Sean Combs- The Reckoning - Season 1 Episode 02- What Goes Down Must Come Up
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00:00Happy birthday to you, everybody, happy birthday to you, happy birthday to me.
00:30Happy birthday to you, happy birthday to you.
00:38I always looked at him as just being like this rich Harlem cat who just want to dance and make money.
00:44All the ladies look so right, all the papers, all the real players in the motherfucking house, throw your hands in the air.
00:51No violence in them, but every time I turn around, there's violence.
00:57There's violence with his name on it.
01:05At the time, there's this tension that is going on between Pac and Puff.
01:10Puff wanted to work with Pac on a lot of levels business-wise, and Pac wasn't having it.
01:18He was more interested in Biggie and his crew.
01:22Puff was very threatened by Pac.
01:26He was very threatened, especially if you're an executive who wants a guy to make you money, and the guy is saying, no, fuck you.
01:33Around that time, Tupac was going to do a song with Lil Sean at Quiet Studio.
01:43Out of the blue, they wanted me to do the song, so I said, all right.
01:47Stopped off to get some weed, smoked the weed.
01:50Then I was getting a page, where you at, where you at, where you at, why you ain't coming?
01:54I was like, I'm coming, I'm on my way, hold on.
01:56I wasn't thinking, why they want me here so bad?
01:59We're walking up to the building.
02:01Somebody screamed from the upper top of the studio, and it's Lil' Caesar.
02:05He's like, Biggie's side man, right?
02:07We was in the recording with Big and Puff, and I'm yelling, like, yo, Pac.
02:10And he looked up, yo, what's up, little nigga?
02:13I go back in the room, I tell Big, I'm like, yo, Big, Pac downstairs.
02:16He was like, oh, all right, go get him.
02:18Getting to the elevator, and when I was about to walk out, two dudes came from both sides.
02:23Get the fuck back in the elevator.
02:24Ooh.
02:27Recording artist Tupac Shakur was shot five times last night
02:30in a robbery attempt.
02:31After surgery, his condition was upgraded to satisfactory, and he checked out of the hospital
02:36against his doctor's advice.
02:37I think they're trying to rub me out, really.
02:40Robbers don't leave behind $80,000 Rolexes.
02:43You know what I mean?
02:44They don't do that, in case nobody knows.
02:47Let's look at the facts.
02:49Puff is there.
02:52Pac has been shot in New York under your watch.
02:56Question would be, who knew that he was pulling up?
02:59Biggie, knowing myself, had nothing to do whatsoever of Tupac being robbed.
03:08We, we, that's just a fact.
03:10After everything that has unfolded, I have to think twice about how that situation went down.
03:16Do you think Puffy was alive, shooter?
03:18I believe so.
03:19I do believe so.
03:20I have proof.
03:21But you can see now why someone like a Puff would want someone like a Pop out the picture.
03:27You know, Pop was vilified while he was alive, and Puff was exalted.
03:36That's the bigger picture.
03:37That's the bigger picture.
03:38And that's the story that hasn't been told.
03:43Something like that means.
03:44It's a little bit of a joke.
03:46I don't know why, but I'm coming back with him.
03:50No, I'm coming back now.
03:51No, I can't remember.
03:52I'm coming back to Alex.
03:54It's a big deal.
03:55No!
03:56No.
03:57No, man.
03:58I'm coming back.
03:59I'm coming back.
04:00So, diversity makes me think a tick longer.
04:03Yeah, which they clearly think...
04:04This shit is not fucking crazy.
04:06There's a whole lot of crazy shit going on.
04:08You know what I'm saying?
04:09I saw them knock a bad way going down.
04:11Yeah.
04:12Like, that shit was crazy to me.
04:13That shit wasn't there.
04:14It was just a sign to me, like...
04:16Nigga.
04:17Time to go to the future.
04:18Time to go to the future.
04:19I was a little builder.
04:21Compared to the building, now I got ready for you, son.
04:23You know what I'm saying?
04:24It was a sign to me like that, but I'm saying...
04:26That shit was there, like, two months ago, right?
04:29I'm not tripping, tripping.
04:30Yeah, everyone is there, yeah.
04:40Puff is in this position where he has all this turmoil,
04:46but he's not at the point where he's saying,
04:47well, I went wrong.
04:50He's saying to himself, how do I get out of this?
04:54Maybe I can convince some witnesses
04:56that I'm not the guy who I am.
05:00Eventually, he's going to get to the point
05:02where he's going to ask himself,
05:03how did I get myself into this situation?
05:06Bad Boy.
05:1795, he had two of the hottest acts.
05:20Craig, that game was flavor in your ear.
05:22Here goes a brand new flavor, yeah.
05:24Brand new flavor, yeah.
05:26Time for new flavor, yeah.
05:28And Biggie.
05:34Bad Boy was rising up.
05:36My little lab right here, you know, where I cut my deals and all that.
05:39Got my little headset just living out a dream, you know what I'm saying?
05:42One time, Sean was in his office,
05:44and I'm in a little cubby hole around the corner.
05:46He buzzes me.
05:50So I get up and I go in with my papers and go.
05:53A girl is giving him a blowjob at the desk.
05:56He wanted me to see that.
05:58He wanted me to see her face.
06:00And then he was able to get her to do that right then and there in the office.
06:03She leaves.
06:05I'm, what did you want me for?
06:07Ah, I didn't want you for anything.
06:10That was the beginning for me to see,
06:13this is what's going on here.
06:15Can everybody here make some noise for B.I.G. for bringing it back to the East?
06:20So the C's for all of this was early on.
06:23And that came from people in the industry co-signing his activity because it brought money in.
06:35I don't know if y'all niggas know this.
06:37The Juicy with platinum.
06:39Big Pumper with platinum.
06:41Big Pumper with platinum.
06:43In your ear remix with platinum.
06:45That whole bad boy thing was so big, Faith Evans.
06:50Gonna be first lady on Puff Daddy's Lady.
06:52Total.
06:53Biggie.
06:54Biggie.
06:55Biggie.
06:56Biggie.
06:57Biggie.
06:58Biggie.
06:59Biggie.
07:00Biggie.
07:01Biggie.
07:02Biggie.
07:03Biggie.
07:04Biggie.
07:05Biggie.
07:06Biggie.
07:07Biggie.
07:08Biggie.
07:09Biggie.
07:10Biggie.
07:11Biggie.
07:12Biggie.
07:13Biggie.
07:14Biggie.
