Sean Combs- The Reckoning - Season 1 Episode 02- What Goes Down Must Come Up
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
📺
TVTranscript
00:00Happy birthday to you, everybody, happy birthday to you, happy birthday to me.
00:30Happy birthday to you, happy birthday to you.
00:38I always looked at him as just being like this rich Harlem cat who just want to dance and make money.
00:44All the ladies look so right, all the papers, all the real players in the motherfucking house, throw your hands in the air.
00:51No violence in them, but every time I turn around, there's violence.
00:57There's violence with his name on it.
01:05At the time, there's this tension that is going on between Pac and Puff.
01:10Puff wanted to work with Pac on a lot of levels business-wise, and Pac wasn't having it.
01:18He was more interested in Biggie and his crew.
01:22Puff was very threatened by Pac.
01:26He was very threatened, especially if you're an executive who wants a guy to make you money, and the guy is saying, no, fuck you.
01:33Around that time, Tupac was going to do a song with Lil Sean at Quiet Studio.
01:43Out of the blue, they wanted me to do the song, so I said, all right.
01:47Stopped off to get some weed, smoked the weed.
01:50Then I was getting a page, where you at, where you at, where you at, why you ain't coming?
01:54I was like, I'm coming, I'm on my way, hold on.
01:56I wasn't thinking, why they want me here so bad?
01:59We're walking up to the building.
02:01Somebody screamed from the upper top of the studio, and it's Lil' Caesar.
02:05He's like, Biggie's side man, right?
02:07We was in the recording with Big and Puff, and I'm yelling, like, yo, Pac.
02:10And he looked up, yo, what's up, little nigga?
02:13I go back in the room, I tell Big, I'm like, yo, Big, Pac downstairs.
02:16He was like, oh, all right, go get him.
02:18Getting to the elevator, and when I was about to walk out, two dudes came from both sides.
02:23Get the fuck back in the elevator.
02:24Ooh.
02:27Recording artist Tupac Shakur was shot five times last night
02:30in a robbery attempt.
02:31After surgery, his condition was upgraded to satisfactory, and he checked out of the hospital
02:36against his doctor's advice.
02:37I think they're trying to rub me out, really.
02:40Robbers don't leave behind $80,000 Rolexes.
02:43You know what I mean?
02:44They don't do that, in case nobody knows.
02:47Let's look at the facts.
02:49Puff is there.
02:52Pac has been shot in New York under your watch.
02:56Question would be, who knew that he was pulling up?
02:59Biggie, knowing myself, had nothing to do whatsoever of Tupac being robbed.
03:08We, we, that's just a fact.
03:10After everything that has unfolded, I have to think twice about how that situation went down.
03:16Do you think Puffy was alive, shooter?
03:18I believe so.
03:19I do believe so.
03:20I have proof.
03:21But you can see now why someone like a Puff would want someone like a Pop out the picture.
03:27You know, Pop was vilified while he was alive, and Puff was exalted.
03:36That's the bigger picture.
03:37That's the bigger picture.
03:38And that's the story that hasn't been told.
03:43THAT'S WHEN they're up.
03:44That's why I just seen a march on fronts.
03:45That's why I had to do it.
03:46That's why I didn't hear that.
03:47Yeah, he was just a snag.
03:48That's why I am not saying that.
03:49That's why I didn't think that was a good feeling.
03:50That's why I had to be sure, I knew I didn't know how to do that.
03:51I was honest.
03:52I know that I was just a good one, but I didn't even know how to do that.
03:53And I was just said, but no.
03:54I was not saying that it was my king.
03:55I was like, I don't know how to do that.
03:56I didn't know how to do that.
03:57I was about to figure this out.
03:59I was so sorry.
04:00So, diversity makes me think a tick longer.
04:03Yeah, which they clearly think...
04:04This shit is not fucking crazy.
04:06There's a whole lot of crazy shit going on.
04:08You know what I'm saying?
04:09I saw them knock a bad way going down.
04:11Yeah.
04:12Like, that shit was crazy to me.
04:13That shit wasn't there.
04:14It was just a sign to me, like...
04:16Nigga.
04:17Time to go to the future.
04:18Time to go to the future.
04:19I was a little builder.
04:21Compared to the building, now I got ready for you, son.
04:23You know what I'm saying?
04:24It was a sign to me like that, but I'm saying...
04:26That shit was there, like, two months ago, right?
04:29I'm not tripping, tripping.
04:30Yeah, everyone is there, yeah.
04:40Puff is in this position where he has all this turmoil,
04:46but he's not at the point where he's saying,
04:47well, I went wrong.
04:50He's saying to himself, how do I get out of this?
04:54Maybe I can convince some witnesses
04:56that I'm not the guy who I am.
05:00Eventually, he's going to get to the point
05:02where he's going to ask himself,
05:03how did I get myself into this situation?
05:06Bad Boy.
05:10Oh!
05:11Oh!
05:12Oh!
05:12Oh!
05:13Oh!
05:14Oh!
05:15Oh!
05:16This is mad, I get...
05:18Ninety-five, he had two of the hottest acts.
05:20Craig Mack gave us flavor in your ear.
05:22Here goes the brand new flavor, yeah.
05:24The brand new flavor, yeah.
05:25Time for new flavor, yeah.
05:27And Biggie.
05:28You gotta come up in your waist, please don't suit up the place.
05:30Wow.
05:31Cause I see some ladies tonight that should be having my...
05:34Bad boy was rising up.
05:36My little lab right here, you know, where I cut my deals and all that.
05:39Got my little headset.
05:41Living out a dream, you know what I'm saying?
05:42One time, Sean was in his office, and I'm in a little cubby hole around the corner.
05:47He buzzes me.
05:50So I get up and I go in with my papers and go.
05:53A girl is giving him a blowjob at the desk.
05:56He wanted me to see that.
05:58He wanted me to see her face.
06:00And then he was able to get her to do that right then and there in the office.
06:04She leaves.
06:05What did you want me for?
06:07I didn't want you for anything.
06:10That was the beginning for me to see, this is what's going on here.
06:15Can everybody here make some noise for B.I.G. for bringing it back to the East?
06:20So the C's for all of this was early on.
06:23I want to thank y'all.
06:24Alistair Wiggins, BMG.
06:25And that came from people in the industry co-signing his activity because it brought money in.
06:36I don't know if y'all niggas know this.
06:38The Juicy with platinum.
06:40Big Pumper with platinum.
06:42In your ear remix with platinum.
06:45That whole bad boy thing was so big.
06:49Faith Evans.
