The Graham Norton Show - Season 18 Episode 02- Robert De Niro, Anne Hathaway, Sir Kenneth Branagh, Tom Hiddleston, The Shires
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
📺
TVTranscript
00:00The assistant intern my wine please thank you very much
00:21But it's good, thank you very much
00:30That's right Robert De Niro on the show
01:00Starring in a new film as an old man out of his depth in a new job. Hmm. Does that ever happen in real life?
01:09Why yes, it does
01:12Jeremy Corbyn an old man with a beard I
01:21There's not just policies from 1970s clothes as well stomach I
01:25I
01:27Don't know if you've heard but after all that scandal about David Cameron and the dead pig you know that story
01:33Well a photographs emerged of the night Jeremy Corbyn joined the North London vegan society
01:38I
01:40I
01:42I
01:44I
01:46I
01:48I
01:50I
01:52I
01:54I
01:56I
01:58I
02:00I
02:02I
02:04I
02:06I
02:08I
02:10I
02:12I
02:14I
02:16I
02:18I
02:20I
02:22I
02:24I
02:26I
02:28I
02:30I
02:32I
02:34I
02:36I
02:38I
02:40I
02:42I
02:44I
02:46I
02:48I
02:50I
02:52I
02:54I
02:56I
02:58I
03:00I
03:02I
03:04I
03:06I
03:08I
03:10I
03:12I
03:14I
03:16I
03:18I
03:20I
03:22I
03:24I
03:26I
03:28I
03:30I
03:32I
03:34I
03:36I
03:38I
03:40I
03:42I
03:44I
03:46I
03:48I
03:50I
03:52I
03:54I
03:56I
03:58I
04:00I
04:02I
04:04I
04:06Love
04:08Heat
04:12This is truly remarkable for me, to be sitting on this sofa with these people, who have inspired me from when I was very very young.
04:19Oh, your welcome
04:20Welcome to
04:29The other connections are more obvious obviously and and Bob you're in a movie the new movie the intern together
04:34Yeah, and I hear though you have been spreading misinformation about Bob. I'm so sorry about this. Yes
04:41I I didn't mean to but I made the world believe that Robert De Niro is a fan of The Bachelor
04:50And as it turns out it was my mistake
04:56And I he was being sarcastic in an email
05:01Where he was told that we were
05:03One of our trailers or something was premiering in front of The Bachelor and Nancy said Bob
05:08I know you're such a fan and Bob said you bet your ass. I'm a fan of The Bachelor and I was like this is such good goss
05:15And then I stupidly told a journalist about it and now Bob has had to answer non-stop questions for this entire press tour
05:23About what a fan of The Bachelor is, what's his favourite season, what does he think of the rose ceremony
05:30Have you ever even seen it? No
05:33Do you watch any tv or any reactions? Not too much just the news
05:37So if you were in london on friday night if you weren't on this show would you ever see it?
05:41This show i'd watch
05:43Good answer
05:51And then of course the other the other obvious connection is uh kenneth of course you acted and directed with Bob in uh frankenstein
05:58Yeah
06:0020 years ago
06:04Wow and and do you direct Bob or do you just kind of like what kind of your fancy?
06:10Well you don't really i we it was a kind of a conversation wasn't it it was a collaboration
06:14It did extend a long way through prep i've never seen anybody well apart from this one be so detailed in terms of
06:22But seriously in a good way i mean just people people they do take their work kind of seriously
06:27Do you remember there was because the the character of the creature was assembled by from lots of other human body parts
06:34Uh we you decided i think that he would have one leg shorter than the other and so the process of finding footwear
06:39That would allow you to walk in a sort of limping kind of fashion
06:42i remember spending a whole day with you walk you were walking up down on a sort of catwalk
06:45And we were experimenting with like one baseball boot one roller skate
06:49to have different kind of height so then you started to do that kind of thing
06:53And then there was like that kind of bouncy thing that you can have that that people have it's sort of a that you
06:58i see it from time to time in central park
07:00so we i mean we went through so many various and then it was like for scene one i'll have the
07:04size eight on the baseball boot i'll have size 10 on the thing but with the block
07:08and by the end of the day we had there was a grid on the wall with just the different shoe
07:13sizes and types of shoes to to just map out how you might walk for the whole of the movie the costume
07:19department will kind of boss out by the end of the day but it was an example of just uh you know we
07:24that's a bit of a detail that maybe nobody notices but you have to get to it somehow and in this case
07:28it was a day of incredible footwear choices and you're not you're not just directing you're also
07:33in it and is it true that the first scene you acted in together was the the famous birth scene
07:38uh yeah well it was where the it was where the two characters came together if you'll pardon the
07:43expression and it was it was inside it was inside a a it was inside a a one-ton vat of ky jelly
07:53it was wasn't it yeah it was now we can't forgive the expression yeah exactly
07:58but it was replicating amniotic fluid as if he was he was birthed and so we had to
08:03that's where the body finally emerges and where we find a way to get to know each other and we
08:08so we got together over a whole lot of lube well let's let's remind ourselves let's remind
08:14ourselves of the scene here he is
08:38and that you're in something yeah you're in some sort of suit yeah yeah instead of a uh a whole
08:54suit that took a lot of time to get into you know your call was that it was 2 a.m the previous the
08:59previous night because uh it was completely sewn in everything and everywhere uh all openings were
09:05attended to um and and and and and well they were they were sewn or stuck by a group of highly
09:16trained operatives uh who were who were prepared to go into those places and they and they did you
09:22were very patient with that weren't you yeah yeah but then your hands must have ended up in some of
09:27those places well it does get everywhere when you do that you've probably found it yourself when when
09:35in that kind of situation yes yes
09:41no but it but it's weird you talk about it like that because it really struck me that it's quite
09:45it is quite it's homoerotic yes it is a little let's just watch it again with that in mind
09:57oh
10:13oh
10:20thank god
10:21All right, let's talk about Bob and Anne Hathaway's new movie, it's The Intern, and it's a really charming, warm, lovely, it's a comedy, but it's not a romantic comedy, but it's a comedy, it's a lovely comedy.