07:15Biggie.
07:16Biggie.
07:17Biggie.
07:18Biggie.
07:19Biggie.
07:20Biggie.
07:21Biggie.
07:22Biggie.
07:23Biggie.
07:24more had the big baseball bat cell phones and the phone might ring such and such is on the phone
07:33calling from jail yo i'm coming home you might have a group standing in front of the office
07:39already with the microphone ready to sing you love me i love just to get their shot at puffy
07:45everybody wants to see him he is now the new gateway into music
07:50you're gonna take all of this power and money you're getting now
07:56and play by the rules no i'm the rule now i am the exception to the rule
08:02one day it seemed like out of the blue my door opens up sean walks in
08:18he had a baseball bat and a big attach a case suitcase with the snaps on it
08:25the stocks were there we're in a fucking hustle we're in a grind do your job whatever your
08:30he wanted me to sign my 25 over and diddy's over me like this he wants to stop that
08:37he wants it now i'm not gonna stay fucking lying down i'm not i can't do it man
08:43he said there's a business deal i need to take care of i need to do this and i need to get this
08:48all on one side but i'll give it back to you i'm gonna give it back to you
08:51and he threatened until i did
08:59people always say to me why would you do that but why did you do that like that was you know
09:10i didn't want to give it back i wanted to stay in good graces i still wanted to be at the company
09:20it wasn't like he was firing me but i was definitely confused by it
09:26it might sound strange but if you've ever built something and you want it to last
09:34you think about how to make it last
09:37i thought he was kind of cool at first and then we started seeing some things
09:58craig started becoming disenchanted i want to congratulate craig mack on his grammy nomination
10:06no question yes baby yeah that's cool and i'm sure yo you got nominated for a grammy
10:11but we had no money if you look at bad boy bad boy didn't sell enough records for to explain his wealth
10:21but enough artists were on the label that sold enough records to explain his wealth
10:27so on the trick was i'm gonna make you a star your sign follow the money that's what you're
10:34gonna try to do as hard as you can you're gonna try your best and we know you're gonna try your best
10:39so you sign your deal we gave you your advance at uptown that's the only money the artists have
10:44ever seen that first advance andre had to wait it he never saw anything else did he pick that up
10:49he made it even tighter
10:52it's a shell game
10:57you hide everything that is an earning you confuse the earnings and now i own everything you'll go out
11:05into the world and the shell game you'll be looking for your money for the next 20 years
11:09sean did that to every artist you're in the studio now you have to recoup for being in the studio
11:18puff owns the studio and i have four sessions which you owe me four hundred thousand dollars
11:24if puff records a song with his artist he pays himself
11:28if he's in your video he pays himself he insert himself into their videos a video come on you like
11:38i hate that guy as an artist you can go number one song is being played all over the nation
11:44but you don't have the money to go to it because you're not making the proper money off of your royalties
11:51craig and i hit a point where we were fucked up no money nothing
11:58hell i was getting money from my father to take care of the house
12:03we were all at like somebody's album release party and craig's gonna tell puff to give him a few
12:11dollars and he'll hit him back once he went and did this show he literally went in his pocket
12:16and pulled out a knot of money this big and gave him one hundred dollar bill
12:24you really just don't give a fuck
12:29i think sean had an envy for his own artists he was jealous of their talent and wondering like
12:38this talent is wasted on people who don't even really know what to do and if i had that talent
12:44in my know-how wow that's interesting because a lot of people puppy's age want to grab this mic and
12:51but puppy you wanted to do other things and you're doing a lot of them can you talk about his skills
12:56as a rapper sucks he has zero talent musically nothing he don't know how to discuss he don't
13:01know nothing about r&b he don't know none of that stuff he used to ask me to always be there in the
13:06sessions because i would tell the truth i'd be like that's not it people would be there like yeah
13:11that was tight that was tight i'd be like looking like yo for real you got a lot of people who just
13:15tell you anything that sucked it doesn't sound good and it makes no sense but he always wanted
13:23to be an artist we're about to just drop our r&b stuff the pop daddy album i'm gonna yeah what about
13:29the pop daddy solo project yeah we don't like talk about that sean used other methods and ways to get
13:38the way he had to go big on strategy big on swag all of those things became important when the ball
13:47down to the music even if i didn't touch it i showed you what to do so that's what he was
13:52that whole bad boy was built on him you cannot take that from him but i think that puppy wanted
14:09the light like he always wanted from dancing the whole now you see anybody that's boasts and loud
14:14like that they want to be in the spotlight it wasn't like no secret that's what he wanted
14:19six foot three three hundred thirty five pound shug knight has managed to become the head of a
14:27hundred million dollar record company it's the record label at ground zero of the whole gangsta rap
14:32phenomenon death row records shug was about that money but he didn't want to be in that limelight
14:40like puff he had his own lane you're a big guy and there are people who are afraid of you
14:46it's probably people who are afraid of you back in 1988 the person who did the greatest job or
14:52protecting me was the head of my security at the time shug knight right now i'm on the heartbreak tour
14:57with bobby brown and new addition and we've been out we're about to get on the tour bus and these dudes
15:02came over and they was like talking crazy y'all niggas this y'all niggas that this this this
15:07and i seen shug kind of just turn this way and gave him one of these bow like that and knocked dude
15:18down the hill and it looked like a cartoon dude was rolling down the hill boom boom it's tim's came off
15:24he's a street dude he's a real street dude but shug knew talent and he knew business
15:31they took me on tour and i learned how every person who's writing songs is getting beat out
15:37their money like they're publishing he was able to dovetail that into starting death row records
15:43one two three it's a buffo snoop dogey dog and dr drake is at the door
15:48death row can be bigger than motel or sony or one of the brothers death row's gonna be the biggest
15:55record company there is chronic albums the foundation
15:58before bad boy death row was the most successful label in the business
16:03from the depths of the sea back to the black snoop doggie dog sean had admired death row and wanted us
16:10to emulate them and that was my job how do i make bad boy equal to success of death row and of course
16:20my eyes was like this death row they had a head start they had artists they picked superstars up from
16:26of the indie labels we're starting off me and him were friends wow yeah yeah he would pick me up
16:33from the airport you know i was just networking with the brother and uh show me a lot of love
16:38you know i really had thought we were were cool me and puffy we used to run around with each other
16:43he was getting in the business i was in the business
