The Great Indian Kapil Show - Season 3 Episode 12- Yaaron Ka Adda
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00:00Good evening and welcome to the Great Indian Kapil show.
00:00:19One is from Russia, one is from New Zealand, one is from England, one is from Poland and
00:00:33I'm from the West.
00:00:36Because of you girls, you know, people are starting saying that I'm looking at Desi James
00:00:44Bond.
00:00:51Thank you girls, thank you so much.
00:01:03Arshanaj, you know that in the world, which country is the most produced in the world?
00:01:10Absolutely.
00:01:11You know, the whole world's 25% of the film is produced in India.
00:01:15That's when 90% of the people are not making projects.
00:01:19For example, these are all directors.
00:01:22They have been making projects.
00:01:23They have not made them until they are made.
00:01:29What a thing, man.
00:01:31If you think about them too, then the world is 90% of the film is produced.
00:01:38Think about the Cannes Film Festival.
00:01:41Even when they are imperfect in India.
00:01:42Likeicing, it's been Da Nu mi Ramond Lutheran
00:01:45Jagal Hyalap Fort receiver.
00:01:46They are working at Kaanpur in Hawaii.
00:01:48away fromtype.
00:01:57Oh God.
00:01:58We won the award award in every country.
00:02:05In India, making films and watching is the biggest passion in India.
00:02:08And once the star or superstar has become here,
00:02:10then they become fans of their fans,
00:02:12that they become fans of their children.
00:02:15Many star-sons have this problem,
00:02:18that their father's father has seen the world.
00:02:20They also have to see the children like that.
00:02:22For example, Dharam Paji, when Sunny Paji came to the film,
00:02:25people think that Dharam Ji's son,
00:02:26they have to kill 15-20 people,
00:02:28they will kill 15-20 people.
00:02:29It will be a warm dialogue.
00:02:31It will not be possible to say that Sunny Paji
00:02:32should say the dialogue.
00:02:34What do you have to keep in mind?
00:02:36If you keep in mind, you will go to your house,
00:02:38then you will shoot them.
00:02:40If you have a smile,
00:02:41then you will hear the people who will listen to them.
00:02:43If you have a smile on this,
00:02:45if you have a smile on this,
00:02:47then you will take a smile on your face,
00:02:49and you will take a smile on your face.
00:02:51People hope this.
00:02:53In India, you can see,
00:02:55all the trends set up.
00:02:57You can see, Dilip, Raaj, Deir,
00:02:59they started wearing baggy pants.
00:03:00It was open-open, right?
00:03:01In those days,
00:03:02all the world started wearing.
00:03:03And after that,
00:03:04there was reason to wear
00:03:05open-open pants.
00:03:06What?
00:03:07They were also open-open.
00:03:12Now,
00:03:13when they go in baggy,
00:03:14they don't know how to get out.
00:03:16After that,
00:03:17there was a V-shaped underwear.
00:03:19So,
00:03:20people started wearing tight pants.
00:03:22Then,
00:03:23there was also a trend of tight pants.
00:03:24Yes!
00:03:26People wear tight pants,
00:03:28and look at the heroes.
00:03:29They were fit.
00:03:30They were fit.
00:03:31Some people are not fit.
00:03:32They are fit.
00:03:33Now,
00:03:34there is a difference.
00:03:35Now,
00:03:36there is a difference.
00:03:37There is a person who has a pants
00:03:39who is a pants
00:03:40who calls
00:03:41their friends
00:03:42in their home.
00:03:43You come and get back.
00:03:44You get back.
00:03:45You get back.
00:03:46Because you are scared,
00:03:47you get back.
00:03:48You get back.
00:03:49You get back.
00:03:50No clothes.
00:03:51People also have to copy the film.
00:03:53Like,
00:03:54Sadhana.
00:03:55Sadhana's hair cut is very popular.
00:03:56Oh, yes.
00:03:57They kept the hair on the back.
00:03:58They looked so beautiful.
00:03:59Some of us,
00:04:00in that time,
00:04:01women,
00:04:02cut their hair cut their hair.
00:04:03They sent a photo.
00:04:04The girl was cut cut.
00:04:06They sent a photo,
00:04:07and they told me,
00:04:08Yes.
00:04:09When they were looking,
00:04:10they looked over here and upward,
00:04:11they thought,
00:04:12Mr. Mukherjee.
00:04:13Then,
00:04:14work was wrong.
00:04:15You can see,
00:04:17former heroism is very gracefully
00:04:20being a big jillion.
00:04:21ầy bachida,
00:04:22Ashah,
00:04:23Sharmila,
00:04:24Babaida.
00:04:25Of the vanity events.
00:04:26They were not that they were on the break.
00:04:28They were all under the trees.
00:04:29In the spent time of the time,
00:04:30it was all a bad time.
00:04:31It was a very bad time.
00:04:33Oh God!
00:05:03foreign
00:05:17foreign
00:05:33I can't see the photo shoot.
00:05:37There's a photo shoot.
00:05:38You can put the hero in it.
00:05:41You can use the hero in the heart.
00:05:45When you hit your hand, you get the hand out of it.
00:05:50You can see the hero's face.
00:05:53You can see the hair on the ring, but it was just a good time.
00:06:03Lovely.
00:06:33Please welcome Mr. Sanjay Dutt.
00:07:03And Mr. Sanjay Dutt.
00:07:33And Mr. Sanjay Dutt and Mr. Sunil Shetty.
00:08:02And Mr. Sanjay Dutt.
00:08:32And Mr. Sanjay Dutt.
00:09:02And Mr. Sanjay Dutt.
00:09:31And Mr. Sanjay Dutt.
00:09:33And Mr. Sanjay Dutt.
00:09:35And Mr. Sanjay Dutt.
00:09:37And Mr. Sanjay Dutt.
00:09:39And Mr. Sanjay Dutt.
00:09:41And Mr. Sanjay Dutt.
00:09:43And Mr. Sanjay Dutt.
00:09:45And Mr. Sanjay Dutt.
00:09:47And Mr. Sanjay Dutt.
00:09:49And Mr. Sanjay Dutt.
00:09:51And Mr. Sanjay Dutt.
00:09:53And Mr. Sanjay Dutt.
00:09:55And Mr. Sanjay Dutt.
00:09:57And Mr. Sanjay Dutt.
00:09:59And Mr. Sanjay Dutt.
00:10:01And Mr. Sanjay Dutt.
00:10:03And Mr. Sanjay Dutt.
00:10:05And Mr. Sanjay Dutt.
00:10:07And Mr. Sanjay Dutt.
00:10:09And Mr. Sanjay Dutt.
00:10:11And Mr. Sanjay Dutt.
00:10:13And Mr. Sanjay Dutt.
00:10:15And Mr. Sanjay Dutt.
00:10:17And Mr. Sanjay Dutt.
00:10:19And Mr. Sanjay Duttagar
00:10:37And Mr. Sanjay Dutt.
00:10:42I don't know what I think, Sanju sir,
00:10:43this song is called cigarette smoke.
00:10:46They've been playing,
00:10:46they've been playing,
00:10:47they've been playing with all the smoke.
00:10:49It's been written by you.
00:10:50It's a very different personality.
00:10:52So, the song is great.
