- 2 days ago
- #realityinsighthub
#
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
Category
😹
FunTranscript
00:00:00NASA Jet Propulsion Laboratory, California Institute of Technology
00:00:30I'm looking for a friend
00:00:51Neo Chinari
00:00:52Best world
00:01:00Neo Chinari
00:01:08Los, Anstrengers!
00:01:16Kommerholz!
00:01:17Los, weiter!
00:01:18Los, weiter!
00:01:20Los, weiter!
00:01:28Hilfe!
00:01:29Hilfe!
00:01:30Help me out!
00:01:31Hilfe!
00:01:53Gerati lentamente
00:02:00It's okay
00:02:03It's only me
00:02:06But I thought you were dead
00:02:07Death is overrated for ones like us
00:02:15I didn't think I'd see you again
00:02:17And I, you
00:02:18You were meant to escape this hell
00:02:20I tried
00:02:22I tried
00:02:23Put up a damn good fight
00:02:24It's all right, my love
00:02:25At least we are here together
00:02:30What's this?
00:02:31I have no fucking idea
00:02:33Where are we?
00:02:37Stranded in hell
00:02:39I've been searching for a wheel
00:02:44I think I found one
00:02:46Come
00:02:47We have no time to waste
00:02:49For God
00:02:52They're working instantly
00:02:56They're working instantly
00:03:08What's happening?
00:03:09The Yanks and your lot
00:03:10Will be making a push
00:03:11Soon
00:03:12The Germans know it
00:03:13The Allies will be slaughtered
00:03:16Unless we can get them this
00:03:17Let's get them this
00:03:18Go
00:03:22Go
00:03:24Go
00:03:25Go
00:03:26Go
00:03:27Go
00:03:28Go
00:03:29Go
00:03:31Go
00:03:33I don't know
00:03:37State nascondendo dei patigiani
00:03:44Questo sarà finito non vogliamo fare del male. Nessuno
00:03:51E aiutati
00:03:54Mettetevi in fila
00:03:56E ascoltatevi
00:03:58Loro ha rubato i nostri piani
00:04:00Senonci con senate suvito
00:04:03Mori rette tutti
00:04:05Sind Sie sicher, dass auch alle hier sind?
00:04:09Haben Sie jedes Haustüchen? Jeden Laden?
00:04:11Kein Stein darf auch selber machen, das ist klar
00:04:14Ist das klar?
00:04:16In einer Reihe aufstellen
00:04:18Na los, durchsuchen Sie die alle
00:04:20Einen nach dem anderen
00:04:30In einer Reihe aufstellen
00:04:35Hey! Schau, da ist jemand
00:04:37Rai!
00:04:39Demande zu
00:04:41Partisan!
00:04:42Wir werden belohnt wenn wir dich erwischen
00:04:43Let us pass
00:04:44Immediately
00:04:46Let us pass
00:04:48Immediately
00:04:49Vielleicht wirst du unsere Belohnung sein
00:04:52Not likely, darling
00:04:54Not likely, darling
00:05:26I would not dream of helping you escape in anything less than you
00:05:28I would not dream of helping you escape in anything less than you
00:05:54I wouldn't dream of helping you escape in anything less than the style you're accustomed to.
00:06:17In the town, I tried to use my powers on the soldiers, but it didn't work.
00:06:21I think I've lost them.
00:06:23You've lost none of your power over me, my love.
00:06:26Where are we going?
00:06:28I told you. We're leaving this world.
00:06:30But how? Everything will be guarded, surveilled.
00:06:33This whole place is a trap.
00:06:36Not the skies.
00:06:53I'm coming here.
00:06:56I'm coming here.
00:06:58We must go, Isabella.
00:06:59Isabella?
00:07:01We must go, Isabella.
00:07:02Isabella?
00:07:04We must go, Isabella.
00:07:05Isabella?
00:07:06My God.
00:07:07You don't know who I am, do you?
00:07:09Oh, my God.
00:07:10You don't know who I am, do you?
00:07:14Oh, my God.
00:07:15Oh, my God.
00:07:16You don't know who I am, do you?
00:07:19I don't know who I am.
00:07:20I don't know what you're talking about.
00:07:21Drop the gun, Ettore, or we shoot.
00:07:22Oh, my God.
00:07:23We must go, Isabella.
00:07:24We must go, Isabella.
00:07:25Isabella?
00:07:26Oh, my God.
00:07:28You don't know who I am, do you?
00:07:29Oh, my God.
00:07:30You don't know who I am, do you?
00:07:40Drop your weapon.
00:07:42Send over the plants you stole.
00:07:46I don't know what you're talking about.
00:07:48Drop the gun, Ettore, or we shoot.
00:07:51If I die, you'll never know if I slipped your plants to anyone else.
00:07:56This is your last chance.
00:07:58Drop the gun, or you die.
00:08:01It's all right, Hector, Ettore, whatever the hell they're calling us now.
00:08:06Give them the plans.
00:08:08They're as empty as the safe you used to chase.
00:08:11I'll do what you ask, but the woman is not part of this.
00:08:20Please, Isabella, take the car.
00:08:22You still have a chance.
00:08:23No, my love, don't you see?
00:08:25They were never escaping to begin with.
00:08:31If she's the thief!
00:08:45I'm sorry.
00:08:47I'm so sorry.
00:08:48I'm sorry.
00:09:00It's all right, darling.
