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00:00Whoa, whoa, whoa!
00:00He would let you know that he is a savage killer.
00:03I will chew your lips off your face.
00:06Please, I'm right here!
00:08Oh, look!
00:09Coughing!
00:10Ooh!
00:12Feels like it's inside my body.
00:13How did he kill you?
00:15Steve Bell!
00:16Oh, my God!
00:24There are things in this world
00:26that we will never fully understand.
00:28We want answers.
00:30We have worked years to build our credibility,
00:34our reputation,
00:37working alongside the most renowned professionals
00:40in the field,
00:42capturing groundbreaking proof of the paranormal.
00:44It's working!
00:45I can't give you an explanation.
00:47This is our evidence,
00:50our ghost adventures.
00:53It has been years since we last conducted
01:05an official ghost adventures investigation
01:08at my haunted museum in Las Vegas.
01:11But because of a string of deeply disturbing events,
01:17we're back for what I can only describe
01:20as an emergency intervention.
01:22On July 15, 2024, I was on the road in California.
01:27At 1.05 a.m., I did a quick check
01:32of the museum security cameras on my phone.
01:36And at that time, I started hearing sounds.
01:40Very loud, unusual, unrecognizable sounds.
01:51But then something happened
01:53that gave a chill down my body.
01:55These very loud, growling sounds.
01:59It sounded like a Tyrannosaurus Rex
02:02was inside my museum.
02:12And this lasted for about 15 minutes.
02:15There was also a voice of a woman saying the name David.
02:38Now, we tried to debunk these noises.
02:41I tried to explain them.
02:43But we just could not find any logical explanation
02:47as to why this occurred.
02:54There are other events that occurred,
02:56and I'm talking as recent as last week,
03:00involving a woman who claims she has seen
03:03a very tall, menacing male figure.
03:06Right near the exhibit,
03:11where I just placed the remains
03:15of America's most prolific serial killer.
03:19Samuel Little, who died in 2020,
03:22preyed on marginalized women,
03:24killing multiple victims by strangulation
03:27over approximately 30 years.
03:29That's where I dropped.
03:31Pulled the bird right out and rolled it down there.
03:34He confessed to 93 murders,
03:37and law enforcement says they have confirmed
03:39at least 60 of them.
03:42I'm deeply concerned that the introduction
03:44of his remains to the museum
03:46have given extra fuel to some of the most
03:49spiritually combustible items in the world.
03:52And that this evil monster's spirit has been summoned
03:58by the other cursed artifacts.
04:04We will begin by examining the already intense level
04:07of paranormal activity here,
04:09before the introduction of Samuel Little's ashes.
04:13John Shaw has been performing sideshow acts
04:18at the museum for six years,
04:20and has extensive knowledge of Satanism and the occult.
04:27I talked to him about the terrifying growls
04:30heard on the ballroom security camera.
04:33Every single effort has been exhausted
04:36in trying to debunk this,
04:38and we are still inconclusive.
04:40Now let's talk about the cause,
04:46the building's background.
04:49Back in the 70s,
04:50the devil-worshipping that was factually
04:53taken place here.
04:55In 2016, I interviewed a woman
04:58who observed clear evidence of Satanic rituals
05:01in the basement of the museum building.
05:03First thing I saw was a pentagram on the floor,
05:08and then there was a circle around that pentagram,
05:12and I also saw blood drops.
05:15You're for sure you saw blood.
05:17Positive.
05:18A previous occupant of the building,
05:21with government documentation of her family's residence here,
05:25testified that her father participated in dark rituals
05:28in the basement, and that this is a place of unspeakable horror.
05:35There could, in theory, still be portals left here
05:39that maybe were not ever closed.
05:41Yeah.
05:42That sound to me...
05:43If you were going to create a sound
05:47that was going to sound like a portal opening
05:49to another realm of reality,
05:50that is exactly what I would think.
05:52Right.
05:53And it sounded like something opening,
05:55like a tear in the veil.
05:56It just gave me a chill when you said that for some reason.
05:58Yeah.
05:59In the Bible, the tearing of the veil occurs
06:02at the time of Jesus' death,
06:04and signifies a new kind of access to the afterlife.
06:11I asked John to take me to the sideshow room
06:14where there have been hundreds of sightings
06:16of a little girl's spirit inside an unfinished room
06:20that can only be accessed by entering this old wagon.
06:24John believes this little girl
06:27could be something much darker mimicking
06:29the innocence of a child
06:31and trying to attach itself to unguarded living souls.
