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00:00I don't know if you guys know the talent that comes out of Florida.
00:04We are in no way ready for that.
00:07It's time to make some changes because I need a team of winners.
00:11Gina has earned her place on this team.
00:13Since Gina's been here, Ashlyn's been one of the girls that might be cut from the team.
00:19Second place, Sunshine and Rainbows.
00:24Ashlyn stepped backwards in the circle.
00:27So when she came down, that's why she kicked you.
00:29Those mistakes cost us that win.
00:32I'm scared, and I'm terrified, and I'm sad.
00:36Oh, my God.
00:38I just want to quit.
00:53Good morning.
00:54Ooh, good to die.
00:56I heard clean wife aesthetic is out.
00:59Mob wife aesthetic is in.
01:01Ay-yi-yi.
01:03I feel like we're, like, hashtag no days off.
01:07It's like we only have a couple weeks left, and so no time to be tired, no time to have a meltdown.
01:13Ashlyn?
01:14Ashlyn?
01:15You cannot let pressure tear you down like that.
01:18And then as a mom, right?
01:20I'm like, if something is not for my kid, then I gotta make that decision.
01:23Ashlyn, Ashlyn.
01:24Good morning.
01:26Hi.
01:27Good morning.
01:28Well, well, well, look who showed up.
01:31Ashlyn's meltdowns are the reason that Glow had to bring Gina onto this team.
01:36She has caused so much chaos.
01:38What would I come out and do if you ever acted like that?
01:41If you talk like that ever again, you will have no phone, no door.
01:45You will.
01:46You're sleeping outside.
01:48That's totally what would happen.
01:53Hey, let's go, everybody.
01:55Let's roll.
01:56Oh, boy.
01:57I'm ready.
02:02Lisa, I'm surprised to see you.
02:04I thought Ashlyn was quitting.
02:05No, she was having a moment, and it wasn't a great moment.
02:10But I think it came from a place of her feeling like you don't want her to be here.
02:15I'm not going to hold back on a child because they don't want to be corrected.
02:19That's not what it is.
02:20She wants to handle the corrections.
02:22No, she doesn't handle the corrections, Lisa.
02:23She's asking for the corrections.
02:25She doesn't.
02:26She's spoiled because you're spoiled.
02:28That is not true.
02:30There were major, major mistakes that cost us at first place by Ashlyn.
02:35Ashlyn did not do anything, Glo.
02:39I am not going to take a team to Florida where the best dancers in this country are and be embarrassed.
02:46People aren't stepping up.
02:48So if it's too much pressure for your child, then maybe they should bow out gracefully.
02:54Gina's not going anywhere.
03:00I'm frustrated that Gina's on the team.
03:05It hurts to know that after your daughters have been working so hard for something that
03:09somebody new can just come in and take their spot is not fair.
03:13Girls, let's go, guys.
03:19One, two, three, four, five, six, seven, eight.
03:22So, on to the pyramid.
03:25On the bottom, Ashlyn, I don't think you're surprised.
03:35I definitely wish I could go back and change some of the words that I said.
03:38No matter what happens, I don't want to quit because I love this team.
03:41I challenge you to find a better attitude this week or you may be sitting out the rest of the season.
03:47I don't even remember what I was saying.
03:51It was just all a blur because when I get that frustrated, I just black out.
03:55But I honestly came back this week trying to show Miss Glow that I'm not going to whine and I'm not going to complain and that I can do this.
04:02Next on the bottom row, Mina, you made a major mistake in the dance and I don't think you did the group dance up to your true potential.
04:11This competition is not Mina's best performance.
04:15And if she wants to get on the top, she needs to work harder this week.
04:20Next.
04:22Layla.
04:24I don't need a ninth place dancer.
04:27I need you to regroup and I need you to do it fast.
04:30That's just not acceptable.
04:32Last on the bottom row, Smiley.
04:36You've been working hard, but seventh place is not okay.
04:44First on the second row.
04:52Lily, you did a great job.
04:55The technique has put you behind in the training and you're still working hard and you're still moving up.