06:50I'm going to be first lady on Puff Daddy's Lady.
06:52Total biggie.
06:58I'm Craig Mack.
06:59The thing over here is Craig Mack.
07:02It was a consistent back-to-back-to-back-to-back.
07:06So let me just give you a day in the life of Puff Daddy.
07:12Gets up from wherever he stayed that night.
07:17Heads to the office two hours late.
07:19You might have somebody pulling him over saying, hey, ain't you in that video?
07:22Ain't that you?
07:23Oh, yo, here go a demo.
07:24Puffy's over there.
07:25Yo, what's up, Puff?
07:27How you doing, baby, bro?
07:28Just doing all that piece.
07:29Had the big baseball bat cell phones.
07:31And the phone might ring.
07:32Such and such is on the phone calling from jail.
07:35Yo, I'm coming home.
07:36You might have a group standing in front of the office, already with the microphone,
07:41ready to sing, you love me, I love you, just to get their shot at Puffy.
07:46Everybody wants to see him.
07:48He is now the new gateway into music.
07:53You're going to take all of this power and money you're getting now and play by the rules?
07:59No, I'm the rule now.
08:00I am the exception to the rule.
08:02One day, it seemed like out of the blue, my door opens up.
08:15Sean walks in.
08:19He had a baseball bat.
08:21Had a big attaché case suitcase with the snaps on it.
08:25The stocks were there.
08:27We in a fucking hustle.
08:28We in a grind.
08:29Do your job.
08:30Whatever your...
08:30He wanted me to sign my 25% over.
08:34And Diddy's over me like this.
08:36He wants to stop that.
08:38He wants it now.
08:40I'm not going to stay fucking lying down.
08:42I'm not.
08:42I can't do that, man.
08:43He said, there's a business deal I need to take care of.
08:46I need to do this.
08:47I need to get this all on one side, but I'll give it back to you.
08:50I'm going to give it back to you.
08:52It's a fucking fight.
08:53You don't know how to be a count.
08:56And he threatened until I did.
09:02People always say to me, why would you do that?
09:06Why did you do that?
09:09I didn't want to give it back.
09:16I wanted to stay in good graces.
09:18I still wanted to be at the company.
09:21It wasn't like he was firing me.
09:23But I was definitely confused by it.
09:27It might sound strange, but if you've ever built something and you want it to last,
09:35you think about how to make it last.
09:39I thought he was kind of cool at first, and then we started seeing some things.
09:59Craig started becoming disenchanted.
10:03I want to congratulate Craig Mack on his Grammy nomination.
10:06I didn't question you.
10:07Yes, baby.
10:07Yeah, that's cool.
10:09Yo, you got nominated for a Grammy, but we had no money.
10:14If you look at Bad Boy, Bad Boy didn't sell enough records to explain his wealth.
10:21Sean's trick was, I'm going to make you a star.
10:32You sign, follow the money.
10:34That's what you're going to try to do as hard as you can.
10:36You're going to try your best, and we know you're going to try your best.
10:40So you sign your deal.
10:41We gave you your advance.
10:42At Uptown, that's the only money the artists have ever seen, that first advance.
10:46Andre had to wait it.
10:47He never saw anything else.
10:48Did he pick that up?
10:50He made it even tighter.
10:52Don't leave the girl around me, true player for real.
10:55Let's pump that deep.
10:56It's a shell game.
10:58You hide everything that is an earning.
11:01You confuse the earnings.
11:03And now I own everything.
11:05You'll go out into the world.
11:06In the shell game, you'll be looking for your money for the next 20 years.
11:10Sean did that to every artist.
11:11You're in the studio.
11:15Now you have to recoup for being in the studio.
11:18Puff owns the studio.
11:21And I have four sessions with you, only $400,000.
11:25If Puff records a song with his artist, he pays himself.
11:31If he's in your video, he pays himself.
11:34He inserts himself into their videos.
11:37A video come on, you'll be like, I fucking hate that guy.
11:40As an artist, you can go number one.
11:42Song is being played all over the nation.
11:45But you don't have the money to go to it because you're not making the proper money off of your royalties.
11:51Craig and I hit a point where we were fucked up.
11:57No money, nothing.
11:58Hell, I was getting money from my father to take care of the house.
12:05We were all at, like, somebody's album release party.
12:09And Craig's gonna tell Puff to give him a few dollars, and he'll hit him back once he went and did this show.
12:14He literally went in his pocket and pulled out a knot of money this big and gave him $100 bill.
12:27You really just don't give a fuck.
12:31I think Sean had an envy for his own artists.
12:36He was jealous of their talent and wondering, like, this talent is wasted on people who don't even really know what to do.
12:43And if I had that talent in my know-how, wow.
12:47That's interesting because a lot of people Puffy's age want to grab this mic and rap.
12:52But, Puffy, you wanted to do other things, and you're doing a lot of them.
12:55Can you talk about his skills as a rapper?
12:57Sucks.
12:58He has zero talent musically.
13:00He don't know how to discuss it.
13:01He don't know nothing about R&B.
13:02He don't know none of that stuff.
13:03He used to ask me to always be there on the sessions because I would tell the truth.
13:08I'd be like, that's not it.
13:10People would be there like, yeah, that was tight.
13:11That was tight.
13:12I'd be like, look, yo, for real, you got a lot of people who just tell you anything.
13:16That sucked.
13:18It doesn't sound good, and it makes no sense.
13:22But he always wanted to be an artist.
13:25We're about to just drop our R&B stuff.
13:27The Puff Daddy album.
13:29Yeah, what about the Puff Daddy solo project?
13:31Yeah, we don't like to talk about that.
13:32Hey, Puffy, you know what, Jack is here.
13:33Sean used other methods and ways to get the way he had to go.
13:39Big on strategy, big on swag.
13:44All of those things became important.
13:46When the ball's down to the music, even if I didn't touch it, I showed you what to do.
13:51So that's what he was.
13:52Damn, you know what I'm saying?
13:53What?
13:54Right here, right there.
13:56Damn, you know what I'm saying?
13:56Shit, shit, shit.
13:57Where's the makeup at?
13:58Makeup?
13:59Right here, man.
13:59That whole bad boy was built on him.
14:03You cannot take that from him.
14:07But I think that Puffy wanted the light, like he always wanted.
14:11From dancing the whole night, you see anybody that's boasted and loud like that, they want
14:14to be in the spotlight.
14:17It wasn't like no secret, that's what he wanted.
14:21Six foot three, 335 pound, Shug Knight has managed to become the head of a $100 million
14:28record company.