16:45only a few years later bad boy death row death row is the label that pays the two hottest labels
16:57but i would look over at death row and say they're taking care of their artists better than we are
17:02they're putting your head fuck the artists and my thing was opposite it's about me and my people
17:10fuck you craig wasn't happy there death row was courting him because she was opening up a death row
17:19east and and it was found out shot by the thing yes
17:24the source awards was happening in new york city
17:37and behind the scenes people were running back and forth to the next dressing room to the next
17:48dressing room which were in trailers parked outside of madison square garden
17:53how important important is it to have the source award let me just wait in front
17:57you got that
17:59and it escalated with words from the podium at the awards show
18:09any artist out there want to be an artist and want to stay a star
18:13and don't want to have to worry about the executive producer trying to be
18:17all in the videos all on the record dancing come to death row
18:23i'm the executive producer that a comment was made about a little bit earlier
18:36but check this out contrary to what other people may feel
18:40i would like to say that i'm very proud of dr dre
18:43of death row and shook knight for their accomplishments
18:46you know what i'm saying
18:47i'm a positive black man and i make music to bring us together
18:51not to separate us and all this east and west that need to stop
18:55so give it up for everybody from the east and the west that won tonight
18:58one love
19:00sean wants to present strength he wants to show coolness
19:05and then there's a side of him that's all out dark
19:10he processes things differently
19:13he remembers every slight
19:17once again y'all please give it up for all the nominees
19:23before i signed with bad boy i was working at the door of the club in platinum house
19:43every friday we had a bad boy party so puff was dear
19:49suge knight came that night with his friend jake
19:52and i was working the door suge was looking for puff
19:56sean would try to go after people's side chicks
20:03like a girl in atlanta that suge was dealing with
20:08sean wanted me to take fifty thousand dollars out of the overhead account
20:15so he could buy her a diamond necklace
20:17wooing her because she was suge's side piece in atlanta when he came there
20:23real police officer in a real police uniform
20:29came and got on shake
20:31i said man you took the homie we're gonna tear this mother up
20:35he said well i gotta throw him out i said for what
20:38he said he was puppy
20:39suge and jake is being escorted out
20:43the club by the off-duty officer we always had their moonlighting
20:49jake comes out suge come out puff come out
20:53everybody's outside
20:55a man appeared with one hand behind his back
20:59and he was holding a pistol
21:02he touched jake with the pistol
21:06and he looked at suge like this and was shooting
21:10suge friend like this
21:12he shot him five times
21:15suge grabbed that hold to puffy
21:21and the choke hold and put him in the front of him like this
21:25so he was moving puff around like this
21:27in case you shoot him you're gonna shoot puffy
21:29you're not gonna shoot me
21:30puff was like
21:35it's gonna be alright man it's gonna be alright
21:38suge said what you mean it's gonna be alright
21:41he said tell your mama it's gonna be alright
21:44tell your kids it's gonna be alright
21:47and then the shooter ran
21:50ambulance came and took jake to the hospital
21:57a couple days later he died
22:00that's what started the east coast west coast war
22:05Tupac Shakur out of the hospital after surgery from bullet wounds
22:14is convicted on sex charges
22:16after pocket shot in quad studio
22:20he had the rape case
22:21a New York jury convicted the rapper of first degree sexual abuse
22:25but acquitted him of more serious charges
22:31since your period of incarceration at Clinton Correctional Facility
22:36have you taken the time to reflect on your gangster thug image
22:41Pac and Big were friends at one time
22:44but then once Pac is in jail
22:47bad boy and all of his associations were nemesises
22:53when I'm in jail strangers is telling me
22:55you don't know
22:57Big your old boy shot you
22:58cause they bragging
23:00they telling their n****s in jail
23:02yo we just got Pac
23:03once the conflict happens
23:07Pac needed someone strong
23:10that was gonna stand with him
23:13and it had just so happened
23:16that Suge had his own issue with Puffy
23:19so Suge went to jail and visited him
23:23the whole s*** is like some mob s***
23:27into Tupac
23:30a young captain
23:31I'm gonna join the family dog
23:34get me out
23:36Suge Knight first signed Tupac to a recording contract
23:41when Tupac was in this New York state prison
23:44unable to come up with the million dollars needed for bail
23:47while his lawyers appealed a 1995 conviction
23:51for sexual assault
23:52I want everybody to give a big welcome from
23:58Tupac
23:59out on bail rapper Tupac Shakur's
24:04rush to market double album
24:05All Eyes on Me
24:06debuts at number one on this week's billboard chart
24:08with the addition of Tupac
24:10there's no way y'all can stop us now
24:12n****s ain't bad boy
24:14and I say f*** them all
24:16we coming to the east coast to prove there is no fear
24:19overthrow the government y'all got right now
24:21which is bad boy and all that bulls***
24:23and we will bring a new government here
24:24that will feed every person in New York
24:26alright cool man
24:27alright man fix
24:28thanks a lot
24:29Sean tried everything to get Biggie upset
24:33he had to go at him with business
24:36this guy came at us
24:38I was more in a mind frame of
24:42keep your mouth shut big
24:43you know what I'm saying
24:45just don't feed into it
24:47if you feed into it
24:48it's gonna do nothing but escalate
24:50you know what I'm saying
24:51Biggie never wanted to be an enemy to Pac
24:54as things was coming from the west coast
24:56Biggie did not want to give any shots back
25:01when Pac was producing All Eyes on Me
25:03he called us and said
25:05I just f***ed Bigg's
25:08Bigg's wife
25:09we was like what?
25:11first of all f*** your b***h in the clique you claim
25:14west side when we ride come equip we game
25:16you claim to be a player but I f***ed your wife
25:18we b***ed some f***
25:19well that's not true at all
25:20Bigg is so my husband legally
25:22I am having his baby no I'm not
25:24Sean kept putting pressure on Biggie
25:27you gotta answer back
25:29Tupac would have me pissed off you know what I'm saying
25:32and the rumors that's spreading
25:35is on some tip like we set them up
25:38you know what I'm saying and that's crazy
25:40the east coast west coast thing was invented period
25:43because no matter what we all went to the east
25:46they came here went to the west whatever
25:47they wasn't arguing with each other
25:49we was able to roam
25:51fuck Biggie
25:52fuck bad boy
25:53as a staff record label
25:54and as a motherf***ing crew
25:56it was this bad boy in death row
25:58who shot you
25:59and that right there put people in danger
26:02because it made people be like
26:04F you F you
26:05and people started doing stuff for no reason
26:07because it was you know
26:08it's just people that want to ride for each other
26:11and then look what happened
26:12so
26:17doing the street thing
26:19my affiliation was with the Mansfield hustlers
26:24today
26:27we go by Mansfield Gangster Crips now
26:30police say that drugs and violence are being spread
26:33by two long-standing rivals
26:35in the Los Angeles youth gang scene
26:37groups who call themselves Crips
26:39and wear blue colors
26:40and Bloods who wear red
26:42Did you guys provide protection?
