مسلسل Emily in Paris الموسم الثالث الحلقة 7 مترجمة - توب سينما
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00:00To be continued...
00:30I've liked him since we were at boarding school, but...
00:34Maybe I'm just trying to satisfy a teen crush, you know?
00:38Ugh.
00:39Bring friends.
00:40I'm not going.
00:41What? You have to...
00:42Come on, think of Teen Mindy.
00:44She's been wanting this for so long.
00:46You know what? I'll go with you.
00:48I would love to talk to Nico about our Soleil de Parry deck.
00:50Nope.
00:51We pitched a collab with Gray Malin, an amazing aerial photographer.
00:55No campaign chat.
00:57And you can't come solo.
00:58You need someone to distract you while I distract Nico.
01:01Bring Alfie.
01:02I would, but he's in London for his mom's birthday.
01:05Bonjour, neighbors.
01:06Bonjour.
01:07Fetching your own breakfast?
01:09Where's your boulangerie, Bish?
01:11She's referring to Camille.
01:12I wouldn't run with that nickname.
01:14She's in Greece with Sophia.
01:16Excuse-moi?
01:17The last stop to our art exhibition?
01:20Incredible, right?
01:21Très bien.
01:21It's amazing.
01:22Wait, what do you make of this?
01:26Is he inviting me on a date, or is it just a group hang?
01:29Answer truthfully.
01:31Uh, group hang.
01:33See?
01:34Want to come see a movie tonight?
01:35Oh, no, he can't.
01:36He's busy working.
01:37Oh.
01:38Actually, the restaurant's closed and Camille's away, so I'm on my own tonight.
01:41Bon.
01:42Problem solved.
01:43I will text you the deets.
01:44Great.
01:45Bonne journée.
01:46Bye.
01:46Bye.
01:48Oh, my God, Mindy.
01:50I'm sorry, I'm sorry, I'm sorry.
01:51I wasn't thinking, but nothing's going to happen between you and Gabrielle.
01:54You're just friends.
01:55No, I'm talking about the fact that Camille is in Greece with Sophia.
01:59This is way more serious than just a kiss.
02:01Do I say something to Gabrielle?
02:03No, no, only if you want to get in the middle of their relationship drama again.
02:06Maybe it's nothing.
02:08And if it is something, let Camille tell him herself.
02:29I thought Gregory Dupre was showing us the Air France uniforms he's designed for the beach.
02:34He's just called to move it.
02:35To when?
02:36The better question would be to where.
02:38Okay, look, you know I hate middles.
02:40Okay, Gregory now wants us to meet him at his atelier.
02:43Apparently his redesign cannot be contained to a conference room.
02:47Does he know the client expects his submission today?
02:49Yes, he does.
02:51I hope you haven't gotten his hopes up.
02:53I've spoken to my contacts at Air France.
02:55Chanel and Louis Vuitton are the present frontrunners.
02:57And do you think he has a chance?
02:59No, I don't, but I've been wrong before.
03:01When?
03:02Well, ask Emily.
03:03I'm sure she journaled about it.
03:06Well, there's been really nothing that specific.
03:09But it's good to keep a journal of your time in Paris.
03:13Do you read the diary of Anna Isenin?
03:16No, I haven't.
03:17No?
03:17Such a marvelous account of a young woman's sexual awakening.
03:22She was truly insatiable.
03:26Huh.
03:27So, this is Gregory's atelier.
03:35Oh, it's like a fashion war room.
03:37You can just smell the creativity.
03:39Oh, that's marijuana, Emily.
03:41Bonjour, post-class.
03:43This is your captain speaking.
03:49Everyone, take your seats.
03:52Buckle up.
03:53There will be turbulence.
03:55Will drinks be served?
03:56Oh, you will be served.
03:58Trust.
03:58Now, before you see the uniforms, let me explain my concept.
04:04This is a story about control.
04:07The experience of flying strips you of it.
04:10The minute you sit down, the flight attendants control everything.
04:14They strap you in.
04:15They instruct you how to breathe.