14:29It's the record label at ground zero of the whole gangster rap phenomenon, Death Row Records.
14:35Shug was about that money, but he didn't want to be in that limelight, like Puff.
14:41He had his own lane.
14:43You're a big guy, and there are people who are afraid of you.
14:47There's probably people who are afraid of you.
14:48Back in 1988, the person who did the greatest job or protected me was the head of my security
14:53at the time, Shug Knight.
14:55Right now, I'm on the heartbreak tour with Bobby Brown, a new addition.
14:58We're about to get on the tour bus, and these dudes came over, and they was like talking
15:04crazy, y'all niggas this, y'all niggas that, this, this, this.
15:07And I seen Shug kind of just turn this way and gave him one of these, like that, and
15:17knocked dude down the hill.
15:19And it looked like a cartoon dude was rolling down the hill, boom, boom, it's Tim's K-Ball.
15:25He's a street dude.
15:26He's a real street dude.
15:27But Shug knew talent, and he knew business.
15:31They took me on tour, and I learned how every person who's writing songs is getting beat
15:37out their money, like they're publishing.
15:39He was able to dovetail that into starting Death Row Records.
15:43Death Row can be bigger than Motown, or Sony, or Warner Brothers.
15:53Death Row's gonna be the biggest record company there is.
15:57Chronic album's the foundation.
15:59Before Bad Boy, Death Row was the most successful label in the business.
16:02From the depths of the sea, back to the block, Snoop Doggy Dog, Kroky.
16:06Sean had admired Death Row and wanted us to emulate them.
16:13And that was my job.
16:15How do I make Bad Boy equal to success of Death Row?
16:19And of course, my eyes was like this.
16:21Death Row?
16:22They had a head start.
16:24They had artists.
16:25They picked superstars up from other indie labels.
16:27We're starting off.
16:29Me and him were friends.
16:31Wow.
16:31Who should be?
16:32Yeah, yeah.
16:32He would pick me up from the airport.
16:34You know, I was just networking with the brother, you know, show me a lot of love.
16:38You know, I really had thought we were cool.
16:41Me and Puffy, we used to run around with each other.
16:43He was getting in the business.
16:44I was in the business.
16:46Living life without fear.
16:48Only a few years later, Bad Boy, Death Row.
16:52Death Row is the label that pays, man.
16:54The two hottest labels.
16:58But I would look over at Death Row and say,
17:00they're taking care of their artists better than we are.
17:02They're putting your head, fuck the artists.
17:07And my thing was opposite.
17:08It's about me and my people.
17:10Fuck you.
17:12Craig wasn't happy there.
17:15Death Row was courting him because she was opening up a Death Row East.
17:20And it was found out.
17:22Shot by the finger.
17:24Yes.
17:24It's the Source Hip Hop Music Awards.
17:34The Source Awards was happening in New York City.
17:42Come on, New York.
17:44And behind the scenes, people were running back and forth to the next dressing room,
17:48to the next dressing room, which were in trailers,
17:50parked outside of Madison Square Garden.
17:54How important is it to have the Source Awards?
17:57Let me just wait in front.
17:58You got that?
17:59Come on, man.
18:00Who's banging on the door like that?
18:01You got to tell the truth?
18:02Dog, what is the deal, man?
18:04Keep the door closed.
18:06And it escalated with words from the podium at the awards show.
18:09Any artists out there who want to be an artist and want to stay a star
18:13and don't want to have to worry about the executive producer trying to be all in the videos,
18:19all on the record, dancing.
18:22Come to Death Row.
18:23Come to Death Row.
18:23I'm the executive producer that our comment was made about a little bit earlier.
18:36But check this out.
18:38Contrary to what other people may feel,
18:40I would like to say that I'm very proud of Dr. Dre,
18:44of Death Row, and Shook Knight for their accomplishments.
18:47You know what I'm saying?
18:48I'm a positive black man,
18:49and I make music to bring us together,
18:52not to separate us,
18:53and all this East and West that need to stop.
18:55So give it up for everybody from the East and the West that won tonight.
18:59One love.
19:01Sean wants to present strength.
19:03He wants to show coolness.
19:07And then there's a side of him that's all out dark.
19:11He processes things differently.
19:13He remembers every slight.
19:18Once again, y'all,
19:20please give it up for all the nominees.
19:36Before I signed with Bad Boy,
19:38I was working at the door of the club
19:41in Platinum House.
19:44Every Friday, we had a bad boy party.
19:47So Puff was there.
19:50Shook Knight came that night with his friend Jake.
19:53And I was working the door.
19:54Shook was looking for Puff.
19:59Sean would try to go after people's side chicks,
20:04like a girl in Atlanta that Shook was dealing with.
20:09Sean wanted me to take $50,000
20:12out of the overhead account
20:15so he could buy her a diamond necklace,
20:18wooing her
20:19because she was Shook's side piece in Atlanta
20:22when he came there.
20:26A real police officer in a real police uniform
20:29came and got on the tape.
20:32I said, man, you touch the homie,
20:34we're going to tear this mother up.
20:35He said, well, I got to throw him out.
20:37I said, for what?
20:38He said, he was Puffy.
20:40Shook and Jake is being escorted out the club
20:44by the off-duty officer we always had there moonlighting.
20:51Jake comes out, Shook come out, Puff come out.
20:54Everybody's outside.
20:55A man appeared with one hand behind his back
20:59and he was holding a pistol.
21:01And he was holding a pistol.
21:04He touched Jake with the pistol
21:06and he looked at Shook like this
21:09and was shooting Shook's friend like this.
21:12and he shot him five times.
21:18Shook grabbed the hold to Puffy
21:21and the choke hold
21:22and put him in the front of him like this.
21:25So he was moving Puff around like this
21:27in case you shoot him.
21:29You're going to shoot Puffy.
21:29You're not going to shoot me.
21:30Puff was like,
21:36it's going to be all right, man.
21:37It's going to be all right.
21:39Shook said, what you mean it's going to be all right?
21:42He said, tell your mama it's going to be all right.
21:45Tell your kids it's going to be all right.
21:47And then the shooter ran.
21:54Ambulance came and took Jake to the hospital.
21:58A couple of days later, he died.
22:02That's what started the East Coast, West Coast war.
22:11Tupac Shakur, out of the hospital
22:13after surgery from bullet wounds,
22:14is convicted on sex charges.
22:17After Puff gets shot in Quad's studio,
22:20he had the rape case.
22:22A New York jury convicted the rapper
22:24of first-degree sexual abuse
22:25but acquitted him of more serious charges.
