- 1 day ago
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00:00Music
01:12Thank you very much for sharing your extraordinary music with us, and we wish you the very best
01:18for the rest of your European tour.
01:21Vielen Dank.
01:21All right, you lot, that's lights out.
01:38Bus is arriving at 7.30am sharp.
01:42Not flat.
01:43Little music joke there for you.
01:44So, get to sleep.
01:53Right, I'm ready, I'm ready.
01:56Am I dead?
01:57Yeah.
01:58Okay.
01:59Did I play trumpet?
02:00Oh, too easy.
02:01Don't ask that.
02:01Don't ask that.
02:02Am I Miles Davis?
02:04Why would you give him that?
02:05Because they can all see the similarities.
02:08Yeah, it's true.
02:13Come on, let's go.
02:14Breakfast is started.
02:16Go, go, go.
02:20Oi!
02:21You got seven minutes to get to breakfast.
02:23And don't even think about not showering.
02:26Oi, what do you reckon they're going to have for breakfast?
02:28Oh, I reckon they do cereal this morning.
02:30Baked beans yesterday was the worst thing I've ever eaten.
02:33Oh, yeah, that was horrible.
02:34Should have seen the toilet after.
02:37What do you reckon was the best one that we've had so far?
02:39Only the omelette, for sure.
03:04The fuck?
03:09Oh, it's Arlo.
03:28Do you mind?
03:28Oh, take it, take it.
03:32Hey, honey.
03:33How are you?
03:34Wait, where are your glasses?
03:37I lost them.
03:38What do you mean you lost them?
03:39Well, I didn't lose them.
03:40Someone, someone stole them.
03:41Arlo.
03:42I have already maxed out my credit card.
03:44I can't just pluck money.
03:46Ma, relax.
03:46I'm wearing contacts.
03:47See?
03:48Oh, I'm sorry.
03:49Do you mean the contacts that I bought you
03:51in case you needed them with snow goggles
03:52that you said that you would never wear in a million years?
03:55And did you get them in your eyes okay?
03:56No.
03:57Put them on my feet first.
03:58Well, it's just important that you know that you've...
04:00Ma, that's not what I'm calling.
04:02Look at this.
04:03Oh, my God.
04:08Right?
04:09Wow.
04:11It's so beautiful.
04:14Love you, Mama.
04:14ELECTRONIC MUSIC
04:26ELECTRONIC MUSIC
05:02Arlo!
05:10Whoa, jeez, your eyes are a bit red.
05:12Are you doing all right with those contacts?
05:14Yeah.
05:15Have you been taking them out and washing them properly?
05:18Maybe you just need to keep them out for a bit.
05:20I can't.
05:22I can't see you without them.
05:24Well, I'll go to the chemist and get you some drops.
05:28Because I think you might have conjunct a virus.
05:33I can't see you.
06:03No sunglasses inside, dude.
06:13Seriously, but not that cold.
06:22Um, I think I need to call you, Mom.
06:24So, what we're looking at is severe pseudomonas keratitis.
06:39What?
06:40Like, what's that?
06:41It's a bacterial infection of the corneas.
06:44Very aggressive.
06:44I'm really sorry, but we haven't caught it in time for Arlo.
06:51In time for what?
06:53What do you mean?
06:57Arlo has corneal blindness.
07:00He's blind?
07:01I've got the last two impossible burgers at the supermarket.
07:27And tasty cheese.
07:29And a tin of pineapple for my son, who has zero taste.
07:33Thanks.
07:37Do you want me to put a record on?
07:39No, I'm good.
07:40Do you want me to put a record on your phone?
07:53Hi.
07:54Hi.
07:55Come in.
07:57Sorry, I haven't cleaned up or...
07:59Oh, don't be silly.
08:00I'm barging in.
08:01Um, coffee?
08:03No, thanks.
08:04Look, forgive me, but seven weeks?
08:09Is this normal to be on a transplant list for this long?
08:13Yeah, well, they have to try and reduce the inflammation and the scarring before they can
08:17operate, so it'll be months.
08:22Well, I know that you've run out of leave.
08:24I know, I just can't come back to work.
08:26No, no, of course not.
