Emily in Paris Season 5 Episode 9
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Five Minute Recap brings you quick 5-minute summaries of the latest news, movies, tech, and trends. Stay informed and entertained in minutes with clear, engaging recap perfect for busy people who want to learn fast and keep up with the world.
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00:00surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:21we are spending too much on attorneys already i know money's been tight so i called in a favor
00:27from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:37i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:43uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:50fashion industry literally oh this is scary exciting how soon can we move in how about
01:04am i doing this right i've never been a fit model before you're perfect okay
01:18pierre cadeau is ready to zoom he has news
01:20there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:33this changed everything you said you had some news any luck on paris fashion week
01:38despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:45into paris fashion week especially when he's being sued by his own mother you said you had
01:51good news i found you a much more suitable event venice fashion week venice has a fashion week
01:59it's more for emerging designers well then that's perfect an italian newcomer making a splash in venice
02:06literally you'll sink or swim either way prepare to show in two weeks what that that's not possible
02:14oh my darling boy fashion is all about making the impossible possible
02:19bonne chance mes amis
02:21cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:34le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:40there'll be concan dancers as well as waiters and period costumes and no absinthe party is
02:47complete without a visit from the green fairy herself nice touch when guests arrive we greet them with a
02:53shot of le rêve vert served on sugar cubes but just a splash we can't have anyone going mad
02:58that's just a myth right is it really a hallucinogen no it's real absinthe was banned for
03:06almost a century in france it was the molly of the belle époque what do you know about molly
03:11tu sais pas qui je suis
03:13it's a strong drink but i assure you le rêve vert is nothing like molly it will not make you lose
03:20your mind during the belle époque regulations weren't strict we weren't there so who can say
03:26i wish i had been there la belle époque wasn't about restriction it was about experimentation about
03:33progress in art in technology in science in everything it was the birth of cinema it was the
03:39birth of la tour eiffel and the epicenter of it all was maxim's so i'm very very glad you were
03:44able to book the venue for the event we did oh yeah we did of course
04:00luke why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect fit
04:06for the party and you could use the business i called to reserve the space but i was told it is
04:11unavailable we even offered to change the date but i said no should we ask again no no too late
04:18anyway amelie are you free tonight i'm feeling nostalgic and i would love to show you my belle
04:25époque paris ah that sounds lovely marcello is busy working tonight so count me in an artist working
04:32late into the night it is just like the belle époque without all the syphilis and the smells do you know
04:39about the great stink of 1880 what ew no the city was unbearable i can't wait to tell you all about
04:48it hello have fun yes i can have a marketing plan ready by tomorrow but if they get two weeks for the
04:58line can i please just at least get two days to prep the rollout okay thank you
05:05oh sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:15little slack money's really tight right now he's worried about money really yeah oh do you not know
05:23that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks
05:28that his grandfather gave him so he's basically betting his whole inheritance on marcello's
05:33business wow i had no idea it's gonna be fine he knows what he's doing but i feel like i need to
05:39start contributing more you know i mean if i nail this audition tomorrow i can cover his rent do you
05:44have an audition for what did i not tell you so these movie producers saw me at crazy horse and
05:52they want me to read for sateen in an animated moulin rouge oh my god i love that movie you'll be an
05:58amazing sateen oh thanks okay how do i say break a leg in french the french version is married okay well
06:06then married i'll take it i need all the marriage i can get
06:11in un desirn une feuille merci merci
06:27je suis très heureuse que tu pu te libérer paris vous êtes très très occupés t'imagines même
06:33pas je suis désolé d'ailleurs pour ta soirée absinthe on est réservés sur des semaines
06:37Well, it's not a problem.
06:39Are you good news?
06:41Yes.
06:46You were missing me.
06:49You asked for air, I gave you the air,
06:52but I was very happy that you called me.
06:57I'm also happy.
07:02And where did you go all these times?
07:04In the south, especially.
