Death in Paradise - Season 14 Episode 04
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00Farmers, cultivators, trees, you know.
00:18Janelle, good to see you again.
00:21And you?
00:23So, how you feeling about today?
00:26Where's Patrick?
00:27Patrick, if we're going to do, there's no point wasting any time.
00:31No, sure, of course.
00:34He's over at the tasting bar.
00:38Your assistant's already there.
00:41Sorry?
00:42Anthony.
00:46I want to get my own startup going at some point.
00:49Got a few ideas floating around, but I don't want to rush into it too soon, you know?
00:54I guess.
00:55Do what you gotta do.
00:58Yeah.
00:59No, I will, I will.
01:01Oh, great.
01:02They're here.
01:04Afternoon.
01:05Afternoon, Patrick.
01:06Janelle.
01:07Anthony.
01:11So, the contract is being back to over.
01:14Should be ready to sign shortly.
01:16We thought we could have a drink while we wait.
01:20Sure.
01:21We just need a moment.
01:22Mm-hmm.
01:27What are you playing at?
01:29I told you I didn't want you here.
01:31Mom, the only way I can ever learn from you is if I see everything you do.
01:35Not just what you want me to see.
01:36I appreciate that, but this is too important to mess up.
01:39And that's what you think I'm going to do?
01:41Mess it all up for you?
01:44I didn't mean that.
01:45I'm sorry.
01:47Please.
01:47You just want to be included.
01:49All right.
02:01This is our new line.
02:02It's a 15-year-old, but has a more mature taste, with a thick, caramelly finish.
02:10It's like getting a big, warm hug from a drink.
02:14There's no master distiller better than Francesca.
02:17Well, thank you.
02:19The rum's been aged in oak barrels, and that bottle was drawn three days ago, just for today.
02:30Neat for me.
02:31Yes, I'm very proud of this mix.
02:35Look like it.
02:38Well, I suppose somebody should make a toast.
02:43Janelle?
02:45Sure.
02:48To doing business.
02:50To doing business.
02:52Cheers.
02:53Cheers.
03:01Go speak with the paramedics.
03:10On it.
03:13Were you the one that called it in?
03:15This is all my fault.
03:17Just stay calm and tell me what happened.
03:20Was it some kind of poisoning?
03:23Methanol, I think.
03:24I mean, the rum was, uh...
03:26No, no, this just should not have happened.
03:30Three victims on their way to the hospital.
03:32A fourth was found at the bar.
03:34They didn't make it.
03:36Oh, God.
03:37That was a good quƩ.
03:42Well, it wasn't for the one.
03:45Here's what you're saying.
03:48Here's what you're looking forward.
03:51It's good.
03:56There.
03:56That's it. Keep it coming. That's it. Keep it coming. Keep coming.
04:20You know you're about to change my life, right?
04:34So where's this going?
04:41I'll find a place for it. Thanks a lot, mate.
04:47Hey, sir. All right, so if I come in?
04:49Yeah, yeah, come through.
04:50Is that...
04:56The answer to my prayers? Oh, yes.
04:59Did you buy it?
05:00Nah, renting it. And for a pittance.
05:04I'll tell you this, dearest Thomas. So what do you want about St. Marie?
05:06What you do?
05:07But it's dirt cheap here. It's got that going for it, if nothing else.
05:12You literally have no filter.
05:16Also, take a look at this.
05:19Check that out.
05:25Oh. So you've also got a satellite dish.
05:31Great.
05:33So, um, what's the thinking behind all this?
05:38Well, I've not got long left here, right?
05:41And now with my mum's case put to bed, I thought, you know, might as well try and enjoy myself.
05:44The commissioner mentioned you closed the case.
05:48You feeling all right about it?
05:51Yeah. Of course.
05:53Of course. I'm good. Especially now I can watch the footy. With air con.
06:00Heaven. I mean, no offence.
06:03Fence coming.
06:03But the TV out here is not good.
06:09Sorry.
06:10Did you want something?
06:12Actually, yes.
06:13There's been a poisoning.
06:15Accidental.
06:17Three people in hospital, one dead.
06:20That wasn't at a rum distillery by any chance.
06:24Yeah, it was.
06:25The Ambrose rum distillery.
06:27What did you know about?
06:29The victim's name is Patrick Ambrose, 37 years old.
06:43He owns the whole distillery.
06:46Like the other victims, he had a single shot of rum and started filling ill shortly after.
06:53Mm-hmm.
06:56Mm-hmm.
06:58Mm-hmm.
06:59Is that all you've got to say, Inspector?
07:03Mm-hmm.
07:05Is there a reason he's being like this?
07:07I think so.
07:09But he won't tell me what it is.
07:11Well, that's helpful of him.
07:13The paramedics know why Mr. Ambrose died and everyone else didn't.
07:17They assumed that he must have drunk a bit more than the others.
07:21It's a good way to go, though, right?
07:22I mean, if you got to go, you might as well die of a glass of rum in your hand.
07:26I don't think it was very pleasant for him, Officer Rose.
07:29Listen, Jossie.
07:32Bingo.
07:34I knew being here somewhere.
07:35Two days ago, I got a call on my mobile.
07:40D.I. Wilson speaking.
07:44Hello?
07:45D.I. Wilson speaking.
07:46D.I. Wilson speaking.
07:47Hello?
07:47D.I. Wilson speaking.
07:47Whoever it was didn't speak.