00:10:55And when you're playing,
00:10:57it was great in the shooting.
00:10:58There was a lot of boys party.
00:11:00You, Bachchan, Kumar Gaurav, Mahesh.
00:11:03Mahesh Ji, Lucky Ali.
00:11:04We lived together.
00:11:06I mean, shooting at the time of shooting,
00:11:08and after shooting, we lived together.
00:11:10I think, a lot of time,
00:11:12we were working together.
00:11:13But look, what was the casting of Kamal?
00:11:15And there was a contrast.
00:11:17Like, I'm a kid,
00:11:18I'm a son,
00:11:19Sanju sir,
00:11:20Mahesh sir,
00:11:21I'm a kid,
00:11:22I'm a kid,
00:11:25I'm a kid,
00:11:25I'm a kid,
00:11:26I'm a kid,
00:11:26I'm a kid,
00:11:27I'm a kid.
00:11:31I was shooting at the morning,
00:11:34I was shooting at 6.
00:11:34I was shooting at 9.30,
00:11:36I was shooting at 9.30,
00:11:37I was shooting at 9.30,
00:11:38and then Mahesh and the rest of the people came,
00:11:40and my father came at 4.30,
00:11:42and then I was shooting at 6.30.
00:11:434.30?
00:11:44We were dubbing at the time.
00:11:47So, in the dubbing studio,
00:11:48I went to the dubbing studio,
00:11:50and then there was a man,
00:11:51a man was at night,
00:11:53and everyone was at night.
00:11:53What happened?
00:11:54But I said,
00:11:56I said,
00:11:56I don't have to dubbing at the morning.
00:11:59I said,
00:11:59I said,
00:11:59what happened?
00:12:00I said,
00:12:01I mean,
00:12:01it's 4.30,
00:12:02and then what happened?
00:12:04So, it's 3.30,
00:12:05and then I sat down.
00:12:06Yeah.
00:12:07But Sunil,
00:12:07why 3 o'clock and 4 o'clock dubbing?
00:12:09Subhere, Subhere?
00:12:10Because I don't have a sound of my head.
00:12:13I don't have a bass.
00:12:14I don't have a bass in the morning.
00:12:18So, in the morning bass,
00:12:20but why are you beating the technicians?
00:12:22No, no, no, no.
00:12:26But Sanju, you're talking about being late,
00:12:28so you're beating the bass when you're late.
00:12:31So, all the basses said.
00:12:32I'm missing the bass.
00:12:33I'm hurting my head,
00:12:34I'm hurting my head.
00:12:36I always say all the excuses.
00:12:37And he's doing it and the basses,
00:12:39and the basses,
00:12:40and the basses,
00:12:40and the basses,
00:12:41the basses,
00:12:42and the basses,
00:12:43and the basses.
00:12:46That's why I've been asking.
00:12:50When I shoot at them,
00:12:52I'm going to run away,
00:12:54Why?
00:12:55Once this happened,
00:12:57we were shooting at the moment,
00:12:57When I was shooting at night, I'd come and break my door and what to do at night.
00:13:04So I was on the ground floor and on the ground floor.
00:13:07So Kiran Dada and Parashu told me that it was not a key system, it was a locked lock system.
00:13:17So I would close the door from outside, because there was a door in front of me.
00:13:22So I would go outside.
00:13:25So I would close the door at night and leave the door at night and leave the door at 8 o'clock.
00:13:30I would come and eat the door at night.
00:13:33I would go inside.
00:13:35I would go inside.
00:13:37The door was broken in Hyderabad.
00:13:40I was thinking, what will happen?
00:13:42Why are you at 8 o'clock?
00:13:48And literally, literally the door was broken.
00:13:52Oh God!
00:13:53The door was broken with hinges.
00:13:55Oh my God!
00:13:56I'm not making a joke.
00:13:58Now give me one book with them.
00:14:00And if you have targeted them.
00:14:03What is the target?
00:14:04It was love.
00:14:05It was love.
00:14:06It's not so much love.
00:14:10Who does this love?
00:14:12No way!
00:14:13Nobody hits the door.
00:14:15The door is broken.
00:14:15What's the right way?
00:14:17What?
00:14:17What is this like?
00:14:19People call the door of house keeping the door.
00:14:22It's enough.
00:14:22The door is not waiting you.
00:14:24You can't have to see the impotent from the door.
00:14:26Because of it, you can see the door.
00:14:27After that, we would have to be eating a thing.
00:14:28What's the deal?
00:14:29What's the deal?
00:14:31The door.
00:14:31It was 2.33 at night.
00:14:59I know, Anna, but I was knocking.
00:15:01I know.
00:15:02I'm sitting asleep at 8 o'clock.
00:15:08Do you feel less upset when you break and break?
00:15:11Break or break is the best.
00:15:16Every actor who comes,
00:15:18I don't know what I'm saying,
00:15:20but when I started Sanju and Anna started,
00:15:22they take a unique concept,
00:15:24that there is a lot of dance and action.
00:15:28In Mumbai,
00:15:30you've heard the concept of a bar and restaurant.
00:15:33You also have a restaurant.
00:15:35The concept of Sanju,
00:15:38is a gym.
00:15:42They love each other.
00:15:44How is this possible, Sanju?
00:15:46You said that the bar and restaurant is Anna.
00:15:50So, I started a new concept.
00:15:52Bar and gym.
00:15:53Yes.
00:15:54That means,
00:15:55a little bit at night,
00:15:56and everything will burn in the day.
00:15:58What is the bar?
00:15:59What is the concept?
00:16:00Sugar and burn out in the day.
00:16:02Burn out in the day.
00:16:03Perfect.
00:16:04Yes.
00:16:05It's like that.
00:16:06It's like,
00:16:07it's like the body has become just now.
00:16:12Annah,
00:16:13you haven't drank in life?
00:16:15No.
00:16:16I think,
00:16:17if I thought,
00:16:18I would say,
00:16:19I would not drink.
00:16:20But now, you both are so fit.
00:16:23So, today, you have so many years...
00:16:25I don't think that you are fit. Sanju is also very good.
00:16:28Right?
00:16:29So, I've been doing so many years in discipline.
00:16:31I've also done something.
00:16:32Have you ever come to mind?
00:16:33No, who will do shooting?
00:16:37Don't touch their minds.
00:16:39Shifts after 2 hours.
00:16:40If you start, then I'll go back.
00:16:45Sanju sir, you have so many symptoms in childhood.
00:16:48In childhood?
00:16:49Your childhood is not gone.
00:16:50Yes, childhood is a good thing.
00:16:51That's a good thing.
00:16:52You should stay in childhood, Sanju.
00:16:54If you go to childhood, then what would you do?
00:16:55It's a lot of symptoms.
00:16:56I'll say it too.
00:16:57It's a lot of symptoms.
00:16:58I'll say it too.
00:16:59It's a lot of symptoms.
00:17:00It's a lot of symptoms.
00:17:01I'll say it too.
00:17:02What have you done?
00:17:03One time, I was in Ladakh.
00:17:05There were no bathrooms.
00:17:07There were no vanity.
00:17:08There was a long road.
00:17:09On the mountains.
00:17:10I said, I'll do it.
00:17:12No, I'm going to go.
00:17:14No, I'm going to go.
00:17:15No, I'm going to go.
