Emily in Paris S05(EP1 - EP10)- Episodio 3- Subtítulo español and inglés - Emily in Paris S05 - Drama Koreano
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00:00I want to stay in bed all day.
00:15Whatever you said, I liked it.
00:20It translates to the one who sleeps catches no fish.
00:25Well, I hate to see you go, but I like to watch you leave.
00:38That translates to I like your butt.
00:44Oh, God. Mindy's on the couch.
00:48Yeah.
00:55You don't have to go, man.
00:58No, it's all good.
00:59Volando offered to put me up in a nice hotel, so why not?
01:03To spend time with your best friend.
01:05A best friend who I don't want to keep cock-locking.
01:08Marcello was basically chewing me away with his dick this morning.
01:11It does have a mind of its own.
01:13Okay.
01:14So what hotel are they putting you in?
01:16The Orient Express La Minerva.
01:18Oh, nice.
01:20Oh, I think Alfie's staying there. You should text him.
01:22No, no, no. I've got so much choreo to learn for the show, and it's tomorrow.
01:26Emily, I can't believe I agreed to do this.
01:29Sorry again, Mindy.
01:31No big D.
01:34As in deal. No big deal.
01:37Your D was perfect.
01:40You know what? I'm going to go.
01:43And we're still getting a lot.
01:44No big deal.
01:45Thank you, Celestino.
01:46Very much better.
01:47Let's go.
01:48food, fun, clean,ête-la-la-la-la-la-la-la.
01:54Would merely help us-
01:57To visit spa's house?
01:58Hello out Celestino.
01:59How are you sleeping?
02:00Hi, Viviana.
02:01You hallelujah-la-la.
02:03How are you?
02:04Hey, Viniana, how are you?
02:05Good afternoon.
02:07Don't you have enough Capital.
02:08Oh, yes, thank youally sister.
02:09Everything is well.
02:11Thank you, sister.
02:12Hi, uh, buongiorno, do you mind if we, uh, sit?
02:22Oh, yeah, no, not at all, please, please.
02:24I told you you'd speak English.
02:26Hi, I'm David, this is my wife, Katie.
02:28Nice to meet you, I'm Luke.
02:30Americans?
02:31Ohioans, our first time to Europe.
02:33Can you believe how cheap this place is?
02:36Aside from the 11 o'clock curfew and the shared bathrooms,
02:39it's as good as any hotel.
02:41Exactamente, that's why I'm here.
02:44And Sister Cristina's frittata is...
02:48I heard the eggs are blessed.
02:50Eggs Benedictine, huh?
02:54The commercial starts on a beautiful woman
02:58sitting alone in a movie theater.
03:01When the lights go down, she's joined by a man.
03:05He puts his hand on her knee, and it's clear they know each other.
03:08The movie playing on the screen will be a series of quick cuts.
03:12First of a little boy and a little girl chasing each other through Solitano.
03:17And then it's the little girl and the little boy as teenagers, flirting, stealing glances.
03:24And back in the movie theater, the man's hand begins to move to the woman's thigh.
03:30On the screen, we see the teenagers walking through the village, unable to keep their hands off each other.
03:36Eventually, they're sharing their first kiss.
03:38We cut back to the theater, and it's just a beautiful woman watching the film alone, smiling at the memories.
03:45Or was it just a fantasy?
03:47It's so good.
03:51Feels classically Italian.
03:53Almost like Cinema Paradiso.
03:55That's true.
03:55Cinema Paradiso is one of my favorite films.
03:59Umberto's too.
04:01He loved movies.
04:02That's why we had the theater built.
04:04Well, then maybe we could call the fragrance Muratori Paradiso.
04:08Muratori Paradiso.
04:09I like that.
04:12I like it too, but if the goal is for the brand to appeal to a global audience, then maybe the commercial should be more cosmopolitan.
04:20Maybe we shoot it in Rome or Milan or even New York.
04:24No, it doesn't feel right at all.
