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Short filmTranscript
00:00The story we tell is that Mosaic has an encrypted drive with the identity of whoever placed the mole at the orphanage.
00:09We use a third party to get the drive into Mosaic's hands without him knowing it was from us.
00:14Thor, don't!
00:18These agencies ask you to do something unthinkable, but they don't know the real cost.
00:24The only ones that know that are the people in it.
00:28You always intended for him to die.
00:29Yeah. Know why?
00:31You needed to create a dead end.
00:33Now the enemy has no more leads.
00:35Nowhere left to focus except on finding the drive.
00:38My job is to protect our country by manipulating people and sometimes getting them killed for the sake of a mission.
00:45The things you can't carry, bury it away and try not to dig it back up.
00:51When you don't know the whole picture, how do you know that you're doing the right thing?
00:54Be grateful for all the things you don't know.
00:56It was a nice change of face to have someone do the right thing.
00:59I'm not supposed to give you my real name, so this is between us.
01:03Last night, Tiananmen Square, Beijing, the largest public space in the world was a war zone.
01:25With orders to secure the square, the People's Liberation Army of China, 300,000 strong, converged on Beijing from all directions.
01:34Unarmed citizens and students face tanks and soldiers with semi-automatic weapons.
01:40For the last five weeks, the mass student demonstration has touched a nerve.
01:43Soon, everyone seemed to join, protesting against hardship, government corruption.
01:49Are you sure?
01:50We'll live out.
02:00Victor.
02:01Hey, how's it going?
02:02So good.
02:03Come in, come in.
02:05How do you like the area?
02:16It's, uh, it's very nice.
02:20In the interview for the engineering job, how did that go?
02:26Promising.
02:28Good.
02:30Good.
02:30Good.
02:35This is your immigration paperwork, certificates of naturalization.
02:39No one will ever bother you about it.
02:41And this is a three-year lease on the house.
02:48Paid in full.
02:52You've done so much for us, Victor.
02:54I know it's not home, but you can have a fulfilling life here.
03:03This is not enough.
03:05You are saying goodbye to us.
03:11I think, given the nature of my job, it's best if our lives don't intersect going forward.
03:17You know how sorry I am that you got caught up in what I was working on in China.
03:21And I'm sorry for the suspicion and that you had to leave your home.
03:26But I am glad that you made it here to this country.
03:30Because you wouldn't have been safe there.
03:32No one chose this, but it happened.
03:36And I did my part, like I promised.
03:42For Preston and me.
03:44Yes.
03:47But you owe him more.
03:51When he is born, he won't know China.
03:54He won't know my family or Preston's family.
03:56In America, they don't like our faces.
04:04We go to interview at LA, but they don't want us.
04:07It will be hard for our son here.
04:10Because he is like us.
04:11But he is also not like us.
04:25He is born here.
04:28American.
04:31He is one of you.
04:33In a country we don't know.
04:37You are not done.
04:41You look after him.
04:47You promised that.
04:48Have you picked a name yet?
05:14Alexander.
05:14Alexander.
05:18Alexander.
05:45Alexander.
05:45Alexander.
05:46Oh, my God.
06:16Oh, my God.
06:46What happened to the Cassandra test subjects?
06:48No.
06:50Sacrifice their entire lives because they're doing the right thing, but they never have
06:54the whole story.
06:57Hi.
06:59Alexander.
07:01Natalie.
07:02I'm not supposed to give you my real name.
07:05While you're easy to pretend to fall for.
07:08No one person gets to be more important than the mission.
07:11No one person gets to be more important than the mission.
07:11I'm not supposed to be more important than the mission.
07:13What?
07:15I don't know.
07:17I'm not supposed to be more important than the mission.
07:17I'm not supposed to be more important than the mission.
09:48Did you ask me something?
09:52It's been so long, I'm starting to wonder.
09:55Yeah, sorry.
09:56It's work.
10:02Maybe we call it a day.
10:04Yeah, sure.
10:05He's being weird, right?
10:16It's been so long, I'm going to be right back.
10:24Lone Wolf thinks Mosaic's drive identifies them as the one who placed the mole in the orphanage, which means they think someone close to them has flipped.
10:31They can't trust anyone else with this.
10:33They will show up personally.
10:34So this is how we catch them.
10:36We build a trap.
10:39Director Moira asked me to relay an update on a magnetic drive we've been trying to locate.
10:44Based on intelligence gathered from a parallel operation in the EU called Stormwatch, we believe with a high degree of certainty that our former source, Saul Clemente, code name Mosaic, went to Paris shortly before his death.
