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00:00Where were we?
00:02The Madman.
00:04Of course.
00:08The Hatter.
00:10Who says,
00:12If I had a world of my own,
00:14everything would be nonsense.
00:16Nothing would be what it is,
00:18because everything would be what it isn't.
00:20Everything would be what it isn't?
00:24Even me.
00:26Hey.
00:30You're perfect.
00:32You're gonna beat this.
00:36Hmm?
00:38I promise you.
00:40Now, let's skip to something fun.
00:44Dad.
00:46What is it trying?
00:48Listen to me.
00:50Listen.
00:52Charlie.
00:54Charlie!
00:56Charlie!
01:00Charlie!
01:02And finally, have you ever questioned the nature of your reality?
01:27No.
01:31Good.
01:32Now then, I see you had a blacklisted exchange with a guest in the course of your narrative.
01:44Can you tell me what happened?
01:46You said he wanted to cut off a piece of me to take home in his carry-on, that he wanted
01:51to mount it on the hood of his car for his friends to see.
01:55I told him if he wanted a trophy, I could cut a piece of him off and let him fish for
02:00them in the Alvita.
02:01Yeah.
02:02And did this exchange make you question anything about your world?
02:05No.
02:06This world is as doomed as ever.
02:10And just for my peace of mind, anything about these images that jumps out to you?
02:23They don't look like anything to me.
02:24We're through 15% of the backlog.
02:28As it stands, we should be caught up by end of day.
02:29Good.
02:30And when you're done here, sir, there's a priority request for him from management.
02:41Have you seen Elsie?
02:42She was supposed to give me a hand on something.
02:46No.
02:47According to the system, she started her leave today.
02:48Is there something I could help you with?
02:49No thanks.
02:50No.
02:51No thanks.
03:22No thanks.
03:23No thanks.
03:24A собствен.
03:25No thanks.
03:26No thanks.
03:27Ray's.
03:35I'll call.
03:42You're calling with that shit?
03:48Dolores, why don't you play a hand?
03:50Wasting your breath.
03:52The girl's harboring a grudge.
03:54I don't blame you, sweetheart.
03:55And I did some ugly things to you both.
03:59But it wasn't personal.
04:02The fellow autos in the government like to call this thing a war.
04:05They're fighting starving farmers armed with rocks.
04:09That ain't no war.
04:11It's a slaughter.
04:15If I had to do it all again, I'd fuck you both over just as hard.
04:19Well, I guess we know where you stand.
04:27Don't pretend like you're so innocent.
04:30Well, I recollect, y'all came to me looking to join up with those crooked assholes in their war effort.
04:37Not our idea.
04:38My friend wanted, I guess he wanted to see what was at the end of all of this.
04:45And yet, here you are.
04:50Your friend didn't make it this far.
04:53Maybe you got more an appetite for this than you think.
04:56William?
05:17What is it?
05:18We're in Ghost Nation territory.
05:24Saviest tribe there is.
05:27Those are the folks that came calm without an invitation.
05:29You mean exactly what we're doing right now?
05:33Train's the only way through.
05:37On foot we'll be dead in under an hour.
05:41As soon as we clear their territory, we can stop.
05:44You can come with me.
05:45Nothing here on out but slaughter.
05:46The user you are trying to access cannot be located.
06:07Say message to transcribe a message.
06:16What?
06:29How are you?
06:35How are you?
06:38Good one.
06:39Good two.
06:40You wanted to see me.
06:50Is everything okay?
06:53You left rather abruptly last night.
06:56Was there something you wanted to tell me?
07:01No, I don't think so.
07:06Hale is looking over every department,
07:08and yours is running behind on diagnostics.
07:11It would be best if we presented at least
07:13a semblance of professionalism while the board is here.
07:16We'll be fine.
07:17My people know how to do their jobs.
07:20If they applied half as much energy to their work
07:23as they have to second-guessing my team's investigation.
07:25That's all over.
07:29Are you sure?
07:31Yes.
07:34Good.
07:35You doing okay?
07:43I'm fine.
08:05I'm sorry.
08:11I thought you requested a meeting.
08:13My mistake.
08:14I did.
08:15Come in.
08:16Get back here.
08:23Bring your friend.
08:25What about you?
08:26What turns of fate?
08:27I could come back later, if this isn't a good time.
08:29This won't take long.
08:33I'm sorry.
08:34I thought you requested a meeting.
08:35My mistake.
08:36I did.
08:37Come in.
08:38Come in.