05:00Just keep up the hard work, okay?
05:03Next on the second row.
05:05Hello Tricks, I can always count on you to know the choreography, the technique is there.
05:12I just need the performance from you.
05:17What's the matter?
05:18I'm really happy.
05:19Oh, good.
05:20Working hard at home and I'm taking your corrections.
05:23You didn't disappear this week, but you can do more.
05:26And last on the second row.
05:30Audrey, you were great.
05:33Fabulous.
05:34Really no corrections.
05:35You did a really nice job.
05:37On the top.
05:39Gina, you deserve the win this week.
05:44Without the couple of mistakes by Ashlyn, we would have won.
05:48And because you were the lead, I have to give you credit for that.
05:51I'd like to move on.
05:53Let me be very clear.
05:55Every dance and performance you do from here on out is a test.
06:00A test to determine who will be featured at nationals.
06:04And this could be it.
06:06There may not be other opportunities.
06:09Understood?
06:10Yes.
06:11Solos.
06:12There will be only one solo this week, and it's going to someone who I think need a chance
06:18to prove to me that they can be in the final lineup for nationals.
06:23And it's going to Bellatrix.
06:27What does the name Bellatrix mean?
06:30It means female warrior.
06:32And that's exactly what you're going to be.
06:35I'm a little bit nervous because I haven't sold yet, but I'm also really excited because
06:40I get to base it off of me.
06:41I'm definitely going to push myself to do my best so that I can do nationals.
06:45Moving on to the group.
06:47The group routine this week is called The Menu.
06:50It's based on a movie.
06:51It's a little bit haunting, a little bit scary, a little bit weird.
06:54Audrey, you were the lead of the dance.
06:56I am thrilled Audrey is the lead again.
07:01I was really scared it was going to be Gina again, but Audrey's the best.
07:06Like, really, Audrey's the best.
07:08There are eight people in the dance this week.
07:11Yes!
07:12Seven people will be dancing.
07:15One person will have a featured role.
07:17That will not require dancing.
07:19Ashlyn, that was going to be you.
07:22I was trying to give you a little bit of a break this week without an answer.
07:25But you have the choice of taking the featured role, or we can all dance it out to see who will do that part.
07:34Can you, like, tell me a little bit more, like, about what, like, the non-dancer will do?
07:40This whole thing will play out.
07:43Very busy kitchen.
07:45At the very end of the dance, we lift off the middle tray, and there's this beautiful, gorgeous face on the platter.
07:59To someone's head.
08:00This week is literally going to be on a platter.
08:03I think I do want to audition.
08:05Oh, you do want to audition.
08:06Okay, that's fine.
08:07I don't think I need a break because I didn't want, like, me not being there to give Ms. Glow a good reason.
08:12Like, oh, we don't need Ashlyn. The group did perfectly fine without her.
08:15Let's get busy.
08:17Kids, you can stretch. Moms, you can go.
08:20What is the TikTok thing?
08:23Which one?
08:24I'm a dance.
08:25What is that?
08:26Oh, yeah.
08:27I'm a dance mom.
08:28Of course, I ask you the same question over and over to give it the answer I want.
08:34I'm a dance mom.
08:35I think my kid is the best, but I also know my kid is the best.
08:41Min?
08:42I'm a dance mom.
08:43Of course, I memorize all other kids' placements.
08:50So, listen, a kitchen and a fancy restaurant is a really hectic, fast-paced situation.
08:56Everyone has to work together as a team.
08:58Those of you who said you've seen Hell's Kitchen, what happens when Gordon Ramsay yells at somebody and says,
09:05I need you to get three Beef Wellingtons on right now?
09:09What do they say?
09:10Yes, Chef.
09:11Yes, Chef.
09:12Everybody say that.
09:13Yes, Chef.
09:14Yes, Chef.
09:15Like you mean it.
09:16Yes, Chef.
09:17Yes, Chef.
09:18I love this.
09:19All right, let's go.
09:22So, there'll be three and three.
09:24So, Ashlyn, just pick a side for now.