07:07Paris works very well, but it's nothing next to Saint-Tropez.
07:10A propos Saint-Tropez,
07:14I found a little thing.
07:18It dates to the opening.
07:20It was you who made the photo, I think?
07:22Yes, I put it, I made the timer, I made the flyer, I made everything.
07:26You were incredible.
07:30You always did it.
07:32We were fusion at the time, we couldn't separate each other.
07:36I suppose that it was our best time.
07:42Who knows, maybe the best remains to come.
07:47It's just to love it.
07:48You don't have to work for two.
07:49Yeah.
07:50It's just different to exist.
07:58Yeah.
08:00We tried to train me right now.
08:05Good to hair one.
08:07So this was my neighborhood when I first moved in Paris.
08:28I wanted to be in the world of Toulouse-Lautrec, where the artists I read about used to paint
08:33and write and drink and screw their brains out until sunrise.
08:37I fancied myself quite the painter.
08:40Well, that doesn't surprise me at all.
08:42You have an artist's soul.
08:45Come on.
08:49So this is Le Bateau Lavoie.
08:51Matisse, Cocteau, Modigliani, they all gathered here.
08:54Oh, and Picasso too.
08:56Wow.
08:57I would have killed to be among them, but I was more like him, selling my works by
09:03day and painting new ones at night.
09:05You really were an artist.
09:07How romantic.
09:08It was a brutal existence.
09:10No money, no sleep, just me and my art.
09:18I was never happier.
09:20Oh.
09:21Do you still have any of your paintings?
09:23No.
09:25I sold a few.
09:26The rest I used as firewood when I realized I had no talents.
09:30Oh.
09:32What did you used to paint?
09:33Oh, my specialty was portraits.
09:36Oh, cool.
09:38Self-portraits.
09:39Nude self-portraits, to be precise.
09:43Oh.
09:44I wish you could have seen them.
09:46I got a striking figure in my youth.
09:48Oh, my loss.
09:50Okay.
09:52Final absinthe.
09:53Merci.
09:54Merci.
09:55Merci.
09:56Merci.
09:57This is my last one.
09:59Anymore and I'll start hallucinating.
10:01Are you feeling it too?
10:02I am feeling a little tipsy.
10:03Oh, and maybe I am hallucinating.
10:05Gabrielle.
10:06Gabrielle.
10:07No way.
10:08You have to answer.
10:09Hi, Gabrielle.
10:10How are you?
10:11Where are you?
10:12Are you still on the yacht?
10:13I'm actually in Amsterdam.
10:14The yacht is in dry dock for repair.
10:16So we're moving to Edderton's summer home in Monaco.
10:19Mmm.
10:20Sounds fancy.
10:21It is, but I didn't call to brag.
10:23Listen, I lived in such a rush that I forgot some of my knives.
10:27I'll be passing through Paris tomorrow, but I don't have much time to go to the airport.
10:31I'm sorry.
10:32I'm sorry.
10:33I'm sorry.
10:34I'm sorry.
10:35I'm sorry.
10:36I'm sorry.
10:37I'm sorry.
10:38I'm sorry.
10:39I'm sorry.
10:40I'm sorry.
10:41I'm sorry.
10:42I'm sorry.
10:43I'm sorry.
10:44I'm sorry.
10:45I'm sorry.
10:46I don't have much time in between trains, so I was wondering if you would be willing
10:50to come to the train station and bring them to me.
10:53I know it's a big ask.
10:55Uh, what time?
10:57I'll be there at one o'clock for about an hour.
11:00We could have a quick lunch if you'd like.
11:02It would be nice to see you.
11:04Um, yeah.
11:06Yeah, I think I could do that.
11:07Thank you, Emily.
11:08Honestly, you're a lifesaver.
11:10Um, listen, I'll shoot you a picture so you know what to look for and make sure the
11:13Guardian knows to let you in.
11:15Okay.
11:16I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1 p.m.
