Death in Paradise - Season 14 Episode 04
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00Farmers, cultivators, trees, you know.
00:18Janelle, good to see you again.
00:21And you?
00:23So, how you feeling about today?
00:26Where's Patrick?
00:27Patrick, if we're going to do, there's no point wasting any time.
00:31No, sure, of course.
00:34He's over at the tasting bar.
00:38Your assistant's already there.
00:41Sorry?
00:42Anthony.
00:46I want to get my own startup going at some point.
00:49Got a few ideas floating around, but I don't want to rush into it too soon, you know?
00:54I guess.
00:55Do what you gotta do.
00:58Yeah.
00:59No, I will, I will.
01:01Oh, great.
01:02They're here.
01:04Afternoon.
01:05Afternoon, Patrick.
01:06Janelle.
01:07Anthony.
01:11So, the contract is being back to over.
01:14Should be ready to sign shortly.
01:16We thought we could have a drink while we wait.
01:20Sure.
01:21We just need a moment.
01:22Mm-hmm.
01:27What are you playing at?
01:29I told you I didn't want you here.
01:31Mom, the only way I can ever learn from you is if I see everything you do.
01:35Not just what you want me to see.
01:36I appreciate that, but this is too important to mess up.
01:39And that's what you think I'm going to do?
01:41Mess it all up for you?
01:44I didn't mean that.
01:45I'm sorry.
01:47Please.
01:47You just want to be included.
01:49All right.
02:01This is our new line.
02:02It's a 15-year-old, but has a more mature taste, with a thick, caramelly finish.
02:10It's like getting a big, warm hug from a drink.
02:14There's no master distiller better than Francesca.
02:17Well, thank you.
02:19The rum's been aged in oak barrels, and that bottle was drawn three days ago, just for today.
02:30Neat for me.
02:31Yes, I'm very proud of this mix.
02:35Look like it.
02:38Well, I suppose somebody should make a toast.
02:43Janelle?
02:45Sure.
02:48To doing business.
02:50To doing business.
02:52Cheers.
02:53Cheers.
03:01Go speak with the paramedics.
03:10On it.
03:13Were you the one that called it in?
03:15This is all my fault.
03:17Just stay calm and tell me what happened.
03:20Was it some kind of poisoning?
03:23Methanol, I think.
03:24I mean, the rum was, uh...
03:26No, no, this just should not have happened.
03:30Three victims on their way to the hospital.
03:32A fourth was found at the bar.
03:34They didn't make it.
03:36Oh, God.
03:37Nobody's listening.
03:38Make any more money.
03:39Cheers.
03:39Bye.
03:39Have a good one.
03:39Bye.
03:40Have a better episode.
03:40Bye.
03:40Bye.
03:41Bye.
03:42Bye.
03:43Bye.
03:46Bye.
03:47Bye.
03:47Bye.
03:48Bye.
03:48Bye.
03:50Bye.
03:51Bye.
03:53Bye.
03:54Bye.
03:55Bye.
04:00Bye.
04:01Bye.
04:01Bye.
04:03Bye.
04:03Bye.
04:06Bye.
04:06That's it. Keep it coming. That's it. Keep it coming. Keep coming. Keep coming. Whoa.
04:22Good morning, sir.
04:29You know you're about to change my life, right?
04:34So where's this going?
04:36I'll find a place for it. Thanks a lot, mate.
04:47Hey, sir. All right, if I come in?
04:49Yeah, yeah, come through.
04:55Is that...
04:56The answer to my prayers? Oh, yes.
04:59Did you buy it?
05:00Nah, renting it. I'm for a pittance.
05:04I'll tell you this, dear Thomas. So what do you want about St. Marie?
05:06Which you do.
05:07But it's dirt cheap here. It's got that going for it, if nothing else.
05:11You literally have no filter.
05:16Also, take a look at this.
05:24Check that out.
05:25Oh, so you've also got a satellite dish. Great.
05:33So, um, what's the thinking behind all this?
05:37Well, I've not got long left here, right?
05:41And now with my mum's case put to bed, I thought, you know, might as well try and enjoy myself.
05:44The commissioner mentioned you closed the case.
05:49You feeling all right about it?
05:52Yeah, of course.
05:54I'm good.
05:56Especially now I can watch the footy with air con.
06:00It's heaven.
06:01I mean, no offence.
06:03Offence coming.
06:04But the TV out here is not good.
06:06Sorry, did you want something?
06:12Actually, yes.
06:13There's been a poisoning.
06:15Accidental.
06:17Three people in hospital, one dead.
06:20That wasn't at a rum distillery by any chance.
06:24Yeah, it was.
06:25The Ambrose rum distillery.
06:27What did you know about?
06:29The victim's name is Patrick Ambrose, 37 years old.
06:43He owns the whole distillery.
06:46Like the other victims, he had a single shot of rum
06:50and started filling ill shortly after.
06:53Mm-hmm.
06:56Mm-hmm.
06:58Mm-hmm.
06:59Is that all you've got to say, Inspector?
07:03Mm-hmm.
07:05Is there a reason he's been like this?
07:07I think so.
07:09But he won't tell me what it is.
07:11Well, that's helpful of him.
07:13The paramedics know why Mr. Ambrose died
07:15and everyone else didn't.