00:17:16No, I'm going to go.
00:17:17No, I'm going to go.
00:17:18I'm going to move the other side.
00:17:19I'm going to go.
00:17:20I was like, no, no, no, we are going to go to the bathroom.
00:17:27I said, my father will go to the loop.
00:17:31I said, let's go, let's go, let's go, let's go.
00:17:34After that, they didn't stop the car.
00:17:38They didn't stop the car.
00:17:39They didn't stop the car.
00:17:40They didn't stop the car.
00:17:42Oh, oh, oh, oh, oh, oh, oh, oh.
00:17:47They're going to be pressure.
00:17:52I like you, I'm going to torture you.
00:17:55There's some different rooms in the bathroom.
00:17:57I'm going to get you to the situation.
00:18:00I'm going to get you to the bathroom.
00:18:04Who's asking me to ask her?
00:18:13What do you mean to my parents?
00:18:16In the L.O.C. it's cold.
00:18:18If you go to the L.O.C.
00:18:20They would have been 10 minutes.
00:18:23Because...
00:18:25One is inside, the other is inside.
00:18:28The other is inside.
00:18:30The other is inside.
00:18:32The other is inside.
00:18:34The other is inside.
00:18:36The other is inside.
00:18:38So, the other is inside.
00:18:40I knew that it will be a lot of cold.
00:18:43So, you need to be prepared.
00:18:45I was shooting for acclimatize.
00:18:47I was doing acclimatize for 2-3 days.
00:18:49After that, they got to reach there.
00:18:51They were left for 3 days.
00:18:53I was left for 3 days.
00:18:55Yes.
00:19:013 days.
00:19:03They were all back.
00:19:05They were all back.
00:19:07They were all back.
00:19:09One day, the whole action was set up.
00:19:11They were misreading for 1st Shepard,
00:19:12and jegures in the tracks.
00:19:13Blast here, of course,
00:19:14they would have run for 15 blasts.
00:19:15I marched back there.
00:19:16A few spheres...
00:19:17I said,
00:19:18Where are you going from here?
00:19:19I saw nothing or anything.
00:19:20I said,
00:19:21I was going there and blasted.
00:19:22The internet was Russia.
00:19:23The Athfilledie spotted.
00:19:24I asked JPE Dash Baron for it.
00:19:25Sir?
00:19:26There is a staged?
00:19:27He said,
00:19:28Yes, it works.
00:19:29She is standing in the circles.
00:19:30I had to walk in theład再.
00:19:31I said it was too strong.
00:19:33These people all were out of character.
00:19:35arbets.
00:19:36These people are for 3 days.
00:19:37And I don't get out of the sound, I don't get out of the sound.
00:19:41Because the breath is safe.
00:19:43As much as the blast happens, the amount of oxygen will get out of the breath.
00:19:47I've kept my attention and kept my attention.
00:19:49So now it's done,
00:19:51it's a shot of one minute.
00:19:52Cut, cut, cut.
00:19:54Everything is falling. I'm standing like this.
00:19:57I'm leaving the breath.
00:20:01I'm standing alone.
00:20:04I'm taking all the body and I'm falling.
00:20:06Then Sanju says,
00:20:07I can't breathe, I can't breathe, I can't breathe.
00:20:10Then I said, take a tank, take a tank.
00:20:12It was an oxygen tank.
00:20:17Then I asked the girl,
00:20:19I said, it was a tank empty.
00:20:21Yes sir, I gave it.
00:20:27There was no oxygen in the tank.
00:20:29I thought psychologically, we took the oxygen.
00:20:31Yes, I thought it was.
00:20:33Yes, I thought it was.
00:20:36Oh,
00:20:37Where the father lives, nothing can't be done.
00:20:44Once I asked my son, Sunil Datth Sahib,
00:20:48I was at the university.
00:20:50In the university, all of our teams had a tradition.
00:20:54When I became an actor in Gurdaspur,
00:20:56all of my mother told me that I was not a husband
00:20:59and my daughter also became an actor.
00:21:00When I was a success, all of my family came to me.
00:21:04So they saw that face, and then Mumbai came and became so big star.
00:21:08You were like, when you first started, you told me to become an actor.
00:21:12What was your reaction?
00:21:14Chaped.
00:21:15Chaped!
00:21:17Why?
00:21:18He said, studying is very difficult.
00:21:21Okay.
00:21:22He told me to become an actor is a lot of food.
00:21:26So I also thought, who will go to college?
00:21:32That's why he wanted to become an actor.
00:21:35He didn't have to go to college.
00:21:36He said, okay, if you become an actor, then he said, okay.
00:21:40Come on in the morning at 5 o'clock.
00:21:42Oh.
00:21:435 o'clock he said, why?
00:21:45He had to go to riding.
00:21:46Then I said, I said, Papa, I'll go to college again.
00:21:50That's a easy way to go.
00:21:55That's it.
00:21:56You've heard Datsaab's talk.
00:21:59So Datsaab was in Congress.
00:22:01He had a friend's phone.
00:22:03That's the other party's election.
00:22:06And you'll be campaigning for me.
00:22:09And that's the same situation.
00:22:14He was standing against Datsaab only.
00:22:17And he had said yes.
00:22:19And he said yes.
00:22:20He said yes.
00:22:21He said yes.
00:22:25And he said yes.
00:22:27Then, listen.
00:22:29After that, when a day came to his community,
00:22:32he told me that he was on Creed's party.
00:22:35That's why he was standing against me.
00:22:37So the father called me and told me,
00:22:39I told him to go.
00:22:41He told you the name of the Lord.
00:22:43He told me, okay, father, I'll go.
00:22:46And I went to camp for the morning.
00:22:48The late Nitin Manmoohan Ji.
00:22:50Nitin Manmohan Ji, our two good friends were good friends.
00:22:53They called him and said,
00:22:55Dach Saab is calling.
00:22:56I said, who is Dach?
00:22:58He said, Sunil Dach Ji.
00:23:00I said, Sunil Dach Ji, why are you calling me?
00:23:02You went for campaigning,
00:23:04they were against them.
00:23:05I said, oh my God.
00:23:10Dach Saab called me at home
00:23:12and said, I understand.
00:23:14It's your friend.
00:23:16But I had to think about it too.
00:23:20I didn't think about it.
00:23:22I didn't think about it.
00:23:24I didn't think about it.
00:23:30They took me a class,
00:23:32and I did it.
00:23:34And I did it.
00:23:36I saw you another video.
00:23:40Somewhere in Bihar,
00:23:42there was a election,
00:23:44and they reached the MLA to support someone.
00:23:46And they said,
00:23:48I'm going to tell you,
00:23:50I'm going to tell you what's the name of him.
00:23:52Oh, wow.
00:23:54Oh, wow.
00:23:56The video was very viral.
00:23:58Oh.
00:24:00Oh, wow.
00:24:02I don't know.
00:24:04Hello,
00:24:08Hello?
00:24:10Yes.
00:24:12Yes,
00:24:14Yes.
00:24:16Yes.
00:24:18Yes.
00:24:20Yes,
00:24:21Hello?
00:24:22Yes.
00:24:23Annah!
00:24:29The warning was, Annah!
00:24:33If you are afraid, you say, Annah!