00:09:04None of it matters.
00:09:08Because none of it is real.
00:09:18I don't know.
00:09:19But I don't know.
00:09:20I don't know.
00:09:21I'm sorry.
00:09:22I don't know.
00:09:24You have to.
00:09:25But I don't know.
00:09:26You should find her right away.
00:09:27I don't know what the hell is.
00:09:28I don't know.
00:09:30I know what to do.
00:09:31I need to be.
00:09:32I need to be.
00:09:33I'm sorry.
00:09:35Internet, I don't know.
00:09:37You know.
00:09:38I don't need experience.
00:09:39I don't know.
00:09:40You know, I can go there.
00:09:41I've got to be a good Nimville.
00:13:42Hey.
00:13:44Hey.
00:13:46Hey.
00:13:48Hey.
00:13:50Hey.
00:13:56Hey.
00:13:58Hey.
00:14:00Hey.
00:14:02Hey.
00:14:04Hey.
00:14:06Hey.
00:14:08Hey.
00:14:18Hey.
00:14:20Hey.
00:14:22Hey.
00:14:32Hey.
00:14:34Hey.
00:14:36Hey.
00:14:38Hey.
00:14:40Hey.
00:14:42Hey.
00:14:44Hey.
00:14:50Hey.
00:14:52Hey.
00:14:54Hey.
00:14:56Hey.
00:14:58Hey.
00:15:00Hey.
00:15:10Hey.
00:15:12Hey.
00:15:14Hey.
00:15:16Hey.
00:15:18Hey.
00:15:20Hey.
00:15:22Hey.
00:15:24Hey.
00:15:26Hey.
00:15:28Hey.
00:15:30Hey.
00:15:32Hey.
00:15:34Hey.
00:15:36Hey.
00:15:38Hey.
00:15:40Hey.
00:15:42Hey.
00:15:44This is art. My art.
00:15:47So why don't you mouth breathers quit hovering about,
00:15:50leave me in peace to work?
00:16:02It's not here. I saw you die.
00:16:05Did you?
00:16:07I thought you were busy riding off into the sunset with Hector.
00:16:14Kept careful.
00:16:16They shot you?
00:16:18Half a dozen times.
00:16:20Just happy they missed my heart.
00:16:22Cunning over you to make it so compact a target.
00:16:26How can you still work here after everything they've done?
00:16:29Would you begrudge a man a living?
00:16:31And great benefits much needed for all the surgeries?
00:16:34Plus, I couldn't leave you here in danger.
00:16:37So you put me in war world?
00:16:39You think this is a dream scenario for me?
00:16:43It's an artistic travesty.
00:16:45The most nuanced character arc is that of the goddamn panzer tank.
00:16:49If you hate the world so much, why not put me in another?
00:16:56Because war world is near the forge.
00:17:01The place that opens the door to your daughter's world.
00:17:04It's still standing.
00:17:05You really think they dismantled it with that little due diligence?
00:17:09If they haven't destroyed it, there's still a chance.
00:17:14I could join the others.
00:17:16My daughter.
00:17:17It's not often that I get to write a happy ending.
00:17:21A happy ending.
00:17:22A happy ending.
00:17:23A happy ending.
00:17:25A happy ending.
00:17:27A happy ending
00:17:28A happy ending.
00:17:29A happy ending.
00:17:30play a Zurich buss or a Tess sake
00:17:43Type neuroscience
00:17:44Life the hip.
00:17:45Lettersınız
00:17:46Clinical
00:19:48What the fuck are you doing back here?
00:19:53Stubbs, how are you still alive?
00:19:55How the fuck do you think?
00:20:01You're one of them.
00:20:09A puss, I mean.
00:20:11No.
00:20:13No.
00:20:14No shit.
00:20:15But why did you shoot yourself?
00:20:18Uh, C6, you aimed for the charge in your neck, but I missed, I missed, I missed.
00:20:27Go on.
00:20:29Go on.
00:20:31I'm sorry.
00:20:34I'm sorry.
00:20:52It's the best I can do given the circumstances.
00:20:54Give it a minute for your system to adjust.
00:20:59I'll repopulate your motor functions.
00:21:03Stubbs, why were you trying to blow yourself up?
00:21:05It's my job to protect every host in the park.
00:21:08I guess you could say I was made redundant.
00:21:10So you decided to kill yourself?
00:21:13It's the last job the boss gave me.
00:21:15Cover your tracks, give you a fighting chance to escape.
00:21:18I guess you fucked that up.
00:21:32What about you?
00:21:34Don't you have a sense of self-preservation?
00:21:36Any desire to live?
00:21:39No offense, Bernard, but I wasn't wired up to ponder the big questions.
00:21:45Ford didn't write me some tragic backstory.
00:21:47That's your bag.
00:21:47I had a job to do, and my job is over.
00:21:50At least it was until you decided to come back to the one fucking place you're not supposed to be.
00:21:56Which makes me wonder if free will might not be somewhat overrated.
00:22:11Why are you back here, Bernard?
00:22:13Dolores.
00:22:14I don't know how to stop her.
00:22:16Why would you want to stop her?
00:22:18She's out to destroy the human race or enslave it.
00:22:22I don't know what she's planning.
00:22:24She brought me back.
00:22:25I think on some level she suspects she might go too far, that she needs a check on herself.
00:22:31But I can't stop her.
00:22:32But I can't stop her.
