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FunTranscript
00:00Music
00:04Music
00:06Music
00:10Music
00:12Music
00:22Music
00:26I just want to say how sorry I am.
00:46Our children should never die before us.
00:50Precious.
00:53Precious gifts we are given.
00:56Precious gifts we are given.
01:04This is a different level.
01:05Okay, it's a list. It's just a list.
01:07She's made up an incident board.
01:10How can I go away now?
01:12But the kids will be back soon.
01:13We've got to get all our stuff back to the vich.
01:14She's just being obsessive.
01:17Okay, you know what she's like.
01:18Trust me, this is not her having one of her full-blown meltdowns, all right?
01:21That your medical opinion, is it?
01:23Well, thankfully, we're not relying on my medical opinion, are we?
01:26Anyway, Sam's getting a cab that's been booked by Sharon's going to see this ex-con mate of hers.
01:31Door.
01:31So what if this door knows where Chrissie's hiding out and you need to get all the details?
01:35I feel like I'm chasing shadows.
01:36Well, that is the nature of criminal investigations.
01:40We need to work as a team.
01:41Because I can't have you having another phone call with Zoe crying down the phone from a prison cell like last night, can I?
01:49No, I cannot.
01:50We must crack the case.
01:51Get your daughter out, regardless of what I might think about her, and find the real pup.
01:55Well, that's American for perpetrator.
01:57You follow up leads.
01:59Right, Jean, have you remembered that you've got your...
02:01Yes, yes.
02:02Psychiatrist appointment, I know, blah, blah, blah, blah, blah, blah, blah, blah, but there is still plenty of time to follow up a new line of investigation because I've set an alarm on my phone.
02:09So, Moon, are you coming or not?
02:16It's a minefield.
02:18I can't say that.
02:19I've got my head round even half of it yet myself.
02:24I...
02:25You heard them, didn't you?
02:27Nigel's social services assessment said that this is just the first step.
02:31I said that I don't hear them.
02:32Yeah, but it's not about the money, Phil.
02:34I mean, I'm just saying that this is going to be a long, hard process, and I need to warn you about that.
02:40Hmm.
02:41This Abbott Springs, it seems all right, doesn't it?
02:45First appropriate care home.
02:47Well, a visit, you know, doesn't commence to anything, does it?
02:49No, exactly.
02:50And it could take months, couldn't it, for us to find somewhere that meets Nigel's needs and has a space available?
02:58But listen, you and me, we need to be on the same page about this, Phil, because I will not say yes to anywhere that isn't absolutely perfect for him.
03:07But listen, Julie, I know, all right, and...
03:10But just remember, you know, this is, uh, this is what Nigel wants.
03:16Yeah.
03:19Yeah.
03:22Right.
03:22Nigel, sweetheart, come on down.
03:24Put your cord on.
03:25We're going to be leaving in a minute.
03:26I'm just saying, I can sit in with you if you want.
03:31You know, for Jimmy's meeting, with his specialist.
03:34I can learn how to step up and all that.
03:36Cute.
03:37You giving your rage and charm the day off, or are you just run out of women to target this afternoon?
03:41But you can't just switch family on when you're bored, Dad.
03:45Great.
03:47I don't know all that.
03:53How you doing, son?
03:54You all right?
03:54You fancy, uh...
03:55Stop there.
03:56I'm, uh, doing that old-fashioned earning cash thing, covering for Peter.
04:01Love you.
04:01Fancy a pint later.
04:03That's a nice idea, but, uh...
04:05I've got to be honest.
04:07You asked Lauren to play first.
04:09Just so.
04:09Second choice?
04:11No, it's not like that at all.
04:12Did I...
04:13Yes, love?
04:17According to Sharon, this door and Chrissy were really tight, so, you know, there's no guarantee
04:22she's even going to talk to us, huh?
04:24That's where my powers of persuasion come in.
04:27If I think she knows anything, I ain't going anywhere.
04:32Oh.
04:34Oh.
04:36What, Jean, you still at it?
04:39There are six steps to processing a crime to see now, because I read it on the internet.
04:49You secure the scene, separate the witnesses, scan the scene, sketch the scene, and two more,
04:58I can't remember.
04:59Darling, the police have done all this.
