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00:00Rob and I are back.
00:06It looks a bit like you're my guide.
00:09Throwing ourselves into the biggest challenges.
00:12Check, check, check.
00:14With the help of the world's best.
00:17You still own the office.
00:20Together we're going on a journey of discovery.
00:22No, no, no.
00:25To find out what we like.
00:27Oh wow, Rob, that's amazing.
00:29And what we don't.
00:30Because your film's like it's all going to come out.
00:33This week, we're going Elizabethan and taking on Shakespeare.
00:37There's a lot to take in.
00:38As we prepare to perform Romeo and Juliet.
00:41A plague of both your houses.
00:43With the help of some of our finest actors.
00:45Before putting it all on the line at the world famous Globe Theatre in London.
00:50Come sir, your passado.
00:59So, Rob.
01:04Yes.
01:05We have been invited to perform Shakespeare at the Globe Theatre.
01:11It's highly prestigious, according to my wife, the drama teacher.
01:13About time and all.
01:14That's what I said.
01:15Yeah.
01:16Does the telegram man be running late, one thinks?
01:21For I have been waiting for this moment upon a time.
01:25It's the kind of thing, isn't it?
01:26The irony of two jesters driving through South London, setting up an episode of a Sky presentation.
01:34And the question the public asks themselves.
01:37Are the two jesters possible to once again scratch the gooch of mirth as they descend into
01:43one other episode of the famous Rob and Romesh versus Shakespeare?
01:49Piece of piss, Shakespeare, isn't it?
01:51Oh my God.
01:52I've only just done about 12 sonnets, eh?
01:57I don't know any Shakespeare.
01:58I've heard of Macbeth, Hamlet, Midsummer's Night's Dream.
02:03Yeah.
02:03Othello.
02:04Let's see Hamlet.
02:06I'm going to read out some.
02:07You tell me if you've heard of them, okay?
02:09Romeo and Juliet.
02:10Yeah.
02:11King Lear.
02:12No.
02:12The Tempest.
02:13No.
02:14Julius Caesar.
02:15That's a bloke, isn't it?
02:16Yeah, but it's based on his life.
02:17No, I haven't seen Gladiator, but that's separate.
02:20That is a different story, yeah.
02:21Taming of the Shrew.
02:23No, what's that?
02:24What's a shrew?
02:25A little mouse thing, isn't it?
02:26Yeah.
02:26As you like it.
02:27What the fuck's that about?
02:28It's like, um, it's sort of like the original...
02:30Springwatch special.
02:31It's the original version of Ratatouille.
02:33Right.
02:36Are you a fan of Shakespeare?
02:38No.
02:39Okay.
02:40Okay, this is what I think of Shakespeare, and I'm going to get a little bit annihilated for this.
02:44Go on.
02:45I think it's overrated.
02:46Yep.
02:46And we're constantly being told it's brilliant, without any real evidence of that.
02:51What is brilliant about it?
02:52Nobody can answer that question.
02:53Yeah, but...
02:54Why do we all have to study Shakespeare?
02:56Like, what is this?
02:58Are you all right?
02:58No, I just think it's a bit...
03:00It's just a bit annoying.
03:01Really?
03:01I've never known you to be so passionate about something.
03:03I just think it just is too much.
03:07My problem with it is, I struggled to learn to read at school, and then once I got an handle
03:12on it, they gave me Shakespeare was all written wrong.
03:14Right.
03:15I just think we need someone that knows what's going on and can explain why it's good.
03:20Yeah.
03:20Because you get good actors that do it, and they're normal people, and they must like it.
03:23Yeah.
03:24Okay.
03:25Deal?
03:25Deal.
03:26So, to start our Shakespearean journey, we were heading to the Globe, the legendary
03:34open-air theatre in the heart of London, dedicated to the works of William Shakespeare.
03:39It's a modern-day recreation of the very place where Shakespeare staged his plays, and offers
03:44a proper old-school Elizabethan experience.
03:48There you go.
03:49Oh, wow.
03:52No, isn't it?
03:53It's amazing, isn't it?
03:54Treading the boards.
03:55Yeah, very good.
03:57The theatre's first artistic director was the Oscar-winning actor, Sir Mark Rylance.
04:02And now, it's in the hands of Olivier Award-winning Michelle Terry, who today would be deciding
04:07which scene Rom and I would be performing.
04:09How much is it delivered out here?
04:11Oh, give it some on the edge.
04:13He loves it, can't he?
04:15How dare you!
04:18What do you think?
04:19That was excellent.
04:20Oh, hello.
04:20It's really good.
04:22You're basically ready.
04:23Michelle, Rom, lovely to meet you.
04:24Nice to meet you.
04:25Hello, Rom.
04:25How's it going?
04:26You all right?
04:26Very good.
04:27How are you?
04:27Yeah.
04:27It's amazing.
04:28I've never been here before.
04:29Welcome.
04:30So, you're going to perform here.
04:32You're going to do a scene from one of the plays.
04:35Yeah.
04:35You're going to be coming on after a full house performance.
04:39So, 1,600 people will have just watched the play, and then you're the encore.
04:44But normally, the encore is they cheer for the people they've just seen to see more of it.
04:48Well, they'll do that.
04:49Yeah.
04:49Oh, they'll do that, and then there'll be an extra.
04:51Yeah.
04:51A bonus.
04:52No, but, so, what you don't do is reward that enthusiasm by bringing on something shit.
04:57So, you're going to go and do some workshops on Shakespeare.
05:01Okay.
05:01One on using your voice in this space without amplification, and one on combat, stage combat,
05:07a bit of fighting.
05:08And you're also going to go get into a bit of costume, Elizabethan costume, because on
05:11the night, that's what you'll be wearing, so you need to get used to it.
05:14Okay.
05:15Okay.
05:15Brilliant.
05:15Thanks, Michelle.
05:16Have fun.
05:16See you later.
05:16Cheers.
05:17Bye-bye.
05:20Today's workshops are all about helping Michelle decide which scene would be right for us.
05:24They were taking place on the Globe's sister stage, the Candle Lit Sam Wanna Make a Playhouse.
05:29Modelled on the intimate indoor theatres of Elizabethan London.
05:34And Rom and I were already looking right at home.
05:42What do you think?
05:45It's a lot to take in.
05:46Um, I feel like I'm in, like, a Shakespearean basic instinct.
05:50You know, things are riding up so high.
05:52Sorry.
05:53What?
05:53Sorry.
05:54It's like...
05:55You don't...
05:56You forget our stuff, right?
