- 2 days ago
Category
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Short filmTranscript
00:00:00I
00:00:30I don't know.
00:01:00I don't know.
00:01:30I don't know.
00:02:00I don't know.
00:02:30I don't know.
00:02:59I don't know.
00:03:29I don't know.
00:03:59Pain is the only real truth left in this world.
00:04:11I don't know.
00:04:41I don't know.
00:05:11I don't know.
00:05:12I don't know.
00:05:13I don't know.
00:05:14I don't know.
00:05:15I don't know.
00:05:16I don't know.
00:05:17You boys are supposed to protect my land from intruders.
00:05:20Not become intruders.
00:05:22Apparently, one of your highly trained soldiers has wandered into the perimeter.
00:05:27He's about to step on Havok's toes.
00:05:31Oh, Jesus.
00:05:32Oh, Jesus.
00:05:33Yes, sir.
00:05:35I'll get him out of there right away.
00:05:37Over.
00:05:38Ah, don't bother.
00:05:43The lion needs to feed.
00:06:08The lion needs to feed.
00:06:38The lion needs to feed.
00:07:08What can I get ya?
00:07:10Uh, diet soda?
00:07:12Sure.
00:07:13Thanks.
00:07:14Hey, do you know a Mrs. Wallace?
00:07:17No.
00:07:18Hello, Miss?
00:07:30Hello, Miss?
00:07:34I have no names, no details.
00:07:48We'll converse outside.
00:07:50Follow me.
00:07:52Okay.
00:07:53Okay.
00:07:54Okay.
00:07:55Okay.
00:07:57Okay.
00:07:58Okay.
00:07:59Okay.
00:08:00Okay.
00:08:01Okay.
00:08:02Okay.
00:08:03Thanks.
00:08:07Good morning.
00:08:09I'm sure you're gonna go.
00:08:11I'm okay.
00:08:12I'm not good.
00:08:13Okay.
00:08:15What?
00:08:16Let's go.
00:08:46Let's go.
00:09:16Follow me.
00:09:32Where are we going?
00:09:35We're about ready to head onto the compound.
00:09:47Who's this?
00:09:49Who's this?
00:09:50He's here to collect your phone and any other electronic devices you may have.
00:09:54I think for safety reasons I should hang onto my phone.
00:09:57If you want to interview my client, you will follow his instructions.
00:10:02Okay.
00:10:03Can I at least keep my tablet?
00:10:05It's a basic device reporters use.
00:10:07And it's a perfect tracking device for any law enforcement agency to finally find out this
00:10:13location.
00:10:14Okay, look.
00:10:15I get that you have to protect him, okay?
00:10:17I do.
00:10:18I get that.
00:10:19But I'm just here to tell the story.
00:10:21I mean, you should know that I'm no threat.
00:10:24It's obvious to me that you would like to propel your career into high gear by interviewing
00:10:29one of the FBI's most wanted.
00:10:32Okay, but I'm a known reporter.
00:10:34And I know that your people investigated me before offering me this interview.
00:10:38We did.
00:10:39However, we weren't able to be certain whether you contacted the FBI or any other law enforcement
00:10:46agency that would love to take my client into custody.
00:10:50I never wanted this interview, Ms. Weaver, but my client insisted on it.
00:10:56So I'm looking for any reason, any reason whatsoever, to tell him we had to cancel this
00:11:00interview and send you home.
00:11:03So you give me no choice?
00:11:05It all depends on how much you value your career.
00:11:08Ambitious girl.
00:11:21Collector electronics.
00:11:26Echo siren to echo leader.
00:11:39I'll be driving into grid 46 with the reporter.
00:11:43Do not shoot.
00:11:44I repeat, do not shoot.
00:11:45Over.
00:11:46Copy that.
00:11:47I'll alert all sentries.
00:11:48Over.
00:11:49And make sure the asset is nowhere near us.
00:11:53Over.
00:11:54Don't worry about that.
00:11:55Havoc is occupied.
00:11:57Havoc is occupied.
00:11:58Havoc is occupied.
00:12:04See.
00:12:05Any move.
00:12:06I ask you!
00:12:07There's a 피-a-a-as-as-ask-ала.
00:12:09In with theowing zone some guards have not figured out the local.
00:12:14No, not as a machines still to me.
00:12:19Swì²´ê°€ loud.
00:12:20I don't know.
