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The Polar Express - Hair and Wardrobe
Neil Cariaga
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3 weeks ago
A Special Feature from The Polar Express 2 Disc Wide-Screen Edition Disc 2 2005 DVD Australia
Category
🎥
Short film
Transcript
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00:00
All right, welcome aboard. It's time to take a closer look at hair and wardrobe on the Polar Express.
00:07
Yeah, how do you create clothes in a computer?
00:10
And how do you design digital do's?
00:12
It turns out that digital hair and its movement were the two most difficult phases of Polar Express production.
00:18
Think about it. First they had to get the shape right, then they had to figure out how the hair moved,
00:23
like when the wind blew through it, like when Hero Boy was on top of the train.
00:30
So the hair crew got to work, designed every single piece of hair in the movie,
00:34
put it on each character, then scanned it into the computer, just like the engineer.
00:39
They even did his beard. I wonder what his hair looks like.
00:43
Wow, it's long. They did a great job.
00:48
We had situations in the movie where it was almost too detailed, so we turned some of the detail off.
00:55
And that's the buzz on hair.
00:57
If you're making a buzz, guess whose do was the easiest to do?
00:59
Mine.
01:00
Exactly.
01:01
I told you my hair was on the right track.
01:04
Fall ahead slow.
01:07
All right, from digital do's to creating costumes in a computer.
01:11
The creation of wardrobe, it was all done kind of in the foundation of live action cinema brought into the computer.
01:18
Check this out. They had over 30 costumes to make for all the characters on the Polar Express.
01:27
Joanna Johnston put a costume on every character one time, one day.
01:33
And then they did full makeup like when we did Tom and Santa Claus.
01:38
Full hair, full beard, makeup, the whole thing.
01:42
And he wore it for 15 minutes.
01:45
Cyber scanned them.
01:47
And that was it.
01:48
Wow. How great would that be?
01:50
You could just scan on what you want to wear for the whole school year.
01:52
Well, there's a little more to it than that.
01:54
The actual movement of the clothing, obviously, the effects animators had to animate.
01:58
That's where their art artistry comes into play.
02:01
The computer would then register that information.
02:04
And when it went through those movements during the course of the film,
02:07
it would actually draw on those movements to create real dynamics like in real life.
02:13
From designing digital do's and creating cool clothes to visualizing the North Pole.
02:17
The makers of this movie have amazing imaginations.
02:21
That's right. They do.
02:24
Because it takes the kind of wagonnen down a two style and at one
02:25
There's a lot of pointer.
02:26
The elements of theä¿¡ same page to use in a square line.
02:27
That's right.
02:28
From the background in a live image here.
02:29
The beauty of the vision can be brought to you
02:33
And that's important.
02:34
Now it's important to understand both clues and the charm.
02:36
You can remind yourself how worlds paid off nerve other than you are fond ofaya.
02:41
The disappointing year of the contrast is inconsistent with the
02:46
Win sperm.
02:48
So simply we made confident.
02:49
When it comes back when we started translating it.
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