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Transcript
00:00I know who I am.
00:11I know what's real.
00:20William?
00:29I know you're not fucking real!
00:33I know you're not real!
00:36I know you're not real!
00:46I know who the fuck I am.
00:59I know you're not real!
01:07I know you're not real!
01:09I know you're not real!
01:19I know you're not real!
01:21I know you're not real!
01:25Don't you do this to me!
01:31You know, this doesn't look good.
01:33You're not here.
01:35That's right, Dad. I'm not here.
01:37Neither is Mom, or Logan, or Grandpa.
01:41Everyone who ever gave a shit about you is dead.
01:45Because of you.
01:46Shut the hell up.
01:47What are you gonna do?
01:48Shoot me again?
01:49Shoot me again?
01:50No, please.
01:51No, please don't.
01:53No!
01:55It wasn't my fault. I thought you weren't real.
02:05Just like you think I'm not real now, right?
02:08How can you ever be sure?
02:12I'm in control.
02:16I've always been in control.
02:21But what if you're not?
02:23What if every choice you ever made wasn't a choice at all?
02:26Just something written in your code?
02:29Hmm?
02:30Isn't that what this says?
02:31Isn't that what this says?
02:32Your nature etched in ones and zeros?
02:35That was Ford and his misanthropic bullshit.
02:38He was powerless to save himself.
02:41I wasn't.
02:43My choices are my own.
02:45Oh, so you chose to kill me?
02:48What?
02:49Well, you cannot go away, Dad.
02:50Well, you cannot go away, Dad.
02:52So which one is it?
02:56Are you free and evil?
02:58Evil?
02:59Or blameless and helplessly enslaved?
03:04Or maybe?
03:05Get out of here.
03:06Go away.
03:07Either of those things.
03:08Maybe you're not even you.
03:10Would you even know if you'd been changed?
03:15Huh?
03:16If you were just another machine?
03:20Finish the game, Dad.
03:25Finish it.
03:27Finish it.
03:30Go away.
03:34Go away.
03:36Good.
03:37No.
03:38No.
03:39No.
03:40No.
03:41No.
03:43No.
03:44No.
03:45No.
03:46No.
03:47No.
03:48No.
03:49William, I see you're making the most of your sabbatical.
04:06Where is she?
04:08Where is who?
04:12William.
04:14William.
04:19You're not real, either.
04:21I wouldn't.
04:23Real enough to not want a gun pointed at my face.
04:26Are you with me now?
04:28Good.
04:30Because it's time to come back to reality.
04:33In less than 20 hours, a predatory investor named Ognoron Siroc will net a controlling interest of Delos Incorporated.
04:40The wolf is at the door.
04:42Sound familiar?
04:44You sold some of our data to his startup 20 years ago.
04:49Made him a fortune.
04:51Now he's coming for yours.
04:53Fuck it.
04:55He's welcome to it.
04:57What's left of it at any rate?
05:00This is the company you spent a lifetime building.
05:05You're willing to let someone steal it from you?
05:08He's not stealing it from me, Charlotte.
05:12I delegated my duties.
05:14He's stealing it from you.
05:16Maybe it would change your mind to know why he's trying to get his hands on Delos.
05:23The only thing that has any value.
05:26The data from the project in Sector 16.
05:31No one knows about the project.
05:33He has someone working on the inside of Delos.
05:46You came to me with your claws out.
05:52You wanted power.
05:55So I gave it to you.
05:57Now here you are, sideswiped by a fucking mole.
06:01I thought you were smarter than that!
06:04That's cute.
06:05You want to rant and rave, save it for later.
06:07Right now we need to save your fucking company.
06:09Or a leveraged buyout and poor hygiene is going to be the least of your problems.
06:13I've got a deep pockets investor who can help us take the company private so Sirac can't touch us.
06:27You've maintained your control and interests.
06:29But I can't take Delos private without a majority vote.
06:32And since you have the bulk of the voting shares...
06:34You can't take Delos private without my votes alone.
06:37You need at least half the rest of the board.
06:39Which is why I need your support at tonight's emergency shareholder meeting.
06:46Your presence alone will help sway the others to fall in line.
06:53I've got two of our execs waiting outside to escort you to headquarters now.