10:42Even I almost said romantic comedy, then I realized, oh no, it's not a romantic comedy.
10:45No, spoiler alert, we don't hook up in the movie.
10:48Not like that, anyway.
10:51But it is a love story, in a way, about an unexpected friendship between our characters.
10:59And it's written, directed by Nancy Meyers, who, films like What Women Want, and It's Complicated, and in this film, so The Intern, you're the boss.
11:07Yeah.
11:08The big, tough boss.
11:09That's me.
11:10Well, actually, you're not that tough, you're quite a nice boss.
11:13I'm tough when I need to be easy.
11:14Yeah, all right, yeah, yeah.
11:16And then, you are The Intern.
11:19Yes.
11:19So you've had a whole life, you're retired, and then you decide to go back into the workplace.
11:23Yes, I decide to go back, and I saw this sort of flyer for interns, and I think the flyer explains the older interns, I think.
11:34That's correct.
11:35And, yeah, so then I do a video sort of interview, describing myself, and so on, and that's it.
11:43You know, I'm talking about everything that I've missed, or that I thought I might enjoy as a retiree and also a widower.
11:51And then, finally, there's not really, there's something missing in my life, so this seems to be, could potentially be an answer to that, being part of this whole thing, this young company, and there it is.
12:05And it's fascinating watching you play this part, because Ben, he's got a low status, really, for most of this film.
12:12And he is, well, he's a lovely man.
12:16He's just a lovely, lovely man.
12:17Yeah.
12:18Is that hard to play?
12:19Kind of.
12:20Would I have preferred to beat somebody up, or treat somebody, and he asked Nancy Meyers if I could do that, and I asked Anne.
12:29I was full support.
12:31And I was, you know, just, you know, one of the interns, those kids.
12:34I thought we could have gone on the lam together.
12:35Yeah.
12:36I thought we could have gone on the lam together.
12:37Different film.
12:38And I wondered, Anne, have you been in enough movies now where stepping onto the set with Robert
12:45De Niro isn't intimidation?
12:46Haven't, no.
12:47No.
12:48Okay.
12:49I was pretty, pretty nervous before we started this one.
12:53But, and I don't mean to name drop, but I, you know, Julie Andrews was good prep, and Meryl Streep was very, very good prep.
13:00And when I worked with Meryl, I was so awed by her.
13:04I was so, just, I couldn't get over it.
13:07I was such a fan the entire time, and I feel like I missed out on the experience working with her.
13:12Like, you know, I was too scared to talk.
13:14I don't know if it was the character, I don't know if it was Meryl, a combination of the two.
13:18Um, so this time I decided that I wasn't going to let my, my fan worship of Bob, this is so awkward talking about this while you're right next to me, but, um, stand in, stand in the way of having a great time.
13:29Why would, like, do my freakouts at home and then show up and just be like, hey, we're working together today.
13:33What are you doing?
13:34Yeah.
13:35Bringing a coffee?
13:36That's cool.
13:37Very cool.
13:38And it worked, and we had a great time.
13:40Let's go to, uh, this is a clip of the, the two of you together in the intern.
13:43This is, uh, Robert's character giving out some reassurance before, uh, a big meeting.
13:48Oh, thanks, but you don't have to, I can open the door.
13:51Okay, so this shouldn't take more than an hour, but if you can't stay here, I'll call Becky and then she'll find you and then you can just pull up.
13:58All right.
13:59I'll be here.
14:00I think I could eat today.
14:01Should I pick you up some sushi?
14:02No, I eat too much mercury.
14:03I'll be fine.
14:04I'm good.
14:05I'm actually kind of nauseous, though.
14:06Aw.
14:07Can I, can I say something really fast?
14:24Sitting, sitting between these three storied thespians, especially the two on my left, I have never been more aware of the fact that when I act, I sound like a chipmunk on helium.
14:34Stop that now for a minute.