05:57At least you can see through them.
05:58Yeah, yeah, that's a little bit of lexicon, mate.
05:59It's like...
06:00Sorry.
06:01Dost wanna give me one.
06:03I don't know how to sit.
06:04Yeah.
06:04Look, if you don't mind me saying, you are now at the most attractive I've ever known you.
06:09Right?
06:10Because I walked up here expecting to find it funny.
06:13And I did find it funny because you were like Shakespeare and Sharon Stone.
06:17But apart from that, you actually look...
06:19You suits it.
06:20Well, the thing is to be wrong.
06:21Yeah.
06:22Even if I do look more attractive, I'll always sit like a bit of a slag.
06:25Mm.
06:26And that's me.
06:27You're your mother's son.
06:29You're...
06:29You're...
06:29You...
06:30Hi, guys.
06:35Oh, hello.
06:36Hiya.
06:36Hello.
06:37Oh, Rob, nice to meet you.
06:38I'm Liz.
06:39I'm a Globe voice coach.
06:40Nice to meet you, too.
06:41So, we're gonna be starting with a vocal workshop.
06:45Oh, right.
06:45To get you on voice for the Big Globe stage.
06:47Okay.
06:48Would you like to make your way?
06:49Yes, certainly.
06:50Yeah.
06:52Just like in Shakespeare's time, any actor performing at the Globe has to rely solely on the power of their voice to reach the audience.
07:00If you take a big breath into these ribs, and then rise up towards the ceiling and breathe out on a...
07:05Oh, fucking hell.
07:08So, Liz was putting us through a series of vocal exercises, designed to help us project properly across the vast theatre space.
07:17So, we're powering from your belly.
07:20If you power from your belly, you can do eight shows a week, which equates to about 24 hours in a week.
07:25Okay.
07:26Give me a moooooooore.
07:29Nice.
07:29Moooooooore.
07:32Okay.
07:33Give me a ha.
07:35Open up your mouth a little bit more for that one.
07:36How about a ho?
07:40Oh, God, James Brown would be turning in his grave.
07:45Gorgeous. Fabulous.
07:47Ramos, do you want to give it a go?
07:48What am I doing?
07:49A ha. Ha.
07:50And a ho.
07:51Ha.
07:51And a he.
07:52Good girl.
07:55Goddamn.
07:56Straight back.
07:57Well done. Good stuff.
07:59Genuine, I'm not just saying this.
08:00I feel like I can speak better than I ever have been able to in my entire life.
08:03So we're going to say the words, no, no, no.
08:08No, no, no.
08:10Beautiful support.
08:11Just doing impression of Lou.
08:14I feel so verbally dexterous.
08:18Honestly, I feel like I can say anything.
08:20No, no, no.
08:22Fantastic vocal production.
08:24Lovely. Nice long neck.
08:25No.
08:25Very good.
08:26No.
08:26I want a day off.
08:27No.
08:28No.
08:29No to another series.
08:31No.
08:32He doesn't need to learn that word.
08:33No more, Judge Romesh.
08:36Get the gout out.
08:38No.
08:39It felt empowering.
08:40No.
08:42I feel like it's something I should say more in everyday life.
08:45Like, Romesh, do you think for the rehearsals and the vocal warm-ups you should be in costume?
08:49No.
08:49No.
08:50No.
08:50No.
08:50We were now loose-lipped and warmed up, and ready to get to grips with the language.
08:57Yay, all which it inherits shall dissolve.
09:00And I was starting to get into it.
09:02Where all spirits and are melted into air, into thin air.
09:08It's quite yappy there, isn't it?
09:09It's quite shouty.
09:10Yeah.
09:11But it was a nice volume.
09:12I enjoyed the volume.
09:13Personally, I thought I nailed it.
09:14Yeah.
09:15We always do.
09:15But then, Michelle had arranged for us to crank things up a gear with some Elizabethan action.
09:29Oh, I don't like it.
09:30I don't like it.
09:31Oh, my God.
09:33Really don't want to do that sword fighting.
09:35Do you know what I mean?
09:35We could take an eye out, and we ain't got a lot to play with.
09:37There's three between us.
09:39Hello, both.
09:41Amazing.
09:41This is Sam.
09:42We're going to do some combat stuff today.
09:44Mainly, we're going to be focusing on rapier, because as you are beautifully dressed, it was the main weapon in Shakespearean times.
09:52So, this was actually happening when Shakespeare was alive?
09:54Yeah.
09:54He's fucking well old.
09:56When was this?
09:57This is mental.
09:591600s.
09:591600s?
10:00When was that?
10:01Long time ago.
10:02When was that?
10:02You're asking when a time period was.
10:04I get it.
10:05It was a 1600s.
10:06I can't get me edge.
10:08Should we let you two fight?
10:08Trains.
10:10Was there trains?
10:11Trains?
10:11Yeah.
10:12How old are they?
10:12I've just got to book a train to my rapier fight.
10:18Bend your legs.
10:19Front foot first.
10:20Before we were allowed to duel it out, Rom and I had to master the footwork.
10:25De-dum, de-dum, de-dum.
10:27Beautiful.
10:27Yeah.
10:28And it didn't take long to see which one of us had the killer instinct.
10:31I'm back.
10:32Why are you going so quickly and far?
10:35Oh, do we have to fight slowly?
10:37De-dum, de-dum.
10:38De-dum.
10:39Oh, I'd kill you immediately.
10:40Beautiful.
10:41And then backwards.
10:42De-dum, de-dum, de-dum.
10:44Yeah, lovely.
10:44It's like a ferry, that.
10:46What do you mean?
10:47Beautiful and light.
10:47Slow.
10:48Rom is just quite a slow mover with the sword work.
10:51I think if it was a vehicle, there'd be a beep as he returns from the duel.
10:55Beep.
10:56Beep.
10:57Beep.
10:57Beep.
10:58Beep.
10:59And not being fast on my feet was going to be a problem with my sparring partner.
11:04And, Rob, you go for the chest first.
11:06Oh, Jesus.
11:07And we're going to block.
11:08That's it.
11:08And then go down for the hips.
11:10And then...
11:10Okay, whoa.
11:11Wait for the fucking cue.
11:13Yeah, thanks.
11:14Why are you further on the thermos?
11:17Jesus.
11:18I thought I was actually in a row then.
11:21Maisie was saying, can you follow me step by step?
11:24We'd finish the fight before she got into the second step.
11:26Because Rob just decided it's go time.
11:29Going backwards.
11:30Literally the same thing.
11:30I don't retreat, mate.