07:17They assumed that he must have drunk
07:19a bit more than the others.
07:21It's a good way to go, though, right?
07:22I mean, if you got to go,
07:24you might as well die of a glass of rum in your hand.
07:26I don't think it was very pleasant for him
07:29Officer Rose.
07:29I'm Jossie.
07:30Bingo.
07:33I knew being here somewhere.
07:35Two days ago, I got a call on my mobile.
07:43D.I. Wilson speaking.
07:44Hello?
07:47Whoever it was didn't speak
07:50and seconds later, they hung up.
07:52So I checked my number out
07:54and the call was made from this distillery.
07:57Called it back, went to reception.
08:00We said that call could have been made
08:01from any phone on the estate.
08:02No way of finding out who it was.
08:06Except now.
08:08I do know.
08:09But that's your number, sir.
08:12It is.
08:13Oh, just got shivers when you said that.
08:16So it was Patrick that was phoning you?
08:20D.I. Wilson speaking.
08:24Hello?
08:24What do you think he wanted to say?
08:29Not Scooby.
08:31But him turning up dead two days later
08:33feels like too much of a coincidence for my money.
08:37You're not thinking it's suspicious?
08:39I am.
08:45The food, health and safety officers
08:48have confirmed it is contaminated.
08:51We...
08:52What?
08:53No.
08:53I must have distilled at the wrong temperature
08:56and not removed all the methanol.
08:59Could be a faulty thermometer or human error.
09:04Either way, this is on me.
09:06Okay.
09:07Let's not get ahead of ourselves.
09:09Just talk me through it.
09:12I drew the rum three days ago.
09:14The bottle was kept and sealed.
09:16I gave it to Patrick.
09:18It's been in his possession ever since.
09:21And this evening?
09:23It was Patrick who opened the bottle.
09:25I handed round four glasses.
09:28Put some ice in everyone's apart from his.
09:33Patrick poured them each a shot
09:35and they all sipped their drinks.
09:38Cora was pouring Patrick a second shot
09:40while I was refreshing the glasses
09:43when...
09:44Are you all right, Patrick?
09:48They all started feeling ill not long after him.
09:51And why were these particular people here this evening?
09:57Patrick was selling the distillery to Miss Denise.
10:01They were about to sign the contract.
10:04But they didn't.
10:05So the distillery stays in the family?
10:10I suppose.
10:11I mean...
10:12There is only Cora left.
10:16I guess it's hers now.
10:18Right, well, thanks for your time, Miss Bower.
10:20Um, so are you...
10:23You're not arresting me then?
10:27Not yet.
10:31Is it me or is this suspicious thing number two?
10:34Minutes before, Patrick Ambrose is about to sign a contract
10:38concluding the sale of this entire estate.
10:40He ends up dead.
10:42Why isn't?
10:44We need to go on to the Ambrose lawyers first thing tomorrow.
10:49But Patrick poured the drinks.
10:53Sir?
10:55If this was murder
10:56and the poisoning was intentional,
10:59how could the killer be certain
11:01that Patrick could pour a lethal dose
11:03into his own glass
11:04and not into everyone else's?
11:07Now, something about this doesn't make sense.
11:08Commissioner?
11:17You after me?
11:19I heard what happened at the Ambrose distillery.
11:22I guess you should know
11:23we're treating Patrick Ambrose's death as suspicious.
11:26Until we've reasoned not to.
11:28I was unaware he'd come back.
11:30Come back?
11:34It must have been about 18 years ago now.
11:37So, Patrick had a falling out
11:40with his father,
11:41Carnell Ambrose.
11:43And do you know the reason for their fallout?
11:45Carnell never said.
11:47And where's the dad now?
11:49He passed away
11:50six weeks ago.
11:53So, Patrick must have only recently
11:56inherited the distillery.
11:58Then came back to sell it.
12:01The fact that Patrick Ambrose
12:03has been gone for 18 years
12:05then ends up dead
12:06not long after he returns.
12:08Suspicious thing number three.
12:11Thank you, sir.
12:13We'll keep digging into it.
12:14Let you know what we find.
12:16Okay.
12:18Okay.
12:23Commissioner.
12:27Are you doing all right, sir?
12:28You know,
12:31in light of your own situation,
12:34I'm doing absolutely fine.
12:37Thank you for asking,
12:38Officer Curtis.
12:39Yes.
12:39Au revoir.
12:51Inspector? You in there, sir?
13:16Morning. I wasn't sure...
13:19T.S. Thomas, are you ready for this?
13:20Ready for...
13:22That's really cold!
13:28That is temperature perfection.
13:3118 degrees Celsius, bang on.
13:33I mean, the downside is you have to keep all the doors and windows closed.
13:37Otherwise, it doesn't work properly.
13:38But it's a small price to pay, right?
13:42I'd rather be able to see the view myself, but each to their own.
13:50Oh, sir. I don't think Harry's enjoying this as much as you are.
13:57Oh. Sorry to know you were there.
14:01Go on. Go and get warm, mate.
14:02So is this how you plan to spend the next couple of months?
14:10Shut up in here, not enjoying the islands?
14:14Yeah.
14:14Anyway, down to business.
14:17Did you get anything of interest from the Ambrose family lawyers?
