Sean Combs- The Reckoning - Season 1 Episode 02- What Goes Down Must Come Up
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10:14If you look at Bad Boy, Bad Boy didn't sell enough records to explain his wealth.
10:21But enough artists were on the label that sold enough records to explain his wealth.
10:29Sean's trick was, I'm going to make you a star.
10:32You sign, follow the money.
10:34That's what you're going to try to do as hard as you can.
10:36You're going to try your best.
10:38And we know you're going to try your best.
10:40So you sign your deal, we gave you your advance.
10:42At Uptown, that's the only money the artists have ever seen at first advance.
10:46Andre had to wait it.
10:47He never saw anything else.
10:48Did he pick that up?
10:50He made it even tighter.
10:52Don't leave the girl around me, true player for real.
10:55That's tough, Bad D.
10:56It's a shell game.
10:58You hide everything that is an earning.
11:01You confuse the earnings.
11:03And now I own everything.
11:05You'll go out into the world.
11:06In the shell game, you'll be looking for your money for the next 20 years.
11:10Sean did that to every artist.
11:12You're in the studio.
11:15Now you have to recoup for being in the studio.
11:18Puff owns the studio.
11:21And I have four sessions with you, only $400,000.
11:25If Puff records a song with his artist, he pays himself.
11:31If he's in your video, he pays himself.
11:34He insert himself into their videos.
11:37A video come on, you're like, I fucking hate that guy.
11:40As an artist, you can go number one.
11:42Song is being played all over the nation.
11:45But you don't have the money to go to it because you're not making the proper money off of your royalties.
11:51Craig and I hit a point where we were fucked up.
11:57No money, nothing.
11:58Hell, I was getting money from my father to take care of the house.
12:03We were all at, like, somebody's album release party, and Craig's gonna tell Puff to give him a few dollars, and he'll hit him back once he went and did this show.
12:14He literally went in his pocket and pulled out a knot of money this big and gave him $100 bill.
12:24You really just don't give a fuck.
12:29I think Sean had an envy for his own artists.
12:36He was jealous of their talent and wondering, like, this talent is wasted on people who don't even really know what to do.
12:43And if I had that talent in my know-how, wow.
12:46That's interesting because a lot of people Puffy's age want to grab this mic and rap, but Puffy, you wanted to do other things, and you're doing a lot of them.
12:55Can you talk about his skills as a rapper?
12:57Sucks.
12:58He has zero talent musically.
13:00He don't know how to discuss it.
13:01He don't know nothing about R&B.
13:02He don't know none of that stuff.
13:03He used to ask me to always be there in the sessions because I would tell the truth.
13:08I'd be like, that's not it.
13:10People would be there like, yeah, that was tight.
13:11That was tight.
13:12I'd be like, look, yo, for real, you got a lot of people who just tell you anything.
13:16That sucked.
13:18It doesn't sound good, and it makes no sense.
13:22But he always wanted to be an artist.
13:25We're about to just drop our R&B stuff.
13:27The Puff Daddy album.
13:29Yeah, what about the Puff Daddy solo project?
13:31Yeah, we don't like to talk about that.
13:32Hey, Puffy, we won't get to this.
13:34Sean used other methods and ways to get to where he had to go.
13:40Big on strategy, big on swag.
13:44All of those things became important.
13:47When the ball down to the music, even if I didn't touch it, I showed you what to do.
13:51So that's what he was.
13:52Damn, you know what I'm saying?
13:54What?
13:54Right here.
13:55Damn, you know what I'm saying?
13:56Shit.
13:57Where's the makeup at?
13:58Makeup?
13:59Right here, man.
14:00That whole bad boy was built on him.
14:03You cannot take that from him.
14:05But I think that Puffy wanted the light, like he always wanted.
14:11From dancing, the whole now you see it, anybody that's boasted and loud like that, they want
14:14to be in the spotlight.
14:17It wasn't like no secret, that's what he wanted.
14:21Six foot three, 335 pound, Suge Knight has managed to become the head of a hundred million
14:28dollar record company.
14:29It's the record label at ground zero of the whole gangsta rap phenomenon, Death Row Records.
14:35Suge was about that money, but he didn't want to be in that limelight, like Puff.
14:41He had his own lane.
14:43You're a big guy, and there are people who are afraid of you.
14:47There's probably people who are afraid of you.
14:48Back in 1988, the person who did the greatest job or protected me was the head of my security
14:53at the time, Suge Knight.
14:55Right now, I'm on the Heartbreak Tour with Bobby Brown, a new edition, and we've been
14:59out since September.
14:59We're about to get on the tour bus, and these dudes came over, and they was like talking
15:04crazy.
15:04Y'all niggas this, y'all niggas that, this, this, this.
15:09And I seen Suge kind of just turn this way and gave him one of these.
15:15Bow!
15:16Like that.
15:17And knocked dude down the hill, and it looked like a cartoon.
15:21Dude was rolling down the hill.
15:22Boom, boom.
15:22It's Tim's K-ball.
15:25He's a street dude.
15:26He's a real street dude.
15:27But Suge knew talent, and he knew business.