04:17They tell you when to sleep, when to wake, when to eat.
04:22You are their subs.
04:24So, if they want to be such doms, I say, dress them as doms.
04:30Passengers, this is my submission for the Nouveau-Haire France.
04:36Passengers, this is my submission for the Nouveau-Haire France.
05:06And?
05:20Well, this will certainly surprise Air France.
05:23You've given their uniform quite a makeover.
05:26Emily?
05:27Oh, they're beautifully constructed, subversive, and, you know, bondage is totally dominating
05:33runways right now.
05:34Pun intended.
05:35Well, that might be true, but I don't think Air France is wanting to push the needle this
05:43far.
05:44Gregory, I've seen Chanel's submission.
05:46Understated and chic.
05:47Oh, sorry, I have to take this.
05:57Hello?
05:59I don't think you understand how much I need this account.
06:02My business is in trouble.
06:05If I don't have a business, you don't have a business.
06:08Would you ever consider presenting that ensemble, but without the belt, boots, and cap?
06:15And kill all the elegance?
06:17I'm submitting them as they are, with or without your help.
06:21Let's go, girls.
06:22Ah, that was Pierre.
06:34Yeah, he was very upset.
06:36His new store opens next week, and he's sounding very erratic and paranoid.
06:40Ever since he sold his company to JVMA, he doesn't know who he can trust.
06:43Ah, he should have thought of that before he abandoned us.
06:47He's not our problem anymore.
06:49Let's not forget, he did try to throw us a lifeline, and now he's begging for our help.
06:54Well, what can we do?
06:55He's asked us to meet him at the store and give him our professional opinion.
06:59I mean, can we even do that?
07:00We don't represent him anymore.
07:01Look, we've been through a lot with Pierre.
07:03He's not just an ex-client, he's a friend.
07:06And now, he needs us, so we're going.
07:14Where are you taking us?
07:15Well, this is where Pierre told us to meet.
07:17He dropped a pin.
07:18He knows how to drop a pin.
07:21Did anyone see you?
07:22No.
07:23Are we being followed?
07:24Pierre, is all this espionage necessary, really?
07:26Oui.
07:27No one from JVMA can know you're here.
07:30Especially Nicolas, papa's little puppet.
07:33He has spies everywhere.
07:35Come in.
07:36Go, go, go, go, go.
07:41Mon Dieu.
07:41So many Pierre's.
07:47JVMA dedicated so much floor space to your Rangard line, it's...
07:51Oh, overwhelming.
07:54Exactement.
07:55They missed the point.
07:56When it is this much, it's not irony.
08:00It actually is Rangard.
08:01What do you think of the quality?
08:03Honestly?
08:05Brutally.
08:07Well, it's more mass market than I expected.
08:10Très chic.
08:12It's a cadou.
08:13Uh, oh, wow.
08:15Merci.
08:16Isn't it ghastly?
08:18They've turned me into a clown trapped in a fun house mirror.
08:23Dizzily.
08:24That's a cadourent.
08:25What did Nicolas say when you told him you weren't happy with all this?
08:30He didn't care.
08:31No one at JVMA cares what I think.
08:35I have no one.
08:36I'm completely alone.
08:38No, that's not true, okay?
08:39You have...
08:40You have us.
08:41I had you.
08:43This deal was a mistake.
08:45I want to end it.
08:46Oh, no.
08:47Careful, Pierre.
08:47If you leave, that's still on your name.
08:50I mean, clearly your face.
08:53You're ready for the runway.
08:56Tag en!
09:02Hi.
09:04Where have you been?
09:05I'm auditioning three outfits to wear tonight, and I almost gave up until I found this.
09:11It was delivered to you today from Gregory Dupree.
09:14Mindy.
09:15Well, I'm sorry.
09:15I only opened the box, not the note.
09:17You know, I can't control myself when fashion lands on my doorstep.
09:21Our doorstep?
09:22Yes.
09:24Air France said no.
09:26Wear this to my funeral.
09:29Oh, Air France declined his design for their new uniform.