06:37You guys here.
06:38On the way to the sideshow room,
06:40we stop at the ballroom
06:41where the demonic sounds were captured
06:43on the security camera.
06:45Okay.
06:46Right over here, this is the security camera
06:49that captured the sounds.
06:52And just to the left of the security camera
06:58is this room here
07:01that is really at a focus for me
07:04as being a potential source of those sounds.
07:07This is the devil's rocking chair.
07:11The devil's rocking chair,
07:13which was involved in the exorcism
07:15of 12-year-old David Glatzel,
07:17caused so many disturbing incidents at the museum
07:21that I was forced to temporarily close that exhibit in 2019.
07:27Not only do David Glatzel's growls
07:30during his exorcism sound eerily similar
07:32to those captured in the museum...
07:34I am doing it!
07:37MOM!
07:44But the name David is spoken aloud.
07:47So I want to focus a little bit more on investigations
07:53in here as well when we do.
07:56Whoa.
07:57You all right?
07:58Yeah, I just got really dizzy.
08:01I did not like that.
08:03Yeah, it looked like you were about to fall over.
08:04Yeah, I didn't like that.
08:06I just got dizzy.
08:06I just got vertigo really bad.
08:09This room has a history of causing debilitating dizziness.
08:13Two museum visitors have lost consciousness
08:16and collapsed in this exact same spot.
08:20Okay, right now we are going to go through this hallway here.
08:23This is going to lead to the sideshow area.
08:26This is where the sightings of the little girl have been hundreds.
08:33Since Aaron is the most childlike of us,
08:36I send him inside the circus wagon
08:38where the little girl is often seen
08:40to see if he can draw her out.
08:43Little girl, we want to know who you are.
08:47Can you appear for Aaron so we can take your picture?
08:51Aaron's Polaroids show that he is completely alone
08:54inside this wagon.
08:56But then he feels something unexplained
08:58just as I'm attempting to summon the little girl's spirit.
09:03Dude, something just grabbed...
09:05See this?
09:05See my little pouch here?
09:07I put all...
09:07Dude, something just grabbed my, like, Polaroid pouch.
09:10Was Aaron just touched by the little girl's spirit?
09:19We turn now to troubling paranormal activity
09:23that may have been stirred up
09:25by the addition of Samuel Little's remains.
09:28I meet with Joy Foster at my headquarters
09:32next door to the museum.
09:34God.
09:36What the heck?
09:37You okay?
09:38Yeah, you just scared me.
09:39It's okay.
09:39I do that sometimes.
09:41It is no surprise that Joy is jumpy.
09:44Just a week ago,
09:45she had a horrifying experience in the room
09:47where I keep the van
09:48that Dr. Jack Kevorkian used
09:51for illegal assisted suicides.
09:54Last week,
09:55I stopped by the museum
09:57and it was around 9.30 p.m.
10:00I noticed you
10:02and a couple of your friends
10:03and you were crying.
10:06And at that time,
10:08you said that you saw somebody
10:10in the museum.
10:11What did you see in what area?
10:13When we were about to turn
10:15into the Kevorkian office,
10:17down the hallway,
10:18there was a very tall shadow,
10:20but it was not quite a shadow.
10:22It was, like, white.
10:23So this thing crouches down
10:26and is, like, right by me smiling.
10:31And I'm very uncomfortable at that point.
10:43And I felt almost like
10:45there were claws
10:45right in my back right here.
10:47So that's when I just, like, lost it.
10:49I felt like I couldn't go.
10:51It's like we're right here.
10:55I feel like I was just
10:56so overwhelmed and scared
10:58and it just felt like
10:59a million things
11:00were just yelling at me
11:01that it was going to hurt someone.
11:02And I just, like,
11:02didn't know how to stop it
11:04from hurting someone.
11:05This entity was?
11:06Yeah.
11:07Okay.
11:13And then it follows us
11:15into one other room.
11:16What other room?
11:16It followed us into the room
11:18that had Samuel Little's ashes
11:20and, like, all the kind of
11:21serial killer stuff in there.
11:23You mentioned Samuel Little's ashes.
11:25I didn't even mention him to you.
11:26You mentioned that.
11:27Yeah.
11:28I just remember
11:29that was one of the things
11:30I noticed in the room.
11:31I kind of almost focused
11:34on his ashes
11:34because they were in the back
11:35and I just headed there
11:36and then when I headed back out
11:37it was just gone.