11:20Okay.
11:21Yeah.
11:22Um, yeah, I'll see you tomorrow.
11:24Bye.
11:27Just in case you were wondering, you were not hallucinating, that call was very real.
11:32It definitely was.
11:42Marcello.
11:43Livia.
11:44Cosa ci fai qua?
11:45Quindi è vero.
11:46Stai lavorando all'atelier di Pierre Cardot.
11:47Ciao.
11:48Nicola, this is my sister, Livia.
11:49Ciao, Livia.
11:50Nice to meet you.
11:51So you're the one behind this.
11:52This was my decision.
11:53Did Mama send you?
11:54She doesn't know I'm here.
11:55It definitely was.
11:57It definitely was.
11:58Marcello.
11:59Livia.
12:00But?
12:01I don't know what you're doing.
12:02You never design anything in your life and suddenly you're doing a whole collection.
12:03If I may, your brother is very talented.
12:04Clearly it runs in the family.
12:05Why don't you take a look at the line?
12:07We'd love to get an outside opinion.
12:08Good idea.
12:09I'd love to know what you think.
12:10Hmm?
12:11Hmm.
12:12Hmm.
12:13They're beautiful.
12:14Really well constructed.
12:15But, Marcello, why do we want to tear our family apart over this?
12:16It's not even that different from what you're doing.
12:17It's very talented.
12:18Clearly it runs in the family.
12:19Why don't you take a look at the line?
12:21We'd love to get an outside opinion.
12:22Good idea.
12:23I'd love to know what you think.
12:24Hmm?
12:25Hmm.
12:26Hmm.
12:27They're beautiful.
12:29Really well constructed.
12:33But, Marcello, why do we want to tear our family apart over this?
12:42It's not even that different from our own brand.
12:44You just put a colorful horse on it.
12:47You're not seeing the whole picture.
12:49Neither are you.
12:51Please stop this before it's too late.
12:54Excuse me.
13:05Aw, hey you, what's up?
13:07Emily, I need you to cancel Venice.
13:09What? What do you mean?
13:11We have to shut everything down.
13:13What's going on?
13:14It was a huge mistake. I'm not a designer.
13:17Of course you are.
13:19Just because you keep saying it doesn't mean it's true.
13:21We've wasted so much money. I can't show this collection.
13:24I never should have listened.
13:27Wait, what happened? Where is this coming from?
13:31My sister came here to see the line and she said it's not good enough.
13:35And she's right. She's right. I'm going to humiliate myself.
13:39That's not true, okay? Don't let her get into your head.
13:42The line is great.
13:43Emily, stop. She's right. It's boring crap.
13:47No, it's not.
13:49Maybe we can add some accessories to liven it up.
13:52I said stop.
13:54You always want to fix everything.
13:57But there are some things you can't fix.
14:02Just stop, please.
14:07Okay.
14:08Um, let me see what I can do.
14:19Emily.
14:20Emily.
14:27Emily.
14:40Sri Lanka was so beautiful.
14:41Like nothing I've ever seen before.
14:42But I think my favorite place was Thailand.
14:44The people are so friendly.
14:46And the food.
14:47Ugh.
14:48Your episode of Chef's Table is going to be incredible.
14:51I still can't believe you just packed up and left.
14:55It was a crazy thing to do, but I had to do it.
15:00I had gotten everything I thought I wanted and I was miserable.
15:04So, I decided to do the exact opposite.
15:07Instead of stability and routine, I ran for the unknown.
15:11He just woke me up.
15:14I don't know.
15:16I'm talking too much.
15:19How have you been?
15:20Oh, um, I'm fine.
15:23Yeah, the usual.
15:27Marcello and I are back together.
15:29How are you guys doing?
15:30We don't have to talk about it if...
15:31No, no, no.
15:32It's okay.
15:33Um, we're good.
15:35Well, he's starting a fashion company.
15:36He's actually designing the line himself.
