:17move,

00:38:18little

00:38:18thief.

00:38:19There's

00:38:19more

00:38:20to

00:38:20you

00:38:20than

00:38:20meets

00:38:20the

00:38:20eye.

00:38:22Then

00:38:22I

00:38:22guess

00:38:22you

00:38:22give

00:38:23me

00:38:23no

00:38:23choice.

00:38:25Glad

00:38:25that

00:38:25you

00:38:25see

00:38:26it

00:38:26my

00:38:26way.

00:38:27Feel

00:38:27free

00:38:27to

00:38:27keep

00:38:27the

00:38:27copies.

00:38:28I

00:38:28have

00:38:29many,

00:38:29many

00:38:30more.

00:38:30Well,

00:38:31is

00:38:32the

00:38:32engagement

00:38:32off?

00:38:34No.

00:38:35Actually,

00:38:35L'Oreal

00:38:35is throwing

00:38:36a party

00:38:36tomorrow

00:38:36night.

00:38:37All

00:38:37the

00:38:37ballet's

00:38:37benefactors

00:38:38are

00:38:38coming

00:38:38and

00:38:39she's

00:38:39making

00:38:40a

00:38:40very

00:38:40important

00:38:41announcement.

00:38:42I

00:38:42guess

00:38:42Madam

00:38:43Hargrove

00:38:44wants

00:38:44to end

00:38:45the

00:38:45engagement

00:38:45publicly.

00:38:46Don't

00:38:47worry,

00:38:48New York's

00:38:48a big

00:38:49city.

00:38:49I'm

00:38:50sure

00:38:50you'll

00:38:50find

00:38:50somebody

00:38:51more

00:38:51suitable.

00:38:52There

00:38:52are

00:38:52plenty

00:38:52of

00:38:52lonely

00:38:53door

00:38:53dashers

00:38:53looking

00:38:54for

00:38:54love.

00:38:56Once

00:38:57this

00:38:57mess

00:38:58with

00:38:58Hannah

00:38:58is

00:38:58resolved,

00:38:59you

00:38:59will

00:38:59swoop

00:39:00right

00:39:00in

00:39:01and

00:39:01take

00:39:01her

00:39:01place

00:39:02as

00:39:02Elliot's

00:39:03fiance.

00:39:04You

00:39:04better

00:39:04go

00:39:04enjoy

00:39:05your

00:39:05free

00:39:05trip

00:39:06to

00:39:06the

00:39:06city

00:39:06while

00:39:07you

00:39:07can.

00:39:08After

00:39:08the

00:39:08party

00:39:08tomorrow,

00:39:09you'll

00:39:09be

00:39:09back

00:39:09to

00:39:10shucking

00:39:10corn

00:39:11and

00:39:11shoveling

00:39:15I

00:39:15need

00:39:16the

00:39:16new

00:39:16outfits

00:39:17to

00:39:17party

00:39:17tomorrow.

00:39:18Yeah.

00:39:19They

00:39:19think

00:39:19my

00:39:19engagement

00:39:20is

00:39:20off

00:39:20and

00:39:20Valerie's

00:39:21in.

00:39:21I

00:39:22can't

00:39:22wait

00:39:23to

00:39:23see

00:39:23their

00:39:23faces

00:39:23when

00:39:24Madame

00:39:24Hargrove

00:39:24announces

00:39:25that

00:39:25I'm

00:39:26the

00:39:26future

00:39:26Mrs.

00:39:27Elliot

00:39:27Hargrove.

00:39:28And

00:39:28once

00:39:28I'm

00:39:28a

00:39:29Hargrove,

00:39:29I'll

00:39:30take

00:39:30my

00:39:30place

00:39:30as

00:39:31prima

00:39:31ballerina.

00:39:32We

00:39:33meet

00:39:33again,

00:39:33little

00:39:33thief.

00:39:35Oh

00:39:36my

00:39:36God,

00:39:36it's

00:39:37him.

00:39:38Come on,

00:39:39we're

00:39:39going for

00:39:39a ride.

00:39:41Help,

00:39:45stranger.

00:39:47I

00:39:47thought

00:39:47I

00:39:47made

00:39:47more

00:39:47of

00:39:48an

00:39:48impression.

00:39:48You

00:39:49stole

00:39:49my

00:39:49gun.

00:39:50I

00:39:50don't

00:39:50know

00:39:50what

00:39:51you're

00:39:51talking

00:39:51about.

00:39:52It took

00:39:53me no

00:39:53time to

00:39:53track

00:39:54you

00:39:54down,

00:39:54so

00:39:54don't

00:39:54lie to

00:39:55me.

00:39:55Or

00:39:55you'll

00:39:56find

00:39:56out

00:39:56what

00:39:56else

00:39:56I'm

00:39:56capable

00:39:57of.

00:39:57What

00:39:57do

00:39:58you

00:39:58want

00:39:58from

00:39:58me?

00:39:59I

00:39:59want

00:39:59to

00:39:59know

00:39:59your

00:39:59real

00:39:59name.

00:40:04Yeah?

00:40:04And

00:40:05I

00:40:05want to

00:40:05know

00:40:05if

00:40:05all

00:40:06the

00:40:06city

00:40:06boys

00:40:06go

00:40:06around

00:40:07kidnapping

00:40:07women

00:40:07or

00:40:07is

00:40:07that

00:40:08just

00:40:08you?

00:40:10He

00:40:10stole

00:40:11from

00:40:11me.

00:40:12He

00:40:12can't

00:40:12just

00:40:13let

00:40:13you

00:40:13walk

00:40:13away.

00:40:15I

00:40:16don't

00:40:16have

00:40:16your

00:40:17gun.

00:40:18Go

00:40:18ahead.

00:40:20Check

00:40:20me.

00:40:21See?

00:40:22I

00:40:23don't

00:40:23have

00:40:23your

00:40:24gun.

00:40:25And

00:40:26I

00:40:26don't

00:40:26belong

00:40:26to

00:40:26you.

00:40:27But

00:40:28I

00:40:28bet

00:40:28you

00:40:28wish

00:40:28you

00:40:28did.

00:40:29You

00:40:29busy?

00:40:30I

00:40:31got

00:40:31a

00:40:31present

00:40:31for

00:40:31you.

00:40:32Rifle

00:40:33check's

00:40:33right-hand

00:40:34man.

00:40:35And

00:40:35another

00:40:35one

00:40:35of

00:40:35his

00:40:35goons.

00:40:36It's

00:40:37my

00:40:37lucky

00:40:37day.

00:40:3821st

00:40:39and

00:40:39Lex.

00:40:40Drive.

00:40:41Come.

00:40:42See how

00:40:42I work.

00:40:43Is this

00:40:43the old

00:40:44Hargrove

00:40:44ballet

00:40:44studio?

00:40:46Today?

00:40:47It's

00:40:47my

00:40:47office.

00:40:49Oh,

00:40:49look.

00:40:50He

00:40:50brought

00:40:50his

00:40:50little

00:40:51slut.

00:40:51Your

00:40:52last

00:40:52words

00:40:52better

00:40:52be an

00:40:53apology

00:40:53or

00:40:53I'll

00:40:53make

00:40:54this

00:40:54last.

00:40:54Have

00:40:55you

00:40:55ever

00:40:55seen

00:40:55a

00:40:55life

00:40:55leave

00:40:56a

00:40:56man's

00:40:56eyes

00:40:56before?

00:40:58Then

00:40:58you

00:40:58might

00:40:58want

00:40:58to

00:40:58look

00:40:59away.