08:27So I'm covering your wages until you come back.
08:30What?
08:32Claire, I can't...
08:32Well, you can.
08:34And it's all taken care of.
08:37Did you hear that?
08:38Claire is paying my salary while I'm away.
08:41She can afford it.
08:44Sorry, what?
08:45She's rich.
08:46Arlo!
08:47She is.
08:48What is wrong with you?
08:50Yeah, well, you lost your eyesight, not your humanity.
08:56I am doing everything in my power to make what's happened more bearable for you.
09:01What are you doing to make it more bearable for me?
09:03What are you doing to make it more bearable for me?
09:31I don't know.
09:48She is.
09:49What are you doing to make it more bearable for me?
10:24Lauren, he's coming.
11:54I'm going to get the full picture of his intoxication, but that won't have an impact on his arrest.
11:58He'll appear before the magistrate in the morning, and I can assure you, he won't get bailed.
12:03How could you do this to him?
12:16Do what?
12:17I just told Janet that Ash had chosen to have his organs donated.
12:19No, she chose.
12:20She has no right.
12:21Well, she had every right.
12:23She was Ash's next of kin.
12:24No, I was his mother.
12:26Whoa.
12:27I was his mother.
12:29Okay.
12:29I'm his mother.
12:31Let's just...
12:33I didn't think I had to check.
12:50I mean...
12:51He didn't.
12:53Because, I mean, it was what he wanted.
12:57Of course it was.
12:59But she would know that, right?
13:02Maybe not.
13:03We should have waited.
13:09It was Ash's decision.
13:16Listen.
13:16This is not about this.
13:23This is about a lifetime of their stuff.
13:30She just lost her son.
13:33She's in pain.
13:36She needs some time.
13:39This will pass.
13:46This will pass.
14:16Do you want to come in?
14:25Sorry, I haven't...
14:30Mary gave me a tablet so I could sleep.
14:35Do you have his boots?
14:38His baby boots?
14:41I don't have them.
14:42I'd like them back.
14:44I've never seen his baby boots.
14:48Do you want tea?
14:50Coffee?
14:52I'll make coffee. I think I need coffee.
14:58Want to talk about the funeral?
15:02No, I already told you, sister, I'm fine with you handling everything.
15:06She told me how much that meant and honestly, I'm so fine.
15:11But I still need your approval.
15:13Okay.
15:17I chose this.
15:19Or there's this one.
15:22You choose.
15:24Well, I like this one.
15:28And what about flowers? I said roses.
15:31Imported obviously, there's nothing local now.
15:33Janet, I don't know about these things.
15:34Well, they're not as straightforward as you think.
15:38Maybe you could talk to Hamish.
15:40I know he was gathering some photos.
15:43I don't want his opinion.
15:46Okay.
15:47The thing is, Ash wouldn't have cared about the roses, so it's about what you want.
15:59Is it?
16:03Look, I'm sorry.
16:04Ash never spoke to you about his intentions.
16:08I'm not here to talk about that.
16:10I just need you to sign off on all of this.
16:14I sign off.
16:16What is that?
16:21Do you have a pen?
16:23Is that a contract?
16:25What for?
16:27To say you agree with my choices?
16:28Why aren't you dressed?
16:46Oh, did I tell you Connor started his new kindergarten?
16:52They have a trapeze.
16:54That'll be handy when he joins the circus.
16:55I'm sorry.
17:00I know you've reorganized things for me today.
17:02We shouldn't waste it.
17:03Okay, great.
17:05And listen, if the national park feels too much, we could drive to the beach.
17:09No, I was thinking about the nursery.
17:11The nursery?
17:13What about the ashes?
17:15Put them away.
17:17Where?
17:19In the dresser.
17:21I don't want to throw them away.
17:22It's a strange thing to do when you think about it, isn't it?
17:27Well, I think you're scattering them, not throwing them away.
17:32I'm not doing it, Caroline.
17:34Okay.
17:36The nursery will be nice and I do like their chai lattes more than tea.
17:39And I need a new maiden here for the bathroom. I killed that last one. Can you believe it?
17:52Did you move it out of the sun?
