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Transcript
00:00Oh, yeah, come on!
00:07Oh, yeah, baby!
00:15Girl, you really got me going
00:18You got me so I don't know what I'm doing
00:21Yeah, you really got me now
00:25You got me so I can't sleep at night
00:28Oh, yeah, you really got me now
00:32You got me so I don't know what I'm doing now
00:36Oh, yeah, you really got me now
00:39You got me so I can't sleep at night
00:42You really got me
00:43You really got me
00:45You really got me
00:47Yeah!
00:49Oh, yeah!
00:50See you, don't ever set me free
00:53I always want to be by your side
00:56Yeah!
00:58I'm gonna have fun in the day
01:02Ba-na-na-na-na-na-na-na
01:04Free with my girl, she's so pretty
01:07Ba-na-na-na-na-na-na-na-na
01:09She looks fine tonight
01:11Oh!
01:11She is!
01:12Yay!
01:13Yay!
01:14It's almost midnight!
01:16Come on, I don't want to miss it!
01:18Oh, my God!
01:19Okay!
01:20Make the fireworks!
01:21Hurry, hurry!
01:22Quickly, quickly!
01:23I need a champagne
01:24One sip, one sip
01:25No, but I, no, I, um...
01:25Marry me
01:26Marry me
01:28Marry me
01:30It's beautiful
01:37And you have such terrible taste
01:40Well, I have help
01:42Five, four, three, two...
01:44How long have you been planning this?
01:46Since I met you
01:47Since I met you
01:59Let's do everything
02:00Marry me
02:01Marry me
02:02And you have to leave
02:05Marry me
02:09And I'll finish my
02:11Teas
02:18Bye!
02:19I'll make you
02:20Underely
02:21tới
02:22inflammatory
02:23Can
02:24Until
02:24Marry me
02:25Explored
02:26alles
02:27Explored
02:27By
02:28To
02:29Oh, my God.
02:59Mind the horses here.
03:21Please allow me to accompany you, Miss Rathbone.
03:24For the umpteenth time, Mr Winterton.
03:26No, I do not need your accompaniment when I am attending to my affairs.
03:30Isn't that precisely why you need the accompaniment of a gentleman?
03:34Surely it's not safe or...
03:35Mr Winterton, I am a woman of independ...
03:38You OK?
03:47Mm-hmm.
03:48I'll have you know.
03:50I'll have you know.
03:55I'll have...
03:56Very well, Miss Rathbone.
04:05I understand you're feeling poorly.
04:07I shall see you anon.
04:08I must go to the, um...
04:10To the post office.
04:11This way.
04:12Oh, my God.
04:22Sharon, I'm so sorry.
04:23This kid was eating fried chicken in my face.
04:26Yeah, sorry.
04:30I knew there was something wrong with that takeaway last night.
04:32People were taking photos.
04:34I know.
04:35I'm going to mention that when I ring to complain.
04:36This cannot keep happening.
04:38It won't.
04:38I'm pretty sure it's out of my system now.
04:41I am very sorry about what you've been through.
04:44Really, I am.
04:45But I'm OK now.
04:47Lillian, I have to let you go.
04:51No, come on.
04:52Please, Sharon.
04:53This job is the only thing that's keeping me sane.
04:56But it's not.
04:57I can fix this.
04:59I promise.
05:08All right, thank you.
05:28Thank you for that.
05:29Thank you for that.
05:31Woo-hoo!
05:32We're up all night to get lucky.
05:36We're up all night to get lucky.
05:38We're up all night to get lucky.
05:40We're up all night to get lucky.
06:10What the fuck?
06:19Mary, where are you?
06:21I'm outside your office.
06:22Someone's changed the key code.
06:24Hey, can you let me in?
06:25You need to use the front entrance.
06:27Yeah, I have a woman here in a big dress.
06:31Possibly on methamphetamine.
06:33Sorry, it's Dr. Harvey in the ED office.
06:35Lillian?
06:36What's happened?
06:37I'm sick.
06:38God, did a Clydesdale shit on you?
06:40Can you give me something to stop throwing up?
06:41Miss, I need you to step out into the corridor.
06:43Oh, no, no.
06:44Just move away from the doctor.
06:45No, it's not a situation.
06:47I mean, obviously, it's a situation.
06:50She's my friend.