22:31Since your period of incarceration
22:33at Clinton Correctional Facility,
22:36have you taken the time to reflect
22:37on your gangster thug image?
22:41Puff and Big were friends at one time.
22:44But then once Puff was in jail,
22:47Bad Boy and all of his associations
22:50were nemesises.
22:52When I'm in jail, strangers is telling me.
22:55Yo, you don't know?
22:57Big your old boy shot you.
22:59Because they bragging.
23:00They telling their n****s in jail.
23:02Yo, we just got Puff.
23:03Once the conflict happens,
23:08Puff needed someone strong
23:10that was going to stand with him.
23:13And it had just so happened
23:16that Suge had his own issue with Puffy.
23:20So, Suge went to jail and visited him.
23:24The whole s*** is like some mob s***.
23:29Into Tupac, a young captain.
23:31I'm going to join the family, dog.
23:35Get me out.
23:38Suge Knight first signed Tupac
23:40to a recording contract
23:42when Tupac was in this New York state prison,
23:45unable to come up with the million dollars
23:47needed for bail,
23:48while his lawyers appealed
23:49a 1995 conviction for sexual assault.
23:52I want everybody to give a big welcome
23:57from Tupac.
24:02Out on bail, rapper Tupac Shakur's
24:04rush-to-market double album
24:05All Eyes on Me
24:06debuts at number one
24:07on this week's Billboard chart.
24:08With the addition of Tupac,
24:10there's no way y'all can stop us now.
24:11N****s ain't bad, boy.
24:14I say fuck them all.
24:16We're coming to the East Coast
24:17to prove there is no fear.
24:19Overthrow the government y'all got right now,
24:21which is bad, boy,
24:21and all that bullshit,
24:23and we will bring a new government here
24:24that will feed every person in New York.
24:26All right, cool, man.
24:27All right, man, thanks.
24:28Thanks a lot.
24:30Sean tried everything to get Biggie upset.
24:33He had to go at him with business.
24:36This guy came at us.
24:38I was more in a mind frame,
24:39keep your mouth shut, big.
24:43You know what I'm saying?
24:44Just don't feed into it.
24:47If you feed into it,
24:48it's gonna do nothing but escalate.
24:50You know what I'm saying?
24:50Biggie never wanted to be an enemy to Pac.
24:54As things was coming from the West Coast,
24:56Biggie did not want to give any shots back.
25:01When Pac was producing All Eyes On Me,
25:03he called us and said,
25:05I just fucked Faith Evans,
25:08Big's wife.
25:10We was like, what?
25:11First of all, fuck your bitch
25:12and the clique you claim.
25:14Westside, when we ride,
25:15come equip with game.
25:16You claim to be a player,
25:17but I fucked your wife.
25:19We bust some...
25:19Well, that's not true at all.
25:21Biggie stole my husband legally.
25:23I am having his baby.
25:24No, I'm not.
25:25Sean kept putting pressure on Biggie.
25:27You got to answer back.
25:30Tupac would have me pissed off,
25:31you know what I'm saying?
25:33And the rumors that's spreading
25:35is on some tip like,
25:37we set him up.
25:38You know what I'm saying?
25:39Man, that's crazy.
25:40The East Coast, West Coast thing
25:42was invented, period.
25:44Because no matter what,
25:45we all went to the East,
25:46they came here,
25:47went to the West, whatever.
25:47They wasn't arguing with each other.
25:50We was able to roam.
25:51Fuck Biggie, fuck Bad Boy
25:53as a staff, record label,
25:54and as a motherfucking crew.
25:56It was this Bad Boy in death row.
26:00And that right there
26:01put people in danger
26:02because it made people be like,
26:04F you, F you.
26:05And people started doing stuff
26:06for no reason
26:07because it was, you know,
26:08it's just people
26:09that wanted to ride
26:10for each other.
26:11And then look what happened.
26:13Doing the street thing.
26:19My affiliation
26:20was with the Mansfield hustlers.
26:24Today,
26:25we go by Mansfield
26:29Gangster Crips now.
26:31Police say that drugs
26:32and violence
26:33are being spread
26:33by two long-standing rivals
26:35in the Los Angeles
26:36youth gang scene.
26:38Groups who call themselves
26:39Crips and wear blue colors
26:40and Bloods who wear red.
26:43Did you guys provide protection?
26:46Sean Combs was a friend.
26:51Christopher Wallace
26:52was a friend.
26:54And, you know,
26:55when we're hanging out
26:56with our friends,
26:57we're going to protect
27:00our friends.
27:01So they knew.
27:04And they were our associates.
27:06You got beef with them,
27:08you got beef with me.
27:10Period.
27:11A number of reports
27:12have come out
27:12that Bad Boy Entertainment
27:13had actually hired Crips
27:14for security work
27:15out on the West Coast.
27:16Is that true?
27:18We've never hired Crips
27:21or any other gang faction
27:23to do security for us.
27:25It would be extremely
27:26unintelligent
27:27to hire a gang,
27:29some gangs
27:30to do security for you.
27:32A lot of the New York guys
27:33come out to L.A.
27:35Zip is a person
27:36that I know
27:37that was Puffy's man.
27:40That was his guy.
27:43Eric Von Zip
27:44is a drug lord
27:45from Harlem,
27:46but Sean told me
27:48he was his uncle.
27:49He might have known
27:50Janice on the fringe.
27:52He might have known
27:52Sean's father
27:53from those days.
27:55Zip had a relationship
27:57with the Southside Crips,
27:59and then he also
28:00had a relationship
28:01with us.
28:03Sean said,
28:03Zip can give us protection
28:05going back and forth
28:07to L.A.
28:08because he was
28:09in with the Crips,
28:10and we had a beef
28:11with Suge Knight
28:13and the Bloods.
28:14Knight dresses
28:15in all red,
28:16the colors of the
28:17drug-dealing
28:18Bloods street gang.
28:20One of the death row
28:22people got jumped
28:23by someone
28:25at a mall,
28:27and that someone
28:28was from
28:28Southside Crips.
28:30One of the Crips
28:31tried to take
28:32a death row change.
28:33I think that was
28:35an order from
28:35Bad Boy.
28:36That was an order
28:36from Puff,
28:37because it was
28:39specific.
28:40We want a death row
28:41chain.
28:43Introducing the
28:43one and only
28:44Iron,
28:46Mike Tyson!
28:52Everybody got
28:53what they wanted
28:54to in that.
28:55People got to see
28:56Tyson
28:57knock a motherfucker
28:58out.
