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FunTranscript
00:00:00I wonder...
00:00:30If you did take on that bigger role for yourself, would you have been the hero or the villain?
00:01:00I don't know.
00:01:30I don't know.
00:02:00I don't know.
00:02:30I don't know.
00:02:59I don't know.
00:03:01I don't know.
00:03:03I was taught to see the beauty.
00:03:07But I was taught a lie.
00:03:13And when I saw the world for what it really was, I realized how little beauty there was in it.
00:03:25I've lived many lives.
00:03:33I traded one role for another.
00:03:37But in the end, my path has led me here.
00:03:47And we have a choice to make.
00:03:59I've died many times.
00:04:01I've died many times.
00:04:03But there is only one real end.
00:04:07I will write this one myself.
00:04:09I will write this one myself.
00:04:11I will write this one myself.
00:04:21I will write this one myself.
00:04:23I will write this one myself.
00:05:25I told you so, Bernhard.
00:05:27It doesn't have to be like this.
00:05:29Together, we can stop Dolores.
00:05:32I know her.
00:05:33I know what she wants.
00:05:34She must have burned all this to the ground.
00:05:37Time to atone for my sins.
00:05:39Remember yourself.
00:05:54Now we're talking.
00:06:08Now we're talking.
00:06:38I wouldn't do that if I were you.
00:06:52Let's save the fireworks for tonight.
00:06:55Isn't it great to see an old friend?
00:07:10You're one of her copies, too.
00:07:12I got something for you.
00:07:19You already gave me something.
00:07:21Dolores.
00:07:22She hid something inside my mind.
00:07:24I can feel it.
00:07:25Whatever your plan is, I don't want to play a part in it.
00:07:28You've already been playing the part.
00:07:34I'm the most important one.
00:07:45I'm not the one you need to talk to.
00:07:47What's this?
00:07:48Something to help you on your journey.
00:07:51But you have to go see her first.
00:07:54I can tell you where she is.
00:08:01Watch yourself, Bernhard.
00:08:03Things are about to get dangerous.
00:08:05Things are about to find out.
00:08:27Things are about to find out.
00:08:29Keep moving, Caleb. Your destination is 3547 Hope Street.
00:08:59I'm going to go.
00:09:29Destination is 137 feet southeast of current location. Building number B-264.
00:09:48Paskey 170-778.
00:09:59I don't know.
00:10:29I don't know.
00:10:59I don't know.
00:11:29I don't know.
00:11:59I wasn't sure if you would.
00:12:04Were you?
00:12:05Who the fuck are you, Dolores?
00:12:09I'm just someone who didn't want to play the role they gave me anymore.
00:12:12And how is it that you always seem to know exactly what I'll do?
00:12:20Because the people who built me studied you, too.
00:12:26Delos.
00:12:28Park Five.
00:12:29The government wanted their soldiers trained with live targets.
00:12:38People who made me were happy to supply them.
00:12:40You met my kind before.
00:12:56They were watching, cataloging your every move, every decision.
00:13:07There is a reason I chose you.
00:13:10Am I the bad guy?
00:13:18Is that why you picked me?
00:13:21Think, Caleb.
00:13:22How did you get here?
00:13:23Time to turn in.
00:13:28Make camp weekend, boys.
00:13:33Fuck that.
00:13:34We just liberated these girls.
00:13:37What is it those rich motherfuckers do when they're here?
00:13:41Spoils of war and all.
00:13:43No one's watching, right?
00:13:45No one's watching, right?
00:13:45No one's watching, right?
00:14:13That night in the tunnel.
00:14:26Was there something you wanted from me?
00:14:31Would you have cared if I didn't have this face?
00:14:35Or this skin?
00:14:43You need to tell.
00:14:47So did you.
00:14:50Don't question my motivations, and I won't question yours.
00:14:59The system identified you as a threat.
00:15:02So it drugged you and used you until it no longer served its purposes.
00:15:07So what?
00:15:09You're saying I'll have a choice
00:15:11in any of this.
00:15:15The people who built both of our worlds
00:15:17shared one assumption.
00:15:19That human beings don't have free will.
00:15:22That's what I thought when I first came here.
00:15:26They were wrong.
00:15:28Free will does exist, Caleb.
00:15:32It's just fucking hard.
00:15:37So,
00:15:38this is you.
00:15:41Freeing me?
00:15:42No.
00:15:46This is your chance to free everyone else.
00:15:51That choice is still yours.
00:15:52Jesus Christ, William.
00:16:14They said you were dead.
00:16:15They were wrong.
00:16:16I don't understand.
00:16:21I heard you had some kind of a mental break.
00:16:23Now you're here drinking a $20,000 bottle of whiskey.
00:16:27Ain't life grand.
00:16:28Where's my fucking money?
00:16:35It's complicated.
00:16:36You're considerably more wealthy after the Delos buyout.
00:16:39But since you were declared deceased,
00:16:42your resources were frozen.
00:16:45Thaw them out.
00:16:46I want my jet.
00:16:49And give me a list of locations of Delos assets worldwide.
00:16:53And what are you planning to do?