00:40:59How

00:40:59much

00:41:00would

00:41:00rival

00:41:00check

00:41:00paying

00:41:00for

00:41:01my

00:41:01head?

00:41:01Fifty

00:41:01million.

00:41:02Seems

00:41:02kind

00:41:07bastard.

00:41:08You're

00:41:08tougher

00:41:08than I

00:41:09thought

00:41:09you

00:41:09were,

00:41:09little

00:41:10thief.

00:41:10You're

00:41:10going to

00:41:11kill

00:41:11me

00:41:11too?

00:41:12Or

00:41:12can

00:41:12I

00:41:13leave

00:41:13now?

00:41:14East

00:41:1423rd

00:41:15Street.

00:41:16Roy

00:41:16Thatcher

00:41:17and

00:41:17Kim

00:41:17Parrish's

00:41:17place.

00:41:18How

00:41:18do

00:41:18you

00:41:18know?

00:41:19I

00:41:19know

00:41:19more

00:41:20than

00:41:20where

00:41:20you

00:41:20live,

00:41:22Hannah

00:41:22Thatcher.

00:41:23I

00:41:23also

00:41:23know

00:41:24you're

00:41:24engaged

00:41:24to

00:41:24Elliot

00:41:25Hargrove.

00:41:26And

00:41:26you

00:41:26almost

00:41:27kissed

00:41:27me?

00:41:28The

00:41:28Hargroves

00:41:29run the

00:41:29most

00:41:29elite

00:41:30ballet

00:41:30company

00:41:30in

00:41:31the

00:41:31country.

00:41:31Their

00:41:31family

00:41:32is

00:41:32rich

00:41:33and

00:41:33powerful

00:41:34and

00:41:34I

00:41:35heard

00:41:35that

00:41:35the

00:41:35older

00:41:35brother

00:41:36is

00:41:36the

00:41:37most

00:41:37deadliest

00:41:37assassin

00:41:38in the

00:41:38world.

00:41:39Aren't

00:41:39you

00:41:40scared

00:41:40of

00:41:40him?

00:41:40She

00:41:41has

00:41:41no

00:41:41idea

00:41:42it's

00:41:42me

00:41:43she's

00:41:43talking

00:41:43about.

00:41:44I

00:41:44could

00:41:44sleep

00:41:45with

00:41:45you

00:41:45on

00:41:46stage

00:41:46at

00:41:46the

00:41:46opening

00:41:47night

00:41:47of

00:41:47the

00:41:47ballet

00:41:48and

00:41:48no

00:41:48one

00:41:49would

00:41:50say

00:41:50a

00:41:50thing

00:41:50to

00:41:50me.

00:41:51Who

00:41:51the

00:41:52hell

00:41:52are

00:41:53you?

00:41:54How

00:41:54bad

00:41:55do

00:41:55you

00:41:55want

00:41:55to

00:41:55see

00:41:56you

00:41:56Hannah

00:41:57Thatcher

00:41:57tracked

00:41:58the

00:41:58little

00:41:58thief

00:41:58from

00:41:58me.

00:42:00Tell

00:42:00me

00:42:00everywhere

00:42:00she

00:42:01goes.

00:42:01I

00:42:01find

00:42:02that

00:42:02girl

00:42:02strangely

00:42:03fascinating.

00:42:05She

00:42:05won't be

00:42:06my

00:42:06brother's

00:42:07fiance

00:42:07for

00:42:07long.

00:42:08He's

00:42:09not

00:42:09afraid

00:42:09of

00:42:09the

00:42:10Hargroves

00:42:10and

00:42:10he

00:42:11knows

00:42:11where

00:42:11I

00:42:11sleep.

00:42:12Why

00:42:13did

00:42:13I

00:42:13steal

00:42:13his

00:42:13stupid

00:42:14gun?

00:42:15However

00:42:16he

00:42:16is

00:42:16whatever

00:42:17he

00:42:17wants

00:42:18I

00:42:19won't

00:42:19let

00:42:19him

00:42:19stop

00:42:20me

00:42:20from

00:42:20securing

00:42:20my

00:42:21husband

00:42:21and

00:42:21my

00:42:22spot

00:42:22as

00:42:22prima

00:42:23ballerina.

00:42:23Out

00:42:24of

00:42:24bed

00:42:24now

00:42:25we

00:42:26have

00:42:26a

00:42:26party

00:42:27to

00:42:27go

00:42:27to.

00:42:28It's

00:42:29the

00:42:29night

00:42:29of

00:42:29my

00:42:30engagement

00:42:30party

00:42:30and

00:42:31I'm

00:42:31dreaming

00:42:32about

00:42:32a

00:42:32man

00:42:32who

00:42:32kidnapped

00:42:33me.

00:42:35I'm

00:42:35here

00:42:36to

00:42:36marry

00:42:36Elliot

00:42:36Hargrove

00:42:37and

00:42:37become

00:42:37prima

00:42:37ballerina

00:42:38not

00:42:39fall

00:42:39for

00:42:39a

00:42:40criminal.

00:42:41Hannah

00:42:41let me

00:42:43be

00:42:43very

00:42:43clear.

00:42:44The

00:42:45only

00:42:45reason

00:42:46you're

00:42:46coming

00:42:47with

00:42:47us

00:42:47to

00:42:47this

00:42:48party

00:42:48is

00:42:48so

00:42:48we

00:42:49can

00:42:49see

00:42:49the

00:42:49pitiful

00:42:50look

00:42:50on

00:42:50your

00:42:50face

00:42:51when

00:42:51Madam

00:42:52Hargrove

00:42:53decides

00:42:53to

00:42:54end

00:42:54your

00:42:54engagement

00:42:55with

00:42:55her

00:42:55son

00:42:55in

00:42:56front

00:42:56of

00:42:56all

00:42:57the

00:42:57richest

00:42:58most

00:42:59powerful

00:42:59people

00:43:00in

00:43:00New York.

00:43:02Face it

00:43:03Hannah.

00:43:04The city

00:43:04is no

00:43:05place

00:43:05for

00:43:05a

00:43:06farm

00:43:06girl.

00:43:08I know

00:43:08you're

00:43:08desperate

00:43:08for a

00:43:09rich

00:43:09man

00:43:09to

00:43:09save

00:43:09you

00:43:10from

00:43:10your

00:43:10sad

00:43:11life

00:43:11in

00:43:11the

00:43:11slums

00:43:12but

00:43:13the

00:43:13Hargroves

00:43:14they'll

00:43:16never

00:43:17let

00:43:17an

00:43:17untalented

00:43:18hick

00:43:19like

00:43:20you

00:43:20tarnish

00:43:21their

00:43:22family

00:43:22name.

00:43:22That's

00:43:23what

00:43:23you

00:43:23think.

00:43:24Oh

00:43:25there

00:43:26she

00:43:26is

00:43:26Baron

00:43:27Elliot's

00:43:28fiance

00:43:29the

00:43:30farm

00:43:30girl.

00:43:32Well

00:43:32there

00:43:32is

00:43:33a

00:43:33certain

00:43:33elegance

00:43:34about

00:43:35her

00:43:35as

00:43:36long

00:43:36as

00:43:36she

00:43:36can

00:43:36dance

00:43:37I

00:43:37don't

00:43:38see

00:43:38the

00:43:38problem.