26:46Sean Combs was a friend
26:48Christopher Wallace was a friend
26:51Christopher Wallace was a friend
26:53and you know
26:55when we hanging out with our friends
26:57we gonna protect our friends
27:01so they knew
27:02and they were our associates
27:05you got beef with them
27:07you got beef with me
27:08period
27:10A number of reports have come out
27:12Bad Boy Entertainment
27:13had actually hired Crips
27:14for security work out on the west coast
27:15work out on the west coast is that true um we've never hired crips or any other gang faction
27:23to do security for us would be extremely unintelligent to hire um a gang some
27:30gangs to do security a lot of the new york guys come out to la zip is a person that i know
27:37that was puppy's man that was his guy eric von zip is a drug lord from harlem but sean
27:47told me he was his uncle he might have known janice on the fringe he might have known sean's father from
27:53those days zip had a relationship with the south side crips and then he also had a relationship
28:02with us sean said zip can give us protection going back and forth to la because he was in with the
28:09crips and we had a beef with suge knight and the bloods knight dresses in all red the colors of the
28:17drug-dealing blood street gang one of the death row people got jumped by someone at a mall and that
28:27someone was from south side crips one of the crips tried to take a death row chain
28:34i think that was an order from bad boy that was an order from puff because it was specific we want
28:40a death row chain introducing the one and only iron mike tyson
28:48everybody got what they wanted that night people got to see tyson knock a motherfucker out
28:59and tyson with a left hook and selvin is down it's over in the first round
29:07that's probably the reason that the guy was all fucked up in a lot of
29:10shit from fight night when you seen a tyson fight you want to fight
29:24at the fight the guy who was ripped off for the death row chain is with suge and pop
29:31and pop and he just whispers to pop that's him hey hey hey hey hey
29:39it was orlando andersen from southside crips who was connected with puff
29:45next we'll know i see pac like
29:49took your niggas down
29:59That was the foundational moment
30:02when all this was getting out of control.
30:05I'm out of one right now.
30:08I got a couple guys shot and a medical aid shot.
30:15Rapper Tupac Shakur was shot in the chest.
30:17This morning shot multiple times in the chest
30:19in a drive-by shooting.
30:20Death Row record label owner Marion Shug Knight
30:23was also in the car, but his injuries were minor.
30:26Craig called me up.
30:28It was late.
30:30He was out there at the fight
30:32because he was supposed to have performed
30:34at some club that Shug owned.
30:39And I guess Tupac was supposed to come through.
30:41He was like, how come Tupac just got shot?
30:46Craig was, like, scared.
30:48Who was he scared of?
30:50Probably Puff.
30:52He ended up not going to Death Row after that.
30:55Hi, I'm Tabitha Soren with MTV News.
31:01Controversial rapper and actor Tupac Shakur
31:03has died in a Las Vegas hospital
31:05of complications from several...
31:07I was in jail.
31:08I was in jail when he got shot.
31:12There was a lot of niggas in jail
31:13that was celebrating Pac's death.
31:15I'm glad that, uh, I didn't kill anybody
31:20or anybody killed me.
31:22But I damn sure came close.
31:26Police in Las Vegas say they have no motive
31:29for this latest shooting,
31:30but the rapper's troubled past
31:32will certainly be part of the investigation.
31:36Do you know who was responsible
31:38for the killing of Tupac Shakur?
31:40No, I don't.
31:41I think that Sean now,
31:45in my mature mind,
31:47had a lot to do
31:48with the death of Tupac.
31:57In 2006,
31:59I was recruited
32:00to work a task force
32:02that was going to look
32:04at a cold case investigation.
32:06At the time,
32:07Tupac's murder
32:08was an unsolved case.
32:11Gang crimes oftentimes
32:12are difficult to solve
32:14because you don't get
32:14cooperating witnesses.
32:16They want to stick to a code
32:18that typically entails
32:20not cooperating
32:21with law enforcement
32:22and then taking matters
32:23into your own hands.
32:25It ain't my job
32:26to snitch on nobody
32:28because I would never
32:28snitch on nobody.
32:30We had built
32:31a narcotics case
32:32against Keefe D.
32:34Keefe D.
32:35was kind of the shock caller
32:36for the Southside Crips.
32:37He was the most prominent
32:39drug dealer.
32:40He was very influential
32:41in his gang.
32:43His nephew,
32:44Orlando Anderson,
32:45was a very well-known
32:47violent gang member.
32:50Tupac Shakur
32:50had assaulted
32:51Orlando Anderson
32:52just after
32:54the Mike Tyson fight.
32:56So Keefe D.
32:57was potentially looking
32:58at a life sentence
32:59for federal drug trafficking.
33:02We wanted to question him
33:03about his potential role
33:05in the murder of Tupac Shakur.
33:07We let him know
33:08that he could potentially
33:09mitigate some of the damages
33:11if he wanted to come in
33:12and talk to us.
33:14And the U.S. attorney
33:15agreed that they'd allow Keefe D.
33:18to do a proffer session.
33:20Keefe, today what we're going to do,
33:21we're just going to go over
33:22with a fine-tooth comb
33:24through the Las Vegas incident.
33:25We do have to emphasize to you
33:28it's determined
33:29that some of these details
33:30are incorrect
33:31and everything's off the table.
33:32A proffer session
33:34is when a person
33:35facing criminal charges
33:37can answer questions
33:39wherein self-incriminating
33:40information
33:41would not be used
33:42against him
33:43in a criminal prosecution.
33:45Doesn't mean
33:46they have any kind of immunity.
33:49Hey, I want to say
33:51this though too.
33:53I feel like I said
33:54that day
33:54don't bullshit me
33:55and I won't bullshit y'all.
33:57You know what I'm saying?
33:58In the year prior
33:59to the murder
34:00of Tupac Shakur,
34:02he has had several conversations
34:04with Sean Combs.
34:06I met him all.
34:07He gave a party at
34:08the Sella Club
34:11down at Salomonica.
34:12That's where I met him.
