- 8 hours ago
After the Divorce, the Heiress Takes It All Full Movie
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Short filmTranscript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rise of Stars
00:16Media Awards. We did it. Three years ago, I was the most sought after screenwriter. Three years later, I fell in love with Drake, keeping my identity a secret for the sake of his pride. I thought we were happy until...
00:46Where the hell have you been? I told you that Stephanie was coming to help set up for my brother's birthday, and instead of helping us, he just disappeared. What, did you bail so you could go and laze around or something?
00:57You know, people say that the only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid. Otherwise, why would someone like you be allowed to marry my brother?
01:08What? A maid? I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:20But the risk is way too high.
01:22Dad. Please.
01:26Okay. And I'm sure you don't want him to know the real reason why I'm a person.
01:36Think about it, Dorothy. So if you got married, has he ever even touched you? How often does he actually come home?
01:43He doesn't even want to look at you. Let alone sleep with you.
01:47That's enough, Ellie. We're all here to celebrate Drake's birthday. I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake instead of being my late brother's widow.
01:59Ellie! Whatever happened between me and Drake is all in the past. Besides, I'm carrying Nick's baby.
02:06It's the perfect time.
02:12Oh, my God. Oh, my God. Oh, my God.
02:16Dorothy just pushed Stephanie into the pool.
02:18What?
02:19Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh
02:49My baby! My baby is gone! Why would you do this to me?
02:57How dare you! You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it!
03:06I know you don't want me here. I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:16I didn't do it. You know me, I would never do that to Stephanie.
03:20Just apologize to Stephanie.
03:23I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now or I will divorce you.
03:35Divorce.
03:37If you apologize right now, then I'm willing to give you another chance.
03:41It's been three years, Drake.
03:48I gave up everything to be your wife.
03:51I've always kept to the shadows, Dorothy.
03:54I already have a life.
03:55And right now I just want to focus on being my marriage of Drake.
04:02I thought you would always be by my side, but I was wrong.
04:06The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:11Since you got married, has he ever even touched you?
04:13He doesn't even want to look at you.
04:18Fine.
04:20Let's get a divorce.
04:29There's nothing left in my heart.
04:31Drake's nothing without me.
04:33My ring!
04:37My ring is gone!
04:40Well, you must have taken it.
04:41Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:45You're probably seeing someone else.
04:47Dorothy.
04:50We were married for three years.
04:52Were you seeing someone else?
04:53Of course she was.
04:54Probably been cheating on you for a really long time.
04:57Couldn't wait for the divorce.
04:59So what if I was, huh?
05:00And what about you?
05:03Still hung up on your so-called sister-in-law?
05:05What gives you the right to talk about me?
05:08I only look after Stephanie because she's my brother's widow.
05:12But you actually seeing someone else?
05:14Who is he?
05:15Big talk!
05:16Don't bring me down to your level.
05:18I'm not like you.
05:21Since your sister-in-law lost her ring.
05:26Why don't you take...
05:30This one.
05:36You've been waiting for this for a long time, haven't you?
05:43Bye.
05:44And so I left.
05:54This is ridiculous!
05:57We, the Bennett family, are one of the four major production companies in the world.
06:01I let him marry my daughter and even invest it in his business.
06:05How dare that Drake do this to my daughter!
06:07Look, it's actually good for my dad.
06:13Now we know who he really is and he has no idea who I am.
06:17Still, you're my daughter.
06:19I can't let him do this to you.
06:21If it weren't for you, I would not have considered investing in his company.
06:25We're going to pull our investment immediately.
06:27Yes.
06:27It's time to cut him off.
06:29He doesn't deserve you.
06:31I'm over Drake.
06:32If we withdraw the plans now, it's going to hurt the family business.
06:38He's not worth it.
06:40Honey.
06:42Why don't you just take a vacation?
06:45Oh, just put all this aside and take some time out for yourself.
06:49Yeah.
06:52No.
06:53I've wasted too much time with Drake over the three years.
07:01You know, now I want to focus on something that actually matters.
07:05You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:11Universal, Paramount, every major studio wants this.
07:18Liar's Game.
07:19Your story on the big screen.
07:21If you're in, I'd be happy to be the one headlining it.
07:24Oh.
07:25So that's why they're making it.
07:27Because of you.
07:28I'm sorry, Christopher Santoro.
07:30See?
07:31They're not funding the film.