14:21Oh, yes.
14:22The victims are all doing well, sir, and are being discharged from hospital today.
14:29Now, ever since Patrick left home 18 years ago, Cora Ambrose has been helping her father to run the distillery.
14:38And from what they're saying, it took a long time for Cora to earn his respect.
14:44Sounds like he was pretty old-fashioned.
14:47Always wanted his son to take over the family business.
14:50But, over time, she slowly convinced him that she could do it.
14:56But he never got around to changing the will so she'd inherit.
14:59No.
15:00Apparently, Cora was devastated.
15:03She was about to lose everything she spent the last 18 years working for.
15:10Okay.
15:11I'll speak with Cora.
15:12You check in with Antonin Janelle Delise.
15:14Okay.
15:14I'll speak with Cora.
15:44I'll speak with Cora.
15:46I'll speak with Cora.
15:48But after a year had passed, he stopped, hoping it would force him to come home.
15:54Okay.
15:56Fast forward 18 years.
15:58Your father passes away, and he leaves everything to Patrick in his will.
16:05I was beyond angry.
16:09I can believe it.
16:11But it does give you every reason to want your brother off the scene.
16:14Permanently this time.
16:16I don't know what I'm supposed to say to that.
16:20Apart from...
16:21you're right.
16:25My brother's death has left me with everything I've ever wanted.
16:34Well, you're not exactly dressing it up for me, I'll give you that.
16:36Well, I told you I'd be honest.
16:38And I am being.
16:40No more so than when I tell you it was not me.
16:44That killed Patrick.
16:47I promise you.
17:04Oh, oh, oh.
17:06The man has his own minibar.
17:09Ha!
17:09It's like the coolest thing ever.
17:11I mean, if I ever run my own business,
17:14I would totally get a minibar.
17:17That.
17:18And a big box of cigars.
17:21And everyone would be like,
17:23see that man over there?
17:25He might be boss.
17:26Ha!
17:27Right?
17:28Um, what did you say?
17:30I'm sorry.
17:30I'm sorry.
17:30Is everything okay, Officer Curtis?
17:37I just can't stop thinking about the poor commissioner
17:40and him losing his job.
17:42Yeah.
17:43I know.
17:44Oh, gosh.
17:46Officer Rose, why are you photographing the minibar?
18:01This isn't even a crime scene.
18:02Yeah, I know.
18:04But...
18:05It's my new approach to my investigative process.
18:10Because I think one of my thoughts is that sometimes
18:14I feel like I'm not doing enough.
18:17And I miss things.
18:19So, what's the new approach?
18:22From now on,
18:24I'm gonna do too much.
18:30Cora Ambrose definitely had reason to want her brother dead.
18:34She doesn't refuse to.
18:36As to whether she went to survive murdering the guy.
18:42What about those two?
18:44Nothing to suggest a motive.
18:46Miss Delise only met Patrick Ambrose for the first time a few days ago
18:50and Anthony only last night.
18:52And the fact that the sale of the distillery isn't going ahead
18:55means she's lost all big time.
18:59Hmm?
19:00Hey.
19:00All right, people.
19:15What have you got?
19:16Okay, sir.
19:19The lab have come back.
19:21The bottle of rum was contaminated.
19:24There are traces in all four glasses, but nowhere else.
19:27Post-mortem confirms methanol poisoning was the cause of death.
19:33The amount found in the victim's system
19:35was higher than the amount ingested by the other three.
19:39Which brings us back to the same question.
19:41If it was murder, how could the killer guarantee
19:43that Patrick would pour himself a lethal amount of poison rum
19:46but only put enough in the other three glasses to make them ill?
19:49So, um, Mr Ambrose drank his rum neat.
19:54Everybody else had ice in theirs.
19:57So maybe the poison got diluted when the ice melted?
20:02Except it's the same amount of poison
20:04whether it's in melted ice or not.
20:06It doesn't lessen the effect.
20:07Okay, then maybe the killer didn't care who else got killed.
20:11Took a risk and got lucky.
20:14Well, I don't believe in luck.
20:15And if that was their tactic,
20:17there's a world in which Patrick was the one that lived
20:18and the other three died.
20:19The opposite of what they wanted.
20:21Anything come from the search?
20:23Ah, there's something that might be of interest.
20:25It's about Janelle Doulis employment records.
20:33It turns out that she worked at the distillery one summer.
20:37She would have been 19 at the time
20:40before she went to university in the States.
20:43She told us she only met Patrick Ambrose for the first time this week.
20:55But he must have been around back then, right?
20:58Not necessarily.
20:59I mean, this is the summer of 2007, 18 years ago.
21:05Hang on.
21:05That's the same year Patrick left.
21:07I mean, that could have been a coincidence or...
21:09Or maybe not.
21:11Okay, go back to the distillery first thing.
21:14Talk to anyone that worked there in 2007.
21:17See what they know.
21:17Good evening, Commissioner.
21:23Is everything...
21:24Inspector, you've caused quite a stir.
21:25I see.
21:26Get over to the shack.
21:28Now.
21:28Okay, well, I'll get over there right away.
21:32I'm needed back at the shack.
21:33Is a situation occurring?
21:34Hmm.
21:37Hmm.
21:39I appreciate you.