09:26I'm going to say one, two, three, four, five, six, seven, eight.
09:32And you go one, two, three, four, five, six, seven, eight.
09:37I hate having our girls to fight each other for a spot.
09:41Of course.
09:42But the bottom line is that Ashlyn wants to dance.
09:45And I'm not going to take that away from her.
09:49But you don't think she needs and deserves a break after everything she's been through?
09:54Week one, she was melting down over the aerial.
09:56Like it's been happening every single week.
09:59I mean, I think all the kids have been crying in certain situations where they felt a lot of pressure.
10:04Crying, yeah, but not just full on scenes.
10:08The moms all have an ulterior motive for coming down on me.
10:12None of them want their kids to go through the audition process because they all know that their kid could be the head on the platter.
10:19And that's not my problem.
10:21Moms, we ready?
10:23We're playing with table ideas on how to make this head thing work.
10:26And remember, we have plates.
10:29Okay.
10:30Let's go.
10:31This week, the dance is completely different than what we've done before.
10:35This is all on the table.
10:38What?
10:39It's dark.
10:40It's fast-paced.
10:41There's props.
10:42You're early.
10:43Go, everybody lift!
10:44The music is frenetic and classical and really hard to count.
10:52The movements are really precise, but it also has to be soft and technical.
10:57Putting those two together is something we haven't done to this point.
11:01I've waited seven weeks to give the girls a dance this hard.
11:04So it is now or never.
11:07You need to know...
11:08Bellatrix, what are you doing?
11:14Bellatrix, you literally just walked past the person in front of you.
11:18Yes.
11:19Because she helped us leave, right?
11:21You don't walk past her!
11:29I have to make a decision tomorrow.
11:31You have tonight to work on this.
11:32But right now, I just don't feel like you have the intensity.
11:35So you have a lot of work to do tonight.
11:37All right.
11:38We'll see you tomorrow.
11:40Good job.
11:41Good job.
11:42What happened?
11:43What's your phone?
11:44What's your phone?
11:45So who messed up?
11:46Gina.
11:47Gina, again?
11:48Last week, Ashlyn got in trouble because of Gina.
11:52Now this week, Bellatrix is getting in trouble because of Gina.
11:56And Jing doesn't take any accountability for her daughter's actions.
11:59And I will not stand for that.
12:02Jing, you know the reason why she got in trouble is because she went on the wrong count, right?
12:05It's the Bellatrix of the wrong count, okay?
12:07Because Gina didn't go on the count.
12:09If I can't get in trouble for your kid tomorrow, there's going to be problems.
12:12I'm going to let you know that right now.
12:14Especially on solo week.
12:15I don't mess with that.
12:16Okay.
12:17I'm waiting for you.
12:18Yeah.
12:19Oh, nice talking to me.
12:20Now you teach your girl how to talk back to adults?
12:22Wonderful.
12:24Go.
12:25I told Bellatrix not to talk to your kid.
12:28I talked to Gina too.
12:29Gina, don't talking with Bellatrix, okay?
12:32You don't take accountability for your daughter's mistakes.
12:35I don't...
12:36She's the only...
12:37No.
12:38You don't think so.
12:39That's the truth.
12:40Holy .
12:41Your daughter up.
12:42That's obvious.
12:43Just take accountability.
12:45Crazy.
12:46Don't with me.
12:47And you're messing with my kid.
12:48That's why I dropped the line.
12:49I don't care.
12:50You don't need the brush.
12:51You don't like it?
12:52Get the hell out of here.
12:53I'm trying the coin like a little .
12:55Okay.
12:56I want to see in the room.
13:00They all...
13:01They all told the line.
13:03I don't think it's because Gina messed up the car.
13:06I'll make her cry again if I have to.
13:08I don't give a .
13:09Oh, yeah.
13:10They don't want Gina to join the team.
13:13And they always blend Gina.
13:16I'm not going to let any adult ruin her only chance that she has at nationals.
13:26Five, six, seven.
13:27Ah!
13:28Woo!
13:29This dance is a dumpster fire.