00:24:37If you go to the bathroom, you will be able to go?
00:24:40Annah!
00:24:44There are many times.
00:24:46You will not be able to do it.
00:24:48Annah!
00:24:53compliance!
00:25:02Kapil, we love you!
00:25:13Kapil, can I come and hug you?
00:25:16Please come.
00:25:18Come on, come on, come on, come on.
00:25:20How did you sit by holding the house?
00:25:23Come on, come on, come on.
00:25:26I'll give you a call.
00:25:28That's cool.
00:25:30Wow.
00:25:32Hi.
00:25:34Hello, hello, sir.
00:25:36Hello, hello.
00:25:37Hello, hello, sir.
00:25:38Hello.
00:25:39Hi, it's Uncle Papa.
00:25:40How are you, sir?
00:25:41Where is my brother?
00:25:42Hi.
00:25:43Hi.
00:25:44How are you?
00:25:45Good.
00:25:46Oh, oh.
00:25:49Oh.
00:25:50Oh.
00:25:51Oh.
00:25:52Oh.
00:25:53Oh.
00:25:54Love you, Anand.
00:25:55Eh, you've put your name on my name.
00:25:57No, no, no.
00:25:58We have to say I love you.
00:25:59I don't give you a name on my name.
00:26:01My name is Asha.
00:26:05My name is Parik.
00:26:06Oh.
00:26:07Asha Parik.
00:26:09Asha Parik.
00:26:10How do you know?
00:26:11How do you know?
00:26:13We have a background answer.
00:26:15How did you know?
00:26:16You were one of us.
00:26:17We have two of them.
00:26:18How did you know when you did this,
00:26:23and we used it to be so big?
00:26:25Hey, when you did it?
00:26:26How did you get a picture?
00:26:27Umaduri Dikshti si ji not.
00:26:28He did it in the picture.
00:26:29Before I was at ESL,
00:26:30I was just talking about it.
00:26:31I knew it was a picture.
00:26:32But I didn't know it was a picture.
00:26:34Why did you?
00:26:35I didn't have a picture.
00:26:36Because I would have to keep 28kg to a picture of this picture.
00:26:38I don't know what I'm talking about.
00:26:40Sunil sir, do you remember?
00:26:42Your song is called Aai Uku, Aai Uku, Aai, Aai?
00:26:44Yes.
00:26:45Karishma Kapoor ji, she was going to do it before me.
00:26:47I was going to do it in the song.
00:26:48Then what happened?
00:26:49What happened in the news, sir?
00:26:50When the song started,
00:26:51the hook of my clothes fell on the ground.
00:26:53So everyone was doing Aai Uku, Aai Uku, Aai, Aai.
00:26:57I was going to do Aai Uku, Aai Uku, Aai, Aai.
00:26:59I was going to do Aai Uku, Aai Uku, Aai Uku, Aai.
00:27:02If I don't do Aai, it'll be the only way we carry.
00:27:10Is it true?
00:27:14One minute, let me drop.
00:27:15We've got a big향y dancer.
00:27:20We put a little problem here.
00:27:22There's a 100%ofed Jewish food.
00:27:25There's so much of soda in there.
00:27:28so you can put soda on your head
00:27:30no no, you can put soda on your head
00:27:32but you can put a soda on your head
00:27:36what is it, only soda is the only one
00:27:38then it becomes a hope
00:27:40and only soda is the same
00:27:42then you can put it on your head
00:27:44you can see it
00:27:46this is soda
00:27:48okay, it's soda
00:27:50it's like this, it's like this
00:27:52yeah, it's like this
00:27:54yeah, it's like this
00:27:56listen to me, you're scared of me
00:27:58what are you doing here?
00:28:00we have signed here
00:28:02we have signed here
00:28:04we will sign here
00:28:06it's good here
00:28:08it's written in the picture
00:28:10you can dance more
00:28:12why?
00:28:14you can dance more
00:28:16they dance more
00:28:18you can put your hands here
00:28:20you can put your hands here
00:28:22you can put it on your head
00:28:24because I thought that
00:28:26if Tiger Shroff dance after it
00:28:28he stepped down
00:28:30he got a lot
00:28:32for $3,000
00:28:34$35
00:28:36he got a lot
00:28:38$3,000
00:28:40$3,000
00:28:42$3,000
00:28:44$3,000
00:28:46$3,000
00:28:48$3,000
00:28:50$3,000
00:28:52they come from $$3,000
00:28:53they bought
00:29:07$8,000
00:29:10$4,000
00:29:12$5,000
00:29:16$5,000
00:29:17$5,000
00:29:19The people who are like this do not leave the girls.
00:29:23You guys go outside and talk about it?
00:29:25We're talking about it and then you go outside?
00:29:27Why are you talking about it?
00:29:29You can only talk about it only?
00:29:32We can't talk about it?
00:29:34We are also a background dancer.
00:29:35Listen, listen.
00:29:36We are old boys.
00:29:37We don't have to see the industry.
00:29:40Let's stop.
00:29:41It's a comedy.
00:29:42It's a comedy.
00:29:43We are also a background dancer.
00:29:44He's going to go to the same.
00:29:46So he's going to go to the same?
00:29:47So we are not keen to listen to us?
00:29:49We are not keen to listen to us here?
00:29:52We are just born to listen to us here.
00:29:55We are not born from the tank, and we are born from the coke.
00:30:02I am still listening to us, but the comedy is full.
00:30:05So we are also the background answer.
00:30:06But if we are keen to listen to us, we are not keen to listen to us here.
00:30:11This is also the case.
00:30:12We're still keen to listen to us now.
00:30:15How many lines have a song developed?
00:30:19Short does work.
00:30:21We've also mean the background dancer.
00:30:23Is that it?
00:30:24Well, it might be.
00:30:25How many lines have a song developed?
00:30:27We've also been developed for listening to my Herndra.
00:30:29Yes, you know, it's an opportunity to listen to my mom.
00:30:34How many lines have a song developed by her mom?
00:30:37I have told you.
00:30:38I don't think you both had a song from my mother's father.
00:30:43What did you say?
00:30:45That was a comedy work of it.
00:30:47We were also a background dancer.
00:30:49But we will go to his way forward against the development of hiscling.
00:30:50No, we have more thought of it.
00:30:51We are not born for listening to the listening.
00:30:53So, that is all right.
00:30:54We are now born for listening to the listening.
00:30:56And, where, my mother will forgive us?
00:30:57We are born for a tank.
00:30:59We are born for her mother's coke.
00:31:02Let's go.
00:31:03It's a comedy work.
00:31:05Yes, it's a comedy work we go to.
00:31:11You are also a good now.
00:31:12So what are you guys doing?
00:31:14We were born for listening.
00:31:24I've told you about this in Hindustan.
00:31:26Put any photo on social media.
00:31:28Please comment a little bit.
00:31:30But there are great creative comments.
00:31:32We've released some pictures.
00:31:34Let's show you.
00:31:42Sanju sir has put a photo.
00:31:44Happy birthday dear brother Paria.
00:31:46Where is the photo Sanju sir?
00:31:48Africa.
00:31:50What are you showing?
00:31:52I don't know.
00:31:54Come down and see the comments.
00:31:56The tourist guide is saying
00:31:58that my eyes have been done.