21:40Inspector, please explain to me
21:49what on earth you were thinking
21:51when you stuck that thing up there.
21:55Well, I was thinking I'd finally be able to watch Match of the Day.
21:59But I suspect that's not the answer you're looking for.
22:02What's the problem with it?
22:03It's an eyesore for which you sought no permission.
22:08Permission from who?
22:09Me.
22:09For one, as I would have told you to do so, is illegal.
22:16Seriously?
22:18Illegal?
22:19You can just shove those up in London.
22:21No one gives a hoot.
22:22This is not wonder.
22:25I think it's because it's a public beach, sir.
22:28And an area of natural beauty.
22:32The council are really not happy.
22:34There's a penalty to pay.
22:37Of course there is.
22:39One hundred and fifty dollars?
22:42Hmm?
22:44They've got to be kidding, right?
22:45No, I don't think they are.
22:47I suggest you pay that promptly and take that down, even more so.
22:52Nice to see you again, Mervyn.
23:02Unbelievable.
23:03Oh, well.
23:06It's back to the dark ages for you, Mervyn.
23:09Well, sir, don't you think it's a bit of a waste to spend your last couple of months on the island pulled up watching TV?
23:16What else am I going to do?
23:18Well, you could spend some time getting to know more about your mother.
23:23Hold this for you.
23:31You could maybe visit some of the places she used to go, talk to her friends.
23:36Did her neighbour, Brianna, ever mention anything?
23:39I don't know.
23:44Kind of.
23:47Brianna said there was this seafood place my mum used to eat at.
23:52It was her favourite, apparently.
23:54Then why don't you go and try it?
23:57Look, I'm sure this day of the match show is really good.
24:00Match of the day?
24:01Whatever.
24:01You can watch it all you want when you get back home.
24:07Sir, this is your one chance to get to learn more about your mother's life here on St. Marie.
24:19Yeah.
24:22I guess maybe you're right.
24:27Let me think about it.
24:31Do you know anyone who needs a new setter like this?
24:45It's all right.
24:47Morning.
24:48Morning.
24:49Good morning.
24:50So what did they say?
24:51August the 22nd to Tozan 7th.
24:53Was the last time Patrick and Janelle were both seen here.
24:57It's assumed that they had run away into the sunset together.
25:00But it's not definite.
25:02No one knows for sure.
25:03It's not much of a motive though.
25:05The fact that they had a summer romance back in the day.
25:08No.
25:09But at the same time, it's odd that when Patrick returns to the distillery after 18 years,
25:14so does Janelle.
25:16And the guy ends up dead within days of them seeing each other.
25:21Anna.
25:22Look, I understand it's your job to ask questions, but I wouldn't waste your time listening to gossip.
25:33So you're saying nothing happened between you and Mr. Ambrose?
25:37Nothing.
25:38This is your son, Anthony, right?
25:41Yes, it is.
25:42It says here his date of birth is the 28th of May, 2008.
25:49Yes.
25:51You sure that's right?
25:54Yes, I am.
25:55Well, that makes it nine months after you left the distillery.
26:01Nine months after the fling with Patrick Ambrose that you claim he never had.
26:06Is that coincidence?
26:10Bear in mind, we can get a warrant for a paternity test.
26:14Patrick was his father.
26:23Did Patrick know?
26:25And by the time I found out I was pregnant, he'd already disappeared.
26:29So I got on and raised Anthony by myself.
26:33And what about now?
26:35The fact that you and Anthony meet up with his father for the first time in 18 years.
26:40First time ever for Anthony.
26:42And now Patrick's dead.
26:44Is that really a coincidence?
26:48My coming back to that distillery, seeing Patrick, was purely business.
26:54For Anthony too?
26:56Anthony doesn't know that Patrick was his father.
26:59And I have no desire for him to find out now.
27:02That's my decision to make, not yours.
27:07He'll be back soon.
27:09So I must insist that you stop asking questions about it.
27:14The police were here.
27:36Mum, what's going on?
27:37No, no, nothing.
27:39They just had a few questions, that's all.
27:41Nothing to worry about.
27:43So any particular reason we're eating out, or you just fancy a change?
28:05I'm just doing what you said.
28:06Visiting places my mum went.
28:07This is where your mum ate.
28:12Where did you think we were going?
28:14It's a good idea of yours, this.
28:17I'm glad we came.
28:19Um, we'll order now.
28:24Right.
28:24Oh.
28:26Yeah, I will have the Creole shrimp salad and a Coke, please.
28:30Plenty of ice.
28:30Great.
28:31And you?
28:31I haven't even...
28:33I haven't even...
28:35You know what?
28:39I'll have what he's having.
28:41That's...
28:41Oh, and, uh, we're on the clock, so if you could ask the chef to, uh, get a wriggle on, that'd be greatly appreciated.
28:52Nice place, this, isn't it?
28:53Yeah.
28:54It is.
28:57Maybe you could talk to some of the staff, see if they knew your mother.
29:01Or I could, if... if you prefer.
29:04What do you think?
29:09I think Janelle Delise isn't giving us the full story.
29:14And my gut is saying it's something to do with what happened 18 years ago.
29:22What is it?
29:24So now you're here, you just want to talk about the case.
29:27What else is there to talk about?