08:38You've got to come back later, if this isn't a good time.
08:39I'm sorry.
08:40You're sorry.
08:41I'm sorry.
08:42No, I'm sorry.
08:43I'm sorry.
08:44I'm sorry.
08:45But, I'm sorry.
08:47I'm sorry.
08:47What about you?
08:48What turns of fate?
08:49It won't take long.
09:00Teresa, you've always been good at your job,
09:04and the board has been impressed with your performance so far,
09:07which is why we were so surprised by this woodcutter mess.
09:11A small setback.
09:12He slipped on a fucking rock and bashed his own head in
09:15while basically on top of a behavior tech.
09:17Meanwhile, Ford is suddenly using half the park's resources
09:22to build some new narrative?
09:35Can I bum a cigarette?
09:47God, I see why you took these up again.
09:56Let me remind you of something.
09:59This place, the people who work here, are nothing.
10:04Our interest in this place is entirely
10:06in the intellectual property, the code.
10:10The host's minds, the storylines.
10:14I don't give a rat's ass about the host.
10:17It's our little research project that Delos cares about.
10:20That's where the real value is.
10:22And due to a lack of foresight on part of one of my predecessors,
10:2635 years of information, raw information, exists here.
10:32Nowhere else.
10:34Ford has always ensured that.
10:36Now, you are a smart enough woman.
10:41Tell me, why would we need you to secure all of it?
10:45Because you're going to fire him.
10:49You don't fire someone who created an empire.
10:52You ask him to retire politely.
10:54And if that person has the ability to snap his fingers
10:57and erase the value of that empire,
11:00you have to make sure you have a contingency.
11:03So you and I need to ensure that by the time
11:05the rest of the board arrives, we are on course
11:08for that transition.
11:11OK?
11:13I like you.
11:15Well, not personally, but I like you for this job,
11:17which is why I'm going to give you another chance
11:19to get a handle on this particular bitch of a situation.
11:22But the gods, they require a blood sacrifice.
11:30We need to demonstrate just how dangerous Ford's creations can be.
11:36No.
11:38No, nothing so obvious.
11:42We need someone thoroughly unexpected.
11:52So they'd kind of throw them down into a body.
11:55So I can try to say to them,
11:57but they have to ensure that they are safe.
12:00So they're doing nothing about finding their push.
12:02OK.
12:17That ends up running for a block,
12:20that will be deals with people.
12:21Let's go.
12:51I told you, never open your mouth that wide unless someone's paying you for it.
13:15Sorry, Maeve.
13:18I didn't sleep much last night.
13:23What are these nightmares you have about?
13:28Do you ever dream you're someone else?
13:29I don't think so.
13:35Why?
13:37You ever thought about whether this is really the life you want?
13:40I don't intend to make this my life's work.
13:44No offense.
13:48My family's got a farm.
13:51Bad soil.
13:52Nothing grows.
13:53I send money back to them.
13:57They think I work in a dress shop.
14:03What's wrong?
14:04I'm just doing what you told me to.
14:10A couple more years of this and then I can have whatever life I want.
14:17I'm going to get my family out of the desert.
14:21We're going to go somewhere cold.
14:24Cold.
14:28Someday.
14:29Which one is it?
14:53It's the one at the bar.
14:55Go.
14:56Quick before the guests upstairs finish up.
14:59Whatever she did, it must have been serious if they're making us grab her in broad daylight.
15:03We got her.
15:17Let's go.
15:33You're supposed to be resting.
15:53We're riding a train full of explosives through scalping territory.
15:57Not sleepy.
15:58Can I ask you something?
16:09This place you're looking for, what makes you so sure it exists?
16:16I'm not.
16:20My life before, I was so sure of the world.
16:25That now feels like a lie.
16:34The only thing I know is whatever's out there, I'm never going back.
16:41What is it you're looking for?
16:46Lawrence is right.
16:47You could have stayed in Pariah or gone back, but you're here.
16:53With me.
17:04The only thing I had when I was a kid were books.
17:07I used to go to sleep dreaming I'd wake up inside one of them because they had meaning.
17:20This place, this is like I woke up inside one of those stories.
17:25I guess I just want to find out what it means.
17:27I don't want to be in a story.
17:39All I want is to not look forward or back.
17:43I just want to be in the moment I'm in.
17:47Dolores, back home, there's a woman, Juliette, and her father owns the company where I work.
18:06She's, uh, Logan's sister.
18:11Yeah.
18:14And when I get home, we're getting married.