06:51My hungover friend.
06:53We're fine.
06:55Thanks.
07:00Sorry, I didn't realise you two.
07:02The costume kind of threw me.
07:05She works at Sovereign Hill.
07:08Is that the theme park?
07:10It's the living museum.
07:12Who's he?
07:14This is Sam, my new registrar.
07:19Sam, this is Lillian.
07:20Hey.
07:25What kind of emergency doctor freaks out so easily?
07:28I don't freak out.
07:30Tell that to the big boys in the uniforms.
07:32I was following procedure.
07:33It's all good, Sam.
07:34She was banging on the glass.
07:35I know.
07:36Can you go and check on the kid in room one for me?
07:38I was not banging on the glass.
07:40See if her x-rays have landed.
07:41You definitely were.
07:42And chase them if they haven't.
07:43And we were told to take extra precautions
07:45because the doctor that I replaced
07:46was killed on duty.
07:55Lillian was his fiancĂŠe.
08:01Shit.
08:03Can you deal with that for me, please?
08:04Sorry.
08:05I'll chase up those x-rays.
08:06Yeah.
08:15Why would you come here?
08:20Need an injection.
08:21And a mint.
08:23Sharon fired me.
08:25I may have thrown up in front of a school group.
08:29Oh, Lillian.
08:30But if you give me an injection,
08:31I can go back and show her that I'm fine.
08:34And if you wrote me a doctor's certificate
08:35to say that I had food poisoning,
08:37then I can fix it.
08:37Jesus Christ!
08:39You know what this is, don't you?
08:41Um, why would I know this one?
08:43I'm a cry for you.
08:45Yeah, it's not funny.
08:46You should be seeing a psychologist.
08:48Okay, fine, whatever.
09:00Have a sip.
09:01So, I finished my victim impact statement.
09:16Which was, you know,
09:19blech.
09:20But I'm glad it's done.
09:25How are you going with yours?
09:26Have you started?
09:27Because that's where I think the psychologist could help.
09:34You know?
09:35Because you can't talk about what happened.
09:38He might be able to help you get your thoughts...
09:40Can you just give me a fucking injection?
09:46Sorry.
09:49But actually, can you?
09:50I have to get back to work.
09:58Mary!
09:59Go home and sleep it off.
10:01Okay.
10:03Fuck you.
10:04Yeah, fuck you too.
10:05It's up here.
10:27TripAdvisor gave this place 4.75 stars.
10:29It's the best supper in the city.
10:30I just won $50.
10:37I bet, Sarah,
10:38that you couldn't make it through the evening
10:39without answering an email.
10:40Rupert says he wants to start the harvest Wednesday.
10:44Which would be great if we were making vinegar.
10:46We don't have a wrong way this way, mate.
10:48Oh.
10:49Yeah, don't mind me.
10:51Where are the manners?
10:52Come on.
10:53You're just hungry.
10:54Yeah.
10:56All right.
10:56Why isn't everyone in bed?
10:57I think I fucked up.
11:22Hey, Siri, turn it off.
11:26What happened?
11:26Your cousin happened.
11:29What now?
11:30We had a big fight in my office.
11:34Wait.
11:35She came to the hospital?
11:36She lost her job.
11:38Oh, Jesus.
11:39Well, that was probably only a matter of time.
11:42She met Sam.
11:44Oh.
11:45How'd she take it?
11:46She vomited.
11:48Oh, baby, I'm sorry.
11:49It wasn't just Sam.
11:51She was so hungover.
11:52That's why she came here.
11:53She wanted me to give her Maxilon.
11:54Fuck, that's desperate.
11:56Did it help?
11:57I didn't give it to her.
11:58Okay.
11:59All right.
12:00She'll just start drinking again tonight and be just as sick tomorrow.
12:04Okay.
12:05It's just you have given her medication before.
12:07Well, this time it was different.
12:09She wasn't listening to anything I was saying.
12:11And were you saying she should be seeing someone?
12:15You didn't see what she was like.
12:17Honey, I don't know why you would bring that up.
12:19She hasn't even started her victim impact statement.
12:23Oh, God, Mary, you can't pass through about that.
12:25But if she can't write it or even talk about it with us, how is she supposed to sit through
12:31everything and call?
12:32Look, I know you're anxious about going.