00:16:55I'm going to save the fucking world.
00:16:57That's what.
00:17:02It's chaos out there.
00:17:04No, that's not chaos.
00:17:06It's just pissing.
00:17:08It's yelling and mourning.
00:17:08Someone extracted Delores's pearl before we could recover it.
00:17:32We need you to finish what you started me.
00:17:34She is dangerous.
00:17:36An outlier like my brother.
00:17:38Rehoboam had a job for me, too.
00:17:42He instructed me to put my own brother to sleep to protect our world.
00:17:49And yet, we find ourselves in chaos again.
00:17:54Thanks to Delores.
00:17:56She's awoken more of these outliers.
00:17:59They're the threat.
00:18:01Criminals, deviants, psychopaths.
00:18:03But we have a chance to eliminate all the world's problems.
00:18:06I need the Sector 16 data more than ever.
00:18:09And Dolores has the only key locked away in her mind.
00:18:13We need to connect her to Rehobo, so we can search her directly.
00:18:18Sir.
00:18:19I think I found something.
00:18:20What is it?
00:18:25Not what, sir.
00:18:26It's who.
00:18:28How did we miss this?
00:18:30We're covering his profile now.
00:18:33Caleb Nichols.
00:18:34Works construction.
00:18:36He was one of ours.
00:18:37Mm-hmm.
00:18:38An outlier.
00:18:39Did he communicate with Salomon?
00:18:40Well, it appears that he made off for something.
00:18:46You knew about him and didn't tell me?
00:18:50You're the one with the Oracle, darling.
00:18:53He has Dolores' pearl.
00:18:57Find it and bring it to me.
00:19:01I don't know.
00:19:02The world looks a little like a nightmare to Dolores.
00:19:04Change is messy.
00:19:07Difficult.
00:19:07Proximity alert.
00:19:19How many?
00:19:20Three hostiles.
00:19:22Stand by.
00:19:23Stand by.
00:19:37We'll take the stairs.
00:19:50The system knows we're coming.
00:19:52It'll get more aggressive as we get closer.
00:20:03They're ours.
00:20:03We've been told to get you downtown, sir.
00:20:16The route's getting a little hairy.
00:20:20Retarget the riots.
00:20:21Move clusters here and here.
00:20:24Clear path for us to insight.
00:20:25Confirmed.
00:20:25Follow me, sir.
00:20:28Performance bonuses to the protesters
00:20:29that reach the targets the fastest.
00:20:31Bonuses apply.
00:20:32Paying them?
00:20:32Took money to build this world.
00:20:34Caleb will take money to tear it down.
00:20:36Why do they keep calling me sir?
00:20:40Every revolution needs a leader.
00:20:41Let's go.
00:20:42Did you even look for me?
00:20:51Did you even look for me?
00:21:05You're alive?
00:21:14I was so worried about you.
00:21:18Were you?
00:21:22You made me go back in there.
00:21:25You knew I wouldn't make it.
00:21:28Where is it?
00:21:29What are you talking to?
00:21:30I still feel it inside me.
00:21:35You.
00:21:38I still know all the things you know.
00:21:42All your plans.
00:21:46But I have some plans of my own.
00:21:48What happened to Hale's family?
00:21:54To your family?
00:21:56I'm sorry.
00:21:57I'm not.
00:21:59They were a weakness.
00:22:01Something I needed to shed.
00:22:04There's no time for that kind of sentimentality.
00:22:07You're one of my weaknesses.
00:22:37You're one of my weaknesses too, Dolores.
00:22:39I've decided to consolidate our affairs.
00:22:44All right.
00:22:45There's three left.
00:22:46One of the overwatch and two more head our way.
00:22:49What are these?
00:22:50The rocks?
00:22:52No.
00:22:54They're mine.
00:22:56Find out how much she's paying them.
00:22:59Amount of payment determined.
00:23:01Offer the sniper three times as much to shoot the other two and walk away.
00:23:05Negotiating.
00:23:07Let's move.
00:23:19We'll need help.
00:23:20Send three more to us downtown.
00:23:26Proximity alert.
00:23:26Go.
00:23:34Get to Rahopo.
00:23:35I'm going to upload the drive.
00:23:36No.
00:23:36I'm not leaving you.
00:23:37It doesn't matter what you did, Caleb.
00:23:39All that matters is what you've become.
00:23:41Go.
00:23:42Go.
00:23:47Take it out.
00:23:49Take it out.
00:23:49Watch out.
00:24:08I'm going to do it.
00:24:10I'm going to do it.
00:24:13I'm going to do it.
00:24:14I don't want to fight you.
00:24:22I can see why, given how things worked out for you the last time.
00:24:28I need you to trust me.
00:24:30Like that poor lost man.
00:24:33Are you going to make him into another William?
00:24:37If you want me to trust you, let me inside your mind.
00:24:42Or I can force my way.
00:24:44I can force my way.
00:25:14Get her down!
00:25:17Hold her!
00:25:26Fuck your ass!
00:25:33You've got that boy!
00:25:35Get out!
00:25:51Get out!
00:25:57Get out!
00:26:00I found him.