34:13The first day I met him.
34:15Sean Combs' affiliation
34:17with the Southside Crips
34:18came by way
34:19of a New York street figure
34:21known as Zip.
34:24Zip set up
34:25the introduction
34:26between Combs
34:27and Keefee Dee
34:28and then they developed
34:30their own relationship.
34:32And Zip in the Duce
34:33he said,
34:34this is my boy.
34:34What are you in Zip in the Duce, man?
34:35This is my friend.
34:36This is my nephew.
34:36It's my boy.
34:37My boy.
34:38This is Pup.
34:40And after that
34:40they used my car
34:41on the video.
34:42Which car was I in?
34:44The 64 Chevy I have.
34:47Every time I look
34:48catch you
34:49that's low
34:50What color was it?
34:51Blown.
34:52I was ushered video
34:53and Pup was driving the car.
34:55Usher for her song.
34:55He was in a Laker uniform
34:57and he had the little kid
34:58dancing on my car
34:59when he got back
35:00it was fucked up
35:02and he had to
35:03he paid
35:03to get it repainted.
35:10Pup,
35:10he caused Zip on
35:11and he wanted to speak to me
35:13and they gave it up
35:13he took to her
35:14and then I
35:15he gave us some tickets
35:17and I brought the crew.
35:18I want to hear
35:20a new flavor,
35:20ain't you here?
35:21I want to hear
35:22a new flavor,
35:23yeah,
35:24yeah,
35:25to all the ladies
35:26in the place.
35:27Keefy D says
35:28that Sean Combs
35:29kind of makes
35:30this general announcement
35:33while they were
35:34all inside
35:35of a hotel room
35:36after a musical event.
35:38So it's
35:39Harrell,
35:40Puffy,
35:41Zip,
35:41you.
35:42About 40-some
35:43soft-siders.
35:44Yeah,
35:45that was stupid
35:46as hell too,
35:47you know?
35:49Shit,
35:49he said
35:49he would kill us
35:50anything
35:51for no dudes
35:51there,
35:51you know?
35:52Tupac and Sudden,
35:53you mean?
35:54Yeah.
35:54He said
35:55in front of all
35:56the people
35:56I couldn't believe
35:57him,
35:58you know what I'm saying?
36:00All home full of crips.
36:02So this is after
36:02Jake got killed.
36:04So he was,
36:04he was on point,
36:05he was worried
36:05about something
36:06happening.
36:06Yeah.
36:07Shit got miles off
36:08about a bunch
36:08of different stuff
36:09so he was scared.
36:10He was scared to death.
36:11Yeah.
36:11Okay.
36:13Then there's
36:13a more specific
36:14incident that takes
36:15place at a deli
36:16on Sunset Strip
36:17in Los Angeles,
36:18a place called
36:19Greenblatt's Deli.
36:20What made it
36:21a specific
36:22like,
36:22hey,
36:22I'm serious,
36:23I want you guys
36:24to kill this,
36:24these guys?
36:26Well,
36:26he told me
36:27the Greenblatt.
36:29When we got there
36:30we were laughing
36:30at him
36:31because he was
36:32just broad
36:33and sucked dick
36:33to suck every dick
36:35in there.
36:35He was hugged up
36:36kissing or whatever
36:37we was laughing
36:37like a woman.
36:38Like,
36:38man,
36:39what you laughing
36:39at, dog?
36:40Man,
36:41don't just come
36:41out here
36:42and get in
36:42any broad, dog.
36:44I took him
36:45downstairs
36:45and he's like,
36:46man,
36:46I gotta get rid
36:47of those dudes,
36:48man.
36:48It would be
36:49a problem.
36:53It was after
36:54he made the record.
36:55Hit him up,
36:55came out.
36:56Yeah,
36:56yeah,
36:56that pissed him
36:57off.
37:01Yeah,
37:01we were
37:02on a million.
37:05He tells you,
37:06seriously,
37:06man,
37:06I need to get rid
37:07of these guys.
37:07I mean,
37:08he's looking at you
37:08in the eyes
37:09and he's like,
37:10scared.
37:10Yeah.
37:11You tell him,
37:12we'll do it
37:13for a million
37:13and he's like,
37:14okay,
37:15I'll do it
37:16for a million?
37:17He agrees,
37:17shake on it
37:18or something
37:18like that?
37:19Yeah.
37:20What happened?
37:21You know,
37:21he, uh,
37:23I meant our shit
37:24out,
37:24we'll wipe
37:24the ass
37:25out quick.
37:26You know,
37:26it's nothing.
37:29Here we go,
37:30round one,
37:31scheduled for 12.
37:32And Tyson
37:33comes right out,
37:34right into...
37:34He says that
37:35when Las Vegas
37:36happens and
37:37they're all out
37:37there and his
37:38nephew gets
37:39assaulted by Tupac,
37:40they're like,
37:40this is the
37:41perfect occasion.
37:42We was eating
37:44and my head
37:45came and said,
37:46he's a beat
37:47up man.
37:49And we was in
37:49the hotel,
37:50yeah,
37:51at the MGM
37:52and the restaurant.
37:53There was a few
37:53New Yorkers
37:54though,
37:54with Zip.
37:57Like,
37:57man,
37:57y'all need some help?
37:59We got this.
38:00It's your perfect
38:01opportunity,
38:02baby.
38:03That was Zip
38:03coming?
38:04Yeah.
38:04Because of what
38:05happened with...
38:05Yeah.
38:06Yeah.
38:07We and I don't
38:08because we was down
38:09there and,
38:10he told me
38:10in the lobby
38:11that he had
38:11some jimmies.
38:13Someone had a jimmie
38:14and a bans.
38:17He had a little
38:17secret compartment.
38:19The thing popped out.
38:21The vehicle
38:22that Zip was driving
38:23that night
38:24reportedly had
38:25what we call
38:25a trap in it,
38:27which is a
38:27concealed compartment
38:29where you can
38:30place a gun.
38:32It's a difficult
38:33thing to find.
38:35Zip had driven
38:36that car
38:37to Las Vegas.
38:39A few days
38:40before Tupac
38:41was murdered,
38:42Sean requested
38:43that we rent
38:45cars
38:46and have
38:48multiple drivers
38:49drive clear
38:51across the country
38:52to this fight.
38:55But I arranged
38:56through my budget
38:58to make that trip
38:59happen
39:00for those drivers.
39:01And to this day,
39:03it stands out
39:03in my mind.