10:57Our analysts believe there's a strong possibility he made this trip to hide the magnetic drive somewhere in the city, and they've narrowed it down to a three square mile area.
11:13We know exactly where the drive is.
11:16We had put a tracker on it before we got it into Mosaic's hands.
11:19This is a performing arts venue.
11:22Here.
11:23Now once the drive stopped moving, we obtained access to the cameras in that location.
11:28There were only a few, but we did find this.
11:31He walked up to the top floor.
11:33Fifteen minutes later, he left.
11:37Public building, lots of people coming and going.
11:39He hid that drive in plain sight.
11:42You don't want the target to know exactly where it is yet.
11:44Our enemy can't be ahead of us.
11:46He will lead them to it.
11:47Alexander and Remy will enter the country in alias.
11:51By the time they touch down, we should have identified the target location.
11:54Our extraction agent, a local, will meet them and arrange transport to an airfield we control.
12:02Then you're home.
12:03Remy will go with you to the immersive performance.
12:07The audience will be masked, not ideal for us, but it will make our target feel more comfortable if they want to follow you there.
12:14At any point after you have the drive, that's when we expect the enemy to intercept.
12:19Then we grab them.
12:21You're going to bring them in for questioning.
12:24That part you won't have to worry about.
12:29Once we have them, it's above your pay grade.
12:35This is a modified low-dose compound of multiple drugs.
12:39Dissolves on the skin.
12:40It'll make them compliant.
12:41We're going to keep our distance, no comms, so it feels like you and Remy are alone.
12:47You'll be more exposed than usual, but it's a risk that we have to take.
12:50What if they decide to take out the location and everyone in it to destroy the drive?
12:55Then we won't have to wonder who the enemy is, will we?
12:58They'll be the only one left standing.
13:03Whatever it takes, remember?
13:05Something's off with him.
13:14In what way?
13:17I don't know.
13:19Normally I can read what he's thinking.
13:21It's right there, but...
13:23something's changed.
13:26I just have this terrible feeling like I'm going to miss something big.
13:29Use Michelle. Get him to talk.
13:30That's what I mean. He's not talking to her either.
13:32His walls are up for some reason.
13:37You think we hold?
13:39No, we can't hold now. We might only get one shot at this.
13:42If our lone wolf senses a trap or goes dark, we might never find them.
13:46Keep watching Alexander.
13:48If he's not on board, we call it.
13:55I'd like to meet him.
14:02If he wants to meet him.
14:04Have you ever seen her talk this much?
14:34Never.
15:04What are you up to?
15:07We're sacrificing so much for this operation.
15:11I wanted to see for myself if he was up for it.
15:17I believe he is.
15:24You're worried.
15:27We'll know who our lone wolf is very soon.
15:30Who?
15:32Yes.
15:34But I can't figure out the why.
15:47Hey, he's headed to your place.
15:57Why?
15:58I don't know.
16:00Something's up.
16:01See if you can get him to talk.
16:03Understood.
16:06Look, I've been here before.
16:18I'm a little too charming.
16:19Guy falls a little too hard for me.
16:21He starts getting obsessive.
16:23Comes to my apartment late at night with little to no warning.
16:26And then I have to kill him.
16:31I can't stay long.
16:33I'm leaving to go out of town tomorrow.
16:35And I think we should call this off.
16:41Oh.
16:43Wow.
16:46Wow.
16:47This is, um...
16:50This is awkward.
16:53You thought we were together.
16:55I'm being serious, Michelle.
16:56So am I.
16:58We never made this a formal thing.
17:01You know, you didn't have to come all the way here to break up with me if you didn't want to see me again.
17:05Well, I thought you deserved that at least.
17:07Well, thank you.
17:08Your chivalry knows no bounds.
17:12Yeah.
17:17What is this, our first fight?
17:19It was bound to happen eventually, right?
17:25Look, if you're mad about something, you might as well just come out and say it.
17:32Alexander.
17:34Hey.
17:35Let's just...
17:48Can we...
17:49Talk about this?
17:56I got an early flight.
17:58Take care of yourself.
18:05I just want to know that what I do for my country matters.
18:31Hey.
18:32He's leaving her place.
18:35He just got there.
18:37He walked out in a hurry.
18:40She closed all her blinds.
19:00Where is he going now?
19:10Come in.
19:15Hey.
19:17Hi.
19:20Sorry to drop in on you like this.
19:23You got a minute?