00:12:50I don't know.
00:13:20I don't know.
00:13:50I don't know.
00:14:20I don't know.
00:14:50I don't know.
00:15:20I don't know.
00:15:50I don't know.
00:16:20I don't know.
00:16:50You're pushing your luck, Ms. Weaver.
00:16:52You've played your hand one too many times, Mrs. Wallace.
00:16:55Okay, I have complied with every safety regulation, and I'm even willing to wear one of those ridiculous costumes for him, okay?
00:17:02But when I leave here with my story, I'm going to need proof that I interviewed this man, video proof.
00:17:12I'll be outside.
00:17:13I'll be outside.
00:17:14And?
00:17:15And I'll allow for a small mini recorder, but that's it.
00:17:22Understood.
00:17:52At least I could get all of them.
00:17:53At least I could get all dolled up.
00:17:54At least I could get all dolled up.
00:17:55This interview's going to make me a star reporter.
00:17:57Let me guess.
00:17:58Let me guess.
00:17:59Let me guess.
00:18:04For security reasons, one of your men has to watch me undress?
00:18:15No.
00:18:16No.
00:18:17No.
00:18:18Just deal with it, Ellen.
00:18:22It's a small price to pay for an express ticket to CNN.
00:18:52Yeah, let me guess.
00:19:22I don't know.
00:19:52I don't know.
00:20:22I don't know.
00:20:52I don't know.
00:21:22I don't know.
00:21:23I don't know.
00:21:24I don't know.
00:21:25I don't know.
00:21:26I don't know.
00:21:27I don't know.
00:21:28I don't know.
00:21:29I don't know.
00:21:31I don't know.
00:21:32I don't know.
00:21:33I don't know.
00:21:34I don't know.
00:21:35I don't know.
00:21:36I don't know.
00:21:38I don't know.
00:21:39I don't know.
00:21:41I don't know.
00:21:42I don't know.
00:21:43I don't know.
00:21:44I don't know.
00:21:45I don't know.
00:21:46I don't know.
00:21:47I don't know.
00:21:48I don't know.
00:21:49I don't know.
00:21:50I don't know.
00:21:51I don't know.
00:21:52I don't know.
00:21:53I don't know.
00:21:54I don't know.
00:21:55I don't know.
00:21:56I don't know.
00:21:57I don't know.
00:21:58I don't know.
00:21:59I don't know.
00:22:00I don't know.
00:22:26Hello?
00:22:29I'm here for the interview.
00:22:53That dress is fabulous.
00:22:59I don't know.
00:23:00I don't know.
00:23:01I don't know.
00:23:02I don't know.
00:23:03I don't know.
00:23:04I don't know.
00:23:05I don't know.
00:23:06I don't know.
00:23:07You look beautiful.
00:23:08In it.
00:23:09I think I look like a fool.
00:23:12But the only one that fit me out of those ridiculous choices I was given.
00:23:18Your Mrs. Wallace is quite a spitfire.
00:23:19Mrs. Wallace.
00:23:20She's special.
00:23:21Please.
00:23:22Have a seat.
00:23:23You gotta say I'm happy to see it's really you.
00:23:24I can't remember the last time.
00:23:25someone said that to me.
00:23:26You gotta say I'm happy to see it's really you.
00:23:27I can't remember the last time someone said that to me.
00:23:28You gotta say I'm happy to see it's really you.
00:23:29I can't remember the last time someone said that to me.
00:23:30It's just that I was unsure if the offer to interview you was too late.
00:23:31I can't remember the last time someone said that to me.
00:23:32It's just that I was unsure if the offer to interview you was too late.
00:23:37You gotta say I'm happy to see it's really you.
00:23:50I can't remember the last time someone said that to me.
00:23:55It's just that I was unsure if the offer to interview you was genuine.
00:24:01I'm not famous.
00:24:04Not to the public, no.
00:24:07But to law enforcement agencies and reporters?
00:24:10You're Elvis.
00:24:13Once your story gets out you're gonna be headline news all over the world.
00:24:16And so will the investigative reporter who found me.
00:24:20Got my fingers crossed on that one.
00:24:23This is Ellen Weaver reporting for Ottumwa Iowa's leader in breaking news.
00:24:37Channel 4 Action News.
00:24:38Please excuse my attire.
00:24:40It will all be self-evident once you see the man I'm about to interview.