14:37Fine, I will.
14:38Yes.
14:39You say so, I will.
14:40And, uh, by the way, I should say, the intern opens tonight, all over the country.
14:44So, don't go see it right now, but, uh.
14:46Tonight?
14:47Tonight?
14:48Tonight?
14:49No.
14:50Oh, oh, oh.
14:51I got it.
14:52Right, right.
14:53I got it.
14:54I got it.
14:55I got it.
14:56I got it.
14:57Very good.
14:58Very truthful.
14:59Robert De Niro believed me.
15:01Very truthful.
15:04And now, this is weird, I think.
15:07I sort of, I, can it be true that here you are, Anne Hathaway, Oscar winner, and yet reading about it, you say you auditioned for this film?
15:15Yes, yes I did.
15:16Did that, that can't be right.
15:19I mean, it happens.
15:20I don't have to do it every time, but, you know, sometimes if there's a hesitation in the director's mind, yeah, I got it.
15:26Good Nancy Meyers, what a shit.
15:28But, by the way, she's not happy that I'm telling people that I auditioned for it.
15:32She's like, no, no, no, just say I was, I'm like, Nancy, I'm proud of the fact that I, this is my third time auditioning for her.
15:38Well, you did, she didn't give you things.
15:40Three, two other times, yeah.
15:41So, I was really excited.
15:42Bitch!
15:43Because I was, I was watching the, the speech you gave up at the Tisch School of the Arts.
15:50You gave a kind of graduation speech.
15:52Yes.
15:53And in that, you were talking about, that even you, you know, you got recall, your first, was it Bang the Drum Slowly, your first kind of big movie.
16:00Mm-hmm.
16:01In some ways, yes, yes.
16:02But big for you.
16:03Yeah, no, it was.
16:04But they, they tortured, they tortured you with the number of auditions.
16:06Well, I, I auditioned seven times.
16:08Um, first for the director, for the first one part, and then the part I finally got later, for about two, three times, then four times or so for the second part, for the director, uh, the producer, the producer and his wife.
16:23It was a whole, a whole thing.
16:27Uh, just.
16:28But, you know, as an actor, sometimes that, that does happen.
16:31And you just gotta, not take it personally, just keep going.
16:36And the speech was great that you gave to the students at Tisch.
16:39And the nice people at Tisch have allowed us to show.
16:40Oh.
16:41Just a little clip.
16:42So, imagine, here you are, you're a young arts graduate, aspiring to a, you know, creative life in the arts.
16:48And, oh my God, here's Robert De Niro.
16:51What profound words of encouragement will he give us?
16:54Here we go.
16:55Dean Green, deans, university leadership, faculty, staff, parents, friends, and the 2015 class of New York University's Tisch School of the Arts.
17:08Thank you for inviting me to celebrate with you today.
17:12Tisch graduates, you made it.
17:15And, you're fucked.
17:20The parents were thinking, but we spent so much on this.
17:36It's sort of true.
17:37It's good that you were telling them.
17:38Yeah.
17:39Yeah.
17:40Yeah.
17:41Yeah.
17:42Because, because, in other words, Tom.
17:43Yes.
17:44You auditioned for Ken.
17:46I, I did many times.
17:48Yeah.
17:49But, but didn't, I'm talking about Thor, when you were getting Loki, which kind of changed your life.
17:52Yeah.
17:53It did.
17:54Yeah.
17:55My life has changed thanks to this man.
17:56Yeah.
17:57And, um, it's a pleasure to be sitting with him on your sofa.
17:59Is that where the Hiddlestoners came from?
18:00From Loki?
18:01I, I, I, I, that's a whole other world.
18:04I don't know about.
18:05You know all about the Hiddlestoners.
18:07Yes.
18:08Um, they're, you know, they're very sweet, mostly benign.
18:11Um.
18:12And, um, yeah, there's, there's a few of them.
18:17Um.
18:18And then the Hiddlestoners get Hiddlestoners.
18:20This is right.
18:21I don't know.
18:22This all comes from him, not me.
18:24I don't know.
18:25I've never, that's something I've not, I haven't put out, I haven't put that out into.
18:30If you'll pardon the expression.
18:35I haven't extended that into the.
18:37Ah!
18:38Yeah.
18:39Yeah.
18:40No, it's, I, it's a, they're, they're generally, um, you know, they're generally.
18:44I, I, I find myself lost for words.
18:46Okay.
18:47Okay.
18:48They're very, they're sweet and benign and they, and they're fans and, and, um, and, uh,
18:52yeah.
18:53Yeah.
18:54Now, you are fabulous as Loki.
18:56Absolutely brilliant.
18:57But apparently you originally, originally auditioned, no offense is meant by my incredulity
19:03here.
19:04That's right.
19:05But you originally auditioned for Thor.
19:07Yep.
19:08Did you encourage him to do that, Ken?
19:11Ah, it was a, it was a very, uh, sort of, um, brilliant kind of, uh, pitch for the part.