13:33That can go there.
13:35And you're going to look at me when I'm talking to you.
13:38Coming up next to the stage, let's welcome the menu.
13:41I'm going to vomit.
13:42Hello.
13:43Hi, Smiley.
13:44Hello, Smiley.
13:45Hello, guys.
13:46Hi, Gina.
13:47Bell tricks.
13:48Go belly.
13:49Good luck, love.
13:50Bell tricks is your first shot to show me if I can rely on you for nationals.
13:56You haven't really performed the way I'd like for you to and this dance is going to give
14:13you a chance to be something fierce.
14:15Bell tricks, there was a myth about the Amazon Warriors that when they were young they would
14:21they were young they would either strap off their right breast or they would cut it off completely
14:25so that they were more accurate with their bow and arrow. That just shows how dedicated they were
14:30to what they did. Would you guys go to the extreme like that for dancing? I definitely much rather
14:37have my boobs cut off than my butt because my butt is the most important thing. Why is your butt the
14:43most important thing? I did squats every day this time. Let this leg just drag through to go into a
14:56back walk over to your elbows. Go into a bow and arrow moment. I think she's gonna kill this. I think
15:04this is really good style for her. Look I don't see intensity. You don't look like a warrior. You look
15:12like you're waiting for the bus. Come on baby girl. We know she's one of the best technical dancers
15:18in the team but Glow gives Bellatrix so much crap for her performance so she needs to just be fierce
15:25the whole time and not skip a beat. Push up. You're just like crashing into the floor. Use your plie
15:33when you land. Bellatrix wants to win. She wants to go to nationals so I know that she's gonna do
15:39whatever she can so she can get the spot. Uh-uh. Don't you reach for that floor.
15:51Roxy, you know yesterday you yelled at me and you talk very nasty to my daughter. You have to make
15:57apologize to her. Mm-hmm. Please. No. Glow yelled at Bellatrix because of your kid. I am not gonna let any adult ruin her only chance
16:09that she has a nationals. Roxy did the wrong thing but no one, no one support me. The only reason is like they don't want Gina join the team. This is not fair.
16:21You should be cross at the thighs, not at the ankle. So you're working from here. She's interrupting her solo.
16:31Bah, bah, bah. That's not. Uh-oh. No, she's not. I love Roxy. I've known her for a really long time. But the minute someone messes with Bellatrix,
16:41they better watch out. She can go from zero to a million in a hot second.
16:46What's wrong? What's wrong? Uh-oh. She took her shoes off.
16:52Go in the room. Go in the school. Go in there. Okay?
17:00You can go. Listen to me very carefully. Go.
17:04Stop. Roxy, this is my room. Get out of my room. Okay, whatever.
17:08No, no, no. This is my room. Get out of the room.
17:10Get out of the room. This is my room.
17:13This is my daughter's solo time. Watch me.
17:15You're a b****, Roxy. No, you're a b****. I'm going to replace you.
17:20Do not let these people get you down. Your daughter is a frontrunner right now to do a nationals, and they can't handle that.
17:28I'm furious at Roxy right now. Gina was brought in because these kids can't win without her, and they're trying to run her off?
17:36What sense does that make? What the heck?
17:39They're not. Jane is crying to Ms. Glow, so you don't have any more solo time.
17:45Yeah.
17:48Don't worry, love.
17:51Bellatrix, why don't we take you back to this?
17:53Oh, do you think Jane is going to apologize to Bellatrix?
17:56You see what you did? No.
17:57Get the hell out of here!
17:59Go!
17:59Stop it. Stop it. Stop that.
18:01Stop that. Let go well.
18:02Stop it.
18:03No, I'm taking her outside.
18:04Oh, my God.
18:05Stop!
18:07The president needs to be around that.
18:09Come here.
18:10No.
18:11Hey, let's go, everybody.
18:21As much as I want to cut Bellatrix for Roxy's behavior, Bellatrix is one of my strongest group dancers, and this dance is really technical.
18:29So I need her this week.