09:33Oh, well, one airline's trash is another woman's treasure.
09:38Might you want to dress like a sexy flight attendant?
09:41Oh, well, you don't think Brittany looked iconic in her toxic video?
09:45Well, well, you certainly will make an impression.
09:47Ooh.
09:48Ooh.
09:49Please prepare for an emergency landing.
10:01Bonsoir.
10:02Bonsoir.
10:03Bonsoir.
10:03I'm Mindy Chen.
10:04Hi.
10:05Good to see you again, Emily.
10:11Oh, you too, Nicolas.
10:12Oh, I brought a little picnic, too.
10:13Thank you for your invitation.
10:15Just a few things we serve at the restaurant.
10:16Oh, thank you, Chef.
10:18Gabriel.
10:19And my restaurant is Chez Laveau.
10:21You're welcome anytime.
10:21It would be my pleasure.
10:23And I brought rosé all the way from Provence.
10:25Ah.
10:27I love your look.
10:28Where is it from?
10:29Actually, it was a gift from a designer Emily works with, Gregory Dupree.
10:33Oh, really?
10:33I heard his last show at Versailles was amazing.
10:36Oh, it was.
10:37He's so underrated.
10:39You know, his work deserves a much bigger spotlight.
10:41Well, it's shining pretty bright now.
10:43Oh.
10:43Oh.
10:43Oh.
10:44Here.
11:00I have one of mine.
11:02Oh, merci.
11:04You bought too much?
11:05It's a bad habit.
11:08So, I happened to walk by your new store for Pierre.
11:11Very mysterious.
11:13You're really keeping that one under wraps.
11:16How's it going with him?
11:18Well, I do have a newfound respect for you.
11:21You do?
11:22Why?
11:22I don't know how you dealt with him for so long.
11:25He's infuriating.
11:28He wanted a minimalistic store, so that's what we gave him.
11:31Then he wanted it to be loud and bold like Rengard, so we pivoted to that.
11:35And now he hates it again.
11:37He's never satisfied.
11:38Was he like that with you?
11:39Pierre's insecurities can certainly take the wheel, but just be patient with him.
11:46I mean, we encountered similar issues during Fashion Week.
11:49You just have to make sure you handle him well, otherwise he could skip the opening altogether.
11:54It's not my first time with a demanding designer.
11:58The store opens with or without him.
12:01Right.
12:02Well, you know he trusts us, so if there's anything that you need us to help with, just let me know.
12:07Excuse me, Emily.
12:12What were you two talking about?
12:14You, obviously.
12:16You were talking work.
12:17Damn it, Em.
12:17Are you going to be like this every time we're on a date?
12:20No.
12:20So this is a date.
12:22It's got to be.
12:23He touched my back, introduced me to his friends.
12:25Ooh, one of them told me this is a notorious hookup spot.
12:29Go get it, girl.
12:31Hey.
12:33Hey.
12:34Care to join me?
12:35We're moving too fast.
12:59You're right.
13:01It's too fast.
13:03Oh, sorry.
13:12Désolé.
13:16Tes plats étaient délicieux.
13:19Georges en avait l'eau à la bouche.
13:21Ah, merci.
13:23C'est gentil.
13:25Bah, si tu me connaissais un peu mieux, tu saurais que je suis pas si gentil que ça.
13:28Respective, respective.
13:29Hi, sorry.
13:37Some people are trying to watch the movie, so just shh a little bit.
13:40Oh, thanks.
13:41No, they're not.
13:42How long have you two been together?
13:44Oh, we're not together.
13:47He has a girlfriend who's in Greece.
13:49We're just friends.
13:50Good night, Andy Anderson.
13:52So she's your friend while a girlfriend's in Greece.
13:56I could be your friend too.
13:57We could all be friends.
13:59It's not like that.
14:00She has a boyfriend.
14:01Yeah.
14:02Oh, and where's he?
14:04London.
14:04Oh, I get the game now.
14:07So your girlfriend's in Greece, your boyfriend's in London.