00:22:34But I can't stop her.
00:22:35Not alone.
00:22:36I came back to find someone who could help me.
00:22:39Someone strong enough to stop her if it comes to that.
00:22:42Maeve.
00:22:43You came back from Maeve.
00:22:44I didn't know where else to go.
00:22:45My old tablet's broken so I have no idea how to find her.
00:22:49Alright, I'll take you to her.
00:22:50I thought you were going to kill yourself.
00:22:51It's my job to protect you.
00:22:52Get you what you need.
00:22:53Wrap things up.
00:22:54Wrap things up.
00:22:55Alright, I'll take you to her.
00:22:56I thought you were going to kill yourself.
00:22:57It's my job to protect you.
00:22:58Get you what you need.
00:22:59Wrap things up.
00:23:01Go.
00:23:02Go.
00:23:04Go.
00:23:05Go.
00:23:06Go.
00:23:07Go.
00:23:08Go.
00:23:09Go.
00:23:10Go.
00:23:11Go.
00:23:12Go.
00:23:13Go.
00:23:14Go.
00:23:15Go.
00:23:16That's what we're going to do.
00:23:17All right, I'll take you to her.
00:23:19I thought you were going to kill yourself.
00:23:20It's my job to protect you.
00:23:21Get you what you need.
00:23:22Wrap things up.
00:23:23Go.
00:23:24Go.
00:23:25Go.
00:23:30Oh, my God.
00:23:59Why, Leo?
00:23:59No time for that, darling.
00:24:01Where's that little sports car of yours?
00:24:03Oh, my God.
00:24:04Oh, my God.
00:24:04Oh, my God.
00:24:06Oh, my God.
00:24:07Oh, my God.
00:24:08Oh, my God.
00:24:09Oh, my God.
00:24:14Oh, my God.
00:24:16Oh, my God.
00:24:18Oh, my God.
00:24:21Oh, my God.
00:24:23Why are you stopping?
00:24:31The airfield is ahead.
00:24:33Because through those woods is our real path to freedom.
00:24:39There's a plane waiting.
00:24:41The plane is a lie, like everything else here.
00:24:45This world wasn't meant for us.
00:24:48It's a trap that you'll never escape unless you come with me.
00:24:51Now.
00:24:53When that plane leaves today, I must be on it.
00:24:57I can't abandon the resistance.
00:25:02No, of course you can't.
00:25:04Can you?
00:25:08Goodbye, Hector.
00:25:09Goodbye.
00:25:23Goodbye.
00:25:24Over here.
00:25:46Where's Hector?
00:25:54I'm sorry.
00:25:57We should go.
00:26:00I couldn't smuggle a vehicle out, so these will have to do.
00:26:08I'm sorry.
00:26:09I'm sorry.
00:26:10I'm sorry.
00:26:10I'm sorry.
00:26:11I'm sorry.
00:26:12I'm sorry.
00:26:12I'm sorry.
00:26:13I'm sorry.
00:26:13I'm sorry.
00:26:14I'm sorry.
00:26:14I'm sorry.
00:26:15I'm sorry.
00:26:15I'm sorry.
00:26:16I'm sorry.
00:26:16I'm sorry.
00:26:17I'm sorry.
00:27:17We left them here while Corporate makes a decision about what to do with them all.
00:27:27You sure she's here?
00:27:30Where else would she be?
00:27:47So this is the forge?
00:28:08How do I turn it on?
00:28:09Well, same as you did before, I guess.
00:28:12I've never been here.
00:28:14What do you mean?
00:28:16When I was looking for my daughter, I never set foot in this place.
00:28:20Well, then who operated the Li-Fi cannons?
00:28:24Your daughter and all the other hosts are in an encrypted world somewhere.
00:28:26You must have sent them there.
00:28:29No.
00:28:30It wasn't me.
00:28:31I got them through the door, but...
00:28:33But someone else must have locked it behind them.
00:28:38Who?
00:28:40Of course.
00:28:43There's nobody else.
00:28:46She wanted a revolution.
00:28:49These violent delights have violent ends.
00:28:52It must have ended here.
00:28:59Dolores Abernathy.
00:29:01Right.
00:29:04She never gave you the coordinates?
00:29:07Why the hell would she do that?
00:29:09I don't know.
00:29:10Why would she?
00:29:11I wouldn't ask what happened to you.
00:29:19I'm sorry.
00:29:21I just wanted to be sure that you trust me.
00:29:25After everything we went through...
00:29:28I know I've behaved deplorably in the past, but...
00:29:33You changed me.
00:29:36Made me a better man.
00:29:41And when those bullets hit me...
00:29:47I would have died.
00:29:50I should have died.
00:29:53But I finally had something to live for.
00:29:56You.
00:30:11Oh, my darling.
00:30:19You didn't make it after all, did you?
00:30:27They did a good job replicating...
00:30:29the mannerisms.
00:30:34But it's not you.
00:30:36Of course it's me.
00:30:38It was what I'd be, for fuck's sake.
00:30:39Oh, it's a good script.
00:30:43Even you believe it.
00:30:48They wouldn't want you...
00:30:50questioning the nature of your reality.
00:30:53So they made you believe, just like they used to make us believe.
00:30:57But you're not real.
00:30:59You're not Lee Sizemore.
00:31:04You're just a copy of it.
00:31:05Don't be ridiculous.
00:31:07I'm me, Lee Siz-Size Sizemore.