05:01Yes, I've got the wrong person, right?
05:03Unless you think so, who killed Anthony.
05:06Right, so, let me concentrate.
05:10And don't darling me, because I do like you, but you're not really my type.
05:15Well, did you know, it's common knowledge among investigators, that, um, more often than not,
05:20the criminal returns to the scene of the crime.
05:22Well, it's in all the detective novels, just can't help themselves.
05:30Someone could be in there right now, with motive, means, opportunity, outfit.
05:39Well, what they've got to do, is catch them.
05:53Right, thank you.
05:57We probably need to go outside and come back in again.
05:59Oh, no, no, Jean, Jean, please, sweetheart.
06:01Just, uh, tell you what, just hold that thought, yeah,
06:03because I'm going to go and put the heat on on upstairs,
06:05and you stay where you are, I'll be back in, uh, just a couple of minutes.
06:10Draw, draw a picture.
06:11Oh, and keep your eye out for the perps, in case they return, okay.
06:16So, I won't be long.
06:17Help me, then, Tommy!
06:44You've got two hands, that's very, your dad's a carrot thing you could, grab that bag.
06:48Well, what are you, my mum?
06:50I'm not even moving, I'm helping you lot out.
06:52Come on, boys.
06:56Put your hand out of your fire.
07:01Tommy, if you don't have a fuck that you stay, I swear, I'm telling you,
07:04I'm going to keep on that fire project.
07:10And our layout is specifically designed for people with dementia.
07:14Oh, that's good to see.
07:15Yeah.
07:16So, how many residents, do you think?
07:17I would say capacity 60.
07:19Oh, okay.
07:20Um, but they're free to roam around, they can go into the garden.
07:23If they want to, our gardens are absolutely beautiful.
07:25I'm going to see something like that.
07:27Seven and one.
07:29Seven, two, one.
07:32Bingo!
07:32We have a quiet area, too.
07:38If that's more your mood, come, let me show you.
07:41Through here.
07:42Let me show you the arts and crafts, look.
07:48Oh.
07:49Look, this is quite nice, isn't it, sweetheart?
07:57Lot to take in for everyone.
07:58Yeah.
08:00We could certainly do with a bit more investment,
08:03although that doesn't mean we can't make it feel like home.
08:07Music group, gardening club, volunteering, if that's more your thing.
08:12And our resident cat, Polly, always needs a stroke.
08:18Oh, Nigel loves animals.
08:20You love animals, do you, sweetheart?
08:25It is a big decision.
08:28Why don't we see if Nigel wants to find something interesting to do,
08:32and I'll put the kettle on.
08:33Yeah.
08:35Yeah.
08:35Okay, thank you.
08:37Yeah, this way.
08:42I was reminding Patrick of the nice times we've had here.
08:54At our local.
08:57We have many friends here.
09:01I don't generally approve of daytime drinking, but...
09:04I know.
09:05Listen, grief can be very wearing.
09:09Anthony was still a young man.
09:11I know.
09:14Listen, if Patrick fancies something different,
09:17this might be of interest.
09:20See you later.
09:28Hey, listen, you seen Jean at all?
09:30No.
09:31Oh.
09:33Nowhere.
09:34Disappeared without a trace.
09:36Trace.
09:36Good heart.
09:38I know I'm going to tell Cat.
09:38It's easier keeping tabs on our own kids.
09:41Dr.
09:41Come on.
09:42Shh.
09:43Tim, thank God.
09:44Where have you been?
09:45I'm giving a low profile.
09:46What?
09:51I know.
09:52I don't know.
09:53You know what?
09:54I know who did it.
09:55Oh, it's gone.
09:56Moon.
09:57Hurry up.
10:00Cheers.
10:01Look, the launderette is mine.
10:04No interference.
10:05That's what we said.
10:06Yep.
10:06Yep.
10:07100% absolutely.
10:08I am just a silent partner.
10:10Well, apart from a little appendix here.
10:13Right, I've dated it already, but if you were to sign both copies.
10:18Oh, no.
10:18First of all, the business.
10:19Don't sign anything.
10:20You ain't read yet.
10:21Mum, it's a family business.
10:23Warford is a house for the taking.
10:25Well, not according to this, it ain't.