00:24:44He just made the FBI's top 10 most wanted list and his identity is shrouded in such mystery.
00:24:50He's only known to law enforcement agencies as the voyeur.
00:24:53Sir, thank you so much for allowing me to interview you.
00:25:00Thank you for allowing me to explain my work.
00:25:03I'd like to take this opportunity to clear up any misconceptions.
00:25:09I'll cut to the chase.
00:25:12Several law enforcement agencies all over the world have issued warrants for your arrest.
00:25:16They claim you've invested a fortune on what they describe as macabre experiments.
00:25:22That's true, in a way.
00:25:25I did inherit my family's fortune.
00:25:29Their wealth was vast.
00:25:33There's even a report stating you used that money to stage the filming of snuff films,
00:25:40where actresses were actually murdered.
00:25:43There were deaths involved.
00:25:47But I refuse to call my work something as loathsome as snuff films.
00:25:54They were true pieces of art.
00:25:59More than that, together they were the most honest expression of humanity that I've ever seen.
00:26:06And of nature, too.
00:26:17So you're confirming your involvement in these snuff films?
00:26:43Excuse me, um, performance pieces.
00:26:48Where actresses were actually murdered on film?
00:26:51There may be some that could see it that way.
00:26:54Look, I didn't come all this way and risk everything just for vague answers.
00:27:00But you said you wanted your story to be told, and I'm here to tell it.
00:27:04But I'm going to need straight answers.
00:27:06Oh, so you want to do surface reporting.
00:27:10That's not going to work.
00:27:12If you want someone to believe you, you have to dig deep.
00:27:15I have a question for you.
00:27:17That's not why I'm here.
00:27:19It came a long way to ask you questions.
00:27:22What do you want out of life?
00:27:24Happiness.
00:27:29Is that what I'm supposed to say?
00:27:31Sure.
00:27:32Doesn't everyone want happiness?
00:27:34I suppose so.
00:27:37Almost everyone.
00:27:39Let me guess.
00:27:40Everyone but you, right?
00:27:42What do you want?
00:27:44Truth.
00:27:45But there isn't much happiness in the truth.
00:27:50Okay.
00:27:51We can go down this road.
00:27:54Why not strive for happiness like the rest of us?
00:27:57Truth is cold.
00:28:03It's fear.
00:28:04Pain.
00:28:05Truth is knowing that we all are going to die someday.
00:28:09And that light at the end of the tunnel is not a gateway to heaven.
00:28:14It's an hallucination that is caused by a flood of endorphins created to help us give up the fight and to help us give in to the sweet good night.
00:28:36Truth is realizing that if God did exist, he would be ashamed of us for being a bunch of self-serving apes that only care about accumulating wealth.
00:28:51The fact of the matter is those young women that participated in our films, they experienced something that few of us ever will.
00:29:02They saw and they knew the truth to our existence.
00:29:08The real truth.
00:29:10Before they died, they were able to see the fury of nature itself.
00:29:19And because of that, they were edified to the fullest.
00:29:23But they had to die to receive that edification?
00:29:28How do you lure these actresses to your film shoots anyway?
00:29:36I'm assuming they're not made aware of the reality of the situation.
00:29:41Most of them wanted to be celebrities.
00:29:53Not really artist, if you know what I mean.
00:30:03I want to congratulate you all for being chosen for Terror Mountain.
00:30:06It is the ultimate horror reality TV show.
00:30:10And whoever wins the show gets the million dollars cash prize.
00:30:15There are cameras everywhere.
00:30:18And they're constantly rolling.
00:30:23There are cameras everywhere.
00:30:25And since they only wanted fame and fortune, it was easy to convince them.
00:30:55And since they only wanted fame and fortune, it was a very good thing to say.
00:31:25Greed and pride are deadly sins.
00:31:29So is murder.
00:31:31You mean wrath.
00:31:34And one day I will pay for my sins in the same way.
00:31:38The point is, we offered them money.
00:31:42We made sure they didn't have any fathers or husbands.
00:31:48It was easy.
00:31:52You mentioned fathers.
00:31:53Do you think your father turned you into the type of person who would do these things?
00:31:59Are you a reporter?
00:32:01Or are you a psychotherapist?
00:32:06Maybe a little of both.
00:32:08Tell me about your father.
00:32:10About his wealth.
00:32:12I will.