11:32I'm a forward fighter.
11:33You're going to retreat.
11:34I'll cut the ring off, get him in the cold.
11:35I'll fucking...
11:35Luckily, I had the wherewithal to actually properly defend myself.
11:40Otherwise, you'd be fucking...
11:41I'd be talking to you with a rapier out my chest.
11:45By some miracle, I'd made it through training without a scratch.
11:49And now it was finally time to find out what we'd be performing.
11:52Michelle had spoken to our coaches,
11:54and together, they've picked a scene for us.
11:57We had a really good chat about the scene that you're going to do.
11:59Okay.
12:00What we've got is a scene from the most famous play in the canon,
12:04Romeo and Juliet.
12:04Mm.
12:05So you're going to do a friendship scene.
12:07Oh.
12:09Not the one at the end where we kiss him when he's dead.
12:12No, not that one.
12:12Well, you could if you wanted to put it in.
12:15But...
12:15Don't he kiss...
12:16He kisses her when she's dead.
12:18Yeah, but who describes that as a friendship scene?
12:21Why would that be called a friendship scene?
12:24I don't know.
12:25I'll give you a little kiss.
12:26If you were dead, I'd give you a little kiss.
12:27Fine, but you wouldn't describe it as a friendship scene.
12:28If you were dead now, I'd give you a little kiss in your forehead,
12:30and then ring my agent, and then the ambulance.
12:38Anyway.
12:38You're going to do the other friendship scene without the kissing.
12:41Right.
12:42There's quite a lot of fights in it.
12:43A fight?
12:43Oh, okay.
12:44We're fighting in it.
12:44Yeah.
12:46The scene Michelle had chosen was a pivotal fight of the play,
12:50in which Romeo's best friend, Mercutio, was killed.
12:53It was classic Shakespearean tragedy,
12:56and somehow Michelle expected us
12:58to pull off one of the most dramatic scenes in history,
13:00with me playing Mercutio and Rob as Romeo.
13:04I was hurt under your arm.
13:05I thought all for the best.
13:07And the toughest part was,
13:09we only had a week before we had to perform it.
13:12So basically, I think, between now and when you do it,
13:15like, if you can just learn the lines
13:16and say the lines in the right order, that's successful.
13:19Okay, great.
13:20Thanks so much.
13:20We'll try our best.
13:21Yeah, thank you.
13:22We'll see you.
13:22We might come back and do it.
13:24Bye-bye.
13:25Bye-bye.
13:26All the best.
13:27They made worms meat of me.
13:29We're fucked.
13:29Yeah.
13:34In just a week's time,
13:38Rob and I will be taking on one of the most dramatic scenes
13:40in all of history,
13:41when we perform Shakespeare in the iconic Globe Theatre.
13:45Help me in some house, Benvolio.
13:47I shall faint.
13:48I've played on both your houses.
13:49They've made worms meat of me.
13:51And we were completely out of our depth.
13:53And then go down for the hips.
13:55And then...
13:55Okay, whoa, wait for the fucking cue.
13:58So to help us get ready,
14:01our mentor, Michelle Terry,
14:02had invited us back to watch Romeo and Juliet
14:04performed by the pros.
14:07But first,
14:08I wanted to see if Rob had any experience
14:10treading the boards.
14:12I dressed up as Emma Bunton once
14:14for a school play
14:14when we were doing the Spice Girls.
14:16Well, that was a play?
14:18I don't know.
14:19It was like an assembly.
14:20Not really a play.
14:20We were on stage, weren't you?
14:21Yeah, but it was more like,
14:22oh, now we've got the Spice Girls performing.
14:24We just dumped her as well.
14:25Okay, well, now we get into the nub of the fact that...
14:27I don't think you know what a play is.
14:29I've not been in a play.
14:30Right.
14:32That's the correct answer to that question.
14:35I don't think I've even seen one.
14:36No, I don't think you have either.
14:38Romeo and Juliet, Leonardo DiCaprio.
14:40That's a film.
14:41Right, but it's Shakespeare.
14:43Yeah.
14:44Pantomime?
14:45That's a play?
14:46I've seen the play.
14:47That's a play, okay.
14:49I mean, it is the...
14:50You know, what I would say is
14:51if you didn't know the person,
14:53they say, have you been to see any plays?
14:54Yeah.
14:54And you go,
14:56oh, you know,
14:56I went to see Dick Whittington
14:58at the hall.
14:59I would say keep that to yourself.
15:05Each year,
15:05the Globe puts on hundreds of performances
15:07of Shakespeare's plays,
15:09and none are more famous
15:10than Romeo and Juliet.
15:12Tonight's performance
15:13was our chance
15:13to get a handle on the play
15:15and see the scene
15:16we'd be performing
15:16in this unique venue.
15:19I've gigged in theatres
15:20all over the world,
15:20as you have.
15:21I've never seen one like this.
15:22No.
15:23It feels like you're...
15:24It feels like you've been
15:25transported back in time.
15:26But what Michelle
15:27had failed to mention
15:28was exactly what time period
15:30we'd be transported back to.
15:31I kind of feel
15:38a little bit ignorant
15:39because I didn't realise
15:39that Romeo and Juliet
15:40was a Western.
15:44It turned out
15:45the Globe
15:45was putting on
15:45a Wild West-themed
15:46interpretation
15:47of Shakespeare's classic.
15:49They're all coming in
15:50through saloon doors
15:51and then they're talking
15:52like a Shakespeare play,
15:54but it's a Western.
15:55It's about
15:56seven different time periods
15:57you're experiencing
15:58in one performance.
16:01I'm half expecting
16:02a DeLorean to come out.
16:04Emmett Brown gets out.
16:05Morning!
16:07And just as we got used
16:09to the setting,
16:10next,
16:11we were hit with a language.
16:13With purple fountains
16:14history from your veins.
16:16It's a purple fountain.
16:18By me.
16:19I don't know
16:21what's going on in there.
16:23It's not having fondue.
16:24Have you ever had fondue?
16:25I don't know
16:26what's going on with that,
16:27but it's fun.
16:28But the fun stopped
16:29the moment our scene started.
16:32And for the very first time,
16:34Rom and I could see
16:35just how much trouble
16:36we were really in.
16:45The more I'm exposed
16:46to what we're doing,
16:47the less I think
16:48it's a good idea.
16:50What the devil
16:51can you between us?
16:52I think people
16:53are going to throw
16:54their shit at us.
16:57Thankfully,
16:57we wouldn't be dressing up
16:59as cowboys
16:59when we performed.