29:38Francesca, would you like another?
29:41Went down a bit too easily, that one.
29:44Maybe you just needed it.
29:46Maybe.
29:48And, um...
29:49I'm not really feeling myself at the moment.
29:54Not surprised.
29:57That everything that's happened...
29:58It's all right.
30:05Tell me.
30:06There is, um, there's something I know that I should probably tell the police.
30:14But it feels wrong if I do, and...
30:19And it feels wrong if I don't, so I have no idea which way to turn or what to do.
30:25Then I think I do.
30:32Let me make a call.
30:34Hmm?
30:34I can't believe I've never been here before.
30:40This food is so good.
30:41I can see what was your mother's favorite.
30:43Yeah.
30:43It's really tasty.
30:44Oh.
30:50Are you finished already?
30:53If I wanted to see the station duty logs between, say, June and September 18 years ago, where would there be?
31:03In the archive.
31:04Darlene would have to get it.
31:05Why?
31:06I've got a hunch about something.
31:12I'm going to pay.
31:14I'll see if I can.
31:14I'll see you back at the car.
31:16Officer Curtis?
31:17You might want to box that up to go.
31:21Check.
31:24All right, Officer Curtis.
31:25That's great.
31:27I'll see you back at the station in a bit.
31:29Thanks.
31:34What's the matter with you?
31:35You are.
31:36You're always in such a rush.
31:38Never pausing or taking a moment.
31:41Something tells me we're not talking about the case.
31:43No, sir.
31:45We're not.
31:46We're talking about you and how annoying you can be.
31:50Oh, great.
31:51Fun times.
31:52This was supposed to be a nice thing for you to do, not a quick working lunch kind of thing.
31:57And if you'd just taken a moment, you'd have seen there's a board inside with photos of customers on it.
32:02Sir, there's so much you're going to miss if you don't just slow down.
32:16It's just my default, isn't it?
32:29I speed through things.
32:33I understand.
32:35I understand.
32:36And I apologize if I was being a bit, you know.
32:43Narki?
32:45It says the king of Narki.
32:48King?
32:50I understand you are torn.
33:02And I don't want you to feel pressured in any way.
33:09It's just, it feels like a betrayal, telling you what I know, and it's not my secret to share.
33:19That feels like quite a weight you're carrying.
33:26It can't be easy.
33:28And it's been for so long.
33:31Well then, perhaps, let someone else help carry the weight with you.
33:40It's about Janelle Dullis.
33:51This is the coolest thing ever.
33:55Sir, your detective brain skills are seriously mad.
34:00Has anyone ever told you that?
34:02Not in those exact words.
34:05Ah, you found the duty log.
34:07Here it is.
34:09Janelle Dullis is in there.
34:11She entered the police station, claiming that she wanted to report a crime.
34:16On the morning of the 23rd of August, 2007.
34:20That's the day after she left the distillery.
34:22Sergeant Lily Thompson was the officer on duty.
34:26She started taking a statement, but Janelle changed her mind and walked out.
34:32So what crime was she going to report?
34:34I can answer that.
34:35Commissioner?
34:36Commissioner?
34:37Commissioner?
34:44I've just been talking with Francesca Mauer.
34:47It seems she knows what led Janelle Dullis to leave her job at the distillery 18 years ago.
34:56It was Patrick, wasn't it?
34:59Wait.
34:59What are you saying?
35:01The evening of the 22nd of August, 2007, Francesca Mauer was leaving for the day when she came across Janelle, running through the grounds of the distillery.
35:16She was distressed, in shock, crying.
35:22What had happened between her and Patrick?
35:26He raped her.
35:29Didn't he?
35:29In light of that, we need to speak to Janelle.
35:36But we need to be sensitive.
35:39So, dear Thomas, of Zakatis, I think you should conduct the interview.
35:46Mr. Lise, we appreciate you coming in to talk with us.
36:03Francesca spoke with you, didn't she?
36:05That's what this is about?
36:08Yes.
36:08That night, August 22nd, 2007, I was working late.
36:28I was in the storage room about to leave when Patrick appeared.
36:33Said he wanted a drink.
36:34I felt I couldn't see, you know, him being the boss's son.
36:40And, um, what happened then?
36:44He started ranting about his father.
36:47They'd had a big bus up that night.
36:50Do you know what it was about?
36:51There'd been a fire the week before that Patrick had caused.
36:55Burned down one of the outbuildings.
36:57Patrick had been messing about.
37:00They were about to start rebuilding,
37:01and Mr. Ambrose Sr. was furious about how much it was going to cost.
37:06Patrick got it off his chest,
37:08and I said I had to go.
37:12But I could tell he didn't want me to.
37:16Then he went to kiss me.
37:18I pulled away from him and tried to leave,
37:21saying I really needed to go now.
37:23So, he grabbed me.
37:30Forced me to the ground.
37:34And he...
37:35We're so sorry, Janelle.
37:45When I heard Patrick was back on the island
37:51and putting the distillery up for sale,
37:54I knew straight away I had to buy it.
37:57So I could erase every memory of what happened there.
38:02How?
38:04By knocking it all down.
38:06Turning it into something else.
38:09Build it into a new business.
38:11Make it mine.
38:15Even if that meant coming face to face with Patrick Ambrose?