07:50D.I. Wilson speaking.
07:51And seconds later, they hung up.
07:52D.I. Wilson speaking.
07:53So I checked my number out, and the call was made from this distillery.
07:57Called it back, went to reception.
08:00We said that call could have been made from any phone on the estate.
08:03No way of finding out who it was.
08:06Except now, I do know.
08:09But that's your number, sir.
08:12It is.
08:13Oh, just got shivers when you said that.
08:16So, it was Patrick that was phoning you?
08:20D.I. Wilson speaking.
08:24Hello?
08:27What do you think he wanted to say?
08:29Not Scooby.
08:31But him turning up dead two days later.
08:34Feels like too much of a coincidence for my money.
08:37You're not thinking it's suspicious.
08:41I am.
08:42The Food, Health and Safety officers have confirmed it is contaminated.
08:51We...
08:52What?
08:53No.
08:53I must have distilled at the wrong temperature and not removed all the methanol.
08:59Could be a faulty thermometer or human error.
09:04Either way, this is on me.
09:06Okay.
09:07Let's not get ahead of ourselves.
09:09Just talk me through.
09:10I drew the rum three days ago.
09:14The bottle was kept and sealed.
09:16I gave it to Patrick.
09:18It's been in his possession ever since.
09:21And this evening?
09:23It was Patrick who opened the bottle.
09:25I handed round four glasses.
09:28Put some ice in everyone's apart from his.
09:33Patrick poured them each a shot.
09:35And they all sipped their drinks.
09:38Cora was pouring Patrick a second shot while I was refreshing the glasses when...
09:44Are you all right, Patrick?
09:48They all started feeling ill not long after him.
09:51And why were these particular people here this evening?
09:57Patrick was selling the distillery to Miss Denise.
10:01They were about to sign the contract.
10:04But they didn't.
10:05So the distillery stays in the family?
10:11I suppose.
10:12I mean...
10:13There is only Cora left.
10:16I guess it's hers now.
10:18Right, well, uh...
10:19Thanks for your time, Miss Bower.
10:21Um, so, uh...
10:23You're not arresting me then?
10:25Not yet.
10:31Is it me or is this suspicious thing number two?
10:34Minutes before, Patrick Ambrose is about to sign a contract
10:38concluding the sale of this entire estate.
10:40He ends up dead.
10:42Why isn't?
10:44We need to get on to the Ambrose lawyers first thing tomorrow.
10:49But Patrick poured the drinks.
10:53Sir?
10:55If this was murder
10:56and the poisoning was intentional,
10:59how could the killer be certain
11:01that Patrick could pour a lethal dose
11:03into his own glass
11:04and not into everyone else's?
11:07Now, something about this doesn't make sense.
11:16Commissioner?
11:17You after me?
11:19I heard what happened at the Ambrose distillery.
11:22I guess you should know
11:23we're treating Patrick Ambrose's death as suspicious.
11:26Until we've reasoned not to.
11:28I was unaware he'd come back.
11:30Come back?
11:34It must have been about 18 years ago now.
11:38Patrick had a falling out
11:40with his father,
11:41Carnell Ambrose.
11:43And do you know the reason for their fallout?
11:45Carnell never said.
11:46And where's the dad now?
11:49He passed away six weeks ago.
11:54Sir Patrick must have only recently
11:56inherited the distillery.
11:58Then came back to sell it.
12:01The fact that Patrick Ambrose has been gone for 18 years
12:05then ends up dead not long after he returns.
12:08Suspicious thing number three.
12:09Thank you, sir.
12:12We'll keep digging into it.
12:14Let you know what we find.
12:16Okay.
12:18Okay.
12:23Commissioner.
12:27Are you doing all right, sir?
12:28You know,
12:31in light of your own situation,
12:34I'm doing absolutely fine.
12:37Thank you for asking,
12:38Officer Curtis.
12:58Inspector.
13:12You in there, sir?
13:16Morning.
13:18I wasn't sure...
13:19T.S. Thomas,
13:19are you ready for this?
13:20Ready for...
13:22That's really cold.
13:28That is temperature perfection.
13:3118 degrees Celsius,
13:32bang on.
13:33I mean,
13:34the downside is
13:35you have to keep all the doors and windows closed.
13:37Otherwise,
13:37it doesn't work properly.
13:38But it's a small price to pay, right?
13:42I'd rather be able to
13:43see the view myself,
13:45but
13:45each to their own.
13:51Oh, sir.
13:53I don't think Harry's enjoying this
13:55as much as you are.
13:56Oh,
13:58sorry to know you were there.
14:01Go on.
14:01Go and get warm, mate.
14:05So is
14:06this how you plan to spend
14:08the next couple of months?
14:10Shut up in here
14:11not enjoying the islands?
14:14Yeah.
14:16Anyway,
14:16down to business.
14:17Did you get anything of interest
14:19from the Ambrose family lawyers?
14:20Oh, yes.
14:24The victims are all doing well, sir,
14:26and are being discharged
14:28from hospital today.
14:29Now,
14:30ever since Patrick left home
14:3218 years ago,
14:34Cora Ambrose
14:35has been helping her father
14:36to run the distillery.
14:38And from what they're saying,
14:40it took a long time
14:41for Cora
14:42to earn his respect.
14:44Sounds like he was
14:45pretty old-fashioned.
14:47Always wanted his son
14:48to take over
14:49the family business.