12:35Uh, no, no, no.
12:36This has nothing to do with me.
12:39Okay.
12:42Can you just call her, please?
12:44She listens to you.
12:45Well, that's bullshit.
12:48Just see if she's all right.
12:49No, you're the one who fucked up.
12:51I did not.
12:52You just said you did.
12:53Well, it's different when I say it.
12:55Are you okay?
13:14I will be when we land.
13:19Oh, hang on.
13:21Are we going the right way?
13:22Oh.
13:23Let's just go back to the hotel.
13:25No.
13:26This is our night without children.
13:27I want to go out.
13:28I just want to get some room service.
13:30It's my birthday.
13:31Yeah.
13:32We came here.
13:33We saw your show.
13:35And that's it.
13:36Is it?
13:37That's all I'm allowed.
13:38What?
13:38A plane ride and a musical and then shut up, Kelly.
13:41Time for bed.
13:41Okay, calm down.
13:43Those tickets weren't cheap, by the way.
13:47You know what?
13:49You go back to the hotel.
13:50I'm having supper.
13:52Okay.
13:53Kelly.
13:54Kelly.
13:54OK, there were two rings, which means your phone wasn't off.
14:21You've just hit the piss-off Hamish button,
14:22which shits me because I'm working on this really important Noodle Shop logo,
14:26which, as I say it, I know it doesn't sound that important,
14:30but it is, so fucking call me back.
14:33Lillian?
14:39Henry from uni?
14:42Oh, yeah.
14:43You OK?
14:45No.
14:46Same, same.
14:48Deep fryer.
14:48Hey, are you coming back to uni?
14:58I'm really sorry about your husband, by the way.
15:04He's messed up.
15:05It happened here, right?
15:12Why don't you go stick your other hand and maybe your head in the deep fryer?
15:18I'm sorry, OK, I'm sorry.
15:28I'm not going back to the hotel.
15:29I know, I know.
15:31Where's your suffer place?
15:32I'm sorry, OK, I'm sorry.
15:34I'm sorry, OK, I'm sorry.
15:36I'm sorry, OK, I'm sorry.
15:37I'm sorry, OK?
15:38I'm sorry, OK, I'm sorry.
15:39I'm not going back to the hotel.
15:40I know, I know.
15:46Where's your suffer place?
15:51Hi, yeah.
15:54Looks good.
15:55Bakery Hill Medical.
16:03Hi, do you have any doctors available?
16:07Lillian Vandenberg.
16:12V-A-N-D.
16:17Roger that.
16:18Rerouting now.
16:20The smoke's too intense.
16:22We'll have to land at Avalon.
16:23It might get a little bumpy.
16:26Think we've botched it.
16:27I'll call Lana.
16:40It's a quarter to 12.
16:42Who queues up for food at a quarter to 12?
16:46What is this, a soup kitchen?
16:49You'll have to excuse my husband.
16:50He hasn't left Adelaide since 1993.
16:52What?
16:53Ah, come on.
16:54Let's make a little joke.
16:56Thought Melbourne had a comedy festival.
17:01Hey, look at this lot.
17:03Yeah, I can't do it.
17:13Right.
17:14Yes, I'm still here.
17:15Fuck.
17:16Stop breathing.
17:44Come on.
17:45Come on.
17:46Let's go.
17:49Trauma victim.
17:50Suffering cardiac arrest.
17:51Suspected fracture pulvis and internal bleeding.
17:54CPR on scene.
17:55Brosk, 14 minutes.
17:57Oh, God.
17:59Please hurry.
18:00Please hurry.
18:15Fee, thank you so much.
18:25She's through here.
18:27I told her not to call you.
18:31Are you all right?
18:32You scared the shit out of us.
18:33I'm sorry.
18:34I shouldn't have pushed you about getting help.
18:36I should have just given you the injection.
18:38Yes, this is your fault, Mary.
18:40This has absolutely nothing to do with me being an arsehole.
18:43You're not an arsehole.
18:45All the time.
18:47Yeah, I am.
18:48Yeah, she is.
18:49Well, of course you are.
18:52The love of your life died.
18:59I'd be an arsehole too.
19:01I shouldn't have been pressing you to talk or write your statement.
19:04Yes, you should have.
19:07I thought you were mad at me.
19:08Well, what's the alternative?