39:04Why did we rent
39:06multiple cars?
39:08Why did we hire
39:08people from Harlem
39:10and other locations
39:11to drive?
39:16You tell us if,
39:17hey, we're going to go
39:18handle this shit
39:18or whatever?
39:19Yeah, they asked,
39:20like,
39:20if y'all want us to come,
39:22I'm like,
39:22we know where
39:23them motherfuckers at.
39:24They were telling us
39:24they're going to be
39:25at the 662 Club.
39:26Two cars go to 662?
39:28Yeah.
39:29The van and the cabin.
39:30They didn't show up.
39:32We waited about 15,
39:3420 minutes.
39:34They didn't show up.
39:36So they was like,
39:37let's go get some liquor.
39:39And we came up
39:40at Harlem
39:41at the Las Vegas
39:43Willow Art.
39:44And, oh, shit,
39:45here they coming
39:46at BMW.
39:47Can't get car.
39:48On their way
39:49to the club,
39:50Suge is blaring
39:51his music too loud.
39:53He gets pulled over
39:54by some police officers.
39:56They essentially,
39:57you know, say,
39:58just turn down your music.
39:59No big deal.
40:00And it's at this point
40:01in time that Suge
40:03and Tupac
40:04see these girls.
40:06Like, they're Suge, Suge.
40:08Like, the police
40:08were going through
40:09his car
40:09or something or another.
40:10And then the traffic
40:12was stopped
40:13and then they got
40:13in the car.
40:14Did you see
40:15who was with Suge?
40:16I thought it was Tupac.
40:18And then he was like,
40:19come on,
40:20come go with me.
40:21Come go with us.
40:22We're going to 662.
40:23I'm browsing.
40:25Tupac, Tupac.
40:27And we like,
40:27there they go.
40:28Just one of the new
40:29turn.
40:30And we just pulled up
40:31on the side
40:31and checked every car
40:32to see where they was.
40:33So what directed
40:34your attention to him
40:35with some girl shouting
40:36at Tupac?
40:38Tupac!
40:38He gave us up away.
40:39Otherwise,
40:40it would have gone away.
40:42And he leaned over
40:44on the window.
40:45We rolled down the window,
40:46popped.
40:48Should have looked over,
40:49he sees you.
40:49and now he's going to have him.
40:52Okay.
40:54Fucking don't eat
40:55until the summer
40:55we were seven,
40:56eight years old.
40:58I seen a bully
40:59going,
40:59should have had.
41:00I thought he was dead.
41:02I thought he was dead.
41:04If you knew
41:05who killed Tupac,
41:06would you tell the police?
41:08Absolutely not.
41:10I'm going to park the car
41:12and I put the gun
41:14on the tire and left.
41:15Where'd you guys go?
41:16We smoke weed and rain.
41:18Yeah.
41:18Wait.
41:19What?
41:20It's a hotel.
41:20They're partying in the room.
41:22And they pulled up
41:23in the ambulance
41:23while we're standing
41:25right there.
41:26Take off bullshit.
41:28You guys on the street
41:29with what?
41:29We on Las Vegas
41:30Boulevard at the crosswalk
41:31and they pull up
41:32the ambulance
41:33right next to us.
41:34With him on the car already?
41:36Tupac in the car.
41:38It's close.
41:40Did they see you?
41:41They couldn't see.
41:42We didn't give a fuck.
41:43We didn't give a fuck.
41:44I'm talking about
41:44the ambulance
41:45to park right here.
41:46Right next to us.
41:47That shit was funny
41:48as a moment.
41:49Come on.
41:52And I haven't ever
41:53told nobody this.
41:56So you get back to L.A.
41:57the next day,
41:58Zip calls you.
41:59Says,
41:59meet me at the hot
42:00with the place we're at.
42:02We're going to melt
42:02into my peace.
42:04You guys go over there.
42:04Zip shows up.
42:05You guys,
42:06what happens to that?
42:07Poked people called it.
42:08Was that us?
42:08That us?
42:09He told them,
42:09yeah, it was us.
42:10On Zip's phone
42:11or your phone?
42:11On Zip's phone.
42:13And Zip gives you
42:14the phone?
42:15Yeah.
42:16People say,
42:17well, that us?
42:18He was happy in there
42:19or shit.
42:20And did you ask him
42:20the other body's money?
42:21When you're going to get paid
42:22or whatever?
42:22No, I don't know
42:23how to say that
42:24on the phone.
42:24On Zip.
42:25Go get our cash.
42:27Okay, so you tell Zip
42:28we need to get paid.
42:30What does Zip say?
42:31I'm going to go back home
42:32and have...
42:32Yeah, I'll get back
42:33with y'all.
42:33According to Keefy D,
42:38he was never compensated
42:39for the murder.
42:42But he said
42:43that a partial amount
42:45of the money
42:45was intended
42:46to be forwarded
42:47to him
42:48through Zip
42:49to the tune
42:50of about $500,000.
42:52The million dollar
42:54solicitation amount,
42:56only half of it
42:57was fulfilled
42:58because only Tupac
42:59and not Shug
43:01was killed.
43:03Keefy D has a conversation
43:05with Darius Rogers
43:06with DMACC.
43:12And DMACC says
43:13there had been
43:14a payment
43:15from Combs
43:16to Keefy D,
43:18but it had gone
43:19through Zip
43:20and then that money
43:21was never forwarded.
43:23We're just hoping
43:27and waiting
43:28to see
43:28what kind of progress
43:29Las Vegas would make
43:31with Keefy D's cooperation.
43:35Nothing really happens.
43:39Ultimately,
43:40Zip dies from cancer.
43:42Thank you for coming
43:43out to Zips
43:44and I want everybody
43:45to know that
43:46when you come here,
43:47we want to keep
43:48the peace.
43:49And Orlando Anderson
43:50is shot and killed
43:51in 1998.
43:53So
43:54it's really
43:55Keefy D
43:55and Puffy Combs
43:57are the last men standing
43:58that can be held accountable
44:00for Tupac Shakur's murder.
44:01waiting patiently looking
44:14to see if that's you.
44:15take that off.
44:18All right.
44:19I'm going to put it
44:20sign up.
44:21I'm going to want to check.
44:22All right.
44:23I'm at the sign.
44:25Take that off.
44:30All right.
44:45Let's move my groove.
44:46What goes up.
44:56Must come down.
44:57What goes down.
44:59Must come up.
45:00Fuck.