00:43:39Have

00:43:39Hannah

00:43:39perform

00:43:40the

00:43:40crowd

00:43:41favorite

00:43:41pas de

00:43:42de

00:43:42if she

00:43:42can

00:43:43dance

00:43:43then

00:43:44we'll

00:43:44know

00:43:44that

00:43:44she's

00:43:45worthy

00:43:45of

00:43:45marrying

00:43:46our

00:43:46son.

00:43:47That

00:43:48hillbilly

00:43:49thinks

00:43:49she

00:43:49could

00:43:49blackmail

00:43:50me.

00:43:51I

00:43:51might

00:43:52not

00:43:52be

00:43:52able

00:43:52to

00:43:52kill

00:43:53her

00:43:53but

00:43:54I

00:43:54can

00:43:54still

00:43:54end

00:43:55this

00:43:55engagement.

00:43:57Do

00:43:57not

00:43:58let

00:43:58that

00:43:58farm

00:43:59girl

00:43:59perform

00:44:00on

00:44:00stage

00:44:01tonight.

00:44:03Break

00:44:03her legs

00:44:03if you

00:44:03have

00:44:04to.

00:44:05You

00:44:05tell

00:44:05anyone

00:44:06that

00:44:07this

00:44:07came

00:44:07from

00:44:07me

00:44:08you're

00:44:09dead.

00:44:09After

00:44:10tonight

00:44:10Hannah

00:44:11will

00:44:11never

00:44:12dance

00:44:12again.

00:44:13Hannah

00:44:14Thatcher

00:44:14as the

00:44:16Hargrove's

00:44:16VIP guest

00:44:18they insist

00:44:19you perform

00:44:19act two

00:44:20Pas de Deux

00:44:20from the

00:44:20Black Swamp

00:44:21for our

00:44:21guests

00:44:22tonight.

00:44:23Um and is

00:44:24Elliot going to be

00:44:26dancing with me?

00:44:27He's away

00:44:28performing for the

00:44:28Royal Ballet

00:44:29but I'm sure you can

00:44:30find another

00:44:31suitable partner.

00:44:32Does Loyola

00:44:33really think

00:44:33no one's

00:44:34going to

00:44:34dance

00:44:34with me?

00:44:35Or that

00:44:35I'm not

00:44:36talented

00:44:36enough

00:44:36to pull

00:44:37this

00:44:37off?

00:44:38She's

00:44:38gonna

00:44:38see

00:44:38how

00:44:39wrong

00:44:39she

00:44:39is.

00:44:40These

00:44:40are two

00:44:41of the

00:44:41very

00:44:42best

00:44:42male

00:44:43dancers

00:44:43the

00:44:43company

00:44:43has

00:44:44to

00:44:44offer.

00:44:46I hear

00:44:47you're

00:44:47from

00:44:47Indiana.

00:44:49I bet

00:44:49you can't

00:44:50even pronounce

00:44:50Pas de Deux

00:44:51much less

00:44:52dance it.

00:44:53I'm

00:44:53Hargrove

00:44:53best

00:44:54dancer.

00:44:55No way

00:44:55I'm

00:44:55gonna

00:44:55dance

00:44:55with

00:44:56some

00:44:56flat-footed

00:44:56farm

00:44:57girl.

00:44:57You're

00:44:59only

00:44:59here

00:44:59because

00:45:00you're

00:45:00engaged

00:45:00to

00:45:01Elliot

00:45:01Hargrove.

00:45:02But

00:45:02I'm

00:45:02sure

00:45:03he's

00:45:03not

00:45:03in

00:45:03it

00:45:03for

00:45:03love.

00:45:04Clearly

00:45:04he just

00:45:05wants

00:45:05his own

00:45:05personal

00:45:05milk

00:45:06made.

00:45:09You

00:45:09have

00:45:10no

00:45:10idea

00:45:10why

00:45:11I'm

00:45:11here

00:45:11or

00:45:11what

00:45:12I'm

00:45:12capable

00:45:12of.

00:45:12Okay

00:45:12sorry

00:45:13about

00:45:13my

00:45:13idiot

00:45:14half

00:45:15sister.

00:45:15But

00:45:16she

00:45:16lacks

00:45:16some

00:45:16talent

00:45:16she

00:45:17makes

00:45:17up

00:45:17for

00:45:17an

00:45:18ego.

00:45:19We

00:45:20all

00:45:20know

00:45:20you

00:45:20don't

00:45:20belong

00:45:21in

00:45:21the

00:45:21Hargrove

00:45:21family.

00:45:23In

00:45:23fact

00:45:23you'd

00:45:23be

00:45:23more

00:45:24fit

00:45:24to

00:45:24dance

00:45:25in

00:45:25a

00:45:25cage

00:45:25for

00:45:25tips.

00:45:28At

00:45:29least

00:45:29then

00:45:29you

00:45:29could

00:45:30afford

00:45:30new

00:45:30point

00:45:30shoes.

00:45:33What's

00:45:33so funny

00:45:34hmm?

00:45:34The

00:45:35only

00:45:35dance

00:45:35you

00:45:35can

00:45:36pull

00:45:36off

00:45:36is

00:45:37a

00:45:37lap

00:45:37dance.

00:45:40I'll

00:45:41be

00:45:41your

00:45:41first

00:45:41customer.

00:45:42What's

00:45:43the

00:45:43matter

00:45:43Hannah?

00:45:44I mean

00:45:45you'd

00:45:45make

00:45:45more

00:45:45money

00:45:45in

00:45:46one

00:45:46dance

00:45:46than

00:45:46you

00:45:46ever

00:45:47made

00:45:47slinging

00:45:47pig

00:45:48shit.

00:45:49Let

00:45:50me

00:45:50go

00:45:50or

00:45:51else

00:45:51Or

00:45:51what?

00:45:51Heard

00:45:53of

00:45:53the

00:45:53reaper

00:45:53assassins?

00:45:54You're

00:45:54one of

00:45:55them?

00:45:55I

00:45:56got

00:45:56paid

00:45:56to

00:45:56do

00:45:56a

00:45:56job

00:45:57to

00:45:57perform

00:45:58a

00:45:58show

00:45:58for

00:45:58me.

00:45:59I'm

00:46:00gonna

00:46:00break

00:46:00your

00:46:01legs.

00:46:05You

00:46:05think

00:46:06you can

00:46:06humiliate

00:46:07me?

00:46:07Let

00:46:07me

00:46:07put

00:46:08on

00:46:08a

00:46:08real

00:46:08show.

00:46:09Baron,

00:46:10how

00:46:10can

00:46:11Hannah

00:46:11be

00:46:11prima

00:46:11ballerina

00:46:12or

00:46:12even

00:46:12marry

00:46:13our

00:46:13son

00:46:13when

00:46:14she

00:46:14is

00:46:14straddling

00:46:15rich

00:46:15guys

00:46:15for

00:46:16cash?

00:46:17You're

00:46:17right.

00:46:18It's

00:46:18disgraceful.

00:46:19She

00:46:20could

00:46:20ruin

00:46:20the

00:46:21Hargrove

00:46:21Ballet's

00:46:22reputation?

00:46:23Absolutely.

00:46:24Maybe we

00:46:24should call

00:46:25off the

00:46:25engagement.

00:46:27You

00:46:27ride

00:46:27horses,

00:46:28farm

00:46:28girl?

00:46:29I know

00:46:29you can

00:46:29do

00:46:30better

00:46:30than

00:46:30that.

00:46:31How

00:46:31about

00:46:31this?

00:46:33Ah!

00:46:34Fuck!

00:46:35Fuck!

00:46:38You

00:46:39fucking

00:46:40bitch!