14:51But,
14:51over time,
14:52she slowly convinced him
14:54that she could do it.
14:56But he never got around
14:57to changing the will
14:58so she'd inherit.
14:59No.
15:00Apparently,
15:01Cora was devastated.
15:03She was about to lose
15:04everything she spent
15:05the last 18 years
15:07working for.
15:10Okay.
15:11I'll speak with Cora.
15:12You check in with
15:12Antonin Janelle Delise.
15:14Okay.
15:19So,
15:19I suppose I might as well
15:21be honest with you.
15:22Not a bad thing to be
15:24when the police were involved.
15:26Patrick and I
15:27never got on.
15:28That little scar
15:30near his forehead
15:31from one of our fights
15:33when we were teenagers.
15:34You must have been
15:35made up then.
15:36When he ran away
15:3718 years ago.
15:39Well,
15:39I can't say I wasn't.
15:42And at first,
15:43Daddy kept putting money
15:44into his account,
15:46his monthly allowance.
15:48But after a year
15:49had passed,
15:49he stopped,
15:51hoping it would
15:51force him to come home.
15:55Okay.
15:56Fast forward
15:5718 years.
15:58Your father
15:59passes away
15:59and he leaves
16:01everything to Patrick
16:02in his will.
16:05I was
16:05beyond angry.
16:09I can believe it.
16:10But it does give you
16:12every reason to want
16:12your brother off the scene.
16:15Permanently this time.
16:16I don't know what
16:17I'm supposed to say to that.
16:20Apart from,
16:22you're right.
16:22my brother's death
16:27has left me
16:28with everything
16:29I've ever wanted.
16:34Well,
16:34you're not exactly
16:35dressing it up for me.
16:36I'll give you that.
16:36Well,
16:37I told you I'd be honest.
16:38And I am being.
16:40No more so
16:41than when I tell you
16:42it was not me
16:44that killed Patrick.
16:45I promise you.
16:48Oh,
16:49the man has his own
17:07minibar.
17:08Huh?
17:09It's like the coolest thing ever.
17:11I mean, if I ever run my own business, I would totally get a minibar.
17:17That and a big box of cigars.
17:21And everyone would be like, see that man over there?
17:25He might be boss. Right?
17:29What did you say? I'm sorry.
17:34Is everything okay, Officer Curtis?
17:37I just can't stop thinking about the poor commissioner
17:40and him losing his job.
17:42Yeah, I know.
17:56Officer Rose?
17:58Why are you photographing the minibar?
18:01This isn't even a crime scene.
18:03Yeah, I know. But...
18:05It's my new approach to my investigative process.
18:10Because I think one of my thoughts is that sometimes I feel like I'm not doing enough.
18:17And I miss things.
18:19So, what's the new approach?
18:23From now on, I'm going to do too much.
18:30Cora Ambrose definitely had reason to want her brother dead.
18:33She doesn't refuse to.
18:36As to whether she went as far as murdering the guy.
18:42What about those two?
18:44Nothing to suggest a motive.
18:46Miss Delise only met Patrick Ambrose for the first time a few days ago
18:50and Anthony only last night.
18:52And the fact that the sale of the distillery isn't going ahead
18:55means she's lost all big time.
18:59Hmm?
19:00Hey.
19:14All right, people.
19:15What have you got?
19:16Okay, sir.
19:19The lab have come back.
19:21The bottle of rum was contaminated.
19:24There are traces in all four glasses, but nowhere else.
19:27Post-mortem confirms methanol poisoning was the cause of death.
19:33The amount found in the victim's system was higher than the amount ingested by the other three.
19:38Which brings us back to the same question.
19:41If it was murder, how could the killer guarantee that Patrick would pour himself
19:44a lethal amount of poison rum,
19:47but only put enough in the other three glasses to make the milk?
19:49So, um, Mr. Ambrose drank his rum neat.
19:54Everybody else had ice in theirs.
19:57So maybe the poison got diluted when the ice melted.
20:02Except it's the same amount of poison whether it's in melted ice or not.
20:06Doesn't lessen the effect.
20:07Okay, then maybe the killer didn't care who else got killed.
20:11Took a risk and got lucky.
20:13Well, I don't believe in luck.
20:16And if that was their tactic, there's a world in which Patrick was the one that lived
20:18and the other three died.
20:19The opposite of what they wanted.
20:21Anything come from the search?
20:23Ah, there's something that might be of interest.
20:26It's about...
20:28Janelle Doulis.
20:31Employment records.
20:32It turns out that she worked at the distillery one summer.
20:38She would have been 19 at the time before she went to university.
20:42In the States.
20:43She told us she only met Patrick Ambrose for the first time this week.
20:55But he must have been around back then, right?
20:58Not necessarily.
21:00I mean, this is the summer of 2007.
21:0218 years ago.
21:05Hang on.
21:05That's the same year Patrick left.
21:07I mean, that could have been a coincidence or...
21:09Oh, maybe not.
21:11Okay, go back to the distillery first thing.
21:14Talk to anyone that worked there in 2007.
21:17See what they know.
21:22Good evening, Commissioner.
21:23Is everything...
21:24Inspector, you've caused quite a stir.
21:25I see.
21:26Get over to the shack.
21:28Now.
21:28Okay, well, I'll get over there right away.
21:32I'm needed back at the shack as a situation occurring.
21:35Hmm.