17:54Yes.
17:56You didn't, did you?
17:57Maybe not.
18:05What are you doing?
18:07I'm just looking at the urn. I hadn't seen it.
18:10Put it back.
18:12I don't want you to touch it.
18:13What are you talking about?
18:14It should be back in the box.
18:16Janet, what is wrong with you?
18:18I don't want people looking at it.
18:19He was my nephew.
18:20Look, you have your children. You have your grandchildren.
18:24I never stop hearing about your grandchildren.
18:27I will never have that.
18:29This is all I have!
18:50I'm going home.
18:57I'm sorry for raising my voice.
19:02Janet, that wasn't raising your voice. That was...
19:07Look, I know you don't want to speak to anyone, a professional.
19:14But you are stuck in this cloud of rage at me, my children, Lillian.
19:20What's she got to do with anything?
19:22Ash was going to marry her. Doesn't that mean anything?
19:26I mean, she could still be in your life.
19:29I don't think that's so odd.
19:31She's on drugs.
19:33What?
19:34She came here not long ago. She was on something.
19:37Why did she come here?
19:39There's a dispute about the funeral. The payment.
19:41What payment?
19:42Did she contribute?
19:44No, she signed a contract saying that she would pay for the funeral.
19:48When?
19:49I don't know. Before.
19:51I went to see her.
19:52In Ballarat?
19:54You never told me that.
19:56And then she said she didn't know that she was supposed to pay.
20:00So that's why you paid for it?
20:03Because you paid for it?
20:07You told me you pulled money from your retirement fund
20:11because it was so expensive.
20:13Well, I didn't have to in the end because she signed the contract.
20:16You need help.
20:17You need help.
20:23What?
20:24What?
20:25What's this?
20:26What?
20:27What's this?
20:28What?
20:29What's this?
20:30What?
20:31I shouldn't have talked to Anna about wanting to expand before I came here.
20:32I'm sorry.
20:33I'm sorry.
20:34I'm sorry.
20:35I'm sorry.
20:36I'm sorry.
20:37I'm sorry.
20:38I'm sorry.
20:39I'm sorry.
20:40I'm sorry.
20:41I'm sorry.
20:42I'm sorry.
20:43I'm sorry.
20:44You?
20:45What was this?
20:51What?
20:52What's this?
20:55I shouldn't have talked to Anna about wanting to expand before talking to you.
20:57I shouldn't have talked to Anna about wanting to expand before talking to you.
21:01That was insensitive.
21:03Well, you didn't need to buy me a necklace.
21:06Sorry would do.
21:09Sorry.
21:12Okay.
21:15This is so beautiful.
21:17I wanted you to know I've been thinking about it.
21:20And I can see how I hurt you.
21:27I really appreciate it.
21:31Hey, I want to show you something.
21:35They say it's chicken and mayonnaise, but it's actually mayonnaise and chicken.
21:39That's delicious.
21:40It's all mayonnaise.
21:43You don't have to keep meeting me for lunch, you know.
21:46Yes, I do.
21:48Yes, you do.
21:50How was this morning?
21:52Let's see.
21:54Fractured foot, suspected pneumonia, shingles, ruptured appendix and a concussion.
22:01Not all the same patient, I hope.
22:05And a bit of a hairy truck driver.
22:08Not actually a hairy truck driver.
22:10He was bald, in fact.
22:12But...
22:14But what?
22:15His truck overturned on the freeway.
22:18He was the concussion.
22:20And he was...
22:22Very razzed on speed and pretty agitated.
22:27Okay.
22:28And...
22:30And...
22:32I felt the panic.
22:34Just for a moment.
22:35But I went through the steps and I did the breathing.
22:39And I wrote everything down in the diary.
22:42And I was alright.
22:45Good.
22:46Yep.
22:57You called Lillian back?
22:58Not yet.
23:00I will.
23:04I've been busy.
23:05I just want things to go back to normal where you two gang up on me and I feel like an idiot.
23:15There's nothing to be ashamed of, baby.
23:17Hey!
23:22The trigger, Happy Hour!
23:23Are you going with me?
23:24Up here!
23:25What?
23:26Where are you taking me?