19:18I mean, he'd come in and wowed the room, um, uh, with, uh, for, as Loki and as Thor.
19:24We were, we were an emerging and evolving script, so it was always changing.
19:27But fair play for Tom, he just, uh, went for it.
19:30In the end, Ken, why, why did you go with this, then?
19:33In the end.
19:34The hair, the hair, the hair, the hair, the hair.
19:36Was, was it the longer hair?
19:38Was it?
19:39I think it was the hair.
19:40I think it was the hair.
19:41I think it was either.
19:42That's my brother from another mother.
19:44Yeah.
19:45He didn't.
19:46Four.
19:47Oh, a four.
19:48Chris Hemsworth is made out of, um, um, genetically modified material.
19:52Uh, he wouldn't mind my saying that.
19:55Um, he's a sort of genetic anomaly, I think.
19:58I was very, I was a bit embarrassed when, when, when we came to do the scene in the movie
20:02where he takes his shirt off.
20:03I just felt a little uncomfortable talking about the, the sort of, the, how, how we would
20:07do it.
20:08And I felt as though, well, maybe he'll feel that he shouldn't or couldn't or it's a bit,
20:12whatever.
20:13So I said, I remember going to see him that morning saying, look, you know, I, it would be,
20:17I think it might be good if you get your shirt off, but I, you may be feeling, he said,
20:22of course I'm going to get my bloody shirt off, mate.
20:24I've been, I've been trying for nine months for this fucking thing.
20:25I've been trying for nine months for this fucking thing.
20:29All right, we're going to get your shirt off.
20:32Oh, that, we must turn to Kenneth Branagh.
20:35Uh, because you're at the Garrick for a year.
20:37For a year, yeah.
20:38But we're a whole year.
20:39Yeah.
20:40Is it five places you're doing?
20:41We are, yeah.
20:42Which is a huge undertaking.
20:43It is, but it's exciting because we, we have, uh, Dame Judi Dench starring in the first
20:47one, which is The Winter's Tale.
20:48Very good.
20:49That, that opens on the 17th of October.
20:51It does indeed.
20:52That's a very beautiful play about, uh, you know, jealousy and redemption and some sheep
20:57shearing as well.
20:58Wow.
20:59You can't do a play without sheep shearing.
21:00Um, and we also do a couple of plays by, by Terence Rattigan.
21:03Zoe Wanamaker's in, in one amazing, um, half hour one woman show, which is about a,
21:08a dangerous woman alone at night with a bottle of whiskey and a bag of secrets.
21:11Oh my goodness.
21:12Ooh.
21:13I like that.
21:14They're, they're going to book that.
21:17She's fantastic.
21:18And, uh, and, and we also do just an out and out comedy in, uh, a play called Harlequinade,
21:23which, which takes the mickey in a sweet way about actors and it's about a theatre troupe
21:27putting on The Winter's Tale and led by a megalomaniac.
21:29Um, so we're, we're looking for inspiration for that one.
21:32I'll tell you what, you've put together a really beautiful, uh, sort of, little teaser
21:37of what's in store.
21:39Oh.
22:10Oh, grave and good Paulina, the great comfort that I have had of thee.
22:25Lord, sovereign sir, I did not well.
22:28I made it well.
22:31Isn't that lovely?
22:32Very beautiful.
22:35What's the advantage for you of doing it for a year, putting it all together?
22:43Is it because you have a repertory of actors?
22:45Yeah, people get to be in more than one play, and I think actors, so for instance, in these
22:48first three plays, lots of people are in two plays, so it's nice to see Zoe want to make
22:52it be very funny in one and very dramatic in another, I hope, I think.
22:55And to see also people like Judi Dench, who I've now worked with for over 30 years,
23:01and that kind of rapport, that acting rapport, you know, comes into play, and she's a master.
23:07It's just to see a master at work like that is really an eye-opening thing.
23:11Plus, she's a beautiful person.
23:12It's a great sort of opportunity to be in the presence of somebody great.
23:15And at 80 years old, to give her in Shakespeare to a West End audience, not only in the theatre,
23:20but we do a cinema broadcast on November the 26th, so that people around the world can see
23:25it live that night as well.
23:26Because when you were doing Renaissance all these years ago, you got Judi Dench to direct...
23:30Yeah.
23:32Much Ado About Nothing.
23:32Much Ado About Nothing.
23:34But you imagine that, you know, Kenneth Branagh, very confident, you know, you're putting
23:37together these things, but apparently you were incredibly nervous asking her.
23:41Yeah, I mean, three days.
23:42Have you ever done this?
23:43I mean, I was a bit like that with you.
23:45Three days with Judi of planning the phone call, of planning the casual phone call, when
23:51you ring up, hi, Judi, so...
23:53Hi, Judi, so...
23:54How's it going?
23:56It's Ken here, yeah.
23:57Oh, are you...
23:58Well, if it's...
23:58And I've written it all done.
23:59Oh, are you free?
24:00Oh, no, that's fine.
24:01Oh, well, I could call again.
