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00:00The story we tell is that Mosaic has an encrypted drive with the identity of
00:06whoever placed the mole at the orphanage. We use a third party to get the drive
00:11into Mosaic's hands without him knowing it was from us.
00:14Thor, don't!
00:18These agencies ask you to do something unthinkable but they don't know the real
00:23cost. The only ones that know that are the people in it.
00:27You always intended for him to die. Yeah. Know why?
00:31You needed to create a dead end. Now the enemy has no more leads, nowhere left to focus except on
00:37finding the drive. My job is to protect our country by manipulating people and sometimes
00:43getting them killed for the sake of a mission. The things you can't carry, bury it away and try not
00:49to dig it back up. When you don't know the whole picture, how do you know that you're doing the right
00:53thing? Be grateful for all the things you don't know.
00:57It's a nice change of face to have someone do the right thing.
01:00I'm not supposed to give you my real name, so this is between us.
01:07Last night, Tiananmen Square, Beijing, the largest public space in the world, was a war zone.
01:26With orders to secure the square, the People's Liberation Army of China, 300,000 strong, converged on
01:32Beijing from all directions. Unarmed citizens and students face tanks and soldiers with semi-automatic
01:38weapons. For the last five weeks, the mass student demonstration has touched a nerve. Soon,
01:44everyone seemed to join, protesting against hardship, government corruption.
01:48Are you sure? We'll have a.
02:00Victor. Hey, how's it going? So good. Come in, come in.
02:14How do you like the area? It's uh, it's very nice.
02:20In the interview for the engineering job, how did that go?
02:26Promising. Good. Good.
02:35This is your immigration paperwork, certificates of naturalization. No one will ever bother you about it.
02:40And this is a three-year lease on the house. Paid in full.
02:52You've done so much for us, Victor.
02:55I know it's not home, but you can have a fulfilling life here.
02:59This is not enough. You are saying goodbye to us.
03:11I think given the nature of my job, it's best if our lives don't intersect going forward.
03:16You know how sorry I am that you got caught up in what I was working on in China. And I'm sorry for
03:22the suspicion and that you were to leave your home. But I am glad that you made it here to this country.
03:30Because you wouldn't have been safe there.
03:32No one chose this, but it happened. And I did my part. Like I promised.
03:42For Preston and me. Yes.
03:45But you owe him more. When he is born, he won't know China. He won't know my family or Preston's family.
03:58In America, they don't like our faces. We go to interview at lab, but they don't want us.
04:06Yes. It will be hard for our son here. Because he is like us.
04:21But he is also not like us. He is born here. American.
04:32He is one of you. In a country we don't know.
04:37You are not done. You look after him.
04:47You promised that.
04:48Have you picked a name yet?
05:06Alexander.
05:18You are not done.
05:31You are not done.
05:32Transcription by CastingWords
06:02Transcription by CastingWords
06:32Transcription by CastingWords
07:02I'm not supposed to give you my real name
07:04While you're easy to pretend to fall for
07:07No one person gets to be more important than the mission
07:11No one person gets to be
07:21General
07:24Oh, my God.
07:54Oh, my God.
08:24For whoever ends up watching this, but I'm really hoping it's you, my friend.
08:31My eyes and ears have been hacked by a nanotechnology called Cassandra RU258.
08:40It's broadcasting everything that I see and hear, and whoever did this is using the information
08:48to compromise operations all over the world.
08:50I didn't know what had happened to me, and I wasn't a part of it.
08:56But when the orphanage discovered the hack, they chose not to expose it.
09:00They kept it open to find the hackers who were responsible.
09:04And I agreed to that.
09:06For the good of our country.
09:08Despite the risk to innocent lives, I couldn't have known how far they were willing to go.
09:15But I have knowingly compromised classified information at the direction of my superiors.
09:21And there's no stopping now.
09:25And despite my loyalty, they still don't trust me.
09:29They watch every move I make.
09:32I still believe in the mission.