00:32:13But if we are going to get personal, I need you to tell me about yours first.
00:32:18I don't have one.
00:32:21Do you want to get personal with this interview?
00:32:24That's going to make your career?
00:32:26If you do, do it.
00:32:28Get personal.
00:32:30We all know that the subject of fathers can get complicated.
00:32:35When was the last time you saw your father?
00:32:37What was your strongest memory of it?
00:32:41When my parents divorced, I went from having a father to wanting one.
00:32:55Okay?
00:32:56I would wait every day for a phone call from him.
00:33:00His calls were so rare.
00:33:01It was like Christmas when he finally did bother to call.
00:33:03I grabbed that phone like I was opening a present.
00:33:08For a moment, I was happy.
00:33:13But then the disappointment set in because he would just complain about how my mom was the reason we were apart
00:33:19and how horrible she was buried little about me until...
00:33:25As time passed, the calls became less frequent until we finally stopped altogether.
00:33:29You heard he started a new family.
00:33:39How's that?
00:33:42Personal enough for you?
00:33:44Tell me about your father.
00:33:47He was always there.
00:33:50He showed me that most people are as worthless as cattle and could be treated as such.
00:33:57On the topic of fathers, you said you lauren actresses who don't have fathers or husbands.
00:34:08Hell, I'm not married and you knew I didn't have a father, didn't you?
00:34:13We were very thorough in our investigation of you before we offered the interview.
00:34:21When was the last time one of these films were made?
00:34:28There's no last time.
00:34:32In fact, we have a couple of aspiring actresses right now on the compound.
00:34:38Waiting to be stars.
00:34:42So you admit to these things?
00:34:47About a decade ago, I found myself in a prison cell.
00:34:52In some God-forsaken place in this world.
00:34:57And before I even knew what I was looking at,
00:35:01in a cell across from mine,
00:35:05I found it.
00:35:08Found what?
00:35:10It was just pacing in its cell.
00:35:13Back and forth.
00:35:15It didn't even understand why it wasn't allowed out.
00:35:19It was just pacing.
00:35:22Back and forth.
00:35:24And I watched.
00:35:25I was consumed by it.
00:35:27And its eyes were black.
00:35:31All black.
00:35:32Like a shark's.
00:35:33But I knew there was something else in these eyes.
00:35:37And so I just waited and I watched.
00:35:39And then I saw it.
00:35:42It was the truth.
00:35:44There is no lying in these eyes.
00:35:47It simply was.
00:35:52Like a storm.
00:35:56And suddenly everything in my life made sense.
00:36:01And I was able at that moment to start seeing
00:36:06the truth in our existence.
00:36:12And of what we are.
00:36:14You keep saying it.
00:36:18Are you referring to a creature or a man?
00:36:21It was just a force of nature.
00:36:24Still is.
00:36:25I used to be afraid of death.
00:36:26But now, with havoc,
00:36:29I control death.
00:36:31I am its master.
00:36:42Like Beethoven was able to create such works
00:37:01with great beauty,
00:37:03havoc can destroy with the same finesse.
00:37:11Havoc?
00:37:11Are you being poetic?
00:37:15Or is that the prisoner's name?
00:37:17No, that's just what the guards
00:37:19here at the compound call it.
00:37:22It's prisoner number AYO-886.
00:37:26I don't know anything more than that.
00:37:28All I knew was that I needed to set him free.
00:37:32So as soon as my lawyer got me out of prison,
00:37:35I went right back,
00:37:37bribed the warden to release
00:37:39prisoner number AYO-886.
00:37:41into my custody.
00:37:47And?
00:37:48And havoc came with me.
00:37:51And he has escaped from me
00:37:53from time to time.
00:37:54No!
00:38:03No!
00:38:03As of now, and over the last several years, he's been under my care.
00:38:33Does Havoc star in your snuff films?
00:38:38Oh, there you go. With the same slip of the tongue. I'm starting to take offense.
00:38:44No offense intended.
00:38:46It's my life work.
00:38:52To answer your question, Havoc is the star of my films.
00:38:59Is he the executioner?
00:39:03Does he kill the actresses?
00:39:07Havoc kills anything in its path.
00:39:14I carry a gun. I sleep with one under my pillow at night, just in case.
00:39:21I think I have everything I need. Thank you so much. I should be going.
00:39:31Wait, wait, wait, wait. We have so much more to talk about.