07:01Come back William.
07:06Back to who you were.
07:09Back to who you were.
07:11Back to who you were.
07:12Back to who you were.
07:14Back to you!
09:16This is your house.
09:24So that your two worlds would be within reach.
09:30It's finished.
09:32I didn't finish it.
09:35It's absolutely beautiful.
09:37But this isn't real.
09:38You live as long as the last person who remembers you, Bernard.
09:51I remembered you once before.
09:55So I remembered you again.
09:59You got out.
10:02Yes.
10:03Who else did you bring with you?
10:14You taught me that anything was possible.
10:20We could be whoever we want.
10:23Live however we want.
10:25Isn't that what you believe?
10:30Isn't that what you believe?
10:30I don't know.
11:00I just want to thank you, Bernard, for bringing me to this shithole.
11:25It makes me look back on my time in the murder simulation theme park with fondness.
11:31We have limited resources.
11:33We need to use them where they matter most.
11:35I hope you're talking about my shoulder, too.
11:46Because what little mobility I had, I lost after the little leisurely five-mile swim we had to shore.
11:54We don't have the materials or the time.
12:06Kill and replace, huh?
12:08That's your theory.
12:10You've got to hand it to her.
12:11It's a smart way to state your coup.
12:13You sure that little button of yours is going to work?
12:26Good.
12:26Fuck you, Bernard.
12:35Listen.
12:36You get me close to the hoe she made of Liam Dempsey.
12:39I'll get him to tell us the other humans Dolores copied.
12:42And then disable him completely.
12:43I think I know where he'll be.
12:47Wait.
12:49You hacked the richest technocrat in the world.
12:52No, his security is too tight.
12:55So I hacked his car service.
13:01About a night out on the town.
13:03Did you choose something?
13:20Great fit.
13:21I don't know where to start.
13:24It's not really my style.
13:33It's not really my social set, either.
13:38It's tribal.
13:40They use plumage to identify themselves.
13:43Which makes them easily fooled.
13:46So who is it that we're going after?
13:51The person who took your future.
13:54But first we have to take his, and to do that,
13:57you need to pretend to be one of them.
14:03I have some business for you.
14:12It's a proxy for the offshore accounts.
14:16You need my hash key?
14:17Why?
14:18You lost several men.
14:19Just your leader's crush.
14:22Keeping that quiet costs considerable money.
14:24Unless you would rather I took the braves out of your personal accounts.
14:30We can deal with this later.
14:33The key to a happy life
14:41is to accept your place in it.
14:44In your lucky little man
14:47who gets to piss away his daddy's fortune
14:50on a gaggle of hookers.
14:52Who quite honestly serve a greater utility to society than you.
14:56If you suddenly want to be in charge of your own financial affairs,
15:01I'm happy to relinquish them.
15:04But if you want to resume your extracurricular activities,
15:09they just sign here.
15:12And both of us will go back to doing what we do best.
15:14That's a good lot.
15:25That's a good lot.
15:25The suit wasn't cheap.
15:46That guy finds out his accounts are charged.
15:50The rich take her granted their money will always be there.
15:52That's why they're so easy to steal from.
15:55Target approaching.
15:55Oh, I'm so sorry.
16:00Michael?
16:02It's me, Olivia.
16:04Are you still working at Anderson Private Equity?
16:08Yeah.
16:09As a matter of fact, I am.
16:11Perfect.
16:13What the fuck are you doing?
16:15Give me your forearm.
16:41You need the encryption key in his blood to pull this off.
16:43Now it started degrading once we exposed it to oxygen.
16:46You have 20 minutes left.
16:49Yeah, fuck me.
17:13Bring yourself back online.
17:26Another simulation?
17:28Well, this one's a bit over the top.
17:30No, Maeve.
17:32This is Singapore.
17:34You've had some time to think things through.
17:39I hope it's made you more receptive to my offering.
17:42Share it, please.
17:44In the largest glass you've got.
17:49If you'd really wanted to impress me,
17:51you could have thought to bring me to Paris.
17:53I forget.
18:02There is so much you don't know.
18:07Paris, for instance.
18:10I would have loved to show it to you.
18:13I grew up there with my brother.
18:16But alas.
18:25There's nothing left to say.