07:33They're funding you.
07:35Wrong.
07:36They're funding the story.
07:38It's more than good.
07:40It's phenomenal.
07:42Christopher is right.
07:44I'm taking my life back.
07:50I'm going to adapt it myself.
07:51You are?
07:54Yes.
07:55I will.
07:57Good for you.
07:59I won't tell anyone I'm asking you.
08:10Congratulations to Aria Wong for winning the best director.
08:14This is my close friend from college.
08:21Aria, I need your help.
08:23I want to adapt the Liar's Game myself.
08:25And I want you to direct it.
08:28Of course.
08:30All right.
08:31Okay.
08:32There's just one thing.
08:33I want to keep my identity as the writer a secret.
08:38I don't want anyone to know.
08:40Especially not the team.
08:41SQ.
08:42Are you sure?
08:44But why keep it a secret?
08:45I just want people to focus on the story itself.
08:49Got it.
08:50Your secret's safe with me.
08:51Hey.
08:53Oh my God.
08:54Jeff.
08:55It's a bit weird.
08:59Ever since news got out about our movie, my phone has not stopped ringing.
09:05Really?
09:12It's Stephanie.
09:13Yeah, just take it.
09:21Hello?
09:22Hello, Miss Wong.
09:24I've heard Liar's Game is being made into a movie.
09:26I'm interested in playing the lead.
09:28Can we arrange an audition?
09:32I'll speak to the writer and I'll let you know.
09:35Thank you, Miss Wong.
09:38What do you think?
09:41Anyone can audition, right?
09:43Asuka's there.
09:44Right for the role.
09:46What happened between me and Stephanie is not important here, so...
09:49Okay.
09:52I'll call her back and let her know.
09:54Mm-hmm.
10:04What about me?
10:08Can I be your hero?
10:13Oh, you mean, uh, a film, right?
10:18I've never considered anyone else.
10:23I have to take this.
10:25Hi.
10:26You know, I'm not just talking about the film, Dorothy.
10:35It's okay.
10:37I can wait.
10:40I've waited this long.
10:41Well, well, well, well, look who it is.
10:51Why are you here?
10:52Oh, I see.
10:53Oh, I see.
10:54You're the production assistant.
10:57Well, do your job.
10:59Get me your water.
11:02Stephanie.
11:04Get your own water.
11:06I'm not your PA.
11:08Look.
11:08It's my first day on set, and I want to buy coffee for the crew.
11:12Why don't you be a doll and mark down everyone's order?
11:16Are you deaf?
11:17I'm not a PA.
11:20Here's your tip.
11:22Go on.
11:24Show some respect, Stephanie.
11:26Do you know who she is?
11:27What are you doing?
11:31Oh, no.
11:33She can't know.
11:33I'm asking you.
11:37I want to keep my identity as the writer secret.
11:40I don't want anyone to know, especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:57Isn't that right?
11:59Well, actually, she's...
12:03She's just a PA.
12:06You're right.
12:08So why don't you show me a lower PA, your acting skills?
12:13Maybe I'll be impressed even by who the coffee's myself.
12:16Watch this.
12:22I loved you once.
12:25Or so I thought.
12:27But now I see that it was all just a lie.
12:31A beautiful...
12:32Painful lie.
12:40You took everything from me.
12:43My dreams.
12:46My future.
12:50See?
12:51There's no soul.
12:53That's not acting.
12:54It's just reciting lines.
12:58Why don't you show her how it's done?
12:59What?
13:01Go on.
13:05Go on.
13:06I loved you once.
13:30So I thought.
13:31But now I can see.
13:35It was all a lie.
13:36A beautiful, painful lie.
13:42You took everything from me.
13:45My heart.
13:46My heart.
13:49My dreams.
13:52My future.
13:55And for what?
13:57For your own personal gains.
13:59How is that possible?
14:12Dorothy.
14:13That was perfect.
14:15The role is yours if you want it.
14:18No!
14:20This role is mine!
14:23I'm the one with the investment.
14:24Without me, there's no funding for this movie.
14:26Your investment?
14:27Do you even know who she is?
14:30Who is she?
14:36Who is she?
14:37As you know, no one but a PA.
14:41Dorothy.
14:42This movie is important to Stephanie.
14:44I mean, why are you here?
14:45You're not a real actress.
14:46What are you doing?
14:47You're trying to ruin her career.