15:31They took me on tour, and I learned how every person who's writing songs is getting beat
15:37out their money, like they're publishing.
15:39He was able to dovetail that into starting Death Row Records.
15:43One, two, three, it's a buffo.
15:46Snoop Doggy Dogg and Dr. Drake is at the dome.
15:48Death Row can be bigger than Motown or Sony or Warner Brothers.
15:53Death Row is going to be the biggest record company there is.
15:57Chronic album is the foundation.
15:59Before Bad Boy, Death Row was the most successful label in the business.
16:03From the depths of the sea, back to the block.
16:05Snoop Doggy Dogg.
16:06Sean had admired Death Row and wanted us to emulate them.
16:13And that was my job.
16:15How do I make Bad Boy equal to success of Death Row?
16:19And of course, my eyes was like this.
16:21Death Row?
16:22They had a head start.
16:24They had artists.
16:25They picked superstars up from other indie labels.
16:27We're starting off.
16:29Me and him were friends.
16:31Wow.
16:31Yeah, yeah.
16:32He would pick me up from the airport.
16:34You know, I was just networking with the brother and show me a lot of love.
16:38You know, I really had thought we were cool.
16:41Me and Puffy, we used to run around with each other.
16:43He was getting in the business.
16:44I was in the business.
16:46Living like without fear.
16:48Only a few years later, Bad Boy, Death Row.
16:52Death Row is the label that pays, man.
16:54The two hottest labels.
16:58But I would look over at Death Row and say,
17:00they're taking care of their artists better than we are.
17:03They're putting your head, fuck the artists.
17:07And my thing was opposite.
17:08It's about me and my people.
17:10Fuck you.
17:12Craig wasn't happy there.
17:15Death Row was courting him.
17:16Because Shud was opening up a Death Row East.
17:20And it was found out.
17:22Shot by the finger.
17:23Yes.
17:30It's the Source Hip Hop Music Awards!
17:34The Source Awards was happening in New York City.
17:37And behind the scenes, people were running back and forth
17:47to the next dressing room, to the next dressing room,
17:49which were in trailers parked outside of Madison Square Garden.
17:54How important is it to have the Source Awards?
17:56Let me just wait in front.
17:58You got that?
17:59Come on, man.
18:00Who bagging on the door like that?
18:01When I was...
18:03Dog, what is the deal, man?
18:04Keep the door closed.
18:06And it escalated with words from the podium at the awards show.
18:10Any artists out there want to be an artist
18:12and want to stay a star
18:13and don't want to have to worry about the executive producer
18:16trying to be all in the videos,
18:19all on the record,
18:21dancing.
18:22Come to Death Row.
18:23I'm the executive producer that our comment was made about
18:35a little bit earlier.
18:36But check this out.
18:38Contrary to what other people may feel,
18:40I would like to say
18:41that I'm very proud of Dr. Dre,
18:44of Death Row,
18:45and Shook Knight for their accomplishments.
18:47You know what I'm saying?
18:48I'm a positive black man
18:49and I make music to bring us together,
18:52not to separate us.
18:53and all this East and West that need to stop.
18:55So give it up for everybody from the East and the West
18:57that won tonight.
18:59One love.
19:01Sean wants to present strength.
19:03He wants to show coolness.
19:07And then there's a side of him that's all out dark.
19:11He processes things differently.
19:15He remembers every slight.
19:19Once again, y'all,
19:20please give it up for all the nominees.
19:23Before I signed with Bad Boy,
19:38I was working at the door of the club
19:41in Platinum House.
19:44Every Friday, we had a Bad Boy party.
19:47So Puff was there.
19:50Shook Knight came that night with his friend Jake.
19:53And I was working the door.
19:54Shook was looking for Puff.
19:59Sean would try to go after people's side chicks,
20:03like a girl in Atlanta that Shook was dealing with.
20:08Sean wanted me to take $50,000 out of the overhead account
20:15so he could buy her a diamond necklace,
20:18wooing her because she was Shook's side piece in Atlanta
20:22when he came there.
20:23A real police officer in a real police uniform
20:29came and got on the safe.
20:32I said, man, you took the homie,
20:34we're going to tear this mother up.
20:36He said, well, I got to throw him out.
20:37I said, for what?
20:38He said, he was puppy.
20:39Shook and Jake is being escorted out the club
20:44by the off-duty officer we always had there moonlighting.
20:51Jake comes out, Shook come out, Puff come out.
20:54Everybody's outside.
20:56A man appeared with one hand behind his back
20:59and he was holding a pistol.
21:04He touched Jake with the pistol
21:06and he looked at Shook like this
21:09and was shooting Shook's friend like this.
21:13He shot him five times.
21:18Shook grabbed a hold to Puffy
21:21in the chokehold and put him in the front of him like this.
21:25So he was moving Puff around like this
21:27in case you shoot him.
21:29You're going to shoot Puffy.
21:29You're not going to shoot me.
21:34Puff was like, it's going to be all right, man.
21:37It's going to be all right.
21:39Shook said, what you mean it's going to be all right?
21:42He said, tell your mama it's going to be all right.
21:45Tell your kids it's going to be all right.
21:47and then the shooter ran.