24:03I've got that one.
24:03I've got six versions of the phone call there in case, I don't know, she's in the kitchen
24:07or something.
24:08Just a terrified hand, you know, like it was the old days, so the trembling hands, just a...
24:13You know, using the phone and everything, and I mean, and then once you get to know people,
24:18it's different, but it's amazing.
24:19And like meeting this, you know, the first time I literally saw my name next to his on
24:24a piece of paper that said we were going to do a piece of work together, I started to cry.
24:28It's just...
24:29Well, because, you know, this guy, you know, this is another master.
24:33This guy, we kissed the hem of his garment.
24:35You know, he's a master.
24:37It's as simple as that.
24:38It's as simple as that.
24:39There you go.
24:40APPLAUSE
24:41You know, as Tom would say, you know, I think a lot of young artists, they, you know,
24:49they revere you, so they look to you.
24:51The other thing you inspire is impressions, people doing impressions.
24:55Now, when people do impressions of you, is it like sort of nails on a chalkboard,
24:59or do you kind of enjoy it?
25:00No, I kind of enjoy it, especially if they do it well.
25:05So, no, I, it's great.
25:09I love it.
25:10I only ask!
25:13No, because, because any Hiddlestoners watching will know,
25:17Tom Hiddleston does impressions of you.
25:19You do impressions of a lot of people, so who is in your canon?
25:22It's an expression of admiration, just to be clear.
25:26So I do impressions of people that I admire,
25:30and I sort of listen to them.
25:31The first time I did an impression that anyone was aware of,
25:35I was just telling a story about Midnight in Paris,
25:37the Woody Allen film I was in,
25:39and how I'd never read the whole script,
25:40and I thought it was set in the 20s.
25:43And I turned up, and I bumped into Owen Wilson,
25:46who didn't look like he was in the 20s at all.
25:49And I said to him, I said,
25:50so wait, hang on, who are you playing?
25:51Because I'm playing F. Scott Fitzgerald,
25:52and I know Corey Stoll's playing Ernest Hemingway,
25:55and we're all playing figures of history.
25:56And he went, oh, no, no, no, no, no.
25:59I'm from now.
26:00No, I go back in time.
26:03There's a time machine.
26:05It's kind of cool, and it's kind of woody,
26:07and you just kind of, it's kind of awesome.
26:10Very good.
26:13But I've done, I've done, I mean,
26:16I've done, I've been made to do impressions
26:18of my fellow Avengers.
26:20I think everyone does an impression
26:22of Christopher Walken,
26:23because he's just, he's such an easy kind of,
26:25you know,
26:27I feel like what this show needs
26:30is more cowbell.
26:34Depends on what
26:36you'd like me to say.
26:40Basically,
26:41there's no
26:42punctuation,
26:44anything that comes out
26:47of my mouth.
26:49I know whole pages of heat.
26:57You surprise me.
27:00So, there's this,
27:01there's a scene in the middle of the film,
27:03which you'll be familiar with.
27:04You were there.
27:04The one person
27:07you don't need to explain it to.
27:14He remembers.
27:15You're very good in this thing.
27:16He remembers.
27:17There's a scene in the middle of the film,
27:19which is,
27:19because Al Pacino
27:21and Robert De Niro.
27:24Sorry about this.
27:25Don't worry.
27:26They're separated,
27:27like a great thriller.
27:28They're separated
27:29from,
27:30for the entire film,
27:30and they meet twice,
27:32once at the end
27:32and once in the middle.
27:33And it takes place
27:34at a restaurant in L.A.
27:35It's a great scene.
27:36It's one of the great pieces
27:37of screen acting
27:37you can hope to watch.
27:38There it is.
27:39There's a picture of it.
27:40It's like a,
27:41it's a mutual recognition
27:42of each other.
27:44Anyway,
27:44so there's a bit where
27:45they sit and have coffee
27:47and have tea
27:47and talk about stuff.
27:48I'm going on.
27:48I apologise.
27:50Anyway,
27:50so Al Pacino,
27:51at one point,
27:52Al Pacino says this.
27:53He goes,
27:56So,
28:01we're sitting here,
28:03like a couple
28:04of regular fellas.
28:05I mean,
28:05you do what you do,
28:09I do what I gotta do.
28:11If I'm there,
28:13and I gotta put you away,
28:15I won't like it.
28:19But if it's between you
28:21and some poor bastard
28:23whose wife
28:24you're gonna turn
28:25into a widow,
28:27brother,
28:28you are going down.
28:30And then,
28:32and then,
28:34and so then,
28:35and then it cut,
28:35and then Michael Mann
28:36cuts back to
28:37the esteemed gentleman
28:38at the end of the sofa.
28:39What if you do got me
28:50boxed in?
28:52I'm not gonna put you down.
28:55Moving face to face.
28:58Yeah.
28:59But I will not hesitate.
29:02Not for a second.
29:03That's my...
29:05This is so,
29:12this is so meta.