11:38So we just added his remains
11:40into the museum.
11:43I mean, just over
11:44about a month ago.
11:46As these events unfolded,
11:48I was alarmed by Joy's breakdown
11:50and took the Ovilus
11:52to the Kevorkian van room.
11:54And every single thing
11:56that you would say
11:57or I would say,
11:58we would then get the message.
12:01I said,
12:01wow, this room feels really heavy.
12:03It said heavy.
12:05I said, where's the entity?
12:06And you said,
12:07it's on the ceiling.
12:08What did we get on the Ovilus?
12:09Ceiling.
12:10Ceiling.
12:10We went and asked you,
12:12think of a number.
12:13You said 1-1.
12:14I feel like I hear, like, 11.
12:17Like, 1-1.
12:18And what was on the Ovilus?
12:2011.
12:2011.
12:22Go look at the Ovilus.
12:26What honor did you say?
12:2711.
12:28It was letting us know
12:32that it's listening to us.
12:34It can see us.
12:35It wanted us to be scared.
12:40And at that time,
12:41I remember both of my fists
12:42were stuck in this position.
12:44You ever had locked jaw?
12:46You know, you're biting so hard,
12:47you're just,
12:48you're waiting for your teeth to explode.
12:49I was waiting for my fists to explode.
12:53And I think that the aggression
12:54of this entity
12:55where you said you thought
12:56it was going to hurt somebody,
12:57I was feeling it.
12:58I was connecting to it.
13:02Why don't we walk in there real quick?
13:04You want to?
13:05Yeah.
13:05All right, let's do it.
13:07Okay.
13:08Before we even enter the building,
13:10the Ovilus transmits
13:12an ominous message.
13:13But because of this...
13:15I've never seen that before, right?
13:16That's crazy.
13:18Wait, what?
13:19Follow me for death.
13:20Yeah.
13:21What the...
13:22They know that we're coming.
13:28We enter the building
13:29and I direct Billy
13:30to follow Joy with the XLS
13:32to the room containing
13:33Samuel Little's ashes.
13:35It does not feel good in here.
13:38Am I going to be the only one in here?
13:40Hold on.
13:40Whoa, whoa, whoa.
13:41Hold on.
13:41What was that?
13:42Something did like an aquabac.
13:43What are you feeling in here right now?
13:45It just feels like
13:47something is just, like, right here.
13:49At exactly the same time
13:51a figure appears on the XLS,
13:54Joy says she feels
13:55a presence in the room.
13:57It just feels like
13:59something is just, like, right here.
14:04Hey, Samuel Little,
14:05why don't you give us
14:06the name of some of your victims?
14:08A lot of them
14:08haven't been identified.
14:10Where are they at?
14:11Oh, look!
14:14Creek casket.
14:16No way!
14:17What the f***
14:18is that all about?
14:19It's really direct.
14:21This is breathtaking.
14:23I ask a deceased serial killer
14:25where his victim's remains are,
14:28and I get some disturbingly specific
14:30direct communication,
14:32but then the communication continues.
14:35Can you give me
14:35another victim's name?
14:38Coffin!
14:39Again!
14:39What are the f***ing odds
14:41in that, bro?
14:43Where are you?
14:46Oh, he says linger in the cellar.
14:49Go down there.
14:50Go.
14:50All right.
14:52Billy takes Joy
14:53to the basement
14:54to see if a female presence
14:55provokes a response
14:57from this serial killer
14:58of women.
15:00But Joy doesn't feel
15:01comfortable going any farther.
15:04I feel like he definitely
15:06wants me back there,
15:07alone.
15:07I just don't know
15:10if it's going to be
15:11a good thing.
15:14Author Jillian Loren
15:16wrote Behold the Monster
15:18after spending three years
15:20interviewing serial killer
15:22Samuel Little.
15:23I meet with her
15:24to get some insight
15:26on what kind of spiritual chaos
15:28his remains could be causing.
15:29What was his presence like?
15:33What was his energy like?
15:35Was there something about him
15:37that felt inhuman?
15:39I had three nicknames
15:41for Sam.
15:43Perv Grandpa,
15:44Snake Monster,
15:46and Three Card Monty.
15:47And Snake Monster
15:49was the frightening one.
15:50I grabbed my legs
15:52and pulled
15:52to the water.
15:56That's the only one
15:57that I ever
15:58killed by drama.
