The Copenhagen Test - Season 1 Episode 05- Looking Glass
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00:00The story we tell is that Mosaic has an encrypted drive with the identity of whoever placed the mole at the orphanage.
00:09We use a third party to get the drive into Mosaic's hands without him knowing it was from us.
00:14Thor, don't!
00:18These agencies ask you to do something unthinkable, but they don't know the real cost.
00:24The only ones that know that are the people in it.
00:27You always intended for him to die.
00:29Yeah. Know why?
00:31You needed to create a dead end.
00:33Now the enemy has no more leads.
00:35Nowhere left to focus except on finding the drive.
00:38My job is to protect our country by manipulating people and sometimes getting them killed for the sake of a mission.
00:45The things you can't carry, bury it away and try not to dig it back up.
00:51When you don't have the whole picture, how do you know that you're doing the right thing?
00:54Be grateful for all the things you don't know.
00:56It was a nice change of face to have someone do the right thing.
01:00I'm not supposed to give you my real name, so this is between us.
01:03Last night, Tiananmen Square, Beijing, the largest public space in the world, was a war zone.
01:25With orders to secure the square, the People's Liberation Army of China, 300,000 strong, converged on Beijing from all directions.
01:34Unarmed citizens and students face tanks and soldiers with semi-automatic weapons.
01:40For the last five weeks, the mass student demonstration has touched a nerve.
01:43Soon, everyone seemed to join, protesting against hardship, government corruption.
01:49Are you sure?
01:50Maliba.
02:00Victor.
02:01Hey, how's it going?
02:02So good.
02:04Come in, come in.
02:05How do you like the area?
02:16It's, uh, it's very nice.
02:20In the interview for the engineering job, how did that go?
02:26Promising.
02:28Good.
02:30Good.
02:30Good.
02:30Good.
02:35This is your immigration paperwork, certificates of naturalization.
02:39No one will ever bother you about it.
02:42And this is a three-year lease on the house.
02:48Paid in full.
02:52You've done so much for us, Victor.
02:54I know it's not home, but you can have a fulfilling life here.
03:03This is not enough.
03:05You are saying goodbye to us.
03:11I think, given the nature of my job, it's best if our lives don't intersect going forward.
03:17You know how sorry I am that you got caught up in what I was working on in China.
03:21And I'm sorry for the suspicion and that you had to leave your home.
03:25But I am glad that you made it here to this country, because you wouldn't have been safe there.
03:32No one chose this, but it happened.
03:37And I did my part.
03:40Like I promised.
03:42For Preston and me.
03:44Yes.
03:45But you owe him more.
03:51When he is born, he won't know China.
03:54He won't know my family or Preston's family.
03:56In America, they don't like our faces.
04:04We go to interview at lab, but they don't want us.
04:06It will be hard for our son here, because he is like us.
04:14Don't say that you don't agree.
04:16But he is also not like us.
04:24He is born here.
04:28American.
04:31He is one of you.
04:34In a country we don't know.
04:37You are not done.
04:41You look after him.
04:46You promised that.
05:05Have you picked a name yet?
05:14Alexander.
05:16He is a man.
05:45He is a man.
05:45Oh, my God.
06:15Oh, my God.
06:45Did something like that happen to the Cassandra test subjects?
06:48No.
06:50Sacrifice their entire lives because they're doing the right thing, but they never have
06:54the whole story.
06:57Hi.
06:59Alexander.
07:01Natalie.
07:02I'm not supposed to give you my real name.
07:05While you're easy to pretend to fall for.
07:08No one person gets to be more important than the mission.
07:11I'm not supposed to do the hunt.
07:13I'm not supposed to be my real name.
07:27Should I...
07:28I don't know.
07:58I don't know.
08:29But I'm really hoping it's you, my friend.
08:31My eyes and ears have been hacked by a nanotechnology called Cassandra RU258.
08:40It's broadcasting everything that I see and hear, and whoever did this is using the information to compromise operations all over the world.
08:50I didn't know what had happened to me, and I wasn't a part of it.
08:56But when the orphanage discovered the hack, they chose not to expose it.
09:00They kept it open to find the hackers who were responsible.
09:04And I agreed to that.
09:06For the good of our country.
09:08Despite the risk to innocent lives, I couldn't have known how far they were willing to go.
09:14But I have knowingly compromised classified information at the direction of my superiors.
09:22And there's no stopping now.
09:23And despite my loyalty, they still don't trust me.