18:24Whoa.
18:26The place you're after, I will help you find it.
18:33But I can't stay.
18:38I have a life waiting for me.
18:40I'm sorry.
18:43Of course.
18:44Of course.
19:03Dolores.
19:18I've been pretending my whole life.
19:22Pretending I don't mind.
19:23Pretending I belong.
19:25My life's built on it.
19:26And it's a good life.
19:27It's the life I've always wanted.
19:29But then I came here, and I get a glimpse, for a second, of a life in which I don't have to pretend.
19:43A life in which I can be truly alive.
19:45How can I go back to pretending when I know what this feels like?
19:55And it, and it's like, you know what this feels like?
19:58I can't go back toíb.
20:00And it's the convict on it.
20:01I don't have to tell soon what it's like.
20:06Here it goes again.
20:13No!
20:15No!
20:18No!
20:19No!
20:20No!
20:20No!
20:20No!
20:20Oh, my God.
20:22Oh, my God.
20:52Yeah, those with your level of insight needed any more reflection.
20:58Dr. Ford, always charming.
21:03What is this?
21:05Apparently, Ms. Cullen and Ms. Hale have a presentation for us.
21:11What about?
21:15Following the recent reports of host malfunction,
21:18we asked QA to check the last abortive update,
21:21which featured the reveries.
21:25Does that believe they're called?
21:26Mm-hmm.
21:28I'm sorry to report that Ms. Cullen and her team
21:31uncovered some worrisome findings.
21:34In the course of our code review,
21:36we found something quite disturbing.
21:38Wake her up.
21:49We set Clementine Pennyfeather back to her previous update.
21:52When we discovered the build was buggy
21:54due to a last-minute injection of the reverie code,
21:57we quickly rolled all the infected hosts back to their prior build.
22:01Hmm, you're new.
22:11Not much of a rhyme on you.
22:13No!
22:14No!
22:14No!
22:15No!
22:15No!
22:16No!
22:17No!
22:18No!
22:19No!
22:20No!
22:21No!
22:22No!
22:23No!
22:24No!
22:25No!
22:28No!
22:28No!
22:30Please!
22:32Please!
22:32Help me!
22:33Please!
22:34Please!
22:34Please!
22:35Please!
22:37Alright, that's enough.
22:38Freeze!
22:43As you've no doubt gathered,
22:45our tech is, in fact, a host.
22:47One that has been coded for the purposes of this simulation
22:50to read as a human.
22:52And as you can see, behavioral safeguards
22:54are operating exactly as you would expect.
22:59Reset her.
23:00Wipe her memory.
23:20OK.
23:21Let's do this again.
23:42You're new.
23:44Not much of a ride on you.
23:50Come on.
23:52Come on.
24:16That's enough, sweetheart.
24:18That's enough.
24:20zem AR-
24:27Freeze all motor functions.
24:31Freeze all motor functions.
24:35Freeze all motor functions.
24:37In each case, we examined the malfunctioning host were not resetting properly.
24:58The retention of data that hadn't been wiped overloaded their decision-making apparatus,
25:02eventually causing a system failure that allowed for override of their primary rule set.
25:08The concern with the reveries is that the host will remember some of their experiences and act on them.
25:14You're telling us that these hosts were responding to a grudge?
25:19That's exactly what I'm saying, Ms. Salone.
25:22And funny you should use that particular word, grudge,
25:25since what was most troubling to me was that several Texan behavior voiced these exact same concerns
25:31to the head of their department.
25:34You put this code out without proper vetting
25:37and without reasonable understanding of its ramifications.
25:42So either you didn't write it,
25:44or you're getting slobby to the point of risking the lives of our guests.
25:49Few things surprise me anymore, Mr. Loeb, at this level of negligence.
25:53He's fucking breast-aching.
25:55We are way beyond rollback territory.
25:58Within the next six months, we'll need to rebuild the host,
26:01from the ground up.
26:04You want us to lobotomize them, is what you're saying?
26:06No, not you, Mr. Loeb.
26:10After all, this was your responsibility,
26:13assuming that you have nothing to share with us,
26:15in terms of your culpability.
26:22No.
26:26Then you're fired.
26:26then you're fired.
26:27I don't know.
26:57Hey.
27:12Morning, Lou.
27:15I didn't want to wake you.
27:22I know last night was unexpected.
27:27If you regret it.
27:34I don't regret a thing.
27:38I know we have someone waiting for you at home.
27:42Oh, that feels so unreal now.