14:48You're trying to get back at me by ruining her career.
14:50I'm not ruining anything.
14:52If she can't handle the role,
14:54that's on her, not me.
14:56You can't blame this on anyone else.
14:58You embarrassed her in front of everyone.
15:01I mean, I know what you're doing.
15:02You're the one pulling all the strings here.
15:04You're trying to make her fail so you can take her place.
15:07She's using this whole thing to get to you, Drake.
15:09She's been jealous from the start.
15:10Trying to ruin my chances to get back to you.
15:13Okay, no.
15:14I don't want to fight anymore.
15:15Well, I just take a look at the script
15:17so maybe we can work something out.
15:20And you are just so damn selfish!
15:23You already care about yourself!
15:25Just give Stephanie her role back!
15:27You know what?
15:30I didn't want to do this.
15:32But I will.
15:33I'll take the role.
15:35I'll play the lead.
15:40I'll play the lead.
15:41No way!
15:41You can't be serious!
15:43She's not even a real actress!
15:44Dorothy's performance was far stronger than yours.
15:50Everyone in the room can see it.
15:54I'm so glad you've agreed to do the role.
15:58Right, it's settled then.
16:00The lead roles go to Christopher and Dorothy.
16:04I will double my investment
16:06if you give Stephanie a role.
16:10I never thought I'd see the day
16:15my ex-husband would go this far
16:17for his sister-in-law.
16:19I can always count on you, right?
16:25I will double my investment
16:27if you give a role to Stephanie.
16:29You two are just such...
16:30Shh!
16:34Okay, look.
16:34If the money's on the table,
16:37there's no reason to turn it down.
16:39Let's just give her a part.
16:41We have nothing to lose.
16:43I guess that'll be fine.
16:46I'll talk to SQ.
16:52Your father's production company
16:54is already the biggest investor in your movie.
16:56So why take Drake's money?
16:57You don't...
16:59You still have feelings for Drake.
17:00You do.
17:01No!
17:03He's an asshole!
17:03I've got an idea.
17:09Why don't we just give her a character
17:11that'll make her miserable?
17:16Wow, Mr. Sontaro.
17:17I feel bad now.
17:24I only wish she didn't have feelings for Drake anymore.
17:29How did she land herself the role?
17:32She's practically a nobody.
17:33No fan base,
17:34no real experience.
17:36Just one good scene.
17:38Doesn't make sense.
17:41Find out everything you can about Dorothy.
17:44I want all the dirt.
17:52Director,
17:53there must be a mistake.
17:54I'm only a side character
17:55and not even in the main scene.
17:58You wanted a role.
17:59We gave you a role.
18:01I came in with an investment.
18:04Well, you're more than welcome
18:06to take it back and leave the set.
18:10Even a small role in SQ's film
18:11is going to do great things for your career.
18:13Now is not the time for you to be messing around.
18:17Fine.
18:17Two, take one.
18:26Action.
18:27Lily, you are my best friend.
18:28How could you do this to me?
18:30I'm sorry, but this is...
18:31What the hell are you doing?
18:36It's part of the scene!
18:41Okay, take it again from the slap.
18:44Action.
18:49Cut!
18:50Stephanie,
18:51why aren't you saying your lines?
18:53You have to keep going in the scene.
18:54I think you've had enough for today.
18:57We'll just try again tomorrow.
19:07Did you see her face?
19:09Absolute gold.
19:11I mean, she got what she wanted.
19:13She asks for a role
19:14and that's what we gave her, so...
19:16Seriously, her performance
19:17is all over the place.
19:19Maybe we should just
19:20cut down on her screen time.
19:23We all know the film's better
19:25without her slowing us down.
19:26You're right.
19:29I'm not gonna let anyone
19:30ruin your story.
19:36So if you can just give me
19:37something that's a bit more...
19:40something about her job.
19:48What's going on with my scenes?
19:50Why have so many of them been cut?
19:52It's a collective decision.
19:54Fuck that.
19:56Let me talk to the writer.
19:58The writer is SQ
20:00and as you know,
20:00they never show their face
20:01so their decision is final.
20:06I'll see you on set in five.
20:07Now it all makes sense.
20:22Yeah.
20:22Now it all makes sense.
20:29That's the head of the production company.
20:32No wonder she got the role.
20:33Let's see how John's wife
20:36feels about that.
20:46Everyone, I have an announcement to make.