21:37I appreciate it.
21:45Inspector.
21:47Please explain to me what on earth you were thinking when you stuck that thing up there.
21:55Well, I was thinking I'd finally be able to watch Match of the Day.
21:59But I suspect that's not the answer you're looking for.
22:02What's the problem with it?
22:03It's an eyesore for which you sought no permission.
22:08Permission from who?
22:09Me.
22:10For what?
22:11As I would have told you to do so is illegal.
22:16Seriously?
22:18Illegal?
22:19You can just shove those up in London.
22:21No one gives a hoot.
22:22This is not wonder.
22:24I think it's because it's a public beach, sir.
22:28And an area of natural beauty.
22:32The council are really not happy.
22:34There's a penalty to pay.
22:37Of course there is.
22:38One hundred and fifty dollars.
22:42Hmm?
22:44They've got to be kidding, right?
22:45No.
22:45I don't think they are.
22:47I suggest you pay that promptly.
22:48And take that down.
22:52Even more so.
22:54Nice seeing you again, Mervyn.
23:02Unbelievable.
23:05Oh, well.
23:06It's back to the Dark Ages for you, Mervyn.
23:09Well, sir, don't you think it's a bit of a waste to spend your last couple of months on the island pulled up watching TV?
23:16What else am I going to do?
23:17Well, you could spend some time getting to know more about your mother.
23:27Hold this for you.
23:31You could maybe visit some of the places she used to go, talk to her friends.
23:36Did her neighbour, Brianna, ever mention anything?
23:41I don't know.
23:44Kind of.
23:47Brianna said there was this seafood place my mum used to eat at.
23:52It was her favourite, apparently.
23:54Then why don't you go and try it?
23:57Look, I'm sure this day of the match show is really good.
24:00Match of the day.
24:01Whatever.
24:01You can watch it all you want when you get back home.
24:08Sir, this is your one chance to get to learn more about your mother's life here on St. Marie.
24:13Yeah.
24:14I guess maybe you're right.
24:27Let me think about it.
24:31Do you know anyone who needs a new satellite dish?
24:33All right.
24:42Thank you for your hand.
24:44No worries, Doctor.
24:46It's all right.
24:47Morning.
24:48Morning.
24:49Good morning.
24:50So what did they say?
24:51August the 22nd, 2007.
24:53Was the last time Patrick and Janelle were both seen here.
24:56It's assumed that they had run away into the sunset together.
25:00But it's not definite.
25:02No one knows for sure.
25:03It's not much of a motive, though.
25:05The fact that they had a summer romance back in the day.
25:08No.
25:09But at the same time, it's odd that when Patrick returns to the distillery after 18 years,
25:14so does Janelle.
25:15And the guy ends up dead within days of them seeing each other.
25:21Anna.
25:24Look, I understand it's your job to ask questions.
25:29But I wouldn't waste your time listening to gossip.
25:33So you're saying nothing happened between you and Mr. Ambrose?
25:37Nothing.
25:37Well, this is your son, Anthony, right?
25:41Yes, it is.
25:43It says here his date of birth is the 28th of May, 2008?
25:49Yes.
25:51You sure that's right?
25:54Yes, I am.
25:56Well, that makes it nine months after you left the distillery.
26:01Nine months after the fling with Patrick Ambrose that you claim he never had.
26:05Is that a coincidence?
26:10Bear in mind, we can get a warrant for a paternity test.
26:18Patrick was his father.
26:23Did Patrick know?
26:25By the time I found out I was pregnant, he'd already disappeared.
26:29So I got on and raised Anthony by myself.
26:33And what about now?
26:35The fact that you and Anthony meet up with his father for the first time in 18 years.
26:40First time ever for Anthony.
26:42And now Patrick's dead.
26:45Is that really a coincidence?
26:47My coming back to that distillery, seeing Patrick, was purely business.
26:54For Anthony too?
26:56Anthony doesn't know that Patrick was his father.
26:58And I have no desire for him to find out now.
27:02That's my decision to make, not yours.
27:07He'll be back soon.
27:10So I must insist that you stop asking questions about it.
27:13The police were here?
27:36Mum, what's going on?
27:37No, no, nothing.
27:39They just had a few questions, that's all.
27:41Nothing to worry about.
27:43So any particular reason we're eating out, or you just fancy a change?
28:04I'm just doing what you said.
28:06Visiting places my mum went.
28:08This is where your mum ate.
28:12Where did you think we were going?
28:14It's a good idea of yours, this.
28:17I'm glad we came.
28:19Um, we'll order now.
28:24Right.
28:24Oh.
28:26Yeah, I will have the Creole shrimp salad and a Coke, please.
28:30Plenty of ice.
28:30Great.
28:31And you?
28:33I haven't even...
28:35You know what?
28:39I'll have what he's having.
28:41That's...
28:41Oh, and we're on the clock, so if you could ask the chef to get a rigol on,
28:46that'd be greatly appreciated.
28:49Nice place, this, isn't it?
28:53Yeah.
28:55It is.
28:57Maybe you could talk to some of the staff, see if they knew your mother.
29:01Or I could, if you prefer.
29:04What do you think?
29:09I think Janelle Delise isn't giving us the full story.
29:14And my gut is saying it's something to do with what happened 18 years ago.
29:19What is it?
29:24So now you're here, you just want to talk about the case.
29:27What else is there to talk about?
29:29Francesca, would you like another?