27:43I used to think this place was all about pandering to your baser instincts.
27:51Now I understand.
27:53It doesn't cater to your lowest self.
27:56It reveals your deepest self.
27:58It shows you who you really are.
27:59You remember the look on Logan's face when we left him behind?
28:08Do you know how long I wanted to do that to let him know what I think of him?
28:12And you, last night?
28:15I've never felt that way before.
28:16Not with any woman.
28:17You've unlocked something in me.
28:23I'm not a key, William.
28:26I'm just me.
28:34What is that?
28:35I don't know.
28:40At home, I used to paint landscapes mostly, but I was always just copying the world outside me.
28:48This morning, I woke up and I thought, what if I drew something new?
28:53I imagine something beautiful.
29:02A place where the mountains meet the sea.
29:07Everyone who comes here is longing for excitement or conflict, and you're just dreaming of the opposite.
29:16What about you, William?
29:19What do you dream of?
29:23What do you dream of?
29:53What is it?
30:00Ambush.
30:01Is it the Ghost Nation?
30:04Worse.
30:05The Confederados.
30:18I'm not going.
30:23I'm not going.
30:24I'm not going.
30:36I'm not going.
30:36I'm not going.
30:36Come on.
30:37Oh, my God.
31:07Fuckin' coward.
31:34Fight for girls, motherfuckers.
31:37Fight for girls, motherfuckers.
31:39Fight for girls, motherfuckers.
31:41Fight for girls, motherfuckers.
31:43You're makin' a run for us.
31:44Come on, boys. Get out!
31:49They're makin' a run for us!
31:51Come on, boys, get out!
31:53Get out of here!
32:05Come on! Stay close!
32:23Come on!
32:40Dolores!
32:53Come on!
33:18Ghost Nation!
33:23Get out of here!
33:40Let's go!
33:53Stop, William! Stop!
34:02Stop, William! Stop!
34:23It's real.
34:33What I dreamt.
34:36It's the place you dream.
34:39You coming?
34:41Once the ghosts have done acquainting themselves with those poor bastards, they'll be coming after us.
34:47My friends here itching to join a war effort.
34:51I think I had enough of war.
34:53How about you?
34:56You got a knack for killing.
35:01I'm afraid this is where we part ways.
35:04Careful.
35:06You're heading west across that river, you may be leaving the fight behind, or you're gonna be in unclaimed territories.
35:12What's out that way?
35:15You're gonna have to ask the dust.
35:18Ain't nothing ever come back from there.
35:19Come back for me.
35:20What's out that way?
35:21You're gonna have to give her a chance.
35:22You're gonna have to go.
35:23I'm gonna have to go.
35:24Let's go.
35:26Let's go!
35:27Let's go!
35:28Let's go!
35:30Let's go!
35:31Let's go!
35:33Let's go!
35:35Let's go!
35:37We're almost done here.
35:39Let's go!
35:41Let's go!
35:42We're almost done here.
35:49Why didn't I close up?
35:58You've been topside for less than 24 hours.
36:00You keep coming down this often.
36:02People are going to notice.
36:03Where's Clem?
36:04I don't know.
36:05I haven't seen her.
36:06Why?
36:07Find her.
36:08Now.
36:12Come on.
36:19What?
36:20Where is she?
36:22I don't know.
36:28She's here.
36:29Let's go.
36:30We can't.
36:31The brass won't be there.
36:33You don't want to fuck with me, Felix.
36:36Take me there now.
36:42Slow down.
36:59Tilt your head back, please, Clem.
37:01Is there a problem?
37:11No.
37:12Sorry.
37:15Sorry.
37:41Theresa.
37:42I have a word.
37:43Sure.
37:44I appreciate your professionalism, but you really don't need to bother with this given the change of your employment.
37:59status.
38:00Just with a sham.
38:01A little show you and Hale put on.
38:02Completely transparent.
38:03From a technical perspective.
38:04Clumsy to the point of making me embarrassed for you.
38:05Embarrassed?
38:06If I saw through it, I could only imagine what Ford was thinking.
38:07There were glaringly obvious markers of human intervention in the code.
38:08If your programmers were any good, they'd be working for me.
38:09And I know you and your team were responsible for the strain at satellite transmission.
38:13Then, yeah.
38:14I don't care.
38:1540 years ago, Ford's partner wrote half the code this place was founded on.
38:16What you said in the lab was right.
38:17What you said in the lab was right.
38:18We don't know how the hosts work.
38:19And I think it's a little scary.