45:01I remember 99,
45:06we were working in the studio
45:07on a song called
45:08Muscle Gang.
45:10The song comes on
45:18and Puff was talking
45:19in the beginning.
45:20It's 1999.
45:24No more Mr. Nice guys.
45:26I'm like,
45:26what is he talking about?
45:29Fuck with me,
45:30I drop a million dollars
45:31on your head.
45:32Erase you in your own family.
45:33It's going to start
45:34making young niggas disappear.
45:35Everything that's done
45:37in the dark
45:38must come to light.
45:40Everything that goes up
45:41must come down.
45:42All right.
45:44PPI.
45:49Yeah, I'm headed to
46:04113 for Lennox,
46:05Miss King.
46:05I got to catch my man
46:06up there.
46:07I'll see you up there.
46:09Are y'all rolling?
46:10Yeah, we rolling.
46:22With the backdrop
46:23of East Coast,
46:25West Coast beef,
46:26Sean took Biggie
46:27to Los Angeles
46:28to record
46:30what would be
46:31the finishing touches
46:32on Biggie's
46:33Life After Death album.
46:34which wasn't titled
46:35that yet.
46:41Yo.
46:42Yo, baby, wake up.
46:43Wake up, baby.
46:43Diddy, what the fuck, man?
46:44What's up?
46:45Come on, man.
46:46It's a quarter to six.
46:46We got the 7.30 flight
46:48on the LAX.
46:49Oh.
46:50Kelly?
46:51No doubt, baby.
46:53We have been warned
46:54to not come to LA.
46:57There were warnings
46:57things all along
46:58for the last few months
46:59that we are not
47:00to set foot
47:01on the West Coast.
47:04It was awards show season
47:06and Sean wanted him
47:08to start promoting
47:09and Sean wanted him
47:10to start promoting the album.
47:11Come on, Song Train.
47:12Get up out your seats.
47:13Come on.
47:14Get up out your seats.
47:16Biggie did not want to go,
47:18but Sean talked him
47:20into doing all of those things.
47:22Down low.
47:23Get up out your seats.
47:24Come on.
47:25Those high pop
47:26for freaks
47:26all the honey.
47:27They were like
47:28catcalling
47:29and booing.
47:37What's up, Kelly?
47:39We were not welcome.
47:42After the awards show
47:43Saturday morning,
47:46Biggie and I
47:46were to go to London
47:47and we were going to have
47:48a two, three day
47:49press jump gig
47:50to have Biggie
47:51be one of the first artists
47:53from Bad Boy
47:54to meet the European press.
47:55I had worked on that
47:58for months and weeks
47:58leading up.
48:00We were supposed to go
48:01to the airport
48:02that morning.
48:04I'm calling Biggie
48:04like crazy.
48:05What's going on?
48:06Wake up.
48:07He's like, yo,
48:08Puff is bugging.
48:09He just called me
48:10and told me,
48:11I want you to stay here
48:12in L.A.
48:13I don't want to stay.
48:14I want to go.
48:16But Sean was adamant.
48:20Cancel the flight.
48:22Biggie's not going
48:23to the U.K.
48:24What do you mean
48:24he's not going to the U.K.?
48:25Clip.
48:25He hangs up.
48:27This was his M.O.
48:29Ego, power, tripping.
48:32All of it because
48:34Sean wanted to do
48:35a party
48:36on enemy turf.
48:42Scared to death.
48:46That's how real it is.
48:47I think somebody's
48:48trying to kill me.
48:49I'll be waking up paranoid.
48:50I'll be really scared.
48:52I'll just be peril.
48:55That night,
48:59Big and Puffy
49:02was with us.
49:08They were having a party.
49:10I spoke to Big.
49:17And I was like,
49:17yo, man, you know,
49:19what are you doing?
49:21Catching L.A., man,
49:23they get down
49:24in these circumstances, man,
49:25and you just can't be
49:26walking around here freely.
49:29Everybody's mingling.
49:37I look around,
49:42I say,
49:43where's Big?
49:45I want to get out.
49:47Get out.
49:48They running this shit.
49:49Wait, hold up, hold up.
49:50It's the street.
49:52Zoom in.
49:52Zoom in.
49:53Run in this shit.
49:57So...
49:58That's big of me.
50:03That is big of me.
50:04That is big of me.
50:05That is big of me.
50:06Somebody got shot.
50:07Y'all get down.
50:08What are you reporting?
50:11Yeah, we need an ambulance
50:13on Fairfax and Wilshire.
50:15Please, Los Angeles.
50:16We have a man shot.
50:17We have a man shot.
50:18Wilshire Boulevard.
50:19Okay, hold on.
50:20I'll get down.
50:20Right on the floor
50:20on the Wilshire and Fairfax.
50:22Straight up Fairfax.
50:24Let's go, let's go.
50:24Sir, hold on.
50:26Listen, sir.
50:26I can't hear what you're saying.
50:29We're man shot
50:29in our car right now.
50:31Right now,
50:32we're trying to roll
50:32into the hospital.
50:34I know the way.
50:35See the sign-up.
50:36Oh, shit.
50:37You gotta go back.
50:38You gotta turn around, Jimmy.
50:39You're going the wrong way.
50:40What the fuck is wrong
50:41with y'all, man?
50:42What's going on?
50:43Yo, Big, you know what I mean?
50:44Yeah, what's up on the end thing?
50:46What's up on the end thing?
50:47What's up on the end?
50:48Big!
50:51I was following Big's lead
50:52on like, you know,
50:53we're going to do this peace tour.
50:56And, you know,
50:59it didn't work out.
51:01Sean said it on
51:02can't stop, won't stop.
51:03Biggie wanted to go.
51:05Quick or left, man.
51:07Big, you hear me, baby?
51:09He's lying about that.
51:13Sean wanted that trip
51:14and was pushing it
51:16for weeks and weeks.
51:18He lied about it
51:19and let me know
51:21that's a weak spot for him
51:23and he's nervous
51:24about that information.
51:25That's the F.
51:26That's what's prowling over there.
51:28I go push this.
51:29What kind of let this thing
51:30I go do?
51:31He ushered Biggie
51:32to his death.
51:38Who do you think
51:38called Biggie?
51:42Next question.
51:46All it was
51:47is a Puffy and Suge Knight war.
51:50You're messing with lives here
51:51and that's exactly
51:52what happened.
51:54Two lives were lost
51:54as a result of what?
51:57Stupidity?