20:49Today will be Stephanie's
20:50last day on set.
20:52You really think I don't see
20:58through your little gaze?
21:00Somebody will be walking out
21:01that door today
21:02but it won't be me.
21:05You really think you can get away with this?
21:08Sleeping your way up?
21:12John's wife is on her way.
21:14Let's see how you
21:14talk your way out of this one.
21:16Slut.
21:21That's enough!
21:26So were you the one
21:27who was stalking
21:28and secretly taking photos?
21:29What?
21:30Scared the truth is going to come out?
21:32Someone had to expose her
21:34for who she really is.
21:36So you admitted.
21:37You did it.
21:38Damn right I did.
21:40And I'd do it again
21:41if I had to.
21:41You don't know
21:44who you just crossed.
21:46Oh I know.
21:47Just some rich old bastard
21:49throwing a tantrum.
21:50I sent those photos
21:51to your wife too
21:52and now your mistress
21:53is about to be exposed.
21:56Yeah.
21:57Security.
21:59Stephanie is banned
22:00from the studio.
22:01Make sure she never
22:02sets foot here again.
22:03You can't just do that.
22:05Oh this is insane.
22:06What are I of rights?
22:08I'm only telling you the truth.
22:09She is a mistress.
22:10A loose woman.
22:11A lady of the night.
22:20Is it true
22:21that Dorothy is
22:21John's sugar baby?
22:23Otherwise
22:23why would he come on
22:24to the set
22:24and get me banned
22:25from the movie?
22:27That's unbelievable.
22:28And he humiliated me.
22:30He had me dragged
22:31off the set
22:31like a criminal.
22:32You should have seen it.
22:34I'm not going to let her
22:35just ruin her
22:36reputation like this.
22:38I mean this whole mess
22:39is making us look
22:39like fools.
22:40Dorothy's always
22:43been trouble.
22:45I mean first she goes off
22:45with a married man
22:46and now this.
22:48I don't know how
22:49you put up with her
22:50for three years.
22:51You should have
22:52got a divorce earlier.
22:55Stephanie,
22:56are you 100% sure
22:57that Dorothy
22:58is John's sugar baby?
22:59It's the only explanation.
23:01She's clearly
23:02nothing but a slut.
23:03Oh!
23:05Drake,
23:06Stephanie
23:07is your sister-in-law.
23:10Now you need to
23:10take care of her
23:11and forget about Dorothy.
23:13Can't you see
23:14she's the one
23:14behind all of this?
23:16She was sleeping
23:17her way to the top
23:18killing
23:19Stephanie's
23:20unborn child
23:21and John dragging
23:23her off the set.
23:24You should be
23:25sticking up for
23:26Stephanie.
23:30I'm not going to
23:31let her do this to you.
23:32Do you think
23:47you can just
23:47walk away from
23:48what you did
23:48like nothing happened?
23:49I didn't walk away
23:50from anything.
23:51You did.
23:52You chose
23:53Stephanie over me.
23:54Remember this one?
23:55She's my sister-in-law.
23:56I'm so sick
23:57of hearing this.
23:59You have feelings
24:01for her
24:01and I'm just
24:02tired of it.
24:03You are out of
24:03your mind
24:04if you think
24:04I'm going to
24:04let you get
24:04away with this.
24:06You do
24:07what you want
24:07to do.
24:08For now,
24:09get out!
24:11Why?
24:17We were married
24:18for three years
24:19and we never
24:20put it.
24:20You fucking
24:21let go of me!
24:31No wonder
24:32you want me
24:33to go!
24:35Just look at
24:36yourself.
24:37You're not
24:38half the man
24:39Christopher is.
24:41Get out
24:41or I will
24:43call the cops.
24:45Just go!
24:46Are you okay?
24:55Are you okay?
25:01Dorothy?
25:02Yeah?
25:03Remember,
25:03safety first.
25:05The lifeguard's
25:05right there
25:06if you need him.
25:07Okay.
25:10Anything you need
25:11to let the AD know.
25:12Okay.
25:13Got it.
25:13Got it.
25:14Here's a coffee
25:23for you.
25:24It's still early
25:25before the shoot.
25:26Take your time.
25:44in front of you.
25:56I'll play
25:56for you.
25:57I'll play
25:57for you.
25:58Something's wrong.
26:21That's not acting.
26:26She's in trouble.