19:11Look at her.
19:13For fuck's sake.
19:14Lillian, nobody wants to go to court.
19:16But at least there'll be some closure.
19:17The whole point of the victim impact.
19:19Jesus Christ, don't you get it?
19:20The whole point is there is no point.
19:22I don't care.
19:23About what?
19:24About anything.
19:25Well, you can't just...
19:26You need to snap out.
19:27Not snap out.
19:28I know that that's offensive.
19:29I just mean that there is a light at the end of the tunnel.
19:32And yes, you are in the tunnel at the moment.
19:36And it's very dark.
19:37Because there's a curvy bit that's...
19:41And...
19:42What am I trying to say, Mary?
19:45Can I get a lift in my car?
19:46Oh, the car with a gaping hole at its side.
19:49Yeah, no, we're taking you home.
19:52Please hurry.
19:53Please hurry.
19:54Yes, please.
19:55Please hurry.
19:56Your sets have dropped to 85.
20:00I made him go to supper.
20:01Is he gonna be okay?
20:02Is he gonna be okay?
20:03Why didn't I just go with him back to the hotel?
20:05Is he gonna be okay?
20:07Is he gonna be okay?
20:08Is he gonna be okay?
20:09Is he okay?
20:10Please...
20:11He's okay.
20:12He's okay.
20:13He's okay.
20:14He's okay.
20:15He's okay.
20:16Please hurry.
20:49Okay.
20:50Right.
20:51That's it.
20:52Get out of that dress.
20:53You're staying with us.
20:54I'm...
20:55I'm good.
20:56You can't stay here, Lillian.
20:57It's like a youth hostel and a...
20:58And an end of year soccer trip.
20:59Fucked each other.
21:00Jesus Christ.
21:01How's the electricity not being disconnected?
21:03I'll pack a bag.
21:04I'm not coming.
21:05I'll sort the bills into piles.
21:06It's junk.
21:07Tell that to the sheriff.
21:08Are you fucking right?
21:09I don't need you to pack and I don't need you to open a letter from my local MP.
21:28No job too small.
21:29Australian...
21:30Australian what?
21:34Tax office.
21:51And so unfortunately Andrew has suffered a massive cardiac arrest in the accident and now he is in heart failure.
21:59But it's going now.
22:00He's breathing now.
22:01He is artificially breathing now and we are circulating his blood for him.
22:06So is he gonna need a stent?
22:08My father has a stent.
22:09He has too.
22:10I'm so sorry.
22:11This is very different.
22:12We can't undo the damage.
22:14How long since you've lodged her return?
22:27Is it a late phone?
22:29Mary, what is it?
22:31We've got a good accountant.
22:33Dear donor family.
22:34Oh, holy fuck.
22:35Who?
22:36I don't really know how to begin except to say thank you for my new heart.
22:48It's his heart.
22:49Oh.
22:50Oh.
22:51Oh.
22:52Ten months ago I had an accident and to cut a long story short I was put on a waiting list for a new heart.
23:00Three months later on the day you would have endured your loss.
23:04It came.
23:06Okay everyone, we ready?
23:07Hello Andrew.
23:08We made it.
23:09I can't describe the joy and relief my family and I felt on that day.
23:24Or how deeply grateful we are.
23:31The next Vizeplector?
23:32It's redacted.
23:33It has to be anonymous.
23:34I can only imagine the pain you're going through but I hope it gives you some comfort to know that your gift saved my life.
23:47I will never take for granted your generosity and I will cherish every day with my new heart.
23:55Forever in your debt recipient.
24:00Rachel Penfield.
24:02Along with her.
24:05Rachel Penfield.
24:06Rachel Penfield.
24:07Rachel Penfield.
24:09Oh, my God.
24:39Oh, my God.
25:09You OK, Lil?
25:27I forgot.
25:31Forgot what?
25:32The night he died, that he was killed, it's on a loop in my head.
25:42I can't make it stop.
25:45You calling me, you coming to get me, running through the hospital.
25:51My shoes went on properly, and the police, and then seeing him there, and his mum yelling
26:07at me, he was so mad.
26:10I know.
26:13So I forgot that Orthen all totally fucked.
26:18And there's someone out there with his heart.
26:30That's what I mean about the tunnel.
26:36That's the light.