16:02That was if I challenged him
16:05or talked too much,
16:08you know,
16:08shut your mouth
16:09or I'll crawl across
16:11this table
16:12and I will
16:13chew your lips
16:14off your face.
16:16He would say that?
16:17Yeah.
16:17The monster inside of him
16:22was always there.
16:23Yeah.
16:24He would let you know
16:25that he is
16:26a savage killer.
16:28He believed he owned
16:30his victims.
16:31Like he took their soul.
16:34Yeah.
16:34Like he took their breath.
16:37Like,
16:38I take your breathing
16:39from you.
16:40And then he gave it
16:41back sometimes.
16:43He gave his victim
16:44CPR.
16:46After he killed him?
16:47No,
16:48brought them back
16:49to life
16:49and then killed him again.
16:52Are you serious?
16:53Yes.
16:54He was a soul taker.
17:02Jillian says
17:03Samuel Little
17:04left his personal effects
17:06to her in his will,
17:07including the ashes
17:09from his cremation.
17:10You provided me
17:12with Samuel Little's ashes,
17:16his remains,
17:17and also some of the
17:19hand-drawn portraits
17:20that he did
17:21of some of the victims.
17:22Oh!
17:25So I do got to tell you,
17:27once we put
17:28his remains on display
17:30in the jail room,
17:32where there's also
17:32the remains
17:33of Charles Manson,
17:34there has been
17:36some strange phenomena
17:37occurring in that room
17:39and also a sighting.
17:43Why your reaction
17:44like that?
17:46Well, I had his,
17:47I had his remains
17:49in my house.
17:52When you received
17:54the ashes
17:55and you brought them
17:55into your house,
17:56you know this is
17:57my field of research,
17:58and we've investigated
18:00numerous cases
18:01involving remains
18:02and ashes
18:03and that was always
18:04a common denominator
18:05in attachments
18:06and families,
18:07especially when
18:08that person
18:08whose ashes they were,
18:10were an evil person,
18:12were a bad person,
18:13were possessed.
18:14Did you ever
18:15accept any weird,
18:17um, feelings
18:18or anything like that
18:19when the ashes
18:20were in your house?
18:21Any changes with you,
18:22your family,
18:23or anything?
18:23Yes.
18:24You did?
18:25Yeah.
18:25It just got darker
18:29and I got more
18:31and more depressed
18:32and, uh,
18:34I just, like,
18:35started to kind of fold.
18:37Every time I walked
18:38into the room,
18:40you know,
18:40and I, I got, like,
18:41a weird tremor.
18:43It wasn't okay
18:44having those ashes
18:45in the house.
18:46It wasn't okay.
18:51We take Jillian
18:53to the jail room
18:54to assess the energy
18:55generated by
18:56Samuel Little's ashes
18:58and his victim portraits.
19:00This portrait here says,
19:03Jillian Lauren,
19:04my book writer.
19:05Yeah.
19:06He had this incredible
19:08memory for faces
19:10and also he learned
19:11to draw
19:11in the Ohio State Reformatory.
19:14Mm.
19:14Ohio State Reformatory?
19:15Uh-huh.
19:16Mansfield?
19:17Mm-hmm.
19:17Really?
19:18That's where he learned
19:18to draw.
19:18I investigated there.
19:19He was there
19:20when, uh,
19:22there was a suicide,
19:23like, uh,
19:24someone set himself
19:24on fire
19:25above his cell.
19:28What?
19:29Really?
19:29Mm-hmm.
19:30Yeah.
19:30We spoke to an inmate
19:32who walked us
19:34to a cell
19:34where inmates
19:35set himself on fire
19:36and committed suicide.
19:37That's the one, yeah.
19:40God, it's so weird
19:41when these connections
19:41start happening,
19:42these, like,
19:43synchronicities.
19:44How does it feel
19:48to be around
19:49his ashes right now?
19:51You evil
19:51.
19:52He was so evil.
19:56He was so evil, Zach.
20:01We step outside
20:02to process
20:03these extremely
20:04chilling revelations.
20:06Holy .
20:07Was that heavy
20:09or what?
20:10Billy was off camera.
20:11Billy, come here.
20:13Were you feeling that?
20:14Saying
20:14my stomach
20:16feels nauseous,
20:17like,
20:17look at my puke.
20:19Aaron makes
20:19a disturbing connection
20:20to the messages
20:21we got on the
20:22Ovilus with joy.
20:24And, hey,
20:24he was saying
20:25where another body was,
20:27you know,
20:27the river
20:28and the coffin.