18:31We have to figure out today who is going to be dancing and who is not, because we have to move forward with the choreography.
18:37Fair audition.
18:40Everyone is at risk at this point.
18:43All right, let's roll.
18:44Everybody strong.
18:45Elbows strong.
18:46Somebody over here has the wrong hand.
18:47I'll be you smiling.
18:49Yep.
18:52I need to see you go up.
18:53Elbows have to be strong out to the side, Lily.
19:01You started on the wrong leg, Lily, and you're doing the wrong arm for the rond de jambe.
19:06Ashlyn's the one that should have her head on the platter.
19:09This is her punishment.
19:10But because she refuses to sit out, now all the other kids are being put in this unfair position.
19:16Every time, Smiley and Lily.
19:19Wait, Lily, it's a straddle.
19:21Four, four, five, five, six, and you're all late.
19:26I feel like there's a lot of mistakes.
19:31I'm nervous because this dance is really fast and sharp, and a lot of people are getting yelled at.
19:36Oh, my God, the stress.
19:38I also volunteered for her head to be on the platter.
19:40Look.
19:42Please understand this is not a punishment, but we have to stand firmly on what we feel is the right choice right now.
19:48So, Lily, you're going to be the head, okay?
19:57Everybody take five.
19:59Don't cry.
20:00Don't cry.
20:01I know.
20:02Don't cry.
20:03Nope.
20:03This is what this team is, okay?
20:05It's not a fair team.
20:05It's not a nice team.
20:06But it is what it is, and we're going to suck it up, okay?
20:10I'm trying my best.
20:11I know you were trying your best.
20:12I know.
20:13I know.
20:14All last night, I worked really hard, and I didn't go to bed until really, like, late, and, like, sometimes it just feels like it doesn't really matter to her.
20:22I don't always get that freak, but I would have had it perfectly tomorrow.
20:26I know.
20:27Well, Glo doesn't believe in you, so it's okay.
20:28I believe in you.
20:29I believe in you.
20:31I've got my hair cut.
20:40I love it!
20:43It looks so pretty.
20:47You need a new headshot with this hair.
20:49Yeah.
20:50You do.
20:51So cute.
20:52Hey, Gina.
20:54Okay, come on.
20:55Come over here.
20:57What's going on there?
20:58Gina, what is your new Kaylee solo?
21:00Why is that happening?
21:01Is she trying to do a solo for Gina now?
21:04Not tomorrow's confrontation.
21:06Can you stretch real fast?
21:07I just want to see you do it.
21:09Oh, !
21:10I'm not impressed with Bellatrix's dancing, and this was her one chance to wow me and show me that she should be dancing at nationals.
21:19So I'm going to bring in Gina as a ringer to motivate her.
21:22Let's face it, kids are always going to do better when they have competition.
21:27So this is the solo Miss Kaylee did for you, called Cinnamon Paradiso.
21:31You're young, and you're in Hollywood, and you're trying to become this star.
21:35And I die.
21:35And then you die.
21:37Yes.
21:38But you're still really pretty.
21:39My daughter Kaylee choreographed this gorgeous contemporary dance for Gina right before she joined the team, and she's only competed at once.
21:50Lift, lift, lift, lift, open that chest.
21:52Since this is a last-minute decision, I'm obviously going to give her a dance that she knows, so she has the best chance of nailing her performance.
21:59And if the moms don't like it, they can find another team to be on.
22:04Take moments to your audience.
22:06Better.
22:06So this solo is old solo, new solo?
22:09That's this year, the solo.
22:11Competing this year for 2024.
22:13Oh, she competed already.
22:15Yes.
22:16I just can't believe this is happening.
22:18Take your time.
22:19Look at the audience.
22:20There you go.
22:21Feet.
22:21More feet.
22:22Oh.
22:24That was very nice.
22:25I'm so happy because this is a gift to Gina.
22:29I don't care.
22:30She stands for the old solo.
22:32I want every opportunity if Miss Glow can give it to Gina.
22:36I grab it.
22:38You feel confident in that?
22:40I've already performed it once, right?
