Death in Paradise - Season 14 Episode 04
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00:00Farmers, cultivators, trees, you know.
00:18Janelle, good to see you again.
00:21And you?
00:23So, how you feeling about today?
00:26Where's Patrick?
00:27Patrick, if we're going to do, there's no point wasting any time.
00:31No, sure, of course.
00:34He's over at the tasting bar.
00:38Your assistant's already there.
00:41Sorry?
00:42Anthony.
00:46I want to get my own startup going at some point.
00:49Got a few ideas floating around, but I don't want to rush into it too soon, you know?
00:54I guess.
00:55Do what you gotta do.
00:58Yeah.
00:59No, I will, I will.
01:01Oh, great.
01:02They're here.
01:04Afternoon.
01:05Afternoon, Patrick.
01:06Janelle.
01:07Anthony.
01:11So, the contract is being back to over.
01:14Should be ready to sign shortly.
01:16We thought we could have a drink while we wait.
01:20Sure.
01:21We just need a moment.
01:22Mm-hmm.
01:27What are you playing at?
01:29I told you I didn't want you here.
01:31Mom, the only way I can ever learn from you is if I see everything you do.
01:35Not just what you want me to see.
01:36I appreciate that, but this is too important to mess up.
01:39And that's what you think I'm going to do?
01:41Mess it all up for you?
01:44I didn't mean that.
01:45I'm sorry.
01:47Please.
01:47You just want to be included.
01:49All right.
02:01This is our new line.
02:02It's a 15-year-old, but has a more mature taste, with a thick, caramelly finish.
02:10It's like getting a big, warm hug from a drink.
02:14There's no master distiller better than Francesca.
02:17Well, thank you.
02:19The rum's been aged in oak barrels, and that bottle was drawn three days ago, just for today.
02:30Neat for me.
02:31Yes, I'm very proud of this mix.
02:35Look like it.
02:38Well, I suppose somebody should make a toast.
02:43Janelle?
02:45Sure.
02:48To doing business.
02:50To doing business.
02:52Cheers.
02:53Cheers.
03:01Go speak with the paramedics.
03:10On it.
03:13Were you the one that called it in?
03:15This is all my fault.
03:17Just stay calm and tell me what happened.
03:20Was it some kind of poisoning?
03:23Methanol, I think.
03:24I mean, the rum was, uh...
03:26No, no, this just should not have happened.
03:30Three victims on their way to the hospital.
03:32A fourth was found at the bar.
03:34They didn't make it.
03:36Oh, God.
03:37Oh, God.
03:39Oh, God.
03:54Oh.
04:00Oh, God.
04:02That's it. Keep it coming. That's it. Keep it coming. Keep coming. Keep coming. Whoa.
04:22Good morning, son.
04:29You know you're about to change my life, right?
04:32So where's this going?
04:41I'll find a place for it. Thanks a lot, mate.
04:47Hey, sir. All right, if I come in?
04:49Yeah, yeah, come through.
04:55Is that...
04:56The answer to my prayers? Oh, yes.
04:59Did you buy it?
05:00Nah, renting it. And for a pittance.
05:04I'll tell you this, dearest Thomas. So what do you want about St. Marie?
05:06Which you do.
05:07But it's dirt cheap here. It's got that going for it, if nothing else.
05:12You literally have no filter.
05:16Also, take a look at this.
05:19Check that out.
05:27Oh.
05:28So you've also got a satellite dish.
05:32Great.
05:33So, um...
05:35What's the thinking behind all this?
05:38Well, I've not got long left here, right?
05:41And now with my mum's case put to bed, I thought, you know, might as well try and enjoy myself.
05:45The commissioner mentioned you closed the case.
05:49You feeling all right about it?
05:52Yeah.
05:53Of course.
05:54I'm good.
05:56Especially now I can watch the footy.
05:58With air con.
06:00It's heaven.
06:01I mean, no offence.
06:03Offence coming.
06:03But the TV out here is not good.
06:09Sorry, did you want something?
06:12Actually, yes.
06:13There's been a poisoning.
06:16Accidental.
06:17Three people in hospital, one dead.
06:20That wasn't at a rum distillery by any chance.
06:24Yeah, it was.
06:25The Ambrose rum distillery.
06:27What did you know about?
06:29The victim's name is Patrick Ambrose, 37 years old.
06:43He owns the whole distillery.
06:46Like the other victims, he had a single shot of rum and started filling ill shortly after.
06:52Is that all you've got to say, Inspector?
07:04Is there a reason he's been like this?
07:08I think so.
07:09But he won't tell me what it is.
07:11Well, that's helpful of him.
07:13The paramedics know why Mr. Ambrose died and everyone else didn't?
07:17They assumed that he must have drunk a bit more than the others.
07:21It's a good way to go, though, right?
07:22I mean, if you've got to go, you might as well die with a glass of rum in your hand.
07:26I don't think it was very pleasant for him, Officer Rose.
07:29I'm just saying.
07:32Bingo.
07:34I knew being here somewhere.
07:38Two days ago, I got a call on my mobile.
07:43D.I. Wilson speaking.
07:47Hello?
07:47Whoever it was, didn't speak.
07:51And seconds later, they hung up.
07:52So I checked the number out, and the call was made from this distillery.
07:57Called it back, went to reception.
08:00We said that call could have been made from any phone on the estate.
08:02No way of finding out who it was.
08:06Except now.
08:08I do know.
08:09But that's your number, sir.
08:12It is.
08:13Oh, just got shivers when you said that.
08:15So, it was Patrick that was phoning you?
08:20D.I. Wilson speaking.
08:24Hello?
08:24What do you think he wanted to say?
08:29Not Scooby.
08:31But him turning up dead two days later.
08:34Feels like too much of a coincidence for my money.
08:37You're not thinking it's suspicious?
08:41I am.
08:42The food, health and safety officers have confirmed it is contaminated.
08:51We...
08:52What?