28:59And Tyson
29:00with a left hook
29:01and Selvin is down.
29:03It's over
29:03in the first round!
29:07That's probably
29:08the reason
29:09that the guy
29:09was all fucked up
29:10in a lot of shit
29:11from the fight
29:11at night.
29:12When you've seen
29:13a Tyson fight,
29:14you want to fight.
29:15at the fight,
29:26the guy who
29:26was ripped off
29:27for the death row
29:28chain is with
29:30Suge and Pac.
29:32He just
29:32whispers to Pac,
29:34that's him.
29:36Hey, hey, hey!
29:39It was Orlando
29:40Anderson from
29:41Southside Crips
29:42who was connected
29:44with Puff.
29:46Next thing I know,
29:46I see Pac like,
29:47phew!
29:50Took the niggas down.
29:59That was the
30:00foundational moment
30:02when all this
30:03was getting
30:04out of control.
30:05I'm out of one
30:06right now.
30:08I got a couple
30:09guys shot
30:09and medical
30:10A-shot.
30:11Rapper Tupac Shakur
30:16was shot
30:17in the chest
30:17this morning
30:18shot multiple
30:18times in the chest
30:19in a drive-by shooting.
30:20Death row record
30:21label owner
30:22Marion Suge Knight
30:23was also in the car,
30:24but his injuries
30:25were minor.
30:26Craig called me up.
30:28It was late.
30:30He was out there
30:31at the fight
30:32because he was
30:33supposed to have
30:33performed
30:34at some club
30:35that Suge
30:37owned.
30:39And I guess
30:39Tupac was supposed
30:40to come through.
30:41He was like,
30:42how come Tupac
30:44just got shot?
30:46Craig was like,
30:47scared.
30:48Who was he
30:48scared of?
30:50Probably Puff.
30:52He ended up
30:53not going
30:54to death row
30:55after that.
30:55Hi, I'm Tabitha
31:00with MTV News.
31:01Controversial rapper
31:02and actor
31:02Tupac Shakur
31:03has died
31:04in a Las Vegas
31:05hospital
31:05of complications
31:06from several...
31:07I was in jail.
31:08I was in jail
31:09when he got shot.
31:11There was a lot
31:12of niggas in jail
31:13that was celebrating
31:14Puck's death.
31:17I'm glad that
31:18I didn't kill anybody
31:20or anybody killed me.
31:22But I damn
31:23sure came close.
31:26Police in Las Vegas
31:27say they have
31:28no motive
31:29for this latest
31:29shooting.
31:30But the rapper's
31:31troubled past
31:32will certainly
31:32be part
31:33of the investigation.
31:36Do you know
31:37who was responsible
31:38for the killing
31:39of Tupac Shakur?
31:40No, I don't.
31:42I think that
31:44Sean now
31:44in my mature mind
31:47had a lot to do
31:48with the death
31:49of Tupac.
31:57In 2006,
31:59I was recruited
32:00to work a task force
32:02that was going
32:03to look at
32:04a cold case investigation.
32:06At the time,
32:07Tupac's murder
32:08was an unsolved case.
32:11Gang crimes
32:12oftentimes are difficult
32:13to solve
32:14because you don't get
32:14cooperating witnesses.
32:16They want to
32:17stick to a code.
32:18That typically entails
32:20not cooperating
32:21with law enforcement
32:22and then taking matters
32:23into your own hands.
32:25It ain't my job
32:26to snitch on nobody
32:28because I would
32:28never snitch on nobody.
32:30We had built
32:31a narcotics case
32:32against Keefe D.
32:34Keefe D.
32:35was kind of
32:35the shock caller
32:36for the Southside Crips.
32:38He was the most
32:38prominent drug dealer.
32:40He was very influential
32:41in his gang.
32:42and his nephew,
32:44Orlando Anderson,
32:45was a very well-known
32:47violent gang member.
32:50Tupac Shakur
32:50had assaulted
32:51Orlando Anderson
32:52just after
32:54the Mike Tyson fight.
32:56So Keefe D.
32:57was potentially
32:58looking at a life sentence
32:59for federal drug trafficking.
33:02We wanted to question him
33:03about his potential role
33:05in the murder
33:05of Tupac Shakur.
33:07We let him know
33:08that he could potentially
33:09mitigate some of the damages
33:11if he wanted to come in
33:12and talk to us.
33:14And the U.S. attorney
33:15agreed that they'd
33:17allow Keefe D.
33:18to do a proffer session.
33:20Keefe, today what we're
33:21going to do,
33:21we're just going to go
33:22over with a fine-tooth comb
33:24through the Las Vegas incident.
33:25We do have to
33:26emphasize to you
33:28it's determined
33:29that some of these details
33:30are incorrect
33:31and everything's
33:32off the table.
33:33A proffer session
33:34is when a person
33:35facing criminal charges
33:37can answer questions
33:39wherein self-incriminating
33:40information
33:41would not be used
33:42against him
33:43in a criminal prosecution.
33:45Doesn't mean they have
33:46any kind of immunity.
33:49Hey, I want to say
33:51this though too.
33:53I feel like I said
33:54that day,
33:55don't bullshit me
33:55and I won't bullshit y'all.
33:57You know what I'm saying?
33:58In the year prior
33:59to the murder
34:00of Tupac Shakur,
34:02he has had
34:03several conversations
34:04with Sean Combs.
34:06I met him
34:07and he gave a party
34:08at
34:08Southern Club
34:11down in Santa Monica.
34:12That's where I met
34:12the first day
34:13I met Paul.
34:15Sean Combs' affiliation
34:17with the Southside Crips
34:18came by way
34:19of a New York
34:21street figure
34:21known as Zip.
34:24Zip set up
34:25the introduction
34:26between Combs
34:27and Keefee Dee
34:28and then they developed
34:30their own relationship.
34:32And Zip in the Dulce
34:33he said,
34:34this is my boy.
34:34What are you in Zip in the Dulce, man?
34:35This is my friend,
34:36this is my nephew.
34:36That's my boy.
34:37My boy, this is Pup.
34:40And after that
34:40they used my car
34:41on the video.
34:42Which car was I in?
34:44The 64 Chevy I have.
34:47Every time I look
34:48catch you
34:49that's low...
34:50What color was it?
34:51Blown.
34:52I was Usher video
34:53and Pup was driving the car,
34:55Usher birds
34:55or whatever.
34:56He was in a Laker uniform
34:57and he had the little kid
34:58dancing on my car
34:59when he got back.