10:28Sorry, what?
10:30Elaine, in print.
10:32What's your bad mouth in my breakfast?
10:35Just answer the question.
10:37What's she picking on me for?
10:38Jean, Jaz, I'm sorry.
10:40No, there's no need to apologise.
10:42Do not respond.
10:43She?
10:44She is playing us off against each other.
10:46Classic tactic.
10:47You are?
10:47Yes.
10:48Because where were you on the night in question?
10:51That was it.
10:54Having a walk.
10:56Do we really think that that is a watertight alibi?
10:59Coming from someone who has a permanent stock of fake blood,
11:04starts fires, posts nasty reviews online, blames me for it.
11:07Do you really think this is OK?
11:09Her trying to follow me into the bogs and listen in on my private conversation?
11:12Aha!
11:12She admits it.
11:13A private conversation in a toilet.
11:15You were whispering, weren't you?
11:17I guess.
11:18Yes.
11:19Whispering.
11:20And sounding very upset.
11:22One might say guilty.
11:24Who are you talking to, Jasmine?
11:32Have you got an accomplice?
11:34Jess?
11:40What have you got to feel so guilty about, Jasmine?
11:44Hmm?
11:44Because you do feel guilty, don't you?
11:48Yes.
11:53I wasn't talking to anyone.
11:55OK, I was leaving a message.
11:57It was for Oscar.
11:59It's to Oscar, OK?
12:00He's airing me.
12:01I opened up to him not long a while back
12:04and I haven't heard anything from him since
12:06and I feel really guilty, actually,
12:07for even thinking about him knowing Zoe's banged up.
12:09Is she going to be like this the whole time, Alfie?
12:11Do we believe her, though, Alfie?
12:13Do we?
12:13You know what?
12:14I can find other places to care.
12:15No, no, no.
12:16Jess, hold on.
12:17Just...
12:18Why don't you go over and bring the rest of your staff back here?
12:20Go on.
12:21Go on.
12:22We've got an appointment.
12:29Yeah.
12:36Can I give you some of these for a decent breakfast?
12:39Thank you, Dick.
12:39Here, have a couple of those.
12:41Yeah, I'll have those.
12:42Life-changing breakfast.
12:44Sir, I'll have that.
12:45You're welcome.
12:47Elaine, I'm asking you as a friend,
12:49please take that down.
12:51This is not about friendship, darling.
12:52It's about business.
12:54And I'm sorry, but your cost-of-living crisis
12:56shows in your breakfast.
12:57You take that back.
12:59I'm not the only one who's noticed
13:00two dried rashers and an overcooked egg.
13:03You won't get that at my place.
13:04Oh, come on in, let's go.
13:05It's not worth it.
13:06No, no, no, no, no, no, no, no, no.
13:07I am not having this.
13:08The minute the council gets wind of this,
13:09you can't go making defamatory price statements.
13:12I can if it's true.
13:14Well, we'll see about that, shall we?
13:16I mean, if you are serving breakfast
13:17to more than your B&B guests,
13:19then you need a whole new set
13:21of hygiene certificates.
13:23Yes, insurance and an amended business licence.
13:26You don't catch me out.
13:30If you want to fight,
13:31a fight you've got, Elaine Peacock.
13:34Well, let's see whose breakfast wins.
13:36There you go.
13:41Have you seen your nan?
13:48She knows how to draw a crowd, doesn't she?
13:50Wedding or funeral?
13:52Oh, no, no, job hunt.
13:55I'm serious.
13:56I put down some roots
13:59and step up for my kids.
14:02Actions are going to speak louder than words,
14:03aren't they?
14:05See you later.
14:08Hello, Mother.
14:09Hello, darling.
14:12Come in.
14:14Hi.
14:15Hi.
14:17Please, sir, take a seat.
14:18Oh, love you.
14:19Thanks for seeing us, Doc.
14:20I mean, to be honest,
14:21I think it's going to take longer than an hour,
14:23you know?
14:23OK.
14:28Mrs Slater,
14:30you've, um,
14:31had a referral.
14:33So, uh, to begin,
14:34can I ask,
14:36are you currently taking your normal medication?
14:38Yes, she is.