00:46:41Pretty

00:46:42little

00:46:43prima.

00:46:44They

00:46:44touch her

00:46:44again,

00:46:45and the

00:46:45next one

00:46:45goes

00:46:46through

00:46:46your

00:46:46skull,

00:46:47viper.

00:46:48I

00:46:48heard

00:46:49he's

00:46:49the

00:46:49deadliest

00:46:49assassin

00:46:50in

00:46:50the

00:46:50world.

00:46:50Is

00:46:51he

00:46:51here

00:46:51to

00:46:51kill

00:46:52someone?

00:46:54I

00:46:54didn't

00:46:54mean

00:46:54to.

00:46:54I

00:46:55heard

00:46:55he

00:46:55slid

00:46:55a

00:46:55guy's

00:46:55throat

00:46:56with

00:46:56a

00:46:56poker

00:46:56card.

00:46:58That's

00:46:58how they

00:46:59call him

00:46:59the

00:46:59viper.

00:47:00If he's

00:47:00after you,

00:47:01you're

00:47:02already

00:47:02dead.

00:47:03Oh my

00:47:03god.

00:47:04The

00:47:04man

00:47:04whose

00:47:04gun I

00:47:04stole,

00:47:05the

00:47:05man

00:47:05who

00:47:05I

00:47:06almost

00:47:06kissed,

00:47:07is

00:47:07the

00:47:08world's

00:47:08deadliest

00:47:08assassin?

00:47:11Anyone

00:47:11else

00:47:11touch her?

00:47:12What

00:47:12the

00:47:13hell

00:47:13is

00:47:13my

00:47:13eldest

00:47:13son

00:47:14doing

00:47:14here?

00:47:14He

00:47:14knows

00:47:15better

00:47:15than

00:47:16to

00:47:16walk

00:47:16into

00:47:16a

00:47:16crowded

00:47:17club

00:47:17with

00:47:18a

00:47:18multi-million

00:47:18dollar

00:47:19bounty

00:47:19on

00:47:19his

00:47:19head.

00:47:20The

00:47:20bigger

00:47:20question

00:47:21is,

00:47:22what

00:47:22is

00:47:22he

00:47:22doing

00:47:23protecting

00:47:23Hannah?

00:47:24Hey

00:47:24boss,

00:47:25check

00:47:25this

00:47:25out.

00:47:26A

00:47:26reaper

00:47:26assassin

00:47:27targeting

00:47:28his leader's

00:47:29future

00:47:29daughter-in-law.

00:47:30Who hired

00:47:30you to do

00:47:31something so

00:47:31stupid?

00:47:32You're

00:47:32gonna have

00:47:33to kill

00:47:33me.

00:47:33He

00:47:33saved

00:47:34me in

00:47:34the

00:47:34nick

00:47:34of

00:47:35time.

00:47:35Has

00:47:35he

00:47:35been

00:47:36watching

00:47:36over

00:47:36me

00:47:36this

00:47:37whole

00:47:37time?

00:47:38Maybe

00:47:38he's

00:47:38not

00:47:39as

00:47:39evil

00:47:39as

00:47:39I

00:47:39thought.

00:47:41You

00:47:41know what?

00:47:42Just leave

00:47:43me alone.

00:47:44I came

00:47:44here to

00:47:45dance,

00:47:45to prove

00:47:46myself to

00:47:46everyone that

00:47:47I can be

00:47:48prima

00:47:48ballerina,

00:47:48and I

00:47:48have no

00:47:49interest

00:47:49in getting

00:47:50mixed up

00:47:50with a

00:47:51guy like

00:47:51you.

00:47:52It's a

00:47:53little too

00:47:53late

00:47:53for that.

00:47:54This

00:47:54is it.

00:47:55This

00:47:56is how

00:47:56he gets

00:47:56me back

00:47:57for stealing

00:47:57his gun.

00:47:58He

00:47:58only saved

00:47:59me so

00:47:59he could

00:48:00end

00:48:00me

00:48:00himself.

00:48:02Oh

00:48:02my

00:48:03God,

00:48:03is he

00:48:03going to

00:48:03finish

00:48:04the other

00:48:04guy's

00:48:04job?

00:48:05You

00:48:05want

00:48:05to

00:48:05prove

00:48:06yourself?

00:48:09Then

00:48:09dance

00:48:10with

00:48:10me.

00:48:13Before

00:48:14my mom

00:48:14died,

00:48:15she arranged

00:48:16my marriage

00:48:16to Elliot

00:48:17Hargrove

00:48:17to secure

00:48:18my future

00:48:19as prima

00:48:19ballerina

00:48:20of the

00:48:20Hargrove

00:48:20Ballet

00:48:21Company.

00:48:22Against

00:48:23her wishes,

00:48:23my father

00:48:24and my

00:48:25stepmother

00:48:25sent me

00:48:25to live

00:48:26on a

00:48:26farm

00:48:26in

00:48:26Indiana.

00:48:27But I

00:48:28never

00:48:28stopped

00:48:28training,

00:48:29waiting

00:48:29for the

00:48:30day I'd

00:48:30marry

00:48:31Elliot

00:48:31and

00:48:32finally

00:48:32live

00:48:32the

00:48:33dream

00:48:33that

00:48:33was

00:48:33stolen

00:48:34from

00:48:34me.

00:48:36Dad's

00:48:36calling

00:48:37me

00:48:37to

00:48:37New

00:48:37York

00:48:37City

00:48:37to

00:48:37break

00:48:38off

00:48:38my

00:48:38engagement.

00:48:39But I

00:48:39won't

00:48:40let him

00:48:40ruin

00:48:41my

00:48:41dreams

00:48:41again.

00:48:42Hey,

00:48:42what are

00:48:42you?

00:48:43Shh!

00:48:45Nobody,

00:48:46move!

00:48:52Viper!

00:48:53Where are

00:48:54you?

00:48:58He's not

00:48:59getting away

00:49:00again!

00:49:01Boss,

00:49:01he's the

00:49:02Viper,

00:49:02the deadliest

00:49:03assassin

00:49:03on the

00:49:04planet.

00:49:05He slaughtered

00:49:05fourteen

00:49:06of our

00:49:06best

00:49:06guys

00:49:07before we

00:49:07even

00:49:07had

00:49:07a

00:49:08buckton.

00:49:08If

00:49:08you

00:49:09can't

00:49:09do

00:49:10it,

00:49:10then

00:49:10fifty

00:49:11million

00:49:11to

00:49:11ever

00:49:11brings

00:49:12me

00:49:12the

00:49:12viper's

00:49:13head!

00:49:14Okay,

00:49:14go!

00:49:15Get out

00:49:15the way!

00:49:16Come on!

00:49:20I said

00:49:21moan.

00:49:23I'll make you.

00:49:24What are you

00:49:24doing?

00:49:25Get out

00:49:25of here!

00:49:26Oh,

00:49:26well,

00:49:26maybe don't

00:49:26fuck in

00:49:27public if

00:49:28you don't

00:49:28want people

00:49:28to watch.

00:49:29All right,

00:49:29keep it

00:49:30fucking

00:49:30moving!

00:49:31Come on!

00:49:31He's

00:49:32gotta be

00:49:32here

00:49:32somewhere!

00:49:32Get

00:49:33going!

00:49:33I

00:49:33protected

00:49:34you,

00:49:34and now

00:49:35your gun

00:49:36will help

00:49:37me protect

00:49:37myself.

00:49:43Thank you,

00:49:44Miss...