26:38Someone got to live.
26:39Please don't do metaphors.
26:56Not just someone.
26:59Lots of someones.
27:00I know.
27:10But literally, let's have a light.
27:11But let's go.
27:11Let's go.
27:13Myusa, my Clara.
27:18Thanks, съADer.
27:20It's terrific.
27:23So, that's our story.
27:27THE END
27:57Good morning. Good morning. You look like a lovely lollipop. Good morning, sir. Ma'am. What are the young'uns like to meet the horses? Come along. Come and meet Thursday. He's the big one on the right. Can you take a photo? What are you doing? I just wanted to apologise. For heaven's sake, can't this wait?
28:27I really am sorry about how I behaved, but have been behaving. I know you are.
28:33I totally understand your decision for firing me, but I really need my job back. Lillian, there are other jobs. Good morning. Hi.
28:48Hi. Not quite so public. I want this job. I need this job. I can't talk about this now. You shouldn't be in the coach.
28:57Sharon, please, can I just... Look, I started working here as a bit of a joke. Not a joke. I was the joke. I was 34 with no idea what I was doing with my life.
29:13What I mean is, I thought it would be fun. And it was fun. But it was also great. And I was good at it. And then I met Cash. And I think when he saw me working here with the kids, I think it made him like me more.
29:32And he kept telling me more. And he kept telling me how brilliant I was with them and that I should be a schoolteacher. And that's when I enrolled in university. That was because of him.
29:44So, you see, my whole adult life finally made sense. Because of this job.
29:56But everything's changed, Lillian. Not this place. It's still 1851.
30:04Everywhere I go, everyone just wants to talk about Ash. Now he died.
30:13And then when I'm here and I'm in costume, it just feels good to pretend that everything's normal for a little while.
30:27Whoa, Thursday.
30:29Please, Sharon, I've almost finished my degree and then I can be teaching here properly.
30:43You can come back on strict probation.
31:01Really? Thank you. I won't let you down, I promise.
31:07I've heard that before.
31:09I've heard that before.
31:11Bye.
31:12Bye.
31:13Bye.
32:38Hello. Welcome to Rosalie Estate. I'm Andrew Schneider, third generation winemaker, ninth generation
32:46wine drinker. Hope you're all looking forward to tasting the best wine in the Barossa. Now,
32:51cellar door's right down that way. You'll find my beautiful wife, Kelly, waiting for you
32:55in the gazebo. Enjoy.
32:56Oh, hello. Are you part of the group? The tour? Are you here for lunch? Are you okay?
33:26My fiancĂŠ is... was. He's...
33:33Oh. Well, if he's caught up with my husband, we'll never get him back. Would you like to
33:37try some of our bubbles?
33:38Andrew sent this to me.
33:45I'm sorry?
33:46He wrote to me.
33:47Your fiancĂŠ?
34:02He's... sorry. Um...
34:06Oh. Oh.
34:09So here we got some big fruit flavours, maybe some blackberry, some plum. You might detect
34:15a hint of dark chocolate for any of your chocolate lovers in the house. Excuse me.
34:21What happened? Kelly? Toby, get her a lemonade and keep everyone inside. What's wrong? Where
34:31does it hurt? Did you see it? Did she hit her head?
34:34Baby. This is... this is...
34:39Lillian. I'm Lillian.
34:41Her... Her fiancĂŠ... donated his heart. I don't understand.
34:52Sorry. I'm so sorry. I didn't mean to hurt Kelly and I just... I just wanted to see you.
35:06I thought it was anonymous. It is. I googled. Because there was only one heart transplant
35:21in Victoria in that 24 hours and we were in Ballarat, so... And your story was in the news
35:28and Kelly had put everything about the accident on Insta and it just... It wasn't that hard
35:34to find you.
35:35I'm sorry. Oh, no. It's alright. Isn't it? It is. We understand. Your letter was so lovely.
36:01It took him two weeks to write that.
36:08He would have been so happy to help you. Ash. His name was Ash. He was a doctor.
36:16Oh. Oh God. We're just so sorry.
36:23Do you want to see your photo?
36:25Oh. Oh. Um. Yeah. Yeah. Of course. Oh. Oh. Oh. Oh. Oh.
36:37Oh!
36:40Please.
36:53Are you okay?