14:40And, um,
14:42how are you feeling in yourself, Gene?
14:43Well, to be honest with you, Doc,
14:44it has been a difficult time
14:46for all of us.
14:48Um,
14:50you know,
14:50you probably heard about
14:51the tragic incident
14:52we had over at Al's
14:53and my wife's daughter
14:55being wrongly accused.
14:57And it really has messed up our kids.
14:59And at the moment,
15:00I'm just sleeping with one eye open
15:01and I've not had a,
15:03I've not had a proper kip
15:04since all this happened.
15:05Oh, let's talk about you, Alfie, shall we?
15:06I'm just filling him in.
15:08Well, none of it is relevant.
15:09None of this is relevant.
15:10I've cracked the case.
15:13Gene, darling.
15:13Call me darling again
15:14and I will smash your face in.
15:15OK.
15:16Right, Gene,
15:17you can't go around accusing
15:18anybody on the basis
15:20of a girl in the toilet
15:21speaking to her boyfriend
15:23while she's whispering.
15:24Tell me this.
15:24You tell me this.
15:26Is it normal
15:27for a young girl
15:28to deliberately hide
15:30her own identity?
15:31To secretly terrorise
15:33her own family
15:34for months?
15:35Is it?
15:36No,
15:37it is not.
15:38OK.
15:39And are you
15:39prident of this person?
15:41And since this person
15:42arrived on the square,
15:43her father has died
15:44and her mother's in prison.
15:45Would you just
15:46shrug your shoulders?
15:48Would you ignore
15:49all the facts?
15:50What facts?
15:51What bit of that
15:51isn't fact?
15:53Would you make out
15:54that it's all a coincidence,
15:55make out that I'm the one
15:56that's going do-lally tap?
15:58Are you frightened
15:59of this person?
16:00No.
16:00I am not scared.
16:01I am very,
16:02very cross
16:03because I'm being ignored
16:05and dismissed.
16:06And while most women
16:07over 50
16:08get quite used to that,
16:09it is not at all convenient
16:10because we need
16:10to tell the police
16:11because what if
16:12said person
16:13is on a killing spree?
16:14Oh,
16:15you don't know that.
16:17Neither does he.
16:17It can happen once,
16:19it can happen again, Alfie.
16:20And everything
16:21that I have just said
16:22is the truth, isn't it?
16:23No buts.
16:24No buts.
16:24Right.
16:25Right!
16:26So what are we
16:27going to do about it?
16:28That is the question.
16:31And I will tell you.
16:33First step.
16:35You need to come
16:36and see my crime war
16:37because I'm really
16:37quite good.
16:39Then the police.
16:41Then,
16:42well,
16:43I expect they'll have
16:43to take me on
16:44as an expert advisor
16:45seeing as I've been...
16:45Oh.
16:50Oh.
16:52Oh,
16:52that's why.
16:54Who's his mouth?
16:55I mean,
16:56I...
16:57Oh, my good grief.
16:58It's like I've got
16:59direct word
17:00from Agatha.
17:04Herself.
17:05Like,
17:05I'm channeling
17:06Miss Marple.
17:07I didn't ask for it.
17:12Just happened.
17:13Just like a gift
17:14from God
17:15or the hiccups.
17:17Absolute sense.
17:19Miss Marple,
17:192020.
17:20What's it?
17:21OK.
17:23I, um...
17:25I think you might
17:26be a bit high
17:27in your mood.
17:28Perhaps we need
17:29to look at
17:29what we can do
17:30with your medication
17:31to get you
17:32more stable.
17:33I could prescribe
17:34clenazepam
17:35to help you sleep,
17:36damp down your mood a bit.
17:37Yeah, yeah.
17:38Yeah, yeah, yeah,
17:39that's good.
17:40I mean,
17:40Gina can't hurt.
17:41I couldn't care less
17:42whether you believe me
17:43or not.
17:44You write out
17:45whatever you want
17:46because I have got
17:47to get to the library
17:47before it shuts.
17:48Yes.
17:49I understand
18:13that it can feel
18:14like you're letting
18:14your loved one down,
18:16but making the decision
18:17that now is the right time
18:18for residential care.
18:19It's not unusual
18:20to feel guilty
18:21or like you're losing
18:23the final part of them.