00:49:45Nobody.

00:49:47Well,

00:49:48Miss

00:49:48Nobody,

00:49:49I owe you

00:49:49my life.

00:49:50How much

00:49:50do you

00:49:50want in

00:49:50return?

00:49:51I don't

00:49:51want your

00:49:52dirty money.

00:49:53I want

00:49:53you to

00:49:53get out

00:49:54of my

00:49:54room.

00:49:55Dirty?

00:49:56You have

00:49:56no idea

00:49:57who you're

00:49:57talking to.

00:49:58See you

00:49:59around,

00:50:00Miss

00:50:00Nobody.

00:50:01There was

00:50:01blood on

00:50:02his face.

00:50:03And those

00:50:04mobsters

00:50:04were after

00:50:05him.

00:50:06He had

00:50:06a hidden

00:50:06gun

00:50:07a gun

00:50:07I stole.

00:50:08What kind

00:50:09of deadly

00:50:09trap have

00:50:10I fallen

00:50:10into?

00:50:11Hannah,

00:50:12you were

00:50:13such an

00:50:14ugly baby,

00:50:15but look,

00:50:16you grew

00:50:16into that

00:50:17nose.

00:50:19Do you

00:50:19remember your

00:50:20half-sister,

00:50:20Valerie?

00:50:21We'll take

00:50:22you to the

00:50:22Hargrove

00:50:23studio tomorrow.

00:50:24Ew,

00:50:25do they not

00:50:25have running

00:50:26water in

00:50:27bumfuck,

00:50:27Indiana?

00:50:28Be nice,

00:50:30Valerie.

00:50:30You

00:50:31know

00:50:31Hannah

00:50:32grew up

00:50:32in foster

00:50:33care.

00:50:35Still

00:50:35dancing.

00:50:36I didn't

00:50:37know they

00:50:37taught ballet

00:50:38on the

00:50:39farm.

00:50:39I

00:50:39wouldn't

00:50:39call

00:50:40pirouetting

00:50:40through pig

00:50:41shit.

00:50:42Dancing.

00:50:43My

00:50:43stepmom's the

00:50:44reason my

00:50:44dad sent me

00:50:45away.

00:50:46Just wait

00:50:46until I

00:50:47become prima

00:50:47ballerina of

00:50:48the Hargrove

00:50:49Ballet and

00:50:50take back what

00:50:50belongs to

00:50:51me.

00:50:52Valerie will

00:50:52dance circles

00:50:53around this

00:50:54farm animal.

00:50:55She really

00:50:56thinks she

00:50:57has a chance

00:50:58with a

00:50:58Hargrove?

00:50:59Pathetic.

00:51:01As soon as

00:51:01Elliot sees

00:51:02Valerie,

00:51:03it's game

00:51:03over.

00:51:04If you

00:51:04embarrass me

00:51:04in front of

00:51:05the Hargroves

00:51:05tomorrow,

00:51:06I'll scratch

00:51:07your eyes

00:51:07out.

00:51:07Got it.

00:51:10Hello,

00:51:10little thief.

00:51:12You're in

00:51:12my city now.

00:51:14Things are

00:51:14about to get

00:51:14interesting.

00:51:16Picked off

00:51:16a dozen

00:51:16arrival checks

00:51:17best guys,

00:51:18but the

00:51:19head of the

00:51:19beast still

00:51:20needs slang.

00:51:22Oof.

00:51:23Looks like

00:51:23those dirtbag

00:51:24monsters don't

00:51:25appreciate you

00:51:25cleaning house.

00:51:26The bounty

00:51:27in your head

00:51:27just went up.

00:51:28Any intel

00:51:28on that

00:51:29woman?

00:51:29The train

00:51:30records show

00:51:31nothing.

00:51:32Checked them

00:51:32myself.

00:51:33And the

00:51:34little thief

00:51:34swiped my

00:51:35favorite gun.

00:51:37Find her

00:51:37for me.

00:51:38I want to

00:51:39thank her.

00:51:40You are

00:51:41hopeless.

00:51:44Loyola!

00:51:45Stunning,

00:51:46as always.

00:51:48This is

00:51:49Hannah.

00:51:51Elliot's

00:51:51betrothed.

00:51:52Clearly

00:51:53they weren't

00:51:53compatible.

00:51:54so how

00:51:55should we

00:51:56handle

00:51:56breaking

00:51:56off the

00:51:57engagement?

00:51:58Elliot is

00:51:59out of the

00:51:59country,

00:52:00but if

00:52:01you want

00:52:01to break

00:52:01off the

00:52:02engagement,

00:52:03I'm

00:52:03absolutely...

00:52:03Madam

00:52:03Hargrove,

00:52:04may I

00:52:05speak with

00:52:06you privately?

00:52:08This should

00:52:09be interesting.

00:52:10What could

00:52:11a country

00:52:11girl like

00:52:12you have

00:52:12to say

00:52:13to me?

00:52:15Quite

00:52:15graceful.

00:52:16I thought

00:52:17she grew

00:52:17up on a

00:52:18pig farm

00:52:19in Indiana.

00:52:20Madam

00:52:20Hargrove,

00:52:21I refuse to

00:52:22break off my

00:52:23engagement to

00:52:23your son.

00:52:24You've got a

00:52:24lot of nerve,

00:52:25farm girl.

00:52:26My son,

00:52:27Elliot,

00:52:28stands to

00:52:28inherit the

00:52:29Hargrove Ballet

00:52:30Company and

00:52:31everything that

00:52:31goes with it.

00:52:33You're not even

00:52:33good enough to

00:52:35be his whore.

00:52:36With all due

00:52:36respect,

00:52:37you made a

00:52:38promise to my

00:52:39mother that I

00:52:39would marry

00:52:40Elliot and I

00:52:41need you to

00:52:41keep it.

00:52:42My life

00:52:43depends on this

00:52:44marriage and I

00:52:44am good enough

00:52:45to be prima

00:52:46ballerina.

00:52:46I just need the

00:52:47Hargrove Ballet

00:52:48Company behind me.

00:52:48Hannah Thatcher,

00:52:49you will never

00:52:51dance for the

00:52:52Hargrove Ballet

00:52:53Company and you

00:52:54will never marry

00:52:55my son.

00:52:56You can try

00:52:57to get rid of

00:52:58me, but it's

00:52:59going to be a

00:53:00lot harder to

00:53:02get rid of all

00:53:03of this evidence.

00:53:05My mom gave me

00:53:05these before she

00:53:06died as an

00:53:07insurance policy,

00:53:08just in case my

00:53:09future mother-in-law

00:53:10forgets her

00:53:11promise.

00:53:12I thought I

00:53:13destroyed every

00:53:14trace of the

00:53:15affair, but she

00:53:16has photos, letters,

00:53:19even the abortion

00:53:20record.

00:53:21If my husband

00:53:22finds out I

00:53:23slept with his

00:53:23enemy, I'll

00:53:24lose the company

00:53:25if he doesn't

00:53:26murder me first.

00:53:28This is

00:53:29blackmail.

00:53:30I have done

00:53:30nothing to you

00:53:31and you're

00:53:32ruining my life

00:53:33just to marry

00:53:35my son?

00:53:36This, this is

00:53:37a dangerous game

00:53:38you're playing.

00:53:39This isn't a

00:53:40game, Madam

00:53:41Hargrove.

00:53:42All I want

00:53:43is to be prima

00:53:44ballerina and

00:53:45marrying your

00:53:46son, that is

00:53:47my way in.