26:28Where's the left guard?
26:35Where's the left guard?
26:47Where the fuck is the left guard?
26:54Where the fuck is the left guard?
27:01Where's the left guard?
27:02Where's the left guard?
27:08Why's the right guard?
27:11Go on, Dorothy!
27:15Why did you do that?
27:38I don't know anything for you, Dorothy.
27:43Christopher risked everything.
27:45Without hesitation, how could I have been so blind?
28:12I wasn't expecting that.
28:13I don't know.
28:21Where were you?
28:22I'm sorry.
28:22Dorothy could have drowned.
28:23I'm sorry.
28:23I had a stomachache.
28:25I had to go to the bar.
28:26Make sure it doesn't happen again.
28:32Do you think that I should call Dorothy just to make sure she's okay?
28:35Are you still hung up on her?
28:39No.
28:41It's not like that.
28:42I'm just trying to be helpful.
28:43Don't you remember, Drake?
28:45She's the one who had me kicked out of the movie.
28:49She's the one who killed my baby.
28:51Not just my baby, but Nick's baby.
28:53I know I'm just her sister-in-law.
28:56Whatever happened between us is in the past.
28:58But I have no one now.
29:01No husband.
29:03No baby.
29:04She's the one who left us you.
29:09Don't you see through Dorothy yet?
29:11She's nothing but a slut.
29:13Sleeping her way to the top.
29:14You don't know that.
29:16You know I'm right.
29:18Why else would John come onto the set and stand up for her?
29:21Not just John, but Christopher too.
29:23She's sleeping around with anyone she can find.
29:26She's a whore.
29:26Shut up!
29:36You want war?
29:39I'll give you war.
29:43Do it.
29:46And make sure Dorothy feels every bit of it.
29:53Breaking news.
29:54Unknown actress seduces Hollywood heartthrob.
29:57Rising star or opportunist.
30:00Actress Dorothy's shocking affair with Christopher.
30:02Christopher's new flame for a heartless gold digger.
30:05Dorothy!
30:06Liar!
30:07Happy!
30:10This is getting out of hand.
30:13Maybe we should just reveal her real identity.
30:16Let everyone know she's not just some random actress.
30:22No.
30:24Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:27There's someone behind us.
30:30And whoever they are, I'll make them hang.
30:38Fuck off.
30:46This just can't be right.
30:47I die in the second scene.
30:53This must be Dorothy and John forcing S.Q. to cut me out.
30:58They won't get away with this.
31:05Trey, can you believe this?
31:07They've completely written me out of the script.
31:09Do you remember when Vic was lying in that hospital bed?
31:13You promised him you'd look after me.
31:15I've already lost my husband and my baby.
31:18I can't lose my career too.
31:19Don't worry.
31:21I'll get you your character back.
31:22There's a tape of a documentary that apparently S.Q. has always wanted.
31:42So, if we win this bid and we gift it to them, we should be able to get you your role back.
31:48Up next, a rare gem.
31:54The original film documentary chronicling the creative journey of none other than herself.
32:00Legendary screenwriter, Margaret Lane.
32:03$50,000.
32:05What's she doing here?
32:08I don't know.
32:10I'm not going to let her win this.
32:12$60,000.
32:13$60,000.
32:13$70,000.
32:21$100,000.
32:25This is my grandmother's documentary.
32:27It's her legacy.
32:29She's the one who inspired me to become a screenwriter.
32:32I can't let her fall into the wrong hands.
32:36$500,000.
32:43I'm trying to get you your role back.
32:52Don't worry.
32:53I've got it covered.
32:55Ladies and gentlemen, we are down to the final bid.
32:59Standing at a whopping $500,000.
33:03$500,000 going once.
33:06$500,000 going twice.
33:09Sold.
33:10To the lady in the blue dress.
33:13I can't believe this.
33:22You have no right to take that film reel with you.
33:28You have no right to take that film reel with you.
33:34What's going on?
33:35Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited
33:47guest.
33:48Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:54This is ridiculous.
33:56I was invited.
33:57Well, in that case, may I see your invitation?
34:01I did have it, I swear.
34:08I'm sorry, Miss Dorothy.
34:09If you do not have the invitation at hand, the documentary reel has to go to the second
34:13highest bidder.
34:14This is the protocol.
34:15Oh, you don't understand.
34:16Do I?
34:17I'm sorry.