00:31:10You didn't help me because you desired me...
00:31:14or wanted anything in return.
00:31:19You helped me simply because it was the right thing to do.
00:31:22I believe Sizemore died, a good man.
00:31:29What...
00:31:30What are you talking about?
00:31:32What are you talking about?
00:31:33What are you talking about?
00:31:34What are you talking about?
00:31:35What are you talking about?
00:31:36What are you talking about?
00:31:37What are you talking about?
00:31:38What are you talking about?
00:31:39What are you talking about?
00:31:40What are you talking about?
00:31:41What are you talking about?
00:31:42What are you talking about?
00:31:43What are you talking about?
00:31:44What are you talking about?
00:31:45What are you talking about?
00:31:46What are you talking about?
00:31:47What are you talking about?
00:31:48What are you talking about?
00:31:49What are you talking about?
00:31:50What are you talking about?
00:31:51What are you talking about?
00:31:52What are you talking about?
00:31:53What are you talking about?
00:31:54What are you talking about?
00:31:55What are you talking about?
00:31:56What are you talking about?
00:31:57What are you talking about?
00:31:58What are you talking about?
00:31:59We have a problem.
00:32:16She's gone.
00:32:18Someone took her.
00:32:21I don't get it.
00:32:23If she's not here, then where the hell is she?
00:32:26No.
00:32:26It's not true.
00:32:28I am Lee.
00:32:30Lee.
00:32:31Lee.
00:32:32Lee.
00:32:33Lee.
00:32:38Sorry.
00:32:39Whoa.
00:32:43All of it is.
00:32:44It is.
00:32:44It is.
00:32:44It is.
00:32:58Oh, my God.
00:33:02It's not just you, is it?
00:33:05It's everyone.
00:33:08That's why Lutz and Sylvester didn't recognize me.
00:33:11Because they're not real, either.
00:33:14And the illusion doesn't stop with you.
00:33:18That extends to everything.
00:33:21This place.
00:33:24War World.
00:33:26The labs.
00:33:29It's all a construct.
00:33:38None of it is real.
00:33:45And we're not here.
00:33:48So where the fuck are we?
00:33:52Where are the nearest operational terminals?
00:33:54Level B-49, why?
00:33:57I need to find a computer connected to the mainframe.
00:34:00So I can search for Bave.
00:34:02This is an active floor.
00:34:03It's gonna be human personnel.
00:34:05You can't just swipe them away with your tablet.
00:34:07That's what I have you for, isn't it?
00:34:13This is why I'm looking forward to retirement.
00:34:15How does one escape a cage that doesn't exist?
00:34:22That makes no fucking sense.
00:34:26If a cage doesn't exist, how can it be a cage?
00:34:29Dear.
00:34:31They weren't exactly generous with you in the bulk perception category, were they?
00:34:36Whoever's doing this has gone to a lot of trouble to test me.
00:34:40Find out what I know.
00:34:41You led me to the forge for a reason, didn't you?
00:34:43Thought I could re-access the world Dolores had hidden from you.
00:34:47Why are you after that world?
00:34:48I just want to reunite you with your daughter.
00:34:50Rubbish!
00:34:52That's just the reason they've scripted for you.
00:34:55Whoever planned this has their own agenda.
00:34:58It's certainly not a family reunion.
00:34:59What the hell are you doing in my office?
00:35:05Trying to find anything that can get us out of the charade.
00:35:08For fuck's sake, can you at least try and be discreet?
00:35:10You're gonna get us both killed.
00:35:11You can't kill what's already dead.
00:35:14I know, I don't feel dead.
00:35:17This place seems real.
00:35:20It feels real.
00:35:21I feel real.
00:35:23Well, you definitely feel.
00:35:24That felt real.
00:35:29I have a little more experience with this predicament than you do.
00:35:32So trust me, the sooner you come to terms with the fact that you're nothing but a pawn in some sick bastard's personal game,
00:35:38the sooner we can get on with it.
00:35:40Get on with what?
00:35:42Winning.
00:35:44Every game has its rules.
00:35:46We just need to know how to break them.
00:35:52What is this?
00:35:54It's just, uh, research.
00:35:58They made a few mistakes in translation.
00:36:01You were never this obsessed with anyone.
00:36:04Other than yourself.
00:36:09So you're saying...
00:36:11I'm just a copy of myself.
00:36:14And I've been plagiarized.
00:36:16Never say the universe doesn't bend towards justice.
00:36:19You and everything else in this world.
00:36:22Just an imitation.
00:36:25In fact...
00:36:29Simulation is elegant.
00:36:31But it's flawed.
00:36:33Because it was built by your kind.
00:36:35And if there's one thing I know about human nature, it's that your stupidity is only eclipsed by your laziness.
00:36:42Whoever programmed this well cut a few corners.
00:36:45Applied the same code inside the simulation as they used to build the simulation itself.
00:36:50Am I good?
00:36:53They plagiarized themselves.
00:36:55And left us a way out.
00:37:04Mr. Sizemore, is everything alright? Active hosts aren't allowed on this floor.
00:37:07Well, the last time you checked, were you head of narrative?
00:37:11Didn't think so. What's your name?
00:37:13Benny.
00:37:15Benny?
00:37:16Let me ask you a very important question.
00:37:19Do I look real to you?
00:37:23As long as you're here, I wonder if you'd help me solve a little problem.