00:32:00Let me tell you.
00:32:06Let me show you.
00:32:08In the jungle safari,
00:32:10the
00:32:12Shere from the Shere.
00:32:14Someone replied,
00:32:16If the Shere is coming,
00:32:18you don't have to run from the Shere.
00:32:20You can also learn from the Shere.
00:32:22Very good advice.
00:32:24Let me show you.
00:32:26Oh!
00:32:28Oh!
00:32:30Oh!
00:32:32Oh!
00:32:33Oh!
00:32:34Oh!
00:32:35Oh!
00:32:36Oh!
00:32:37Oh!
00:32:38Oh!
00:32:39Lovely!
00:32:40What a sweet photo.
00:32:41Where did you find the photo?
00:32:42I just profund you.
00:32:43I have got it.
00:32:44Oh!
00:32:45Good.
00:32:46I was reading the photo.
00:32:47I was reading the photo.
00:32:48God over there.
00:32:49Oh!
00:32:50Oh!
00:32:51I was reading the photo,
00:32:52I have got it.
00:32:53Oh!
00:32:54Oh!
00:32:55Oh!
00:32:56That's the beautiful.
00:32:57Dear Shahrua and Nikra,
00:32:58wishing you a happy birthday
00:32:59and may God bless you.
00:33:00What a sweet picture.
00:33:01Where are the photos of that?
00:33:03Agra.
00:33:04I came in the shoot.
00:33:05It was laid off.
00:33:06I came in the shoot.
00:33:07It was in the Boomi shooting.
00:33:08Now he's grown up.
00:33:10How old are you?
00:33:1215 years old.
00:33:14Oh, wow.
00:33:16Leave your comments below.
00:33:18Leave your mic.
00:33:20Leave it to the watchman's scooter.
00:33:22Let's see.
00:33:24You're just sitting on three.
00:33:26My father is sitting on six.
00:33:28The reply came.
00:33:30What do you need to see?
00:33:32Your father is sitting on the house.
00:33:34He's sitting on the house.
00:33:38Let's see.
00:33:40Oh, wow.
00:33:42Because every picture tells a story.
00:33:44Oh, wow.
00:33:46What's the story?
00:33:47Let's see below the comments.
00:33:48It seems that his beauty and beauty
00:33:50has to be given.
00:33:52Let's see.
00:33:54My son was eating like this.
00:33:56Chalk?
00:33:58I had to leave him for five years.
00:34:00It's not a long time.
00:34:02You can also leave.
00:34:04Let's see.
00:34:06Oh, wow.
00:34:08Royal Infield Motorcycle India.
00:34:10Father, is this shooting?
00:34:12No.
00:34:13Someone has made this bike.
00:34:15Oh.
00:34:16I am.
00:34:17What?
00:34:18Let's see below the comments.
00:34:20I have given up.
00:34:21I have given up.
00:34:22I have given up.
00:34:23There is 41 light.
00:34:25There is 40 light.
00:34:26There is one of their mouth.
00:34:28And look.
00:34:29Let's see.
00:34:30Let's see.
00:34:31Let's see.
00:34:32Let's see.
00:34:33Let's see.
00:34:34Let's see.
00:34:35If you put a small console and mic.
00:34:37Then you can also be a DJ.
00:34:39You can also become a DJ.
00:34:42Let's see.
00:34:43Let's see.
00:34:44Let's see.
00:34:46Let's see.
00:34:47Let's see.
00:34:49I think.
00:34:50I think.
00:34:51I think.
00:34:52It's a lot of insecurity.
00:34:53Absolutely.
00:34:54100%.
00:34:55Insecurity is.
00:34:56Insecurity.
00:34:57Insecurity.
00:34:58I mean.
00:34:59Insecurity.
00:35:00Insecurity.
00:35:01Insecurity.
00:35:02I mean.
00:35:03I have service over at times,
00:35:04we have to have to go in the face.
00:35:05We have to go out of the face.
00:35:06And look.
00:35:07You know.
00:35:08How much of the film did you do?
00:35:09How many movies do you do?
00:35:11You know.
00:35:12I think.
00:35:13A lot of insecurity was.
00:35:14Absolutely.
00:35:15That's true.
00:35:17I see a lot of insecurity.
00:35:20I see a lot of insecurity.
00:35:22And it's like.
00:35:24I also worked with Dilip and Sanjeev Kumar and worked with Shambi uncle.
00:35:32There was no insecurity. He got to learn to me.
00:35:35If my lines were to say that, I would say that there was no insecurity.
00:35:41The picture should be good.
00:35:44There was a appreciation for me.
00:35:47I was stressed that I didn't have acting.
00:36:03I got my action.
00:36:06Every child understands that I will become a child.
00:36:09But it doesn't happen to me.
00:36:12I was stressed that I didn't have acting.
00:36:16But then I definitely thought, look at Sanju.
00:36:20Look at his walk. Look at his personality. Look at Jacky Dada.
00:36:24Look at Chichi Bhaiya.
00:36:26Look at Sunny Paji.
00:36:28They were my heroes.
00:36:30That's why I was secure.
00:36:34I learned from them.
00:36:36I learned from them.
00:36:38I don't have that mindset in today's children.
00:36:41Because this virtual world has scared everything.
00:36:43I really need to see the people that you are out there.
00:36:47They are turning around and of course.
00:36:50And they can see the people turning around.
00:36:51They were turning around and also sitting around.
00:36:53I thought of being humble.
00:36:55As always, I think you will become humble and bigger at the same time.
00:36:58So I think that now, people are crazy.
00:37:00As the people have returned for new actors.
00:37:02But I think it's over 40 years now.
00:37:04Look at this industry's inequality.
00:37:05I don't regret what happened in my life, I had to do that at that time.
00:37:23I regret one thing that my mom and dad went fast.
00:37:28That's the thing.
00:37:30I miss them, but the rest of them, I was jailed.
00:37:40Sanju, when you went to jail, you said that I learned carpentry there.
00:37:46You had to do work there.
00:37:49What did you do?
00:37:52I used to do work there.
00:37:54I used to do work there.
00:37:56I used to do work there.
00:37:58I used to do work there.
00:38:00I started a radio station.
00:38:02Radio YCP.
00:38:04FM.
00:38:06I used to do work there.
00:38:08You used to do that program?
00:38:10I used to do that program.
00:38:12What was the program?
00:38:14We used to do work there.
00:38:16There was also comedy.
00:38:17There were two things that played,
00:38:18it was made in the script.
00:38:19We used to do work there right now.
00:38:21What would you do?
00:38:22What would you do?
00:38:23We used to do work there?
00:38:24We used to do work with the kids.
00:38:26And
00:38:30I started an acting company.
00:38:33I was a director,
00:38:34and all these people never tutted.
00:38:37One thing was that my dad was growing up and the superintendent said,
00:38:42''Babai, what is this?''
00:38:44''It doesn't look good to me.''
00:38:45I said, ''Sir, I'm talking to you.''
00:38:47I said, ''No, I'll get to you.''
00:38:48Okay.
00:38:49I said, ''Mishra Ji.''
00:38:51So, when my dad was growing up, I was going to get out of bed.
00:38:56So, I said, ''Mishra Ji, how many years have you been here?''
00:38:59I said, ''15 years old.''