09:29They watch every move I make.
09:32I still believe in the mission.
09:34But I know they're not telling me the whole truth.
09:39I don't know who I can trust anymore.
09:46I'm not even sure of what's real in my own life.
09:48Did you ask me something?
09:52It's been so long, I'm starting to wonder.
09:55Yeah, sorry.
09:56It's, uh, it's work.
10:02Maybe we call it a day.
10:04Yeah, sure.
10:14He's being weird, right?
10:18Lone Wolf thinks Mosaic's drive identifies them as the one who placed the mole in the orphanage,
10:29which means they think someone close to them has flipped.
10:31They can't trust anyone else with this.
10:33They will show up personally.
10:35So this is how we catch them.
10:38We build a trap.
10:40Director Moira asked me to relay an update on a magnetic drive we've been trying to locate.
10:44Based on intelligence gathered from a parallel operation in the EU called Stormwatch,
10:50we believe with a high degree of certainty that our former source, Saul Clemente, codename Mosaic,
10:56went to Paris shortly before his death.
11:01Our analysts believe there's a strong possibility he made this trip to hide the magnetic drive
11:07somewhere in the city, and they've narrowed it down to a three-square-mile area.
11:13We know exactly where the drive is.
11:15We had put a tracker on it before we got it into Mosaic's hands.
11:19This is a performing arts venue.
11:22Here.
11:24Now, once the drive stopped moving, we obtained access to the cameras in that location.
11:28There were only a few, but we did find this.
11:30He walked up to the top floor.
11:33Fifteen minutes later, he left.
11:37Public building.
11:38Lots of people coming and going.
11:39He hid that drive in plain sight.
11:42You don't want the target to know exactly where it is yet.
11:45Our enemy can't be ahead of us.
11:46He will lead them to it.
11:48Alexander and Remy will enter the country in alias.
11:51By the time they touch down, we should have identified the target location.
11:53Our extraction agent, a local, will meet them and arrange transport to an airfield we control.
12:02Then you're home.
12:03Remy will go with you to the immersive performance.
12:07The audience will be masked.
12:08Not ideal for us.
12:10But it will make our target feel more comfortable if they want to follow you there.
12:15At any point after you have the drive, that's when we expect the enemy to intercept.
12:19Then we grab them.
12:20You're going to bring them in for questioning.
12:26That part you won't have to worry about.
12:29Once we have them, it's above your pay grade.
12:35This is a modified low-dose compound of multiple drugs.
12:39Dissolves on the skin.
12:40It'll make them compliant.
12:42We're going to keep our distance.
12:44No comms.
12:44So it feels like you and Remy are alone.
12:47You'll be more exposed than usual, but it's a risk that we have to take.
12:50What if they decide to take out the location and everyone in it to destroy the drive?
12:56Then we won't have to wonder who the enemy is, will we?
12:58They'll be the only one left standing.
13:03Whatever it takes.
13:05Remember?
13:05Something's off with him.
13:14In what way?
13:17I don't know.
13:19Normally I can read what he's thinking.
13:21It's right there.
13:21But something's changed.
13:26I just have this terrible feeling like I'm going to miss something big.
13:29Use Michelle.
13:30Get him to talk.
13:30That's what I mean.
13:31He's not talking to her either.
13:34His walls are up for some reason.
13:37You think we hold?
13:39No.
13:39We can't hold now.
13:40We might only get one shot at this.
13:42If our lone wolf senses a trap or goes dark, we might never find them.
13:46Keep watching Alexander.
13:48If he's not on board, we call it.
13:50I'd like to meet him.
13:56I'd like to meet him.
14:20Have you ever seen her talk this much?
14:34Never.
14:35Never.
14:50What are you up to?
15:08We're sacrificing so much for this operation.
15:11I wanted to see for myself if he was up for it.
15:17I believe he is.
15:18You're worried.
15:27We'll know who our lone wolf is very soon.
15:31Who?
15:32Yes.
15:35But I can't figure out the why.
15:48Hey, he's headed to your place.
15:58Why?
16:00I don't know.
16:01Something's up.
16:02See if you can get him to talk.
16:04Understood.
16:06Look, I've been here before.
16:19I'm a little too charming.
16:20Guy falls a little too hard for me.
16:22He starts getting obsessive.
16:24Comes to my apartment late at night with little to no warning.
16:27And then I have to kill him.
16:32I can't stay long.
16:34I'm leaving to go out of town tomorrow.