23:27Helen told me that they're selling.
23:31Are you with me? Up here.
23:35What? Where are you taking me?
23:44Helen told me that they're selling.
23:47Brian's health hasn't improved
23:48and apparently they want to be closer to the grandkids.
23:51None of the children are interested.
23:53Except maybe Patrick and he's the least reliable.
23:56Do you remember his whole thing with the Bitcoin?
23:58Oh, I am.
23:59It's the end of an era.
24:01Well?
24:06Well, what?
24:08This is our chance at expansion.
24:10You always said this is the best spot in the valley.
24:16Kelly, the whole point in expanding is to pivot in a new direction.
24:19How is this not a new direction?
24:21Well, I try different soils.
24:23The soil is different here.
24:24Yeah, but the western districts is on the level.
24:26Oh my God.
24:27Chardonnay is like nothing I've ever tasted.
24:28This isn't about fucking Chardonnay.
24:30This is about being closer to them.
24:31So what if it is?
24:35I need to be close to them so I can help them.
24:40You saw how I helped, Mary.
24:42How I helped with the case.
24:44Haven't you done enough?
24:45You don't have to keep on going.
24:47Fuck, Kelly.
24:48She saw what I did.
24:49What?
24:54Who?
24:57What do you mean?
25:01When you...
25:02When you saw the photo of Ash?
25:05I just never thought that he wouldn't look like me.
25:18Well, at least you can admit it.
25:23Oh, how good does that do?
25:25It's out there.
25:26It's what I did.
25:28Lillian knows it.
25:29They all know it.
25:29Well, I don't think anyone's perfect.
25:31You don't understand, Kelly.
25:32I do understand.
25:33You were raised in a very particular way.
25:34You don't understand what it's like
25:36to have survived?
25:39I don't understand what that's like.
25:53But you don't need to be weighed down with guilt forever.
25:56I'm not.
25:58I'm doing something with it.
26:01Why do you have to do something with it?
26:04Why can't you just live your best life?
26:07That's what I'm doing.
26:09It's like having an affair.
26:23To be ridiculous.
26:38All good?
26:39Yeah.
26:41Yep.
26:41You're right.
27:41What?
27:43We had her back.
27:53Lillian?
27:57Caroline.
27:59Ash's auntie?
28:00Yeah, no, I know.
28:02Is something wrong?
28:02They're closed, but I know people here.
28:15What's fun being here early?
28:17Peek behind the curtains?
28:19Did Janet know you're here?
28:22Oh, no.
28:23That's why I had to come here.
28:25I couldn't ask for your address, but I just had to say something, because honestly, Lillian,
28:30I am so sorry.
28:32You don't have to apologise.
28:34If I had known in any way that she had forced you to pay.
28:40Let's just head up here.
28:44Listen, it's all kind of weirdly worked out for me.
28:49Maybe not for her.
28:50Oh, she really is struggling.
28:54Yep.
28:55Did Ash talk much about when he was little?
29:00Um.
29:01Because did you ever notice her Janet has all these photos around of Ash when he was little?
29:06And hardly any of when he was old?
29:10Not really, no.
29:12I think it's, you know, when Taj died and they came back to Melbourne.
29:18Morning, Aunt Pei.
29:19Morning.
29:20It was very tough.
29:22Ash was only three.
29:23And he was the spitting image of Taj.
29:26So Janet was always having to explain that Ash looked like his father and that his father had died.
29:33Let's just, let's go sit over here.
29:36I know she felt like they didn't belong.
29:40So she got this us against the world mentality.
29:44You know, she and Ash were in their own little bubble.
29:47He was her life raft.
29:48Yeah, a child shouldn't be a life raft.
29:51No, but that's how she coped.
29:53But he didn't.
29:54He hated it, especially as he got older.
29:56Exactly.
29:57That's why she has all the little boy photos, you know, when he still needed her.
30:02That feels pretty messed up.
30:04Because she had no one at the time who really understood.
30:08But now it's different.
30:10I really think now you could help.
30:15Do what?
30:16Help Janet.
30:17Help her heal.
30:19Oh, sorry.
30:21What?
30:22I think you could find a way to get through to her.