29:41Went down a bit too easily, that one.
29:44Maybe you just needed it.
29:46Maybe.
29:46I'm, um...
29:49I'm not really feeling myself at the moment.
29:54Not surprised.
29:57That everything that's happened...
30:00It's all right.
30:05Tell me.
30:06There is something I know that I should probably tell the police.
30:14But it feels wrong if I do, and it feels wrong if I don't.
30:21So I have no idea which way to turn or what to do.
30:25Then I think I do.
30:32Let me make a call.
30:34Hmm?
30:38I can't believe I've never been here before.
30:40This food is so good.
30:41I can see what was your mother's favorite.
30:43Yeah, it's really tasty.
30:47Oh.
30:47Are you finished already?
30:54If I wanted to see the station duty logs between, say, June and September 18 years ago,
31:00where would there be?
31:03In the archive.
31:04Darlene would have to get it.
31:05Why?
31:06I've got a hunch about something.
31:12I'm going to pay.
31:14I'll see you back at the car.
31:16Officer Curtis?
31:17You might want to box that up to go.
31:21Check.
31:24All right, Officer Curtis.
31:25That's great.
31:27I'll see you back at the station in a bit.
31:29Thanks.
31:34What's the matter with you?
31:35You are.
31:36You're always in such a rush.
31:38Never pausing or taking a moment.
31:41Something tells me we're not talking about the case.
31:44No, sir.
31:45We're not.
31:46We're talking about you and how annoying you can be.
31:51Oh, great.
31:52Fun times.
31:52This was supposed to be a nice thing for you to do, not a quick working lunch kind of thing.
31:57And if you'd just taken a moment, you'd have seen there's a board inside with photos of customers on it.
32:02And there's one of your mother.
32:09Sir, there's so much you're going to miss if you don't just slow down.
32:15It's just my default, isn't it?
32:29I speed through things.
32:33I understand.
32:35I understand.
32:36And I apologize if I was being a bit, you know.
32:43Narki?
32:45It says the king of Narki.
32:49King?
32:50I understand you are torn.
33:04I don't want you to feel pressured in any way.
33:09It's just it feels like a betrayal, telling you what I know.
33:15And it's not my secret to share.
33:20That feels like quite a weight you're carrying.
33:24It can't be easy.
33:29And it's been for so long.
33:31Well, then, perhaps, let someone else help carry the weight with you.
33:48It's about Janelle Dulice.
33:51This is the coolest thing ever.
33:54Sir, your detective brain skills are seriously mad.
34:00Has anyone ever told you that?
34:02Not in those exact words.
34:05Ah, you found the duty log.
34:07Here it is.
34:09Janelle Dulice is in there.
34:11She entered the police station,
34:13claiming that she wanted to report a crime
34:15on the morning of the 23rd of August, 2007.
34:20That's the day after she left the distillery.
34:22Sergeant Lee Thompson was the officer on duty.
34:25She started taking a statement.
34:28But Janelle changed her mind and walked out.
34:31So what crime was she going to report?
34:34I can answer that.
34:38Commissioner?
34:38I've just been talking with Francesca Mauer.
34:48It seems she knows what led Janelle Dulice
34:51leave her job at the distillery 18 years ago.
34:55It was Patrick, wasn't it?
34:59Wait.
35:00What are you saying?
35:02The evening of the 22nd of August, 2007,
35:06Francesca Mauer was leaving for the day
35:10when she came across Janelle,
35:14running through the grounds of the distillery.
35:18She was distressed,
35:20in shock,
35:22crying.
35:24What had happened between her and Patrick?
35:26He raped her.
35:28Didn't he?
35:29In light of that,
35:34we need to speak to Janelle.
35:36But we need to be sensitive.
35:39So,
35:41dears Thomas
35:42of Zakatis,
35:44I think you should conduct the interview.
35:46Mr. Lise,
36:01we appreciate you coming in to talk with us.
36:03Francesca spoke with you, didn't she?
36:05That's what this is about?
36:08Yes.
36:08Yes.
36:16That night,
36:23August 22nd, 2007,
36:26I was working late.
36:28I was in the storage room
36:29about to leave when Patrick appeared.
36:32Said he wanted a drink.
36:35I felt I couldn't see, you know,
36:38him being the boss's son.
36:40And, um,
36:42what happened then?
36:43He started ranting about his father.
36:47They'd had a big bus up that night.
36:49Do you know what it was about?
36:51There'd been a fire the week before
36:53that Patrick had caused.
36:55Burned down one of the outbuildings.
36:57Patrick had been messing about.
37:00They were about to start rebuilding,
37:01and Mr. Ambrose Sr. was furious
37:03about how much it was going to cost.
37:06Patrick got it off his chest,
37:08and I said I had to go.
37:10But I could tell he didn't want me to.
37:16Then he went to kiss me.
37:18I pulled away from him
37:20and tried to leave,
37:21saying I really needed to go now.
37:26He grabbed me,
37:28forced me to the ground,
37:32and he...
37:37We're so sorry, Janelle.
37:49When I heard Patrick was back on the island
37:51and putting the distillery up for sale,
37:53I knew straight away I had to buy it
37:56so I could erase every memory
38:00of what happened there.
38:02How?
38:03By knocking it all down.
38:06Turning it into something else.
38:09Build it into a new business.
38:13Make it mine.
38:15Even if that meant coming face to face
38:18with Patrick Ambrose?