20:29Like, I wonder
20:29if he was trying
20:29to tell us
20:30where other bodies
20:31that he murdered were.
20:32It is weird.
20:32And then I did it twice.
20:34Whoa, look at this.
20:36No way.
20:38What?
20:38What's the
20:38coffin?
20:41Now it
20:42said coffin.
20:44But there's
20:45yet another
20:45chilling connection
20:47here.
20:48Along with coffin,
20:49the Ovilus says
20:50creek and river.
20:52Are these actually
20:53the words
20:54of a very specific
20:55Samuel Little
20:56victim?
20:57Yes,
20:58the only one
20:59that I ever
21:00killed my drama.
21:01Jillian appears
21:06from inside
21:07the museum
21:08and tells us
21:08something that
21:09blows us
21:10all away.
21:11That's really
21:11important.
21:13Those details
21:14are really important.
21:15Yeah.
21:15Did he ever put,
21:16like, people
21:16in coffins
21:17and stuff?
21:18Caskets?
21:19Yes.
21:20What?
21:22Yeah,
21:23boxes.
21:24Yes.
21:25Was a
21:25diabolical
21:26serial killer
21:27taunting us
21:29by sending
21:31the words
21:31coffin
21:32and casket?
21:35And did he
21:36threaten our
21:37lives?
21:37Follow me
21:38for death.
21:39What the
21:39f***?
21:40They know
21:41that we're
21:42coming.
21:47As we are
21:48getting ready
21:48to start
21:49our investigation,
21:50all four of us
21:52are at nerve
21:52center when I
21:53see an unexplained
21:54light in the
21:55ballroom.
21:59there was,
22:10like, two
22:10lights here,
22:11like, bright
22:12white lights
22:12right here.
22:14And nobody is
22:14inside the museum.
22:16No.
22:16There was two
22:17lights right here.
22:18Oh, yeah, yeah.
22:19So we're just
22:19starting right now
22:20our investigation.
22:22As we were
22:22setting up,
22:23Billy and I
22:24were in the
22:24dull room,
22:25and we started
22:26receiving just
22:27some really
22:27chaotic EMFs
22:29that we could
22:30not explain.
22:31And every time
22:32I mentioned
22:33the name Gretchen,
22:34which is one of
22:35the most haunted
22:35dolls here at
22:36the museum,
22:37and then as
22:38we're all here
22:38observing,
22:40I just saw
22:40some lights
22:41over here,
22:42a couple lights,
22:43and we're all
22:43outside.
22:45What mic are you
22:46listening to right now?
22:47I'm just listening
22:47to all of them.
22:48You are?
22:48And if I start
22:49hearing something,
22:50I can kind of
22:50isolate which one's
22:51which, but right
22:52now it's a mix
22:52of everything.
22:53So where are
22:53the four microphones?
22:54So the four
22:55microphones, you
22:55can see one right
22:56here in the ballroom.
22:57Okay.
22:57That's a low
22:58subsonic frequency
22:59microphone.
23:00It picks up
23:00everything,
23:01but it really
23:01intensifies the
23:02low end.
23:03There's another
23:04mic right here.
23:04You can see
23:05the stand here.
23:06That's a shotgun
23:06boom mic.
23:07Okay.
23:08It's shooting
23:08down the hallway.
23:09Okay.
23:09In here,
23:10you can actually
23:11see it,
23:11see that cable there?
23:12Yes.
23:13That's a microphone
23:13that I placed
23:14into that room.
23:15Into the little
23:16girl,
23:17that goes to
23:17the little girl's
23:18room,
23:18the unfinished room.
23:19Okay, awesome.
23:21And then the
23:21other microphone,
23:22it's laying on
23:23the devil's
23:24rocking chair right now.
23:25Billy and I now
23:26enter the museum
23:27and head to the
23:28ballroom where
23:29the disturbing
23:30sounds were
23:30recently captured
23:32on the museum
23:33security cameras.
23:35All right,
23:36so it's all
23:37come down to this.
23:38There's so many
23:39unknown reasons
23:40that I have
23:41personally about
23:42why you chose
23:43me, because
23:44I know you did.
23:46Why did you do
23:47those sounds
23:47on July 15th?
23:49Did you know
23:50that was my
23:51father's birthday?
23:54As I ask
23:55this question,
23:56did you know
23:57that was my
23:57father's birthday?
23:59My infrared light
24:00unexplainably turns
24:01off and then
24:02on by itself.
24:06Zach,
24:07what?