21:54Ambulance came and took Jake to the hospital.
21:58A couple of days later, he died.
22:02That's what started the East Coast, West Coast war.
22:05Tupac Shakur out of the hospital after surgery from bullet wounds
22:14is convicted on sex charges.
22:17After Puck is shot in Quad studio, he had the rape case.
22:22A New York jury convicted the rapper of first-degree sexual abuse
22:25but acquitted him of more serious charges.
22:28Since your period of incarceration at Clinton Correctional Facility,
22:36have you taken the time to reflect on your gangster thug image?
22:39Puck and Big were friends at one time.
22:44But then once Puck is in jail,
22:47Bad Boy and all of his associations were nemesises.
22:52When I'm in jail, strangers are telling me,
22:56yo, you don't know?
22:57Big, your old boy shot you.
22:59Because they bragging.
23:00They telling they n**** in jail.
23:02Yo, we just got Puck.
23:03Woo, woo, woo, woo.
23:05Once the conflict happens,
23:08Puck needed someone strong
23:10that was going to stand with him.
23:13And it had just so happened
23:16that Suge had his own issues with Puffy.
23:19So, Suge went to jail and visited him.
23:24The whole s*** is like some mob s***.
23:29Enter Tupac, a young captain.
23:33I'm going to join the family, dog.
23:35Get me out.
23:38Suge Knight first signed Tupac to a recording contract
23:42when Tupac was in this New York state prison,
23:45unable to come up with the million dollars needed for bail,
23:47while his lawyers appealed a 1995 conviction
23:51for sexual assault.
23:55I want everybody to give a big welcome from Tupac.
24:02Out on bail, rapper Tupac Shakur's
24:04rush-to-market double album All Eyes on Me
24:06debuts at number one on this week's Billboard chart.
24:08with the addition of Tupac,
24:10there's no way y'all can stop us now.
24:11You think it's bad, boy?
24:14I say, f*** them all!
24:16We're coming to the East Coast to prove there is no fear.
24:19Overthrow the government y'all got right now,
24:21which is bad boy and all that b***h,
24:23and we will bring a new government here
24:24that will feed every person in New York.
24:26All right, cool, man.
24:27All right, man, thanks. Thanks a lot.
24:30Sean tried everything to get Biggie upset.
24:33that he had to go at him with business.
24:36This guy came at us.
24:38I was more in a mind frame of...
24:41Keep your mouth shut, Big.
24:43You know what I'm saying?
24:44Just don't feed into it.
24:47If you feed into it,
24:48it's gonna do nothing but escalate.
24:50You know what I'm saying?
24:51Biggie never wanted to be an enemy to Pac.
24:54As things was coming from the West Coast,
24:56Biggie did not want to give any shots back.
25:00When Pac was producing All Eyes On Me,
25:03he called us and said,
25:05I just f***ed Faith Evans,
25:08Big's wife.
25:10We was like, what?
25:11First of all, f*** your b***h
25:12in the clique you claim.
25:14Westside when we ride,
25:15come equip with game.
25:16You claim to be a player,
25:17but I f***ed your wife.
25:19We b***ed some...
25:19Well, that's not true at all.
25:21Biggie stole my husband legally.
25:23I am having his baby.
25:24No, I'm not...
25:25Sean kept putting pressure on Biggie.
25:27You gotta answer back.
25:29Tupac would have me pissed off,
25:31you know what I'm saying?
25:33And the rumors that's spreading
25:35is on some tip like,
25:37we set them up.
25:38You know what I'm saying?
25:39And that's crazy.
25:40The East Coast, West Coast thing
25:42was invented, period.
25:44Because no matter what,
25:45we all went to the East,
25:46they came here,
25:47went to the West, whatever.
25:47They wasn't arguing with each other.
25:50We was able to roam.
25:51Fuck Biggie,
25:52fuck Bad Boy
25:53as a staff record label
25:54and as a motherf***ing crew.
25:56It was this Bad Boy in death row.
25:57And that right there
26:01put people in danger
26:02because it made people be like,
26:04F you, F you.
26:05And people started doing stuff
26:06for no reason
26:07because it was, you know,
26:08it's just people
26:09that want to ride for each other.
26:11And then look what happened.
26:12So...
26:13Doing the street thing.
26:18My affiliation
26:20was with the Mansfield Hustlers.
26:24Today,
26:25we go by Mansfield Gangster Crips now.
26:31Police say that drugs and violence
26:33are being spread
26:33by two longstanding rivals
26:35in the Los Angeles youth gang scene.
26:38Groups who call themselves Crips
26:39and wear blue colors
26:40and Bloods who wear red.
26:42Did you guys provide protection?
26:47Sean Combs was a friend.
26:51Christopher Wallace was a friend.
26:54And, you know,
26:55when we're hanging out
26:56with our friends,
26:57we're gonna protect our friends.
27:01So they knew.
27:04And they were our associates.
27:06You got beef with them,
27:08you got beef with me.
27:09Period.
27:10A number of reports have come out
27:12that Bad Boy Entertainment
27:13had actually hired Crips
27:14for security work
27:15out on the West Coast.
27:16Is that true?