19:24Yeah.
19:26Sure.
19:30You still workin' nights?
19:31Still workin' nights.
19:32You been back to the cabin?
19:33Yeah.
19:34I told you I loved it from the minute we walked in.
19:37But I doubt that's why you're here.
19:38What's up?
19:39Nothing.
19:40Nothing.
19:41Nothing.
19:42Nothing.
19:43Um...
19:44I just wanted to say some things I've been thinking about.
19:47Whatever happened between us, I can only speak to my side of it.
19:50Um...
19:51But I want you to know...
19:52You were right.
19:53I never let you in.
19:54I never let you in.
19:55I never let you in.
19:56what's up nothing nothing um i just wanted to say some things i've been thinking about
20:04whatever happened between us i can only speak to my side of it um
20:10but i want you to know
20:14you were right
20:16i never let you in
20:22and i'm sorry
20:27that's it um you don't have to respond or anything i just i just wanted to say it
20:37see you around rich
20:52why would he tell her that now
21:03there's a chance i don't come back from this mission
21:14and if something happens no matter what anybody says
21:19i want you to know that i did not betray this country
21:23i'll go through with it but i'm not doing it the orphanage's way
21:27we have a plane to catch
21:38don't worry i grabbed our bags
21:40jimmy
21:51jimmy
22:07They've left Washington airspace, switching to flight comms.
22:29Go for control.
22:34Shadowboxer's apartment is clear.
22:36And she didn't go to work at the bar tonight.
22:38They don't have her.
22:41Copy.
22:42Has she gone dark?
22:43I can fix it.
22:45You were worried about Hale, and now his minder is missing.
22:49I'll find her, sir.
22:50That's a good idea.
22:51I'll find her.
22:52I'll find her.
22:53I'll find her.
22:54I'll find her.
22:56I'll find her.
22:58God.
23:00God.
23:00I'll find her.
23:05It's time.
23:06Who's with you?
23:36Honestly, you think that if they were coming for you that they would send me?
23:42Did you run because you thought that we were coming to kill you?
23:45Why?
23:47Alexander broke it off.
23:51Tonight?
23:53Yeah.
23:57You didn't know?
23:58No.
23:59I told you on the phone he's been acting weird.
24:04We didn't tell him to do that.
24:06Even if we had, which again, we didn't, wouldn't that mean your part in this is done?
24:15You get to walk free, wasn't that the deal?
24:18You haven't made a lot of deals with spy agencies, have you?
24:21No, I haven't.
24:24The last time I was an alias for an operation that went sideways, the agency I was working
24:29for sent the cleaners in after me within minutes.
24:34No loose ends.
24:36I don't care what the orphanage says.
24:39They're all the same.
24:41They're never gonna let me go.
24:43Not after what I did.
24:45Oh, wow.
24:47They didn't give you my whole file, did they?
25:02How do you think the orphanage collected me in the first place?
25:07I made a mistake.
25:11The kind you can't run from.
25:16They'll say my debt is never repaid.
25:21They're probably right.
25:26So make a deal with me.
25:30When we stop whoever did the hack, I'll find a way to get rid of your file.
25:34I don't know how yet, but I'll find a way.
25:37Please don't run.
25:40Come back in.
25:41I need you.
25:43The only way I know how to connect to him is through you, and you're the only person
25:51who knows what any of this feels like.
25:55Also this, going out on your own into the cold, that'll trigger exactly the kind of reaction
26:00you're afraid of.
26:04They will overreact.
26:05The entire mission will get pulled.
26:08Were you this close to this being over?
26:13If breaking up was Alexander's idea, that means he knows I'm not on his side anymore.
26:27Our fiction, that he can talk to the real me, is blown.
26:32He must have figured out you're still manipulating him through me.
26:35How do you know that?
26:36Because he did it right before he left.
26:39So when you found out, he'd already be on his way.
26:42That's exactly what I would do if I was about to go rogue.
26:52Go home.
26:55Pretend everything's normal.
26:59You should call it off.
27:02You've lost control of him.
27:07Founder, just a misunderstanding.
27:14Founder, just a misunderstanding.
27:36We still a go?
27:38Mission's good.
27:41Let's go.
27:44I have to see this through.
27:50We can't stop now.
28:09Osiris and Timekeeper in position.
28:14They're heading into the theater, perimeter holding a half mile out.
28:25They're heading into the theater.
28:37Perimeter holding a half mile out.
28:39No sign of hostiles.
28:40Thank you, ground.