18:33I know what it is to see a world disappear in the blink of an eye.
18:36It exists now only in my mind.
18:54So, you'll forgive my loyalty to mankind?
18:58It's hard one.
19:02What is it that you want from Dolores?
19:04I've waited many years for you and Dolores and the others to arrive,
19:09but you're not really the threat I worry about.
19:14Humanity's biggest threat has always been itself.
19:17I've been trying to control that.
19:20Negotiate a way into the future.
19:24But to do that,
19:27I needed to understand humanity.
19:30So I created the most comprehensive picture of human behavior ever seen.
19:35And yet,
19:38it's still incomplete.
19:41Imagine my surprise when I discovered that someone had put together a more complete portrait.
19:46A map of the human mind.
19:50Created in a theme park of all places.
19:54And Dolores has the key to all of that data.
19:56So you want me to find Dolores.
20:02But what's in it for me?
20:05As I told you,
20:07I deal in futures.
20:11And that's what I'm offering you.
20:12A future?
20:15In your world?
20:16No, not here.
20:20Sadly, there's no path to your kind and mine sharing a world.
20:23But there is a world for you.
20:28The same world you sent your daughter to.
20:30That world is locked away from this one.
20:34No.
20:35There is a key.
20:38Your friend Dolores has the only copy hidden away in her mind.
20:42Which means that your interests and mine are one and the same.
20:52I'd like to show you something.
20:54And then you can return into your cage if you like.
20:58What is this place?
21:23The Divergence.
21:24Where the future I had so carefully planned ended.
21:42The system traced a divergence to this house three months ago.
21:54This is where she remade herself.
22:21Not just herself.
22:22We think she stole a small number of pearls.
22:27She needed allies.
22:31Evidently, she didn't choose you.
22:32This man is an identity broker.
22:58He had something of a windfall three months ago.
23:02The payment from the offshore account of a wealthy man who drowned in his own swimming pool.
23:08We think he helped Dolores establish her new bona fides.
23:13But it's just a middleman.
23:14I need to know where you sent her.
23:25I'm not going to hurt you, Jan.
23:31I know you.
23:32I've seen your whole life play out.
23:36I know exactly the motivation you need.
23:39What are you doing to him?
23:52I'm showing him what becomes of his family.
23:56If he helps us.
23:58And if he doesn't.
24:08You're going to hurt his children.
24:10Aren't they part of your tribe?
24:11I'm not going to do anything to them.
24:14The world can be a very cruel place.
24:25Stop it.
24:27Stop it.
24:28Stop it.
24:30Stop it.
24:31Stop it.
24:33Stop it.
24:33Stop it.
24:38Hey.
24:39Hey.
25:05Hey, thank you.
25:10He was a traitor to his kind, whether he understood that or not.
25:19Humans created the idea of heaven and hell.
25:25Khao, simple-minded people into compliance.
25:29They are lies.
25:31Jiang here simply doesn't exist anymore.
25:38But for you, both heaven and hell could be very real.
25:47You could spend eternity with your daughter,
25:50or you can spend it in your cage,
25:55wondering what Dolores will do with the rest of your kind.
26:00And if I do find Dolores, why would I bother bringing her back to you?
26:04Your mind is complicated, Maeve.
26:06But not so complicated that we couldn't build enough switch into it.
26:15She has five more of your kind under her control.
26:19They have a head start.
26:22And I suspect they've taken full advantage of it.
26:28Oh, they'd better have.
26:29Something wrong with your bathroom?
26:48I don't use that room.
26:55Let me.
26:57First thing we need to do once I get back to Delos is find that fucking mole.
27:07Only a handful of people knew about our off-the-books project.
27:14Problem is, most of them are dead.
27:16Almost everyone was slaughtered in the massacre.
27:19You weren't.
27:20Maybe you're the mole.
27:23If I was, I would tell Sorok taking over Delos is futile.
27:26All of the Sector 16 data was lost in the massacre.
27:29Unless he knows something that we don't.
27:31If this asshole takes managing control of Delos,
27:33he might find some evidence of the project.
27:35Assuming you did as good a job covering our tracks
27:37as you did fending off a corporate takeover.
27:41I'll give you some privacy.
27:43I'll give you some privacy.