30:25Caroline, your sister hates me.
30:27Well, you both loved Ash.
30:29Yeah, that's why she hates me.
30:33And by the way, I'm not hanging out for bottomless brunch with her either.
30:36But you had a life with her son.
30:38You were about to get married.
30:40He adored you.
30:41Yeah, I remember.
30:43So, you have an obligation.
30:46Sorry?
30:48I mean, she's your mother-in-law.
30:50What obligation do I have to a woman who's made my life hell?
30:55Well, I know that if anything happened to Robbie, I'd still want Stella to be a part of my life.
30:59And the same for whoever Chiara ends up with.
31:03Maybe that's because you're not as deranged as your sister.
31:05Although, listening to this, I'm not so sure.
31:07I'm sorry, I really don't mean to be landing all this at your feet.
31:11But don't you feel like you have a responsibility to Ash?
31:15To make sure Janet's all right?
31:21My shift starting.
31:37Shit, fuck!
31:58Have you taken up a hobby?
32:01Maybe you should try knitting.
32:05Hey.
32:07Sorry, I haven't called back.
32:10Pamish told me about the panic attacks.
32:15So, what's all this?
32:17Oh, I've got a woman coming to pick it up to buy it.
32:21Oh, this is part of the treasure.
32:23The last of it.
32:26So, you're funeral debt-free and never have to deal with Janet again.
32:35Did you do this together?
32:37I'd go with Rick, who seemed to enjoy being on the lake at 5.30 in the morning.
32:43Seems stupid now.
32:45To have wanted the sleep.
32:47I'll tell you what would be stupid.
32:54Go forward.
32:54I am going forward.
32:55No, push your paddle back.
32:57Push it back.
32:57The other way.
32:58No, the other way.
32:59You're doing that.
33:00I'm not doing that.
33:01Oh my god.
33:01How can you be so smart and so terrible at this?
33:04Oh my god.
33:07I missed you.
33:15Me too.
33:18You okay?
33:21Sort of.
33:22I thought you had counselling when Ash died to work through it all.
33:28Well, apparently I'm your textbook delayed onset PTSD.
33:33Fuck.
33:34Is the shrink helping?
33:35I should have gone sooner.
33:36But I just didn't know what was happening to me.
33:37No, actually I couldn't believe what was happening to me.
33:41So I just kept trying to ignore it.
33:42Yeah, I tried that strategy.
33:43It's fucked up.
33:44As soon as I told Hamish, I felt like, what's that saying?
33:48A problem shared is a problem not being jammed up my arse.
33:51One of my favourites.
33:52Holy shit.
33:53What?
33:54I just saw a massive trout.
33:55Do you want to try and catch it?
33:56No, I don't want to hit it with my paddle.
33:57I feel like the fish know what they're doing.
33:58Oh yeah.
34:00Oh my god.
34:01Oh my god.
34:02Oh my god.
34:03Oh my god.
34:04Oh my god.
34:05Oh my god.
34:06Oh my god.
34:07Oh my god.
34:09Oh my god.
34:10Oh my god.
34:12I'm sorry I froze you out, Lil.
34:14No, I'm sorry.
34:17That I came down so hard on you.
34:20I just...
34:21I think sometimes it feels like Hamish is my only family.
34:25I get protective.
34:28Hey.
34:30I'm your family too.
34:32I know.
34:34Please, don't let go of your paddle.
34:36No, I'm not.
34:38I should have listened to Jack.
34:43He was worried about you.
34:44He said you weren't okay.
34:48Oh, Jack's been so amazing throughout all of this.
34:52Oh shit, we owe him dinner.
34:54Three dinners.
34:55Oh, I'll come.
34:57Hey.
34:59We should probably get back so I can sell this thing.
35:02Okay.
35:04How do we do that?
35:07That way.
35:08Okay.
35:09That way, go that way.
35:10You said it.
35:11And...
35:12Okay.
35:13No.
35:14I give up.
35:15I surrender.
35:16I'm dying.
35:17Is there any more lamb?
35:31There is, but there's also sticky date pudding.
35:33Oh, yes.
35:35With custard?