04:27Well, we do want to make sure that the commercial is something that people from all over can connect with.
04:33That's why you hired me.
04:36Don't worry, it's going to be beautiful.
04:37I know how smitten you are, but Antonia's the one we have to please, not Marcello.
04:44I'm trying to please both.
04:46Well, just the one we'll do.
04:49Don't be our liability, Emily.
05:02Again?
05:03Di nuovo.
05:05What?
05:05Okay.
05:13Okay.
05:14You know what?
05:15Let's call it.
05:16Proviamo dall'inizio.
05:17Okay.
05:19Giro.
05:20Fuori.
05:21La mano.
05:22La mano.
05:23Tre.
05:24Due.
05:24Uno.
05:26Oh.
05:27Sorry, I'm so sorry.
05:28Oh, Cristo.
05:29I know my knees are really sharp.
05:31Gianna, ti prego, vieni qua.
05:32Ciao.
05:33Sto cercando di ballare con un frigorifero.
05:34È una principiante.
05:37Okay.
05:38Hi, Mindy.
05:39Ciao.
05:40Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:43In alto?
05:44Sì, una liva del primo anno potrebbe farla.
05:46Ma è cantante su TikTok.
05:47Me ne rendo conto.
05:49Guarda.
05:49Facile.
05:58Cool, facile.
06:00I know what that means.
06:01Dai, di nuovo.
06:04Dai, ti aiuto.
06:05Oh, I don't speak Italian.
06:06Oh, I guess I can sense.
06:09Cinque, sei, sette, otto.
06:12Arm.
06:12Oh, that's low.
06:16Jeez.
06:16Okay.
06:18This and this.
06:19Maybe, maybe we can think of another end of the dance.
06:23Yeah, maybe, maybe we do like a deep bow.
06:26Di nuovo.
06:28Di nuovo.
06:29Di nuovo.
06:30Di nuovo.
06:30Di nuovo.
06:33Okay.
06:53So, after the embarrassment at Fendi, we need to sign another luxury client.
06:58Not only to preserve our reputation, but also to justify keeping an office.
07:02Hello, team.
07:04Now, do you want to tell them, or shall I?
07:06I was just about to tell them.
07:09Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
07:15The underwear brand?
07:16Lingerie.
07:18Oh, lingerie and underwear are two entirely different things.
07:22It's form over function.
07:24Good gas mileage versus sporty handling.
07:27Are you two really mansplaining lingerie to me?
07:30I mean, have either of you ever tried any?
07:32Surprisingly, no.
07:33Panties on me is like putting a muzzle on a polar bear.
07:36But I think I should be considered for the cunt.
07:39I already have some ideas.
07:42Something dark and sexy.
07:43Do you remember the film The Night Polar with Charlotte Rampling?
07:48No?
07:49Mm-mm.
07:49It's about a former SS officer, and she was his prisoner.
07:53We could explore themes of fascism and submission.
07:57That would be a hot take for lingerie.
08:00I'm feeling it.
08:02Really?
08:02I think Emily is the right person for the account.
08:06You got a chance to redeem yourself after the Fendi fiasco.
08:09Oh, yes, my Jewish grandmother would say.
08:11Go home, think about it.
08:13Maybe try some things on.
08:16Send us some pictures.
08:17No.
08:18I want to prove the French can sell sex better than the Italians.
08:22But I'm American.
08:24Oh, that's your problem.
08:25Don't make it ours.
08:35Thanks for helping me.
08:37It's better than the other night watching Anton chew his wine.
08:40You're really good.
08:41I was forced to take ballroom lessons as a kid.
08:44My mom said they'd pay off one day.
08:45I can't actually believe she was right.
08:50You ready for the leap?
08:53Maybe.
08:55No, I can't do this.
08:57You can do this.
09:01I don't think I can.
09:03I really don't.
09:05No, just stop thinking about it.
09:06Turn off your brain and jump.
09:09Okay.