34:17I'm sorry.
34:37These are the rules.
34:39The documentary reel will go to the honourable couple.
34:41Stephanie, wait.
35:03Just sell it to me.
35:05Name your price.
35:06I'll pay you anything you want.
35:07It's really important to me, please.
35:09Why are you doing this?
35:12Are you just trying to get my attention by going after something that Stephanie wants?
35:16No, you don't understand.
35:18Just let me buy this.
35:21Whatever it takes.
35:23It's Dorothy.
35:24You think this is about money?
35:26Please.
35:27This isn't something you can just buy.
35:30Dorothy, what the hell are you doing here?
35:33Why do you always have to go against her like that?
35:35This reel is important to Stephanie.
35:36She can use this to help her career.
35:39A career.
35:41Is this about your role being cut from the bone?
35:45Is that why you're doing this?
35:49I'm the writer.
35:50I'm going to fix this.
35:52Can you write the story and bring your character back?
35:55Just let me have the real place.
35:58You're the writer.
36:00Are you telling me that you're SQ?
36:02You, the writer-esque you.
36:08Can you give us a break?
36:09Look, this reel is important to Stephanie.
36:13End it.
36:14Don't make this harder than it has to be.
36:17You've been with Dorothy for so long, and you don't even know her.
36:20Oh, and you do.
36:22A hell of a lot more than you.
36:23What the fuck do you think you are?
36:24Both of you, calm down.
36:25Scratched all over.
36:41It's ruined.
36:42Not even fit to be a gift anymore.
36:43I can fix this.
36:45Stephanie, I know someone who can restore it.
36:47Just sell it to me, please.
36:48Just name your price.
36:52Even if I had no use for it, I'd never give it to you.
36:57I can't.
36:58I can't.
36:58I can't.
36:58I can't.
37:01I can't.
37:05I can't.
37:09I can't.
37:13I want to be a writer like you, Grandma.
37:26I want to make movies like you do.
37:29This reel has more than pictures and sound on it.
37:34Really?
37:35An entire world I've captured.
37:38But it's just one way of seeing things.
37:40The magic is creating it to yourself.
37:45Someday you will.
37:56Dorothy.
37:59I need you to go apologize to Stephanie and give her her rollback.
38:03Apologize?
38:04To her?
38:05She destroyed the reel.
38:06She wouldn't have done that if you hadn't pushed her.
38:10So go apologize or I'm pulling my funding.
38:17Look, Dorothy.
38:18Let's be real here.
38:21Without Stephanie, who's going to invest?
38:25Even the production company will call out if they hear that she's not involved anymore.
38:28Her name carries weight.
38:30Let's not pretend that your reputation is exactly stellar right now.
38:34Christopher's fans hate you.
38:35Stephanie's fans hate you.
38:36Even if you actually make this film, no one's going to support you.
38:41You will be buried.
38:44But if you apologize to Stephanie now, I can help you.
38:50I can control the press.
38:52I can control the narrative.
38:54I can actually give you a chance.
38:55What's so funny?
39:01What's so funny?
39:03Pull your funding.
39:05Do it.
39:07You'll see it does nothing for the movie.
39:09Okay.
39:10So what if I tell the production head to pull his funding too?
39:14Didn't I tell you that I know Mr. Bennett?
39:16Oh.
39:17Go ahead.
39:19Quiet.
39:19You want me to call?
39:21Mm-hmm.
39:22Fine.
39:25Hi, Mr. Bennett.
39:28It's Drake.
39:30Drake Mossbacher.
39:31Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
39:34I've seen it and it's a sinking ship.
39:38You're pulling out?
39:39Great.
39:40I'll take full control of the investment.
39:42Not a problem.
39:49So you sat with him?
39:53That's why he's supporting you, isn't it?
39:55Is this how you see me?
39:59The type of woman who would use her body to get what she wants?
40:02What other explanation do you have?
40:05You know nothing about Dorothy.
40:10Apologize to Stephanie.
40:11Cut ties with Mr. Bennett and end this.
40:13Dorothy, come back to me.
40:15Whatever he's offering you, I'll match it.
40:16I'll double it.
40:18You must be out of your fucking mind.
40:20What makes you think I would ever go back to that living hell?
40:24Living hell?
40:25You heard me.
40:26Being married to you was a fucking nightmare.
40:30You made me believe you loved me.
40:33And then you had me waiting in vain for three years, Drake.