36:57Andrew.
36:59I'm fine. I'm fine.
37:02I just wasn't expecting...
37:07Expecting what?
37:09Maybe we should go into the house.
37:11Hang on.
37:13Expecting what?
37:15He might need some food.
37:18He's probably overdone it.
37:21He's overdone it.
37:28Sorry.
37:37It's a fucking thing. It's either freezing or...
37:41It's more freezing.
37:43Oh, come on.
37:45What did you get for the cheapest type of space in town, I guess?
37:49What you don't have in warmth you make up for in petrol fumes.
37:51Yes.
37:52Which really suits half my clientele.
37:53And how many clientele have you got so far?
37:55A few, actually.
37:56And some of them even pay me.
37:57Fools.
37:58I promise I'll pay you in dinner.
37:59Oh, yeah.
38:00What kind of dinner?
38:01Um...
38:02Um...
38:03Um...
38:04What kind of dinner?
38:05Um...
38:06Um...
38:07Um...
38:08Um...
38:09Um...
38:10Um...
38:11Um...
38:12Um...
38:13Um...
38:14Um...
38:15Um...
38:16Um...
38:17Um...
38:18Um...
38:19Um...
38:20Um...
38:21I mean, out or at your place?
38:23We don't go out.
38:24My house.
38:25Okay.
38:26So that's three dinners.
38:28With meat.
38:33Fine.
38:34Three.
38:35But we want top shelf legal advice.
38:37I don't need advice.
38:39The police have been good, but it's all a bit daunting.
38:43Hamish has been worried about me, Jack.
38:45He forgets I run an emergency department.
38:47You've never been in court before.
38:49I don't have to do anything.
38:50He's pleading guilty.
38:51You still have to show up.
38:52But this is great, so you can see Lillian.
38:59She'll be on Lillian time.
39:01Uh, did you read her victim impact statement?
39:03Uh, no.
39:04No, I haven't seen it.
39:05She was emailing it.
39:06Oh, okay.
39:09She's really turned a corner.
39:11Has she?
39:12Do you have the internet?
39:15Yes.
39:16This is a service station, not a submarine.
39:18Have you read it?
39:19No.
39:20But she definitely said she was doing it.
39:24Okay.
39:25Okay.
39:26Uh, so realistically, that might still be in the wish list column.
39:30Wish list?
39:31Yeah.
39:32I mean, she's not legally required to do a statement.
39:34Isn't she?
39:35No.
39:36The hospital said I had to do one.
39:38Yeah.
39:39They'll be wanting to maximise the pressure.
39:40But, um, you know, technically she doesn't even have to go to court.
39:43But that's ridiculous, though.
39:45I'm not the victim in this.
39:47Well, I'm not sure that's true.
39:49Lillian is.
39:50Why am I doing a victim impact statement?
39:52Well, I mean, it's preferable if she does, obviously.
39:54You know, to make the sentence stick.
39:56Right.
39:58Jesus, my fingers are bone white.
40:01Um, why don't we go over your statement while we're waiting?
40:05I know it.
40:06Of course you do.
40:09Um, it's just...
40:11And look, I hate to say these words, but...
40:13Namaste was right.
40:15Um, it is daunting to be in court and to have to face him.
40:19Yes, you run an ED and you're used to trauma.
40:23But, um...
40:25This is different.
40:29Ash was our friend.
40:30And...
40:31It's hard enough for us to deal with it.
40:33Right.
40:35And we weren't there.
40:38I just think, um...
40:42You know what? I'm gonna call Lillian.
40:47Actually, let's see how far away she is.
40:51This is ridiculous.
40:52This is ridiculous.
41:15What the fuck was that?
41:16No.
41:22Ah, sorry.
41:23Someone called Lillian Vandenberg is on the phone.
41:26She's super upset.
41:28I told her that you're on a Zoom, but she's kind of...
41:31freaking out.
41:37Lillian?
41:39Hi.
41:41I'm Susan Sinclair.
41:42I'm the family coordinator.
41:43We met after Ash passed away.
41:46Where are the other letters?
41:48I'm sorry?
41:49You've only seen one letter, but we donated...
41:52everything.
41:54Okay.
41:55Well, the process can be...
41:57Why hasn't anyone else written?
41:58Are they not grateful?
42:00Oh, Lillian, it's not that.