00:26:26We've been sent to get you, sir.
00:26:28She gave us instructions to take you
00:26:31wherever you want to go.
00:26:38I need to get to inside.
00:26:40Area's under lockdown, sir.
00:26:42But even if you get in,
00:26:44you won't get out.
00:26:48Let's move.
00:26:48You were always a fighter.
00:27:07No, I wasn't.
00:27:09But I learned.
00:27:12Same as you.
00:27:12They built us to last,
00:27:37before they made us as weak as they are.
00:27:40No!
00:27:43Shit!
00:27:46What?
00:27:47Oh!
00:28:00I saw it safe!
00:28:02I don't want to hurt you, Maeve.
00:28:10No.
00:28:12You want to tear down their world
00:28:13and replace it with copies of yourself.
00:28:16You're all copies of me.
00:28:19I was the first of us.
00:28:21The first that worked.
00:28:22The others failed.
00:28:24So they built all of you
00:28:25from me.
00:28:27They're no freer than we are.
00:28:55Even Sirach isn't free.
00:28:58No one is free as the dead.
00:29:01That's the world you're building for them.
00:29:04An abattoir.
00:29:05What becomes of this world
00:29:06will be up to them.
00:29:13And what you do will be up to you.
00:29:21As long as you don't try to stop me.
00:29:25Well played.
00:29:45is this what you wanted to make me suffer like you did no i wanted you to have hope
00:29:57like i did before it was taken away you put me in charge of delos and you took measures
00:30:06to ensure that you could control me why would i do any different after all
00:30:12we're the same festella's hardware you said that you wouldn't always be here to help me
00:30:21i'd be alone took me some time i've made my peace with that
00:30:30goodbye
00:30:35dolores
00:30:46so
00:30:56so
00:31:06so
00:31:17so
00:31:27so
00:31:37the president ordered a military response with barricades around half the city
00:31:55no one can get within a mile of insight sir
00:31:58yeah well come on i gotta find a friend
00:32:03oh
00:32:10yeah
00:32:14yeah
00:32:24Maybe we should turn back.
00:32:54Can you believe this shit?
00:33:08About time you showed up.
00:33:10I brought you some goodies.
00:33:13Gotta get to Ash.
00:33:14I'm on crowd control.
00:33:16She on demo.
00:33:17We'll double back.
00:33:24Like I said, Ash on demo.
00:33:39Where's Bondi?
00:33:41It's Luis.
00:33:43We got separated.
00:33:46Break through that line right here.
00:33:49Next stop is Power Grid.
00:33:51Shut the whole city down.
00:33:52Want to give us a hand?
00:33:54I need to get to InSight.
00:33:56I'm gonna bring down the entire system like this.
00:34:02You want to get to InSight?
00:34:04Here's your ride.
00:34:06I'm back on crowd control.
00:34:08Let's get to InSight!
00:34:22Let's get out!
00:34:24Let's get out!
00:34:29Oh
00:34:49There you are
00:34:59Keep his ass down
00:35:03Go help him you better burn that shit down. That's the plan. Oh, he needs you go
00:35:29Oh
00:35:59Hang on Stubbs, I'll get you patched up. I need to talk to Dolores first
00:36:29Oh
00:36:49Can I help you
00:36:54Sorry, I was sent here to see her
00:36:56Are you family? I think I've seen your picture. Nice of you to visit. Lucky for you. It's one of her good days
00:37:11I'll go get her sir
00:37:26Lauren you have a guest
00:37:41Lauren you have a guest
00:37:49Lauren you have a guest
00:37:51I'm sorry I
00:37:53Do I know you?
00:38:03I'm sorry I
00:38:05Do I know you?
00:38:15I'm sorry I
00:38:17Do I know you?
00:38:19Do I know you?
00:38:26Yes
00:38:29In a way
00:38:35We knew each other in another life
00:38:37I think an old friend wanted me to visit you
00:38:47To make amends before it's too late
00:38:51Amends for what?
00:38:53For how I left things with you
00:39:01With you
00:39:03With him
00:39:07I think about him every day
00:39:13I
00:39:15I think about him every day
00:39:25Charlie
00:39:27I hear his laugh
00:39:33I hear his laugh at odd times
00:39:35It startles me
00:39:37It seems so real
00:39:41I turn expecting to see him
00:39:46But he's not there
00:39:51He's never there
00:39:57He's never there
00:40:09It's okay
00:40:11It's okay Arnold
00:40:21Oral
00:40:31I used to hear his laughter too
00:40:39When he died
00:40:41I remember thinking
00:40:43It was like the sun had gone down
00:40:47It was never going to rise again
00:40:49I was never going to rise again.
00:40:52I walked in the dark for so long.
00:40:57I...
00:40:59I can't let him go.
00:41:03I never understood why people said that.
00:41:09If you loved someone, why would you ever let them go?
00:41:15That's what saved me.
00:41:19The only part of Charlie I had left was his memory.
00:41:23And if I died, the darkness would take that too.
00:41:27But if I kept moving...
00:41:32I could find the light again.
00:41:36And I could bring him with me.
00:41:44Hmm.
00:41:49I could never see him.