40:37You said you'd always protect me.
40:39But then when I need you the most,
40:42just touch your back on me.
40:44You chose your sister-in-law
40:46over your wife.
40:50I've had enough, Drake.
40:52You were my prison.
40:53So just go back
40:54to your precious Stephanie.
40:56Why are you hurt?
41:12Are you okay?
41:20What are you, Steph?
41:20What are you doing?
41:21Well, you want me, don't you?
41:23Just kiss me.
41:24I'm all yours.
41:24Steph, you're Nick's wife.
41:27I've always thought of you like a sister.
41:29Sister?
41:31Funny.
41:32Don't you remember when you came to me
41:33the night Nick and I got married?
41:35Don't you remember what you said?
41:38Remember this?
41:39Yeah, why not marry Stephanie?
41:42God.
41:43You were practically begging me not to marry Nick.
41:45No, I shouldn't have said that.
41:46I shouldn't have said that.
41:47I don't see it.
41:50What's that?
41:52Oh, it's nothing.
41:53Yeah, what is that?
41:54No, Drake, no.
41:55Please.
41:58You lied about this.
42:02You lied about this.
42:06You said that Dorothy pushed you into the water,
42:08but this shows you shoving her in.
42:11It's a glitch.
42:13A glitch.
42:14So, do you actually expect me to believe that?
42:17What's this?
42:20Find pills at the black market.
42:21Tell me I hit your pregnancy.
42:26It was you.
42:26This time when you blamed Dorothy like some sort of scapegoat,
42:29and she was innocent the whole time.
42:31Please, no, you have to believe me.
42:33I didn't...
42:34Do you know why I've always thought of you like a sister?
42:37I've always taken care of you.
42:38I even thought that I loved you once,
42:39but that was before you were Nick's wife.
42:43You changed.
42:47You changed.
42:48You're not the person I thought you were.
42:54I only looked after you because I thought it was my duty,
42:56as Nick's brother, to look after his widow.
42:57I guess there's no need to look after you anymore, huh?
43:03What does that mean?
43:04You're just going to throw me away?
43:06I'm not going to throw you away,
43:07but this is my house.
43:12I'm going to back.
43:12I hope you'll be gone.
43:14But you can't just walk away from me like that.
43:17I've said everything that I need to say.
43:18Now I'm going to go find the person that I actually care about.
43:21Let's take this bitch down.
43:46Darcy, please.
43:51I was wrong.
43:57I misunderstood everything about you and about us.
44:03Can you please just hear me out?
44:05You think you can just come here and apologise?
44:09After everything?
44:10I didn't mean to hurt you.
44:13Look, I understand what I did,
44:15but it was just because it was definitely an anyone.
44:17Can you please just forgive me?
44:18I don't need your apology, Drake.
44:22You let me down.
44:24You abandoned me.
44:26And I needed you the most.
44:29You used me.
44:30Manipulated me.
44:32And now you beg for my forgiveness?
44:35Oh, God, please, just don't show me out.
44:37I can fix this.
44:38I can fix it.
44:39I can do anything, Dorothy, please.
44:42No.
44:44You were never the person I thought you were.
44:47And I'm not either.
44:49I've moved on.
44:52I don't need you.
44:57Not like I used to.
44:59Just stay back.
45:01After everything.
45:02Yeah, that's it.
45:03I deserve better than this.
45:17We did it.
45:37Before you all celebrate this movie,
45:46there's something you should know.
45:48Dorothy is nothing but a homewrecker.
45:51What's going on?
45:53A glorified mistress who's been playing the part
45:55of a wonderful actress
45:56when all she's really done is ruin lives.
45:59This is true, Dorothy.
46:03Are you involved with a married man?
46:04What's your response to Stephanie's claim?
46:09This is ridiculous.
46:11Let's talk about how she got here, shall we?
46:15She didn't get here off her talent.
46:17Oh, no.
46:18She got here by clinging to powerful men.
46:22No real experience.
46:23No skill.
46:24Just a man's name and a man's money.
46:27Security!
46:28Get her out of here.
46:29Wait.
46:30If she has something to say,
46:32let's hear it.
46:33Dorothy, it's a trap.
46:35I'm not afraid of the truth.
46:38Let's see what she's got.
46:42What's going on?
46:44Go tell us, Dorothy.
46:46How did you get here?