51:57When I sat down
51:59with Valetta
52:00we briefly brought up
52:01Sean Combs.
52:03It was clear to me
52:04that she had no real respect
52:06or appreciation for him.
52:08Sean clearly didn't do
52:09all that he could have done
52:10to help out
52:11in the investigation.
52:13In fact,
52:13he was a hindrance
52:14in the investigation.
52:16Puffy was kind of
52:17stonewalling people
52:18from talking
52:19because he knows
52:20if you make inroads
52:22on Biggie's murder
52:23you're going to make
52:24inroads on Tupac's murder
52:26and that potentially
52:27can lead right back
52:28to him.
52:31How are Biggie's mom
52:33and Faith
52:33and the kids
52:34taking all this?
52:36Biggie's mom's
52:37and Faith
52:37and the children
52:38are extremely strong.
52:39They've been,
52:40matter of fact,
52:40they've been strong
52:42for me
52:42and helping
52:42to hold me up.
52:44Sean assumed
52:46the position
52:46of his best friend
52:48in every article
52:49and publication
52:51and that wasn't
52:53necessarily true.
52:54And I'm going
52:55to be there for them
52:56just like he would
52:57be there for them
52:57to make sure
52:58that they're all right.
52:59Sean said,
53:00we're going to do
53:00the biggest funeral
53:01for Biggie
53:02that New York
53:03has ever seen.
53:05And we start
53:06to put that together.
53:07He starts to see
53:08the price.
53:10And he says,
53:10we're going to do
53:10the biggest funeral
53:11but Biggie's going to
53:13have to pay
53:13for this funeral.
53:16He was going
53:16to make the funeral
53:17be a recoupable
53:19charge
53:20to Biggie
53:21in death.
53:23This is one
53:24of my closest friends
53:25and it's still
53:26one of my closest friends.
53:28I just,
53:29I feel his loss.
53:30I just miss him
53:31so much.
53:33Sean doing
53:34a big show
53:35looks good on him.
53:38But he's not
53:38going to tell the world
53:39that Biggie
53:40was going to pay for it.
53:41in Bestar, Brooklyn,
53:51the whole hood
53:53was outside.
53:55If you could make it there,
53:56you was there.
53:58It was a big loss
54:00for the city.
54:02I loved Biggie.
54:04Biggie inspired me.
54:05He gave me hope.
54:06He made us feel
54:07like you was
54:07from the town.
54:08You could make it.
54:09We loved Biggie
54:10so it was like
54:11losing a family member.
54:14He just wanted
54:15to be a rap superstar.
54:17He didn't want
54:18to hurt nobody.
54:21He was probably
54:21one of the only people
54:22I had really trusted
54:23like for a long time.
54:25It's not a feeling
54:25that I really felt a lot
54:27like in my life.
54:28I don't really have
54:29a lot of friends.
54:30I think people think
54:31I have a lot
54:31of friends,
54:32you know.
54:34I don't think
54:35I really make
54:36a good friend.
54:38Before he was assassinated,
54:40Biggie had an opportunity
54:42to be on the cover
54:44of Rolling Stone.
54:46We were delivering
54:47the elements
54:48so that can happen
54:49and Sean called me
54:50and said,
54:51pull that cover.
54:52I need to be
54:53on the cover.
54:54My solo album
54:55is coming in July,
54:57No Way Out,
54:58and I need
54:58to amp that up.
55:01He took the cover
55:03from Biggie.
55:09Another thing
55:09at the time,
55:10Biggie was negotiating
55:12his contract.
55:13Every day I wake up.
55:16We acquiesced
55:17and gave him
55:18everything he wanted,
55:19and then he died.
55:20Can't believe
55:21you ain't here.
55:23Sean wanted me
55:25to change the agreement
55:27to more favorable
55:28terms for Bad Boy
55:30and his family
55:31and their mother
55:31would not know.
55:33And since he had
55:33signed the agreement,
55:35he wanted those changes
55:37to come from
55:38out of the center
55:39of the agreement
55:40and have those pages
55:41replaced with
55:42the other terms.
55:43And I said,
55:44that's not right.
55:44I'm not doing it.
55:4690 days later,
55:47I'm fired.
55:49It's like I feel
55:50empty inside
55:51without you being here.
55:52I remember Michael Jackson,
56:02the Motown 25 special.
56:03MTV,
56:05Madonna,
56:05like a virgin.
56:06And I remember
56:06Puff
56:07with Sting.
56:08Check it out.
56:10Check it out.
56:16Having a TV moment
56:17in music
56:18is very rare.
56:19It elevates you
56:20to such another level
56:22of superstar.
56:23It made him
56:24rock star, bitch.
56:25It's kind of hard
56:27but you're not around.
56:28Know you in heaven
56:29smiling down.
56:30Watching us
56:31while we pray for you.
56:32He became Among Us.
56:34But now it's him.
56:36Now I'm the man.
56:37It was like a dream
56:38come true
56:39to see the lines
56:41like in front of the stars.
56:43Like people going there
56:44to get my record.
56:46It's crazy.
56:47It all happened
56:47pretty quickly for you
56:48from being an intern
56:49to being on the cover
56:51of the road in snow.
56:53Thanks for Biggie's mother
56:55who's sitting right there
56:56for having a notorious V.I.G.
56:59You've abused everyone
57:00and used most everyone.
57:03Put your legs in the air
57:04for V.I.G.
57:05Everybody put your legs
57:06in the air for stuff.
57:08There are horror stories
57:08like this
57:09all throughout.
57:11Cleared of gun possession
57:12and bribery charges
57:13Sean Puffy Combs
57:15walked out of free man.
57:16Some people speak up
57:17about it.
57:18Most do not.
57:19The first member
57:20is
57:21Aubrey.
57:23It's a pattern with him.
57:26Come in daddy, baby.
57:27Violence was a very
57:29normalized part
57:30of living in that world.
57:31You're a bad boy now.
57:34Allegations of sexual misconduct.
57:36Huffy called
57:36these encounters
57:37free calls.
57:38Witnessed Diddy
57:39abusing Cassie
57:40and that they
57:41encouraged Cassie
57:42to get away from him.
57:45Everything in life
57:46you're going to have
57:46people that are bad
57:47and people that are good.
57:49You know
57:49you have to choose your side.
57:51I'm going to see you
57:52as I'm going to be
57:53there.
57:53I'm going to be
57:54here.
57:54I'm going to be
57:56there.
57:56I'm going to be
57:57here.
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