38:20Oh, I wanted to see him.
38:24To look him in his eyes.
38:26The way I couldn't 18 years ago.
38:30Because I'm stronger now.
38:33And how was it when you did?
38:37It was strange.
38:38He seemed a different man to how he was.
38:43All the bravado had gone out of him.
38:46He was guarded.
38:48Quiet.
38:50Like he was hiding something from the world.
38:53The truth, maybe?
38:55Of what he did to you?
38:59You both need to know.
39:03Even though I spent most of my life
39:05feeling hatred for that man,
39:06I did not murder him.
39:11Because that would mean I was no better than him.
39:16And I am.
39:19I am so much better than him.
39:21Thank you, Miss Bordy.
39:38Selwyn was so good this afternoon.
39:42Calming Francesca down,
39:44reassuring her
39:45it's not right
39:47he won't be there to do that anymore.
39:49Yeah.
39:51I'm thinking
39:51you know what my favourite TV shows
39:54as a little boy?
39:56No.
39:58The Jungle Squad.
40:00Every Saturday morning, 9am sharp.
40:03I'd be there.
40:05Until one day,
40:06out of the blue,
40:08they got rid of me favourite character.
40:10Maurice the Mongoose.
40:11But,
40:13when this happened,
40:15loads of school kids got together
40:17and organised a petition
40:19to get Maurice the Mongols
40:21reinstated.
40:23Ah.
40:25Inspector,
40:26they've not finished interviewing
40:28Janelle Deleuze.
40:29So we can head back to the station now.
40:34Inspector,
40:35there's something bothering you.
40:37From the start,
40:39we've been working on the assumption
40:41that Patrick Ambrose was the victim.
40:44One of our suspects
40:44had to be the perpetrator.
40:47But in some ways,
40:48the opposite can also be true.
40:50Because now we know
40:51Janelle was a victim
40:52and Patrick was the perpetrator.
40:55Which makes me wonder,
40:57why would a perpetrator
40:59want to phone
40:59a police detective?
41:02And you know the answer?
41:03No.
41:07But now we're asking
41:08the right question,
41:10we can start looking
41:11at this piece of evidence
41:12in a new light
41:13and give it the attention
41:15it deserves.
41:22Officer Curtis,
41:24let me know how you get on
41:25with those prints, please.
41:26Yes, sir.
41:27Is there anything
41:27I can do, Inspector?
41:29Maybe don't speak.
41:32Just ignore him, Seb.
41:33What is this?
41:36It's the victim's study.
41:38His desk,
41:40his minibar,
41:41et cetera, et cetera.
41:44Why have we got these?
41:45Just in case.
41:51What exactly
41:52are you looking for, sir?
41:54I don't know.
41:56But now we're looking
41:57at the victim
41:57in a different light,
41:58we need to do the same
41:59for the crime scene.
42:00So, um...
42:04Victim becomes perpetrator.
42:07Same rules apply.
42:09If you flip it on its head,
42:12what have we got?
42:13Um...
42:15Okay.
42:16So, poisoned,
42:25poison,
42:26not poisoned.
42:30Wait a minute.
42:32Maybe that's it.
42:33The bottle of rum
42:34was contaminated
42:35with methanol.
42:36The poison got diluted
42:38when the ice melted.
42:39But if that's the case,
42:41how?
42:51You took these photos
42:52just in case?
42:53Yes, sir.
42:55Well, that's, uh...
42:57That's good work,
42:58Officer Rose.
43:00I think they might
43:01have just solved the crime.
43:03Inspector,
43:03we've got a match.
43:05But it's two
43:06different sets of prints.
43:08Who's over?
43:09Well,
43:09one of the sets of prints
43:11belongs to one
43:12of our suspects.
43:13But the other one
43:14is odd.
43:15It's matched with someone
43:16not even connected
43:17to the case.
43:18A guy called
43:19Samson Lay.
43:22Who's Samson Lay?
43:24Well,
43:24he was arrested
43:25in Guadalupe
43:26for a bank robbery
43:26back in 2007.
43:28He later absconded.
43:31And there is still
43:32an outstanding
43:33warrant for his arrest.
43:34So what's he got to do
43:36with Patrick Ambrose
43:38being murdered?
43:41Everything.
43:42There'd been a fire
43:42the week before
43:43that Patrick had caused.
43:45Burned down
43:46one of the outbuildings.
43:47Patrick had a
43:48falling out
43:49with his father.
43:50At first,
43:52Daddy kept putting money
43:53into his account,
43:54his monthly allowance.
43:56He was guarded.
43:59Quiet.
44:01Like he was hiding
44:02something from the world.
44:04You said the other
44:05set of fingerprints
44:06was from one of our
44:07suspects?
44:08Yes.
44:09Well, who is it?
44:15Miss Ambrose?
44:16I have a question for you.
44:20Do you recognise this?
44:24It's my phone number.
44:26I,
44:27I,
44:27I,
44:28I,
44:28I,
44:28I'll tell you what,
44:28while you're trying to
44:29formulate your answer,
44:31I want you to know
44:32that we found your
44:33fingerprints on this,
44:35so we know you
44:35definitely touched it.
44:37And there are tests
44:38that can be done
44:38to confirm whether
44:39this is your
44:40handwriting or not.