15:39I didn't know he was a designer.
15:41Well, he wasn't.
15:42But then we lost the one that we had.
15:44And I saw his sketches, which were incredible.
15:46So, I insisted that he take over.
15:49Mm-hmm.
15:50And we're supposed to show at Fashion Week,
15:52but now he wants to trash the entire collection.
15:54So...
15:55Well, I missed so much.
15:58It all happened so fast.
15:59You know, maybe a little too fast.
16:02Maybe I shouldn't have pushed him to do it.
16:08Can I ask you something?
16:10Of course.
16:11Did I push you for the Michelin star?
16:16The Michelin star was my dream.
16:18But you were miserable.
16:20And you ran halfway across the world to escape from it.
16:23And...
16:25I don't know.
16:27Maybe from me.
16:30Emily, all I can tell you is that you supported me.
16:33Yeah.
16:34You had faith in me.
16:35Probably more than I ever deserved.
16:38And that's a good thing.
16:39I just don't think that's how Marcello feels.
16:42He's so upset.
16:43And I feel like it's my fault.
16:47Although...
16:49Maybe that could be because of the lawsuit.
16:51Because on top of everything else, his mom is suing him.
16:53That's terrible.
16:54And his business partner, Nico.
16:56Oh, Mendy's boyfriend.
16:57You remember him?
16:58The billionaire?
16:59Well, no, not anymore.
17:00It's a really long story.
17:03You know what?
17:04I forgot how dramatic Paris can get.
17:11This restaurant is so gorgeous.
17:13We should have had our Belle Epoque party here.
17:15It's Art Nouveau, right?
17:17You know what?
17:18I believe it is.
17:20Look at you.
17:21You're such a cultured Parisian now.
17:23There was a time where you didn't even know which floor you were on.
17:25Oh, God.
17:26Remember when that was my biggest problem?
17:30Oh.
17:31I feel like that was my Belle Epoque.
17:34Everything was so new and exciting.
17:37Like a fantasy.
17:40Now it all just feels...
17:43So difficult.
17:45And real.
17:47We tend to romanticize the past.
17:49Things were pretty hard back then, too.
17:52You didn't know what you were doing at work.
17:54You were kissing people that had girlfriends.
17:58Which I didn't know.
17:59And they were kissing back, by the way.
18:01That's very true.
18:02But not only that.
18:03There were secrets and pacts and fake Michelin inspectors.
18:09And also good memories like sex on the roof.
18:12Now who's romanticizing the house?
18:16You know, when I left for the yacht, I thought my best days were behind me.
18:21I know I'm excited for the future.
18:25Wherever it brings me, I...
18:28I think you should be, too.
18:30I think you should be, too.
18:35Never knew I could feel like this.
18:42Like I've never seen the sky before.
18:47I wanna vanish inside your kiss.
18:53Every day I love you more and more.
18:57Every day I love you more and more.
19:03Listen to my heart.
19:06Can you hear it sing?
19:10Telling me to give you everything.
19:17Seasons may change.
19:20Winter to spring.
19:24Thank you for meeting me.
19:26It was good to see you.
19:29Give Marcello some time.
19:31You two are good together.
19:34What makes you say that?
19:37Because I saw the two of you in Rome.
19:38When were you in Rome?
19:41After you decided to leave Paris, I had this crazy idea to follow you.
19:49And...
19:51I saw you with them.
19:53Why didn't you ever tell me?
19:55Because you looked...
19:57Happy.
19:58And that's all I ever wanted for you.
20:05It's all I ever wanted for you, too.
20:10For both of us.
20:15You know, they didn't start calling it La Belle Epoque until after it had passed.
20:20Nobody knows if they're living their golden age.
20:22Maybe we're living ours now.
20:29Just send me a postcard, okay?
20:32A real one.
20:34With a stamp.
20:48No more.
20:50Bye.
20:59Oh!
21:00Oh my God!
21:01Gabrielle, your knives!