35:36Do I look like a monster?
35:37Of course with custard.
35:38Good.
35:39I'm married so well.
35:40Actually, Jack, can you please turn the oven off?
35:43I can't.
35:44No.
35:45Don't worry, maybe it should come out.
35:47Oh, speaking of ovens, guess what?
35:49Rick's getting the club to buy me a new one.
35:51I didn't know yours was broken.
35:53Man, I haven't turned it on in a year.
35:56I think Rick was so excited that I wasn't moving out
35:58that he said yes straight away.
35:59Oh, yeah, that's the reason.
36:00Not because he's terrified of you.
36:02No, he's not.
36:03He literally ducks when he sees you coming.
36:05That's just him.
36:06That's just you.
36:07You are quite terrifying, though.
36:09I work with children.
36:11I wear a big puffy dress like a Disney princess.
36:14Like a Dickens villain.
36:15Oh!
36:18Speaking of villains, have you heard from Janet?
36:23No.
36:24No, I do not want to talk about Janet or her strange family.
36:27What happened?
36:28What family?
36:29Nothing.
36:30Just insanity.
36:32Insanity.
36:33Anyway.
36:34But in other news, guess what I got?
36:36Oh, pick me.
36:37A restraining order from another recipient.
36:40That's funny.
36:41Kind of is.
36:42Actually, smart asses.
36:44I got this.
36:46Hi, Lillyn.
36:47Hi.
36:48I'm having a birthday party for my birthday.
36:51Yeah.
36:52What type of cake are you going to have?
36:54A Buzz Lightyear cake.
36:56Yeah.
36:57And a piñata that me and Kobe are going to have.
36:59That was a piñata.
37:01Translating that.
37:02What do you want to ask Lillyn?
37:04And will you come?
37:06He really wants you to be there.
37:09It's actually not for five months, but he's a planner.
37:21Oh, fucking Janet.
37:23Yeah, I know I just called her a villain, but you're getting this and she's in hell.
37:53He's such a good cook.
37:54He is such a good cook.
37:55He can take, like, a potato and some frozen peas and then, you know, the old olives with
38:12the little red bits in the jar and he can make something delicious.
38:15Fucking delicious.
38:16Okay.
38:17I'm going to give you three things and you have to make something.
38:21Right.
38:22Hit me.
38:23Um, cheese bread.
38:25Mm.
38:26Uh, celery.
38:27Mm.
38:28Peanut butter.
38:29Easy peasy.
38:30Okay.
38:31Leave the cheese bread because what even is that?
38:33Eat the peanut butter, throw the celery out the window.
38:35That's not how you play.
38:36Definitely.
38:37That is the game.
38:38That's fucking not how you play.
38:39No, no, no.
38:40Here it is.
38:41You divide the celery in half, right?
38:42And then you spread half with cheese bread and then the other half with peanut butter.
38:45You get fucked.
38:46You get fucked.
38:47That's not even how you play the game.
38:48That's how you play the game.
38:49First stop.
38:52Oh, that's me.
38:53That's me.
38:54Um, okay.
38:55Uh, well, good night, you anti-celery weirdo.
38:58Bye.
39:04Um, sorry.
39:05Did you?
39:06Sorry.
39:07That's...
39:08Yeah.
39:09I actually better make sure that I have my keys.
39:12Are you alright?
39:14Yeah.
39:15Yeah, yeah.
39:16I can never find them.
39:17Right.
39:18There they are.
39:19Okay.
39:20Night-night.
39:21Alright.
39:22Um, good night.
39:23Lillian.
39:24Uh, thank you.
39:25No problems.
39:26Ahem.
39:27James, I'm not gonna buy you any more muesli bars if you don't eat the fruit that I pack.
39:41I did eat the fruit.
39:42Oh!
39:43This must have grown overnight then.
39:44Treaty of Versailles.
39:4528th of June, 1919.
39:48Wall Street crash.
39:49Dad?
39:50Anna's here?
39:51She said she's ready when you are.
39:52We're flying over to Ballarat for a couple days.
39:53See some vacant land.
39:54I'd love you to come.
39:55I have things to do.
39:56Like run our fucking winery.