35:01It was fucked up
35:02and he had to
35:03he paid
35:03to get it repainted.
35:10Pup,
35:10he caused Zip on
35:11and he wanted to speak to me.
35:13They gave it up.
35:14He took to her
35:14and then I
35:15he gave us some tickets
35:17and I brought the crew.
35:18I want to have
35:20a new flavor,
35:20ain't you here?
35:21I want to have
35:22a new flavor.
35:23Yeah.
35:24Yeah.
35:25To all the ladies
35:26in the place.
35:27Keefy D says
35:28that Sean Combs
35:29kind of makes
35:30this general announcement
35:33while they're all
35:34inside of a hotel room
35:36after a musical event.
35:39So it's Harrell,
35:40Puffy, Zip,
35:42you.
35:42About 40-something
35:43soft-siders.
35:44Yeah.
35:45That was stupid
35:46as hell too,
35:47you know?
35:49Shit,
35:49he said he would kill
35:50us anything
35:51for no dudes there,
35:52you know?
35:52Tupac and Suzy,
35:53you mean?
35:54Yeah.
35:54He said it in front
35:56of all those people
35:56I can't believe it.
35:58You know what I'm saying?
36:00All home full of crips.
36:02So this is after Jake
36:03got killed.
36:04So he was on point,
36:05he was worried
36:05about something happening.
36:06Yeah.
36:07He got miles off
36:08about a bunch
36:08of different stuff
36:09so he was scared.
36:10He was scared to death.
36:11Yeah.
36:12Okay.
36:13Then there's
36:13a more specific incident
36:15that takes place
36:16at a deli
36:16on Sunset Strip
36:17in Los Angeles,
36:18a place called
36:19Greenblatt's Deli.
36:20What made it
36:21a specific
36:22like,
36:22hey,
36:22I'm serious,
36:23I want you guys
36:24to kill these guys?
36:26When he told me
36:27at the Greenblatt,
36:29when we got there
36:30we were laughing at him
36:31because he was just
36:32brought a suck dick
36:33to suck every dick
36:35in there.
36:35He was hugged up
36:36kissing or whatever,
36:37we was laughing
36:37like a woman.
36:38I'm like,
36:38man,
36:39what you laughing at,
36:39dog?
36:40Man,
36:41don't just come out
36:42of here
36:42and get in any brawler,
36:43dog.
36:44I took him
36:45downstairs
36:45and he's like,
36:46man,
36:46I gotta get rid
36:47of those dudes,
36:48man.
36:48It would be a problem.
36:53It was after
36:54he made the record.
36:55Hit him up,
36:55came out.
36:56Yeah,
36:56yeah,
36:56that pissed him off.
37:01Yeah,
37:01we were on a million.
37:05He tells you,
37:06seriously,
37:06man,
37:06I need to get rid
37:07of these guys.
37:07I mean,
37:08he's looking at you
37:08in the eyes
37:09and he's like,
37:10scared.
37:10Yeah.
37:11You tell him,
37:12we'll do it for a million
37:13and he's like,
37:14okay,
37:16I'll do it for a million?
37:17Yeah.
37:17He agrees,
37:17you shake on it
37:18or something like that?
37:19Yeah.
37:20What happened?
37:21You know,
37:21he, uh,
37:23I meant our shit out.
37:24We'll wipe the ass out quick.
37:26You know,
37:26it's nothing.
37:29Here we go,
37:30round one,
37:31scheduled for 12.
37:32And Tyson comes right up,
37:34right into...
37:34He says that
37:35when Las Vegas happens
37:36and they're all out there
37:38and his nephew
37:39gets assaulted by Tupac,
37:40they're like,
37:40this is the perfect occasion.
37:42He said he just beat up lame.
37:48And we was in the hotel,
37:50yeah,
37:51at the MGM
37:52and the restaurant.
37:53There was a few New Yorkers
37:54though,
37:54with Zip.
37:56Like,
37:57man,
37:57y'all need some help.
37:59We got this.
38:00It's your perfect opportunity,
38:02baby.
38:03That was Zip coming?
38:04Yeah.
38:04Because of what happened
38:05with...
38:05The vehicle that Zip was driving
38:23that night
38:24reportedly had
38:25what we call
38:25a trap in it,
38:26which is a concealed compartment
38:29where you can place a gun.
38:32It's a difficult thing to find.
38:35Zip had driven
38:36that car
38:37to Las Vegas.
38:39A few days before
38:41Tupac was murdered,
38:42Sean requested
38:43that we rent cars
38:46and have multiple drivers
38:49drive clear across the country
38:52to this fight.
38:55But I arranged
38:56through my budget
38:58to make that trip happen
39:00for those drivers.
39:02And to this day,
39:03it stands out in my mind.
39:05Why did we rent
39:06multiple cars?
39:08Why did we hire people
39:09from Harlem
39:10and other locations
39:11to drive?
39:16You tell us if,
39:17hey, we're going to go
39:18handle this shit
39:18or whatever?
39:19Yeah, they asked,
39:20like,
39:20if y'all want us to come,
39:22I'm like,
39:22we know where
39:23them motherfuckers at.
39:24They were telling us
39:24they're going to be
39:25at the 662 Club.
39:27Two cars go to 662?
39:28The van and the cabin.
39:31They didn't show up.
39:32We waited about 15,
39:3420 minutes.
39:34They didn't show up.
39:36So they were like,
39:37let's go get some liquor.
39:39And we came up
39:40at Harlem
39:41at the Las Vegas
39:43Willow Art.
39:44And, oh, shit,
39:45here they coming at BMW.
39:47They can't get cars.
39:48On their way to the club,
39:50Suge is blaring
39:51his music too loud.
39:53He gets pulled over
39:54by some police officers.
39:56They essentially,
39:57you know, say,
39:58just turn down your music,
39:59no big deal.
40:00And it's at this point
40:01in time that Suge
40:03and Tupac
40:04see these girls.
40:06Like, they're Suge, Suge.
40:08Like, the police
40:08were going through his car
40:09or something or another.
40:10And then the traffic
40:12was stopped
40:13and then they got in the car.
40:14Did you see
40:15who was with Suge?
40:16Um, I thought it was Tupac.
40:18And then he was like,
40:19come on, come go with me.
40:20Come go with them.
40:22We're going to 662.
40:23And Bronson,
40:24Tupac, Tupac.
40:27And we were like,
40:27there you go.
40:28Just wanted to do that.
40:30And we just pulled up
40:31on the side
40:31and checked every car
40:32and see where they was.