09:34But I know they're not telling me the whole truth.
09:39I don't know who I can trust anymore.
09:46I'm not even sure of what's real in my own life.
09:50Did you ask me something?
09:52It's been so long, I'm starting to wonder.
09:55Yeah, sorry.
09:56It's, uh, it's work.
10:02Maybe we call it a day.
10:04Yeah, sure.
10:14He's being weird, right?
10:24Lone Wolf thinks Mosaic's drive identifies them as the one who placed the mole in the orphanage.
10:29Which means they think someone close to them has flipped.
10:31They can't trust anyone else with this.
10:33They will show up personally.
10:35So this is how we catch them.
10:38We build a trap.
10:40Director Moira asked me to relay an update on the magnetic drive we've been trying to locate.
10:45Based on intelligence gathered from a parallel operation in the EU called Stormwatch,
10:49we believe with a high degree of certainty that our former source, Saul Clemente, code name Mosaic, went to Paris shortly before his death.
10:57Our analysts believe there's a strong possibility he made this trip to hide the magnetic drive somewhere in the city.
11:09And they've narrowed it down to a three square mile area.
11:13We know exactly where the drive is.
11:15We had put a tracker on it before we got it into Mosaic's hands.
11:18This is a performing arts venue.
11:20Here.
11:21Now once the drive stopped moving, we obtained access to the cameras in that location.
11:27There were only a few, but we did find this.
11:29He walked up to the top floor.
11:31Fifteen minutes later, he left.
11:35Public building, lots of people coming and going.
11:38He hid that drive in plain sight.
11:40You don't want the target to know exactly where it is yet.
11:43Our enemy can't be ahead of us.
11:45You will lead them to it.
11:47Alexander and Remy will enter the country in alias.
11:50By the time they touch down, we should have identified the target location.
11:53Our extraction agent, a local, will meet them and arrange transport to an airfield we control.
12:00Then you're home.
12:02Remy will go with you to the immersive performance.
12:06The audience will be masked, not ideal for us.
12:10But it will make our target feel more comfortable if they want to follow you there.
12:14At any point after you have the drive, that's when we expect the enemy to intercept.
12:19Then we grab them.
12:20You're going to bring them in for questioning.
12:25That part you won't have to worry about.
12:28Once we have them, it's above your pay grade.
12:31This is a modified low-dose compound of multiple drugs.
12:38It dissolves on the skin.
12:40It'll make them compliant.
12:42We're going to keep our distance, no comms, so it feels like you and Remy are alone.
12:46You'll be more exposed than usual, but it's a risk that we have to take.
12:50What if they decide to take out the location and everyone in it to destroy the drive?
12:54Then we won't have to wonder who the enemy is, will we?
12:58They'll be the only one left standing.
13:03Whatever it takes.
13:04Remember?
13:09Something's off with him.
13:14In what way?
13:15I don't know.
13:18Normally I can read what he's thinking.
13:20It's right there.
13:21But something's changed.
13:24I just have this terrible feeling like I'm going to miss something big.
13:28Use Michelle. Get him to talk.
13:30That's what I mean.
13:31He's not talking to her either.
13:32It...
13:34His walls are up for some reason.
13:37You think we hold?
13:38No.
13:39We can't hold now.
13:40We might only get one shot at this.
13:42If our lone wolf senses a trap or goes dark, we might never find them.
13:45Keep watching Alexander.
13:47If he's not on board, we call it.
13:50I'd like to meet him.
14:20You ever seen her talk this much?
14:34Never.
14:50What are you up to?
15:06We're sacrificing so much for this operation.
15:11I wanted to see for myself if he was up for it.
15:17I believe he is.
15:19You're worried.
15:24We'll know who our lone wolf is very soon.
15:29Who?
15:31Yes.
15:32But I can't figure out the why.
15:49Hey.
15:50He's headed to your place.
15:51Why?
15:52I don't know.
15:53Something's up.
15:54See if you can get him to talk.