00:39:00And the razor came here.
00:39:03So, I said, ''Why?''
00:39:05He said, ''Double Murder.''
00:39:07I said, ''Rumjaya''
00:39:12''Double Murder?''
00:39:13''Double Murder?''
00:39:14''I've got a razor's hand.''
00:39:17I said, ''What is this?''
00:39:19''This is my jail's case.''
00:39:22Oh...
00:39:23Father, because both of you are so honest and you talk with your heart,
00:39:28you play a game that you have to give your number.
00:39:31How many of you will give your number from 10?
00:39:33As a father, if I ask you,
00:39:35how many of you will give your number?
00:39:38Nine.
00:39:39No number.
00:39:40Okay.
00:39:46As a husband, how many of you will give your number?
00:39:48As a husband, I'll give 10.
00:39:50Wow.
00:39:51I'll give 15.
00:39:52Let's go.
00:39:55As a son, how many of you will give your number?
00:39:57Ten.
00:39:58Ten.
00:40:02As a producer.
00:40:03Of what?
00:40:04I think a very good producer.
00:40:05I think a very good producer.
00:40:06Very good.
00:40:07Very good.
00:40:08Because you're going to make a film with your heart.
00:40:09Yeah.
00:40:10I'm...
00:40:11Okay, producer's films.
00:40:12I'm talking about my father's father.
00:40:19I'm a benchmarking producer.
00:40:21Anna?
00:40:22How many of you, as a husband, do you give your number?
00:40:27Maybe a seven or eight?
00:40:28Come on, Anna.
00:40:29No, you're a ten on ten.
00:40:30Ten on ten, Anna.
00:40:31No, if I'm a husband...
00:40:32See, when we're at the peak of career,
00:40:36we do the work that we miss out.
00:40:40And that is the age when a husband or a man
00:40:45needs to do the work of a husband.
00:40:47That he's not able to give that kind of time to that.
00:40:50The family.
00:40:51And I keep the time very important.
00:40:53Like you also get the importance of your wife
00:40:56and the importance of your husband.
00:40:58When you get married to your husband,
00:41:01and like I'm a grandfather,
00:41:03when I see Atiya as a mother,
00:41:06I feel like,
00:41:09how much is that?
00:41:11When I was working.
00:41:13I also give seven.
00:41:19As a father, Anna, how many numbers do you?
00:41:21Eleven.
00:41:22Eleven?
00:41:23Very good.
00:41:24As Nanu, sir?
00:41:27Nanu, hundred out of ten.
00:41:29Oh!
00:41:32Mool, mool...
00:41:33Mool...
00:41:34Mool se sooth amesha piyara hoota.
00:41:35Piyara hoota.
00:41:36Ha!
00:41:37Ha!
00:41:38Ha!
00:41:39Ha!
00:41:40Ha!
00:41:41Ha!
00:41:42Ha!
00:41:43Ha!
00:41:45Ha!
00:41:46Ha!
00:41:47Ha!
00:41:48Ha!
00:41:49Ha!
00:41:50Ha!
00:41:51Ha!
00:41:52Ha!
00:41:53Ha!
00:41:54Ha!
00:41:55Ha!
00:41:56Ha!
00:41:57Ha!
00:41:58Ha!
00:41:59Ha!
00:42:00Ha!
00:42:01Ha!
00:42:02Ha!
00:42:03Ha!
00:42:04Ha!
00:42:05Ha!
00:42:06Ha!
00:42:07Ha!
00:42:08Ha!
00:42:09Ha!
00:42:10Ha!
00:42:11Ha!
00:42:12Ha!
00:42:13Ha!
00:42:14I will go to my channel.
00:42:28Hey Dad, come on. Dad. Dad, listen to me.
00:42:31What did you call me?
00:42:33The episode was the rap-chandus episode.
00:42:38Yes, Kapil, my child.
00:42:42My father.
00:42:44Yes, please tell me one thing.
00:42:46Yes.
00:42:47What is this motorcycle?
00:42:48Why?
00:42:49That if a third person bites you, you're going to run.
00:42:56Yeah.
00:42:57This episode of my friend, I am hurt.
00:43:00What was the phone call?
00:43:01He said he went out.
00:43:02I didn't want to go out.
00:43:05Well, I'll tell you what I'm saying.
00:43:07You're a fool.
00:43:09It's good.
00:43:10You guys know what?
00:43:12Who wants to talk to him?
00:43:14He talks to him.
00:43:18He makes his own episode.
00:43:20He makes it viral.
00:43:22And he puts his content on YouTube.
00:43:25He's a fool.
00:43:29He's a fool.
00:43:31You guys are not a fool.
00:43:34He's a fool.
00:43:36My father.
00:43:37My father had a phone call.
00:43:39He said that you're not a fool.
00:43:40No.
00:43:41He's a fool.
00:43:43He's a fool.
00:43:44He's a fool.
00:43:45He's a fool.
00:43:46my video log either without own shitty gets out either yeah the camera model and
00:43:57beyond on the JT manage a teenager my video log gonna be 70s or it is gonna
00:44:06shake this guy soon though also about care of locality Betty my little shitty
00:44:16But in the episode, I forgot my friends, I'm upset, Bawa, Bawa, Bawa, I'm upset, Bawa.
00:44:30Let's go, let's go, let's go.
00:44:32Let me tell you something.
00:44:34Yes.
00:44:35I will tell everyone in front of you.
00:44:37Yes.
00:44:38How many pictures came from me?
00:44:40The animal pictures came from me.
00:44:43I told you, what's in the picture?
00:44:45No, I won't do it.
00:44:47I won't do it.
00:44:48I told you, what's in the picture?
00:44:50I told you, what's in the picture?
00:44:52No, I won't do it.
00:44:53I told you, what's in the picture?
00:44:55No, I won't do it.
00:44:57But in Houseful Five, I won't do it.
00:45:03I don't remember it.
00:45:05Look, if you have five-five hot heroines in this film,
00:45:10I'm so proud of my friends.
00:45:13Yes.
00:45:14That's right.
00:45:16I don't have to have enough sleep.
00:45:18I felt very bad.
00:45:19I told you, what do you have for me?
00:45:22Border picture.
00:45:23I told you, I had a bad scene on the border.
00:45:25In the border picture, I was sitting on the wall.
00:45:28I didn't do it.
00:45:29I didn't do it.
00:45:30The JP Dattas told me, I didn't send them to war.
00:45:34I told you, you're my brother, two, three seconds.
00:45:36in the end of the day
00:45:43I have to take a video
00:45:48I live in that part of the day
00:45:51my wife is not a good night
00:45:54friendship day at an hour
00:45:57our friendship day my father
00:46:00my good friendship brand like a
00:46:03Friendship brand is not. Friendship band is.
00:46:05It's our friendship brand.
00:46:13Well I'm talking to you too.
00:46:15You should also blame the hatred.
00:46:17What did I do?
00:46:18You didn't even mention your friend.
00:46:19And the hatred of the whole tree is you want.
00:46:22And the trees are eating shed on you.
00:46:25I know all of you.
00:46:29All of you are being angry.
00:46:31I don't know how much Kapil will feel to Sidduji.
00:46:35Sidduji, come on, he's a little girl.