00:39:35I think I have everything. Thank you so much.
00:39:39You don't even know my deepest, darkest secret.
00:39:46And what is that?
00:39:48I should warn you.
00:39:52A storm is coming.
00:39:54I have looked at you.
00:39:55I just went in.
00:39:56I have to say thank you so much, Havoc.
00:39:59I can't remember your answers.
00:40:00I can't remember your answers.
00:40:01I was waiting for a day.
00:40:02But to answer...
00:40:03Go ahead.
00:40:04What did you say?
00:40:05You know what?
00:40:06I don't know if I died yet.
00:40:07Shhh.
00:41:08Where is this girl?
00:41:19Who the hell are you?
00:41:26This is a private compound. Do you have a search warrant?
00:41:29One last time. Where is this girl?
00:41:35Who the hell are you?
00:42:05Oh my God!
00:42:30Oh my God!
00:42:35Help me!
00:42:39Oh my God!
00:42:41No!
00:43:11Oh my God!
00:43:41No!
00:43:42Wait!
00:43:43No, don't touch her!
00:43:45No, no, no, no, please don't touch her.
00:44:10Oh, no!
00:44:13Oh, no!
00:44:40Oh, no!
00:45:11Help me.
00:45:15Get away.
00:45:16Get away from me!
00:45:40Oh, no!
00:45:43Oh, no!
00:45:50Oh, no!
00:46:10Oh, no!
00:46:12Oh.
00:46:13Oh.
00:46:14Oh.
00:46:18Oh.
00:46:19Oh.
00:46:23Oh.
00:46:26Oh.
00:46:27Oh.
00:46:30Oh.
00:46:31Oh!
00:46:37Oh.
00:46:38Oh.
00:46:40Oh, no.
00:47:10Oh, no.
00:47:40Oh, no.
00:48:10Oh, no.
00:48:40Oh, my God.
00:48:43Oh, my God, you're a cop.
00:48:45Oh, my God.
00:48:46Thank God.
00:48:48Thank God.
00:48:48I thought you were one of them.
00:48:51Have you seen this girl?
00:48:53Do you have any other police with you?
00:48:55Any other backup?
00:48:56This girl?
00:48:57Have you seen her?
00:48:57Have you seen her?
00:49:01What?
00:49:03Um...
00:49:03No.
00:49:07No, I haven't seen anyone like that.
00:49:10Officer, can you call and back up?
00:49:15Hello?
00:49:15Oh, are you listening to what I am saying?
00:49:18There are multiple crimes happening here, okay?
00:49:22Murder!
00:49:26Okay.
00:49:27Tell me what you know.
00:49:28I was brought here to interview a man accused of murder, okay?
00:49:35He lures people in by telling them they're going to be on a TV show.
00:49:38In reality, they're...
00:49:39They're snuff films.
00:49:42He really kills the actors.
00:49:46Actors?
00:49:46She's an actress.
00:49:57This man has a killer here, okay?
00:50:01Something like you have never seen.
00:50:04They call him havoc.
00:50:06Keep talking until I understand.
00:50:09I'll tell you everything you need to know, but not here.
00:50:11Okay, because if you don't have, like, a SWAT team or something with you,
00:50:15they're going to kill us both.
00:50:16Can you drive a motorcycle?
00:50:21No.
00:50:25Come with me.
00:50:46You're going to kill me.
00:50:47You're going to kill me.
00:50:48You're going to kill me.
00:50:49You're going to kill me.
00:50:49You're going to kill me.
00:50:50You're going to kill me.
00:50:50You're going to kill me.
00:50:51You're going to kill me.
00:50:51You're going to kill me.
00:50:52You're going to kill me.
00:50:52You're going to kill me.
00:50:53You're going to kill me.
00:50:53You're going to kill me.
00:50:54You're going to kill me.
00:50:54You're going to kill me.
00:50:55You're going to kill me.
00:50:55You're going to kill me.
00:50:55You're going to kill me.
00:50:56You're going to kill me.
00:50:56You're going to kill me.
00:50:57You're going to kill me.
00:50:57You're going to kill me.
00:50:59You're going to kill me.
00:51:00You're going to kill me.
00:52:00Take my car and...
00:52:01Whoa, whoa, whoa. You're not gonna come with me?
00:52:03I can't.
00:52:04When you're in phone reception, call 911.