22:42I'm really mad that Gina's going against me.
22:45Glow was setting her up for success, but now it's like she's setting her up for failure.
22:50And that sucks.
22:54Girls, are we ready for group?
22:56Get ready.
22:59Now, up.
23:04I'm sad that I don't get to really dance at all this week.
23:07I don't know why Miss Glow doesn't believe that, like, I can fix it and, like, have it look good.
23:12But I'll just learn the rest and I'll have it look really, really good to the point where she wished she never cut me.
23:18Oh, my God.
23:31What?
23:32Why can't you guys count?
23:34If you guys can't count, you can't come on stage.
23:36We're getting nowhere fast here.
23:38Ashlyn, you go one, two, three, four.
23:42By being in this dance, Ashlyn has now unknowingly put more pressure on herself than I think she'd like to because she is the plate distributor.
23:52Screwing up these plates is going to make or break this dance.
23:55And that's a responsibility that I don't know if Ashlyn is ready for.
23:59Try it again.
24:01One, two, three, four, five, six, seven, eight.
24:05Mina, you have to wait for them to run on.
24:07Ashlyn, you're almost late.
24:09One, two, three, four, five, six, seven, eight.
24:12Ah, what is happening?
24:14I want to stab myself.
24:17F*** plates.
24:18No one can seem to get these plates right.
24:21The timing is off.
24:22We are going to competition in less than 12 hours.
24:25And right now, this dance is a dumpster fire.
24:28Oh, my God.
24:30I don't know.
24:31This group should be done by now, but it hasn't because we have to go through a stupid audition.
24:34Your daughter cannot stand.
24:43What did you just say?
24:45Bellatrix, if you're going to let nerves take over, I can't count on you.
24:49Please welcome to the stage, Bellatrix performing, The Huntress.
24:58How are things going, Roxy?
25:13How's Bellatrix solo?
25:14Bellatrix is nervous.
25:16She's like, it's not fair that she's going against someone who already did their solo.
25:23Look at me when I speak to you.
25:24I'm talking to you.
25:25I'm trying to have a conversation.
25:26I'm literally trying to have a conversation with you.
25:29Here we go.
25:31Move your mirror so you can look.
25:34I don't want to look at you.
25:35Well, then move the one looking at your face.
25:37I want you to look at me.
25:38You deserve that, yeah.
25:42I can go there, and you're going to look at me when I'm talking to you.
25:46Oh, nice.
25:48Big girl.
25:49Yeah.
25:50Oh, yeah.
25:51You guys come to fighting with me because your daughter cannot handle this solo.
25:54She cannot dance.
25:58That's the truth for me about the dance.
25:59She doesn't understand the dance.
26:01Why did you just say?
26:01I just tell you.
26:02That's why I gave you the dance.
26:04I gave you the dance.
26:05Nobody tell you the truth.
26:06I tell you.
26:07She can dance.
26:09Roxy is the worst.
26:11Hi.
26:12Y'all ready?
26:13Hi, girls.
26:14Like, I don't care because I do everything for my daughter.
26:19So I'm going to be fighting until Gina get everything she needs.
26:24Gina, you ready?
26:26The moms have been saying how unfair it is that I've already known this solo.
26:32But I think it's just as fair because I was only able to run it, like, once or twice.
26:37Smile.
26:38You're an old movie star.
26:42Foot, foot, foot.
26:43Lengthen, lengthen, lengthen, lengthen.
26:45Hey.
26:47Are you getting your head?
26:48Oh, no.
26:48Hell no.
26:49What is happening?
26:51Nothing.
26:52She's been just talking.
26:53Why are you crying?
26:54Just nervous.
26:54Okay, but you're going to get yourself all worked up, and you're going to go on stage and blow your one opportunity.
27:00Keep it together.
27:01I really thought Bellatrix was excited about doing a solo.
27:06Bellatrix, come over here.
27:07It made her light up until we got here.
27:09We're down to the wire.
27:11And I have no idea who's dancing at nationals at this point.
27:15Can I speak to your children?