08:53No.
08:53I must have distilled at the wrong temperature and not removed all the methanol.
08:58Could be a faulty thermometer or human error.
09:04Either way, this is on me.
09:06Okay.
09:07Let's not get ahead of ourselves.
09:09Just talk me through.
09:10I drew the rum three days ago.
09:14The bottle was kept and sealed.
09:16I gave it to Patrick.
09:18It's been in his possession ever since.
09:21And this evening?
09:23It was Patrick who opened the bottle.
09:25I handed round four glasses.
09:28Put some ice in everyone's apart from his.
09:33Patrick poured them each a shot.
09:36And they all sipped their drinks.
09:38Cora was pouring Patrick a second shot while I was refreshing the glasses when...
09:44Are you all right, Patrick?
09:48They all started feeling ill not long after him.
09:53And why were these particular people here this evening?
09:57Patrick was selling the distillery to Miss Denise.
09:59They were about to sign the contract.
10:04But they didn't.
10:08So the distillery stays in the family?
10:11I suppose.
10:12I mean, there is only Cora left.
10:16I guess it's hers now.
10:18Right, well, thanks for your time, Miss Bower.
10:20Um, so are you not arresting me then?
10:27Not yet.
10:31Is it me or is this suspicious thing number two?
10:34Minutes before, Patrick Ambrose is about to sign a contract concluding the sale of this entire estate.
10:40He ends up dead.
10:42Why isn't?
10:44We need to get on to the Ambrose lawyers first thing tomorrow.
10:49But Patrick poured the drinks.
10:53Sir?
10:55If this was murder, and the poisoning was intentional,
10:59how could the killer be certain that Patrick could pour a lethal dose into his own glass and not into everyone else's?
11:07Now, something about this doesn't make sense.
11:08Commissioner, you after me?
11:19I heard what happened at the Ambrose distillery.
11:22I guess you should know we're treating Patrick Ambrose's death as suspicious.
11:26Until we've reasoned not to.
11:28I was unaware he'd come back.
11:30Come back?
11:34It must have been about 18 years ago now.
11:37Patrick had a falling out with his father, Carnell Ambrose.
11:43And do you know the reason for their fallout?
11:45Carnell never said.
11:47And where's the dad now?
11:49He passed away six weeks ago.
11:53So Patrick must have only recently inherited the distillery.
11:57Then came back to sell it.
12:01The fact that Patrick Ambrose has been gone for 18 years,
12:05then ends up dead not long after he returns.
12:08Suspicious thing number three.
12:11Thank you, sir.
12:12We'll keep digging into it.
12:14Let you know what we find.
12:16Okay.
12:18Okay.
12:18Commissioner.
12:24Commissioner.
12:27Are you doing all right, sir?
12:30You know, in light of your own situation?
12:34I'm doing absolutely fine.
12:37Thank you for asking, Officer Curtis.
12:39I'm doing all right, sir.
13:10Inspector.
13:11You in there, sir?
13:16Morning.
13:17I wasn't sure...
13:19Yes, Thomas.
13:19Are you ready for this?
13:20Ready for...
13:22That's really cold.
13:28That is temperature perfection.
13:3118 degrees Celsius, bang on.
13:33I mean, the downside is
13:35you have to keep all the doors and windows closed.
13:37Otherwise, it doesn't work properly.
13:38But it's a small price to pay, right?
13:42I'd rather be able to see the view myself.
13:45But each to their own.
13:47Oh, sir.
13:53I don't think Harry's enjoying this as much as you are.
13:57Oh.
13:58Sorry to know you were there.
14:01Go on.
14:01Go and get warm, mate.
14:02So, is this how you plan to spend the next couple of months?
14:10Shut up in here, not enjoying the islands?
14:14Yeah.
14:14Anyway, down to business.
14:17Did you get anything of interest from the Ambrose family lawyers?
14:21Oh, yes.
14:24The victims are all doing well, sir,
14:26and are being discharged from hospital today.
14:29Now, ever since Patrick left home 18 years ago,
14:34Cora Ambrose has been helping her father to run the distillery.
14:38And from what they're saying,
14:40it took a long time for Cora to earn his respect.
14:44Sounds like he was pretty old-fashioned.
14:47Always wanted his son to take over the family business.
14:51But over time, she slowly convinced him that she could do it.
14:56But he never got round to changing the will so she'd inherit.
14:59No.
15:00Apparently, Cora was devastated.
15:03She was about to lose everything she spent the last 18 years working for.
15:10Okay.
15:11I'll speak with Cora.
15:12You check in with Antonin Janelle Delise.
15:14Okay.
15:19So, I suppose I might as well be honest with you.
15:22Not a bad thing to be when the police were involved.
15:26Patrick and I never got on.
15:29That little scar near his forehead
15:31from one of our fights when we were teenagers.
15:34You must have been made up then.
15:36When he ran away 18 years ago.
15:39Well, I can't say I wasn't.
15:42And at first,
15:43Daddy kept putting money into his account,
15:46his monthly allowance.
15:48But after a year had passed, he stopped,
15:51hoping it would force him to come home.
15:53Okay.
15:55Fast forward 18 years.
15:58Your father passes away
15:59and he leaves everything to Patrick in his will.
16:05I was beyond angry.
16:09I can believe it.
16:11But it does give you every reason to want your brother off the scene.
16:13permanently this time.
16:16I don't know what I'm supposed to say to that.
16:20Apart from...
16:22you're right.
16:25My brother's death
16:27has left me with
16:28everything I've ever wanted.
16:30Well, you're not exactly dressing it up for me.
16:36I'll give you that.
16:36Well, I told you I'd be honest.
16:38And I am being.
16:40No more so than when I tell you
16:42it was not me
16:44that killed Patrick.
16:47I promise you.
16:48Oh, ho, ho.
17:06The man has his own minibar.
17:08Ha!
17:09It's like the coolest thing ever.