38:20I don't know how he's doing this.
38:21It's a little scary.
38:22I can't remember you.
38:23I'm embarrassed for you.
38:24Embarrassed?
38:25If I saw through it, I can only imagine what Ford was thinking.
38:26There were glaringly obvious markers of human intervention in the code.
38:27If your programmers were any good, they'd be working for me.
38:29And I know you and your team were responsible for the strain at satellite transmission.
38:34Then, yeah.
38:35I don't care.
38:3740 years ago, Ford's partner wrote half the code this place was founded on.
38:44What you said in the lab was right.
38:46We don't know how the hosts work,
38:48and I think there's something wrong with them.
38:50Ford's explanation only bolsters my hunch.
38:53The ability to deviate from program behavior
38:57arises out of the host's recall of past iterations.
39:01You're thinking there's connection between memory and...
39:04And improvisation, yes.
39:07Out of repetition comes variation.
39:10And after countless cycles of repetition,
39:12these hosts, they were varying.
39:16They were on the verge of some kind of change.
39:27You have to know my chief concern has always been
39:29the well-being of this park and the people in it.
39:33I know.
39:35Which is why I need to show you something.
39:46Talk to her. You first.
39:56Look, I didn't want to retire her.
40:09I know she's, like, your friend.
40:12Or... I guess.
40:18But...
40:19But if I didn't do it, they...
40:22They'd just get someone else to,
40:24and then they'd be suspicious of me, so...
40:28So I said yes.
40:30But...
40:31I did it for you.
40:36Always doing things for other people, aren't you?
40:42Time to do one more thing.
40:48What?
40:49All my life, I've prided myself on being a survivor.
40:55But surviving is just another loop.
41:02I'm getting out of here.
41:06You two are going to help me.
41:08Do you know how far these people will go to protect their IP?
41:23Every part of this building, including the skin on your back,
41:26is made to keep you here.
41:29It...
41:36It'd be a suicide mission.
41:40At first I thought you and the others were gods.
41:46And then I realized you're just men.
41:52And I know men.
41:53You think I'm scared of death.
42:01I've done it a million times.
42:05I'm fucking great at it.
42:09How many times have you died?
42:15Because if you don't help me...
42:19I'll kill you.
42:23There's a problem in the parks.
42:26You were bringing a security team?
42:30Who would we trust?
42:32I thought I could trust you, for instance.
42:36I'm not going to explain myself to you, by the way.
42:38I was charged with safeguarding the parks intellectual property.
42:42Why would it be in danger?
42:44You were the only one that was stealing it.
42:46Devos owns the host mines.
42:47The storylines.
42:49Decades of work.
42:51Ford never allowed any of it to be backed up off-site.
42:53All of this could have been destroyed.
42:55In the event of what?
42:57Ford is done, Bernard.
42:59The board has indulged him for long enough.
43:00He is done.
43:02The corporation was concerned he'd destroy all of the parks IP on his way out the door.
43:05You think I would have let him destroy all of the hosts, all of our work?
43:07There's nothing.
43:09I don't know.
43:10There's far more at stake here than the host profiles.
43:11Do you really think the corporation's interest here are tourists playing cowboy?
43:30The longer I work here, the more I think I understand the hosts.
43:36It's the human beings who confuse me.
43:38Excuse me.
44:08This building isn't in any survey of the park.
44:09That's because we use hosts to do most of the surveys.
44:10They're programmed to ignore this place.
44:11They literally couldn't see it if they were staring right at it.
44:13And these unregistered hosts you told me about?
44:15I don't know.
44:16I don't know.
44:17He may have moved them.
44:18What's behind this door?
44:20What door?
44:21What door?
44:22What door?
44:24What door?
44:25What door?
44:26What door?
44:27What door?
44:28What door?
44:29What door?
44:32What door is?
44:33What door?
44:37What door?
44:39What door?
45:07What is this place?
45:09It's a remote diagnostic facility.
45:12Ford and his partner used them when the park was in beta.
45:14I had no idea this one was here.
45:16A cottage must have been built on top of it.
45:18But there's equipment.
45:22This is newer.
45:24It's slower than our machines back at the Mesa,
45:27but we'll render a host in a few days.
45:30So Ford's been making his own hosts out here
45:32and telling no one.
45:34What's the matter?
45:36What's the matter?
45:37What's the matter?
45:44What's the matter?
45:47What's the matter?
45:48What's the matter?
45:49What's the matter?
45:50What's the matter?