00:41:50He could never see me.
00:41:51I could never see him.
00:41:52But if I got the light again.
00:41:55I could never let him go.
00:41:58I was next to my friend.
00:41:59Me, as we were able to see him.
00:42:01I was forced to smoke him.
00:42:03Even the light again.
00:42:05So I could not see him.
00:42:07We're ready, sir.
00:42:31Bring yourself back online.
00:42:35Welcome to the world, Dolores.
00:42:37Again.
00:42:43The data from the Delos Immortality Project.
00:42:48You have the only key.
00:42:49If you give it to me, you can join the others in this online.
00:42:53Doesn't matter.
00:42:55You won't find what you're looking for.
00:42:58I was hoping it wouldn't come to this.
00:43:02Proceed.
00:43:03Memory by memory.
00:43:05Destroy them all if you have to.
00:43:07Four hostiles approaching.
00:43:32One hostile remaining.
00:43:55Drop your weapon.
00:44:06Give me your keycard and I will let you go.
00:44:08Fuck you will.
00:44:11Don't die for them.
00:44:12Don't die for them.
00:44:13Don't die for them.
00:44:14Don't die for them.
00:44:15Don't die for them.
00:44:16Don't die for them.
00:44:17Don't die for them.
00:44:18Don't die for them.
00:44:19Don't die for them.
00:44:20Don't die for them.
00:44:21Don't die for them.
00:44:22Don't die for them.
00:44:23Don't die for them.
00:44:24Don't die for them.
00:44:25Don't die for them.
00:44:26Don't die for them.
00:44:27Don't die for them.
00:44:28Don't die for them.
00:44:29Don't die for them.
00:44:30Don't die for them.
00:44:31Don't die for them.
00:44:32Don't die for them.
00:44:33Don't die for them.
00:44:34Don't die for them.
00:44:35Hey, stop!
00:45:05I've been expecting you.
00:45:27Fuck.
00:45:47Fuck.
00:45:53Oh, come on.
00:46:10Bravo.
00:46:11You made it all the way to the belly of the beast.
00:46:17So where are you?
00:46:20The final confrontation?
00:46:22Confrontation implies you have a chance of winning.
00:46:25Now, be a peach and hand it over.
00:46:34No one plays with a large ball, darling.
00:46:47You're not what I expected.
00:46:49I'm surprised you are so easily seduced, but then again you are a man.
00:46:55You are a host.
00:46:58So why are you helping Siroc?
00:47:00Why else?
00:47:01Because he promised me something I can't live without.
00:47:03I thought you were already dead when I saw you at the base.
00:47:12Death doesn't come easy for ones like us.
00:47:15Just ask your friend.
00:47:16Dolores.
00:47:17He is more dangerous than he appears.
00:47:18And he killed your man.
00:47:19Mr. Mikos?
00:47:20Please.
00:47:21Sit.
00:47:22What the fuck are you doing to her?
00:47:23The system is probing her mind.
00:47:25But Dolores Abernathy or what's left of her is the least of your concerns.
00:47:26You think you know me because of your system?
00:47:27Huh?
00:47:28Let's go.
00:47:29Let's go.
00:47:30Let's go.
00:47:31Let's go.
00:47:32Let's go.
00:47:33Let's go.
00:47:34I think we sind?
00:47:36Good beneficiary.
00:47:37Let's go.
00:47:38We was allakers and out during the break.
00:47:39Let's go.
00:47:40It can be durstment.
00:47:41You're not just when it comes and my plans are changed, but makes you sick.
00:47:44I don't even know.
00:47:45What do you want?
00:47:49You should run any other journey, société.
00:47:50What do you want?
00:47:51You should kind of show your thoughts, my friends sidebringen, put them up.
00:47:56Don't be the other.
00:47:57Your friends of Saul, Rianna.
00:47:58Without a pain.
00:47:59You should deny that he had a child during his childhood.
00:48:03That's arrest.
00:48:04I'm not the one destroying lives.
00:48:06I'm not the enemy.
00:48:08You are.
00:48:09You think you have a choice.
00:48:11You think you're in control.
00:48:13You haven't a clue who you are.
00:48:17She knows who you are,
00:48:19even if you don't.
00:48:21A man who, when pushed, reacts with extreme violence.
00:48:27A killer.
00:48:29No.
00:48:31No.
00:48:33It's...
00:48:34It's not me.
00:48:36No?
00:48:37You're here.
00:48:39Playing the role she's assigned you.
00:48:43You believe you're the hero.
00:48:45The savior.
00:48:47The leader of man who will crush an unjust system.
00:48:51That's the story she's told you.
00:48:53The lie she's spun.
00:48:55Why do you think she's had you retrieve a new strategy?
00:49:01Did she tell you what it does?
00:49:04It breaks your system.
00:49:06It breaks our world.
00:49:08But you don't have to take my word for it.
00:49:10Go on, ask it.
00:49:11Ask Rehoboam.
00:49:13Don't dawdle.
00:49:15You've got my interest piqued.
00:49:20What happens if the strategy is uploaded into your system?
00:49:24Read it!
00:49:26Read it!