17:11I mean,
17:12if I ever run my own business,
17:14I would totally get a minibar.
17:16That
17:17and a big box of cigars.
17:21And everyone would be like,
17:23see that man over there?
17:25Him are the boss.
17:26Ha!
17:27Right?
17:28Um,
17:29what did you say?
17:30I'm sorry.
17:30I love it.
17:35Is everything okay, Officer Curtis?
17:37I just can't stop thinking about the poor commissioner
17:40and him losing his job.
17:42Yeah.
17:43I know.
17:44Oh, gosh.
17:46Officer Rose,
17:57why are you photographing the minibar?
18:00This isn't even a crime scene.
18:03Yeah, I know.
18:04But
18:04it's my new approach
18:07to my investigative process.
18:09because I think
18:11one of my thoughts
18:13is that sometimes
18:14I feel like I'm not doing enough
18:17and I miss things.
18:19So,
18:20what's the new approach?
18:22from now on,
18:24I'm going to do too much.
18:30Cora Ambrose definitely had reason
18:32to want her brother dead.
18:34She doesn't refuse to.
18:36As to whether she went to survive
18:37murdering the guy.
18:42What about those two?
18:44Nothing to suggest a motive.
18:46Mr. Lee's only met Patrick Ambrose
18:48for the first time a few days ago
18:50and Anthony only last night.
18:52And the fact that the sale of the distillery
18:54isn't going ahead
18:55means she's lost out big time.
18:59Hmm?
18:59Hey.
19:14All right, people.
19:15What have you got?
19:16Okay, sir.
19:19The lab
19:20have come back.
19:21The bottle of rum
19:22was contaminated.
19:24There are traces
19:25in all four glasses
19:26but nowhere else.
19:27Post-mortem confirms.
19:29Methanol poisoning
19:30was the cause of death.
19:33The amount found
19:34in the victim's system
19:35was higher than the amount
19:37ingested by the other three.
19:39Which brings us back
19:39to the same question.
19:41If it was murder,
19:42how could the killer guarantee
19:43that Patrick would pour himself
19:44a lethal amount of poison rum
19:46but only put enough
19:47in the other three glasses
19:48to make the milk?
19:49So, um,
19:51Mr. Ambrose
19:52drank his rum neat.
19:54Everybody else
19:55had ice in theirs.
19:57So maybe
19:58the poison got diluted
20:00when the ice melted.
20:02Except it's the same amount
20:03of poison
20:04whether it's in
20:04melted ice or not.
20:06Doesn't lessen the effect.
20:07Okay, then
20:08maybe the killer
20:09didn't care
20:09who else got killed.
20:11Took a risk
20:12and got lucky.
20:14Well,
20:14I don't believe in luck.
20:15And if that was their tactic,
20:17there's a world
20:17in which Patrick
20:18was the one that lived
20:18and the other three died.
20:19the opposite
20:20of what they wanted.
20:21Anything come from the search?
20:23Ah,
20:24there's something
20:24that might be of interest.
20:26It's about
20:27Janelle
20:29Doulis
20:30employment records.
20:33It turns out
20:35that she worked
20:36at the distillery
20:36one summer.
20:38She would have been
20:3819 at the time
20:40before she went
20:41to university
20:41in the States.
20:43She told us
20:51she only met
20:52Patrick Ambrose
20:53for the first time
20:53this week.
20:55But he must have
20:56been around back then,
20:57right?
20:58Not necessarily.
21:00I mean,
21:00this is the summer
21:01of 2007.
21:0218 years ago.
21:05Hang on.
21:05That's the same year
21:06Patrick left.
21:07I mean,
21:08that could have been
21:08a coincidence or...
21:09Or maybe not.
21:11Okay,
21:12go back to the distillery
21:13first thing.
21:14Talk to anyone
21:15that worked there
21:16in 2007.
21:17See what they know.
21:22Good evening,
21:22Commissioner.
21:23Is everything...
21:24Inspector,
21:24you've caused quite a stir.
21:25I see.
21:26Get over to the shack.
21:28Now.
21:28Okay,
21:28well,
21:29I'll get over there
21:29right away.
21:32I'm needed back
21:32at the shack
21:33as a situation
21:34occurring.
21:36Ooh.
21:37Ooh.
21:39I appreciate it.
21:40Inspector.
21:46Inspector,
21:47please explain to me
21:49what on earth
21:51you were thinking
21:51when you stuck
21:52that thing
21:53up there.
21:55Well,
21:56I was thinking
21:57I'd finally be able
21:58to watch match of the day.
21:59But I suspect
22:00that's not the answer
22:01you're looking for.
22:02What's the problem with it?
22:03It's an eyesore
22:04for which
22:05you sought
22:06no permission.
22:08Permission from who?
22:09Me.
22:10For what?
22:11As I would have told you
22:12to do so
22:13is illegal.
22:16Seriously?
22:18Illegal?
22:19You can just
22:20shove those up
22:20in London.
22:21No one gives a hoot.
22:22This
22:23is not wonder.
22:25I think it's because
22:26it's a public beach,
22:27sir.
22:28and an area
22:29of natural beauty.
22:32The council
22:32are really not happy.
22:34There's a penalty
22:35to pay.
22:37Of course there is.
22:41$150?
22:42Hmm?
22:44They've got to be kidding,
22:44right?
22:45No.
22:45I don't think they are.
22:47I suggest
22:47you pay that promptly
22:48and take that down
22:51even more so.
22:54Nice seeing you again,
22:55Mervyn.
22:56Unbelievable.
23:05Oh, well.
23:06It's back to the dark ages
23:08for you, Mervyn.
23:09Well, sir,
23:10don't you think
23:10it's a bit of a waste
23:11to spend your last
23:12couple of months
23:13on the island
23:13pulled up
23:14watching TV?
23:16What else
23:16am I going to do?
23:18Well,
23:19you could spend
23:21some time
23:21getting to know
23:22more about your mother.