16:36And, uh, I think we should call this off.
16:42Oh.
16:43Wow.
16:46Wow.
16:47This is, um, this is awkward.
16:52You thought we were together.
16:56I'm being serious, Michelle.
16:57So am I.
16:59We never made this a formal thing.
17:02You know, you didn't have to come all the way here to break up with me if you didn't want
17:05to see me again.
17:06Well, I thought you deserved that at least.
17:08Well, thank you.
17:09Your chivalry knows no bounds.
17:13Yeah.
17:14What is this, our first fight?
17:20It was bound to happen eventually, right?
17:26Look, if you're mad about something, you might as well just come out and say it.
17:33Alexander.
17:35Hey.
17:44Let's just, if we, talk about this.
17:57I got an early fight.
18:00You take care of yourself.
18:14I just want to know that what I do for my country matters.
18:32Hey.
18:33He's leaving her place.
18:35He just got there.
18:38He walked out in a hurry.
18:41She closed all her blinds.
18:44Where is he going now?
19:10Come in.
19:14Hey.
19:18Hi.
19:20Sorry to drop in on you like this.
19:22Um, you got a minute?
19:25Yeah.
19:26Sure.
19:27You still workin' nights?
19:40Still workin' nights.
19:45You been back to the cabin?
19:46Yeah.
19:51I told you I loved it from the minute we walked in.
19:55But I doubt that's why you're here.
19:58What's up?
20:00Nothing.
20:00Nothing.
20:01Um, I just wanted to say some things I've been thinking about.
20:04Um, whatever happened between us, I can only speak to my side of it, um, but I want you to know, you were right.
20:16Um, I never let you in.
20:26And I'm sorry.
20:31That's it.
20:31Um, you don't have to respond or anything.
20:34I just, I just wanted to say it.
20:39I'll see you around, Rich.
20:40Why would you tell her that now?
21:01There's a chance I don't come back from this mission.
21:15And if something happens, no matter what anybody says,
21:20I want you to know that I did not betray this country.
21:24I'll go through with it, but I'm not doing it the orphanage's way.
21:31We have a plane to catch.
21:39Don't worry, I grabbed our bags.
22:01They've left Washington airspace.
22:28Switching to flight comms.
22:29Go for control.
22:30Shadow Boxer's apartment is clear.
22:36And she didn't go to work at the bar tonight.
22:38They don't have her.
22:40Copy.
22:42Has she gone dark?
22:43I can fix it.
22:45You were worried about Hale, and now his minder is missing?
22:49I'll find her, sir.
22:50That's a good idea.
22:51Yeah.
22:51Yeah.
23:00So, that's good.
23:04So...
23:05I'm, now I'm here.
23:06I'm going to change.
23:08I'll be right.
23:09I can happen.
23:09Yeah.
23:10Who's with you?
23:33Honestly?
23:39You think that if they were coming for you that they would send me?
23:42Did you run because you thought that we were coming to kill you?
23:45Why?
23:49Alexander broke it off.
23:51Tonight?
23:52Yeah.
23:56You didn't know?
23:58No.
24:00I told you on the phone he's been acting weird.
24:03We didn't tell him to do that.
24:06Even if we had, which, again, we didn't.
24:10Wouldn't that mean your part in this is done?
24:14You get to walk free, wasn't that the deal?
24:18You haven't made a lot of deals with spy agencies, have you?
24:21No, I haven't.
24:24The last time I was an alias for an operation that went sideways,
24:28the agency I was working for sent the cleaners in after me within minutes.
24:33No loose ends.
24:36I don't care what the orphanage says.
24:39They're all the same.
24:40They're never going to let me go.
24:42Not after what I did.
24:47Oh, wow.
24:48They didn't give you my whole file, did they?
25:02How do you think the orphanage collected me in the first place?
25:07I made a mistake.
25:08The kind you can't run from.
25:15They'll say my debt is never repaid.
25:21They're probably right.
25:22So make a deal with me.
25:29When we stop whoever did the hack, I'll find a way to get rid of your file.
25:33I don't know how yet, but I'll find a way.
25:37Please don't run.
25:40Come back in.
25:41I need you.
25:42The only way I know how to connect to him is through you.
25:46And you're the only person who knows what any of this feels like.
25:55Also this, going out on your own into the cold,
25:59that'll trigger exactly the kind of reaction you're afraid of.
26:03They will overreact.
26:06The entire mission will get pulled.