15:55Understood.
15:57Look, I've been here before.
15:58I'm a little too charming.
15:59Guy falls a little too hard for me.
16:00He starts getting obsessive.
16:01Comes to my apartment late at night with little to no warning.
16:03And then I have to kill him.
16:04I can't stay long.
16:05I can't stay long.
16:06I'm leaving to go out of town tomorrow.
16:07I can't stay long.
16:08I'm leaving to go out of town tomorrow.
16:11And, uh, I think we should call this off.
16:14Yeah.
16:15I can't stay long.
16:16I'm leaving to go out of town tomorrow.
16:17And, uh, I think we should call this off.
16:18I can't stay long.
16:20I'm leaving to go out of town tomorrow.
16:22Oh, wow.
16:23Wow.
16:24This is, um...
16:38This is awkward.
16:42I was like, how does that anything?
16:44I can't stay.
16:51This is awkward.
16:54You thought we were together.
16:56I'm being serious, Michelle.
16:57So am I.
16:59We never made this a formal thing.
17:02You know, you didn't have to come all the way here
17:04to break up with me if you didn't want to see me again.
17:06Well, I thought you deserved that, at least.
17:08Well, thank you.
17:09Your chivalry knows no bounds.
17:13Yeah.
17:18What is this, our first fight?
17:19It was bound to happen eventually, right?
17:26Look, if you're mad about something,
17:27you might as well just come out and say it.
17:33Alexander.
17:35Hey.
17:47Let's just...
17:49Can we talk about this?
17:57I got an early fight.
18:00Take care of yourself.
18:01I just want to know that what I do for my country matters.
18:15I just want to know that what I do for my country matters.
18:32Hey.
18:33He's leaving her place.
18:34He just got there.
18:36He walked out in a hurry.
18:41She closed all her blinds.
18:42Where is he going now?
18:48Where is he going now?
19:04Come in.
19:04Come in.
19:11Come in.
19:16Hey.
19:18Hi.
19:18Sorry to drop in on you like this.
19:22Um, you got a minute?
19:24You got a minute.
19:25Yeah.
19:25Sure.
19:25You still work at nights?
19:39Still work at nights.
19:40You been back to the cabin.
19:41Yeah.
19:42I told you I loved it from the minute we walked in.
19:55But I doubt that's why you're here.
19:56What's up?
19:57Nothing.
19:58Nothing.
19:59Um...
20:00I just wanted to say some things I've been thinking about.
20:05Whatever happened between us, I can only speak to my side of it.
20:09Um, but I want you to know you were right.
20:20I never let you in.
20:26And I'm sorry.
20:30That's it.
20:31Um, you don't have to respond or anything.
20:34I just, I just wanted to say it.
20:37I'll see you around, Rich.
20:44Why would you tell her that now?
21:02There's a chance I don't come back from this mission.
21:14And if something happens, no matter what anybody says, I want you to know that I did not betray this country.
21:23I'll go through with it, but I'm not doing it the orphanage's way.
21:36We have a plane to catch.
21:38Don't worry.
21:39I grabbed our bags.
21:43I'll go through with it all in our Heights.
21:46I found you.
21:47I've got the help of this for me too.
21:52I'm kidding.
21:55Don't worry.
21:56I just don't know.
21:57Don't worry.
21:58Don't worry.
21:59Don't worry.
22:00Take care of me.
22:01Take care of me.
22:02I'm doing it.
22:04They've left Washington airspace switching to flight comms go for control
22:30Shadowboxer's apartment is clear and she didn't go to work at the bar tonight. They don't have her
22:38Copy there's she gone dark. I can fix it. You were worried about Hale and now his minder is missing
22:48I'll find her sir. That's a good idea
23:00You
23:30Who's with you?
23:37Honestly?
23:38You think that if they were coming for you that they would send me?
23:42Did you run because you thought that we were coming to kill you?
23:45Why?
23:49Alexandra broke it off.
23:51Tonight?
23:52Yeah.