29:15I feel like I've gone
29:16into a parallel universe
29:17where,
29:18I have,
29:19You're playing all these parts.
29:20Yes, I apologize.
29:21No, it's great.
29:22Are you impressive?
29:23Ken Brannan?
29:23That was my favorite scene.
29:25Was it your favorite scene?
29:25Yeah.
29:26Still?
29:27Yeah.
29:27No, no, but my favorite scene
29:32that was written before,
29:34not because of doing it,
29:35but just my favorite scene
29:36written in the film.
29:38You know,
29:38that's a great piece of writing.
29:40Yeah, it feels like it plays
29:41in two singles in a way.
29:43Yeah, yeah.
29:44And it's like the most
29:46beautiful game of tennis.
29:47Did you each do lots of takes?
29:49Did you do lots of takes?
29:50I forget how many takes we did.
29:51I don't think we did more than
29:52five to eight or nine at the most.
29:55Maybe, maybe less.
29:56You talk about your dreams
29:59and you talk about your life.
30:02It's so great.
30:03It's so great.
30:04There's that bit,
30:04another bit where you go.
30:07You know, you say,
30:08he says,
30:08he says,
30:09Pacino says,
30:11so you never wanted
30:12a regular type life.
30:14And,
30:14and,
30:15Bob,
30:16may I call you Bob?
30:17Yeah.
30:19Bob says,
30:20what's that,
30:21barbecues and ball games?
30:23Yeah.
30:26Tom Hiddleston's a new film
30:34called Crimson Peak.
30:36It's out on the 16th of October.
30:37And I imagine this movie
30:39is like a dream
30:40for an actor
30:40because it's such a
30:41big,
30:42gothic,
30:43melodrama,
30:44kind of fights and frights.
30:46It's fabulous.
30:47Yeah,
30:47it is.
30:48It was,
30:48for me,
30:49it was a chance to work
30:50with Guillermo del Toro
30:51who I think is,
30:52is a master.
30:54And,
30:54it is a gothic romance.
30:56So,
30:56it's true to gothic romance
30:58in that there is a beautiful,
31:00radiant,
31:01pure-hearted heroine
31:02played by Mia Vasikovsko
31:04who is sensational in it.
31:06And she's drawn to the tall,
31:07dark stranger
31:08with the crumbling mansion
31:09on the hill.
31:10Um,
31:11and,
31:11it's sort of like,
31:14um,
31:14she's Elizabeth Bennet
31:15and I'm Mr. Darcy
31:16but,
31:17when she gets back to the house
31:18it's full of some crazy shit.
31:22And,
31:23and,
31:24and your sister.
31:24And my sister,
31:25played by Jessica Chastain
31:26who I know you had
31:27on this very sofa last week.
31:29Yes,
31:29and actually she was walking
31:30off the set
31:31and I said to her,
31:31oh I saw you in Cribs of Peaks
31:33and she was,
31:33oh I'm so bad now.
31:34I don't know you were going to,
31:35no I play a bad person.
31:39Lucky I didn't go in the end.
31:43Stop you!
31:44Everyone misses tough times.
31:46But,
31:46yeah.
31:47Uh,
31:47she,
31:48she's really off the deep end
31:49in this.
31:50Which is,
31:51which is new for her.
31:52She's fantastic in it too.
31:54And it,
31:54and it's,
31:54um,
31:55it really is about,
31:56um,
31:57it's about these,
31:58these polar opposites
31:59of,
31:59of sex and death.
32:00You know,
32:00these,
32:00these two completely opposite
32:02forces in our lives.
32:03And,
32:03I read unusually,
32:05as an actor,
32:05you,
32:06you negotiated,
32:07you lobbied for extra nudity.
32:13I'm trying to sell the film, Tom.
32:16Gothic romance,
32:17I argue,
32:17but,
32:18hello.
32:19Uh,
32:19no,
32:19there,
32:20well,
32:20you know,
32:20gothic romance is,
32:21it's about sexuality.
32:23It's about,
32:23it has to be sexy.
32:24And,
32:25uh,
32:26there is a,
32:26a love scene in the film.
32:29I was like,
32:31dude,
32:32it's time to get naked,
32:34man.
32:36Uh,
32:37and,
32:38uh,
32:38and,
32:39you have to show the world
32:41your buns.
32:42Uh,
32:42and,
32:43uh,
32:44it was,
32:44I,
32:45I was happy to do it.
32:46And it,
32:46we've discussed it often
32:47in these situations,
32:48um,
32:49uh,
32:49the,
32:49the woman is more naked
32:50than the man,
32:51and we thought we would,
32:52uh,
32:52just redress the balance.
32:55There we go.
32:56I love it.
32:57Oh,
32:58little boners all round.
33:00Let's watch the clip.
33:01This is you returning
33:02with your new bride
33:04to the family seat.
33:05Okay.
33:05Goodness.
33:21How many rooms are there?
33:22I don't know.
33:24Would you like to count them?
33:28What do you think?
33:30Does it look the part?
33:31It does.