09:17Let's take it from the head flicky thingy.
09:19You want to start with a sassy bitch.
09:21Sorry.
09:22Ready?
09:41Ready?
09:44Yeah.
09:44Oh my god
09:52I told you
09:53I did it
09:54Finally
10:00Finally
10:14We can't
10:20Get it on so he can get it off
10:32Or how about just get it on
10:38Intimistic me
10:39Get it on
10:40Are you working right now?
10:42Well, I could go sit alone in an office
10:45And try coming up with a lingerie campaign
10:47But I thought this would be more fun
10:48How about intimissimi
10:50Better on the floor
10:52Hmm, not bad
10:54What about
10:56Make four play last
10:59Make it five play
11:01Hmm, non bene
11:03Yeah
11:04Yeah, non bene
11:05See, good ideas and good taste
11:08No wonder you're a titan of industry in the making
11:11Yeah, tell that to my mother
11:13She has no faith in me
11:14Otherwise I'd be running Muratori by now
11:17Yeah, well she's probably just having trouble
11:20Letting go of the reins
11:21Yeah, because she still thinks of me
11:23As the wild, irresponsible kid
11:24Who was always in trouble with the nuns
11:26Yeah, but you know
11:27Parents sometimes project their own fears
11:29Onto their kids
11:30Seems like it's just me
11:32I'm sorry
11:39I know how that feels
11:40Your parents are like that too?
11:44Not exactly
11:45I was thinking more Sylvie
11:46I mean, she put me in charge of the Rome office
11:48But she doesn't seem to have any faith
11:49In my ability to actually run it
11:51Sylvie and my mother
11:53Definitely have one thing in common
11:55I don't want to think about
11:58Either of that right now
11:59Me neither
12:01Is it time to take the lingerie off yet?
12:07I still have to figure out this campaign
12:09Fine
12:10If it's better for work
12:12You can leave the lingerie off
12:13They might be even sexier
12:16That's not a bad idea
12:21Sexier than naked
12:24Sexier than naked
12:29Yes
12:30We see a couple kissing passionately
12:33She goes to take off her lingerie
12:35But he stops her
12:36Leave it on, he says
12:38Is he gay?
12:42What? No
12:42No, the lingerie is just so beautiful
12:45It takes center stage
12:46You want to see it
12:48We want this lingerie to make people connect
12:50This is to a surface
12:51And a little confusing
12:53Well
12:54How about I take all these notes
12:57And rethink
12:58I could have you something by
13:00We can meet tomorrow at the same time
13:02We are on the deadline to make our decision
13:05Great
13:06Well, let's make that happen
13:08I'm not going to be able to meet tomorrow
13:10Oh
13:10We'll miss you
13:12I'm losing my touch
13:23You know, I
13:24I don't think my ideas are translating in Rome
13:27I mean, I thought Italians liked sex
13:28Actually, they're very repressed
13:30Oh, well, that hasn't been my experience so far
13:32What's going on in here?
13:35Nothing
13:35Just Emily
13:36Just Emily, intimacy issues
13:38Oh, we are finally talking about it
13:42From the moment you walked into the office in Paris
13:45I noticed you had a wallop
13:47Now, Luke
13:48I don't know who could blame
13:49I mean, a young woman in a foreign land
13:52In a foreign office
13:54But as time went on
13:55I saw it was more than that
13:57The very curated online presence
13:59The bald outfit stealing fuckers from what's underneath
14:02Maybe you've been hurt in the past
14:04Luke, I don't have a problem with intimacy
14:06Okay?
14:06I have a problem with intimacy
14:07Me, the brand
14:08Oh
14:10I misunderstood
14:12Yeah
14:13Yeah
14:14Or maybe not
14:15I still have my Night Potter idea
14:25Great
14:38One more, just like that
14:40No, the boy's attitude
14:41He seems to feed it
14:43He should act like they're playing a game
14:45Keep rolling or cut?
14:48Uh, cut
14:49Cut!