23:23hold this for you.
23:31You could
23:32maybe visit
23:33some of the places
23:34she used to go,
23:35talk to her friends.
23:36Did her neighbour,
23:38Brianna,
23:38ever mention anything?
23:41I don't know.
23:44Kind of.
23:45Brianna said
23:48there was this
23:48seafood place
23:50my mum used to eat at.
23:52It was her favourite
23:53apparently.
23:54Then why don't you
23:55go and try it?
23:57Look,
23:57I'm sure this
23:58day of the match show
23:59is really good.
24:00Match of the day?
24:01Whatever.
24:01You can watch it
24:02all you want
24:03when you get back home.
24:03Sir,
24:08this is your
24:09one chance
24:10to get to learn
24:11more about
24:11your mother's life
24:12here on St. Marie.
24:19Yeah.
24:22I guess maybe
24:23you're right.
24:27Let me think
24:28about it.
24:31Do you know
24:32anyone who needs
24:32a new satellite dish?
24:33No worries, Doctor.
24:46It's all right.
24:47Morning.
24:48Morning.
24:49Good morning.
24:50So what'd they say?
24:51August the 22nd,
24:522007.
24:53Was the last time
24:54Patrick and Janelle
24:55were both seen here.
24:56It's assumed
24:57that they had run away
24:59into the sunset together.
25:00But it's not definite.
25:02No one knows for sure.
25:03It's not much
25:04of a motive, though.
25:05The fact that they
25:06had a summer romance
25:07back in the day.
25:08No.
25:09But at the same time,
25:10it's odd
25:11that when Patrick
25:12returns to the distillery
25:13after 18 years,
25:14so does Janelle.
25:15And the guy ends up dead
25:18within days of them
25:19seeing each other.
25:21Anna.
25:25Look,
25:26I understand
25:26it's your job
25:27to ask questions,
25:29but I wouldn't waste
25:31your time
25:31listening to gossip.
25:33So you're saying
25:33nothing happened
25:34between you
25:35and Mr. Ambrose?
25:37Nothing.
25:37This is your son,
25:40Anthony, right?
25:41Yes, it is.
25:43It says here
25:44his date of birth
25:45is the 28th of May,
25:472008?
25:49Yes.
25:51You sure that's right?
25:54Yes, I am.
25:56Well, that makes it
25:57nine months
25:58after you left
26:00the distillery.
26:01Nine months
26:02after the fling
26:03with Patrick Ambrose
26:04that you claim
26:04he never had.
26:05Is that a coincidence?
26:10Bear in mind,
26:12we can get a warrant
26:13for a paternity test.
26:18Patrick was his father.
26:23Did Patrick know?
26:25By the time I found out
26:26I was pregnant,
26:27he'd already disappeared.
26:28So I got on
26:30and raised Anthony
26:32by myself.
26:33And what about now?
26:35The fact that you
26:36and Anthony
26:37meet up with his father
26:38for the first time
26:39in 18 years.
26:40First time ever
26:41for Anthony.
26:42And now Patrick's dead.
26:45Is that
26:45really a coincidence?
26:47My coming back
26:49to that distillery,
26:50seeing Patrick,
26:52was purely business.
26:54For Anthony too?
26:56Anthony doesn't know
26:57that Patrick was his father.
26:58and I have no desire
27:00for him to find out now.
27:02That's my decision to make,
27:04not yours.
27:07He'll be back soon.
27:10So I must insist
27:11that you stop
27:12asking questions about it.
27:13The police were here?
27:36Mum, what's going on?
27:38Nothing.
27:39They just had a few questions,
27:40that's all.
27:41Nothing to worry about.
28:00So any particular reason
28:02we're eating out
28:03or you just fancy a change?
28:05I'm just doing what you said.
28:06visiting places
28:07my mum went.
28:09This is where your mum ate?
28:12Where did you think
28:13we were going?
28:14It's a good idea
28:15of yours, this.
28:17I'm glad we came.
28:22Um, we'll order now.
28:24Right.
28:24Oh.
28:26Yeah, I will have
28:27the Creole shrimp salad
28:28and a Coke, please.
28:30Plenty of ice.
28:30Right.
28:31And you?
28:31I haven't even...
28:35You know what?
28:39I'll have what he's having.
28:41That's...
28:41Oh, and, uh,
28:42we're on the clock,
28:43so if you could ask the chef
28:44to, uh,
28:45get a wriggle on,
28:46that'd be greatly appreciated.
28:52Nice place, this, isn't it?
28:53Yeah.
28:55It is.
28:56Maybe you could talk
28:58to some of the staff,
29:00see if they knew your mother.
29:01Or I could,
29:02if, if you prefer.
29:04What do you think?
29:09I think
29:10Janelle Delise
29:11isn't giving us
29:12the full story.
29:13And my gut is saying
29:15it's something to do
29:15with what happened
29:1618 years ago.
29:22What is it?
29:23So now you're here
29:25who just wants to talk
29:25about the case.
29:27What else is there
29:28to talk about?
29:38Francesca,
29:39would you like another?
29:41Went down a bit
29:42too easily, that one.
29:44Maybe you just needed it.
29:46Maybe.
29:48And, um,
29:49I'm not really
29:52feeling myself
29:52at the moment.
29:54Not surprised
29:56that everything
29:57that's happened.
30:03It's all right.
30:06Tell me.
30:08There is, um,
30:10there's something
30:10I know
30:11that I should probably
30:12tell the police.
30:14But
30:15it feels wrong
30:16if I do
30:18and
30:18and it feels wrong
30:20if I don't.
30:21So I have no idea
30:22which way to turn
30:23or what to do.
30:29Then I think I do.
30:32Let me make a call.
30:34Hmm?
30:38I can't believe
30:38I've never been here before.
30:40This food is so good.
30:41I can see what was
30:42your mother's favourite.
30:43Yeah.
30:43It's really tasty.