00:46:36He doesn't say he's a little girl.
00:46:38Huh?
00:46:39What?
00:46:39Yes, Sidduji is a little upset.
00:46:41Please, Anna, you will call Sidduji.
00:46:44Come on, Sidduji.
00:46:45Sidduji, come on.
00:46:46Come on, son.
00:46:47I don't know what...
00:46:48Come on, son.
00:46:55I don't know.
00:46:56I don't know.
00:46:57Sidduji.
00:46:58Come on.
00:46:59Aye, aye.
00:47:00Namaste.
00:47:01Namaste, sasrikaal.
00:47:02Sasrikaal.
00:47:03Sasrikaal.
00:47:04Yes, yes, yes.
00:47:05I want to avoid today.
00:47:06I want to go back.
00:47:07Avoid.
00:47:08Bawa, kai ko, avoid.
00:47:09Rooko na, bedu.
00:47:10Yeah.
00:47:10Anna, hai le.
00:47:11Bawa, hai le, bedu.
00:47:12Milo daho, say, bedu.
00:47:14Okay, aye.
00:47:14Kya khala hi?
00:47:15Sasrikaal, sasrikaal.
00:47:16Ha ha ha ha.
00:47:17Feel good, Sonia.
00:47:19Problem, kya, batao na?
00:47:20I don't know.
00:47:21Aho, aho, episode karna.
00:47:22Aho, aho.
00:47:23Kya ho kya?
00:47:24Bai, dekho, problem hai.
00:47:26Lekin, mai, dhekho, bata nini sakta.
00:47:28Kya problem hai, bata ye?
00:47:30Mujhe nai show mein,
00:47:32Ek, bande se problem hai.
00:47:35Korn hai?
00:47:36Mä bata ho.
00:47:36Korn hai, woh banda?
00:47:37Mere ko batao.
00:47:37Mere ko batao.
00:47:38Mere ko batao.
00:47:38Mere ko batao.
00:47:39Naini, naam lena padehenga.
00:47:40Batao, mere ko korn hai, woh.
00:47:42Mere ko batao.
00:47:42Uska jo naam,
00:47:43Mere ko batao.
00:47:44Mere ko batao.
00:47:45Ha ha, deo, korn hai?
00:47:46Eh, kyu hai, ki woh actually banda nini hai,
00:47:49woh ek lady hai.
00:47:50Hahahaha.
00:47:52Aap sirha nami batao na Siddhoji.
00:47:55Naam batao sir.
00:47:56Mare naam nini bata sakta.
00:47:56Kyo nahin?
00:47:57Aap ko bata na padehenga.
00:47:58Mare nähi bata padeha ikan mye.
00:48:06Bai, dhekho.
00:48:07Yeah.
00:48:08Uae se mein saari dunia mai chha ya hun.
00:48:10Hmm.
00:48:11Uae se mein saari dunia mai chha ya hun,
00:48:13Uae se laba saari dunia mai chha,
00:48:14Un można lady ka sata ya hun.
00:48:15Hahaha.
00:48:16Uae se dhekho,
00:48:18Mãe pichele her dalbari dák raha hai.
00:48:19I don't know. I have seen a show. You are always talking, but you don't give them a chance to say.
00:48:39I'll see.
00:48:40After that, there is a reason behind it.
00:48:42The reason is that when I speak, the camera is on me.
00:48:46And when there is a camera, it doesn't say anything.
00:48:48The way the camera is moving, the camera is moving.
00:48:51What is the camera?
00:48:53What is the camera?
00:48:55What is the camera?
00:48:57Arshana Ji, people think that you don't do anything in the show.
00:49:02You do a lot of things.
00:49:04My brother, why didn't you say that this problem?
00:49:06Why didn't you say that?
00:49:08My brother, why didn't you say that?
00:49:10My brother, how many hints are you?
00:49:11You don't listen to me.
00:49:12My brother, I throw a pillow out there.
00:49:14I miss it.
00:49:15It doesn't have a pillow.
00:49:16It's crazy.
00:49:17Last time, I wrote this pillow.
00:49:18Please help me.
00:49:23I don't know.
00:49:24I miss it.
00:49:26I don't know.
00:49:27I miss it.
00:49:28One minute.
00:49:29Arshu, you said that.
00:49:30So sorry.
00:49:31Siddhu, please believe me.
00:49:33In this show, the main person is here.
00:49:36There is no tension.
00:49:37You don't have to be able to do anything.
00:49:39You don't have to be able to do anything.
00:49:40I don't know.
00:49:41Why do not?
00:49:42Today, we will be able to do you today.
00:49:44Today, we will be able to do you all in front of everyone.
00:49:46Yes.
00:49:47Yes.
00:49:48Main person, you are.
00:49:49Oh.
00:49:50Come on.
00:49:51There will be a man.
00:49:52You will be able to do it.
00:49:53If there will be, then you will be able to do it.
00:49:55Come on.
00:49:56The main person of the show.
00:49:58I want you to be able to do it.
00:50:00You will be able to do it.
00:50:02Come on.
00:50:05That's hard.
00:50:07You are too good.
00:50:10Yes.
00:50:11You are too good.
00:50:12Yes.
00:50:13Oh
00:50:31Hello man, yeah, okay?
00:50:33Okay, we do será or tisra bandakone
00:50:38First priority my first priority that my
00:50:43Second, third, we will decide now.
00:50:46Hey, wait!
00:50:47Second, third, I am both.
00:50:50I am, I am, I am, first, second, third.
00:50:53First, I am, second, third.
00:50:56These are from our side.
00:50:58And these are all your certificates.
00:51:01Okay?
00:51:02I will stop.
00:51:04Happy?
00:51:05See, I am a man, so I will start the episode.
00:51:09Let's take it now.
00:51:10The episode is not finished.
00:51:11It's finished.
00:51:12It's finished.
00:51:13It's finished.
00:51:14It's finished.
00:51:15We will do it next week, son.
00:51:16Yes.
00:51:17Let's go, let's go, let's go.
00:51:18Let's go.
00:51:25Okay, as much as we have here,
00:51:27as I started talking about,
00:51:29we have seen our stars,
00:51:30we have used our hair style.
00:51:32You have also used our stars in your attention.
00:51:36So can you share a story?
00:51:37Or do you want to talk to Anna or Sanju?
00:51:40Yes.
00:51:41Hello, everyone.
00:51:42Hello.
00:51:43My name is Anjali.
00:51:44I am Anjali.
00:51:45I am Anjali.
00:51:46Hi, Anjali.
00:51:47And...
00:51:48Hi, Anjali!
00:51:49Yay!
00:51:50Hi, Anjali.
00:51:51Hi!
00:51:52Hi, Anjali!
00:51:53I am happy that my name is Anjali and when your picture is released,
00:51:57I am so passionate about Anjali.
00:52:01I want you to speak that dialogue for me today, please, please, please, please, please, please.
00:52:07Please.
00:52:08Anjali.
00:52:09Anjali, I will forget you, this will not happen, and you will forget me, that I will not happen.
00:52:16Oh, thank you, thank you.
00:52:19This will give me my husband to my mic if he will speak this dialogue.
00:52:23Anjali, tell me, who has already been?
00:52:24It's Inder Aurora's.
00:52:26Inder Ji, you'll speak this dialogue to Madam.