14:10Well, my boyfriend's in Berlin.
14:14And I miss him so much.
14:18This is fun.
14:20You two are fun.
14:21Okay.
14:22Emily, should we...
14:24Oh, yeah, we should go.
14:26That thing, dude...
14:27I've already seen this movie like a thousand times,
14:28and they end up together in the end.
14:30It's cliche, but it's great.
14:33Enjoy it.
14:34Thank you for everything.
14:35So sweet.
14:36And we're gonna go.
14:37Have fun.
14:39Guys, a woman's curse, all right?
14:41It's her secret source of power.
14:43There are many dark and dangerous things in there
14:45that we, the male species, should know nothing about.
14:47So, what's the verdict?
14:59Is Nicola into Mindy or no?
15:02Sadly, I think not.
15:04He would have at least tried to kiss her if he was.
15:07Well, maybe he's not into public displays of affection.
15:10Everyone else sure was.
15:12Right?
15:13I never knew that movie was such a turn-on for people.
15:15Everyone likes watching a story about two people
15:19trying to fight off their natural attraction to each other.
15:28Hmm, what's going on in there?
15:30I don't know.
15:31Let's check it out.
15:41Wow!
15:42This is so surreal!
15:44I feel like we're walking into heaven on acid.
15:47You've taken acid?
15:48Well, no, but I've read Hunter S. Thompson, so I get the gist.
15:53Well, on the count of trois.
15:57Un, deux, trois!
16:00Hey!
16:18Hey!
16:22No more posting.
16:50No, no, no, no, no!
16:54Bye.
16:55Bye.
16:56Bye.
16:57Bye.
16:58Bye.
16:59Bye.
17:00No problem.
17:01Bye.
17:02Bye.
17:03Bye.
17:04Bye.
17:05Bye.
17:06Bye.
17:07I'm headed this way.
17:09So, good night.
17:10Good night?
17:11Already?
17:13How about a drink?
17:16Sure, if you want to.
17:18Of course I want to.
17:20You think I brought you here just to see a film?
17:23Honestly, I don't know what to think.
17:25I have no idea if you're, like, even into me.
17:29I have no idea if you're even into me.
17:31Oh, come on, seriously?
17:33In this?
17:34You look incredible tonight.
17:37Every man there was checking you out.
17:39Yeah, except for you.
17:41Believe me, I noticed.
17:43It took every ounce of willpower not to make a spectacle of myself.
17:50Really?
17:52Really.
17:54So, what now?
17:57You tell me.
17:59You're the one dressed as dominatrix.
18:02You're in charge.
18:04I think your crotch is vibrating.
18:25Pierre Cadot.
18:27This fucking guy.
18:29I swear to God.
18:31We can brain check on the drink.
18:33I don't mind.
18:34I mind.
18:35I finally get to kiss you and...
18:44Oh, unbelievable.
18:47Okay, yes.
18:48You should do that.
18:49Sorry.
18:50I should...
18:51I should deal with this nightmare.
18:52Yeah.
18:55Next time we'll skip the movie.
18:57Good idea.
18:58Ah, Camille liked my story.
19:17She said, so fun.
19:19It's my favorite movie.
19:21Really?
19:22How to lose a guy in ten days?
19:24I feel like that's what she's trying to do to me.
19:27Oh.
19:30She hasn't been replying to any of my texts very quickly.
19:33Or at all.
19:40Hey, how about when Alfie and Camille get back,
19:42we take them to Pop Air?
19:44You know?
19:45Like a real double date.
19:47Um, yeah.
19:49I'd like that.
19:53Um, goodnight.
19:55Goodnight.
19:57Hello.
19:58Hello.
19:59Hello.
20:00Hello, Emily.
20:01It seems your persistence has paid off.
20:03Oh, God.
20:04What have I done now?
20:05No, it's all good.
20:06I hope.
20:07If you were serious about Agence Grato helping us out with Pierre Cadot.
20:08What?
20:09Oh my God, of course.
20:10Uh, um, sorry.
20:11Nicola, uh, will you please hold one moment for Sylvie Grato?