33:33Although it's even colder
33:34inside than out.
33:35I know.
33:36It's a disgrace.
33:37We try to maintain
33:38the house as best we can,
33:39but with the cold
33:40and the rain,
33:41it's impossible
33:42to stop the damp
33:43and the erosion.
33:44And with the mines
33:45right below,
33:46well,
33:47the wood is rotting
33:48and the house
33:50is sinking.
33:52There we go.
33:53Oh,
33:56we are about to hear
33:58our musical act.
33:59Graham,
33:59the people do impressions
34:00of,
34:00people do impressions
34:01of you,
34:01don't they?
34:02Very rarely.
34:03Yeah.
34:04Very rarely.
34:05Am I in your canon?
34:07No, no, no.
34:07I mean,
34:08I haven't,
34:08it's like,
34:09I always,
34:09I feel like,
34:10I wouldn't be able
34:10to do it
34:11until I've met you,
34:11but I have.
34:13Do you want me to do this?
34:13Fuck, you can't,
34:14you can't,
34:15go, John,
34:16go.
34:18I don't know you.
34:19So,
34:19can I have the cards?
34:20I need the cards.
34:21Okay.
34:22You can have an old card.
34:22No, don't worry.
34:23You can have an old card.
34:24I just need a old card.
34:25There you go.
34:26There you go.
34:30So,
34:31welcome back,
34:31welcome back,
34:31welcome back.
34:35So,
34:36so you,
34:36so you,
34:37you've never been on the show.
34:47I feel your pain, Bob.
34:51first time,
34:54there's only a first time for everything.
34:56Now,
34:56but impressions of a thing
34:57that actors do,
34:58it's kind of,
34:59you do an impression.
35:00I do bad impersonation
35:02of Serene McKellen.
35:03um, uh,
35:04um, uh,
35:05ask and ruff.
35:06Um,
35:06uh,
35:07you shall not pash.
35:10Wing dong,
35:11creme,
35:11non,
35:12phlegm,
35:12non,
35:12ding dong,
35:13you will not pash.
35:14Wing dong,
35:15bang dong,
35:15call him and gollum.
35:16You shall definitely not pash.
35:18I don't do an impression of Ian McKellen,
35:27but I was in,
35:28uh,
35:28Waitrose,
35:29the supermarket here,
35:30and,
35:30uh,
35:30they have those self-service,
35:32uh,
35:33checkouts.
35:34So,
35:34I was at the other checkout,
35:35and Ian McKellen,
35:36and I said hello to him earlier,
35:37he was wandering around with a basket,
35:39and I was showing it,
35:40and then just from over in the self-service area,
35:42you just heard this booming voice going,
35:43IT'S IN THE BAG!
35:54But,
35:55but,
35:55This is not a cucumber,
35:57it's,
35:57it's,
35:58a,
35:59a,
35:59a no-brazine,
36:00uh,
36:00you know.
36:02But,
36:02Anne Hathaway,
36:03you also do an impression.
36:04I do Britney Spears.
36:06No, see?
36:07This is an oldie,
36:08but a goodie.
36:08Okay.
36:11Oh,
36:11baby,
36:12baby,
36:13how was I supposed to know
36:16that something wasn't right here?
36:21Oh,
36:21baby,
36:22baby,
36:23I shouldn't have that.
36:25Oh,
36:25God.
36:28Now you're out of sight.
36:30Woo!
36:30Woo!
36:31Woo!
36:33Woo!
36:33Woo!
36:34Woo!
36:35Woo!
36:35Woo!
36:36Woo!
36:36Woo!
36:37Woo!
36:37Woo!
36:37Woo!
36:38Woo!
36:38Right,
36:38it is music time!
36:40This group are the first British country band to have an album in the top ten.
36:44Performing all over again from their new album, Brave, please welcome, The Shires!
36:48Back when you were younger and the summer would last forever.
37:06I think I'm falling in love with you all over again, I think I'm falling in love with you all over again.
37:16I think I'm falling in love with you all over again.
37:18I think I'm falling in love with you all over again.
37:21It's just you and me right now.
37:23I think I'm falling in love with you all over again.
37:27I think I'm falling in love with you all over again
37:33When you look in my eyes and it's like the first time you gave me your heart
37:39And you just keep giving me more
37:42I think I'm falling in love with you all over again
37:49Yeah, back when I didn't know every little thing about you
37:57And I was figuring out, finding out what I'd do to make you smile
38:02Yeah, whoa, whoa, whoa
38:07We've been too caught up in all that stuff we call life
38:12It's just you and me right now
38:14I think I'm falling in love with you all over again
38:19I think I'm falling in love with you all over again
38:24When you look in my eyes and it's like the first time you gave me your heart
38:30And you just keep giving me more
38:33I think I'm falling in love with you all over again
38:40I know you're my, my, my, my, my, my, my baby
38:46I know I've not, not, not, not told you lately
38:51But there's something about the way you look tonight
38:56I think I'm falling in love with you all over again
39:02I think I'm falling in love with you all over again
39:08I think I'm falling in love with you all over again
39:13I think I'm falling in love with you all over again
39:18When you look in my eyes and it's like the first time you gave me your heart
39:24And you just keep giving me more
39:27I think I'm falling in love with you all over again
39:42All over again
39:55All over again
39:59Mr. Charles, everybody
40:01Beautiful job
40:03Come join us, dude
40:05Mind yourself there
40:07Mr. Charles, everyone
40:09There you go. Hello sir. Come and meet everybody. Is it Chris or Chrissy? Chrissy. Chrissy and Ben. Yep. Chrissy and Ben.