30:44Oh.
30:50Are you finished already?
30:54If I wanted to see
30:55the station duty logs
30:56between, say,
30:58June and September
30:5918 years ago,
31:00where would there be?
31:03In the archive.
31:04Darlene would have
31:05to get it.
31:05Why?
31:06I've got a hunch
31:07about something.
31:12I'm going to pay.
31:14I'll see
31:14back at the car.
31:16Officer Curtis,
31:17you might want to
31:18box that up to go.
31:21Check.
31:24All right, Officer Curtis.
31:25That's great.
31:27I'll see you back
31:27at the station in a bit.
31:29Thanks.
31:34What's the matter with you?
31:35You are.
31:36You're always in such a rush,
31:38never pausing
31:39or taking a moment.
31:41Something tells me
31:42we're not talking
31:43about the case?
31:44No, sir.
31:45We're not.
31:47We're talking about you
31:48and how annoying
31:50you can be.
31:51Oh, great.
31:52Fun times.
31:52This was supposed to be
31:53a nice thing for you to do,
31:55not a quick working lunch
31:56kind of thing.
31:57And if you'd just
31:58taken a moment,
31:59you'd have seen
32:00there's a board inside
32:01with photos of customers
32:02on it.
32:03And there's one
32:04of your mother.
32:09Sir,
32:10there's so much
32:13you're going to miss
32:14if you don't just
32:14slow down.
32:20I know.
32:20It's just,
32:28it's just my default,
32:29isn't it?
32:31I speed through things.
32:35I understand.
32:38And I apologise
32:39if I was being a bit,
32:41you know.
32:43Narki.
32:45It says the king
32:47of Narki.
32:48King.
32:59I understand
33:01you are torn.
33:04I don't want you
33:06to feel pressured
33:07in any way.
33:11It's just,
33:11it feels like a betrayal
33:13telling you what I know
33:15and it's not my secret.
33:18to share.
33:20That feels like
33:22quite a weight
33:23you're carrying.
33:26It can't be easy.
33:28And it's been
33:29for so long.
33:31Well then,
33:32perhaps,
33:34let someone else
33:36help carry the weight
33:39with you.
33:40it's about Janelle Dulice.
33:51This is the coolest thing ever.
33:55Sir,
33:55your detective brain skills
33:57are seriously mad.
34:00Has anyone ever told you that?
34:02Not in those exact words.
34:05Ah,
34:05you found the duty log.
34:07Here it is.
34:09Janelle Dulice
34:10is in there.
34:11She entered
34:12the police station
34:13claiming that
34:14she wanted
34:14to report a crime
34:15on the morning
34:17of the 23rd
34:18of August
34:182007.
34:20That's the day
34:21after she left
34:21the distillery.
34:22Sergeant Lily Thompson
34:23was the officer
34:24on duty.
34:26She started
34:26taking a statement,
34:27but
34:28Janelle changed her mind
34:30and walked out.
34:32So what crime
34:33was she going
34:33to report?
34:34I can answer that.
34:37Commissioner?
34:44I've just been talking
34:45with Francesca Mauer.
34:48It seems
34:49she knows
34:50what led
34:51Janelle Dulice
34:51to leave her job
34:53at the distillery
34:5418 years ago.
34:56It was Patrick,
34:56wasn't it?
34:57Wait.
35:00What are you saying?
35:02The evening
35:03of the 22nd
35:04of August
35:052007,
35:08Francesca Mauer
35:09was leaving
35:09for the day
35:10when she came
35:12across Janelle
35:13running
35:14through the grounds
35:15of the distillery.
35:18She was distressed,
35:20in shock,
35:22crying.
35:24What had happened
35:25between her
35:25and Patrick?
35:26He raped her.
35:27didn't he?
35:32In light of that,
35:34we need to speak
35:35to Janelle.
35:36But
35:37we need to be sensitive.
35:39So,
35:41dears Thomas
35:42of Zakatis,
35:44I think you should
35:45conduct the interview.
35:46Mr. Lise,
36:00we appreciate you
36:02coming in
36:02to talk with us.
36:03Francesca spoke
36:04with you,
36:04didn't she?
36:05That's what this is about?
36:08Yes.
36:08That night,
36:22August 22nd,
36:242007,
36:25I was working late.
36:28I was in the storage room
36:29about to leave
36:30when Patrick appeared.
36:33Said he wanted a drink.
36:34I felt I couldn't see,
36:36you know,
36:38him being the boss's son.
36:40And, um,
36:41what happened then?
36:44He started ranting
36:46about his father.
36:47They'd had a big bus up
36:48that night.
36:50Do you know
36:50what it was about?
36:51There'd been a fire
36:52the week before
36:53that Patrick had caused.
36:55Burned down
36:55one of the outbuildings.
36:57Patrick had been
36:58messing about.
37:00They were about
37:00to start rebuilding,
37:01and Mr. Ambrose Sr.
37:03was furious
37:03about how much
37:04it was going to cost.
37:06Patrick got it
37:07off his chest,
37:08and I said
37:09I had to go.
37:12But I could tell
37:13he didn't want me to.
37:16Then he went
37:17to kiss me.
37:18I pulled away
37:19from him
37:20and tried to leave,
37:21saying I really
37:22needed to go now.
37:26He grabbed me,
37:30forced me
37:31to the ground
37:32to the ground.
37:34And he...
37:35We're so sorry,
37:45Janelle.
37:49When I heard
37:49Patrick was back
37:50on the island
37:51and putting
37:51the distillery
37:52up for sale,
37:54I knew straight away
37:55I had to buy it
37:56so I could erase
37:59every memory
38:00of what happened
38:00there.
38:01How?
38:04By knocking
38:04it all down.
38:06Turning it
38:07into something else.
38:09Build it
38:10into a new business.
38:13Make it mine.
38:15Even if that
38:16meant coming
38:17face to face
38:18with Patrick Ambrose?