27:16I'm sorry.
27:17Bellatrix, Gina, this is a huge, huge day for both of you.
27:22Gina, go out there and kill it.
27:24Show them why you need to be on this team.
27:29Bellatrix, I've never seen you in this state.
27:33Just nervous.
27:35If you're going to let nerves take over, I can't count on you.
27:39I need you to go out there and you embody that warrior.
27:43Be fierce.
27:43Be intense.
27:45Moms, let's go.
27:46You're with me.
27:46Let's go.
27:50Go out there and kick some ass.
27:53Do you understand me?
28:06I'm really nervous.
28:08Bellatrix is really good because she has a lot of acro technique.
28:11Mine is just like ballet technique.
28:12And I don't know what the judge is like.
28:14I'd kill to get a dance at nationals in Florida.
28:18Please welcome to the stage entry number two.
28:21This is Gina with Cinema Periduccio.
28:25Thank you, Gina.
28:27Thank you, Gina.
28:30Thank you, Gina.
28:43Thank you, Gina.
29:50You got this. You have the technique. You have everything.
29:53You just have to crush it.
29:55I'm very nervous. Gina already knew her so well.
29:58And she looks really good doing it.
29:59So it's just more pressure.
30:01Please welcome to the stage entry number one.
30:04This is Bellatrix performing The Huntress.
30:07Please welcome to the stage entry number one.
30:19This is Bellatrix performing The Huntress.
30:22Bellatrix performing The Huntress.
30:52This is Bellatrix performing The Huntress.
30:54This is Bellatrix performing The Huntress.
30:56Let's go.
30:57Just give on your head
30:59Oh
31:01I don't understand
31:03Just give on your head
31:05Oh
31:07I don't know
31:09Let's go
31:11Yeah
31:13Keep on
31:15Nice when I want your soul
31:17Gotta just play dirty
31:19Ain't gotta night get you gone
31:21Oh
31:23Don't you know
31:25You take your dead or alive
31:27But they won't
31:29You come and shoot right back
31:31Devil in your eyes
31:33Oh
31:35Just give on your head
31:37Oh
31:39I don't know
31:41Just give on your head
31:43Oh
31:45Just give on your head
31:47Oh
31:49Oh
31:51Oh
31:53Come on
31:55Yeah
32:05Never
32:07I'm really disappointed in Bellatrix
32:09This was her shot to rise out of the shadows of her team
32:13And she just crumbled
32:15Yay
32:17Good job girls
32:18You're both amazing
32:19Gina you're born to be on the stage
32:21It was absolutely stunning
32:22Thank you
32:23Bellatrix
32:25What do we think about the solo performers
32:27I think I did mess up a lot of things
32:30But I did try my best to recover from it
32:33You've been doing solos your entire life
32:35And that was not a national worthy solo
32:39You do so well in the groups
32:41But you're not the same person when you're out on stage by yourself
32:44But I want you to be a star, Bellatrix
32:50You need to focus
32:51You need to let your mothers help you get ready
32:53In record time
32:55We need all the time we can get to rehearse
32:57No drama queen okay
32:59I need you to get lashes and lash glue
33:01Oh my god
33:02I think that's the only thing I don't have is lashes and lash glue
33:04Like
33:05No
33:06You don't have to get it in my brain
33:09I'm just so proud of Ashlyn
33:11She's really keeping it together
33:13I think Ashlyn's proven to herself that she can keep her emotions at bay
33:17And that's a much bigger stake than just dancing today
33:20Everybody go to the table
33:22Ashlyn get the plates
33:24Lily come on babe
33:25Be strong
33:31Oh dear god
33:34I swear I'm gonna blow a gasket
33:37There are counts
33:39Right now this is scaring the crap out of me
33:41Back up and do it from the plate
33:43Five, six, seven, eight
33:45I know that this routine is ambitious
33:47It's fast and it's precise
33:52But right now this actually looks worse than it is
33:54Yesterday
33:55Everyone look at me
33:57Ashlyn you earned your spot in this dance
33:59However, in doing that it set off a whole other chain of events
34:03You had a lot of last minute rehearsals and we seem to pull it out
34:09I want you to pull it out
34:11I want you to pull it out again
34:13Because this has the ability to be a kick butt dance that no one's gonna stop talking about
34:20Let's do it
34:22Come on girls
34:23Go!