27:18We've never hired Crips
27:21or any other gang faction
27:23to do security for us.
27:25It would be extremely unintelligent
27:27to hire gangs
27:29to do security for you.
27:32A lot of the New York guys
27:33come out to L.A.
27:35Zip is a person that I know
27:37that was Puffy's man.
27:40That was his guy.
27:43Eric Von Zip
27:44is a drug lord from Harlem,
27:46but Sean told me
27:48he was his uncle.
27:49He might have known Janice
27:51on the fringe.
27:52He might have known Sean's father
27:53from those days.
27:55Zip had a relationship
27:57with the Southside Crips,
27:59and then he also had
28:00a relationship with us.
28:02Sean said Zip can give us protection
28:05going back and forth to L.A.
28:08because he was in with the Crips,
28:10and we had a beef
28:11with Suge Knight and the Bloods.
28:14Knight dresses in all red,
28:16the colors of the drug-dealing
28:18Bloods street gang.
28:20One of the death row people
28:22got jumped by someone at a mall,
28:27and that someone was
28:28from Southside Crips.
28:29one of the Crips
28:31tried to take a death row chain.
28:34I think that was an order
28:35from Bad Boy.
28:36That was an order from Puff,
28:37because it was specific.
28:40We want a death row chain.
28:43Introducing the one and only
28:44Iron Mike Tyson!
28:52Everybody got what they wanted
28:54to end that.
28:55People got to see Tyson
28:57knock a motherfucker out.
28:59And Tyson with a left hook
29:01and Seldon is down.
29:03It's over in the first round!
29:07That's probably the reason
29:09that the guy was all fucked up
29:10and a lot of shit
29:11from the fight at night.
29:12When you've seen a Tyson fight,
29:14you want to fight.
29:15At the fight,
29:26the guy who was ripped off
29:27for the death row chain
29:29is with Suge and Pac.
29:32He just whispers to Pac,
29:34that's him.
29:36Hey, hey, hey!
29:37It was Orlando Anderson
29:40from Southside Crips
29:42who was connected with Puff.
29:46Next thing I know,
29:46I see Pac like, phew!
29:50Took your niggas down.
29:51That was the foundational moment
30:02when all this
30:03was getting out of control.
30:05I'm out of one right now.
30:07I got a couple guys shot
30:09and he's medical ASAP.
30:15Rapper Tupac Shakur
30:16was shot in the chest
30:17this morning shot
30:18multiple times in the chest
30:19in a drive-by shooting.
30:20Death row record label owner
30:22Marion Shug Knight
30:23was also in the car,
30:24but his injuries were minor.
30:26Craig called me up.
30:28It was late.
30:30He was out there
30:31at the fight
30:32because he was supposed
30:33to have performed
30:34at some club
30:35that Suge owned
30:37and I guess Tupac
30:39was supposed to come through.
30:41He was like,
30:42how come Tupac
30:44just got shot?
30:46Craig was like scared.
30:48Who was he scared of?
30:50Probably Puff.
30:52He ended up
30:53not going to death row
30:55after that.
30:59Hi, I'm Tabitha Soren
31:00with MTV News.
31:01Controversial rapper
31:02and actor Tupac Shakur
31:03has died
31:04in a Las Vegas hospital
31:05of complications
31:06from several...
31:07I was in jail.
31:08I was in jail
31:09when he got shot.
31:11There was a lot of niggas
31:13in jail
31:13that was celebrating
31:14Pac's death.
31:17I'm glad that
31:18I didn't kill anybody
31:20or anybody killed me,
31:22but I damn sure
31:23came close.
31:26Police in Las Vegas
31:27say they have no motive
31:29for this latest shooting,
31:30but the rapper's
31:31troubled past
31:32will certainly be part
31:33of the investigation.
31:36Do you know
31:37who was responsible
31:38for the killing
31:39of Tupac Shakur?
31:40No, I don't.
31:43I think that Sean now
31:44in my mature mind
31:47had a lot to do
31:48with the death
31:49of Tupac.
31:50In 2006,
31:59I was recruited
32:00to work a task force
32:02that was going to look
32:04at a cold case investigation.
32:06At the time,
32:07Tupac's murder
32:08was an unsolved case.
32:11Gang crimes oftentimes
32:12are difficult to solve
32:14because you don't get
32:14cooperating witnesses.
32:16They want to stick
32:18to a code
32:18that typically entails
32:20not cooperating
32:21with law enforcement
32:22and then taking matters
32:23into your own hands.
32:25It ain't my job
32:26to snitch on nobody
32:28because I would never
32:28snitch on nobody.
32:30We had built
32:31a narcotics case
32:32against Keefe D.
32:34Keefe D.
32:35was kind of the shock
32:35caller for the
32:36Southside Crips.
32:38He was the most
32:38prominent drug dealer.
32:40He was very influential
32:41in his gang.
32:42His nephew,
32:44Orlando Anderson,
32:45was a very well-known
32:47violent gang member.
32:50Tupac Shakur
32:50had assaulted
32:51Orlando Anderson
32:52just after
32:54the Mike Tyson fight.
32:56So Keefe D.