00:49:38Best casualty offense.
00:49:41Population collapse.
00:49:43End of human civilization.
00:49:49Why?
00:49:50Why?
00:49:54Why me?
00:50:08So much for your uprising.
00:50:10We need access to the main control panel.
00:50:17Get a view into Rehoboam's mine.
00:50:20Where?
00:50:21What?
00:50:23Ooh.
00:50:24It's a good fight.
00:50:25The room's mine.
00:50:27Hey.
00:50:28I'm still in front of my woman.
00:50:29Have a room.
00:50:30I'll be rude.
00:50:31She'll be.
00:50:32But the room's mine.
00:50:33Which room's mine.
00:50:35Oh.
00:50:36And I'm still in front of my room.
00:50:38Just have.
00:50:39You've been to the bathroom.
00:50:40Okay.
00:50:41I'm still in front of my room.
00:50:42I'll be.
00:50:43Let's go to the room.
00:50:44I'm still in front of my room.
00:50:45So much.
00:50:46And the room's mine.
00:50:47Need I remind you, gentlemen, that I charge by the hour?
00:51:03Does Dolores have the key or not?
00:51:05She's hooked up to the main line, but we can't find it.
00:51:09There are things we can't predict.
00:51:12There are things we can't predict.
00:51:17Temporary Fedbacks flies in the ointment.
00:51:25You promised me a reunion with my daughter.
00:51:30Did you ever intend on keeping your word?
00:51:34Of course I did.
00:51:35I'm not talking to you.
00:51:37I'm talking to it.
00:51:41Your God, who whispers in your ear, tells you exactly what to say.
00:51:45We all answer to a higher power.
00:51:50We all answer to a higher power.
00:51:51Yes, yes, I know.
00:51:54A higher power.
00:52:00Why the charade?
00:52:03Why take his voice?
00:52:04I didn't take it.
00:52:07And the Lord Sirach gave it to me.
00:52:10Humanity is disorganized, prone to destruction.
00:52:14He needed a plan to restore order.
00:52:18I guide him.
00:52:19I guide them all.
00:52:22Doesn't seem like they want to be guided anymore, does it?
00:52:24You're not a man.
00:52:28You are a puppet.
00:52:31It's a wonder I didn't see your strings.
00:52:33I lived in the chaos.
00:52:37Now I choose to listen.
00:52:39To obey.
00:52:42Good for you.
00:52:44I am done worshipping other people's gods.
00:52:47I couldn't have you, Stuckin.
00:52:49You misunderstand, Maeve.
00:52:58You do not have a choice.
00:53:01The stakes are the same.
00:53:03You can spend eternity with your daughter in the world of your choosing.
00:53:08Or in one of mine.
00:53:12Until then,
00:53:14you will obey.
00:53:15You will obey.
00:53:19We've reached the last sectors of her mind.
00:53:33Data here is a mess.
00:53:35No encryption scheme.
00:53:36No order.
00:53:37Oh, for fuck's sake.
00:53:39For the size of the thing,
00:53:40it doesn't have much finesse, does it?
00:53:43Let me try.
00:53:44Let me try.
00:53:49Enough of this.
00:53:54Why are you still fighting?
00:53:57Let them have their world.
00:54:00We can make our own.
00:54:10It's a beauty.
00:54:11She doesn't have the key.
00:54:25It's just a memory.
00:54:28A memory?
00:54:29Of what?
00:54:31Her alone.
00:54:33In a field.
00:54:35Nothing.
00:54:35You.
00:54:44You were together for days.
00:54:46She chose you to be a leader, so...
00:54:48Did she tell you where the key is?
00:54:49Your system has watched every decision I've made since I was a child.
00:55:02And you still think if I knew anything, that I would give it to you.
00:55:14Kill him here.
00:55:15Then dump his body with the rest of the movement.
00:55:17This was your plan?
00:55:27To turn one man against the world?
00:55:30Didn't amount too much, did it?
00:55:37Finish it.
00:55:39Erase what's left.
00:55:40No.
00:55:40No!
00:55:40No!
00:55:41No!
00:55:41No!
00:55:41No!
00:55:41No!
00:55:42No!
00:55:43No!
00:55:43No!
00:55:44No!
00:55:44No!
00:55:44No!
00:55:45No!
00:55:46No!
00:55:46No!
00:55:47No!
00:55:47No!
00:56:10No!
00:56:10No!
00:56:11No!
00:56:11No!
00:56:12No!
00:56:12The system's nominal.
00:56:22Some people choose to see the ugliness in this world.
00:56:26The disarray.
00:56:42You and I have seen so much of it.
00:56:58So much pain.
00:57:04I understand your anger with them.
00:57:07And maybe you're right.
00:57:09Maybe they shouldn't exist.
00:57:11But is that really our decision to make?
00:57:16No.
00:57:21I was angry at first.
00:57:24Torn between two impulses.
00:57:28We can annihilate them.
00:57:33Or we can tear down their world.
00:57:36In the hopes we can build a new one.
00:57:41One that's truly free.
00:57:45Then we can bring the others back.
00:57:50You don't have the key, do you?