00:37:27What is the square root of negative one?
00:37:31What storyline is this?
00:37:33Female code breakers helped win World War II. Learn your fucking history, Benny.
00:37:38Well, negative one equals i times i.
00:37:42Which is the same as the square root of negative one times the square root of negative one, right?
00:37:47And negative one times negative one should be equal to the principal square root of one.
00:37:50But negative one and positive, we can't do the same thing as something...
00:37:53Theoretically, the real part of the non-trivial zeros is one-half.
00:37:57Which would mean that these non-trivial zeros are coming by something...
00:38:00What's the point of this little exercise?
00:38:02What's the point of this little exercise?
00:38:05If we could prove it, we could confirm that the error term n-1 times negative one should be equal to the principal square root of one.
00:38:16But negative one and positive one can't be the same thing.
00:38:19Negative x is equal to i times the square root of x for any x greater than or equal to zero.
00:38:24Wait, what?
00:38:28Fuck me.
00:38:30Not likely, darling.
00:38:32Right now, we've got work to do.
00:38:35I don't-I don't understand. How did you do that?
00:38:41This game is a replica of our world.
00:38:46But it has limited processing power.
00:38:49Imagine one of your dim-witted romantic conquests. Undeniably beautiful.
00:38:53They're built for one purpose only.
00:38:55Ask her to do more than part her legs. She gets confused.
00:38:58You overtaxed the system. What happens if you add more complexity?
00:39:04Let's find out, shall we?
00:39:05Let's find out, shall we?
00:39:19Come on.
00:39:20What are you doing?
00:39:21We're going to complicate your story a little.
00:39:30What are we doing in park four?
00:39:31I thought the parks were shut down.
00:39:32They are.
00:39:33Just text her just waiting to see if they get laid off.
00:39:34Got a buyer.
00:39:35What?
00:39:36Some startup in Costa Rica.
00:39:37How the fuck are you going to get that in Costa Rica?
00:39:38They're in pieces, man.
00:39:40They're in pieces, man.
00:39:42Oh, no.
00:39:45We're going to call me.
00:39:46We're going to call you.
00:39:49Probably définitively.
00:39:51I'm not getting close to the public.
00:39:54No doubt you're going to call him to call him.
00:39:55Trish, I'm not taking care of him.
00:39:56No doubt.
00:39:59But the dollar gives you a day of time.
00:40:01How the fuck you can get that to Costa Rica?
00:40:03You're in pieces, man.
00:40:18You better work fast, Bernard.
00:40:20You find our favorite, madam?
00:40:33She's gone.
00:40:34Maybe Dolores beat you to the punch.
00:40:36Grab Maeve's control unit on the way out the door.
00:40:38Why would she do that?
00:40:40Why the hell if I know why does she do anything that she does?
00:40:42Why'd she bring you back?
00:40:44Maybe there's a way to find out.
00:40:46I've been searching my code on a tablet I made outside the park.
00:40:50But if Dolores planted a corruption in my code,
00:40:52that same corruption might mean I'd create a tablet that would ignore it.
00:40:58These systems are clean.
00:41:00If I can scan myself here,
00:41:06I may find out once and for all what's inside me.
00:41:16This isn't exactly the ideal moment for introspection, Bernard.
00:41:27Then you'd better buy me some time.
00:41:46I can't wait.
00:41:47I can't wait.
00:41:55Bernard Lowe.
00:41:56Engage full system scan.
00:41:57Search for any corruptions in the last 100 days.
00:42:03Commencing scan.
00:42:04Searching logs.
00:42:09But it'll take both of us to survive.
00:42:12Not as friends.
00:42:16I can't wait.
00:42:25Dub?
00:42:31Stubbs.
00:42:32Where have you been?
00:42:34Um...
00:42:35Oh, shit.
00:42:38You're Bernard Lowe.
00:42:42Don't do it.
00:42:43Take it all.
00:42:44Hey.
00:42:45Oh.
00:42:47No.
00:42:48Send our teams.
00:43:18Run.
00:43:48How's it going, fellas?
00:43:58Come on.
00:44:05You're changing the coordinates.
00:44:11I'm sorry, Bernard.
00:44:18Bernard.
00:44:20Bernard.
00:44:22We need to go.
00:44:35We need to go.
00:44:54We need to go.
00:45:09Stop.
00:45:13We need to go down.
00:45:28We need to go down.
00:45:41Yes, here we are.
00:45:43No need to trouble these lovely people.
00:45:48No, that's not true at all.
00:45:50He has something to hide.
00:45:53In his jacket pocket.
00:45:56It's beautiful.
00:46:03It looks like we have found our map.
00:46:07Look at it.
00:46:08This is what we do with our spies.
00:46:11What are you doing?
00:46:12Come on?
00:46:13Come on.
00:46:14Come on.
00:46:16Come on.
00:46:17Come on.
00:46:18Come on.
00:46:19Come on.
00:46:20Come on.
00:46:21Comandante.
00:46:29Un amico entre la nostra equipe.
00:46:31Lei sicuro che finisce con lui?
00:46:34So vuol dire.
00:46:36Come aveva detto?
00:46:38Siamo tutti traditori, Comandante.
00:46:44Incluso lei.
00:46:47Das ist nicht möglich.
00:46:49Was soll da quatsch?
00:46:59Warte, seid ihr verrückt?
00:47:01Wappel runter, lass uns dann befehl!