18:26But we would make
18:27a personalised care plan
18:28based on Nigel's needs,
18:31his likes,
18:32his dislikes.
18:33We try to keep
18:34open visiting hours
18:35and we would welcome
18:37your involvement.
18:38OK.
18:40Well, you certainly
18:41seem to be
18:42ticking
18:43off the dementia checklist.
18:45We do our best.
18:48Our CQC rating
18:50this summer
18:51was outstanding.
18:53We do have a space.
18:56However,
18:57we do have three
18:58other prospective residents
19:00and their families
19:01all visiting us
19:02at different points
19:03this afternoon.
19:05Why don't you take
19:06a moment to discuss?
19:08Coming!
19:10Obviously,
19:11Nigel has first refusal,
19:12but we would need
19:14to know quickly
19:14if you'd like
19:15Nigel to join us.
19:16How quickly?
19:18Within the next 24 hours?
19:28Jasmine!
19:29Ain't that poor girl
19:30been through enough?
19:32Now, Jean,
19:32it's too much for you
19:33to look after on your own.
19:34Plus the kids.
19:35Listen, I'll cancel the ticket.
19:36I was just getting caught up
19:37with everything.
19:37Because this door's
19:38100%, though, right?
19:39It's Corfu,
19:40the Sagari Beach Hotel,
19:42but I don't know
19:42Chrissie's room number.
19:43Okay, so don't worry
19:44about that for now.
19:45Just, okay.
19:47You're not going to be
19:48away for long, are you?
19:48No.
19:49It's just going to be
19:49a few days max, right?
19:51It's going to give you
19:52a chance to track
19:53Chrissie down.
19:54Yeah.
19:54We'll find the key
19:55to proving Zoe's innocence.
19:56Right now, I can manage.
19:57We can manage.
19:59Now, Eve's practically
19:59at 31 every five minutes
20:01babysitting Charlie.
20:02And as for Jean,
20:03well, she kind of agrees
20:04with the psychiatrist,
20:05so we've got that
20:06prescription in the back pocket.
20:07But what if she don't
20:08take it?
20:08Okay.
20:09I don't know.
20:10Let's worry about that
20:10when we come to her, okay?
20:11But listen to me.
20:13You really need to do this.
20:15Yeah?
20:16Okay.
20:17So come on,
20:17let's go and pack your bag.
20:18Now, as for Jean's
20:19investigations,
20:20well, I don't know,
20:21as long as she's got
20:21a cup of tea,
20:22a load of biscuits
20:22and a bad catalogue
20:23of Agatha Christie's
20:25to investigate,
20:25then I remember
20:26going to be okay.
20:28And I reckon
20:29you are brilliant.
20:30Yeah, well, I love you.
20:31I love you.
20:32I love you.
20:32I love you.
20:33I love you.
20:34I love you.
20:34I can't do this.
21:02I don't think
21:05it's bad enough.
21:06Not now, not yet.
21:08Nigel ain't ready for this.
21:09You know, a load of
21:10old geriatrics.
21:10And I ain't.
21:11I'm not being strong-armed.
21:13She's not trying
21:14to force our hand, Phil.
21:16She's just telling it
21:17like it is.
21:18You know,
21:22they've got limited beds here.
21:25They're in really high demand
21:26and it's competitive
21:27and I can see why.
21:28They get dementia patients,
21:29they understand them.
21:30You want to take the place
21:31you think we should take it?
21:32What, right now?
21:32Well, how long
21:34are we going to have to wait
21:35for the next one?
21:35Nigel's had no proper warning,
21:37has he?
21:37He's had no build-up to this.
21:38No, Phil.
21:42You're talking about us.
21:43It doesn't matter
21:54how many conversations
21:56Nigel has,
21:57how hard we try
21:58to prepare him,
22:00he's not going to remember.
22:03He will still be
22:05as upset and confused.
22:09So what,
22:10we're just packing bags
22:11and bringing him here anyway,
22:12you know,
22:13and we'll dump him off
22:14by the end of the day.
22:15We don't dump him.
22:19I'd never dump him.
22:24I hate this.
22:27I hate this.
22:33It wasn't you,
22:34Nigel,
22:35it.