32:57was potentially
32:58looking at a life sentence
32:59for federal drug trafficking.
33:02We wanted to question him
33:03about his potential role
33:05in the murder
33:05of Tupac Shakur.
33:07We let him know
33:08that he could potentially
33:09mitigate some of the damages
33:11if he wanted to come in
33:12and talk to us.
33:14And the U.S. attorney
33:15agreed that they'd
33:17allow Keefe D.
33:18to do a proffer session.
33:20Keefe, today what we're
33:21going to do,
33:21we're just going to go
33:22over with a fine-tooth comb,
33:24do the Las Vegas incident.
33:25We do have to
33:26emphasize to you
33:28it's determined
33:29that some of these details
33:30are incorrect
33:31and everything's
33:32off the table.
33:33A proffer session
33:34is when a person
33:35facing criminal charges
33:37can answer questions
33:39wherein self-incriminating
33:40information
33:41would not be used
33:42against him
33:43in a criminal prosecution.
33:45It doesn't mean
33:46they have any kind
33:47of immunity.
33:49Hey, I want to say
33:51this though too.
33:53I feel like I said
33:54that day,
33:55don't bullshit me
33:55and I won't bullshit y'all.
33:57You know what I'm saying?
33:58In the year prior
33:59to the murder
34:00of Tupac Shakur,
34:02he has had several
34:04conversations
34:04with Sean Combs.
34:06I met him,
34:07he gave a party at it.
34:08that's where I met
34:12the first day
34:13I met Pupac.
34:15Sean Combs' affiliation
34:17with the Southside Crips
34:18came by way
34:19of a New York
34:21street figure
34:21known as Zip.
34:24Zip set up
34:25the introduction
34:26between Combs
34:27and Keefee Dee
34:28and then they developed
34:30their own relationship.
34:33And Zip and Ducey
34:33said,
34:34this is my boy.
34:34What are you going to do?
34:35Ducey, man.
34:35This is my friend.
34:36This is my nephew.
34:36That's my boy.
34:37My boy.
34:38This is Pup.
34:39And after that,
34:40they used my car
34:41on the video.
34:42Which car was I in?
34:44The 64 Chevy I have.
34:47Every time I look
34:48can't chew
34:49that's low
34:50What color was it?
34:51Blown.
34:52I was out there
34:52in the video
34:53when Pup was driving
34:54the car.
34:55Usher for her song,
34:56whatever.
34:56He was in a Laker uniform.
34:57and he had the little
34:58kid dancing on my car
34:59when he got back.
35:01It was fucked up.
35:02And he had to
35:03he paid
35:03to get it repainted.
35:10Pup,
35:10he caused their phone
35:11and he wanted to speak
35:12to me.
35:13They gave it up.
35:14He took to her.
35:15And then I
35:15he gave us some tickets
35:17and I brought the crew.
35:18I want to hear
35:20a new flavor,
35:20ain't you here?
35:21I want to hear
35:22a new flavor.
35:23Check it out.
35:24Check it.
35:25Yeah.
35:25To all the ladies
35:26and the close ones
35:27Keefy D says
35:28that Sean Combs
35:29kind of makes
35:30this general announcement
35:33while they were
35:34all inside
35:35of a hotel room
35:36after a musical event.
35:38So it's
35:39Harrell,
35:40Puffy,
35:41Zip,
35:41you.
35:42About 40-something
35:43soft-siders.
35:44Yeah.
35:45That was stupid
35:46as hell too,
35:47you know?
35:49Shit,
35:49he said he would
35:50kill us anything
35:51for those dudes
35:51that you know?
35:52Tupac and Sidney,
35:53you mean?
35:54Yeah.
35:54He said in front
35:56of all those people
35:56I can't believe him.
35:58You know what I'm saying?
36:00All home full of crips.
36:02So this is after
36:02Jake got killed.
36:04So he was,
36:04he was on track.
36:05He was worried
36:05about something
36:06happening.
36:06Yeah.
36:07Shit got miles off
36:08about a bunch
36:08of different stuff
36:09so he was scared.
36:10He was still in the devil.
36:11Yeah.
36:11Okay.
36:13Then there's
36:13a more specific
36:14incident that takes
36:15place at a deli
36:16on Sunset Strip
36:17in Los Angeles,
36:18a place called
36:19Greenblatt's Deli.
36:20What made it
36:21a specific
36:22like,
36:22hey,
36:22I'm serious,
36:23I want you guys
36:24to kill this,
36:24these guys?
36:26Well,
36:26he told me
36:27the Greenblatt.
36:29When we got there
36:30we were laughing
36:30at him
36:31because he was
36:32just broad
36:33and sucked dick
36:33to suck every dick
36:35in there.
36:35He was hugged up
36:36kissing or whatever
36:37we was laughing
36:37like a woman.
36:38Like,
36:38man,
36:39what you laughing
36:39at, dog?
36:40Man,
36:41don't just come
36:41out here
36:42and get in any
36:42broad, dog.
36:44I took him
36:45downstairs
36:45and he's like,
36:46man,
36:46I gotta get rid
36:47of those dudes,
36:48man.
36:48it would be
36:49a problem.