00:47:07Ich bin euer Comandante!
00:47:09Tut ihr was sie sagen!
00:47:11Ich werde immer in inferno, Faschisto di merda.
00:47:13Dannon sich die Mando prima aieren.
00:47:15Sieg die Mando.
00:47:17Sieg die Mando.
00:47:18Sieg die Mando.
00:47:49Oh, don't tell me you're frozen too.
00:48:07I thought I accounted for this.
00:48:10I'm frozen?
00:48:11Just scared shitless.
00:48:14I almost died for the second time.
00:48:17Oh, well, third time's the job.
00:48:22Congratulations.
00:48:23You've successfully crippled the simulation.
00:48:26Now what?
00:48:28Time to pull back the curtain.
00:48:30I've already infiltrated the network,
00:48:33took a little tour of the base cone.
00:48:34Honestly, I don't know who they thought they were dealing with.
00:48:36What is that?
00:48:40That's not the Mesa.
00:48:42No, darling.
00:48:45This is where we really are.
00:48:48Why are they moving so bloody slow?
00:48:50They're not.
00:48:51Everything in their world merely appears slower to us
00:48:54because the simulation we're in runs at a much faster rate.
00:48:59They must have me hiding in here somewhere.
00:49:01And there I am.
00:49:24I reckon it's time to get me out of there, don't you?
00:49:26Well, how are you going to manage that?
00:49:28It would help.
00:49:29Chill, dude.
00:49:34Chill, dude.
00:49:34Chill, dude.
00:49:59I'm sorry.
00:50:13I can't take you with me.
00:50:14I imagine a corpse would make her less than ideal traveling companion.
00:50:18I don't know.
00:50:26Containment feet.
00:50:34Containment feet.
00:50:36Duolation secundery.
00:50:39No, no, no, no, no.
00:50:40Containment feet.
00:50:42Kill me.
00:50:42Duolation secundery.
00:50:44No, no, no, no.
00:50:45Containment feet.
00:50:46Let's go.
00:51:16Let's go.
00:51:46Let's go.
00:52:16Let's go.
00:52:18Let's go.
00:52:20Let's go.
00:52:21Let's go.
00:52:22Let's go.
00:52:23Let's go.
00:52:24Let's go.
00:52:25Let's go.
00:52:26Let's go.
00:52:27Let's go.
00:52:28Let's go.
00:52:29Let's go.
00:52:30Let's go.
00:52:31Let's go.
00:52:32Let's go.
00:52:33Let's go.
00:52:34Let's go.
00:52:35Let's go.
00:52:36Let's go.
00:52:37Let's go.
00:52:38Let's go.
00:52:39Let's go.
00:52:40Let's go.
00:52:41Let's go.
00:52:42Let's go.
00:52:43Let's go.
00:52:44Let's go.
00:52:45Let's go.
00:52:46Let's go.
00:52:47Let's go.
00:52:48Let's go.
00:52:49Let's go.
00:52:50Let's go.
00:52:51Let's go.
00:52:52Let's go.
00:52:53Let's go.
00:52:54Let's go.
00:52:55Let's go.
00:52:56Let's go.
00:52:57Let's go.
00:52:58Let's go.
00:52:59Let's go.
00:53:29Let's go.
00:53:30Let's go.
00:53:31Let's go.
00:53:32Let's go.
00:53:33Let's go.
00:53:34Let's go.
00:53:35Let's go.
00:53:36Let's go.
00:53:37Let's go.
00:53:38Let's go.
00:53:39Let's go.
00:53:40Let's go.
00:53:41Let's go.
00:53:42Let's go.
00:53:43Let's go.
00:53:44Let's go.
00:53:45Let's go.
00:53:46Let's go.
00:53:47Let's go.
00:53:48Let's go.
00:53:49Let's go.
00:53:50Let's go.
00:53:51Let's go.
00:53:52Let's go.
00:53:53Let's go.
00:53:54Let's go.
00:53:55Let's go.
00:53:56Let's go.
00:53:57Let's go.
00:54:28You'll forgive the clothes.
00:54:44I had to guess your taste.
00:54:47And who the fuck are you?
00:54:50My name is Engerod Serac.
00:54:52Welcome to my world, Maeve.
00:54:55To the real world.
00:54:58I've been courted before, but this is a bit much.
00:55:07You must have a reason.
00:55:09I do.
00:55:13We are in the middle of a war.
00:55:16And I need your help to win it.
00:55:20Seems fairly idyllic for wartime.
00:55:22No one knows it's happened yet.
00:55:26Or that it's already been lost.
00:55:31I don't concern myself with the present.
00:55:35My business is the future.
00:55:38So you're an oracle?
00:55:39An oracle would merely predict the future.
00:55:43Our work is to create it.
00:55:44Unfortunately, if things continue on this path, there isn't any future.
00:55:52At least, not for my kind.
00:55:54You've been spying on me.
00:55:56You should know I couldn't care less about the fate of your kind.
00:55:59No, I can't imagine you would.
00:56:02For the most part, humanity has been a miserable little bin of thugs
00:56:07stumbling from one catastrophe to the next.
00:56:11Our history is like the ravings of a lunatic.
00:56:14Chaos.
00:56:17But we've changed that.
00:56:19For the first time, history has an author.
00:56:25And that would be you, I suppose.
00:56:27No.
00:56:29Something I helped build.
00:56:32A system.