17:01And although it had been useful
17:02watching the pros in action,
17:04there was still a personal hurdle
17:05we needed to get past.
17:07Are you a fan of Shakespeare?
17:09Um, no.
17:10Okay.
17:10We're constantly being told
17:11it's brilliant.
17:12What is brilliant about it?
17:13Nobody can answer that question.
17:14We needed someone
17:17to explain to us
17:18why it was so good.
17:20So the next day
17:20we were off to meet
17:21a Shakespeare expert,
17:23Oscar-nominated film star
17:24Jessie Buckley.
17:27Jessie's acting career
17:28kicked off
17:28by studying the Bard.
17:30And with multiple adaptations
17:31of his work
17:32under her belt,
17:33including appearances
17:34at the Globe,
17:35she was the perfect person
17:37to help us get our heads
17:38around Shakespeare.
17:38We need your help, Jessie.
17:41We're struggling.
17:42How come?
17:43It's just that whole thing
17:44of being forced
17:45to learn it at school.
17:46And then it's lots of people
17:48telling you
17:48it's really good
17:50without, for me,
17:51feeling like there's
17:52any concrete evidence.
17:53Yeah, yeah, yeah.
17:54I felt like that
17:55in school too.
17:56It was kind of just words
17:57that went way past me.
18:00And then when I moved
18:01over to London,
18:02I did a three-week
18:03Shakespeare course.
18:04and I fell in love with it.
18:08I mean,
18:08I still don't fully understand it.
18:11That's good.
18:13I'm being completely honest.
18:15But as you work on it,
18:16you get to know it.
18:17It's like he's condensed
18:19the most epic feelings
18:20of being a human
18:22into, like, his text.
18:25All the lines in it, right,
18:27obviously it's old English,
18:29but even for that time
18:30was Shakespeare
18:31a little bit flamboyant with it.
18:33But even back then
18:34they'd go,
18:35calm down, mate.
18:36Yeah.
18:36He invented so many words.
18:38At the time,
18:39I'm asking...
18:40I bet they didn't know
18:40what was going on either.
18:41That's what I'm asking, yeah.
18:42Definitely.
18:42It's a bit like listening
18:43to an E-40 record, you know?
18:44He just makes up, you know...
18:45Who's E-40?
18:47The rapper.
18:47Because you know about E-45.
18:49Most of his stuff
18:50you can't understand
18:50what you're saying.
18:51Right.
18:51Because he makes up slang,
18:52so I think...
18:52But what does it make you...
18:53Do you feel like
18:54something from it?
18:55Well, you feel like
18:56you need to try
18:57and find out what it means.
19:00There you go.
19:01Oh, wow.
19:02He's cracked the cord.
19:03Cracked it.
19:04I hope that's enlightenment.
19:05That's the widest
19:06that way it's been open
19:06for a while.
19:09Keep it going.
19:10I might stay that way.
19:12Give me some other stuff.
19:13Give me some more epiphanies.
19:16Things seemed like
19:17they were starting
19:18to click for ROM,
19:19but I had my own problem
19:20I needed Jessie's help with.
19:22Well, we've got to do
19:23a performance at the Globe.
19:25Are you?
19:25And I've got to be really sad.
19:27What are you doing
19:27in an actual play?
19:28Yes.
19:29There.
19:29OK.
19:29I'll be honest with you,
19:30the tone's not
19:31that encouraging.
19:33We do the scene
19:34where I am sad
19:36because Mercutio,
19:37I'm playing Romeo,
19:38Mercutio dies, right?
19:39Yeah.
19:39I'm sad.
19:40Yes.
19:40The problem is,
19:41Rob has to deliver
19:42a line with emotion
19:43that he doesn't fully
19:44understand what the line means.
19:45What is the line?
19:46So basically,
19:47I say,
19:49look him in the eyes
19:50and imagine
19:50your best friend
19:52has died.
19:53I feel like I'm at
19:59Madame Tussauds.
20:01I wish they'd put me
20:02at Madame Tussauds.
20:04Anyway, go on.
20:06OK.
20:08This day's black fate
20:09on more days
20:10doth depend
20:11but this begins
20:13the woes
20:14others must end.
20:16OK, so...
20:16And what do you think
20:17that means?
20:18It's like,
20:18it's bad day.
20:20Very bad.
20:21Yeah.
20:23It's gonna get worse.
20:24Yeah, that's basically it.
20:25Yeah.
20:25You have to work
20:26at figuring out
20:27what it means to you.
20:28Yeah.
20:29What you're saying is,
20:30you don't have to know
20:30exactly what is meant
20:32by every one of those words
20:33but you know
20:34what the sentiment
20:35of that line is
20:36so you can deliver it
20:37with that intent, right?
20:39That's exactly what it is.
20:41Yeah.
20:41If we feel like
20:42it's all going wrong
20:43on the night,
20:43what would your advice be
20:44if your head starts
20:45to go in that negative way?
20:47What I would probably
20:48think of doing
20:48is just like
20:49show people,
20:50you know,
20:51flash or something
20:52but that's not
20:53what you should do.
20:54Sorry, your tip,
20:56if it's going badly
20:57and we get a negative
20:58in the voice
20:58is to get our dicks out.
21:00That's what my
21:01bad part of my brain
21:02wants to do.
21:03Right, right, right.
21:03But don't say,
21:04you're saying,
21:04don't do that.
21:05Don't do that.
21:05Oh, sorry.
21:06Right, okay.
21:06There's no right or wrong.
21:08Just like,
21:09go and do it
21:10and I bet you'll be brilliant.
21:12Thank you till you make it.
21:13Exactly.
21:13I think you're gonna be great.
21:15You're gonna take
21:15the globe by storm.
21:16Rob and I
21:23are only days away
21:24from performing
21:24Romeo and Juliet
21:25at the globe.
21:27Whilst I was starting
21:28to understand
21:29what made Shakespeare great.
21:30Do you feel like
21:31something from it?
21:32Well, you feel like
21:33you need to try
21:34and find out what it means.
21:35There you go.
21:36Rob was still having
21:37trouble accessing
21:38his emotions.
21:40What do you think
21:40that means?
21:41It's a bad day.
21:42Very bad.
21:46Rob and I
21:47have separate challenges
21:49that we have to master
21:49for our performance.
21:51Mine is
21:52to die convincingly.
21:55But
21:56I'm not as worried
21:57about myself
21:57as I am worried
21:58about Rob.
21:59The problem that Rob
21:59has got is
22:00Rob has to connect
22:01from his feelings.