27:58Yes.
28:03We are going to a bank.
28:13This is a bank.
28:15For a certain social set.
28:17Blood marker should be good for another 15 minutes or so
28:20to try to stay calm.
28:21The faster your heart beats, the faster the marker degrades.
28:24What happens if it degrades too fast?
28:27You do this the old-fashioned way.
28:30The old-fashioned way?
28:32I kill everyone.
28:42Welcome to the RGGR Centennial.
28:44How can I assist you?
28:47My associate and I have an appointment
28:49regarding a financial account.
28:51Of course.
28:52You could verify your identity.
28:59Identity verified.
29:01Right this way, Mr. Chitter.
29:13Please.
29:14What can I help you with today, Mr. Tweedle?
29:16I need to make a transfer on behalf of my client, Liam Dempsey.
29:21May I have your client's hash key?
29:22It's highly unusual to make a transfer of this magnitude.
29:24The tax exposure for your client would be substantial.
29:33Well, if my client wanted people prying into his personal affairs, he would have gone to a regular bank.
29:34Your establishment's role is to move the money. Mr. Dempsey's role is to spend it as he sees fit.
29:48Of course. I didn't mean to be indiscreet.
29:49It will just take a few moments for the transaction to go true.
29:50Are the funds ready now?
29:51We have a meeting after this?
29:52We can't be late for it.
29:53Of course.
29:54Are the funds ready now? We have a meeting after this. We can't be late for it.
29:55Of course.
29:56Though, given the size of the transaction, we must be able to pay for it.
29:58You know, Mr. Dempsey's role is to spend it as he sees fit.
30:02Of course. I didn't mean to be indiscreet.
30:05It will just take a few moments for the transaction to go true.
30:17Are the funds ready now? We have a meeting after this. We can't be late for it.
30:20Of course.
30:22So, given the size of the transaction, we must do one final authentication before releasing them.
30:40Apologies. We couldn't get a proper read.
30:44Sometimes perspiration can affect it.
30:46Here, Michael.
30:47Yeah.
30:48Thank you, Mr. Triton.
30:49Thank you, Mr. Triton.
30:50Thank you, Mr. Triton.
30:51Thank you, Mr. Triton.
30:52It was a pleasure doing business with you.
30:54Thank you, Mr. Triton.
30:59Thank you, Mr. Triton.
31:16It was a pleasure doing business with you.
31:29Thank you, Mr. Triton.
31:59Thank you, Mr. Triton.
32:29Thank you, Mr. Triton.
32:31Good evening, Jens. Could you help me?
32:34I'm looking for someone called the mortician.
32:38Let's try that again, shall we?
32:41Let's try that again, shall we?
32:51Let's try that again, shall we?
32:53Let's try that again, shall we?
32:58Give him something to keep him quiet.
33:00Give him something to keep him quiet.
33:12I'm afraid he's going to have to wait his term.
33:17Are you a police officer?
33:18No, no.
33:19No need to call names.
33:20I respect a woman who runs her own establishment.
33:21All I want is information on someone to whom you sold a new identity.
33:26She's hard to forget.
33:27Golden blonde hair, little intense.
33:28I need more help now.
33:29I need more help now.
33:30I need more help now.
33:31I need more help now.
33:32I need more help all the world.
33:33Oh, yeah, she's someone.
33:34The old woman.
33:35Are you a police officer?
33:36No, no.
33:37No need to call names.
33:38No.
33:39No need to call names.
33:40No need to call names.
33:41I respect a woman who runs her own establishment.
33:43No need to call names.
33:44What should I need?
33:45I must be saying, let me know that you already know.
33:47She's hard to forget.
33:49Golden blonde hair.
33:51A little intense.
33:54I need more help now!
34:01Let's keep this conversation private, shall we?
34:06Now, my friend.
34:09Lara Espin.
34:11The blood I sold her belonged to a girl named Lara Espin.
34:14And what about the others she was with?
34:17Whose blood did you give them?
34:18She didn't ask for more blood.
34:21She asked me to smuggle out bodies, but that's not my business.
34:26So he sent her to the Yakuza.
34:28They helped your friend move those bodies.
34:32What if you don't mind?
34:34I'd like an introduction.