00:52:29You'll have to know if I have to speak a dialogue.
00:52:32You should always speak yourself.
00:52:35I will speak Anjali.
00:52:36Anjali.
00:52:37I will forget you.
00:52:39Yes, yes, yes.
00:52:40Anjali.
00:52:42He says, love it.
00:52:43I will forget you.
00:52:45This cannot happen.
00:52:47And you will forget me.
00:52:49And you forget me.
00:52:50I want this.
00:52:54So that I can leave.
00:53:04Another friend of mine.
00:53:06Hello, Kapit sir.
00:53:07Hello.
00:53:08I'm from Naveen Gupta, from Kolkata.
00:53:10I watch a lot of movies.
00:53:12And in real life, there was a incident.
00:53:15I'm with my girlfriend and wife.
00:53:18What do you mean?
00:53:24How is it possible?
00:53:47Oh.
00:53:50But sir, you guessed one thing.
00:53:52Who is my girlfriend and who is my wife?
00:53:54This is girlfriend and this is wife.
00:53:56And how can you say that?
00:53:58Because I spend a lot of time with Adat.
00:54:00I don't know.
00:54:02You guessed.
00:54:03Who is my girlfriend and who is my wife?
00:54:05Yes.
00:54:05You guessed.
00:54:06Hello, ma'am.
00:54:07How did you do this?
00:54:09How did you do this?
00:54:11We taught it too.
00:54:13I don't know if you have a girlfriend or a wife,
00:54:17but how do you have your life?
00:54:19Guess.
00:54:21Hello, ma'am.
00:54:23Guess which girlfriend or a wife?
00:54:25I think the wife is right.
00:54:27You're the wife?
00:54:29No.
00:54:31You're the girlfriend?
00:54:33Yes.
00:54:35How does this work?
00:54:37How does this work?
00:54:39How does this work?
00:54:41She's also my friend.
00:54:43Before I was a girlfriend,
00:54:45but now I've become my wife,
00:54:47so now I'm going to go to her.
00:54:49So no problem.
00:54:50We are speechless.
00:54:55We don't know what to say to this.
00:54:58It says, I trust him.
00:55:00But if this is true, it's fantastic.
00:55:07Fantastic.
00:55:08It's fantastic.
00:55:09It's fantastic.
00:55:11It's a great person.
00:55:12It's a great person.
00:55:13It's a great person.
00:55:14It's a great person.
00:55:15But it's a great person.
00:55:19And give us a mic to our friends.
00:55:21Please.
00:55:22Kapil ji, I'm Dr. Anupam Sashteva.
00:55:26I'm from Delhi.
00:55:27Welcome, sir.
00:55:28Thank you very much.
00:55:30Sir, I'm talking about heroes.
00:55:32We have three types of heroes.
00:55:35One is sitting in front of us.
00:55:37There are some heroes in our past,
00:55:40who have won their lives in their lives.
00:55:45There are cancer warriors.
00:55:48There are children here whom I have brought from Delhi.
00:55:53And I'm, I mean, I have been, I have been working in pediatric oncology.
00:56:04Okay.
00:56:05They have conquered cancer.
00:56:07And they have won over it.
00:56:09And we don't call them as cancer survivors.
00:56:12No.
00:56:13We call them as cancer warriors.
00:56:16Now, there's a third category.
00:56:19There is a third category of people who are heroes for them also.
00:56:28And that includes you.
00:56:30Right.
00:56:31Who has helped them overcome all the adversity.
00:56:35And all those who have suffered from their grief and grief.
00:56:38That is brilliant.
00:56:49I want to add, I'm Dr. Sangeeta Sadeva.
00:56:52He is my husband.
00:56:53And he also is a cancer patient.
00:56:55And he is fighting cancer.
00:56:57We are all fighters.
00:56:58And you all are also fighters.
00:57:00Wow.
00:57:01And we also get a lot of inspiration from Sanjay Baba.
00:57:06I hope you could give a Jaadu ki Jhappi to these kids if possible.
00:57:12By the way, I'm a cancer warrior myself.
00:57:15I know it.
00:57:16I know it.
00:57:17Yes.
00:57:18Come, come.
00:57:21Come, come, bachyo.
00:57:22Come, come, come, come.
00:57:25Come, bachyo.
00:57:26Come, bachyo.
00:57:27Come, bachyo.
00:57:28Areva how sweet. Thank you. Hello. Thank you. Thank you. Thank you. Thank you. Thank you.
00:57:48Kapil sir, one of our patients has made a beautiful painting for you and this is the golden ribbon
00:57:56which tells everyone that childhood cancer is curable. We can win this fight.
00:58:03And if we all do this, we can win this fight.
00:58:12Wow.
00:58:18Beautiful it is.
00:58:21Yes, Sri Ram.
00:58:23You're a little baby.
00:58:26What's your name?
00:58:28Alavia.
00:58:29Alavia.
00:58:30Alavia?
00:58:31How old are you?
00:58:33Four years.
00:58:34Four years?
00:58:35Four years.
00:58:36You look like two. God bless you.
00:58:38Thank you. Thank you. Thank you. Thank you. Thank you.
00:58:40Thank you. Thank you. Shukriya.
00:58:41MALE zapeer?
00:58:43TED
00:58:48impact
00:58:53Thank you, thank you.
00:58:55Love you, Ernuman.
00:58:56Thank you, Assaka.
00:58:57Thank you, Shukraji.
00:58:58điềuいてous.
00:59:00Take care.
00:59:02Please welcome Mr. Jagpati Babu, Mr. Teja Sajja, Shriya Saran and Ritika Nayak.
00:59:22Jagpati Babu sir, you will have seen a lot of films in many films and they will fit in every role in each role.
00:59:27He's like South Indian dish Rassam.
00:59:29I'd prefer to be Sambhar because Sambhar has everything in it already.
00:59:32Paisa of asool, no?
00:59:33Sambhar.
00:59:33Super.
00:59:34Teja ke baare mein mein aapko eek baad haa hoa.
00:59:37Teja ke baare mein mein aapko eek baad haa hoa.
00:59:37Chod dijiye, chod dijiye.
00:59:38Chodna nahi hai aaj.
00:59:40Aaj mi chodna hai.
00:59:42Ritika Dilli ki pali badi hai.
00:59:44South mein badi film ke saath he nahi debu kiya.
00:59:46Ashoka Vanamalo Arjuna Kalyanam.
00:59:48Aapko eek second ki liha ka magha aapko eek saath 4 film mei offer orei.
00:59:52Plark, Pataki.
00:59:54Sambhar.
00:59:55Mee like karthau aapko.
00:59:57Kya?
00:59:57Aap mujhe apni sharan mei le sakti?
00:59:59Jitni moti heel paani hai na hunne.
01:00:01Tere takle mein chhed karke nari alpani pihen ghi.
01:00:04Sambhar.
01:00:05I can say nonsense also, nobody knows.
01:00:26I want to make people feel in the theatre that they need to be scared.
01:00:29I saw a lot of sound created. Can I have the sound please?
01:00:35I don't want to hear the sound.
01:00:45Sir, I'll also tell one thing. You please repeat it.
01:00:47Ya. Ya.
01:00:49No
01:01:19No
01:01:49No
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