38:20Oh, I wanted to see him.
38:24To look him in his eyes
38:26the way I couldn't 18 years ago.
38:30Because I'm stronger now.
38:33And how was it when you did?
38:37It was strange.
38:40He seemed a different man to how he was.
38:42All the bravado had gone out of him.
38:46He was guarded.
38:48Quiet.
38:50Like he was hiding something from the world.
38:53The truth may be
38:54of what he did to you.
38:56You both need to know.
39:01Even though I spent most of my life
39:05feeling hatred for that man,
39:07I did not murder him.
39:11Because that would mean I was no better than him.
39:14And I am.
39:19I am so much better than him.
39:21Thank you, Miss Bordy.
39:38Selwyn was so good this afternoon.
39:42Calming Francesca down,
39:44reassuring her
39:45it's not right
39:47he won't be there
39:48to do that anymore.
39:50Yeah.
39:50I'm thinking
39:51you know what my favourite TV shows
39:55as a little boy?
39:56No.
39:58The Jungle Squad.
40:00Every Saturday morning
40:029am sharp
40:03I'd be there
40:04until one day
40:06out of the blue
40:07they got rid of me favourite character
40:10Maurice the Mongoose.
40:12But
40:13when this happened
40:14loads of school kids got together
40:17and organised a petition
40:19to get Maurice the Mongols
40:21reinstated.
40:24Ah.
40:25Inspector
40:26they've not finished interviewing
40:28Janelle Deleuze
40:29so we can head back to the station now.
40:34Inspector
40:34there's something bothering you.
40:37From the start
40:39from the start
40:39we've been working on the assumption
40:41that Patrick Ambrose was the victim
40:43one of our suspects
40:44had to be the perpetrator
40:45but in some ways
40:48the opposite can also be true
40:49because now we know
40:51Janelle was a victim
40:52and Patrick was the perpetrator
40:54which makes me wonder
40:56why would a perpetrator
40:59want to phone
40:59a police detective
41:01and you'll know the answer.
41:05No.
41:07But now we're asking
41:08the right question
41:09we can start looking
41:11at this piece of evidence
41:12in a new light
41:13and give it the attention
41:15it deserves.
41:22Officer Curtis
41:23let me know how you get on
41:25with those prints please.
41:26Yes sir.
41:27Is there anything
41:27I can do inspector?
41:29Maybe don't speak.
41:32Just ignore him Seb.
41:34What is this?
41:36It's the victim's study.
41:37his desk
41:39his minibar
41:41etc etc.
41:44Why have we got these?
41:45Just in case.
41:51What exactly
41:52are you looking for sir?
41:54I don't know
41:55but now we're looking
41:57at the victim
41:57in a different light
41:58we need to do the same
41:59for the crime scene.
42:01So
42:02victim becomes perpetrator
42:06same rules apply
42:08if you flip it
42:10on its head
42:11what have we got?
42:13Um
42:14okay.
42:23So
42:23poisoned
42:25poison
42:26not
42:27poisoned
42:28wait a minute
42:31maybe that's it.
42:33The bottle of rum
42:34was contaminated
42:35with methanol.
42:37The poison got diluted
42:38when the ice melted.
42:39But if that's the case
42:40how?
42:51You took these photos
42:52just in case?
42:53Yes sir.
42:55Well that's uh
42:56that's good work
42:58officer Rose.
42:59I think they might
43:01have just solved
43:02the crime.
43:03Inspector
43:03we've got a match
43:05but it's two
43:06different sets of prints.
43:08Whose are they?
43:09Well
43:09one of the sets of prints
43:11belongs to one of our
43:12suspects
43:12but the other one
43:14is odd.
43:15It's matched with
43:16someone not even
43:17connected to the case.
43:18A guy called
43:19Samson
43:21Lay.
43:22Who's Samson Lay?
43:24Well he was
43:25arrested in Guadeloupe
43:25for a bank robbery
43:26back in 2007.
43:28He later absconded
43:30and there is still
43:32an outstanding
43:33warrant for his arrest.
43:35So what's he
43:36got to do with
43:37Patrick Ambrose
43:38being murdered?
43:40Everything.
43:42There'd been a fire
43:42the week before
43:43that Patrick had caused.
43:45They burned down
43:46one of the outbuildings.
43:47Patrick had a
43:48falling out
43:49with his father.
43:50At first
43:51daddy kept putting
43:52money into his
43:53account.
43:54his monthly
43:55allowance.
43:56He was guarded
43:57quiet
43:59like he was
44:02hiding something
44:02from the world.
44:04You said the other
44:05set of fingerprints
44:06was from one of
44:07our suspects?
44:08Yes.
44:09Well who is it?
44:15Miss Ambrose
44:16I have a question
44:19for you.
44:21Do you recognize
44:21this?
44:24It's my phone number.
44:26I...
44:27I...
44:27I...
44:28I'll tell you what
44:28while you're trying
44:29to formulate your answer.
44:31I want you to know
44:32that we found
44:33your fingerprints
44:34on this
44:34so we know
44:35you definitely
44:36touched it.
44:37And there are tests
44:38that can be done
44:38to confirm
44:39whether this is
44:40your handwriting
44:40or not.
44:42So I'll ask you
44:42again.
44:44Do you recognize
44:45this?
44:46Yes.
44:48Okay.
44:49Next question.