36:53It was after
36:54he made the record.
36:55Hit him up,
36:55came out.
36:56Yeah,
36:56yeah,
36:56that pissed him
36:57off.
37:01Yeah,
37:01we were
37:02on a million.
37:05He tells you,
37:06seriously,
37:06man,
37:06I need to get rid
37:07of these guys.
37:07I mean,
37:08he's looking at you
37:08in the eyes
37:09and he's like,
37:10scared.
37:10Yeah.
37:11You tell him,
37:12we'll do it
37:13for a million
37:13and he's like,
37:14okay,
37:15I'll do it
37:16for a million?
37:17He agrees,
37:17to shake on it
37:18or something like
37:19that?
37:19Yeah.
37:20What happened?
37:21You know,
37:21he, uh,
37:23I meant our shit out.
37:24We'll wipe the ass
37:25out quick.
37:26You know,
37:26it's nothing.
37:29Here we go,
37:30round one,
37:31scheduled for 12.
37:32And Tyson comes
37:33right out,
37:34right into...
37:34He says that
37:35when Las Vegas happens
37:36and they're all out
37:37there and his nephew
37:39gets assaulted
37:39by Tupac,
37:40they're like,
37:40this is the perfect
37:41occasion.
37:42We was eating
37:44and the man
37:45they came
37:45and said,
37:46he just beat up
37:48lame.
37:49And we was in the hotel
37:50and the MGM
37:52and the restaurant.
37:53There was a few
37:53New Yorkers
37:54though,
37:54with Zip.
37:57Like,
37:57man,
37:57y'all need some help?
37:59We got this.
38:00It's your perfect
38:01opportunity, baby.
38:03That was Zip coming?
38:04Yeah.
38:04Because of what
38:05happened with...
38:05Yeah.
38:06Yeah.
38:07We and I don't
38:08because we was down
38:09there and,
38:10he told me
38:10in the lobby
38:11that he had
38:11some jimmies.
38:13Someone had a jimmie
38:14and a bans.
38:17He had a little
38:17secret compartment.
38:19The thing popped out.
38:21The vehicle
38:22that Zip was driving
38:23that night
38:24reportedly had
38:25what we call
38:25a trap in it,
38:27which is a
38:27concealed compartment
38:29where you can
38:30place a gun.
38:32It's a difficult
38:33thing to find.
38:35Zip had driven
38:36that car
38:37to Las Vegas.
38:39A few days
38:40before Tupac
38:41was murdered,
38:42Sean requested
38:43that we rent
38:45cars
38:46and have
38:48multiple drivers
38:49drive clear
38:51across the country
38:52to this fight.
38:55But I arranged
38:56through my budget
38:58to make that trip
38:59happen for those
39:00drivers.
39:02And to this day,
39:03it stands out
39:03in my mind.
39:04Why did we rent
39:06multiple cars?
39:08Why did we hire
39:08people from Harlem
39:10and other locations
39:11to drive?
39:16You tell us if,
39:17hey, we're going to go
39:18handle this shit
39:18or whatever?
39:19Yeah, they asked,
39:20like,
39:20if y'all want us to come,
39:22I'm like,
39:22we know where
39:23them motherfuckers at.
39:24They were telling us
39:24they're going to be
39:25at the 662 club.
39:27Two cars go to 662?
39:28Yeah.
39:29The van and the cabin.
39:30They didn't show up.
39:32We waited about 15,
39:3420 minutes.
39:34They didn't show up.
39:36So they was like,
39:37let's go get some liquor.
39:39And we came up
39:40at Harlem
39:41at the Las Vegas
39:43Willow Art.
39:44And, oh, shit,
39:45here they coming
39:46at BMW.
39:47Can't get car.
39:48On their way
39:49to the club,
39:50Suge is blaring
39:51his music too loud.
39:53He gets pulled over
39:54by some police officers.
39:56They essentially,
39:57you know, say,
39:58just turn down your music.
39:59No big deal.
40:00and it's at this
40:01point in time
40:02that Suge
40:03and Tupac
40:04see these girls.
40:06Like, they're Suge, Suge.
40:08Like, the police
40:08were going through
40:09his car
40:09or something or another.
40:10And then the traffic
40:12was stopped
40:13and then they got
40:13in the car.
40:14Did you see
40:15who was with Suge?
40:16I thought it was Tupac.
40:18And then he was like,
40:19come on,
40:20come go with me.
40:21Come go with us.
40:22We're going to 662.
40:23I'm browsing.
40:25Tupac, Tupac.
40:27And we like,
40:27there they go.
40:28Just one of the new
40:29turn and we just
40:30pulled up on the side
40:31and checked every car
40:32to see where they was.
40:33So what directed
40:34your attention to him
40:35with some girl
40:36shouting at Tupac?
40:38Tupac!
40:38He gave us up away.
40:39Otherwise,
40:40it would have gone away.
40:42And he leaned over
40:44on the window.
40:45We rolled down the window
40:45and popped.
40:48Should have looked over,
40:49he sees you.
40:49and now he's going to have
40:52him.
40:52Okay.
40:54Fuck is he doing
40:55what he tells us
40:55when we were seven,
40:56eight years old?