20:13What's going on?
20:15What's going on?
20:16You have Sylvie.
20:17Hello, Sylvie.
20:18Hello, Sylvie.
20:19As I was saying, I would like to hire Agence Grato.
20:20to help us out with Pierre Cadot to help us out with Pierre Cadot.
20:21Hello, Sylvie.
20:22Hello, Sylvie.
20:23As I was saying, I would like to hire Agence Grato to help us out with Pierre Cadot.
20:26I would be delighted.
20:27There's a lot to deal with in a very short time.
20:28I hope you're a deputy.
20:29I'm curious about Agence Grato helping us out with Pierre Cadot.
20:30What?
20:31Oh my God, of course.
20:32Uh, um, sorry.
20:33Nicola, uh, will you please hold one moment for Sylvie Grato?
20:36What's going on?
20:41You have Sylvie.
20:44Hello, Sylvie.
20:45As I was saying, I would like to hire Agence Grato to help us out with Pierre Cadot.
20:51Oh, it'd be delighted.
20:52There's a lot to deal with in a very short time.
20:55I hope you're adept in crisis marketing.
20:57Well, of course.
20:58It's our specialty.
20:59Uh, let's discuss over lunch today.
21:01I'll get my assistant to send over the details.
21:03Okay, great.
21:04See you then.
21:05Okay.
21:06Oh.
21:07How did you do this?
21:09Well, I was trying not to say anything, but...
21:12Yeah, okay.
21:13I don't wanna know.
21:14Merveille, Emily.
21:16Okay, go, go, go, go, go, go.
21:21The door.
21:24The only time I've heard Sylvie say merveilleux was about Chablis.
21:31Mm-hmm.
21:32You should text Pierre and tell him the good news.
21:34It's your news.
21:35You text him.
21:41And here it is.
21:43Pierre is so excited that he will be joining us too.
21:49Oh, well, he never misses a champagne toast, especially when it's for him.
22:02Ah, hello.
22:03Ah, bonjour.
22:04Bonjour.
22:05Bonjour.
22:06L'agence Grato is bleeding me dry.
22:08I should have offered you more money to join JVMA when I had the chance.
22:11You know it was never about the money.
22:13It was about my independence.
22:15I do.
22:16Thank you for the opportunity to work with Pierre Cadot again.
22:19To Pierre.
22:20To Pierre.
22:21Well, just to be clear, you'll be working for Pierre Cadot, the brand, not Pierre Cadot,
22:27the man.
22:28Pardon?
22:29Put it back on ice.
22:31What's going on, Nicolas?
22:33I refuse to let my acquisition be hijacked by his irrational demands.
22:38The company is bigger than him.
22:40So, it's time he exits and we'll bring in a designer to usher in the new era.
22:45But it's his company.
22:46His name.
22:47Correction.
22:48His name, my company.
22:50This is nothing new.
22:51Christian Dior's now Dior, Yves Saint Laurent's now Saint Laurent.
22:54The men may be gone, but the brands persist.
22:57It happens all the time.
22:59Right, Sylvie?
23:00More times than I care to remember.
23:02And, thanks to Emily, I've done some research and I think I found the perfect replacement.
23:09Gregory Dupré.
23:12You were right.
23:14He deserves a bigger spotlight.
23:16He's a visionary.
23:17A perfect person to reinvent Pierre Cadot.
23:20But Pierre hates Gregory.
23:22Well, since you know both of them, who better to handle the transition and keep it from spiraling?
23:27Does Pierre know about this?
23:29You're actually the first to know.
23:31Oh.
23:32And Gregory is one of your clients.
23:34I imagine you're thrilled.
23:35Oh, yeah.
23:36Definitely surprised.
23:38There's a lot we have to talk about since we're going to be working together.
23:41Hello.
23:42That was my favorite part of Mr. Frank Moules.
23:58Why did you complain?
23:59I'm fine.
24:29I'm fine.
24:59I'm fine.
25:29I'm fine.
25:59I'm fine.
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