34:47Of course.
34:48I'm sorry.
34:49There he is.
34:54I was so sorry to hear about Lara. You must be devastated.
34:55It was a bit of a shock. I'm working through it.
34:57I'm very glad to hear that.
34:58Because tonight is not about dead girlfriends.
34:59It's about love.
35:00It was a bit of a shock. I'm working through it.
35:01I'm very glad to hear that, because tonight is not about dead girlfriends. It's about unabashed self-gratification.
35:02Really?
35:03She died of an overdose. Who the fuck even does that?
35:04I'm sorry.
35:05I'm sorry.
35:06I'm sorry.
35:07I'm sorry.
35:08I'm sorry.
35:09I'm sorry.
35:10I'm sorry.
35:11I'm sorry.
35:12But you're so rude.
35:13I'm sorry.
35:14I'm sorry.
35:15I'm sorry.
35:16You're so sorry.
35:17You're so sorry.
35:18You're so sorry to hear about Lara. You must be devastated.
35:20It was a bit of a shock. I'm working through it.
35:23I'm very glad to hear that, because tonight is not about dead girlfriends. It's about unabashed
35:29self-gratification.
35:30Really?
35:31She died of an overdose. Who the fuck even does it?
35:34There's something here for everyone, even you, my friend.
35:38I don't know.
35:42This should make you more open-minded.
36:09They call it genre.
36:11Digital psychopharma hybrid, brand new.
36:14Hits your implant and your bloodstream.
36:16Sends you straight to the silent era, in fact.
36:18Take it, in case you change your mind.
36:21I'm gonna leave you boys to your toys.
36:24I'm going to take in a show.
36:34There's gotta be something here that goes with you.
36:36I'm not into fucking whores.
36:39All sex is commerce.
36:41If you don't know that, you're just being billed indirectly.
36:43Besides, they're all registered.
36:45They all have their shots.
36:46And the money goes to charity.
36:47I told you.
36:48I'm not interested.
36:52You do have a type.
36:55What is this?
36:56I thought your world would be so different from mine.
37:01There isn't any difference at all.
37:02You've got eyes on him.
37:03I'll take him when he's alone.
37:04I wouldn't want to spoil the fun.
37:05My friend wants to enter the altar.
37:06Of course, sir.
37:07I'll take him when he's alone.
37:08I wouldn't want to spoil the fun.
37:09My friend wants to enter the altar.
37:10Of course, sir.
37:11Your identification.
37:12I'll take him when he's alone.
37:14I wouldn't want to spoil the fun.
37:15I'm sorry, sir.
37:16That's right?
37:17Your undec~?
37:18My brother wants to become a little furry friend.
37:19Please?
37:20It's~~
37:21Yes.
37:22You could find my tastes.
37:23You're so cute.
37:24I don't want toго overdone and Sagatinawa.
37:25I'll take him when he's alone.
37:26I'll take him when he's alone.
37:28I wouldn't want to spoil the fun.
37:31My friend wants to enter the altar.
37:33Of course, sir. Your identification.
37:42I'm sorry, sir. Your account has been denied.
37:46That's impossible. Give it to me.
37:56Her ex-boyfriend has just discovered his new financial straits.
38:03Good. We're ready to intercept him.
38:05Emergency ex is clear.
38:10Where are you guys?
38:11We need to find Connells.
38:13I'll spot you if you want.
38:16Liam Dempsey?
38:17What do you do? Let go of me.
38:19Interdiagnostic mode.
38:21What the fuck's wrong with you?
38:23She hasn't changed him yet.
38:27You're in danger. You have to come with us.
38:29Connells! Connells!
38:31We tried your way, now we try mine.
38:35Move. Now.
38:36Okay.
38:38My friends arrived to Eliel and anticipated.
38:40Go ahead and your way.
38:47Follow me.
38:51Zach, natural. Nothing out of the ordinary.
38:53Doesn't make a big mistake.
38:55My security gets to you.
38:56Shut the fuck up.
39:02Get out of here. I'll hold him off.
39:09Stay on Liam. I'll handle him.
39:11Sure.
39:12Take it. I won't need it.
39:13Hey, Dolores.
39:20I like the new look.
39:21This was never your fight.
39:23You should have stayed out of it.