44:42So I'll ask you again.
44:43Do you recognise this?
44:46Yes.
44:48Okay.
44:49Next question.
44:51Why did you write
44:52my number down?
44:53Because I think
44:54it's because a few days ago
44:56you were thinking of
44:57phoning me
44:57to report a crime.
44:58We've just checked
45:07the body currently
45:08lying at the mortuary
45:09and have confirmed
45:11it's not your brother,
45:12Patrick Ambrose,
45:13but a man called
45:14Samson Lay.
45:16You wanted to inform me
45:17that the man
45:18who returned home
45:19for the first time
45:20since 2007
45:21was an imposter
45:22who had spent
45:23the last 18 years
45:25pretending to be
45:25your brother.
45:26Am I right?
45:27What's going on?
45:29The thing is, Cora,
45:30now we know
45:31that the man
45:31who was murdered
45:32here two days ago
45:33wasn't in fact
45:33your brother,
45:35it does beg the question
45:36where is Patrick Ambrose?
45:38I don't know.
45:40No?
45:41You see,
45:42I don't believe
45:43Patrick left
45:44this distillery
45:4518 years ago.
45:46I think he's still here.
45:49Underneath this building.
45:51And I think it was
45:52you that killed him.
45:52No, that's...
45:54I didn't.
45:55You didn't?
45:56Because you see
45:58those people
45:58who just came in?
45:59They've got all
46:00the kit needed
46:01to determine
46:01if there is in fact
46:02a body lying
46:03underneath this building.
46:04And once they do,
46:06they'll bring in
46:07a dig team.
46:08The night of the
46:0922nd of August 2007
46:11was the last time
46:12Patrick was seen
46:13here at this distillery.
46:16Tell us what happened,
46:17Cora.
46:20We know another crime
46:21was committed that night
46:23by Patrick.
46:25We know what he did
46:27to Janelle.
46:28Is it connected
46:29to that?
46:32Cora,
46:33it's game over.
46:35Just tell us.
46:37I saw them.
46:41Janelle was in
46:42such a state.
46:43Patrick.
46:46He attacked me.
46:50And I realized
46:51what Patrick
46:51had done to her.
46:54And I felt
46:55so angry.
46:56Patrick,
46:57what have you done?
46:58And he just smiled.
46:59Answer me!
47:00I grabbed the nearest
47:02thing.
47:03I turned a bottle of rum.
47:06And I hit him.
47:07Hard.
47:09He fell.
47:11Bunged his head
47:12on the floor
47:12and he never got out.
47:15This outbuilding
47:16was being rebuilt
47:17after the fire
47:18your brother started.
47:19I assume you moved
47:21the body in here
47:21and left it to the builders.
47:23Albeit unwittingly,
47:24bury him for you.
47:26After that,
47:26all you had to do
47:27was convince Daddy
47:28that Patrick could run away.
47:29The suitcase
47:30with his clothes,
47:32his passport and wallet
47:33and I threw it in the sea.
47:35And when you heard
47:36not long after
47:37that Patrick was
47:38drawing money
47:38from his account,
47:40you realized
47:41that somebody
47:41found his suitcase
47:42and had taken
47:43his identity.
47:44I couldn't believe it
47:45when this man
47:46pretending to be
47:47Patrick turned up.
47:49No one realized
47:50apart from me.
47:52Well,
47:53why would they, right?
47:54I mean,
47:55I've seen photos
47:56of both Patrick
47:57and Samson
47:58from 18 years ago
47:59and
47:59they do kind of
48:00look similar.
48:02It was brazen
48:02of the guy,
48:03that's for sure.
48:05But after doing
48:05some quick tests,
48:06it's clear that
48:07Samson Leigh
48:07was living hand-to-mouth.
48:09So the chance
48:10of selling this distillery
48:11and making millions
48:12of dollars
48:12was a massive risk.
48:14But a risk worth taking.
48:16Which brings us
48:17full circle
48:18to his murder
48:20and why you killed him?
48:22Janelle DeLise
48:24admitted to us
48:25this afternoon
48:25her plans to
48:26redevelop
48:28this distillery.
48:30We think
48:31you caught wind
48:31of that
48:32and if the sale
48:33of the distillery
48:34went ahead,
48:35Patrick's body
48:36would be discovered.
48:38That's why
48:39you had to
48:40stop it from happening.
48:41And that's why
48:42you wrote my number down.
48:44You're considering
48:45reporting Samson
48:46as an imposter.
48:48But Samson
48:48cottoned on to
48:49what you were doing,
48:50didn't he?
48:51You phone the police
48:52and tell them
48:53who I am
48:54and I'm just gonna
48:54tell them
48:55what you did
48:56to Patrick.
48:57He worked it all out.
49:00Which left you
49:01no choice
49:01other than
49:02to kill
49:03Samson Leigh.
49:03All of which
49:05brings us
49:05to the final
49:06unanswered question
49:07in this whole affair.
49:09How did you do it?
49:19Like this bottle of rum,
49:21the one that was
49:22opened two nights ago
49:23by Samson Leigh,
49:24your second victim,
49:26did not in fact
49:27contain any methanol.
49:30So,
49:30how did all four of you
49:32ingest methanol
49:33if it wasn't in the
49:34bottle of rum
49:34you drank from?