21:03Wait!
21:06Gabrielle!
21:07Gabrielle!
21:11Your knives!
21:20You're a good friend.
21:28I will love you.
21:29Suddenly the world seems such a perfect place.
21:44Hey.
21:46Where is everyone?
21:48I send them home.
21:50Did you cancel the show in Venice?
21:53Not yet.
21:55Are you sure that's what you want to do?
21:57It's what needs to be done.
22:01You know, sometimes when things don't work out, it helps to look at it from a different perspective.
22:06Do the opposite.
22:08Like if I'm thinking black, I run towards white.
22:11What?
22:13Black is white.
22:15Up is down.
22:17Something like that, yeah.
22:19All I can think of is how I'm disappointing everyone.
22:22Well then think of the opposite.
22:23Listen, I don't need you to be a designer or a titan of industry or anything other than the wonderful man that you are.
22:36Whatever you decide, I'm with you.
22:42Whatever you decide, I'm with you.
22:43Finalement.
22:44Finalement.
22:45Finalement.
22:46Maman.
22:47Tu m'as appelé il y a peine une heure.
22:48Mais j'ai dit que c'était urgent.
22:49Moi aussi je suis ravi de te voir.
22:50C'est quoi cette urgence?
22:51Est-ce que tu as vu ton mari dernièrement?
22:52Est-ce que tu as vu ton mari dernièrement?
22:53Oui justement je l'ai vu hier soir.
22:55Il avait un peu pris ses distance mais on a reconnecté.
22:57Merveilleux.
22:58Est-ce que tu peux le dire de se connecter avec moi aussi, afin de m'expliquer pourquoi ces créanciers s'en prennent à moi?
23:03Did you see your husband last year?
23:06Yes, I saw him last night. He had a little taken away from his distance, but he was reconnecting.
23:12Can you connect me with me too?
23:16To explain why he's taking care of me?
23:19Pardon?
23:20He's in charge of payment.
23:22His alcohol license.
23:24Even some of his employees.
23:26I don't understand, he told me that the business works super well.
23:29He told me that he would have paid 2 millions in the apartment.
23:33He told me to take care of me.
23:35Are you sure of what you're saying?
23:37Of course I'm sure.
23:38If he's no money, it's for me to take care of me.
23:42I've never been to promise this guy.
23:44And you no longer.
23:59Thank you all so much.
24:13It's perfect.
24:14It's exactly how I pictured Maximes during the Belle Epoque.
24:30Merci.
24:31It's been our pleasure.
24:33Now, if you'll excuse me, I have a date with the Green Fairy.
24:36She's in love with me.
24:38Are we sure this doesn't make you hallucinate?
24:46Mm-hmm.
24:50Is everything okay?
24:51I thought you'd have the time of your life here.
24:54No, c'est magnifique, but being here made all this beauty.
24:58I wish I hadn't given up on my art.
25:01Luke, I think you're romanticizing the past.
25:05Do you remember how hard it was?
25:07And look at you, okay?
25:09You have a great life.
25:11You have great friends.
25:13And a great job.
25:14And...
25:15Well, you...
25:17You live on a boat.
25:19Yes, it's true.
25:21But I wasn't talented enough anyway.
25:24Just another dream that dying.
25:29Luke, there's something you have to see.
25:37Oh my god, is that...
25:44It's me.
25:47Oh!
25:48All of these years I've been hanging in Maxime's.
25:51Maybe a little too well hung.
25:54Artistic license.
25:55I can't believe it.
25:56I did make it as an artist.
25:58Emily, can you take a photo of me with my masterpiece, please?
26:01Oh, of course, yeah.
26:03Okay, let's see.
26:05Uh...
26:06Oh, you know what?
26:07Here, you wanna just hold this?
26:08Okay.
26:09Um, just a little higher.
26:11Tilt it to the left.
26:12Yeah, up, up, up.
26:14Perfect.
26:19Hello.