39:58Uh, what you doing?
39:59We're fine.
40:00Yeah, they said you they can hide from the central budget.
40:03Oh my god.
40:04Who's got nothing to do?
40:05A whole lot of money, this must have grown overnight then.
40:07Treaty of Versailles.
40:0828th of June, 1919.
40:09Wall Street crash.
40:10Dad?
40:11Anna's here?
40:12She said she's ready when you are.
40:15See some vacant land.
40:17I'd love you to come.
40:19I have things to do.
40:22Like run our fucking winery.
40:28What's going on?
40:45What's going on?
41:15What's going on?
41:30Oh fuck.
41:45No, no, no, no, no, no, no, no, no, no.
42:11Hello?
42:13We're at the front.
42:14So what?
42:15We've come to pick up the boots.
42:20I just, I was, I was going to send these.
42:24Oh, hello.
42:26Well, I didn't want them to get damaged in the post.
42:30What a beautiful lake.
42:34They built this for the 1956 Olympics.
42:37Is that right?
42:39I just want you to know that when you asked me
42:42if I had these, I'd, I didn't, I'd forgotten.
42:48And I only just found them recently.
42:51Well, it's wonderful that you did.
42:52I vaguely remember Ash saying that, um, he took them because his dad got them overseas on a work trip.
43:12Singapore.
43:13He had them made.
43:18They're beautiful.
43:22Oh, that's where he asked you to marry him.
43:23I recognize it.
43:24Remember?
43:25It was New Year's Eve.
43:26You recognize it from what?
43:28The photo of the two of them up there with the ring.
43:29He sent it just after midnight.
43:30I didn't see a photo.
43:35I bet it's on your phone somewhere.
43:37We were thinking of going and having a coffee over the...
43:38We picked up the ashes.
43:39No, I didn't see a photo.
43:41Oh, no, no, no, it's not.
43:42I'm sorry.
43:43That's a good one.
43:44I'm sorry.
43:45I'm sorry.
43:46I'm sorry.
43:47I'm sorry, you're sorry.
43:48I don't see him, I recognize it.
43:49Remember, it was New Year's Eve.
43:50I recognize it from what?
43:51The photo of the two of them up there with the ring.
43:54I bet it's on your phone somewhere.
43:59We were thinking of going and having a coffee over...
44:03We picked up the ashes.
44:08Janet hadn't collected them from the crematorium, so...
44:11There's hardly any.
44:13Ashes!
44:14There's hardly any in the urn.
44:16No, because Lillian had half. We both had half.
44:20It's because you gave him all away!
44:24Oh...
44:30Janet!
44:47Hello?
44:52What's wrong?
44:54Where's Hamish?
44:55He's inside.
44:57I'm waiting for you.
45:00So clearly Ash sent the I-just-got-engaged text to his aunt, but not his mother?
45:08Fuck.
45:10I mean, what the hell was she thinking springing Janet on you like that?
45:13And obviously not telling Janet?
45:15Do you know what she said to me?
45:16She said it was my obligation to Ash to make things right with Janet.
45:21Yeah, that's dumb.
45:25But...
45:28I don't think it's about Ash, but I think there's something to be said about making things right...
45:33For you.
45:36With Janet?
45:39Fucking hell, Mary.
45:40Look, you can pretend she doesn't exist.
45:42That's her plan.
45:43But she's always gonna be in your head from that night.
45:46Coming at you, yelling at you, blaming you.
45:50Why the fuck else have you been tracking down recipients?
45:52I'm not gonna do that anymore. I'm better now.
45:58Crazy Auntie Caroline's right.
46:01You're invested in Janet.
46:03I'm not invested. I fucking hate her.
46:05That's an investment.
46:06You're the one who said that it was great that I didn't have to see her anymore.
46:09You're the one who gave her the baby boots.
46:11That was a mistake.
46:12No, it wasn't. It was a step.
46:15So you can have some peace.
46:17Okay, Mrs. PTSD. Thanks for the session.
46:22Sorry.
46:37I love you.
46:40I love you too, you massive pain in the arse.
46:49And we're back.
46:52You look amazing.
46:53But..