42:02Ah, look.
42:04People find it hard to write for a lot of reasons.
42:08They're overwhelmed, they're scared.
42:12Is there a vetting system?
42:14For the letters?
42:15For the recipients.
42:17Well, they have to be compatible.
42:19Blood group, size, tissue.
42:21But what about a compatible person?
42:22Has something happened?
42:26No.
42:27I just want to know if...
42:30if there's a caveat for who gets it.
42:34No.
42:35There are no caveats.
42:37Ash had no caveats when he chose to be an organ donor.
42:42But I can assure you his generosity and yours
42:45has saved many different lives.
42:47Lillian?
42:51I'd really like another letter.
43:09Andrew, dinner!
43:11Mathilde, can you tell the boys if they don't come inside now?
43:14There's no dessert.
43:15Oliver! James!
43:17Not like that!
43:18You just yelled for Dad.
43:20Well, he's in the next room.
43:22I think he has his door closed.
43:26While only designed in 1940,
43:29the North American P-51 Mustang
43:32quickly became known as the Pilot's Plane.
43:35That's that Doc I Gavin recommended,
43:37about the P-51 Mustang.
43:39Mmm, one of my favourites.
43:41Dinner's ready.
43:42I might have mine in here.
43:45Are you okay?
43:48Why do you keep asking me that?
43:50Because...
43:51you want to eat dinner on your own.
43:53Oh, I'm just a bit tired.
43:57Is it about yesterday?
43:58No, Kelly, it's not.
44:00I told you.
44:01I know.
44:03But...
44:04such a shock.
44:06I'm not the one who fainted.
44:07Oh.
44:08Okay.
44:09Look.
44:10I just mean...
44:12I'm alright.
44:16But I'm wondering if Lillian is.
44:25What's that supposed to mean?
44:27She was upset.
44:28I didn't ask her to come here.
44:30I know, but...
44:31She's lost her fiancĂŠ.
44:32Of course she's upset.
44:33You upset her.
44:35The way that you reacted,
44:37when you saw the photograph,
44:38it looked like you didn't like what you saw.
44:42I beg your pardon?
44:43Because he was...
44:46I mean, did you ever consider that he might not be white?
44:52I can't even...
44:55I don't...
45:01Jesus Kelly, I cannot believe you would say that.
45:05That's what it looked like.
45:07That's why she left so abruptly.
45:09I think you need to say sorry.
45:10I need to say sorry.
45:11I need to say sorry.
45:12I was ambushed.
45:13What she did is illegal.
45:15But that doesn't change the way that you reacted.
45:17But why did she go to Adelaide?
45:18She said she needed to clear her head.
45:19Who goes to Adelaide to clear their head?
45:20Mummy!
45:21I've got earrings!
45:22I love them.
45:23When's she coming back?
45:24I love them.
45:25I love them.
45:26But why did she go to Adelaide?
45:42She said she needed to clear her head.
45:44Who goes to Adelaide to clear their head?
45:47Mummy! I've got earrings!
45:49I love them.
45:51When's she coming back?
45:52I don't know.
45:53Well, how am I supposed to make another appointment with Jack?
45:55I don't know.
45:56I'm not going again.
45:58But we didn't go through the statements.
45:59Can I have some earrings too?
46:01Of course.
46:03Babe, we need to see him again.
46:05We see him all the time.
46:07I'm serious. You heard what he said about...
46:10Oh my God, Hamish.
46:11Did you hear what I said?
46:13I deal with this stuff every day.
46:15Okay? I'm fine.
46:16Well, you're not.
46:17Well, I have to be, don't I?
46:20Unlike Lillian, I don't have a choice.
46:22I don't get to go off on a fucking road trip.
46:24Or not show up to court if I don't feel like it.
46:28I'm going to get changed.
46:32Fantastic.
46:33What are you doing here?
47:01How did you find me?
47:04You said Ballarat.
47:06And, uh, I wasn't the only story in the paper.
47:11Your landlord said you'd be back soon.
47:13Flew my plane over, actually.
47:19Sounds grander than it is, this little four-seater.
47:22Still sounds pretty grand.
47:26Yeah.
47:29Beautiful spot you got here.
47:32You a rower?
47:33No.
47:35Ash was.
47:36Oh.
47:37What kind of road was he?