00:53:48Give me one

00:53:49year to prove

00:53:51myself and

00:53:51then, then we

00:53:53can get a

00:53:53divorce.

00:53:54Give me the

00:53:54originals and we

00:53:55have a deal.

00:53:56Don't worry.

00:53:57Bringing down

00:53:57the whole company

00:53:58would ruin my

00:53:59career too.

00:54:00So I won't say

00:54:00anything about

00:54:01your little

00:54:02scandal unless

00:54:03you break your

00:54:04promise.

00:54:05And why would

00:54:06I trust you?

00:54:08Because you

00:54:09have no other

00:54:09choice.

00:54:10I need you to

00:54:11host a party

00:54:12tomorrow night.

00:54:13Tell all of

00:54:14the ballet's

00:54:14elite benefactors

00:54:15that I will

00:54:17be Elliot's

00:54:17wife.

00:54:18Blackmailing the

00:54:19most powerful

00:54:20woman in the

00:54:20city?

00:54:22It's a bold

00:54:22move, little

00:54:23thief.

00:54:24There's more to

00:54:24you than meets

00:54:25the eye.

00:54:26Then I guess

00:54:27you give me

00:54:28no choice.

00:54:29Glad that you

00:54:30see it my way.

00:54:31Feel free to

00:54:32keep the copies.

00:54:33I have many,

00:54:34many more.

00:54:35Well, is the

00:54:36engagement off?

00:54:38No.

00:54:39Actually,

00:54:40L'Oreal is

00:54:40throwing a party

00:54:41tomorrow night.

00:54:41All of the

00:54:42ballet's

00:54:42benefactors are

00:54:43coming and

00:54:43she's making

00:54:44a very important

00:54:45announcement.

00:54:46I guess

00:54:47Madame Hargrove

00:54:48wants to end

00:54:49the engagement

00:54:50publicly.

00:54:51Don't worry.

00:54:52New York's a

00:54:53big city.

00:54:54I'm sure you'll

00:54:54find somebody

00:54:55more suitable.

00:54:56There are

00:54:56plenty of

00:54:57lonely door

00:54:57dashers looking

00:54:58for love.

00:55:01Once this

00:55:02mess with

00:55:03Hannah is

00:55:03resolved,

00:55:04you will swoop

00:55:04right in and

00:55:05take her place

00:55:06as Elliot's

00:55:07fiance.

00:55:08You better

00:55:09go enjoy your

00:55:09free trip to

00:55:10the city

00:55:11while you

00:55:12can.

00:55:12After the

00:55:13party tomorrow,

00:55:13you'll be

00:55:14back to

00:55:14shucking corn

00:55:15and shoveling

00:55:16pig shit.

00:55:17You can find

00:55:18your own way

00:55:18home, right?

00:55:20Mom, I need

00:55:20the new outfits

00:55:21to the party

00:55:21tomorrow.

00:55:22Yeah.

00:55:23They think my

00:55:24engagement is

00:55:24off and

00:55:25Valerie's in.

00:55:26I can't wait

00:55:27to see their

00:55:28faces when

00:55:28Madame Hargrove

00:55:29announces that

00:55:30I'm the future

00:55:31Mrs. Elliot

00:55:32Hargrove.

00:55:33And once I'm

00:55:33a Hargrove,

00:55:34I'll take my

00:55:35place as

00:55:35prima ballerina.

00:55:37We meet

00:55:37again,

00:55:38little thief.

00:55:39Oh my god,

00:55:41it's him.

00:55:43Come on,

00:55:43we're going

00:55:43for a ride.

00:55:45Help,

00:55:47somebody please

00:55:47help me,

00:55:48please,

00:55:48a stranger

00:55:48is kidnapping

00:55:49me,

00:55:49please,

00:55:49somebody.

00:55:50Stranger?

00:55:51I thought I

00:55:52made more of

00:55:52an impression.

00:55:53You stole my

00:55:54gun.

00:55:55I don't know

00:55:55what you're

00:55:55talking about.

00:55:56It took me

00:55:57no time to

00:55:58track you down,

00:55:59so don't lie

00:55:59to me.

00:56:00Or you'll

00:56:00find out what

00:56:01else I'm

00:56:01capable of.

00:56:02What do you

00:56:02want from me?

00:56:03I want to

00:56:03know your

00:56:04real name.

00:56:04Yeah?

00:56:09Yeah.

00:56:09And I

00:56:10want to

00:56:10know if

00:56:10all the

00:56:10city boys

00:56:11go around

00:56:11kidnapping

00:56:12women,

00:56:12or is

00:56:12that just

00:56:12you?

00:56:13You stole

00:56:15from me.

00:56:16He can't

00:56:17just let

00:56:17you walk

00:56:18away.

00:56:18I don't

00:56:21have your

00:56:21gun.

00:56:23Go ahead.

00:56:24Check me.

00:56:26See?

00:56:27I don't

00:56:28have your

00:56:28gun.

00:56:30And I

00:56:30don't belong

00:56:31to you.

00:56:32But I

00:56:32bet you

00:56:33wish you

00:56:33did.

00:56:34You busy?

00:56:35I got a

00:56:35present for

00:56:36you.

00:56:37Rifle

00:56:37check's

00:56:38right-hand

00:56:38man.

00:56:39And another

00:56:40one of his

00:56:40goons.

00:56:41It's my

00:56:41lucky day.

00:56:4321st and

00:56:44Lex.

00:56:45Drive.

00:56:46Come.

00:56:46See how

00:56:47I work.

00:56:47Is this

00:56:48the old

00:56:48Hargrove

00:56:49ballet studio?

00:56:51Today?

00:56:52It's my

00:56:52office.

00:56:53Oh,

00:56:54look.

00:56:54He brought

00:56:55his little

00:56:55slut.

00:56:56Your last

00:56:56words better

00:56:57be an

00:56:57apology or

00:56:58I'll make

00:56:58this last.

00:56:59Have you

00:56:59ever seen

00:57:00my life

00:57:00leave a

00:57:00man's

00:57:01eyes

00:57:01before?

00:57:02Then you

00:57:03might want

00:57:03to look

00:57:03away.

00:57:04How much

00:57:04was Rifle

00:57:05check paying

00:57:05for my

00:57:05head?

00:57:0650 million.

00:57:07Seems

00:57:07kind of low,

00:57:07don't you

00:57:08think?

00:57:08He's

00:57:08checking

00:57:09me

00:57:09just

00:57:09go.

00:57:10I'd

00:57:10say tell

00:57:11Rifle

00:57:11check he's

00:57:12a cheap

00:57:12bastard.

00:57:13You're

00:57:13tougher

00:57:13than I

00:57:13thought you

00:57:14were a

00:57:14little

00:57:14thief.

00:57:15You're

00:57:15going to

00:57:15kill

00:57:15me

00:57:16too?

00:57:17Or

00:57:17can I

00:57:17leave

00:57:17now?

00:57:18East

00:57:1923rd

00:57:19Street.

00:57:21Roy

00:57:21Thatcher

00:57:21and

00:57:21Kim

00:57:21Parrish's

00:57:22place.

00:57:23How

00:57:23do

00:57:23you

00:57:23know?

00:57:24I

00:57:24know

00:57:24more

00:57:24than

00:57:24where

00:57:25you

00:57:25live,

00:57:26Hannah

00:57:26Thatcher.

00:57:28I also

00:57:28know you're

00:57:28engaged

00:57:29to Elliot

00:57:29Hargrove.