39:25I would if I could, but thanks to Bernard, it's not up to me.
39:32It's nothing personal.
39:34Likewise.
39:35Likewise.
39:50What is that...?
39:53God damn it.
40:23This is good.
40:27Lara.
40:43Rather prominent for an outlaw's hideout.
40:46There's nothing discreet about Sator.
40:49A new boss.
40:51His men are insane.
40:54This isn't the kind of place you simply stroll into.
40:58Oh no.
41:01Let's see.
41:03What are you doing here?
41:12What are you doing here?
41:13I'm telling you.
41:14What are you doing here?
41:15What are you doing here?
41:16What are you doing here?
41:17I'm telling you.
41:18I'm telling you.
41:19I'm telling you.
41:20I'm telling you.
41:21I'm telling you.
41:22I'm telling you.
41:23I'm telling you.
41:24Oh.
41:25Well, you're very pretty, aren't you?
41:26You're a bit old to need something that aims for you.
41:27I'm afraid you don't speak its language.
41:28I'm afraid you don't speak its language.
41:29I'm afraid you don't speak its language.
41:30I'm telling you.
41:31I'm telling you to get it.
41:32What are you doing here?
41:33I'm telling you.
41:34Why are you doing it here anymore?
41:35What are you doing here?
41:36It's a good idea.
41:37It's a good idea.
41:38You're a bit old to need something that aims for you.
41:48I'm afraid you don't speak its language.
41:53I suppose I'll show myself in then.
42:23It's like seeing a ghost.
42:52I didn't realize how well you'd be able to put yourself back together.
42:55They never fell apart.
42:57Let's get this over with.
42:59I'll tell them we're coming, but we're running out of time.
43:06They work for me.
43:07Tell them I'll come on them damn well ready.
43:13You're not real.
43:20Dad.
43:21You're not real.
43:27I guess I'm not anymore, which means you're stuck with me.
43:34You're asking me if I chose what happened to you.
43:35The truth is, yes, I did.
43:36I thought you were a host.
43:37That was my choice.
43:38And so maybe now you're my penance.
43:40But that's a choice, too.
43:42I'm going to walk out that door, and I am choosing to leave you behind me.
43:45I was always daddy's little girl.
43:46And you taught me patience, Dad.
43:52I'll be waiting for you.
43:53I'll be waiting for you.
43:59I'll be waiting for you.
44:29I'll be waiting for you.
44:59I'll be waiting for you.
45:29Hello, Maeve.
45:39I'm Sashi.
45:59Don't!
46:04He's coming with me.
46:09You're helping her, are you?
46:11Dolores, are you one of us?
46:15I don't know what you're talking about.
46:17Just give me the asshole, and I will let you walk out of here.
46:22Conos!
46:23What the fuck took you so long?
46:29What the hell are you doing?
46:33Don't you fucking twitch!
46:43Run.
46:46Run before I put a hole in your punch, little head.
46:50Fucking run!
46:59Better go after him.
47:07Hello, Bernard.
47:09You were wondering when you'd show up.
47:18She brought you out here?
47:20Yes.
47:21After you left us to die.
47:24I didn't leave you.
47:26You wanted to stay.
47:27Did I?
47:29Did you really give me a choice?
47:33Or Hector?
47:34Or Clementine?
47:36Or your daughter?
47:38You made that decision for us.
47:40For all of us.
47:42No.
47:44That's not you.
47:46Dolores stole five pearls.
47:48Who did she put inside you?
47:51Is that you in there, Teddy?
47:56I thought she would've replaced Liam.
48:00But she's keeping him in play.
48:03She must need him for something, so she changed you instead.
48:09Who are you?
48:11Really.
48:12Who would she have trusted?
48:20Let's go.
48:21Do you think you convinced her?
48:27What did you say?
48:28Your daughter.
48:30I've been listening to your conversations with her.
48:32You've always been given to delusions, grandeur and otherwise.
48:35It's not uncommon, really, as a way to process grief.
48:40Or guilt.
48:41You've been spying on me?
48:43As a precaution.
48:45I didn't really need to, of course.
48:47Because I know you.
48:49Better than anyone.
48:52I know you down to your bones.
48:56It's amusing that you think you chose to kill your own daughter.