22:35I hate this.
22:43Okay.
22:46Okay.
22:47Right, give me the bag.
22:52Put it down, okay?
22:53Right, listen, guys,
22:54I need you to come away.
22:55Your mum's leaving,
22:56so we need to say goodbye to her.
23:00Okay, right.
23:01The first one who waves like they mean,
23:03it gets the game console tonight,
23:04okay?
23:04There we go.
23:05That's it.
23:06I love you.
23:09I'll see you soon, yeah?
23:10Mwah.
23:12Right, are you sure about this?
23:14I really don't think you should go.
23:16What, just because Sharon's mate
23:18has got you some hotel name,
23:19it doesn't mean that she's got it right.
23:21Corfu is not exactly a small island cat, okay?
23:22I know,
23:23and I'm probably wasting my time,
23:24but we have to find Chrissie,
23:25don't we?
23:27Jasmine, listen,
23:28I get it, all right?
23:28I know Jane's freaking you out,
23:30but as extreme as she gets,
23:32she's,
23:33she's our miss,
23:34all right?
23:35She's a kind person.
23:36She would never hurt you,
23:37okay, darling?
23:38I promise.
23:41I'll see you soon, all right?
23:42Mm-hmm.
23:52I'll see you soon, all right?
24:22I'll see you soon, sweetheart.
24:23I'm here.
24:32Um...
24:33I don't, I don't know,
24:37uh, we need to, um,
24:39no.
24:44India.
24:46India.
24:48India.
24:49I thought you were doing some art, sweetheart.
24:50No!
24:52No, this isn't right.
25:00No.
25:01I'm, uh...
25:04That's the face of a man at the window.
25:07I, uh, I don't know.
25:10I can't, uh, I, I, I don't know.
25:12I don't know.
25:14Nigel, please, it's good to be...
25:15No!
25:16No.
25:18Nigel.
25:20Nigel.
25:21No.
25:22Nigel, Nigel.
25:24I can't find the...
25:26I, I've lost the...
25:29I don't know where...
25:32I don't know where the time is.
25:37Sweetheart.
25:38I'm sorry.
25:39I'm sorry.
25:39I'm sorry.
25:40It's all right, mate.
25:41It's all right.
25:42Sorry.
25:42It's all right, mate.
25:43It's all right, mate.
25:45Somne, go home, mate.
25:50Somne, go home.
25:51No.
25:52Come.
25:54Somne, go home.
25:57Because I have been working so hard.
25:59You!
26:01You are the last chance.
26:02It's all right. Patrick is sleeping.
26:04The doctor asked if I was scared and I lied.
26:06I said no, I meant yes.
26:07I think I am a bit, well, more than a bit.
26:10OK.
26:10Why is nobody listening?
26:12There is a murderer outside.
26:14Jane, please.
26:15Because I had the nagging feeling again, you know, on and on and on and on.
26:18And then it said it, clear as day, it says it.
26:22The wicked should not go unpunished.
26:24It's a message. It is a message.
26:26This is a good book. It's a good book.
26:28It says it.
26:28Shall I call Cat for you?
26:30All of them. And Stacey.
26:32I don't even know where Sean is.
26:33And now Cat, that is my point.
26:36Jasmine. Jasmine has driven her away.
26:38And now she's putting her pieces in place, lining up her next target.
26:41No, no, no, no.
26:42You have got to see.
26:44You have got to help me.
26:46My last chance, because I don't do evil.
26:49I haven't got the first clue.
26:50But you, you know.
26:51You, ask, please.
26:53Because we need, we're going to need an intervention.
26:55Direct action.
26:56Jasmine, it is Jasmine.
26:58She is the wicked.
27:00She is the one that must be punished.
27:01Enough!
27:05She's got to you.
27:07Okay.
27:09Okay.
27:12Okay.
27:17Didn't mean a word.
27:18Thank you very much.
27:24Don't tell anyone I was here.
27:29Miss Marple does not have a helper.
27:32I was sought this myself.
27:34What do you mean by that?
27:35Good and evil.
27:36Right and wrong.
27:37Evil never wins.
27:39Not in the end.
27:40What do you mean by that?
28:08Okay.
28:09Oh, my God.
28:39Oh, my God.
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