24:07I got a really
24:08weird prickly
24:09feeling around
24:10my ears and my
24:11neck when you
24:11said that.
24:12It feels like
24:13something just
24:13moved in behind
24:14me.
24:15Now watch as
24:16this strange
24:17anomaly manifests
24:18out of the same
24:20mirror that we
24:21just captured
24:22this light from.
24:32What were
24:32those lights?
24:34I want to hear
24:35those sounds again.
24:37Do it for me
24:38now that I'm here.
24:40I want you to
24:41come through
24:41the veil.
24:43I want you to
24:43open it and
24:44tear it open.
24:46Whatever you
24:47are, I demand
24:49you to show
24:50yourself now.
24:56Zach, literally
24:57something's
24:58standing behind me
24:59right now with
24:59his hands on my
25:00shoulders because
25:01I can feel.
25:03It's like a
25:03tingly.
25:04I'm being dead
25:05serious, dude.
25:06During this
25:07moment, Billy and
25:08I start heading
25:09upstairs when
25:10Aaron and Jay
25:11hear a strange
25:12sound in the
25:12ballroom.
25:13Did you just hear
25:20that?
25:21There was this
25:21sound like
25:22when you guys
25:25were walking.
25:26Did you hear
25:26anything?
25:27Yeah, that was
25:28funny.
25:28Where did it
25:28come from?
25:29What camera?
25:37Did you just hear
25:38that?
25:38With this
25:39unexplained sound
25:40captured, Billy
25:41and I now try
25:42to elicit more
25:44activity by
25:45playing the
25:45actual audio of
25:47the disturbing
25:47sounds captured
25:48on the security
25:49camera.
25:50I'm going to
25:50play the sounds
25:51that we captured
25:53on that camera
25:54right there.
25:55Not only did we
25:55capture it on
25:56that camera, we
25:57captured it on
25:57the camera on
25:58the other side
25:58of the wall.
25:59Once I play
26:00these sounds,
26:01let us experience
26:02it with our own
26:04ears and our
26:05eyes.
26:05We'll be
26:35You have full-body chills, man.
26:44Who's the dude?
26:45David?
26:50Hey.
26:51Yeah?
26:51What if I brought the devil's rocking chair out, put it out in the ballroom?
26:55Bring it out.
26:56As I start trying to remove the devil's rocking chair, I realize it won't fit through the narrow doorway.
27:03We sealed it inside of this room with a very thick piece of plexiglass through this opening.
27:09So I now begin to remove it.
27:17I feel like this room had something to do with those sounds.
27:21Really?
27:21Because of the name David?
27:29Slide it down.
27:33Is this what you want?
27:41Ed and Lorraine Warren claimed this chair was the throne of the beast that possessed David Glatzel.
27:50They would also witness the chair rock violently back and forth, levitate, and move throughout the house by an unseen force.
27:58Why are you so quiet?
28:04We capture this light anomaly once again by the mirror shooting towards the chair.
28:09Then it does a 180-degree turn and retreats.
28:20Whoa.
28:25Whoa.
28:25It's the first spike I got, and it was on you.
28:28I get a spike near Billy with a 12.8 milligauss peak.
28:34I'll go by his camera.
28:36You see his camera right here?
28:37The meter is on the camera, and it's a .2, .1.
28:41It's not the camera.
28:43I'm just showing, look how fast I'm swinging this.
28:45I am withholding from telling you what the I'm going through right now, because it just...
28:50It was on you.
28:51It did it twice on you.
28:52It was out there, and it jumped on me, and I literally feel like there's just, like, this force field around my body just holding on to me like this, and I don't like the feeling that I have.
29:02We want to take a moment and show just how black Billy's eyes look right now.
29:08And when we compare this footage with other footage taken from this same camera, it doesn't make sense why Billy's eyes look pitch black right now.
29:17Aaron, bring in ITC.
29:36Bro, I'm...
29:38I'm really angry right now, dude.
29:40As Aaron now enters the museum, I feel it's a good idea to get Billy out of this chair, so we make our way to the other side of the building to the jail exhibit.
29:51I begin to use the APFD processor and audio ITC device to see if I can communicate with Samuel Little, the most prolific serial killer in American history, and whose remains are contained in this very case.
30:07We asked you questions the other day, and you gave us where they're buried.
30:12Who are you?
30:15What's your name?
30:16The only reason we're trying to initiate communication with this monster is to see if he will give any further information regarding the unsolved murders he committed, as he confessed to killing 93 individuals.