28:41Keep your distance until our target shows themselves.
28:43Radio silence.
28:44Roger that.
28:45Let me see it.
28:49I want to know who's in that room.
28:51Who's got eyes in the room?
28:55I want to know who's in the room.
29:01I want to know who's in the room.
29:03We're in there.
29:04I want to know who's in the room where the room is.
29:07It's just a little bit of some time to have a choice of people.
29:13Welcome to a world of theater immersive and incomparable.
29:31This evening, the art and the public will be in a sensational universe.
29:40But above all, don't forget your marks.
29:50Start!
29:53What do you mean?
29:55What are you talking about?
29:57These are an offense that I wouldn't be able to support.
30:00I don't have a look at you.
30:03I love you.
30:10There are a lot of people.
30:13Come here, come here.
30:16Come here.
30:17Come here.
30:19Come here.
30:21This story begins with a star
30:30Like all other stories, there is always a sense of light
30:35The moon
30:36And as you already know, the moon has always a friend
30:40Always the moon
30:41As you already know, there is always an immense effect
30:46An incredible effect, as you already see
30:51This part here, this light here
30:55And as you already know
31:04They've reached the target room
31:07Now they've just got to find it
31:09Then the enemy will find them
31:11Ce vieux
31:16Whisky
31:19Blond
31:21Qui fume
31:23Hello
31:26Je vous attendais
31:33Donnez cette lettre à Viviana
31:37Dites-lui que je l'attends
31:39Donnez cette lettre à Viviana
31:41Dites-lui que je l'attends
31:48Avez-vous une clé pour ce petit roi?
31:50Je ne me souviens plus
31:55Look for a key somewhere
31:57Heille
32:14Hey
32:15What?
32:16Didn't Mosay collect old guns?
32:18Excusez-moi.
32:48C'est un peu comme ça, c'est un peu comme ça.
32:53Let's go.
32:58Signals?
33:03Drive's moving, he's got it.
33:06All right, all right.
33:09Now they go to the stairwell to get to the extraction point on the breezeway.
33:13Get the extraction agent in place.
33:15If the enemy is at the theater, they could be intercepted at any time.
33:18N'hésitez pas d'aller où vous vouliez, et parler à tout le monde.
33:23Ce soir est un événement spécial, brillant.
33:42Show me outside.
33:48Zoom in.
33:56Control?
33:57They found our extraction agent.
34:03He's dead in his apartment.
34:07They found our extraction agent.
34:13He's dead in his apartment.
34:16Every morning, I look into obsidian eyes.
34:29Extraction?
34:30Let's get you out of here.
34:31Every morning, I look into obsidian eyes.
34:35Extraction?
34:36Let's get you out of here.
34:37Every morning, I look into obsidian eyes.
34:40Extraction?
34:41Let's get you out of here.
34:42Get a closer shot.
34:43Are we moving in?
34:44No.
34:45We don't know if this is our lone wolf.
34:46But we have to warn them somehow.
34:48If that's not our guy, we can't give them a reason to panic.
34:52We need identification.
35:02Get me a face.
35:04Are we moving in?
35:06No, we don't know if this is our lone wolf.
35:08But we have to warn them somehow.
35:11If that's not our guy, we can't give them a reason to panic.
35:15We need identification. Get me a face.
35:22Who is this guy?
35:29Hey.
35:31Where are we going?
35:32There's a service elevator.
35:34It'll take us down to the waterline.
35:36Safest way out.
35:46We got him. Punch in.
35:57Why is this taking so long?
35:58Get me a name!
35:59Why don't we have a name yet?
36:20It's classified.
36:22Sniper's nest has a clean shot.
36:24No.
36:24We take him alive.
36:25Ground, go.
36:27On the move.
36:27Three minutes out.
36:36Moira.
36:37Pull the overhead camera in.
36:38I want to see where they're going.
36:39Moira!
36:39We're picking up another RF signal.
36:42About 30 voices on it.
36:43It's not ours.
36:44There's someone else here.
36:47Contact northwest corner.
36:48Contact northeast corner.
36:49They're all over.
36:50They're all over.
36:50Peter.
36:55Peter.
36:56It's the CIA.
36:57What the fuck are they doing here?
36:59Closing the target.
37:00Capture first.
37:01But if he's escaping, we shoot to kill.
37:03Now let's find out if you're full of shit or not.
37:05You okay?
37:30War wound.
37:31Before we head down, it's a Faraday cage for the drive.
37:37In case it's being tracked.