14:51The little boy is sad at first
14:53And then he realizes it's a game
14:55I think we should keep it light from the beginning
14:57I can do a take where it starts to play for
15:04Thank you
15:05Sure
15:06Okay, let's do it again
15:10Okay, back to one
15:12Thank you
15:13Thank you
15:17Ah
15:18Italian women, you're always late
15:30Yes
15:30But we're always worth the wait
15:32Sorry, my sweet
15:33Is that for me?
15:38Yes
15:38It's gorgeous
15:43Should we go see how it fits?
15:47It's your place
15:47I have to be back at the office
15:49But I can come over tonight after balando, balando, balando
15:53Can I go to my place?
15:54My father's staying with me now
15:55And his breathing machine is very loud
15:57But I can come to your hotel
16:00Okay
16:02But you have to be there before 11
16:04Don't be late
16:05I wouldn't jam a bit
16:06Are you enjoying this?
16:23Or are you anxious for it to be over?
16:25I just wonder what Umberto would think
16:28This would all be a little Hollywood to him
16:31You always agree with what Umberto said?
16:34Almost never
16:35But it was nice to have someone to push back against
16:39The success or failure of the company is all in my hands now
16:42It's a lot of responsibility and a little lonely
16:46I know that feeling
16:49What if we ended the commercial on the idea of the couple together rather than the woman alone?
16:59Oh
17:01I like that
17:03Bravo
17:05Excuse me
17:08Don Carlo
17:10It's totally different from what I planned
17:14Yeah, but I think it works better
17:16I spoke to Antonia, she actually refers this version
17:19So then I guess I don't have a choice
17:21No, it's still your vision
17:23It's not if the ending's different
17:25I didn't realize you were so precious about this
17:27I didn't realize we were directing by committee
17:29Giancarlo, we're here to please the client
17:32And that's what the client wants
17:33I think it's what you want
17:35And you always do what you want
17:37Isn't that right?
17:38Giancarlo, basta
17:39You're behaving like one of those children on set
17:41Do you want me to ask one of them to direct instead?
17:44I have a better idea
17:48Tommaso
17:49She's directing this now
17:51Giancarlo
17:55Doesn't feel great to be left
17:57Does it?
17:58Oh my god, look!
18:00She looks like she's already won
18:04I know
18:06And this is the girl who had debilitating stage fright
18:10She used to have to get one before performing
18:12Just to calm down
18:13Get one?
18:14You know
18:15You know
18:16Orgasm
18:17Is that what you said?
18:18Maybe
18:19Oh my god, look
18:20Oh my god, look
18:21Oh my god, look
18:22She looks like she's already won
18:24Oh my god, look
18:25Oh my god, look
18:26She looks like she's already won
18:27Aw
18:28I know
18:29And this is the girl who had debilitating stage fright
18:31She used to have to get one before performing
18:32Just to calm down
18:33Get one?
18:34You know
18:35Orgasm
18:36Is that what you said?
18:37Maybe
18:38Maybe
18:45What is it?
18:46I'm just gonna meet you in the seats
18:48Okay
18:49When I get nervous, I sweat and then things scoot around
18:53So I just need you to spray my butt with glue
18:58Honestly, I'm relieved that's all you're asking
19:01Oh, I just
19:02I'm gonna make a fool out of myself, Emily
19:04You're gonna be great
19:05I don't think so
19:06There's a big leap at the end and I've only gotten it right one time
19:09Okay, well do you remember what you did that one time?
19:11Yes
19:12Yes, I do
19:13Well then just do that
19:14Right
19:15Yeah, yeah
19:16Okay, yeah
19:17Yes, I
19:18That's good
19:19Just breathe
19:24Okay, maybe don't breathe
19:26Really get in there
19:27Luke said I had intimacy issues
19:29If only he could see me now
19:31Well, you definitely don't have intimacy issues with me
19:33What, you think I have intimacy issues with other people?