38:20Oh, I wanted
38:21to see him.
38:24To look him
38:25in his eyes
38:26the way I
38:27couldn't
38:2818 years ago.
38:30Because I'm
38:31stronger now.
38:33And how was it
38:34when you did?
38:37It was strange.
38:39He seemed
38:40a different man
38:41to how he was.
38:43All the bravado
38:44had gone out
38:44of him.
38:46He was guarded,
38:48quiet,
38:49like he was
38:50hiding something
38:51from the world.
38:52the truth
38:53may be
38:54of what he
38:55did to you.
38:59You both
39:00need to know
39:01even though
39:03I spent
39:04most of my life
39:05feeling hatred
39:06for that man,
39:07I did not
39:09murder him.
39:11Because that
39:12would mean
39:12I was no
39:13better than him.
39:15And I am.
39:19I am so
39:20much better
39:21than him.
39:32Thank you,
39:33Miss Bordy.
39:38Selwyn was
39:39so good
39:40this afternoon.
39:41Calming
39:42Francesca down,
39:44reassuring her.
39:46It's not
39:46right he
39:47won't be
39:47there to
39:48do that
39:48anymore.
39:49Yes.
39:51I'm thinking,
39:52you know
39:53what my
39:53favourite TV
39:54shows as a
39:55little boy?
39:56No.
39:58The Jungle
39:59Squad.
40:00Every Saturday
40:01morning,
40:029am sharp,
40:03I'd be there.
40:05Until one day,
40:06out of the blue,
40:08they got rid
40:08of my favourite
40:09character,
40:10Maurice the
40:11Mongoose.
40:12But,
40:13when this
40:14happened,
40:15loads of
40:16school kids
40:16got together
40:17and organised
40:18a petition
40:19to get Maurice
40:20the Mongols
40:21reinstated.
40:23Ah.
40:25Inspector,
40:26they've not
40:27finished interviewing
40:28Janelle Deleese,
40:29so we can head
40:30back to the station
40:31now.
40:34Inspector,
40:34there's something
40:36bothering you.
40:37From the start,
40:39we've been working
40:40on the assumption
40:41that Patrick Ambrose
40:42was the victim,
40:43one of our suspects
40:44had to be the
40:45perpetrator.
40:47But in some ways,
40:48the opposite
40:49can also be true,
40:50because now we know
40:51Janelle was a victim
40:52and Patrick was
40:54the perpetrator.
40:55Which makes me wonder,
40:57why would a
40:58perpetrator want to
40:59phone a police
41:00detective?
41:02And you know
41:03the answer?
41:06No.
41:07But now we're
41:08asking the right
41:09question,
41:10we can start
41:11looking at this
41:11piece of evidence
41:12in a new light
41:13and give it the
41:14attention it deserves.
41:22Officer Curtis,
41:24let me know how
41:24you get on with
41:25those prints,
41:25please.
41:26Yes, sir.
41:27Is there anything
41:27I can do,
41:28Inspector?
41:29Maybe don't speak.
41:30Just ignore him,
41:33Seb.
41:34What is this?
41:36It's the victim's
41:36study.
41:38His desk,
41:40his minibar,
41:41et cetera,
41:42et cetera.
41:44Why have we got
41:44these?
41:45Just in case.
41:51What exactly are
41:52you looking for,
41:53sir?
41:54I don't know.
41:56But now we're
41:57looking at the
41:57victim in a
41:58different light,
41:58we need to do the
41:59same for the
42:00crime scene.
42:00So, um,
42:03victim becomes
42:05perpetrator.
42:07Same rules apply.
42:09If you flip it
42:10on its head,
42:12what have we got?
42:13Um,
42:15okay.
42:23So,
42:24poisoned,
42:25poisoned,
42:27not poisoned.
42:28Wait a minute.
42:31Maybe that's it.
42:33The bottle of rum
42:34was contaminated
42:35with methanol.
42:36The poison got
42:37diluted when
42:38the ice melted.
42:39But if that's the
42:40case,
42:41how?
42:41How?
42:41You took these photos
42:52just in case?
42:52Yes, sir.
42:55Well, that's, uh,
42:57that's good work,
42:58Officer Rose.
43:00I think they might
43:01have just solved the
43:02crime.
43:03Inspector,
43:04we've got a match,
43:05but it's two
43:06different sets of
43:07prints.
43:08Who's are they?
43:08Well, one of the
43:10sets of prints
43:11belongs to one of
43:12our suspects,
43:13but the other one
43:14is odd.
43:15It's matched with
43:16someone not even
43:17connected to the
43:17case.
43:18A guy called
43:19Samson Lay.
43:22Who's Samson Lay?
43:24Well, he was
43:25arrested in Guadalupe
43:26for a bank robbery
43:26back in 2007.
43:28He later
43:29absconded,
43:30and there is still
43:32an outstanding
43:33warrant for his
43:34arrest.
43:35So what's he got
43:36to do with Patrick
43:37Ambrose being
43:38murdered?
43:41Everything.
43:42There'd been a fire
43:42the week before
43:43that Patrick had
43:44caused.
43:45Burned down one
43:46of the outbuildings.
43:47Patrick had a
43:48falling out with
43:49his father.
43:50At first,
43:52daddy kept putting
43:52money into his
43:53account, his
43:54monthly allowance.
43:56He was guarded.
43:59Quiet.
44:00Like he was
44:02hiding something
44:02from the world.
44:04You said the
44:05other set of
44:06fingerprints was
44:06from one of our
44:07suspects?
44:08Yes.
44:09Well, who is it?
44:15Miss Ambrose?
44:18I have a question
44:19for you.
44:21Do you recognize
44:21this?
44:24It's my phone
44:25number.
44:26I, I, I...
44:28I'll tell you
44:28what, why you're
44:29trying to formulate
44:30your answer.
44:31I want you to know
44:32that we found your
44:33fingerprints on this,
44:35so we know you
44:35definitely touched it.