40:33So what directed
40:34your attention to them
40:35was some girl shouting
40:36at Tupac?
40:37Tupac, he gave us up away.
40:39Otherwise,
40:40they would have gone away.
40:42And he leaned over
40:44on the window.
40:45We rolled down the window
40:45and popped.
40:48Should've looked over
40:49and he sees you.
40:50Yeah, he's going to have him.
40:52Okay.
40:54Fuck is he doing
40:55what he tells us
40:55when we were seven or eight years old?
40:58I seen a bully
40:59going to shoot again.
41:00I thought he was dead.
41:02I thought he was dead.
41:04If you knew
41:05who killed Tupac,
41:06would you tell the police?
41:08Absolutely not.
41:10I was going to park the car
41:12and I put the gun on the tire
41:14and left.
41:15Where'd you guys go?
41:16We smoke weed and rain.
41:18Yeah.
41:18Wait.
41:19What?
41:20It's a hotel.
41:20It's a party in the room.
41:22And they pulled up
41:23in the ambulance
41:23while we were standing right there.
41:26Take off bullshit.
41:28You guys on the street,
41:29what was it?
41:29We on Las Vegas Boulevard
41:30at the crosswalk
41:31and they pull up
41:32the ambulance
41:33right next to us.
41:34With him on the car already?
41:35With Tupac and Chug in the car.
41:38This is close.
41:40Did they see him?
41:41They couldn't see.
41:42We didn't give a fuck.
41:43We didn't give a fuck.
41:44I'm talking about
41:44the ambulance to park right here.
41:46Right next to us.
41:47That shit was funny as a bull.
41:49Fuck off.
41:52And I haven't ever told nobody
41:53this to ruin me.
41:56So you get back to L.A.
41:57the next day,
41:58Zip calls you.
41:59Says,
41:59meet me at the hot one place.
42:00Where at?
42:01We're in the M.I.P.'s.
42:03You guys go over there.
42:04Zip shows up.
42:05You guys,
42:06what happens to us?
42:07Call people,
42:07call them,
42:08was that us?
42:09He told them,
42:09yeah, it was us.
42:10On Zip's phone
42:11or your phone?
42:11Oh, Zip phone.
42:13And Zip gives you the phone?
42:15Yeah.
42:16People will say,
42:17well, that's us.
42:18He was happy in there.
42:19Oh, shit.
42:20And did you ask him
42:20about his money?
42:21When he was going to get paid
42:22or whatever?
42:22No, I don't know
42:23how to say that
42:24on the phone.
42:24Zip,
42:25go get our cash.
42:27Okay,
42:28so you tell Zip
42:28we need to get paid.
42:30What does Zip say?
42:31I'm going to go back home
42:32and have a...
42:32Yeah,
42:32I'll get back with y'all.
42:33According to Keefy D,
42:38he was never compensated
42:39for the murder.
42:42But he said
42:43that a partial amount
42:45of the money
42:45was intended
42:46to be forwarded
42:47to him
42:48through Zip
42:49to the tune
42:50of about $500,000.
42:52The million-dollar
42:54solicitation amount,
42:56only half of it
42:57was fulfilled
42:58because only Tupac
42:59and not Shug
43:01was killed.
43:01Keefy D
43:03has a conversation
43:05with Darius Rogers
43:06with DMACC.
43:08And DMACC says
43:13there had been
43:14a payment
43:15from Combs
43:16to Keefy D,
43:18but it had gone
43:19through Zip
43:20and then that money
43:21was never forwarded.
43:23We're just hoping
43:27and waiting
43:28to see what kind
43:29of progress
43:29Las Vegas would make
43:31with Keefy D's cooperation.
43:35Nothing really happens.
43:39Ultimately,
43:40Zip dies from cancer.
43:42Thank you for coming
43:43out to Zips
43:44and I want everybody
43:45to know that
43:46when you come here,
43:47we want to keep the peace.
43:48and Orlando Anderson
43:50is shot and killed
43:51in 1998.
43:53So,
43:54it's really Keefy D
43:55and Puffy Combs
43:57are the last men standing.
43:58They can be held accountable
44:00for Tupac Shakur's murder.
44:31Take that off.
44:43Take that off.
44:43All right.
44:45Let's move and groove.
44:48Move and groove.
44:54What goes up
44:55must come down.
44:57What goes down
44:58must come up.
45:00Fuck.
45:01I remember
45:0499
45:05we were working
45:06in the studio
45:07on a song called
45:08Muscle Gang.
45:10This is our game.
45:11The song comes on
45:18and Puff was talking
45:19in the beginning.
45:20It's 1999.
45:24No more Mr. Nice guys.
45:26I'm like,
45:26what is he talking about?
45:29Fuck with me,
45:30I dropped a million dollars
45:31on your head.
45:32Erase you in your own family.
45:33It's gonna start making
45:34young niggas disappear.
45:35everything that's done
45:37in the dark
45:38must come to light.
45:39Everything that goes up
45:41must come down.
45:42All right.
45:44We'll be out.
45:45Yeah, I'm headed to
46:04113 for Lennox, King.
46:05I gotta catch my man
46:06again.
46:06I'll see you up.
46:08Are y'all rolling?
46:10Yeah, we rolling.
46:22With the backdrop
46:23of East Coast,
46:25West Coast beef,
46:26Sean took Biggie
46:27to Los Angeles
46:28to record
46:30what would be
46:31the finishing touches
46:32on Biggie's
46:33Life After Death album,
46:34which wasn't titled
46:35That Yet.
46:41Yo.
46:42Yo, baby, wake up.
46:43Wake up, baby.
46:43Diddy, what the fuck, man?
46:44What's up?
46:45Come on, now.
46:46It's a quarter to six.
46:46We got the 7.30 flight
46:48on to LAX.
46:49Oh, Cali?
46:51No doubt, baby.
46:53We had been warned
46:54to not come to LA.
46:57There were warnings
46:57all along
46:58for the last few months
46:59that we are not
47:00to set foot
47:01on the West Coast.
47:02It was awards show season
47:06and Sean wanted him
47:08to start promoting
47:09the album.
47:11Come on, Song Train.
47:12Get up out your seats.
47:13Come on.
47:14Get up out your seats.
47:16Biggie did not want to go,
47:18but Sean talked him
47:20into doing
47:21all of those things.
47:22Down low.
47:23Get up out your seats.
47:24Come on.
47:25Those high pop
47:26for freaks all the honey.
47:27They were like
47:28catcalling and booing.
47:30What's up, Cali?
47:39We were not welcome.