34:24Go!
34:25Yes chef!
34:26Yes chef!
34:27Yes chef!
34:28Yes chef!
34:29Yes chef!
34:30This is the most ambitious group I've ever put on a stage
34:32I am a nervous wreck
34:34This is the level of choreography that it's going to take to beat the best of the best dancers at nationals
34:40But there's so many elements and one thing going wrong in this dance would snowball to the point of no return
34:47Alrighty folks, coming up next to the stage we got entry number 63
34:53Let's welcome the menu
34:55Entry 63
34:57Oh my god
35:00I need to vomit
35:06Coming up next to the stage we got entry number 63
35:09Let's welcome the menu
35:11Entry 63
35:16Let's go guys!
35:19Let's go!
35:39Let's go man
35:45The menu
35:47Let's go man
35:51We got entry number 64
35:52You know
35:53This a new bag
35:54Alright
35:55We got entry number 65
35:56Wasn't just us
35:57The key
36:00All of us
36:01We're upon bag
36:01Al
36:04нашей
38:17Yeah, Lilly!
38:19There's this sense of relief that came out of me because I think I was holding my breath
38:26for three minutes.
38:27The kids did a great job.
38:28They stayed in character, they worked together, and they somehow pulled it out.
38:34Hello, everyone.
38:35Welcome to Nexstar National Talent.
38:36We are going to move into our junior soloist.
38:40We have a top five.
38:42Fifth place.
38:56Even though I did get fifth place, I'm still proud of myself. I've worked so hard. I think my energy was good
39:03I'm just glad you did the right way. You weren't cheating to me. What they did is cheating. Mm-hmm
39:08Second place
39:10Awarded to entry 25 clean. This is Adalyn from Studio B Dance Company
39:16And your highest-scoring junior soloist
39:19Entry to what cinema
39:32Not surprised
39:34My daughter is the top dancers instead of rule
39:38She proved it
39:41We are moving into our level three junior small groups your third place
39:47This dance took a lot of
39:50Teamwork and trust in each other and I think everyone in the dance killed it entry 61 if I can dream
39:58If we win, I think miss glow will have more confidence in us as a team
40:02So we better win and your highest scoring level three at junior small group
40:08Congratulations entry 63
40:10The menu
40:11Of Studio Blue Dance Center
40:14Tell the audience the studio that you proudly represent
40:17Studio Blue Dance Center
40:20I am feeling amazing. Everyone did amazing on stage
40:24I did the plates and I'm really happy that I did it all staying chill and not
40:29Crying and making a big scene
40:31All the moms can kiss my butt
40:34Because if it wasn't for Ashlyn's decision this dance would have been a super hot mess
40:43I'm so proud of all of you Ashlyn you got the plates together
40:47Everybody's where they were supposed to be. It was so good. I think Gina has elevated everyone's work ethic
40:53And made you understand that your spot isn't just given to you that you have to not only earn it to get it
41:00But work to keep it
41:03It's how it is in real life folks
41:05Gina
41:06Did your job again was stunning. It was beautiful
41:10You've very clearly earned yourself a spot in the group dance and a solo at nationals
41:15Thank you
41:20Are you kidding me? It blows my mind that we have kids here that are working hard. They know the choreography and
41:28Gina just continues to just skate on through and now she's having a solo at nationals. It's not right. That's not fair
41:36I
41:44Everyone will be in the group dance this week. Don't make me regret that decision
41:49Y'all are the most boring spiritual people I've ever seen. I don't want to see this Ashlyn
41:55She yelled at me
41:57Energy out of that foot squeeze Nina. We do it again. I'm crying and you're yelling at me. What is wrong with you?
42:06Knowing the competition in Florida, there's no way in hell we're gonna place the nationals
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