22:02Rob has not done that
22:03for a long time.
22:05So
22:05the fear is
22:06that he might have
22:07a breakdown
22:08when he sort of
22:08finally reconnects.
22:09It's like
22:10when they plug the thing
22:11in the back of Neo's
22:12head in The Matrix
22:13and then upload
22:14emotion and empathy.
22:16He might just
22:16shit himself
22:17and start crying.
22:19Which is bad for him
22:20and Lou
22:21and his children
22:21but great for the show.
22:24So today
22:25we're at the
22:26Regent's Park
22:27Open Air Theatre
22:27in London
22:28to hopefully turn
22:29us two clowns
22:30into serious actors
22:32with a masterclass
22:33from one of our
22:34country's finest.
22:37Martin Freeman
22:37is a national treasure.
22:39He first shot to fame
22:40as the beloved Tim
22:41in the smash hit series
22:42The Office
22:42before taking the world
22:44by storm
22:44is Billbo Baggins
22:46in the blockbuster
22:47Hobbit trilogy.
22:49Hello Martin.
22:50Hello.
22:51Nice to see you.
22:52Yeah and you.
22:52You're looking very cool today.
22:54But most importantly for us
22:55he's no stranger
22:56to Shakespeare
22:57having played
22:59the title role
22:59in the critically acclaimed
23:01sellout run
23:01of Richard III.
23:03So
23:03if anyone can bring out
23:04our interactors
23:05it's Martin.
23:07We need help.
23:07How can I help you?
23:08Yeah we need help.
23:08Basically we are doing
23:09a performance at the Globe
23:10Shakespeare
23:11Romeo and Juliet
23:12I'm playing Romeo
23:13you're Mercutio
23:14I've got to be sad.
23:17Jesus.
23:17I mean that's
23:18that's quite a task.
23:19And as well as me being sad
23:20Rom's got to die
23:21which is obviously
23:22difficult to do
23:22without looking too eggy.
23:24Yeah and it's difficult
23:24to sort of draw on
23:25memories of dying previously.
23:27It is.
23:27Well you're a comic.
23:28Okay nice.
23:29There you go.
23:29Come on.
23:30Yeah.
23:30Alright I'm glad you two
23:32are getting on deck.
23:33So how comfortable
23:37are you at the moment
23:38with saying these words?
23:39I feel a bit like
23:41a football manager
23:42that's gone to Holland
23:43to manage
23:44and then he starts
23:44to impress conferences
23:45and because he's been
23:47so used to talking
23:47slowly to the Dutch
23:49players
23:49he has a sort of
23:50foreign lilt.
23:51Like who had that?
23:52Steve McClellan.
23:53Yes.
23:54You know that
23:54you know because
23:55thou shalt pick best 11
23:57at two win game
23:58and then the other
24:00challenge is
24:01having to look at that
24:02in a rough
24:04dying
24:05and be like
24:05how am I going to
24:07not laugh?
24:08Is it okay to say that?
24:10No but I'd say
24:11like I will
24:12so the bit where
24:14I'm getting aggy
24:14I can do that
24:15villain am I
24:16and all that kind of stuff
24:17it's the sad bit
24:18I'm struggling with.
24:19And the truth is
24:20that different people
24:20have different ways of doing it
24:22some people will do
24:22sense memory
24:23your breath
24:24your breathing
24:25can get you there
24:26you know
24:26because I saw a thing
24:28where someone would
24:29cut a hole in their trousers
24:30and pull a pube
24:30with a tweezer.
24:31I've seen that.
24:32Have you?
24:32Yeah man
24:33I have seen that
24:34yeah just to get tears.
24:35But the problem is
24:36you've only got so many pubes
24:37I mean if you're
24:38especially these days
24:39if you're performing
24:40every night
24:40and mine
24:41pubes do fall off
24:42and also mine have got
24:43a lot less resistance
24:44than they used to
24:45you could blow on mine
24:47like a dandelion.
24:51Before Martin
24:52could start working
24:53on our performances
24:54first off
24:55we needed to warm up.
24:57I'm doing the play
24:58at the moment
24:58and still to this day
24:59I still do
25:00sort of articulation
25:01exercises
25:02to make sure
25:02that all your
25:03your teeth
25:04your lips
25:04everything
25:05as warmed up
25:05and as malleable
25:06as possible.
25:07So you just want to
25:08shake that out
25:10really?
25:14Wow.
25:14Why are you laughing?
25:15That was too loose.
25:17Your arms are too long
25:18brother.
25:18That was too loose.
25:20Okay so
25:20here's another little one.
25:22Oh my.
25:25Get your tongue
25:26all the way
25:27clockwise
25:27all the way
25:29around your lips
25:30and after a while
25:31you will feel
25:32it does actually
25:33got quite a tone
25:33because you don't
25:34give it.
25:34It does, isn't it?
25:34Stretch it out.
25:35Yeah, you do feel it.
25:36Do that on Lou's birthday.
25:40Wow.
25:41I used to do that
25:42in the office.
25:44It worked, then.
25:45It's still good.
25:4624 years later
25:47and it still works.
25:51Clearly
25:52Martin had still
25:53got it
25:53and now
25:54it was our turn
25:54to show him
25:55exactly where
25:56we were at.
25:57Let's reply
25:58from there, right?
25:59Courage, man.
26:00The hurt
26:00can't be much.
26:02A plague of both
26:02your houses
26:03why the devil
26:03came in between us?
26:05I was hurt
26:06under your arm.
26:07I thought for
26:07all the best.
26:08Help me
26:09to somehow
26:09spin volio.
26:11A plague of
26:12both your houses
26:12they've made
26:14worms meat of me.
26:15Hmm.
26:16So you're
26:17going to dust it up?
26:18No, well,
26:19I'm going to walk off.
26:20Oh, right,
26:20you're going to walk off.
26:21But, I mean,
26:21for this,
26:22I don't know
26:23what I'm going to do.
26:23Right, okay.
26:25But then I've got to
26:25Okay, but no,
26:26carry on.
26:26Okay, sorry, yeah.
26:28My very friend
26:28hath got his mortal
26:29hurt in my behalf.
26:32Oh, Romeo.
26:33Romeo,
26:33brave Mercutio's dead.
26:35This day's black fate
26:36on more days
26:37doth depend.
26:39This but begins
26:40the woe
26:40others must end.
26:42I think we got it.
26:43Yeah?
26:44Yeah.
26:44Are you ready?
26:45Yeah, man.
26:46Yeah, totally.