47:42After the awards show,
47:43Saturday morning,
47:46Biggie and I
47:46were to go to London
47:47and we were going to have
47:48a two, three day
47:49press jump get
47:50to have Biggie
47:51be one of the first artists
47:53from Bad Boy
47:54to meet the European press.
47:56I had worked on that
47:58for months and weeks
47:58leading up.
48:00We were supposed
48:01to go to the airport
48:02that morning.
48:04I'm calling Biggie
48:04like crazy.
48:05What's going on?
48:06Wake up.
48:07He's like, yo,
48:08Puff is bugging.
48:09He just called me
48:10and told me,
48:11I want you to stay
48:12here in L.A.
48:13I don't want to stay.
48:14I want to go.
48:16But Sean was adamant.
48:20Cancel the flight.
48:22Biggie's not going
48:23to the U.K.
48:23What do you mean
48:24he's not going to click?
48:25He hangs up.
48:27This was his M.O.
48:29Ego, power, tripping.
48:33All of it because
48:34Sean wanted to do a party
48:36on enemy turf.
48:42Scared to death.
48:43That's how real it is.
48:47I think somebody's
48:48trying to kill me.
48:49I'll be waking up paranoid.
48:50I'll be really scared.
48:52I'll just be peril.
48:53That night, Big and Puffy
49:02was with us.
49:08They were having a party.
49:15I spoke to Big.
49:17And I was like, yo, man,
49:18you know, what are you doing?
49:22Catching L.A.?
49:23Man, they get down
49:24in these circumstances, man,
49:25and you just can't be
49:26walking around here freely.
49:37Everybody's mingling.
49:41I look around.
49:42I say, where's Big?
49:46I want to get out.
49:47Get out.
49:48Hey, what am I saying?
49:49Wait, hold up, hold up.
49:50Come on, just street.
49:52Zoom in, zoom in.
49:52Zoom in.
49:53I don't see you.
50:01That's big.
50:06Somebody got shot.
50:06Somebody got shot.
50:07Y'all get down.
50:10What are you reporting?
50:11Yeah, we need an ambulance
50:13on Fairfax and Wilshire.
50:14You give him.
50:15Green's, Los Angeles.
50:16We have a man's shot.
50:17we have a shot okay hold on listen sir i can't hear what you're saying
50:28we're man shot in our car right now right now we're trying to roll into the hospital
50:33i was following big's lead on like you know we're going to do this peace tour
50:56and you know it didn't work out sean said it don't can't stop won't stop
51:03biggie wanted to go he's lying about that sean wanted that trip and was pushing it for weeks
51:17and weeks he lied about it and let me know that's a weak spot for him and he's nervous about that
51:24information
51:31he ushered biggie to his death
51:38who do you think about biggie
51:39next question
51:46all it was is a puffy and suge knight war you're messing with lives here and that's exactly what
51:53happened two lives were lost as a result of what stupidity when i sat down with valetta we briefly
52:01brought up sean combs it was clear to me that she had no real respect or appreciation for him
52:08sean clearly didn't do all that he could have done to help out in the investigation
52:13in fact he was a hindrance in the investigation puffy was kind of stonewalling people from talking
52:19because he knows if you make inroads on biggie's murder you're going to make inroads on tupac's
52:26murder and that potentially can lead right back to him
52:32how are biggie's mom and faith and the kids taking all this
52:36biggie's mom's and faith and the children are extremely strong they've been matter of fact they've
52:40been strong for me and helping to hold me up and sean assumed the position of his best friend in
52:48every article and publication and that wasn't necessarily true and i'm going to be there for
52:56them just like he would be there for them to make sure that they're all right sean said we're going
53:00to do the biggest funeral for biggie that new york has ever seen and we start to put that together
53:07he starts to see the price he says we're going to do the biggest funeral but biggie's going to have
53:13to pay for this funeral he was going to make the funeral be a recoupable charge to biggie in death
53:23this is one of my closest friends and it's still one of my closest friends
53:28i just i feel his loss i just miss him so much sean doing a big show looks good on him
53:38but he's not going to tell the world that biggie was going to pay for it
53:50in best stop brooklyn the whole hood was outside if you could make it there you was there
53:56it was a big loss for the city i loved biggie biggie inspired me he gave me hope he made us feel like
54:07you was from the town you could make it we loved biggie so it was like losing a family member
54:12he just wanted to be a rap superstar he didn't want to hurt nobody he was probably one of the only
54:22people i had really trusted like for a long time it's not a feeling that i really felt a lot like in my
54:27life i don't really have a lot of friends i think people think i have a lot of friends you know
54:34i don't think i really make a good friend
54:38before he was assassinated biggie had an opportunity
54:42to be on the cover of rolling stone we were delivering the elements so that can happen
54:49and sean called me and said pull that cover i need to be on the cover
54:54my solo album is coming in july no way out and i need to amp that up
55:02he took the cover from biggie
55:09another thing at the time biggie was negotiating his contract every day i wake up
55:16we acquiesced and gave him everything he wanted and then he died can't believe you ain't here
55:24sean wanted me to change the agreement to more favorable terms for bad boy and his family and
55:31mother would not know and since he had signed the agreement he wanted those changes to come from
55:38out of the center of the agreement and have those pages replaced with the other terms and i said that's
55:44not right i'm not doing it 90 days later i'm fired it's like i feel empty inside without you being
55:53i remember michael jackson the motel 25 special mtv madonna like a virgin and i remember puff
56:07with sting
56:12i have a tv moment in music it's very rare it elevates you to such another level of superstar
56:22it made him rock star it's kind of hard but you're not around know you in heaven smiling down
56:30watching us while we pray for you he became humongous but now it's him
56:34now i'm the man it's like a dream come true to see the lines like in front of the stores like
56:43people going there to get my records it's crazy it all happened pretty quickly for you from being
56:49an intern to being on the cover of the road in snow thanks for biggie's mother who's sitting right
56:55there for having notorious vig you've abused everyone and used most everyone
57:07there are horror stories like this all throughout cleared of gun possession and bribery charges sean
57:14puffy combs walked out a free man some people speak up about it most do not the first member is
57:22aubrey it's a pattern with him
57:27violence was a very normalized part of living in that world
57:34allegations of sexual misconduct puffy called these encounters freak off witnessed diddy abusing cassie and
57:40that they encouraged assie to get away from him everything in life you're going to have people
57:47that are bad and people that are good you know you have to choose your side
58:10so
58:17you
58:19you
58:21you
58:23you
58:25you
58:27you
Be the first to comment