19:35Well, I just think you need to be pushed slightly to open up
19:39Like if someone were to share something personal with you
19:41Then I think you'd share something personal about yourself
19:44Yeah, exactly
19:45But I didn't do that
19:46Marcello opened up to me about his mom
19:48But then I sort of pivoted to work
19:50Oh, that's fine
19:52You really think that's fine?
19:54No, I don't
19:56But can we talk about this another time, please?
19:57I have to leap over a man's head
19:59Gauge my core
20:00Point my toes
20:01And then try not to pee when his thumbs jab into my bladder
20:03So it's hard for me to think about anything else right now
20:05Copy
20:06Copy
20:11Oh my God!
20:13Oh my God!
20:14Don't worry, I practiced all night, I've got it
20:29You really got it
20:30Yeah
20:31To dance with his partner Orlando Ea
20:36And singer Mingli Chen
22:09That was amazing.
22:11Oh, good.
22:13Oh, good.
22:15Oh, good.
22:17Oh, good.
22:19Oh, good.
22:21Oh, good.
22:23Oh, good.
22:25Oh, good.
22:27Oh, good.
22:29Oh, good.
22:31Oh, good.
22:33Oh, good.
22:35Oh, good.
22:37Oh, good.
22:39Oh, good.
22:41Oh, good.
22:42Oh, good.
22:43Oh, good.
22:44Oh, good.
22:45Oh, good.
22:46I know what idiota means.
22:47You're the idiota.
22:48I hate to dash off, but Bianca is coming over.
22:49I don't play with a principal!
22:51You're an idiot!
22:53I play with a professional ballerina, not with you!
23:19Lando may have slipped his spell.
23:21Well, it was all his fault, right?
23:22Look, it didn't even look like he was trying to catch her.
23:24Yeah, he wasn't.
23:25I love how a translator suddenly appears after there's an incident,
23:29but not a second before.
23:31What if we walk around the city and forget about the day?
23:33Create some new memories.
23:35Oh, I'm exhausted.
23:37I think I just gotta go back to the hotel.
23:39Well, we could share a cab.
23:43My treat?
23:44Great. Nice.
23:46Okay.
23:47Bye.
23:49Thanks for coming.
23:55So, how did the pitch 20 minutes to me go?
23:59Not my finest moment, but I have some more ideas.
24:03Do you want to tell them to me?
24:05Actually, I'd rather not talk about work, if that's okay.
24:10Va benissimo.
24:17I'm ready for a minute.
24:19It's okay.
24:20Oh, no.
24:21It's okay.
24:22We don't need to.
24:23It's okay.
24:24It is okay.
24:25Yeah, it's okay.
24:26It's okay.
24:27Alright.
24:28I'm ready for the bonus!
24:29I'll sit alone in the morning.
24:30There's no money.
24:31It's okay.
24:32It is.
24:33Let me go.
24:34It's okay.
24:35I'm ready for the first time.
24:36I've had 30 minutes.
24:38Let's get it.
24:39Okay.
24:40I understand.
24:41Uh...
24:43Sister, please.
24:45Can you wait just a few minutes, please?
24:48The Lord shows no partiality, Luke.
24:51But could you?
24:53Just this once.
24:57Come on.
25:13It's past curfew, my dear.
25:15Curfew?
25:16I cannot let you in.
25:18God bless.
25:28Bianca!
25:29Bianca!
25:30Up here!
25:31Are you staying in a convent?
25:33Yes.
25:34It's a really good rate.
25:35Very central.
25:36Okay.
25:37I am so sorry.
25:39The curfew is very inconvenient.
25:41And I so badly want to lay eyes on you,
25:44but I also want to respect the sisters.
25:47You know what I mean?
25:48You're such a sweet mind.
25:50I don't want to live without showing you your surprise.
26:00Oh, qué bella!
26:02Mamma mia!
26:04Sister, please!
26:06Oh, please!
26:08Jesus loved prostitutes.