30:30And more than 60 of those murders have been matched to victims' identities, leaving over 30 still in question.
30:40Come.
30:40Come.
30:41Whoa.
30:44Come.
30:45Come.
30:47Come.
30:47Come.
30:49Whoa.
30:49Right after we receive this crystal clear voice saying, come, the APFD processor stops working, so Aaron activates the polterpod.
30:59What do you think about your victim, Samuel?
31:02I love him.
31:04I love him.
31:06I love him.
31:07Yes.
31:07Yes!
31:09What do you think about your victim, Samuel?
31:12I love him.
31:15I love him.
31:18Yes!
31:20Yes!
31:21I love him.
31:23Yes!
31:23Yes!
31:26Samuel Little!
31:29What's that?
31:30Whoa!
31:32Samuel Little!
31:35What's that?
31:36Oh.
31:37What's that?
31:38Whoa!
31:46What do you got here?
31:47What did it say?
31:49Hey, Samuel Little, you're a piece of s**t!
31:52Bagans?
31:52Did I say Bagans?
31:53Your last name?
31:55Yeah, that's my name.
31:57Say that.
31:59This spirit knows what it's doing right now.
32:02It's letting me know that it's getting personal by first saying my last name and then saying my first.
32:08Say that.
32:10Bagans?
32:12Say that.
32:14Bagans?
32:14Did I say Bagans?
32:15My last name?
32:17Ouch.
32:18Ow, ow.
32:19Where are you getting pains right now?
32:21I love someone.
32:21Yes.
32:23There's a lot of other victims that are still unknown.
32:27Can you tell us the name of a victim so that we can give closure to their family?
32:32How did Samuel Little, he liked to strangle women, how did he kill you?
32:40Seatbelt.
32:42Seatbelt!
32:43Are you f**king kidding me?
32:44Oh my god!
32:46Plain as day, seatbelt!
32:47How did Samuel Little, how did Samuel Little, he liked to strangle women, how did he kill you?
32:54Seatbelt.
32:55Seatbelt!
32:57Seatbelt!
32:58Seatbelt!
33:00What did he do with your body after he strangled you?
33:07Seatbelt.
33:09Seatbelt.
33:12Seatbelt.
33:12Seatbelt.
33:12Are there any protective spirits here that can help us right now, or the victims?
33:20Something can help?
33:23Something.
33:24Suddenly this male voice asks for help, not once, but twice.
33:29Could this be one of Samuel Little's male victims begging to be identified?
33:34Are there any protective spirits here that can help us right now, or the victims?
33:38Something can help.
33:42Something can help?
33:46Who are we talking to?
33:49Robert.
33:50Robert?
33:51You're going to say Robert?
33:52Yeah.
33:54Who's in the hallway?
33:57The man.
33:58The man.
34:00Who's in the hallway?
34:02The man.
34:04The man.
34:05The man.
34:06The man.
34:08Can I say something right now?
34:10Yeah.
34:11There is somebody in that.
34:12Always.
34:13I agree.
34:14I got over there, and I could not get past that.
34:18Can I say something?
34:19Yeah.
34:19The amazing and scary inside that cell.
34:24All the stuff that just happened.
34:26You can call out Zach's last name.
34:29What's wrong?
34:30What are you doing?
34:31It's that encompassing feeling where it feels like it's inside my body grabbing me like this,
34:39doing weird s***?
34:40It's just doing weird s***.
34:44We now head back to nerve center and regroup for a new plan of attack.
34:49Okay, right now, I sent Aaron to the ballroom, and Aaron is setting up his Polaroid camera.
34:55It looks like some kind of professional one.
34:57I don't know the details of it.
34:58While he's doing that, Jay is setting up his slow-mo cam that's going to capture, like,
35:03anywhere from 200 to 300 frames per second.
35:06Very high tech.
35:07We're going full visual right now, and Billy is going to follow me as I scan the museum with
35:13the XLS camera.
35:14We're going to immediately head back to the jail cell room to see if we can document who
35:19was just talking to us.
35:26Whoever we were just talking to, let us see you.
35:34With no figures in the jail area, we now head to the doll closet where something incredible
35:39is about to happen.
35:44Whoa, Billy.
35:50You got something?
35:51Yeah, he's grabbing the doll.
35:53Which one?
35:55I don't know, dude.
35:56I'm over here.
35:56He's grabbing the head of this doll.
35:59He can't stop grabbing the head of this doll.