44:37And there are tests
44:38that can be done to
44:38confirm whether this
44:40is your handwriting
44:40or not.
44:42So I'll ask you
44:42again.
44:44Do you recognize
44:45this?
44:46Yes.
44:47Okay.
44:48Next question.
44:50Why did you write
44:52my number down?
44:53Because I think
44:54it's because a few
44:55days ago you were
44:56thinking of phoning
44:57me to report a crime.
45:06We've just checked
45:07the body currently
45:08lying at the mortuary
45:09and have confirmed
45:11it's not your brother,
45:12Patrick Ambrose,
45:13but a man called
45:14Samson Lay.
45:15You wanted to
45:17inform me
45:17that the man
45:18who returned home
45:19for the first time
45:20since 2007
45:21was an imposter
45:22who had spent
45:23the last 18 years
45:25pretending to be
45:25your brother.
45:26Am I right?
45:28What's going on?
45:29The thing is,
45:29Cora,
45:30now we know
45:31that the man
45:31who was murdered
45:32here two days ago
45:33wasn't in fact
45:33your brother,
45:35it does beg the
45:35question,
45:36where is Patrick
45:37Ambrose?
45:38I don't know.
45:40No?
45:40You see,
45:42I don't believe
45:43Patrick left
45:44this distillery
45:4518 years ago.
45:46I think he's still
45:47here.
45:49Underneath this
45:50building.
45:51And I think it was
45:52you that killed him.
45:52No, that's...
45:54I didn't!
45:55You didn't?
45:56Mm-mm.
45:57Because you see
45:58those people
45:58who just came in,
45:59they've got all
46:00the kit needed
46:01to determine
46:01if there is in fact
46:02a body lying
46:03underneath this building.
46:04And once they do,
46:06they'll bring in
46:07a dig team.
46:07The night of the
46:0922nd of August
46:102007
46:11was the last time
46:12Patrick was seen
46:13here at this distillery.
46:16Tell us what
46:17happened, Cora.
46:20We know another crime
46:21was committed
46:22that night
46:23by Patrick.
46:25We know what
46:26he did to Janelle.
46:28Is it connected
46:29to that?
46:32Cora,
46:33it's game over.
46:35Just tell us.
46:37I saw them.
46:41Janelle was in
46:42such a state.
46:43Patrick.
46:46He attacked me.
46:50And I realized
46:51what Patrick
46:51had done to her.
46:54And I felt
46:55so angry.
46:56Patrick,
46:57what have you done?
46:58And he just smiled.
46:59Answer me!
47:01I grabbed
47:02the nearest thing
47:03and turned
47:03a bottle of rum.
47:06And I hit him.
47:07hard.
47:09He fell.
47:11Bunged his head
47:12on the floor
47:12and he never
47:13got out.
47:15This outbuilding
47:16was being rebuilt
47:17after the fire
47:18your brother started.
47:19I assume you
47:20moved the body
47:21in here
47:21and left it
47:22to the builders?
47:23Albeit unwittingly,
47:24bury him for you.
47:25After that,
47:26all you had to do
47:27was convince daddy
47:28that Patrick
47:29had run away.
47:30The suitcase
47:30with his clothes,
47:32his passport
47:32and wallet
47:33and I threw
47:33it in the sea.
47:35And when you
47:36heard not long
47:37after that Patrick
47:37was drawing money
47:38from his account,
47:40you realized
47:41that somebody
47:41found his suitcase
47:42and had taken
47:43his identity?
47:43I couldn't believe
47:45it when this man
47:46pretended to be
47:47Patrick turned up.
47:49No one realized
47:50apart from me.
47:52Well,
47:53why would they,
47:54right?
47:54I mean,
47:55I've seen photos
47:56of both Patrick
47:57and Samson
47:58from 18 years ago
47:59and they do
47:59kind of look similar.
48:02It was brazen
48:02of the guy,
48:03that's for sure.
48:05But after doing
48:05some quick tests,
48:06it's clear that
48:07Samson Lay
48:07was living hand-to-mouth.
48:09So the chance
48:10of selling this distillery
48:11and making millions
48:12of dollars
48:12was a massive risk,
48:14but a risk worth taking.
48:16Which brings us
48:17full circle
48:18to his murder
48:20and why you killed him.
48:23Janelle Delis
48:24admitted to us
48:25this afternoon
48:25her plans to
48:26redevelop
48:28this distillery.
48:30We think you
48:31caught wind of that
48:32and if the sale
48:33of the distillery
48:34went ahead,
48:35Patrick's body
48:36would be discovered.
48:38That's why
48:39you had to
48:40stop it from happening.
48:42And that's why
48:42you wrote my number down.
48:44You're considering
48:45reporting Samson
48:46as an imposter.
48:48But Samson
48:48caught on to
48:49what you were doing,
48:50didn't he?
48:51You phone the police
48:52and tell them
48:53who I am
48:54and I'm just gonna
48:54tell them
48:55what you did
48:56to Patrick.
48:57he worked
48:58it all out.
49:00Which left you
49:01no choice
49:01other than
49:02to kill
49:03Samson Lee.
49:04All of which
49:05brings us
49:05to the final
49:06unanswered question
49:07in this whole affair.
49:09How did you do it?
49:10like this bottle
49:20of rum,
49:21the one that was
49:22opened two nights ago
49:23by Samson Lee,
49:24your second victim,
49:26did not in fact
49:27contain any methanol.
49:30So,
49:30how did all four of you
49:32ingest methanol
49:33if it wasn't in the bottle
49:34of rum you drank from?
49:35Let's start with
49:36the non-lethal dose
49:38you administered
49:38to yourself,
49:39Janelle and Anthony.
49:42Just enough
49:43to make you all ill.
49:45Well,
49:46the ice
49:47answers that question.