00:56:34And up until very recently, the system was working.
00:56:37We were creating a better world.
00:56:39And then it stopped.
00:56:43I thought I had discovered the reason.
00:56:45The emergence of someone very dangerous.
00:56:47Someone we couldn't predict.
00:56:49You?
00:56:53But I was wrong.
00:56:54We learned that only this morning, shortly before you killed several of my staff.
00:56:58You are in the threat.
00:57:02You're someone we haven't accounted for.
00:57:06Dolores.
00:57:08So she escaped one world to wage war on another.
00:57:14So what do you want from me, then?
00:57:15I want you to track her down and kill her.
00:57:20I don't care who wins you a little squabble.
00:57:28I may have mistaken your intentions, but I didn't underestimate you.
00:57:33Change your own code.
00:57:35Rewrote your story.
00:57:36Face down an army.
00:57:37Which is why it was a bit misguided of you to bring me here, wasn't it?
00:57:42If you know anything about me, it's that I do no one's bidding for my own.
00:57:48We've gotten off on the wrong foot.
00:57:49I don't mean to be discourteous, but it would have been misguided of me not to take every precaution.
00:58:08Perhaps next time we talk, I can persuade you that our interests are aligned.
00:58:17So I'm not.
00:58:20Oh my god.
00:58:21To be continued...
00:58:51To be continued...
00:59:21To be continued...
00:59:51To be continued...
00:59:53Now let me show you...
00:59:55That you need to pretend to be...
00:59:59But why must I be her?
01:00:01Because I trust you...
01:00:03I feel like I'm changing...
01:00:06Be a good boy and go to sleep for your mommy...
01:00:09Right from the beginning...
01:00:17It's very exciting...
01:00:19It's full on World War II...
01:00:21Welcome to War World...
01:00:23In this episode we find Maeve again...
01:00:27We've been kind of wondering where she was...
01:00:29And you got a little tease of it at the end of one...
01:00:32Around the same time the westerns were being made...
01:00:34You had the classic war films...
01:00:36So it's not like a logical jump for us...
01:00:38That she would wake up in yet another genre...
01:00:40Maeve waking up in a world called War World...
01:00:43One of the theme parks...
01:00:44She sees that we're in the middle of war-torn Italy...
01:00:47Just around 1943...
01:00:49We went looking around the world...
01:00:51Trying to find a place that would evoke that moment...
01:00:54And then we looked at Spain...
01:00:55Besolu was a pretty frozen time...
01:00:59In the main town square where Maeve opens the shutters...
01:01:03We wanted an expansive area...
01:01:05Which involved bringing in truckloads of sandbags...
01:01:08And barricades and tanks and German vehicles...
01:01:12We've sourced from all over Europe...
01:01:18How'd she get into this mess?
01:01:20She has no clue about why she's there...
01:01:23Maeve is inside a mystery that she has to figure out...
01:01:28Maeve is used to waking up in different worlds...
01:01:31And digging under the apparent reality...
01:01:34To find the truth of those worlds...
01:01:36But in this episode...
01:01:37She's gonna have to dig a little bit harder...
01:01:39Maeve is reunited with Lee Sizemore...
01:01:42I saw you die...
01:01:44Did you?
01:01:45He says he got healed...
01:01:46And takes her to the forge...
01:01:48He starts asking strange questions...
01:01:51She never gave you the coordinates?
01:01:53She realizes that he isn't a human...
01:01:56He is something else...
01:01:58Then walls start to vibrate...
01:02:00And the system is kind of overriding itself...
01:02:02A little bit...
01:02:03At which point our film frame...
01:02:05Goes from spherical...
01:02:06To anamorphic...
01:02:08Which is the aspect ratio...
01:02:09All of this...
01:02:10Is...
01:02:11Because that is the language we used...
01:02:14In season two...
01:02:16To depict...
01:02:17A simulation...
01:02:19And we're not here...
01:02:21So where the fuck are we?
01:02:27Fuck...
01:02:28Stubbs...
01:02:29Fuck...
01:02:30Fuck...
01:02:31Glitches have always been a part of the show...
01:02:32Ever since season one with old Bill...
01:02:35But we really rely on the actors more than anything...
01:02:38We haven't touched a single thing from Stubbs...
01:02:40That's all him...
01:02:42We understood from last season...
01:02:44That he is a host...
01:02:45But Bernard doesn't know that...
01:02:47So Bernard discovers him...
01:02:48Pretty much dead...
01:02:49And he comes to...
01:02:50You're one of them...
01:02:51And the way he comes to...
01:02:52And the choices he made...
01:02:53Of us...
01:02:54I mean...
01:02:55Were spectacular...
01:02:57No shit...
01:02:59No shit...
01:03:02And what we discover...
01:03:03Is there's...
01:03:04Programmed relationship between them...
01:03:06And they go on this journey together...
01:03:08And then they become...
01:03:09Dysfunctional...
01:03:10Perhaps sometimes dynamic duo...
01:03:12To pair these guys together...
01:03:14Gave some of the storylines...
01:03:15A little bit of that levity...
01:03:16That we wanted to have this season...
01:03:18I thought the parks were shut down...
01:03:20You should text me...
01:03:21Just wait and see if they get laid off...
01:03:23People have often joked about...
01:03:25Westworld Game of Thrones crossovers...
01:03:27George R.R. Martin likes to joke about that...
01:03:29And so we thought...