26:10Were you this close to this being over?
26:21If breaking up was Alexander's idea,
26:24that means he knows I'm not on his side anymore.
26:28Our fiction, that he can talk to the real me, is blown.
26:32He must have figured out you're still manipulating him through me.
26:36How do you know that?
26:37Because he did it right before he left.
26:40So when you found out, he'd already be on his way.
26:44That's exactly what I would do if I was about to go rogue.
26:52Go home.
26:56Pretend everything's normal.
26:59You should call it off.
27:02You've lost control of him.
27:04Founder, just a misunderstanding.
27:32Are we still a go?
27:38Mission's good.
27:41Let's go.
27:46I have to see this through.
27:50We can't stop now.
27:51Osiris and timekeeper.
28:05Osiris and timekeeper in position.
28:10They're heading into the theater perimeter holding a half mile out no sign of hostiles
28:40Thank you ground keep your distance until our target shows themselves radio silence. Roger that. Let me see it. I
28:49Want to know who's in that room
29:10Thank you
29:25Entrez dans un monde de th茅芒tre immersif incomparable
29:30Ce soir, l'art et le public se fusionneront en un univers sensationnel
29:40Mais surtout, notez pas votre masse
29:49Commencez
29:50Qu'y a-t-elle de plus que moi ?
29:54Mais de quoi parlez-vous, attendez !
29:56Les regards que vous portez sur cette femme sont une offence que je ne saurais supporter davantage
30:00Je n'ai que de regards que vous, voyons, je vous aime
30:03C'est que je vous aime
30:04Non
30:05Non
30:07Non
30:10Bonne retour
30:12Bonne retour
30:13Bonne retour
30:14Merci
30:15Bonne c么t茅
30:17Bonne retour
30:18Bonne retour
30:20This story begins with a star.
30:30Like all other stories, there is always a sense of light.
30:35The moon.
30:36And as you already know, the moon has always a friend.
30:40The moon has always an immense effect, an incredible effect.
30:49As you already see, this part is here, this light is here.
30:55And as you already know...
31:04They've reached the target room.
31:07Now they've just got to find it. Then the enemy will find them.
31:11This old...
31:17This old whiskey...
31:20...blond...
31:22...who fume.
31:26Hello?
31:27I'm waiting for you.
31:34Give me this letter to Viviana.
31:40Tell him what I'm waiting for.
31:43Wait a minute.
31:48Have you seen a key for this little king?
31:50I don't remember.
31:56Look for a key somewhere.
31:57This old whiskey.
31:58Hey.
31:59What?
32:00Didn't Mosey collect old guns?
32:02This old whiskey a long anthropological?
32:11Sure.
32:12This old whiskey.
32:14Hey.
32:15What?
32:16Didn't Mosey collect old guns?
32:17oween,
32:18Draper,
32:19Mariner,
32:21A whiskey...
32:23...blond...
32:25...qu'ils fument...
32:31...qu'ils fument...
32:35Excuse-moi !
32:37Qu'est-ce que c'est un spectacle ?
32:51C'est comme 莽a parfois.
32:53Allons-y.
32:59Signals ?
33:01The drive's moving. He's got it.
33:05All right.
33:07All right.
33:09Now they go to the stairwell to get to the extraction point on the breezeway.
33:13Get the extraction agent in place.
33:15If the enemy is at the theater, they could be intercepted at any time.
33:19N'h茅sitez pas d'aller o霉 vous vouliez et parler 脿 tout le monde.
33:23Ce soir est un 茅v茅nement sp茅cial, brillant.
33:31...
33:43Show me outside.
33:49Zoom in.
33:57Control ?
34:01They found our extraction agent.
34:13He's dead in his apartment.
34:15He's dead in his apartment.
34:17Every morning ?
34:19I look into obsidian eyes.
34:21Extraction ?
34:23Let's get you out of here.
34:25Every morning ?
34:27I look into obsidian eyes.
34:29Extraction ?
34:31Let's get you out of here.
34:33Every morning ?
34:35Every morning ?
34:37Every morning ?
34:39Every morning ?
34:41I look into obsidian eyes.
34:43Extraction ?
34:45Let's get you out of here.
34:47Get a closer shot ?
35:01Are we moving in ?
35:03No. We don't know if this is our lone wolf.
35:05But we have to warn them somehow.
35:07If that's not our guy, we can't give them a reason to panic.
35:11We need identification. Get me a face.
35:15We need identification. Get me a face.