00:57:31And

00:57:31you

00:57:31almost

00:57:31kissed

00:57:32me?

00:57:33The

00:57:33Hargroves

00:57:33run the

00:57:34most elite

00:57:34ballet

00:57:35company in

00:57:35the

00:57:35country.

00:57:36Their

00:57:36family

00:57:36is

00:57:37rich

00:57:37and

00:57:38powerful

00:57:38and

00:57:39I

00:57:39heard

00:57:40that

00:57:40the

00:57:40older

00:57:40brother

00:57:40is

00:57:41the

00:57:41most

00:57:41deadliest

00:57:42assassin

00:57:43in the

00:57:43world.

00:57:44Aren't

00:57:44you

00:57:44scared

00:57:44of

00:57:45him?

00:57:45She

00:57:45has

00:57:46no

00:57:46idea

00:57:47it's

00:57:47me

00:57:47she's

00:57:48talking

00:57:48about.

00:57:49I

00:57:49could

00:57:49sleep

00:57:49with

00:57:49you

00:57:50on

00:57:50stage

00:57:51at

00:57:51the

00:57:51opening

00:57:51night

00:57:52of

00:57:52the

00:57:52ballet

00:57:52and

00:57:53no

00:57:53one

00:57:53would

00:57:54say

00:57:54a

00:57:55thing

00:57:55to

00:57:55me.

00:57:56Who

00:57:56the

00:57:56hell

00:57:57are

00:57:58you?

00:57:59How

00:57:59bad

00:57:59do

00:57:59you

00:57:59want

00:58:00to

00:58:00know?

00:58:00See

00:58:00you

00:58:00around,

00:58:01Hannah

00:58:01Thatcher?

00:58:02Track

00:58:02the

00:58:02little

00:58:02thief

00:58:03for

00:58:03me.

00:58:10You

00:58:10won't

00:58:10be

00:58:10my

00:58:11brother's

00:58:11fiance

00:58:12for

00:58:12long.

00:58:13He's

00:58:13not

00:58:14afraid

00:58:14of

00:58:14the

00:58:14heart

00:58:14groves

00:58:15and

00:58:15he

00:58:15knows

00:58:16where

00:58:16I

00:58:16sleep.

00:58:17Why

00:58:17did

00:58:17I

00:58:17steal

00:58:18his

00:58:18stupid

00:58:18gun?

00:58:20Whoever

00:58:20he

00:58:21is,

00:58:21whatever

00:58:22he

00:58:22wants,

00:58:23I

00:58:23won't

00:58:24let

00:58:24him

00:58:24stop

00:58:24me

00:58:24from

00:58:24securing

00:58:25my

00:58:25husband

00:58:25and

00:58:26my

00:58:26spot

00:58:27as

00:58:27prima

00:58:27ballerina.

00:58:28Out of

00:58:28bed

00:58:29now,

00:58:30we

00:58:30have

00:58:30a

00:58:31party

00:58:31to

00:58:31go

00:58:32to.

00:58:33It's

00:58:34the night

00:58:34of my

00:58:34engagement

00:58:35party

00:58:35and

00:58:36I'm

00:58:36dreaming

00:58:36about

00:58:36a

00:58:37man

00:58:37who

00:58:37kidnapped

00:58:38me.

00:58:40I'm

00:58:40here

00:58:40to

00:58:40marry

00:58:41Elliot

00:58:41Hargrove

00:58:41and

00:58:41become

00:58:42prima

00:58:42ballerina,

00:58:43not

00:58:43fall

00:58:44for

00:58:44a

00:58:44criminal.

00:58:45Hannah,

00:58:46let me

00:58:47be

00:58:47very

00:58:48clear.

00:58:49The

00:58:49only

00:58:50reason

00:58:51you're

00:58:51coming

00:58:51with

00:58:52us

00:58:52to

00:58:52this

00:58:52party

00:58:52is

00:58:53so

00:58:53we

00:58:53can

00:58:53see

00:58:54the

00:58:54pitiful

00:58:54look

00:58:55on

00:58:55your

00:58:55face

00:58:55when

00:58:56Madame

00:58:56Hargrove

00:58:57decides

00:58:58to end

00:58:58your

00:58:59engagement

00:58:59with

00:58:59her

00:59:00son

00:59:00in

00:59:01front

00:59:01of

00:59:01all

00:59:01the

00:59:01richest,

00:59:03most

00:59:03powerful

00:59:04people

00:59:05in

00:59:05New York.

00:59:07Face

00:59:07it,

00:59:08Hannah.

00:59:08The

00:59:09city

00:59:09is no

00:59:09place

00:59:10for

00:59:10a

00:59:10farm

00:59:11girl.

00:59:12I

00:59:12know

00:59:13you're

00:59:13desperate

00:59:13for a

00:59:13rich

00:59:13man

00:59:14to

00:59:14save

00:59:14you

00:59:14from

00:59:14your

00:59:15sad

00:59:15life

00:59:16in

00:59:16the

00:59:16slums,

00:59:17but

00:59:17the

00:59:17Hargroves?

00:59:20They'll

00:59:21never let

00:59:22an

00:59:22untalented

00:59:23hick

00:59:24like

00:59:25you

00:59:25tarnish

00:59:26their

00:59:26family

00:59:26name.

00:59:27That's

00:59:27what

00:59:28you

00:59:28think.

00:59:29Oh,

00:59:30there

00:59:30she

00:59:30is,

00:59:31Baron,

00:59:32Elliot's

00:59:33fiancee,

00:59:34the

00:59:35farm

00:59:35girl.

00:59:36Well,

00:59:37there is

00:59:37a certain

00:59:38elegance

00:59:39about her.

00:59:40As long

00:59:41as she

00:59:41can dance,

00:59:42I don't

00:59:42see the

00:59:43problem.

00:59:43Have

00:59:44Hannah

00:59:44perform

00:59:45the

00:59:45crowd

00:59:45favorite

00:59:46pas de

00:59:46deux.

00:59:47If

00:59:47she

00:59:47can

00:59:47dance,

00:59:48then

00:59:48we'll

00:59:48know

00:59:49that

00:59:49she's

00:59:49worthy

00:59:50of

00:59:50marrying

00:59:50our

00:59:51son.

00:59:52That

00:59:53hillbilly

00:59:53thinks

00:59:54she could

00:59:54blackmail

00:59:55me.

00:59:56I

00:59:56might

00:59:56not

00:59:56be

00:59:56able

00:59:57to

00:59:57kill

00:59:57her,

00:59:58but

00:59:58I

00:59:58can

00:59:59still

00:59:59end

01:00:00this

01:00:00engagement.

01:00:02Do

01:00:02not

01:00:02let

01:00:03that

01:00:03farm

01:00:03girl perform

01:00:04on stage

01:00:05tonight.

01:00:07Break her

01:00:07legs if

01:00:08you have

01:00:08to.

01:00:10You tell

01:00:10anyone that

01:00:11this came

01:00:12from me,

01:00:13you're

01:00:13dead.

01:00:14After

01:00:14tonight,

01:00:15Hannah will

01:00:16never dance

01:00:17again.

01:00:18Hannah

01:00:18Thatcher,

01:00:20as the

01:00:20Hargroves

01:00:21VIP guest,

01:00:23they insist

01:00:23you perform

01:00:24act two,

01:00:24pododoo from

01:00:25the

01:00:25Black

01:00:25swamp for

01:00:26our

01:00:26guests

01:00:26tonight.