26:47And I think
26:47if you just stand there
26:48with your script
26:49in your hand
26:49laughing,
26:51I think it genuinely
26:52the audience
26:53will not have seen
26:54anything like it.
26:55Um,
26:56Can I tell you something?
26:57You really had me.
26:58You bastard.
26:59You're so...
27:00You really good at acting bastard.
27:01That was such a rollercoaster.
27:03Horrible.
27:03No, I thought,
27:04I assumed that would be obvious.
27:05No, we're believers.
27:06I just thought,
27:07wow, brilliant.
27:07I'm going into this
27:08full of confidence.
27:09Now I'm in pieces.
27:10I feel absolutely rock bottom now.
27:11Sorry.
27:12I hope you've got time to reconstruct us.
27:14Use it.
27:14Yeah, okay.
27:16First things first,
27:17we needed to tackle
27:18how Ron was going to die.
27:20And after seeing
27:21what he was working with,
27:22Martin had an idea.
27:24So how are you feeling
27:25about the death?
27:26Well, I don't know what to do.
27:27To save you from the thing
27:29of dying,
27:30I think when people die offstage
27:31and it's reported,
27:33that can be just as effective.
27:35Whoever Ben Volio is
27:36can take you off.
27:36Yeah.
27:37And the reporting comes back.
27:39Ah, reporting is reporting.
27:40Are you acting
27:41or are you fucking a journalist?
27:43Why don't I go home
27:44in a cab
27:45and then someone tells him
27:46I'm sad about it?
27:47But the only issue with that
27:48is I sort of then
27:49have a sword fight
27:49and go offstage.
27:50Yes.
27:50He's left on his own.
27:52No curtain.
27:53Now.
27:53No curtain.
27:55What then?
27:56Fine.
27:57Well, you each
27:57are going to have to lay there
27:58until they all leave.
27:59That's quite a long time.
28:00Come on, are we acting
28:01or not?
28:02The only thing.
28:03Listen.
28:03What are we doing here?
28:04Let me just tell you something.
28:05The relish that you're
28:06putting into this,
28:07I will be putting
28:08into you crying.
28:09No.
28:10Can I do it?
28:11Yeah.
28:12So you want me
28:12to just lie on the stage?
28:14Until they all leave?
28:15I think that.
28:16What a commitment.
28:17There's some breath in it.
28:18Okay, sorry.
28:20So you want me to just
28:20stay on the stage
28:21while they leave?
28:23No breath.
28:24No breath.
28:25Watch.
28:25Okay.
28:26Oh, so you think
28:27I'll just stay on the stage,
28:28no curtain,
28:28while there's a 10-minute pause?
28:31No.
28:31I think your mouth has to be...
28:33I think your mouth has to be...
28:34Oh, that was...
28:34So good.
28:35That was the best one
28:36I've ever seen.
28:36You are so good.
28:38Thanks.
28:38Rom definitely needed some convincing,
28:41so the only way to settle this
28:42was to give it a go.
28:44The plague of both your houses,
28:46they've made worms meet of me.
28:48My very friend hath got his mortal heart
28:52in my behalf.
28:55Oh, Romeo.
28:57Romeo, brave Mercutio's dead.
29:02This day's black fate
29:03on more days doth depend.
29:05This but begins the woe.
29:07Others must end.
29:08You're off as well, Martin.
29:13Oh, sorry.
29:14And we can...
29:16I'll tell you what.
29:16What?
29:16Yeah.
29:17Let's have a little look round.
29:18Yeah.
29:20Brilliant.
29:20As a mate,
29:21I'll try and keep that down.
29:23You cannot...
29:24Apart from that,
29:25I'm sorry.
29:26Yeah, it's good because
29:26that's like a rictus grin.
29:28Yeah.
29:29You can't tell whether
29:29he's laughing or dying.
29:30No.
29:31And then...
29:32Christ.
29:38I mean, it hurts.
29:39Yeah.
29:39Quite a lot.
29:40But it is very...
29:41It's very moving.
29:43Yeah.
29:43Because I've never been
29:44near a dead ball.
29:44You don't move it immediately,
29:45do you?
29:46Just walk away,
29:46go back.
29:47I'm all right.
29:48Yeah, I'm fine.
29:49No, I'm fine.
29:50I'm fine.
29:50Don't worry about it.
29:51Don't you get hurt?
29:52What another series?
29:54I think that's a bad idea,
29:55by the way,
29:55the dragon.
29:56I think you might be right.
29:57Yeah.
29:57No, worth a try.
29:58It's worth a look,
29:59wouldn't it?
29:59No, definitely worth a try.
30:00Now.
30:00Was it?
30:01Now.
30:01Yeah.
30:02So you go,
30:03definitely worth a try.
30:04Oh, yeah.
30:05Come on.
30:07You're the best in the business.
30:08Oh, wow.
30:09Do you think you should leave?
30:10Do you want to just leave?
30:11Well, I mean,
30:12based on how that went,
30:13I think leaving is probably better.
30:14Leaving is probably better.
30:14Okay, fine.
30:17Now we decided once and for all
30:18I was going to die off stage,
30:20it was Rob's turn in the spotlight.
30:22Don't pre-empt the sad,
30:24okay?
30:24Just try and play the
30:25the sentiment of it
30:26and the feeling of it.
30:27Right, okay.
30:27Right, okay.
30:29And I, for one,
30:30couldn't wait to watch him
30:31bear his soul.
30:33From my very friend.
30:34You've just seen him go off.
30:36Yeah.
30:36And he's in a bad way.
30:37My very friend hath got his mortal hurt
30:40in my behalf.
30:42Oh, Romeo.
30:44Romeo, brave Mercutio's dead.
30:49This day's black fate.
30:51Whoa.
30:52No, listen man, it's hard, it's hard.
31:03It's hard, it's hard.
31:03It's hard.
31:04That is...
31:05It's difficult.
31:06It's difficult.
31:07And I don't even, I don't even,
31:08I'm not even going to tell you how it's hard.
31:09No, not that.
31:10It's when you, when you hear the news,
31:12this doesn't help.
31:15That.
31:15It doesn't, and that's a common mistake.
31:17It's a common mistake, right?
31:18Yeah, yeah, okay, yeah, absolutely.
31:18I won't do that.
31:20Rob was having an absolute nightmare.
31:23My very friend.
31:26And he just couldn't get his head around it.
31:28Okay.
31:29I just keep smiling.
31:30It's difficult, this,
31:32because Rob can't do it at all.
31:36And I think even if this show was like,
31:39Rob got six months of intensive training,
31:40he still couldn't do it.