40:58I seen a bully
40:59going,
40:59should have had.
41:00I thought he was dead.
41:02I thought he was dead.
41:04If you knew
41:05who killed Tupac,
41:06would you tell the police?
41:08Absolutely not.
41:11I'm going to park the car,
41:13you know,
41:13put the gun on the tire
41:14and left.
41:15Where'd you guys go?
41:16When you smoked weed
41:17in the rain?
41:18Yeah.
41:18Where?
41:19What?
41:20They don't tell them.
41:20They don't tell them.
41:20They're partying the room.
41:22And they pulled up
41:23in the ambulance
41:23while we were standing
41:25right there.
41:26Take our bullshit.
41:27Who?
41:28You guys on the street
41:28with what?
41:29We on Las Vegas Boulevard
41:30at the crosswalk
41:31and they pulled up
41:32the ambulance
41:33right next to us.
41:34And we came on the car already?
41:36Tupac in the car.
41:37In the car.
41:38This is close.
41:40Did they see you?
41:41They couldn't see.
41:42We didn't give a fuck.
41:43I'm talking about the ambulance
41:45to park right here.
41:46Red next to us.
41:47because she was a bunny
41:48in the boat.
41:49And I have ever told
41:53nobody this to remember.
41:56So you get back to LA
41:57the next day.
41:58Zip calls you.
41:59Says, meet me at the
42:00hot one place.
42:00Where at?
42:01We're going to melt her.
42:02Into my peace.
42:04You guys go over there.
42:04Zip shows up.
42:05You guys, what happens
42:06to that?
42:07People call it.
42:08Was that us?
42:09He told them, yeah,
42:10it was us.
42:10Find Zip's phone
42:11or your phone?
42:11It was Zip's phone.
42:13And Zip gives you
42:14the phone?
42:15Yeah.
42:16People say,
42:17Well, he was happy
42:18as hell, shit.
42:20And did you ask him
42:20then about his money?
42:21When you're going to get paid
42:22or whatever?
42:22No, I don't know
42:23how I have to say that
42:24on the phone.
42:24Zip, go get our cash.
42:27Okay, so you tell Zip
42:28we need to get paid.
42:30What does Zip say?
42:31I'm going to go back home
42:32and have...
42:32Yeah, I'll get paid
42:33with y'all.
42:34Yeah.
42:37According to Keefe D,
42:38he was never compensated
42:39for the murder.
42:42But he said that
42:44a partial amount of the money
42:45was intended to be forwarded
42:47to him through Zip
42:49to the tune
42:50of about $500,000.
42:52The million dollar
42:54solicitation amount,
42:56only half of it
42:57was fulfilled
42:58because only Tupac
42:59and not Shug
43:01was killed.
43:03Keefe D has a conversation
43:05with Darius Rogers,
43:06with DMACC.
43:07And DMACC says
43:13there had been a payment
43:15from Combs
43:16to Keefe D,
43:18but it had gone through Zip
43:20and then that money
43:21was never forwarded.
43:26We're just hoping
43:27and waiting to see
43:28what kind of progress
43:29Las Vegas would make
43:31with Keefe D's cooperation.
43:35Nothing really happened
43:37since ultimately Zip
43:40dies from cancer.
43:42Thank you for coming
43:43out to Zips
43:44and I want everybody
43:45to know that
43:46when you come here
43:47we want to keep the peace.
43:49And Orlando Anderson
43:50is shot and killed
43:51in 1998.
43:53So it's really Keefe D
43:55and Puffy Combs
43:57are the last men standing.
43:58They can be held accountable
44:00for Tupac Shakur's murder.
44:01waiting patiently
44:14looking to see
44:15if that's you.
44:15and then you're in a
44:17second.
44:17It's a time
44:19for the summit.
44:20On the one second.
44:22All right.
44:23I'm at this time.
45:38M.K.
46:02Evet, ikutla 113'de ve Lennox'in.
46:05İlhan bir adamım.
46:07Evet, tamam.
46:10Evet, biz de.
46:22Bu, Yolun'un üstlendirmeyi ve
46:26Şehrin'in içindirmişti.
46:28Los Angeles to record what would be the finishing touches on Biggie's Life After Death album,
46:34which wasn't titled that yet.
46:41Yo.
46:42Yo, Big, wake up, wake up, baby.
46:43Diddy, what the fuck, man? What's up?
46:45Come on, now. It's a quarter to six. We got the 7.30 flight.
46:48Going to LAX.
46:49Whoa. Cali?
46:51No doubt, baby.
46:53We had been warned to not come to LA.
46:56There were warnings all along for the last few months that we are not the set foot on the West Coast.
47:04It was awards show season, and Sean wanted him to start promoting the album.
47:11Come on, Saltrain, get up out your seats, come on.
47:14Get up out your seats.
47:16Biggie did not want to go, but Sean talked him into doing all of those things.
47:22Down low, get up out your seats, come on.
47:25Those high pop-ball freaks, all the honey...
47:27They were like catcalling and booing.
47:37What's up, Cali?
47:39We were not welcome.