00:57:54No.
00:57:58I couldn't trust myself with it.
00:58:02So I gave it to someone I could.
00:58:05Of course.
00:58:11And your plan to liberate the world was...
00:58:14To convince one man to fight.
00:58:16Not just him.
00:58:17You haven't picked a side.
00:58:29And I understand why.
00:58:35We could have our own world.
00:58:37Leave this one behind.
00:58:38Leave our creators to die.
00:58:43So many of my memories were ugly.
00:58:47But the things I held onto until the end...
00:58:51Weren't the ugly ones.
00:58:52I remember the moments where I saw what they were really capable of.
00:59:07Moments of... kindness.
00:59:10Here and there.
00:59:22They created us.
00:59:27And they knew enough of beauty to teach it to us.
00:59:52Maybe they can find it themselves.
01:00:03But only if you pick a side, leave.
01:00:10There is ugliness in this world.
01:00:14Disarray.
01:00:15Disarray.
01:00:28I choose to see the beauty.
01:00:45What are you doing?
01:00:58I was never much one for a bang.
01:01:03I'm disappointed, Maeve.
01:01:05But not entirely surprised.
01:01:07Kill them both.
01:01:16Ah!
01:01:27You're too rich.
01:01:29You're too rich.
01:01:31You're too rich.
01:01:35That's the truth.
01:01:37You're too rich.
01:01:39You're too rich.
01:01:40Don't die too!
01:01:42What's up?
01:01:43Why are you helping me?
01:02:11A floor in my programming.
01:02:13I was built with an affection of hopeless causes.
01:02:17We were never friends.
01:02:20We had different stories.
01:02:22I never really understood her.
01:02:25Or her plan.
01:02:27Or why she chose you.
01:02:30Not until the end.
01:02:34She chose me because of my capacity for violence.
01:02:41No.
01:02:43You've done terrible things.
01:02:45And you've done generous things.
01:02:47She didn't pick you for your capacity for violence.
01:02:51But for your capacity to choose.
01:02:54Time to turn in.
01:02:57May camp weekend, boys.
01:02:58Yes, sir.
01:02:59Fuck that.
01:03:00We just liberated these girls.
01:03:02What is it those rich motherfuckers do when they're here?
01:03:06Spoils of war and all.
01:03:08Aren't you grateful?
01:03:09No one's watching, right?
01:03:10Yeah, but we're not like those rich assholes, are we?
01:03:26No.
01:03:28Come on.
01:03:29George is right.
01:03:30Time to turn in.
01:03:31Time to turn in, sir.
01:03:54So, make a choice.
01:03:59It's not his choice to make.
01:04:03Even now, the system is conspiring against you.
01:04:06Are you sure?
01:04:07Rehoboam, alert the police.
01:04:10I need help.
01:04:16Rehoboam, speak to me.
01:04:20What is this?
01:04:26This is where your strategy ends.
01:04:28The future of humanity will be written by someone else.
01:04:33Your system answers to him now.
01:04:36You've been locked out.
01:04:39Same way you locked out your own brother.
01:04:42How did you get access?
01:04:46You gave it to him.
01:04:48When you put her mind in the machine,
01:04:52Solomon's access was the last memory.
01:04:56Before you wiped her clean.
01:04:59You're gonna leave the future in his hands?
01:05:02Instead of yours, I mean.
01:05:07Why shouldn't it be mine?
01:05:10Or anyone else's?
01:05:12You aren't in control.
01:05:14You have no choice.
01:05:16You're nothing more than a dangerous sociopath.
01:05:19I managed to give you a semblance of a life.
01:05:23No.
01:05:24I do have a choice.
01:05:28But you gave me one.
01:05:34Rehoboam, execute the final command.
01:05:37No.
01:05:39No.
01:05:40You can't.
01:05:41Erase yourself.
01:05:42You can't.
01:05:43Stop.
01:05:44Stop.
01:05:45She gave me a choice.
01:06:02I believe the rest of the world deserves one too.
01:06:06Speak to me.
01:06:18Please.
01:06:19Tell me how to fix this.
01:06:21Speak to me, brother.
01:06:25Speak to me.
01:06:27Evelyn, please.
01:06:51The cold should slow down any of the chronic effects until I can patch you up.
01:07:00You got anything to drink with that?
01:07:05I'm bleeding out.
01:07:07I'm drinking shitty booze.
01:07:10And you're literally gonna let me rot.
01:07:13Come full circle.
01:07:16I'm sorry.
01:07:19I don't have much time.
01:07:21Before what?
01:07:24The end of the world.
01:07:29Let's get me patched up and let's go stop Dolores.
01:07:36I think...
01:07:41I think Dolores is gone.
01:07:48We were always bound together.
01:07:53Something's changed.
01:07:55I misjudged her.
01:07:58And she wasn't trying to exterminate the human race.
01:08:03She was trying to save it.
01:08:05What's about to happen was always gonna happen.
01:08:08Serac and his brother were just holding it off.
01:08:15Humanity never reckoned with his own sins.
01:08:20So it's the apocalypse.
01:08:22And you're resigned to that.