23:56You didn't know?
23:57No.
24:00I told you on the phone he's been acting weird.
24:03We didn't tell him to do that.
24:06Even if we had, which, again, we didn't.
24:10Wouldn't that mean your part in this is done?
24:15You get to walk free, wasn't that the deal?
24:18You haven't made a lot of deals with spy agencies, have you?
24:21No, I haven't.
24:24The last time I was an alias for an operation that went sideways,
24:27the agency I was working for sent the cleaners in after me within minutes.
24:34No loose ends.
24:36I don't care what the orphanage says.
24:39They're all the same.
24:40They're never going to let me go.
24:42Not after what I did.
24:44Oh, wow.
24:49They didn't give you my whole file, did they?
24:51How do you think the orphanage collected me in the first place?
25:07I made a mistake.
25:11The kind you can't run from.
25:15They'll say my debt is never repaid.
25:17They're probably right.
25:26So make a deal with me.
25:29When we stop whoever did the hack, I'll find a way to get rid of your file.
25:33I don't know how yet, but I'll find a way.
25:37Please don't run.
25:40Come back in. I need you.
25:42The only way I know how to connect to him is through you.
25:46And
25:46you're the only person who knows what any of this feels like.
25:55Also this.
25:57Going out on your own into the cold,
25:59that'll trigger exactly the kind of reaction you're afraid of.
26:03They will overreact.
26:06The entire mission will get pulled.
26:07Were you this close to this being over?
26:21If breaking up was Alexander's idea,
26:24that means he knows I'm not on his side anymore.
26:28Our fiction, that he can talk to the real me, is blown.
26:33He must have figured out you're still manipulating him through me.
26:36How do you know that?
26:37Because he did it right before he left.
26:40So when you found out, he'd already be on his way.
26:44That's exactly what I would do if I was about to go rogue.
26:52Go home.
26:56Pretend everything's normal.
26:59You should call it off.
27:02You've lost control of him.
27:04Founder, just a misunderstanding.
27:30Founder, just a misunderstanding.
27:32Are we still a go?
27:37Mission's good.
27:39Let's go.
27:46I have to see this through.
27:50We can't stop now.
27:55I have to see this through.
27:57We can't stop now.
27:59I'm going to take a break for a medication.
28:02I'm going to take a break at this point.
28:09Osiris and timekeeper in position.
28:14We can't stop after we're injured.
28:16No, we've got to go!
28:17We can't stop.
28:19We can't stop after we're injured!
28:20No, no.
28:24No, no.
28:25They're heading into the theater. Perimeter holding a half mile out. No sign of hostiles.
28:40Thank you, ground. Keep your distance until our target shows themselves. Radio silence.
28:44Roger that.
28:45Let me see it.
28:49I want to know who's in that room.
28:53Who's got eyes in the room?
28:55I want to know who's in that room.
29:25Entrez dans un monde de théâtre primarctif, incomparable.
29:32Ce soir, l'art et le public se fusionneront en un univers sensationnel.
29:40Mais surtout, notez pas votre masse.
29:45Commencez.
29:51Qu'y a-t-elle de plus que moi?
29:55Mais de quoi parlez-vous? Attendez.
29:56Les regards que vous portez sur cette femme sont une force que je ne saurais supporter davantage.
30:01Je mettrai le regard tout fou. Voyons, je vous sers.
30:04Non, non, non.
30:10Je m'appelle !
30:11Non, non, non.
30:14Non, non, non, non, non.
30:16This story begins with a star.
30:30Like all other stories, there is always a sense of light.
30:35The moon.
30:36And as you already know, the moon has always a friend.
30:40As you already know, an immense effect.
30:46An incredible effect.
30:49As you already see, this light here.
31:04They've reached the target room.
31:07Now they've just got to find it.
31:09Then the enemy will find them.
31:26Hello.
31:27Look for a key somewhere.
31:32I'm waiting for you.
31:34I'm waiting for you.