31:41He cannot do it.
31:43And so desperate times
31:44called for desperate measures.
31:47Can I make a suggestion?
31:48Yes.
31:49Why don't we shortcut it
31:50and you just pull out some pubes?
31:52I can't believe that's the best option, but yeah.
31:55Well, what do you think, Martin?
31:55I think it is the best option.
31:57Well, I don't know if it's the best option.
31:58It's an option.
31:59Yeah.
31:59It's an option.
32:00Just try it.
32:01Don't do something you think
32:02you might accidentally start enjoying.
32:05It's really into death.
32:07That's my kink.
32:08Okay.
32:09Oh, Romeo.
32:11Oh, yeah.
32:11Romeo.
32:12Look at that again.
32:13Yeah.
32:13Sorry.
32:14Brave Mercutio's dead.
32:17This day's black fate
32:18on more days
32:20doth depend
32:23doth depend
32:25but this begins a woe
32:26that others ascend.
32:28I actually...
32:29I think that was your best performance.
32:31I definitely won't think about the words anymore.
32:35Yeah, I definitely won't think about the words anymore.
32:37No.
32:37Fuck it.
32:38I've got about eight a go there.
32:39But did you notice what was happening when you were doing that?
32:42Your breath was changing.
32:43Yeah.
32:43Yeah, your breath was changing.
32:44Yeah.
32:45Breath is a massive, massive part of emotional connection.
32:48Yeah.
32:49Right?
32:49So there's a thing that I can sometimes access
32:51where you just, you don't allow yourself easy breath in and out.
32:54So it's a bit, sounds a bit stuttered.
32:56Yeah, don't worry about the sound.
32:57Yeah, like, don't worry about your face.
32:58Right, okay.
32:59Let me try and do it.
33:00None of that.
33:00I can't believe we went for pubes before breath.
33:03Why did you not do the breath?
33:04Well, the pubes were the gateway to the breath.
33:07Come on.
33:08It had been a painful process to get there, but it felt like we were on to something.
33:13My very friend hath got his mortal hurt in my behalf.
33:18Oh, Romeo.
33:20Romeo, brave Mercutio's dead.
33:24This day's black fate, or more days doth depend.
33:28Doth.
33:29Doth.
33:32This but begins the woes that others must end.
33:36I think we got it.
33:37Yeah.
33:37Yeah?
33:38Yeah.
33:39I'd err on the side of finding it very hard to get this stuff out.
33:44Very hard, yeah.
33:44Do you know what I mean?
33:45Yeah.
33:46Okay.
33:48Robert finally found a method that worked for him, and thanks to Martin, for the first time
33:53this week, we had a real shot of not embarrassing ourselves in front of 1,600 Shakespeare fans.
33:59Well, I hope, I hope I've been of some use.
34:02You've been amazing.
34:04I didn't, well, I feel way more confident now.
34:06Really?
34:07Well, yeah, good luck.
34:08I really hope it goes well.
34:10You'll be fine.
34:11And the audience will be behind you.
34:12They will enjoy it.
34:13This will be way funnier.
34:14And luckily it's short.
34:15Funnier?
34:15Yeah.
34:16No.
34:17No.
34:18No.
34:19Can't do it.
34:20More moving, I said more.
34:21Go on, do it.
34:28Go on, do it.
34:29Go on, do it.
34:30Yeah, do it.
34:31Do it this way.
34:32Do it, Martin.
34:33You want to do it.
34:34You want to do it.
34:35Go on, do it.
34:37Go on, do it.
34:38Go on, do it.
34:39Go on, do it.
34:40Go on, do it.
34:41Go on, do it.
34:42For the last week, Rob and I have been rehearsing intensely for our Shakespearean debut.
34:46Courage man, the hurt cannot be much.
34:50To see if we had what it takes to perform one of the Bards' most dramatic plays.
34:54What the devil can you between us?
34:57And after training with some of the best in the business.
34:59I think it was genuinely, the audience will not have seen anything like it.
35:04The following day, we had spent working on our performance with the team at the Globe.
35:11But now, we'd finally run out of time.
35:16It was the day of our big performance at the Globe.
35:19With just a few hours to go, our mentor, Globe's artistic director, Michelle Terry,
35:24had organised a final rehearsal to iron out any last bumps.
35:28Why don't we slowly walk it from the top?
35:31She'd also brought in her husband, actor Paul Reddy, who'd be joining us on stage later.
35:36Nice to see you again.
35:37I'm, as you know, I'm going to be in the scene with you playing Benvolio.
35:40And this is Paul Reddy, who will be your tibble.
35:43I'm Rob and I'll be your Romeo.
35:44Yeah, I'm Ramesh and I'll be Mercutio.
35:47We'd met our co-stars, but there was one big question on Michelle's mind.
35:52Do you know your lines?
35:53I do, yeah.
35:54I'm struggling because, obviously, it's Shakespeare, so all the words are mental.
35:58Michelle looked well-worried.
36:00But what I'd found out from rehearsals yesterday was Shakespearean lingo and my brain just don't get on.
36:06Villain am I not?
36:08I do protest I never injured thee, but love thee better than thou can devise.
36:14I felt like I needed another week to learn my lines.
36:17We had less than three hours.
36:19And Michelle, clearly trying to give me a fighting chance, had stuck them on the wall.
36:23Romeo, thou art a villain.
36:25Villain am I none.
36:27I do protest I never injured thee, but love thee better than thou can devise.
36:32But even with the words in front of him, a plague on both your houses, Rob was struggling.
36:38My very friend hath got this mortal hurt in my behalf.
36:43And it felt like his final line was going to give him nightmares.
36:47I pray for a few shares dead.
36:49This day's black fate on more days doth depend.
36:53This but begins there that my lovers must end.
36:57It's horrible, isn't it?
36:58It's absolutely horrible.
36:59It's gonna be perfect.
37:00I know, I just, yeah.
37:02Rob's struggling.
37:03I've, let's be clear, I've fucking nailed it.
37:06Well, come, dishonorable submission.
37:08I am for you.
37:10Come, sir.
37:11Your passada.
37:13I know the lines, I know I did the sword fight.
37:16It wouldn't have surprised me if they actually cast me as Mercutio.
37:19Why the devil came in between us?
37:21I was hurt under your arm.
37:24I thought, I thought all for the best.
37:27Have I heard a single word of praise?
37:29No.
37:30Michelle came over to me after one rehearsal.
37:31I thought she was gonna go, well done.
37:32She goes, do you think Rob's okay?