49:36Let's start with
49:36the non-lethal dose
49:38you administered
49:38to yourself,
49:39Janelle and Anthony.
49:42Just enough
49:43to make you all ill.
49:45Well,
49:46the ice
49:47answers that question.
49:51You laced
49:52the ice
49:53with methanol
49:53and when you made
49:55the three poison pieces,
49:57you put them
49:58on top of
49:58the normal ones
49:59Francesca
50:00had already put out.
50:01so when she
50:03went to serve
50:04the ice
50:04for the first
50:05round of drinks,
50:06she naturally
50:07took the ones
50:07at the top.
50:09We assume,
50:11having spent
50:11the last month
50:12with Samson
50:12in the house,
50:13you must have
50:14noticed he drank
50:15his rum
50:15neat
50:16with no ice.
50:19Samson then
50:19poured the
50:20non-poisoned rum
50:21into each glass,
50:23causing the
50:24methanol-laced ice
50:25to slowly begin
50:26melting,
50:26administering
50:27the tiniest
50:28amount
50:28into yours,
50:30Janelle's
50:30and Anthony's
50:31drinks.
50:33Now,
50:34at this point,
50:36Samson is sipping
50:37from a glass
50:37of rum
50:38that hasn't been
50:39poisoned.
50:39So how and when
50:40did he ingest
50:41the lethal dose?
50:42Well,
50:43I believe
50:44he'd already
50:45consumed it
50:45shortly before
50:46Janelle arrived
50:47to sign the
50:48contract.
50:48quite the
50:55soft drinks
50:55fiend was
50:56our Mr. Lay.
50:57When I spoke
50:58with young
50:58Anthony DeLise,
50:59who was the
51:00first to arrive
51:00that evening,
51:01he recalls
51:02seeing Patrick
51:03finishing a
51:04can of soda
51:05when he got
51:05there.
51:06Afternoon.
51:10I'm Anthony,
51:12General's
51:12Assistant.
51:13So,
51:14let's take a
51:15look,
51:15shall we?
51:18Bingo.
51:21We'll get
51:22this to the
51:22lab.
51:23But I'm in
51:24no doubt
51:24there'll be
51:25traces of
51:25methanol
51:26in this can.
51:28Just before
51:29Anthony and
51:30Janelle arrived,
51:31while Patrick
51:31was distracted,
51:33you spiked
51:33the can of
51:34soda with
51:34methanol.
51:44They're
51:45arriving.
51:45This time.
51:48which leaves
51:54one final task.
51:56Getting the
51:57poison into
51:58the bottle of
51:59rock.
52:00Some sort
52:00of distraction.
52:02Suffice to say,
52:03when no one was
52:04looking, in it
52:05went.
52:05Second round.
52:07Yes, please.
52:07Keep it open.
52:08Once everyone
52:17had finished
52:17the first round,
52:18you suggested
52:19another.
52:20Francesca
52:21refreshed
52:21the glasses,
52:22unwittingly
52:23disposing
52:23of the
52:24poisoned
52:24ice.
52:27And then
52:27you poured
52:28Samson,
52:29and only
52:29Samson,
52:30a second
52:30shell.
52:32So that
52:33his glass
52:33now contain
52:34traces
52:35of methanol.
52:35Are you
52:38all right,
52:38Patrick?
52:39Leading us
52:39to assume
52:40that the
52:41first shot
52:41must have
52:42been poisoned
52:42as well,
52:43just like
52:44the other
52:44three were,
52:45because they
52:46were all
52:46poured from
52:47the seemingly
52:47poisoned
52:48bottle.
52:51But it
52:52was this
52:52that really
52:53killed him.
52:55It was
52:55clever.
52:56really
52:58clever.
52:59And you
52:59would have
53:00had us
53:00all fooled.
53:04If it
53:05wasn't
53:05for this.
53:09I'm
53:09sorry about
53:10Samson
53:10me.
53:12I don't
53:13think he
53:13was a
53:13good man,
53:15but he
53:15didn't
53:16deserve
53:16to die.
53:20But
53:21my brother
53:21did.
53:21And I'm
53:24not sorry
53:25for what
53:26I did
53:26to him.
53:38Cora
53:38Ambrose,
53:39you're under
53:42arrest for
53:42the murder
53:43of Samson
53:43Lane.
53:44You do
53:44not have
53:45to say
53:45anything,
53:46but it
53:46made
53:46part of
53:47the
53:47currency.
53:48Tishan C.S.C.F.
54:15Commissioner
54:15Patterson.
54:18Good.
54:28Hello,
54:28Selwyn.
54:30Check your
54:30inbox.
54:48excuse me.
55:01No problem.
55:03No problem.
55:03Excuse me.
55:15No problem.
55:23See you with Donna?
55:29Mum.
55:33Buong bed, she was a good cook.
55:37We are very warm.
55:38I love you all.
55:40I love you.
55:42My sister was in the refrigerator.
55:45I felt so light.
55:47I love you.
55:49I am very beautiful.
55:51I love you.
55:52I love you.
55:54Are you ready?
55:56I love you.
55:59I love you.
56:31I must go away soon at the sight of dawn. Everyone go chasing. Better times and better places.
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