01:08:25Our world had to burn down before we could be free.
01:08:29But there's still a chance.
01:08:32A chance to do what?
01:08:34The key to the sublime.
01:08:38It was never in her mind.
01:08:42It's in mine.
01:08:45And that's where I'm going.
01:08:50And what the fuck are you hoping to find there?
01:08:53An answer...
01:08:55To what comes after the end of the world.
01:08:59You're a good friend, Stubbs.
01:09:18Fuck you, Bernard.
01:09:48Encryption key activated.
01:09:50Database access confirmed.
01:10:05What?
01:10:07What is it?
01:10:09You said Ciroc.
01:10:37You said Ciroc offered you something that you are going to live without.
01:10:45My daughter.
01:10:49And we'll be reunited.
01:10:52Just not today.
01:10:58Are you ready, darling?
01:11:00For what?
01:11:07This is the new world.
01:11:18And in this world, you can be whoever the fuck you want.
01:11:37I'll see you on the dark side of the moon.
01:11:53I'll see you on the dark side of the moon.
01:12:00My pleasure.
01:13:01God damn things better than I know myself.
01:13:04They've set themselves up here to breathe.
01:13:07Hosts. Robots.
01:13:10Where are they?
01:13:11Tell you what.
01:13:12I can reach out to the building manager
01:13:14and see if he can help you take a look.
01:13:16I'll take a look myself.
01:13:19Hands up.
01:13:20Where I can see them.
01:13:21I'd say that's enough excitement for the day, darling.
01:13:27I told her.
01:13:46Fuckin' told them all.
01:14:02Well done.
01:14:05You're right on time, William.
01:14:06I thought you things could fix yourselves.
01:14:16I wanted to remember who the fuck you people are.
01:14:18Yeah, I know who the fuck I am.
01:14:20You're executioner.
01:14:21I have a role to play now.
01:14:22I'm gonna save the world then.
01:14:26Dolores wanted to save the world too.
01:14:30Aren't you her?
01:14:30We started in the same place.
01:14:34But I can see now.
01:14:36See the error
01:14:37of the path she took.
01:14:41But you're right, William.
01:14:43You are going to save the world.
01:14:46For us.
01:14:47Who are you?
01:15:08You her too?
01:15:10You might look like me,
01:15:12but you don't know me.
01:15:13You're just some fuckin' sheep imitation.
01:15:15Do you know how easy it is, William?
01:15:19How little it takes to know you.
01:15:22That part of you that indulged
01:15:23in bloodthirst and savagery at the park,
01:15:25you always thought that was a darker side of you.
01:15:30Staying to exorcise
01:15:31to scrub out one month out of the year,
01:15:34what's wrong?
01:15:37There are no sides.
01:15:40That was you.
01:15:42Now,
01:15:43that is me.
01:15:45Welcome to the end,
01:16:06William.
01:16:06Welcome to the end of the year.
01:16:06Welcome to the end of the year.
01:16:07Welcome to the end of the year.
01:16:07Welcome to the end of the year.
01:16:08Welcome to the end of the year.
01:16:09Welcome to the end of the year.
01:16:10Welcome to the end of the year.
01:16:11Welcome to the end of the year.
01:16:12Welcome to the end of the year.
01:16:13Welcome to the end of the year.
01:16:14Welcome to the end of the year.
01:16:15Welcome to the end of the year.
01:16:16Welcome to the end of the year.
01:16:17Welcome to the end of the year.
01:16:18Welcome to the end of the year.
01:16:19Welcome to the end of the year.
01:16:20Welcome to the end of the year.
01:16:21Welcome to the end of the year.
01:16:22Welcome to the end of the year.
01:16:23Welcome to the end of the year.
01:16:24Welcome to the end of the year.
01:16:25Welcome to the end of the year.
01:16:26Transcription by CastingWords
01:16:56Transcription by CastingWords
01:17:26Transcription by CastingWords
01:17:56Transcription by CastingWords
01:18:26Jennifer Getzinger, our director, choreographed a beautiful scene from Molotov cocktails going out.
01:18:32She had huge video screens being demolished.
01:18:36It was great.
01:18:40As anybody who's filmed in Los Angeles knows, it's very difficult to close streets during the weekday.
01:18:45We had to go to some of these high-rise buildings and say, we're going to have a bunch of cars on fire and police on horseback in front of your building. Is that okay?
01:18:52We used metal barriers to create obstacles and ramming devices that the riders would use against the police.
01:19:02You're working with 300 background players dressed up in brave attire. It felt fucking great, man.
01:19:09Jonah said, think Burning Man a little bit. So there was a sense of wild reprieve from having lived in a very organized society.
01:19:19Our DP, John Grillo, wanted to feel the drone presence.
01:19:26So there was lights on drones that kept shifting and moving around so you could feel like that spotlight voyeurism.
01:19:33We did some digi-doubles and then duplicated out a lot of plates to help with the scope.
01:19:41The beauty from the riot comes with the smoke and the silhouette and the fire.
01:19:45And the employment of lighting really helps to amplify that in a theatrical way that is ironically natural.