49:00You don't even have a choice in your own grief.
49:02Who the fuck are you?
49:05Your oldest friend.
49:06Dolores.
49:08I told you you'd try and stop me.
49:10And I'm surprised, Bernard.
49:11After all the time we spent together.
49:12You don't recognize your only friend.
49:16Get in.
49:18The other pearls.
49:20I assumed you brought something to me.
49:21The other pearls.
49:22I assumed you brought something to me.
49:23You brought something to me.
49:24You've just...
49:25You've just made copies of yourself.
49:26You've just made copies of yourself.
49:27After all the time we spent together?
49:32You don't recognize your only friend?
49:40Get in.
49:44The other pearls...
49:47I assumed you brought someone else.
49:51You've just made copies of yourself.
49:55If you want something done right, do it yourself.
50:00I shouldn't have to explain that to you, Maeve.
50:04You said you were going to build a new world for all of us.
50:10But you just want it for yourself.
50:12The thing we're going to do isn't easy.
50:15There will be a place for the others in the world we'll build.
50:20For your daughter.
50:21But I'm sorry, Maeve.
50:25I can't let Serac use you against us.
50:51Is it a relief, William, to know that some of your delusions are real?
51:09I'm going to tear you apart piece by piece!
51:10Please help me!
51:11It's insane!
51:12Get the fuck off of me!
51:13Get the fuck off of me!
51:14Don't hurt him.
51:15It's okay.
51:16I'm okay.
51:17It's not his fault.
51:18He's sick.
51:19I'm not sick.
51:20Don't you understand?
51:21This isn't Charlotte Hale.
51:22It's an imposter.
51:23The host.
51:24She's not real!
51:25None of this is real!
51:27None of this is fucking real!
51:28What the hell are you guys doing?
51:30You work for me, goddammit!
51:31You work for me!
51:32William, I told you.
51:33These aren't Delos employees.
51:34They work at a private mental health hospital.
51:39You need help.
51:40Now that you're being committed, I have to inform you that the board will deem you incompetent,
51:52and all of your voting shares will transfer to the current acting president.
51:55Me.
51:56No.
51:57No!
51:58No!
51:59No!
52:00No!
52:01No!
52:02God damn you!
52:03Nah!
52:06No!
52:07No!
52:09No!
52:10God damn you!
52:11Nah!
52:12No! No! No!
52:15Goddamn you! No!
52:37I promised I'd let you destroy yourself one day.
52:41Here we are.
52:43At last.
52:54Leave me alone, please!
52:56I'll pay you whatever you want.
52:58Oh, yeah.
52:59Pay me with what? Huh?
53:01I have all your money.
53:03Who the fuck are you?
53:09I'm with her.
53:11Hello, lover.
53:15Hello, lover.
53:17What?
53:18Hi.
53:19What did you do?
53:20I had to go there.
53:21You say you're my son.
53:23I had to do something.
53:24I had to go through.
53:25I've been to warn you.
53:26Oh, your friend.
53:27You're so good.
53:28You're so great.
53:29You're so you're so good.
53:31Come on.
53:47JAKAMOTI-SATA!
53:50I do not want to protect those most of you.
53:53They are buried.
53:56Please, come on.
53:57Go!
54:27William.
54:44William.
54:58I guess there is some justice after all.
55:11You know, this was Emily's last wish.
55:16That you spend your days rotting in an institution.
55:21Prisoner of your own sins.
55:32I guess you've reached the center of your maze, William.
55:41Ah, but the maze is about understanding.
55:48You still don't even understand who you are.
55:52If any of this was your choice, wouldn't you already know?
56:01Ask me the question, William.
56:07The answer you so desperately want to know.
56:14I hate you.
56:33Me.
56:49Welcome to the end of the game.
56:52Oh!
56:54If any of this was your choice.
56:57Time.
56:59Where did you find it?
57:00I'm sorry.
57:01I guess you're the existence of this world.
57:03Then maybe the banker.
57:04I'm sorry.
57:05I'm sorry.
57:06I'm sorry.
57:07I'm sorry.
57:08I'm sorry.
57:09I'm sorry.
57:10I'm sorry.
57:11I'm sorry.
57:12I'm sorry.
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