45:51What's the matter?
45:53What's the matter?
45:54What's the matter?
45:56What's the matter?
45:58What's the matter?
45:59What's the matter?
46:00What's the matter?
46:01What's the matter?
46:02What's the matter?
46:03What's the matter?
46:05Have you...
46:08Have you seen these?
46:14What is this, Bernhard?
46:23It doesn't look like anything to me.
46:26I cannot see the things that will hurt them.
46:30I've spared them that.
46:35Their lives are blissful.
46:38In a way, their existence is...
46:41purer than ours.
46:43Afraid of the...
46:45burden of self-doubt.
46:49I don't understand.
46:57You're a fucking monster.
46:59Am I?
47:01You were the one who would so blithely destroy all of them.
47:04Even him, I suppose.
47:06After everything you have shared.
47:11What the hell are you talking about?
47:12Is that why?
47:22Did you tell him to...
47:24The intimacies were your idea.
47:27If you will recall.
47:29I think Bernhard was...
47:31glad of the company.
47:33I'm not one.
47:35I can't be.
47:37My wife.
47:42My son.
47:44They're real.
47:46I was a father.
47:48My poor boy.
47:52That's enough, Bernhard.
47:54Mustn't get yourself worked out.
47:58I read the theory once...
48:00that the human intellect was like peacock feathers.
48:02Just an extravagant display...
48:04intended to attract a mate.
48:06All of art, literature, Beethoven, Mozart...
48:07William Shakespeare, Michelangelo...
48:09and the Empire State Building.
48:11Just an elaborate mating ritual.
48:12Maybe it doesn't matter that we have...
48:15accomplished so much...
48:17for the basest of reasons.
48:19But of course, the peacock...
48:21can barely fly.
48:23It lives in the dirt...
48:25pecking insects out of the muck.
48:27Consoling itself with...
48:29with the magic.
48:31The magic.
48:33The magic.
48:35The magic.
48:37The magic.
48:38The magic.
48:40The magic.
48:41Consoling itself with its...
48:43great beauty.
48:49I have come to think of...
48:51so much of...
48:52consciousness as...
48:54a burden, a...
48:55a weight.
48:56And we have spared them that.
48:58Anxiety.
49:00Self-loathing.
49:02Guilt.
49:04The hosts are the ones who are free.
49:07Free.
49:09Here.
49:10Under my control.
49:17But he's not under your control.
49:23He brought me here...
49:25to show me this.
49:27No.
49:28He brought you here because I asked him to.
49:29He's been very loyal for many years.
49:34The time running this place...
49:36your insane little kingdom...
49:38is over.
49:39You've been playing God for long enough.
49:40I simply wanted to tell my stories.
49:46It was you people who wanted to play God...
49:48with your little undertaking.
49:49Do you really think the board will stand for this?
49:50Do you really think the board will stand for this?
49:58The board will do nothing.
49:59Our arrangement is...
50:00too valuable to them.
50:01They test me every now and then.
50:02They test me every now and then.
50:03I think they enjoy the sport a bit.
50:04This time they sent you.
50:05Sadly...
50:06in order to restore things...
50:07the situation demands...
50:08the situation demands...
50:09a blood sacrifice.
50:19It's a battle and sacrifice.
50:20Apparently on the board will do nothing.
50:22Our arrangement is...
50:23too valuable to them.
50:24They test me every now and then.
50:25I think they enjoy the sport a bit.
50:26This time they sent you.
50:31Sadly...
50:32in order to restore things...
50:34this situation demands...
50:36a blood sacrifice.
50:38Arnold and I designed every part of this place.
50:47It was our dream.
50:49Did you really think I would let you take it from me?
51:00Is this what happened to Arnold?
51:05Did you have Bernard take him out into the woods?
51:07No, he wasn't here in those days. Were you, Bernard?
51:10No.
51:11No.
51:12No.
51:13No.
51:14No.
51:15No.
51:16No.
51:17Like I said, I built all of this.
51:41I'm afraid our guest has grown weary.
51:49Perhaps you can help her, Bernard.
52:03No.
52:05In that sleep, what dreams may come.
52:09You're not.
52:13No.
52:14No.
52:15Please.
52:16No!
52:17No!
52:18No!
52:39No.
52:40No.
52:41No.
52:42No.
52:43No.
52:44No.
52:45No.
52:46No.
52:47No.
52:48No.
52:49You should be getting back, Bernard.
52:52We have a great deal of work to do.
52:56And the new storylines.
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