44:50Why did you
44:51write my number
44:52down?
44:53Because I think
44:54it's because
44:55a few days ago
44:56you were thinking
44:56of phoning me
44:57to report a crime.
45:06We've just checked
45:07the body currently
45:08lying at the mortuary
45:09and have confirmed
45:11it's not your brother
45:12Patrick Ambrose
45:13but a man called
45:14Samson Lay.
45:15You wanted to
45:17inform me
45:17that the man
45:18who returned home
45:19for the first time
45:20since 2007
45:21was an imposter
45:22who had spent
45:23the last 18 years
45:25pretending to be
45:25your brother.
45:26Am I right?
45:28What's going on?
45:29The thing is,
45:29Cora,
45:30now we know
45:31that the man
45:31who was murdered
45:32here two days ago
45:33wasn't in fact
45:33your brother
45:34it does beg
45:35the question
45:36where is
45:37Patrick Ambrose?
45:38I don't know.
45:40No?
45:41You see,
45:42I don't believe
45:43Patrick left
45:44this distillery
45:4518 years ago.
45:46I think he's still here.
45:49Underneath this building.
45:51And I think
45:51it was you
45:52that killed him.
45:52No, that's...
45:54I didn't!
45:55You didn't?
45:56Mm-mm.
45:57Because,
45:57you see those people
45:58who just came in?
45:59They've got all
46:00the kit needed
46:01to determine
46:01if there is in fact
46:02a body lying
46:03underneath this building.
46:04And once they do,
46:06they'll bring in
46:07a dig team.
46:08The night of
46:08the 22nd of August
46:102007
46:11was the last time
46:12Patrick was seen
46:13here at this distillery.
46:16Tell us what
46:17happened, Cora.
46:20We know another crime
46:21was committed that night
46:23by Patrick.
46:25We know what he did
46:27to Janelle.
46:28Is it connected
46:29to that?
46:32Cora,
46:33it's game over.
46:35Just tell us.
46:36I saw them.
46:41Janelle was in
46:42such a state.
46:43Patrick.
46:46He attacked me.
46:50And I realized
46:51what Patrick
46:51had done to her.
46:52And I felt
46:55so angry.
46:56Patrick,
46:57what have you done?
46:58And he just smiled.
46:59Answer me!
47:01I grabbed the nearest thing,
47:03I turned a bottle of rum.
47:04And I hit him.
47:07And I hit him hard.
47:09He fell.
47:11Bunged his head on the floor
47:12and he never got out.
47:13This outbuilding
47:16was being rebuilt
47:17after the fire
47:18your brother started.
47:19I assume you moved
47:21the body in here
47:21and left it to the builders?
47:23Albeit unwittingly,
47:24bury him for you.
47:26After that,
47:26all you had to do
47:27was convince Daddy
47:28that Patrick
47:29could run away.
47:30The suitcase
47:30with his clothes,
47:32his passport and wallet
47:33and I threw it
47:33in the sea.
47:36And when you heard
47:36not long after
47:37that Patrick
47:37was drawing money
47:38from his account,
47:40you realized
47:41that somebody
47:41found this suitcase
47:42and had taken his identity.
47:44I couldn't believe it
47:45when this man
47:46pretending to be Patrick
47:47turned up.
47:49No one realized
47:50apart from me.
47:52Well,
47:53why would they, right?
47:55I mean,
47:55I've seen photos
47:56of both Patrick
47:57and Samson
47:58from 18 years ago
47:59and they do
47:59kind of look similar.
48:02It was brazen of the guy,
48:03that's for sure.
48:05But after doing
48:05some quick tests,
48:06it's clear that
48:07Samson Lay
48:07was living hand to mouth.
48:09So the chance
48:10of selling this distillery
48:11and making millions
48:12of dollars
48:12was a massive risk,
48:14but a risk worth taking,
48:16which brings us
48:17full circle
48:18to his murder
48:20and why you killed him.
48:23Janelle Delis
48:24admitted to us
48:25this afternoon
48:25her plans to
48:26redevelop
48:28this distillery.
48:30We think you
48:31caught wind of that
48:32and if the sale
48:33of the distillery
48:34went ahead,
48:35Patrick's body
48:36would be discovered.
48:38That's why
48:39you had to stop
48:40it from happening.
48:41And that's why
48:42you wrote my number down.
48:44You're considering
48:45reporting Samson
48:46as an imposter.
48:48But Samson
48:48cottoned on to
48:49what you were doing,
48:50didn't he?
48:51You phone the police
48:52and tell them
48:53who I am
48:54and I'm just gonna
48:54tell them
48:55what you did
48:56to Patrick.
48:57He worked it all out.
49:00Which left you
49:01no choice
49:01other than
49:02and to kill
49:03Samson Lee.
49:04All of which
49:05brings us
49:05to the final
49:06unanswered question
49:07in this whole affair.
49:09How did you do it?
49:19Like this bottle of rum,
49:21the one that was
49:22opened two nights ago
49:23by Samson Lee,
49:24your second victim,
49:26did not in fact
49:27contain any methanol.
49:29So,
49:30how did all four of you
49:32ingest methanol
49:33if it wasn't in the
49:34bottle of rum
49:34you drank from?
49:36Let's start with
49:36the non-lethal dose
49:38you administered
49:38to yourself,
49:39Janelle and Anthony.
49:42Just enough
49:43to make you all ill.