26:20May I join you?
26:22Uh, sure.
26:23But no dancing tonight.
26:25Deal.
26:26I can't do the can-can anyway.
26:32You alright?
26:34It's so stupid.
26:36Try me.
26:38Well, I guess I have to tell somebody.
26:41I booked the role of Satine in Moulin Rouge.
26:43It's an animated movie musical.
26:46Well, congratulations.
26:47That's great.
26:48Isn't it?
26:50It is.
26:51I mean, I could use the cash,
26:53because I was really excited to tell Nico
26:54that I could cover the rent for a while.
26:56But?
26:57But they just sent me the script and some sketches,
27:00and the full title is Moulin Rat.
27:04I'm a rat.
27:06Hold on, hold on, hold on.
27:07That can't be the right translation.
27:09I mean, what's French for rat?
27:11It's fucking rat.
27:12What?
27:13I'm rat-teen.
27:16Who's rat-teen?
27:17A cartoon rat prostitute.
27:18Oh, shit.
27:19No, see, this is why I didn't want to tell Nico.
27:21This is so humiliating.
27:22Who cares?
27:23Cash that check.
27:24That rat-sex worker would.
27:28Honestly, yeah.
27:30Yeah.
27:32You alright, mate?
27:33What's so funny?
27:34I booked a job.
27:39I'm rat-teen.
27:41That's great.
27:43Wait, who?
27:44A rat prostitute in a top hat.
27:46Stop.
27:48No, no, no.
27:49It's Moulin Rouge with rats.
27:53I get it.
27:54Funny.
27:55No, no, no.
27:56It's not that funny.
27:57But the salary's great, and rent is on me.
28:01That's amazing.
28:02Yeah.
28:07Mmm.
28:09I'm gonna go grab another drink.
28:13Congrats.
28:14Emily.
28:15Did Laurent check-in?
28:16I didn't see him yet, but I was only at the check-in for the first hour, so...
28:30Oh, I think he just walked in.
28:31Laurent.
28:39Laurent.
28:41Ma chérie.
28:44You lied to me.
28:46I know about the loan.
28:48I can explain.
28:50I need to pay off some debts in Saint-Tropez.
28:52I don't care why you did it.
28:54You took advantage of my mother.
28:57I'm so done with you.
28:58Sylvie, please.
28:59I want a divorce.
29:02Ah!
29:07No, it must be ready.
29:08It must be ready.
29:09I don't want to hear the reasons, okay?
29:10It's clear.
29:11Come on.
29:12Ciao.
29:13Ciao, ciao, ciao.
29:14Hey, what's going on?
29:15Emily, I'm sorry about earlier.
29:16You've been so supportive during this.
29:17It's been so difficult, and...
29:20I need to tell you something.
29:22I love you.
29:23You're canceling the line.
29:24What?
29:25Canceling?
29:26No, say your thing again.
29:29I love you, Emily.
29:31I love that you believe in my crazy dream even when I don't.
29:33I love that you won't let me give up.
29:37I love you too.
29:39And like I told you before, none of this business stuff matters to me.
29:43I hope that's not true.
29:45Come.
29:46What is all of this?
29:47I took your advice about thinking differently.
29:48And I'm doing the opposite.
29:49The paleo is bright and loud.
29:50That's what the collection should be.
29:51Not a colorful pony on neutral fabrics, but a neutral pony on big bold colorful designs.
30:04But who were you on the phone to before?
30:07I thought you were so upset.
30:08Oh, that was my textile supplier, and I wasn't angry.
30:11I was excited.
30:15If we are going to make it to Venice, we don't have much time.
30:18We're going to Venice.
30:19No!
30:20We're going to Venice!
30:21No!
30:22We're going to Venice!
30:23No!
30:24We're going to Venice!
30:25No!
30:26We're going to Venice!
30:27No!
30:54We're going to Venice!
30:56Earn here in Venice!
31:15That looks great!
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