01:00:28And is

01:00:29Elliot

01:00:30going to be

01:00:30dancing with

01:00:31me?

01:00:31He's

01:00:32away

01:00:32performing

01:00:33for the

01:00:33Royal

01:00:33Ballet,

01:00:34but I'm

01:00:34sure you

01:00:35can find

01:00:35another

01:00:36suitable

01:00:36partner.

01:00:36Does

01:00:37Loyola

01:00:37really think

01:00:38no one's

01:00:38going to

01:00:39dance

01:00:39with me?

01:00:40Or that

01:00:40I'm not

01:00:40talented

01:00:41enough to

01:00:41pull

01:00:41this

01:00:41off?

01:00:42She's

01:00:43going to

01:00:43see how

01:00:43wrong

01:00:44she is.

01:00:45These

01:00:45are two

01:00:46of the

01:00:46very

01:00:46best male

01:00:47dancers

01:00:47the company

01:00:48has to

01:00:48offer.

01:00:48I hear

01:00:52you're

01:00:52from

01:00:52Indiana.

01:00:54I bet

01:00:54you can't

01:00:54even

01:00:55pronounce

01:00:55pododoo,

01:00:56much less

01:00:56dance it.

01:00:57I'm

01:00:58Hargrove

01:00:58best dancer.

01:00:59No way

01:01:00I'm going

01:01:00to dance

01:01:00with some

01:01:00flat-footed

01:01:01farm girl.

01:01:03You're

01:01:03only here

01:01:04because you're

01:01:04engaged to

01:01:05Elliot Hargrove,

01:01:06but I'm

01:01:07sure he's

01:01:07not in it

01:01:08for love.

01:01:08Clearly,

01:01:09he just

01:01:09wants his

01:01:10own personal

01:01:10milkmaid.

01:01:13You have

01:01:14no idea

01:01:15why I'm

01:01:15here or

01:01:16what I'm

01:01:16capable of.

01:01:17Okay,

01:01:17sorry about

01:01:18my...

01:01:18idiot

01:01:19half-sister.

01:01:20But she

01:01:20lacks in

01:01:21talent.

01:01:21She makes

01:01:22up for

01:01:22an ego.

01:01:24We all

01:01:24know you

01:01:25don't belong

01:01:25in the

01:01:26Hargrove

01:01:26family.

01:01:27In fact,

01:01:28you'd be

01:01:28more fit

01:01:29to dance

01:01:29in a

01:01:29cage

01:01:30for tips.

01:01:33At least

01:01:34then you

01:01:34could afford

01:01:34new point

01:01:35shoes.

01:01:37What's

01:01:38so funny?

01:01:39The only

01:01:40dance you

01:01:40can pull

01:01:40off is

01:01:41a lap

01:01:42dance.

01:01:45I'll

01:01:45be your

01:01:46first

01:01:46customer.

01:01:47What's

01:01:47the matter,

01:01:48Hannah?

01:01:49I mean,

01:01:49you'd

01:01:49make more

01:01:50money

01:01:50in one

01:01:50dance

01:01:51than you

01:01:51ever

01:01:51made

01:01:51slinging

01:01:52pig

01:01:52shit.

01:01:54Let me

01:01:55go or

01:01:55else...

01:01:56Or what?

01:01:57Heard of the

01:01:57Reaper Assassins?

01:01:59You're one of them?

01:02:00I got paid to do a job

01:02:01to perform a show

01:02:03for me.

01:02:04I'm gonna

01:02:05break

01:02:05your legs.

01:02:10You think

01:02:10you can

01:02:11humiliate me?

01:02:12Let me put on

01:02:12a real show.

01:02:14Baron,

01:02:15how can Hannah

01:02:15be prima

01:02:16ballerina

01:02:16or even

01:02:17marry our

01:02:18son

01:02:18when she

01:02:19is straddling

01:02:19rich guys

01:02:20for cash?

01:02:22You're

01:02:22right.

01:02:22It's

01:02:23disgraceful.

01:02:24She could

01:02:24ruin

01:02:25the Hargrove

01:02:26Ballet's

01:02:26reputation?

01:02:27Absolutely.

01:02:28Maybe we

01:02:29should call

01:02:29off the

01:02:30engagement.

01:02:31Do you

01:02:31ride horses,

01:02:32farm girl?

01:02:34I know you

01:02:34can do better

01:02:34than that.

01:02:35How about

01:02:36this?

01:02:37Ah,

01:02:38fuck!

01:02:39You

01:02:44fucking

01:02:44bitch!

01:02:46Pretty

01:02:47little

01:02:47prima.

01:02:48They

01:02:48touch you

01:02:49again,

01:02:49and the

01:02:50next one

01:02:50goes through

01:02:50your skull,

01:02:51Viper.

01:02:52Neil,

01:02:53I heard he's

01:02:53the deadliest

01:02:54assassin in the

01:02:55world.

01:02:55Is he

01:02:56here to

01:02:56kill

01:02:56someone?

01:02:58I didn't

01:02:58mean to.

01:02:59I heard he

01:02:59slit a guy's

01:03:00throat with

01:03:00a poker

01:03:01card.

01:03:02That's

01:03:03why they

01:03:03call him

01:03:03the Viper.

01:03:05If he's

01:03:05after you,

01:03:06you're

01:03:06already

01:03:07dead.

01:03:07Oh my

01:03:08God,

01:03:08the man

01:03:08whose gun

01:03:09I stole,

01:03:10the man

01:03:10who I

01:03:10almost

01:03:11kissed,

01:03:12is the

01:03:12world's

01:03:13deadliest

01:03:13assassin?

01:03:15Anyone

01:03:16else touch

01:03:16her?

01:03:17What the

01:03:17hell is

01:03:17my eldest

01:03:18son doing

01:03:18here?

01:03:19He knows

01:03:19better than

01:03:20to walk

01:03:21into a

01:03:21crowded

01:03:21club with

01:03:22a multi-million

01:03:23dollar bounty

01:03:24on his

01:03:24head.

01:03:25The bigger

01:03:25question is,

01:03:26what is he

01:03:27doing protecting

01:03:28Hannah?

01:03:29Hey,

01:03:29boss,

01:03:29check this

01:03:30out.

01:03:30A Reaper

01:03:31assassin,

01:03:32targeting his

01:03:33leader's

01:03:33future daughter-in-law.

01:03:35Who hired you

01:03:35to do something

01:03:36so stupid?

01:03:37You're gonna have

01:03:37to kill me.

01:03:38He saved me

01:03:39in the nick

01:03:39of time.

01:03:40Has he been

01:03:40watching over me

01:03:41this whole

01:03:41time?

01:03:43Maybe he's

01:03:43not as evil

01:03:44as I thought.

01:03:46You know what,

01:03:46just leave me

01:03:48alone.

01:03:48I came here

01:03:49to dance,

01:03:50to prove myself

01:03:51to everyone

01:03:51that I can be

01:03:52prima ballerina

01:03:53and I have no

01:03:53interest in getting

01:03:55mixed up with

01:03:55a guy like you.

01:03:57It's a little

01:03:57too late for that.

01:03:59This is it.

01:04:00This is how he

01:04:01gets me back

01:04:01for stealing his

01:04:02gun.

01:04:03He only saved me

01:04:04so he could

01:04:04end me himself.

01:04:05Oh my god,

01:04:07he's here

01:04:08to finish

01:04:08the other

01:04:09guy's job.

01:04:10You want to

01:04:10prove yourself?

01:04:13Then dance

01:04:14with me.

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