26:11But a curfew is a curfew.
26:14David, get out here quick!
26:17There's a hooker trying to get in.
26:20This makes up for no TV.
26:22This is Mercati di Traiano, built between the years 100 and about 120-ish.
26:37It's world's first shopping mall.
26:40Are you serious?
26:41Mm-hmm.
26:42Ha!
26:43Oh!
26:44Okay!
26:45Oh, my God!
26:46I totally see it!
26:47Versace.
26:48Armani.
26:49Muratori.
26:50Ah!
26:51Dancing fountain over there.
26:54Ooh, food court over there.
26:56It's beautiful.
26:57Hey.
26:58Is there a problem?
27:00I've just, I've been thinking a lot about what you said about your mom.
27:14My family's not so different.
27:17They always made me feel like, um, I had to succeed in life to matter.
27:24Good grades, good job.
27:27Yeah, and they're good people, you know?
27:30Don't get me wrong.
27:31It's just existing was never gonna be enough.
27:33Achieving is what life is about.
27:37So I, I try really hard.
27:43And I push to make everything work.
27:46And I want to be perfect, you know?
27:48And then I, I come to a place like this and it is just, it's so beautiful.
27:53It takes my breath away.
27:56And it's, you know, it's because of all the imperfections.
27:59The, the cracks and, and, and the crumbling columns.
28:04And I, it just, it makes me think that maybe I don't have to push or fix or try so hard.
28:15Maybe I can just let things be and it will all be fine.
28:19Maybe even better than fine.
28:24Hmm.
28:34Hmm.
28:59Hmm.
29:01Hmm.
29:02Hmm.
29:03Hmm.
29:04Oh, I'm going to make us some espresso.
29:05Hmm.
29:06Hmm.
29:07Hmm.
29:08Hmm.
29:09Hmm.
29:10Hmm.
29:11Hmm.
29:12Hmm.
29:13Hmm.
29:14Hmm.
29:15Hmm.
29:16Hmm.
29:17Hmm.
29:18Wait, so now you're wearing underwear?
29:20Hmm.
29:21Hmm.
29:22Hmm.
29:23Hmm.
29:24Hmm.
29:25Hmm.
29:26Hmm.
29:27Hmm.
29:28Hmm.
29:29Hmm.
29:30Hmm.
29:31Hi, Rumi.
29:32I miss you.
29:33I miss you.
29:34I didn't like leaving you alone last night without a shoulder to cry on.
29:38I feel like a horrible best friend.
29:40No, I didn't cry much.
29:41It's okay.
29:42Um, how about, I'll FaceTime you when I'm getting ready.
29:45Okay.
29:46Ciao for now.
29:47Ciao.
29:51Is that anybody?
29:52Shh.
29:53Yes.
29:54This campaign is about one of the most intimate things you can do with your partner.
30:08Talk.
30:09Talk.
30:12Che brava.
30:13Mi piace un sacco, sì.
30:14Sì, e questo li possiamo usare anche per le foto.
30:17Esatto.
30:18Sì, sì.
30:19Come on.
30:20Guess what?
30:21We got another client.
30:24No more intimacy problems.
30:26Ah, fantastic.
30:28Oh, could you ask if they ever have any likely won returns that they want to give away to charity?
30:36Heh, what charity is that?
30:38Saint Luke's house of fetishes?
30:39No, for the nuns in the convent I'm staying in.
30:42They're big fans.
30:44Where are you staying?
31:03What?
31:04Good news.
31:06Intimisum U wants to work with us.
31:10Is everything okay?
31:14Giancarlo walked off set and refused to come back and I had to finish directing the entire
31:22shoot.
31:23What happened?
31:24It's a mess, it's a mess.
31:31After all the work we've done, I might have ruined this entire campaign.
31:44What happened?
31:46What happened?
31:47What happened?
31:48I'm not sure if you could do well.
31:52That's why I'm not sure what happened.
31:54Alright, let's go.
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