35:17We need identification. Get me a face.
35:21Who is this guy ?
35:27Hey !
35:29Where are we going ?
35:31There's a service elevator.
35:33It'll take us down to the water line.
35:35Safest way out.
35:47We got him. Punch in.
35:57Why is this taking so long ?
35:59Make a name.
36:17Why don't we have a name yet ?
36:19It's classified.
36:21Sniper's nest has a clean shot.
36:23No. We take him alive.
36:25Ground go.
36:27On the move. Three minutes out.
36:29No.
36:35Moira.
36:37Pull the overhead camera in.
36:38I want to see where they're going.
36:39Moira.
36:40We're picking up another RF signal.
36:41About 30 voices on it.
36:43It's not ours.
36:44There's someone else here.
36:46Contact Northwest Corner.
36:48Contact Northeast Corner.
36:49They're all over.
36:50Peter.
36:51It's the CIA.
36:52What the fuck are they doing here ?
36:53Closing the target.
36:54Capture first.
36:55But if he's escaping, we shoot to kill.
36:56Now let's find out if you're full of shit or not.
36:58I'm weird.
36:59I'm weird.
37:00You're wrong.
37:01You're right.
37:02I'm weird.
37:03You're wrong.
37:04You're kind of weird.
37:05I'm weird.
37:06Doctor.
37:07I'm weird.
37:08I'm weird.
37:09I'm weird.
37:10I am.
37:11I'm weird.
37:12you okay
37:28war wound
37:31before we head down
37:34it's a faraday cage
37:36with a drive
37:37in case it's being tracked
37:39time is of the essence
37:43how do you know he didn't have the drive huh
37:59because i was watching
38:04through your eyes
38:06alexander hale
38:08stay down
38:15we hold him here
38:24strike should be on side in minutes
38:26hey
38:38whoa
38:40you're okay
38:41it's okay
38:42remy's down
38:44now that's interesting
38:55get up
38:59you're coming with me
39:04but i thought we were staying here
39:06drop your weapon
39:07this is the cia
39:08alexander hale
39:10surrender
39:11now
39:11so
39:14you're going to be
39:20out
39:20so
39:20you're going to be
39:22right
39:23you're going to be
39:24we're going to be
39:24Let's go.
39:54Come on!
40:04I see him!
40:06Go, go!
40:08Toro!
40:10Watch out!
40:12Go, go, go!
40:24Go, go, go!
40:26Go, go, go!
40:28Go, go, go!
40:30Go, go, go!
40:32Go, go, go!
40:34Alexander Hale, stop!
40:36Alexander Hale, stop!
40:46Alexander Hale, stop!
40:48Alexander Hale, stop!
40:50Alexander Hale, stop her!
40:54Verify!
40:56cultivate!
40:58Go, drive off!
41:00Albany, stand here!
41:02Stand now!
41:04Go!
41:05Stand on the ground!
41:06Stand back!
41:08Stand down now!
41:09Move, move back!
41:11Ah!
41:32Osiris, we're orphanage.
41:35Come on.
41:37We need to get you to safety.
41:41We have Osiris.
42:10Get our people out of there.
42:11Do not fire unless fired upon.
42:13Osiris is off the map.
42:15Repeat, Osiris is off the map.
42:19He's going after the target.
42:21Which direction?
42:25Alexander must have put the drive in the Faraday cage.
42:27We can't track him.
42:28Get me every camera we own east of the city.
42:30I want to see it.
42:31Yes, sir, we're on it.
42:32This is a manhunt.
42:33The operational theater is now the entire city.
42:36We find our operative and we do not let him fall into the wrong hands.
42:39Roger that.
42:40Hold up that quadrant.
42:52Henry!
42:54Edmund!
42:55I saw you on the monitor with Hale.
43:03What's going on?
43:05Did you tell anyone you know me?
43:09No.
43:12You're in trouble.
43:13Not anymore.
43:36Look.
43:36I don't know what the-
43:37I don't care what you did.
43:39Okay?
43:41This belongs to the orphanage.
43:42Make sure it gets to know.
43:43No.
44:03Okay, next block.
44:13Or what?
44:15You're in trouble.
44:16You're in trouble.
44:17I think he's waiting for it.
44:26You're in trouble.
44:27I
44:56I realized during all this that the only time that anyone actually told me the truth was when I'd already found it myself
45:06The people I work for want me in the dark
45:15Because it's easier to control me that way
45:26I
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