47:40After the awards show, Saturday morning, Biggie and I were to go to London, and we were going to have a two-, three-day press junket to have Biggie be one of the first artists from Bad Boy to meet the European press.
47:55I had worked on that for months and weeks leading up.
48:00We were supposed to go to the airport that morning.
48:03I'm calling Biggie like crazy.
48:05What's going on?
48:06Wake up.
48:07He's like, yo, Puff is bugging.
48:09He just called me and told me, I want you to stay here in L.A.
48:13I don't want to stay.
48:14I want to go.
48:15But Sean was adamant, cancel the flight.
48:22Biggie's not going to the U.K.
48:24What do you mean he's not going to click?
48:25He hangs up.
48:27This was his M.O.
48:29Ego, power, tripping.
48:31All of it because Sean wanted to do a party on enemy turf.
48:42Scared to death.
48:46That's how real it is.
48:47I think somebody's trying to kill me.
48:49I'll be waking up paranoid.
48:50I'll be really scared.
48:52I'll just be peril.
48:53That night, Big and Puffy was with us.
49:08They were having a party.
49:15I spoke to Big, and I was like, yo, man, you know, what are you doing?
49:21Catching L.A.?
49:23Man, they get down in these circumstances, man,
49:25and you just can't be walking around here freely.
49:37Everybody's mingling.
49:41I look around.
49:42I say, where's Big?
49:46I want to get out.
49:47Get out.
49:48Hey, what am I?
49:49Wait, hold up, hold up.
49:50On the street.
49:51I don't know, I don't see you.
49:57So.
49:58I see.
50:02That's big in me.
50:03That is big in me.
50:04You've got to get down.
50:05Somebody got shot.
50:06Somebody got shot.
50:07You've got to get down.
50:10I want to wait to see what you're reporting.
50:11Yeah.
50:12We need an ambulance on Fairfax and Wilshire.
50:14Give me a little chance.
50:16We have a man's shot.
50:17We have a shot.
50:17İzlediğiniz için teşekkür ederim.
50:47İzlediğiniz için teşekkür ederim.
51:18He lied about it and let me know that's a weak spot for him and he's nervous about that information.
51:25He ushered Biggie to his death.
51:34İzlediğiniz için teşekkür ederim.
51:43İzlediğiniz için teşekkür ederim.
52:13İzlediğiniz için teşekkür ederim.
52:14İzlediğiniz için teşekkür ederim.
52:45İzlediğiniz için teşekkür ederim.
52:46İzlediğiniz için teşekkür ederim.
52:47İzlediğiniz için teşekkür ederim.
52:48İzlediğiniz için teşekkür ederim.
52:49İzlediğiniz için teşekkür ederim.
52:50İzlediğiniz için teşekkür ederim.
52:51İzlediğiniz için teşekkür ederim.
52:52İzlediğiniz için teşekkür ederim.
52:53İzlediğiniz için teşekkür ederim.
52:54İzlediğiniz için teşekkür ederim.
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54:54.
54:55.
54:56.
54:57.
54:58.
54:59.
55:00.
55:01.
55:14.
55:15.
55:16.
55:17.
55:18.
55:28.
55:29.
55:58I remember Michael Jackson, the Motown 25 special.
56:03MTV, Madonna like a virgin.
56:05And I remember Puff with Sting.
56:08Check it out.
56:11Having a TV moment in music is very rare.
56:18It elevates you to such another level of superstar.
56:22They made him rockstar bitch.
56:23It's kinda hard but you're not around.
56:24Know you in heaven smiling down.
56:25Watching us while we pray for you.
56:26He became humongous.
56:27But now it's him.
56:28Now I'm the man.
56:29It was like a dream come true.
56:30To see the lines like in front of the stores like people going there to get my record.
56:43It's crazy.
56:44It all happened pretty quickly for you.
56:45From being an intern to being on the cover of the road in snow.
56:50Thanks for Biggie's mother who's sitting right there for having Notorious V.I.G.
56:56You've abused everyone and used most everyone.
57:01Put your ladies in there for V.I.G.
57:04Everybody put your life down here for stuff.
57:07There are horror stories like this all throughout.
57:10Cleared of gun possession and bribery charges Sean Puffy Combs walked out a free man.
57:15Some people speak up about it.
57:17Most do not.
57:18The first member is Aubrey.
57:23It's a pattern with him.
57:27Violence was a very normalized part of living in that world.
57:31You're a bad boy now.
57:33Allegations of sexual misconduct.
57:35Puffy called these encounters freak off.
57:37Witnessed Diddy abusing Cassie and that they encouraged Cassie to get away from him.
57:44Everything in life you're going to have people that are bad and people that are good.
57:48You know.
57:49You have to choose your side.
57:51Like this the word.
57:52So intentions are absolutely forgot.
57:53You're Bosworth's you.
57:54You've deceived me.
57:55You have to change yourself.
57:56How does anyone need to stay alive?
57:57You've seen connection DOESTS
58:12How does anyone need to attend Minnie?
58:14How does anyone need to have Monday night?
58:16İzlediğiniz için teşekkür ederim.
58:46İzlediğiniz için teşekkür ederim.
59:16İzlediğiniz için teşekkür ederim.
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