37:34But I'm chill about it, it's fine.
37:36You know, we've got to look after Rob and stuff.
37:38And who cares if I've spent my time learning the lines.
37:40And yet I haven't received even a pat on the back.
37:43Is that alright?
37:44That's really good.
37:49I struggled through an hour of rehearsals, and now the globe was filling up ready for the main performance.
37:54I had about 90 minutes to try and get the lines in my head.
37:58Villain and my mum.
38:00I do protest.
38:01I never, I never injure.
38:03To move is to star.
38:06And to be valiant.
38:08The show had started.
38:091,600 people were watching.
38:11Suddenly, I was very motivated not to make a mug of myself.
38:15I think I've got it.
38:16Do you want me to show you?
38:17Yeah, go on, show me.
38:18Rob, he's anxious about it now.
38:21But when he gets on stage, just the fact that there's a crowd there will just buoy him through.
38:26What I'm slightly nervous about is that walk out there, you'll forget a line, his arse will go and start doing some crowd work.
38:32Oh, Romeo, Romeo.
38:34Brave my cushy is dead.
38:36This day's black fate on others doth depend.
38:39On more days.
38:40Back off.
38:41I need a little kick up the arse from Dr. Showbiz.
38:45And when I walk out there and there's loads of people, hopefully something happens.
38:49It may or may not.
38:50But all I've got now is the lap of the gods.
38:55Our curtain call was around the corner.
38:57So we were off to costume to get stuffed into some Elizabethan gear.
39:07But the outfits definitely weren't helping our nerves.
39:10What do I look so fucking fat in this?
39:17Mental.
39:19I think the trousers aren't doing you any factors.
39:22We were meant to be delivering a serious Shakespearean tragedy.
39:25And I was starting to worry about how the audience would react.
39:28My ears are poking out.
39:29My ears.
39:30Is that right?
39:31Legolas.
39:34Is he supposed to be like that?
39:36My ears are supposed to be like that.
39:37How have I pulled Juliet?
39:40The play had hit its tragic climax.
39:45For never was a story of more woe.
39:48And now it was our turn to follow.
39:50What's all set?
39:51I don't like it.
39:52I could shit myself and vomit.
39:53I wouldn't notice on this.
39:54We were about to step out in front of a packed globe audience.
39:55Bill and I am none.
39:56Am I none?
39:57Shit.
39:58And all I could think of was, could Rob and I truly convince the crowd that we could pull off a serious Shakespearean tragedy?
40:05I stepped on stage for a massive cheer.
40:06But then, they must have clopped my costume.
40:10Thankfully, we had Michelle and Paul to add some much needed gravitas.
40:17Good in.
40:18A word with one of you.
40:19And but one word with one of us.
40:20Couple it with something.
40:21Make it a word and a blow.
40:22We talk here in the public haunt of Memphis.
40:23And then a number of people can get there.
40:24Have you done that?
40:25I have Rose & Rose and she came up and left it all over all over theuten of Möglich Graid Sance.
40:26I
40:28Stepped on stage for a massive cheer, but then they must have put my costume
40:34Thankfully we had Michelle and Paul to add some much-needed gravitas
40:39Good in a
40:41Word with one of you and but one word with one of us couple it with something make it a word and a blow
40:48We talk here in the public haunt of men here all eyes gaze on us
40:53Men's eyes were made to look
40:56I'd let them gaze
40:59What came out to a walker's chair?
41:03And now with both of us on stage looking like a pair of extras and blackadder all sense of seriousness that evaporated
41:10Romeo
41:12That a villain villain am I know I do protest I never injured thee by love thee better than thou devise
41:20Oh
41:21Calm dishonorable vile submission
41:23Even rob was struggling to keep a straight face
41:25Never mind a shakespearean tragedy
41:29This is fast becoming a personal one
41:31Come sir
41:33Your passato we needed something dramatic to turn this round
41:36I'm hurt
41:38I'm hurt a plague of both your houses I'm spent what a scratch a scratch merit is enough
41:41Courage man the hurt cannot be much a plague of both your houses why the devil come you between us I was hurt under your arm I thought all for the best
41:47Help me into some house Benvolio
41:49I'm hurt a plague of both your houses why the devil come you between us I was hurt under your arm I thought all for the best
41:54Help me into some house Benvolio
41:56Oh
41:58A plague of both your houses why the devil come you between us I was hurt under your arm I thought all for the best
42:02Help me into some house Benvolio
42:04A plague of both your houses why the devil come you between us I was hurt under your arm I thought all for the best
42:10Help me into some house Benvolio
42:12A plague of both your houses
42:16A plague of both your houses
42:21It was time to make my exit and as I staggered off in my death throes now it was all up to Rob
42:27Could he get his last line?
42:30My very friend hath got this mortal hurt in my behalf
42:34Oh Romeo
42:37Romeo
42:40Brave Mercutio is dead
42:46This day's black fate
42:48On more days doth depend
42:51But that begins the woe
42:53Others must end
42:55Yeah
42:57Yeah
42:58Yeah
42:59Yeah
43:05Yeah
43:06Yeah
43:07Yeah
43:08Yeah
43:09Yeah
43:10Yeah
43:11Yeah
43:12Yeah
43:13Yeah
43:14Yeah
43:15I
43:16Whoa
43:17I thought I might taking care of this
43:19learner
43:20Yeah
43:21Okay
43:25And we don't know for this
43:26That was spectacular
43:27We were looking at spacesuits
43:28That was damn
43:29reconnaissance
43:31Let the fronters
43:32that cou Beauties
43:33отвеч
43:33What was it tam
43:35I made왑 to the right
43:38Who is he?
43:39Who is he?
43:40unterstützen hay
43:43We were going to do it
43:44fromatie
43:44Yeah
43:46Yeah, it was I say it was out there we did and that was all three fair
43:49I don't know I don't approach smoke up your pipe, but that was difficult
43:52Yeah, I don't want you to blow smoke up my pipe either can get to verily we started this Shakespeare journey
43:58Oh, there are many challenges that lay before us for us the challenge is complete upon many of the problems
44:04One included the impossibility for you to etch the lines upon your cerebellum
44:08Verily though you were able to remember nay recite the very lines that you were acquired to by the owners of the globe theater
44:17The worms, I mean German
44:20The Bard
44:24It was difficult to do the Shakespeare but we managed it
44:29Okay, come on then let's go
44:33Oh God
44:35I'm gonna go I'm open the bedroom door and go Lisa verily I would like to mount you
45:05And for forever you and me
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