46:54Toler baixo att medo in Asia.
46:55Ah, you're back.
47:13I need a job.
47:15Okay, good job quick.
47:18Okay.
47:51What do you think?
48:12Oh, I don't know much about vineyards, but it's pretty.
48:17I knew you'd love it.
48:18I want you to be part of the team.
48:19You know how I just said I don't know much about vineyards?
48:25The design.
48:27It's a bit early for a logo, isn't it?
48:30Mate, I mean the way we build it.
48:33How it looks.
48:35Feels.
48:37From the ground up.
48:39Isn't that what architects do?
48:41I'm talking beard picture.
48:43You've got a great eye and you know the region.
48:47We want to lean into the local ethos.
48:50Really create something special.
48:55It's an interesting prospect.
48:59Yes!
49:01Brilliant!
49:01That's a lot to think about.
49:04Yeah, of course there is.
49:05Okay, I want you to meet Anna.
49:07Anna?
49:08Hi.
49:08This is the man in the room, Hamish.
49:09Hamish.
49:15Hey Google.
49:17What time is it?
49:17The time is 3.07pm.
49:20Talking away
49:21I don't know what I'm to say
49:25I'll say it anyway
49:27Today's another day
49:30To find you shying away
49:33I'll be coming for your lover
49:36Can't take on me
49:40Take me home
49:48I'll be gone
49:53In a day or two
49:57I'll be coming for you
49:58I'll be coming for you
49:59I'll be coming for you
50:00I'll be coming for you
50:01I'll be coming for you
50:02I'll be coming for you
50:03I'll be coming for you
50:04I'll be coming for you
50:05I'll be coming for you
50:06I'll be coming for you
50:07I'll be coming for you
50:08I'll be coming for you
50:09I'll be coming for you
50:10I'll be coming for you
50:11I'll be coming for you
50:12I'll be coming for you
50:13I'll be coming for you
50:14I'll be coming for you
50:15I'll be coming for you
50:16I'll be coming for you
50:17I'll be coming for you
50:18I'll be coming for you
50:19I'll be coming for you
50:20I'll be coming for you
50:21I'll be coming for you
50:22I'll be coming for you
50:23I'll be coming for you
50:24in a long time. Can't thank you enough. Right, well I wanted to talk to you about
50:32something. Look if this is about Jet's birthday party I swear I didn't say
50:37anything and I didn't drop any hints that I wanted to go. No it's not that.
50:43Is it another letter? Of a sort. Look I'm going to forward you this because it's
50:51been asked of me but I want you to promise me that once you've seen this
50:56you'll call me back. Okay. And we can discuss it together. I'm scared. There's
51:04nothing to be scared of except your impulses. I'm scared of those.
51:21Hello. A year ago I was blind but thanks to your incredible generosity I can see
51:36now. I don't know how to say thank you for my new corneas because words just can't
51:41express how grateful I am but maybe this can.
52:11Thanks so much.
52:13Thanks so much.
52:14Thanks so much.
52:15Thanks so much.
52:16Thanks so much.
52:17Thanks so much.
52:18Thanks so much.
52:19Thanks so much.
52:20Thanks so much.
52:21Thanks so much.
52:22Thanks so much.
52:23Thanks so much.
52:24Thanks so much.
52:25Thanks so much.
52:26Thanks so much.
52:27Thanks so much.
52:28Thanks so much.
52:29Thanks so much.
52:30Thanks so much.
52:31Thanks so much.
52:32Thanks so much.
52:33Thanks so much.
52:34Thanks so much.
52:35Thanks so much.
52:36Thanks so much.
52:37Thanks so much.
52:38Thanks so much.
52:39Thanks so much.
52:40Thanks so much.
53:11Don't ever send me free, I'll always want to be by your side.
53:33You know, I think about Ash, every single day, I say thank you.
53:37I know that, that my daughter, Ash, that he deserves that.
53:42I can think of younger days, when living for my life.
54:11Was everything a man could want to do.
54:16I could never see tomorrow.
54:23Am I speaking to Miranda?
54:27This is Susan Sinclair.
54:29I have some good news for you.
54:31Hey, how can you mend a broken heart?
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