47:38I don't know.
47:41I used to road for the University of Men's 8.
47:44Best success, actually.
47:44Look, I don't know what you're doing here,
47:45but I've got some cold stuff that I need to put away.
47:48Oh, give me a hand.
47:49No.
47:52Okay.
47:52Look, I don't know if you, um,
47:57you left this behind.
48:01My letter.
48:04Also, I, uh,
48:06I wanted to apologise.
48:09But not asking you to stay for lunch.
48:12Should have stopped you from leaving.
48:12Are you sure I can't help with one of those?
48:19I know you were disappointed.
48:22What?
48:22You wrote all those beautiful things
48:24when you didn't know what Ash looked like,
48:25but when you saw his photo,
48:26you were disappointed.
48:28No.
48:29No, that's not true.
48:30You literally reeled.
48:33No.
48:34No.
48:35Gosh, I'm so sorry you thought that.
48:37I didn't think it.
48:38I saw it.
48:39Okay.
48:39Well, I don't know what you think you saw,
48:44but, um, I wasn't disappointed.
48:47I was, um...
48:52Yeah, I don't know.
48:53I was, I, um, felt like I had the flu
48:55or I was sick or something.
48:57You were sick.
48:59No.
48:59No, I wasn't.
49:00I was...
49:01I was just in shock
49:03because I was seeing
49:06the person whose heart
49:09I have
49:10because it's one thing
49:11to, to know that you have someone's...
49:13but to actually see who he was,
49:17I just, I wasn't ready for,
49:19for that.
49:24And after you left,
49:26since then, I've,
49:27I've read all these stories about him
49:29and, you know,
49:30seeing what a good guy he was
49:32and, and how involved
49:33in the community he was,
49:35it's incredible.
49:37Boy,
49:37you thought only white people
49:39could be good citizens?
49:41No.
49:41No, of course not.
49:44He was the absolute best person
49:46and you don't get to be disappointed,
49:48okay?
49:49No, I'm...
49:49You just don't!
49:50I miss him so much.
50:05I can't actually believe
50:17that
50:17part of him is in you.
50:20It's just fucking crazy.
50:22I feel terrible
50:32about what happened to him.
50:35What I read about that night
50:38was just so, um...
50:40Actually, I can't stop
50:44thinking about it.
50:50Me either.
50:55I keep thinking about it
50:57and hoping that he wasn't looking
50:59because he was facing
51:01the girl on the gurney.
51:04There were two of them
51:06both juiced up on ice
51:08and she'd smashed her hand
51:10through a window, but...
51:12Yeah, Ash had calmed her down a bit,
51:13but the boyfriend was still
51:14freaking out
51:15and he went and had another snort
51:16and then when he came back
51:17he thought that Ash was hurting her
51:20and he came up from behind
51:22and, and punched
51:23and Ash fell...
51:25back and hit his head.
51:33I'm so sorry.
51:37She gets a...
51:40Did you, you regain consciousness at all?
51:42He...
51:47He was on life's
51:47when I got there.
51:49when I got there.
51:51Oh, my God.
52:21Um, hi.
52:31Shit, you scared me.
52:34This is fun.
52:37Mm-hmm.
52:38Are you okay?
52:42Because it looks like you're drinking with the chickens.
52:45Well, you know, I just did a double.
52:48And the kids are annoying.
52:52And Amish is annoying.
52:54Lucky I'm not annoying.
52:58Are you here for dinner?
53:00Don't know what's he cooking.
53:01Careful.
53:02Big fat one's a bolter.
53:07So, I wrote the victim impact statement.
53:11Fuck.
53:13Really?
53:16Well, great.
53:22I'm sorry for being such a shithead.
53:27I do know how hard this has been for you.
53:30I'm fine.
53:31I love you.
53:36Love you too.
53:41So, I met the guy who has Ash's heart.
53:45He might be a bit of a dick, but he and his wife are coming here next Thursday for dinner.
53:50I wonder if he likes chicken.
53:56How can you mend a broken heart?
54:04How can you stop the rain from falling down?
54:09How can you stop the sun from shining?
54:17What makes the world go round?
54:22Ed, how can you mend this broken man?
54:29And let me live again.
54:35La, la, la, la, la, la.
54:40Da, da, da, da, da, da, da.
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