36:02Now he's playing with the other doll.
36:03Wait, is it a stick figure?
36:05It's a big figure.
36:06He's playing with the doll.
36:07Whoa, now he's grabbing another doll.
36:10This is amazing.
36:11Watch as this entity is literally playing with the dolls and grabbing them.
36:17Could this entity be infusing them or taking their spirit energy?
36:21Dude, he's grabbing all the dolls.
36:23How tall is it?
36:24Probably about six feet, bent over right now.
36:27Are you serious?
36:27Playing with one of the dolls.
36:29Now he just disappeared.
36:31No way.
36:31Now he just disappeared.
36:33I just captured a tall figure in the doll closet grabbing all the dolls.
36:39It was grabbing this doll's head.
36:41Can we find out what doll that is?
36:43Wait, which one?
36:43Point to it.
36:44This one.
36:45It was grabbing this doll's head and then grabbing Gretchen.
36:48Can you see in there?
36:49Yeah.
36:50Do you see the creepy doll to the left?
36:52This guy.
36:53From what I remember, he was grabbing that doll's head.
36:56Can you move your eyes?
37:03Whatever entity that was grabbing that doll's head, can you move the eyes of that doll?
37:08Right now, I'm just shooting the room and the chair and everything in it.
37:20So hopefully, if there's something going on with all that, hopefully I'll capture it.
37:25All right, so I just switched over the slow-mo camera.
37:28I just moved it over here with Aaron to shoot the Devil's Rocking Chair.
37:32My setting is at 240 frames per second.
37:35So if anything is coming out of the chair or sitting in the chair and moving around the chair,
37:40we should definitely pick it up.
37:42Jay decides to sit in the Devil's Rocking Chair while Aaron takes UV photos.
37:47Show yourself.
37:56Billy and I now descend into the basement.
38:05I just heard it.
38:21I just heard it.
38:31Whoa, Billy.
38:32Yeah.
38:32Where are the guys at?
38:36In the ballroom.
38:37I immediately call Aaron and Jay to make sure they aren't in the jail room.
38:41Where are you right now?
38:42Right now, I'm sitting in the same spot with the Polaroid, and Jay is sitting in the chair.
38:47How long have you guys been there?
38:49The whole time.
38:50You are never over at the jail room, right?
38:53No, huh?
38:54We are in the basement, Aaron, and we just heard someone loud footstep walking above us.
38:59For real?
38:59Like somebody was in the jail room.
39:04Oh, my God.
39:06Not only did we hear footsteps, but now these strange sounds occur.
39:11And when we check the jail room footage, not only is no one inside there, but the light
39:16turns on by itself.
39:18Who the f*** is walking up there?
39:25I don't know.
39:25That's the jail room.
39:27Did you hear that?
39:28Yes.
39:30Who's above us?
39:36Go.
39:37Go.
39:43Aaron?
39:44Dude, they're back there.
39:52Why is the light on?
39:54Why is the light on?
39:55Oh, my God.
39:57Who or what was making the footstep sounds in this room?
40:05Whoa, Billy.
40:06Yeah.
40:10Whoa, Billy.
40:11Yeah.
40:11And why did this motion-activated light turn on while nobody was inside?
40:19We firmly believe these are the spirits that we experienced incredible communication with
40:25and hear earlier.
40:26And we ask ourselves, is the man who made himself known, and whom our interviewee Joy is terrified
40:34of, the spirit of Samuel Little?
40:37After Aaron's Polaroids develop, we make a startling discovery while Jay was sitting in
40:43the devil's rocking chair.
40:45As you can see in this first photo, it's normal.
40:48Then, something starts appearing around him.
40:51And in the third photo, these strange light beams appear.
40:56And when Jay exits the chair, something truly shocking appears.
41:01An energy form seems to be traveling out of the chair, with several unusual speckles and
41:08spots around the chair.
41:09Could this be evidence of the very portal that we believe opened and caused the disturbing
41:15sounds captured on our security camera?
41:19Good evening, sir.
41:19Indeed.
41:20Good evening, sir.
41:21Totally.
41:23mãozcleronus.
41:24Are we sure this is still happening on the basement?
41:25Are we sure this is not there?
41:25Don't worry, sir.
41:26The experience of the spirit of the ship is just about us.
41:28Therefore, that
41:38When we think about the name of the ship is just about us.
41:41What?
41:43Do I understand it?
41:43Speaking of the ship is really interesting and beautiful andzier
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