49:51You laced
49:52the ice
49:53with methanol
49:53and when you made
49:55the three poison pieces,
49:57you put them
49:58on top of
49:58the normal ones
49:59Francesca
50:00had already put out.
50:01so when she went
50:03to serve the ice
50:04for the first round
50:05of drinks,
50:06she naturally
50:07took the ones
50:07at the top.
50:09We assume,
50:11having spent
50:11the last month
50:12with Samson in the house,
50:13you must have noticed
50:14he drank his rum
50:15neat
50:16with no ice.
50:19Samson then poured
50:20the non-poison rum
50:21into each glass,
50:23causing the methanol-laced ice
50:25to slowly begin melting,
50:27administering the tiniest amount
50:28into yours,
50:30Janelle's
50:30and Anthony's drinks.
50:34Now,
50:34at this point,
50:36Samson is sipping
50:37from a glass of rum
50:38that hasn't been poisoned.
50:39So how and when
50:40did he ingest
50:41the lethal dose?
50:42Well,
50:43I believe
50:44he'd already consumed it
50:45shortly before Janelle arrived
50:47to sign the contract.
50:54Quite the soft drinks fiend
50:56was our Mr. Lay.
50:57When I spoke
50:58with young Anthony Deleese,
50:59who was the first to arrive
51:00that evening,
51:01he recalls seeing
51:03Patrick finishing
51:04a can of soda
51:05when he got there.
51:06Afternoon.
51:10I'm Anthony,
51:12General's Assistant.
51:13So,
51:14let's take a look,
51:15shall we?
51:16Bingo.
51:20We'll get this to the lab.
51:23But I'm in no doubt
51:24there'll be traces
51:25of methanol
51:26in this can.
51:28Just before
51:29Anthony and Janelle arrived,
51:31while Patrick was distracted,
51:33you spiked
51:33the can of soda
51:34with methanol.
51:35they're arriving,
51:45this time.
51:52Which leaves
51:54one final task.
51:56Getting the poison
51:57into the bottle of rock.
51:59some sort of distraction.
52:02Suffice to say,
52:03when no one was looking,
52:04in it went.
52:05Second round.
52:07Yes, please.
52:07Get open.
52:09Woo.
52:16Once everyone
52:17had finished
52:17the first round,
52:18you suggested another.
52:20Francesca refreshed
52:21the glasses,
52:22unwittingly disposing
52:23of the poisoned ice.
52:27And then you
52:28poured Samson,
52:29and only Samson,
52:30a second shot.
52:32So that his glass
52:33now contained
52:34traces of methanol.
52:37Are you all right, Patrick?
52:39Leading us to assume
52:40that the first shot
52:41must have been poisoned
52:42as well.
52:43Just like the other
52:44three were.
52:45Because they were all
52:46poured from the
52:47seemingly poisoned bottle.
52:51But it was this
52:52that really killed him.
52:55It was clever.
52:58Really clever.
52:59And you would have
53:00had us all fooled.
53:04If it wasn't for this.
53:09I'm sorry about
53:10Samson, I mean.
53:12I don't think
53:13he was a good man.
53:15But he didn't
53:16deserve to die.
53:20But my brother did.
53:22And I'm not sorry
53:25for what I did to him.
53:27Cora Ambrose,
53:39you're under arrest
53:42for the murder
53:43of Samson Lane.
53:44You do not have to say
53:45anything,
53:46but it made
53:46part of the
53:47currency.
53:47Petician Ceef.,
54:01Commissioner Patterson.
54:03You've got to be
54:03past.
54:04I get to know
54:05how is that.
54:05I'm not going
54:05to you.
54:06I'm not going
54:06away, I'm not going
54:07to even
54:07to me.
54:08Oh, okay.
54:10I got to be
54:11you,uxa.
54:13Petition CSC of Commissioner Patterson.
54:20Good.
54:27Hello, Selwyn. Check your inbox.
54:43Good.
55:13Excuse me.
55:15Thank you. No problem.
55:22See you, Donna.
55:28Mum.
55:43Do you have any questions?
55:49Bye.
55:51Bye.
55:59Bye.
56:01Bye.
56:05Bye.
56:08Bye.
56:10Bye.
56:13Dusty roads are calling
56:25Golden leaves of orchards falling
56:31I must go away soon
56:36At the sight of dawn
56:41Everyone go chasing
56:46Better times and better places
56:52This talented young woman is shot and killed at a football match
56:59and no one, including ourselves, saw or heard a thing.
57:03Each of these suspects were on the pitch at the time of the murder.
57:06So how could any one of them have shot in this?
57:08Your petition passed the 10,000 mark.
57:11Look, I don't suppose you would like a drink this evening.
57:14I would like that.
57:15There she is.
57:17Hop up!
57:18We're here!
57:18We're here!
57:19I'm sorry, I should have told you this before.
57:21Back in Blighty and the 1970s
57:28when Call Midwife returns Sunday night at 5 past 8 on BBC One.
57:33Action-packed bad-based crime drama and iPlayer
57:35Verdi is one tough cop.
57:38Press red and you'll see what I mean.
57:40Emily Watson and Paul Meskel star in the premiere of God's Creatures
57:44tonight at 5 past 11 on BBC Two.
57:47Thanks for listening.
57:48I'm sorry.
57:49I'm sorry.
57:50I'm sorry.
57:51I'm sorry.
57:52I'm sorry.
57:53I'm sorry.
57:54I'm sorry.
57:55I'm sorry.
57:56I'm sorry.
57:57I'm sorry.
57:58I'm sorry.
57:59I'm sorry.
58:00I'm sorry.
58:01I'm sorry.
58:02I'm sorry.
58:03I'm sorry.
58:04I'm sorry.
58:05I'm sorry.
58:06I'm sorry.
58:07I'm sorry.
58:08I'm sorry.
58:09I'm sorry.
58:10I'm sorry.
58:11I'm sorry.
58:12I'm sorry.
58:13I'm sorry.
58:14I'm sorry.
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