49:45Well,
49:46the ice
49:47answers that question.
49:51You laced
49:52the ice
49:53with methanol
49:53and when you made
49:55the three poison pieces,
49:56you put them
49:58on top of the
49:58normal ones
49:59Francesca had
50:00already put out.
50:02So,
50:03when she went
50:04to serve the ice
50:04for the first
50:05round of drinks,
50:06she naturally
50:07took the ones
50:07at the top.
50:09We assume,
50:11having spent
50:11the last month
50:12with Samson in the house,
50:13you must have noticed
50:14he drank his rum
50:15neat
50:16with no ice.
50:19Samson then poured
50:20the non-poison rum
50:21into each glass,
50:23causing the methanol-laced
50:24ice to slowly
50:25begin melting.
50:27Administering
50:27the tiniest amount
50:28into yours,
50:30Janelle's
50:30and Anthony's drinks.
50:34Now,
50:35at this point,
50:36Samson is sipping
50:37from a glass of rum
50:38that hasn't been poisoned.
50:39So how and when
50:40did he ingest
50:41the lethal dose?
50:42Well,
50:43I believe
50:44he'd already consumed it
50:45shortly before Janelle
50:47arrived to sign
50:48the contract.
50:48quite the soft drink's
50:55fiend was our
50:56Mr. Lay.
50:57When I spoke with
50:58young Anthony DeLise,
50:59who was the first
51:00to arrive that evening,
51:01he recalls seeing
51:03Patrick finishing
51:04a can of soda
51:05when he got there.
51:06Afternoon.
51:11I'm Anthony,
51:12General's assistant.
51:12So,
51:13let's take a look,
51:15shall we?
51:20Bingo.
51:21We'll get this
51:22to the lab.
51:23But I'm in no doubt
51:24there'll be traces
51:25of methanol
51:26in this can.
51:26Just before
51:29Anthony and Janelle
51:30arrived,
51:31while Patrick
51:31was distracted,
51:33you spiked
51:33the can of soda
51:34with methanol.
51:44They're arriving.
51:45This time.
51:53Which leaves
51:54one final task.
51:55getting the poison
51:57into the bottle
51:59of rum.
52:00Some sort
52:00of distraction.
52:02Suffice to say,
52:03when no one
52:03was looking,
52:04in it went.
52:05Second round.
52:07Yes, please.
52:07Keep it open.
52:16Once everyone
52:17had finished
52:17the first round,
52:18you suggested another.
52:20Francesca
52:21refreshed the glasses,
52:22unwittingly disposing
52:23of the poison ice.
52:25and then you
52:28poured Samson
52:28and only Samson
52:30a second shot.
52:32So that his glass
52:33now contained
52:34traces of methanol.
52:37Are you alright, Patrick?
52:39Leading us to assume
52:40that the first shot
52:41must have been
52:42poisoned as well.
52:43Just like the other
52:44three were.
52:45Because they were all
52:46poured from the
52:47seemingly poisoned bottle.
52:49But it was this
52:52that really killed him.
52:55It was clever.
52:58Really clever.
52:59And you would have
53:00had us all fooled.
53:05If it wasn't for this.
53:06I'm sorry about
53:10something.
53:10I don't think he was
53:13a good man.
53:15But he didn't deserve
53:16to die.
53:20But my brother did.
53:23And I'm not sorry
53:25for what I did to him.
53:26Cora Ambrose.
53:41You're under arrest
53:42for the murder
53:43of Samson Lane.
53:44You do not have to say
53:45anything
53:46what's in me
53:46for my friends.
53:47you're under arrest.
54:14Petitionč
here
54:15is C.F. Commissioner Paterson.
54:17Good.
54:27Hello, Selwyn. Check your inbox.
54:47Hello, Selwyn.
54:55Hello, Selwyn.
55:01Excuse me.
55:15No problem.
55:22See you, Duna.
55:28Mum.
55:45No problem.
55:48No problem.
55:50No problem.
55:52No problem.
55:54No problem.
56:03No problem.
56:05No problem.
56:07Dusty roads are calling
56:25Golden leaves of art is falling
56:31I must go away soon
56:36At the sight of the dawn
56:41Everyone go chasing
56:46Better times and better places
56:52This talented young woman is shot and killed at a football match
56:59and no one, including ourselves, saw or heard a thing.
57:03Each of these suspects were on the pitch at the time of the murder.
57:06So how could any one of them have shot in this?
57:08Your petition passed the 10,000 mark.
57:11Look, I don't suppose you would like a drink this evening.
57:14I would like that.
57:15There she is.
57:17Hop up!
57:18Williams!
57:18Williams!
57:19I'm sorry, I should have told you this before.
57:21Back in Blighty and the 1970s were called Midwife Returns, Sunday night at 5 past 8 on BBC One.
57:33Action-packed bad-based crime drama and iPlayer, Verdi is one tough cop.
57:38Press red and you'll see what I mean.
57:40Emily Watson and Paul Meskel star in the premiere of God's Creatures, tonight at 5 past 11 on BBC Two.
57:47Thank you for listening.
57:47Bye!
57:51What the?
57:53Rachel!
57:53Hope she has been done with me.
57:54Yeah!
57:54What's the matter of God?
57:55What happened?
57:56What's the matter of God's priest?
57:56What's the matter?
57:58What's actually today?
57:58Everything is ŠæŠ¾Šŗryå½ to God's
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