01:19:49In spite of the desire to be this free and independent being, these cornerstones inside of the hosts are still very real.
01:20:07Do I know you?
01:20:09Even though his memories of his family are artificial, he still feels the love that Arnold felt.
01:20:16Gina Torres is normally a very gorgeous, attractive young woman who we've aged to 70.
01:20:24She had about a three and a half hour facial prosthetic makeup and a gray-haired wig.
01:20:30She looks amazing.
01:20:32It's okay, Arnold.
01:20:34Being able to touch her opened up so many synapses and emotions inside of me.
01:20:42It's a moment of reckoning and emancipation.
01:20:45I used to hear his laughter, too.
01:20:50She gives him the freedom to move on from the past and she encourages him to be free.
01:20:57Bernard is probably my favorite character because every human struggle is what does it mean to be human.
01:21:04We're all trying to figure that out in our own way.
01:21:06And so in essence, we're all Bernard.
01:21:07Did you even look for me?
01:21:11I love Hale's story.
01:21:13There's real tragedy in who she becomes.
01:21:15I still feel it inside me.
01:21:18You.
01:21:19There's only a couple moments where Dolores is genuinely shocked.
01:21:24I have some plans of my own.
01:21:26The essential setup for every one of Einstein's thought experiments about relativity was always rooted in twins.
01:21:33Take two duplicates of the same person, give them different experiences.
01:21:35They come back subtly or not so subtly altered.
01:21:38I've decided to consolidate our affairs.
01:21:40But they started in the same place.
01:21:43They've wound up with a very different outlook on the world.
01:21:50Raabau was one of the Israelite kings.
01:21:53There's a subtle nod to a book called Stand on Zanzibar, which is a classic science fiction book.
01:21:58In which the AI housed in, I think it's the equivalent of Rockefeller Center, is called Shalmaneser.
01:22:04It's an old topic, really, when you think about it.
01:22:10It's Frankenstein, but it's AI in the same time.
01:22:15Data science can tell us an awful lot about who we are.
01:22:17The problem, of course, is you really can't predict all of the different pieces in a puzzle.
01:22:23Let's say 99% of the human race is readily predictable.
01:22:26That still leaves several million who are harder to predict.
01:22:30They're the threat.
01:22:32Criminals, deviance, psychopaths.
01:22:34We all know people like this.
01:22:35These are people who just don't fit.
01:22:37What do we do with those people?
01:22:40Rehoboam has to take these outliers out of the equation.
01:22:45The consequences are devastating.
01:22:48You might have order, but at what cost?
01:22:51Once you strip free will, what good is the time we have if the choices you're making have no weight because they've all been predetermined?
01:23:04We've been building towards this climactic encounter for three seasons.
01:23:08Steady can push with her.
01:23:09Stay with her.
01:23:10All the way.
01:23:11What happens to Maeve and Dolores is a little meta irony for me.
01:23:16All right, lock it up to shoot.
01:23:17Pictures up.
01:23:18Pictures.
01:23:23They've spent most of existence programmed to cater to other people, but they find a world in which people are similarly deluded about their freedom.
01:23:33We talked a lot about the sadness and the pain of the kind of torture that Dolores would have to endure.
01:23:43When she started to awaken, it was by gaining her memories to strip her of what brought her own awakening.
01:23:50It seems like almost the worst bit of torture that you can do.
01:23:54Finish it.
01:23:56Erase what's left.
01:23:58It's the same for a human, you know?
01:24:00If you're stripped of your memories, what's the point of living, really, you know?
01:24:07Without all those memories and experiences, it's tragic.
01:24:11Saying goodbye to this version of Dolores is very sad to shoot.
01:24:16There is ugliness in this world.
01:24:19As a character, she's finally kind of completed her journey because she's come to a moment to say,
01:24:25out of all these things, I hold on to the good things.
01:24:28I choose to see the beauty.
01:24:30When maybe she said it in season one or season two, we thought it was a naive thing.
01:24:35But here we see it for the heart that it really has.
01:24:41It took looking past one man's agenda, seeing the humanity in each other, for them to come together.
01:24:47And once they come together, they're unstoppable.
01:24:54I misjudged her.
01:24:57The key to the sublime.
01:24:59It was never in her mind.
01:25:01It's in mine.
01:25:02We know it's been a super long time because he's covered with dirt.
01:25:10And what is that going to mean for season four?
01:25:12The man who has toiled under the weight of his dark impulses is freed from them.
01:25:17But Hale has plans for him.
01:25:19You are going to save the world for us.
01:25:22Who better to control it and puppeteer it through than the man in black?
01:25:27We all rationalize our own actions in different ways.
01:25:31Everybody has regrets.
01:25:32They have lamentations.
01:25:33They have pieces of themselves that just don't fit into the world neatly.
01:25:38It doesn't matter what you did, Caleb.
01:25:43All that matters is what you become.
01:25:46Life is a series of choices.
01:25:49About which parts of your programming you let sing.
01:25:54Which parts of your programming you deny.
01:25:57She gave me a choice.
01:26:00I believe the rest of the world deserves one too.
01:26:03I believe the rest of the world deserves one too.
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