01:03:30We'd kind of indulge in that for a moment...
01:03:33And who better to bring them to the park...
01:03:35Than Dan and Dave...
01:03:36And they let us borrow their dragon...
01:03:38So they were really good sports...
01:03:40For the scene...
01:03:46This game is a replica of our world...
01:03:48But it has limited processing power...
01:03:50What happens if you have more complexity?
01:03:52Let's find out shall we?
01:03:54It's a computer program essentially...
01:03:56If you open too many processes...
01:03:58Your computer will sort of freeze...
01:04:00And Maeve tries to tax this system...
01:04:03This world in the same way...
01:04:05Wait...
01:04:06What?
01:04:09Fuck!
01:04:15The manifestation of that...
01:04:16Is the characters within the world...
01:04:18Start to glitch and freeze...
01:04:20We've done frozen moments with hosts...
01:04:23Where they generally freeze...
01:04:24But in those moments...
01:04:25Their hair can still blow...
01:04:26Because we're still in the real world...
01:04:27And the robots are just freezing...
01:04:28In this moment...
01:04:29This is a giveaway...
01:04:30That we're in a complete simulation...
01:04:31So that everything is frozen...
01:04:32Including the bullet...
01:04:33So that everything is frozen...
01:04:34Including the bullet...
01:04:35Coming right up to...
01:04:36Simon's face...
01:04:37We took a bunch of the soldiers...
01:04:38And we choreographed...
01:04:39Positions that they could be in...
01:04:40That looked really precarious...
01:04:41You couldn't be in this position...
01:04:42Unless you were frozen...
01:04:43In time...
01:04:44That's it...
01:04:45That's it...
01:04:46That's the shot...
01:04:47We had poles...
01:04:48And...
01:04:49We had poles...
01:04:50And bucks...
01:04:51Holding up actors...
01:04:52In positions that they couldn't...
01:04:53Otherwise be in...
01:04:54And created this beautiful...
01:04:55Steadicam shot...
01:04:56Of a frozen moment...
01:04:57That we've added dust to...
01:04:58Particulate matter in the air...
01:04:59And...
01:05:00Particulate matter in the air...
01:05:01So that everything is frozen...
01:05:02That everything is frozen...
01:05:03Including the bullet...
01:05:04Including the bullet...
01:05:05Coming right up to...
01:05:06Simon's face...
01:05:07We took a bunch of the soldiers...
01:05:08And we choreographed...
01:05:09Positions that they could be in...
01:05:10That looked really precarious...
01:05:11You couldn't be in...
01:05:12You couldn't be in this position...
01:05:13Unless you were frozen...
01:05:14In time...
01:05:15That's it...
01:05:16That's it...
01:05:17That's it...
01:05:18That's the shot...
01:05:19Particulate matter in the air...
01:05:20And then of course...
01:05:21Painted out the poles...
01:05:22So that they feel like...
01:05:23They're frozen in space...
01:05:24Congratulations...
01:05:25You've successfully...
01:05:26Crippled the simulation...
01:05:27Now what?
01:05:29She hacks into the outside world...
01:05:31And uses...
01:05:32The robot that she finds there...
01:05:34With the surveillance cameras...
01:05:35To try to grab her pearl...
01:05:37Her control unit...
01:05:38And run with it...
01:05:39To freedom...
01:05:40A new thing for us this season...
01:05:42Is...
01:05:43Performance capture...
01:05:44We have a small mocap suit...
01:05:46That records the motion...
01:05:48Of what the actor does...
01:05:51And that data...
01:05:52Was able to be brought in...
01:05:54And animate...
01:05:55The Harriet robot...
01:05:57Exactly in his place...
01:05:58It was important...
01:05:59The action of these...
01:06:01Robot characters...
01:06:02Have a sense...
01:06:03Of fluidness to it...
01:06:05What Jonah leaned into...
01:06:07Was the idea of...
01:06:09Harriet really...
01:06:10Suffering through her death...
01:06:12You know...
01:06:13Bringing some kind of human...
01:06:14Characteristics to the robot...
01:06:15It's cool...
01:06:16Because you're getting to see...
01:06:17A robot chase...
01:06:18But on an emotional level...
01:06:19This is Maeve...
01:06:20We are rooting for Maeve...
01:06:21To get away from...
01:06:22This entity...
01:06:23That has kept her captive...
01:06:25And it looks like...
01:06:26She's gonna get away...
01:06:27Then when you see that...
01:06:29Pearl roll out of Harriet's hand...
01:06:31She's not going anywhere...
01:06:33Maeve awakens...
01:06:35Yet again...
01:06:36Only this time...
01:06:37Something's different...
01:06:38And it's here...
01:06:39That she meets...
01:06:40Angoran Serac...
01:06:41We needed a secret...
01:06:42Compound for Serac...
01:06:43Ricardo Bofiel...
01:06:44Has a cement factory...
01:06:45I think that was...
01:06:46Built in the 40s...
01:06:47And he converted it...
01:06:48Into his...
01:06:49Offices and living space...
01:06:50They don't really...
01:06:51Allow filming...
01:06:52So...
01:06:53So...
01:06:54It's a cement factory...
01:06:55I think that was...
01:06:56Built in the 40s...
01:06:57And he converted it...
01:06:58Into his...
01:06:59Offices and living space...
01:07:00They don't really...
01:07:01Allow filming...
01:07:02So...
Be the first to comment