40:20That's Chrissy and Ben. Chrissy and Ben from the Shires. Lovely to meet you.
40:28Is that Robert De Niro? Yes.
40:31Oh no, don't fall off. Shut down. Shut down.
40:34Don't have to lose you at this stage.
40:35That is from the new album Brave, which is out now, which has been a big success.
40:41Yeah, it's been, it's crazy, isn't it really? Yeah, the first UK country act ever to go top ten.
40:46It sounds so weird that you speak with English accents.
40:49Where are you singing? In America people must be so surprised when you talk.
40:53Yeah, because we've got British accents and we sing about British things as well, so yeah.
40:57But with a country twang. Yeah, we do.
40:59I always do my best sort of love actually, you know, go to the bar and it's like I'll have a pint of beer, please.
41:06And did you know you could do that kind of that country twang?
41:09Yeah, I mean, I've been singing country music since I was tiny.
41:12My grand taught me other old songs and I just absolutely loved it, so.
41:15She couldn't actually do anything with her voice. It's really weird.
41:18I've heard your impressions earlier. Yeah, we heard your impressions earlier.
41:20Yeah, we heard your impressions earlier.
41:21And I thought, I'm not late. Yeah.
41:23Can you do a kettle? Can you do a kettle?
41:24Can you do a kettle? Do a kettle? Can we have to do it?
41:26We've got a lot of celebrities, no utensils.
41:28We have a single kettle. Go on, go to the kettle.
41:33Yeah.
41:34Yeah.
41:35Yeah.
41:36Yeah.
41:37Yeah.
41:38Yeah.
41:39That's a good part of it.
41:40Yeah.
41:42Yeah.
41:43Yeah.
41:44Yeah, yeah.
41:45Good luck with the album out there to a ladies gentleman with the shires.
41:48Yeah.
41:49Just before we go, we've got time for the two of the big red chair.
41:53Before we go, we've got time for the two of the big red chair.
41:57So who's there?
41:58Hello, nice lady.
41:59Hi.
42:00Hi, what's your name?
42:01Lauren.
42:01Lauren?
42:02Yeah.
42:02So, of you go with your story.
42:04All right, so I'm sorry, but this story's going to put someone on the spot on that stage.
42:08I'm one of three girls.
42:09About ten years ago, I was on holiday in Dublin, checking in to Dublin International Airport.
42:16And my 11-year-old sister starts watching someone check in.
42:19And she runs up to this person and says,
42:21Oh my God, are you Anne Hathaway?
42:24Anne then turns around, whips off her sunglasses, and says,
42:27Hi, you can call me Annie.
42:29And then, you know, proceeds to interact and talk to all of us,
42:33asking how our holiday is, posing in pictures with us.
42:36It was so nice and it was so lovely.
42:38And that would have been a really great story had it ended there.
42:40However, after Anne left, my mother then just started crying hysterically
42:46about how nice Anne Hathaway was.
42:48All through check-in, all through security.
42:51Who naturally, none of these people had any contacts
42:55and naturally thought she was batshit crazy.
42:58Thank you, Anne, for being so lovely and nice and for making my mom cry.
43:02That's like a nice example.
43:03That ties into the film, it's just like everyone's lovely.
43:15It's just like a lovely thing.
43:17No, no, it was so nice my mother cried.
43:20Mind you, maybe the girls were all just bitches.
43:22She's like, why couldn't my daughters have been like her?
43:26Very good.
43:27If you'd like to join us on the show and have a great day,
43:30you can.
43:30Contact us by our website at this very address.
43:33Huge thank you to my guests tonight,
43:34The Shires, ladies and gentlemen.
43:35Tom Hiddleston.
43:42Joe Brana.
43:45Anne Hathaway.
43:48And Mr. Robert De Niro.
43:51Join me next week with British star Carrie Mulligan,
43:54Australian Oscar winner Nicole Kidman,
43:56and global superstar Meryl Streep.
43:59I'll see you then.
43:59Good night, everybody.
44:00Bye-bye.
44:00Bye-bye.
44:00Bye-bye.
44:00Bye-bye.
44:01Bye-bye.
44:01Bye-bye.
44:02Bye-bye.
44:02Bye-bye.
44:02Bye-bye.
44:03Bye-bye.
44:04Bye-bye.
44:04Bye-bye.
44:04Bye-bye.
44:04Bye-bye.
Be the first to comment