37:42Time is of the essence.
37:57How do you know he didn't have the drive, huh?
38:01Because I was watching through your eyes, Alexander Hale.
38:14Stay down.
38:23We hold him here.
38:25Strike should be on site in minutes.
38:26You're okay.
38:42It's okay.
38:44Remy's down.
38:53Now that's interesting.
38:55Get up.
39:03You're coming with me.
39:04But I thought we were staying here.
39:06Drop your weapon!
39:07This is the CIA!
39:09Alexander Hale!
39:10Surrender!
39:11Now!
39:11Now!
39:11I have a morality.
39:28Here we are.
39:33I'm качестве!!
39:34Oh, my God.
40:04I see him.
40:06Go, go.
40:09Go around.
40:11Watch out, carry.
40:12Go, carry.
40:13Go, go.
40:24Go, go.
40:34Go, go.
41:04Go, go, go.
41:05Go, go.
41:06Step back.
41:07Step back.
41:08Stand down now.
41:09Hold your weapons and move back.
41:10You back up.
41:11Step back.
41:12Step back.
41:13Step back.
41:14Go, go.
41:15Step back.
41:16Come.
41:17Get down now.
41:18Come.
41:19Get down now.
41:20Go,俊, get down now.
41:21Get down now.
41:22Jump, get down now.
41:23Go, go, go.
41:24Go, go, go.
41:25Go, go, go.
41:26Go, go!
41:27Go, Master Brad!
41:28Osiris, we're orphanage.
41:35Come on.
41:36We need to get you to safety.
41:41We have Osiris.
41:58Get our people out of there.
42:12Do not fire unless fired upon.
42:14Osiris is off the map.
42:15Repeat, Osiris is off the map.
42:19He's going after the target.
42:22Which direction?
42:25Alexander must have put the drive in the Faraday cage.
42:27We can't track him.
42:29Get me every camera we own east of the city.
42:31I want to see it.
42:32Yes, sir, we're on it.
42:32This is a manhunt.
42:33The operational theater is now the entire city.
42:36We find our operative and we do not let him fall into the wrong hands.
42:40Roger that.
42:41Hold up that quadrant.
42:52Henry!
42:55Edmund!
42:55I saw you on the monitor with Hale.
43:03What's going on?
43:05Did you tell anyone you know me?
43:09No.
43:12You're in trouble.
43:15Not anymore.
43:15I don't care what you did.
43:39I don't care what you did.
43:40Okay?
43:41This belongs to the orphanage.
43:43Make sure it gets to know.
43:45Okay.
43:45Okay.
43:45Next block.
43:46Okay.
44:03Okay.
44:03Next block.
44:04Next block.
44:06Come on.
44:36I realized during all this that the only time that anyone actually told me the truth was
45:01when I'd already found it myself.
45:06The people I work for want me in the dark because it's easier to control me that way.
45:17The people I work for want me in the dark because it's easier to control me.
45:29The people I work for want me in the dark because it's easier to control me.
45:41The people I work for want me in the dark because it's easier to control me.
45:53Once we find who we're looking for, the orphanage might cut a deal with them in exchange for
46:15the technology.
46:16And they'll only tell me what helps them use me.
46:27I'm never going to find out why this happened or why they chose me or if there's a way to
46:40get this thing out of my head and stop it from happening to anyone else.
47:07I know you'll understand, my friend.
47:14Yeah?
47:15Yeah.
47:16Yeah?
47:17Yeah?
47:18Did it go faster?
47:21Maybe.
47:22Hello?
47:23Hello?
47:24Hello?
47:25Hello?
47:26Hello?
47:27Hello?
47:28Yeah?
47:29Hello?
47:30I'm not going to go faster.
47:32Maybe.
47:33Hello?
47:34Hello?
47:35Hello?
47:36I'm not going to do anything.
47:39Hello?
47:40Hello?
47:41Hello?
47:44Hello?
47:45Hello?
47:48Hello?
47:53Yeah?
48:23Yeah
48:53Oh, my God.
49:23Get out on the ground or I shoot.
49:46If you were going to shoot me, you'd have done it already.
49:49But you didn't, for the same reason you drugged your own partner.
49:55For the same reason you didn't want to hand me over to the orphanage just quite yet.
50:02You know you're hacked.
50:05And you know I'm the only one that can answer your questions.
50:15So let's talk.
50:19So let's talk.
50:49So let's talk.
51:19So let's talk.
51:20So let's talk.
51:21So let's talk.
51:22What about me?
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