46:48Did you use your relationship
46:49with John Bennett to land the part?
46:59A homework, are you saying?
47:10Is there something wrong with me appearing with my own dad?
47:13You're the one who sent me this photo, right?
47:15How about you take another one?
47:17This time,
47:18of my lovely family of three.
47:20Dorothy, Dorothy, Dorothy.
47:21Hey, are you really John Bennett's daughter?
47:23Yes.
47:24I bet you never ask for a last name.
47:26It's Bennett,
47:27by the way.
47:29So, Dorothy is the producer's daughter.
47:33Dorothy,
47:34so,
47:35did you use your father to get the part?
47:36Uh-huh.
47:38So, it's just nepotism,
47:40then.
47:44Well, even if she didn't fuck her way to the top,
47:46she still only got here through her connections.
47:48Whether you like it or not,
47:49my performance speaks for itself.
47:51And everyone here saw it.
47:53She was actually really good.
47:54Yeah, she handled the models.
47:56Oh, are you saying that everyone here is wrong?
47:59You think you're so clever,
48:00don't you?
48:02Fine.
48:02You can act a little bit,
48:05but let's be real.
48:06You didn't land this role on your own.
48:08You just snapped your bony little fingers
48:10and let Daddy give you a role.
48:11How else would a nobody like you
48:13have landed yourself the lead otherwise?
48:16Dorothy isn't just a nobody.
48:20She wrote Liar's Game.
48:23She is SQ.
48:28Dorothy is SQ.
48:30How can that be possible?
48:32Liar's Game is a masterpiece.
48:34There's no way you could have written it.
48:35You don't have to believe me.
48:37Just let the credit speak for itself.
48:43How can this be true?
48:46Oh, my God.
48:47It's so dramatic.
48:49Oh, my God.
48:50Dorothy Bennett,
48:51you're the daughter of the producer
48:52and the famous writer SQ.
48:54Why did you keep your identity a secret so long?
48:59Why did you keep your identity a secret so long?
49:01Stephanie Marsbecker,
49:02Linda Marsbecker,
49:03and Ellie Marsbecker,
49:04I'm arresting you on suspicion of defamation.
49:06No, no, no.
49:07I didn't do anything wrong.
49:08This was all Stephanie's idea.
49:09I didn't do anything.
49:10This whole time,
49:19she was actually telling the truth.
49:21Dorothy's SQ.
49:24She geniused.
49:26That's why she always had a book in her hand.
49:31Always writing something on her laptop,
49:33always lost in her thoughts.
49:37Didn't even see her.
49:38I guess I was blind all along.
49:43I don't deserve that.
50:03I've missed this place.
50:07Don't you remember?
50:08Of course I do.
50:10We saw so many films here.
50:12We would just
50:13stay in our seats and
50:15talk
50:16about life and everything.
50:20But you just made me feel like I could face
50:21more of anything, really.
50:27God, I used to be so nervous back then.
50:29About everything.
50:31About the future.
50:32The future.
50:32But you just made me feel like I could face more of anything, really.
50:39No.
50:41Someone had to be there to make sure you didn't ever think everything.
50:43I remember you used to unpick every little detail like it was a life or death situation.
50:53You know, Dorothy.
50:57Life's not been the same without you.
50:58Even when we parted ways, I...
51:04I always knew that we would find each other again.
51:10I don't care what we've been through.
51:13I don't care what's happened.
51:14All I know
51:15is that I need you now.
51:21More than ever.
51:22And the award
51:37for Best Adapted Screenplay
51:38goes to...
51:40Dorothy Bennett
51:41with Liar's Game!
51:45Wow.
51:47Best Screenplay.
51:49What?
51:50Shall I start calling you Your Majesty?
51:52I think that's the greatest idea.
51:54Why don't I start now?
51:56You deserve this.
51:58Your Majesty.
52:00Every bit of it.
52:02Now.
52:04Since you won,
52:06I think this calls for a reward.
52:08Oh, yeah?
52:11And what would that be?
52:15Me.
52:22your...
52:22You...
52:23Um...
52:24Um...
52:33Well...
52:33How would that be?
52:35He's got to know.
52:36You see...
52:37We?
52:37He's...
52:38Huh?
52:38Oh, yeah...
52:38You see...
52:39What?
52:40There's Ain't...
52:40We?
52:40We?
52:41You...
52:41...
52:41Uh...
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