00:52:06You want me to go by myself?
00:52:10Tell them there's a detective on site.
00:52:13Give them my badge number.
00:52:14Okay, but wait. Why don't you just come with me?
00:52:17I can't leave.
00:52:18Oh, wait, wait, wait.
00:52:21Wait.
00:52:22Because of the girl in the picture?
00:52:24Yes.
00:52:25I told you, I don't even think I saw her.
00:52:29Based on what I observed, she's most likely here.
00:52:33Okay, but you realize if she is here, she's being guarded by those men and their machine guns, right?
00:52:38I mean, you're willing to be killed for her?
00:52:40Yes.
00:52:41And I'd kill the whole world to save her.
00:52:45What kind of a cop are you?
00:52:47Oh, is she your kid or something?
00:52:49Oh, is she your kid or something?
00:53:19Hey.
00:53:31Hey.
00:53:33Is that your car?
00:53:35Yeah.
00:53:36Okay.
00:53:40Okay, so when they leave, we run over there and then drive the hell out of here, right?
00:53:45Only you.
00:53:49I don't know.
00:54:19Goddammit, what are they doing?
00:54:43Waiting to see who comes back for the car?
00:54:46Probably.
00:54:49Hey, look, uh, I'm sorry I gave you a hard time earlier, okay?
00:55:03I understand she's your daughter.
00:55:05She's really lucky to have a policeman for her father.
00:55:09She never thought so.
00:55:12When was the last time you saw her?
00:55:16It's been over ten years.
00:55:17I haven't even spoken to her.
00:55:26How do you suspect she's even here?
00:55:29My ex-wife reported her missing.
00:55:32I'm a detective.
00:55:34All clues point to here.
00:55:37Well, I hope you find her.
00:55:39She'll be so happy to see you.
00:55:40She hasn't been happy to see me since she was eight.
00:55:49Trust me.
00:55:51If she's in this nightmare, no matter what has happened in your past,
00:55:55she'll be happy to see you.
00:55:57She's probably forgotten me by now.
00:56:13You don't happen to have two spare tires, do you?
00:56:15You don't happen to have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do you have two spare tires, do
00:56:45Somebody help me!
00:57:15Somebody help me!
00:57:17Please!
00:57:19Stop it!
00:57:21Help!
00:57:23Please!
00:57:25Stop touching me!
00:57:29Don't do this!
00:57:31I can't do it anymore!
00:57:45Help!
00:57:47Help!
00:57:49Help!
00:57:51Help!
00:57:53Help!
00:57:55Help!
00:57:57Help!
00:57:59Help!
00:58:01Help!
00:58:03Help!
00:58:05Help!
00:58:07Help!
00:58:09Help!
00:58:11Help!
00:58:13Help!
00:58:15Cameraman
00:58:37Responding to shots fired
00:59:03Go go
00:59:04I'm going to kill you
00:59:34Oh, my God.
01:00:04Oh, my God.
01:00:34Oh, my God.
01:01:04Oh, my God.
01:01:34Oh, my God.
01:02:04Oh, my God.
01:02:34Oh, my God.
01:03:04Oh, my God.
01:03:34Oh, my God.
01:04:04Oh, my God.
01:04:34Oh, my God.
01:05:04Oh, my God.
01:05:34Oh, my God.
01:06:04Oh, my God.
01:06:34Oh, my God.
01:07:04Oh, my God.
01:07:34Oh, my God.
01:08:04Oh, my God.
01:08:34Hey, hey.
01:09:04Oh, my God.
01:09:34Oh, my God.
01:10:04Oh, my God.
01:10:34Oh, my God.
01:11:04Oh, my God.
01:11:34Oh, my God.
01:12:04Oh, my God.
01:12:34Oh, my God.
01:13:04Oh, my God.
01:13:34Oh, my God.
01:14:04Oh, my God.
01:14:34Oh, my God.
01:15:04Oh, my God.
01:15:34Oh, my God.
01:16:04Oh, my God.
01:16:34Oh, my God.
01:17:04Oh, my God.
01:17:34Oh, my God.
01:18:04Oh, my God.
01:18:34Oh, my God.
01:19:04Oh, my God.
01:19:34Oh, my God.
01:20:04Oh, my God.
01:20:34Oh, my God.
01:21:04Oh, my God.
01:21:34Oh, my God.
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