31:36Give this letter to Viviana.
31:40Tell him what I'm waiting for.
31:43Ah.
31:44I'm waiting for you.
31:45I don't remember.
31:46Look for a key somewhere.
31:50Oh, je ne me souviens plus.
31:55Look for a key somewhere.
32:09Portez ce vieux whisky.
32:13Hey.
32:15What?
32:16Didn't Mosay collect old guns?
32:20What a key of a whiskey,
32:25this one,
32:26this one.
32:32This one.
32:35Excuse me.
32:37Sure feels like it sometimes.
32:53Let's go.
32:58Signals?
33:03Drive's moving.
33:04He's got it.
33:05All right.
33:07All right.
33:08Now they go to the stairwell to get to the extraction point on the breezeway.
33:13Get the extraction agent in place.
33:15If the enemy is at the theater, they could be intercepted at any time.
33:35Show me outside.
33:45Zoom in.
33:49Zoom in.
33:52Okay.
33:53Control?
33:57They found our extraction agent.
34:11He's dead in his apartment.
34:15He's dead in his apartment.
34:28Every morning, I look into obsidian eyes.
34:42Extraction?
34:43Extraction.
34:44Let's get you out of here.
34:46Get a closer shot.
34:48Are we moving in?
34:49No.
34:50We don't know if this is our lone wolf.
34:51But we have to warn them somehow.
34:53If that's not our guy, we can't give them a reason to panic.
34:57We need identification.
34:58Get me a face.
34:59Who is this guy?
35:00Who is this guy?
35:01Get a closer shot?
35:03Are we moving in?
35:05No. We don't know if this is our lone wolf.
35:07But we have to warn them somehow.
35:09If that's not our guy,
35:11we can't give them a reason to panic.
35:13We need identification.
35:15Get me a face.
35:21Who is this guy?
35:27Hey!
35:29Where are we going?
35:31There's a service elevator.
35:33It'll take us down to the waterline.
35:35Safest way out.
35:45We got him. Punch in.
35:55Why is this taking so long?
35:57Get me a name.
36:17Why don't we have a name yet?
36:19It's classified.
36:21Sniper's nest has a clean shot.
36:23No. We take him alive.
36:25Ground, go.
36:26On the move.
36:27Three minutes out.
36:35Moira.
36:36Pull the overhead camera in.
36:37I want to see where they're going.
36:38Moira!
36:39We're picking up another RF signal.
36:41About 30 voices on it.
36:42It's not ours.
36:43There's someone else here.
36:44Contact.
36:45Northwest corner.
36:46Contact.
36:47Northeast corner.
36:48They're all over.
36:53Peter.
36:54It's the CIA.
36:55What the fuck are they doing here?
36:56Closing the target.
36:57Capture first.
36:58But if he's escaping,
36:59we shoot to kill.
37:00Now let's find out if you're full of shit or not.
37:01Are you okay?
37:02More wound.
37:03I don't know.
37:04I'm so sorry.
37:05I'm so sorry.
37:06He's going to hit that.
37:07Let's go.
37:08I'm so sorry.
37:09I'm so sorry.
37:10You're okay.
37:11I'm so sorry.
37:12I'm so sorry.
37:13I'm so sorry.
37:14You're okay.
37:15I'm so sorry.
37:16I can't wait to see where you're going to have a wall.
37:18I'm so sorry.
37:19I can't wait to see where you're going.
37:20You okay?
37:30War wound.
37:32Before we head down,
37:34it's a Faraday cage
37:36with a drive.
37:37In case it's being tracked.
37:41Time is of the essence.
37:50How do you know he didn't have the drive, huh?
38:02Because I was watching
38:04through your eyes,
38:07Alexander Hale.
38:14Stay down.
38:20We hold him here.
38:25Strike should be on site in minutes.
38:37Hey.
38:39You're okay.
38:42It's okay.
38:44Remy's down.
38:44Now that's interesting.
38:58Get up.
39:03You're coming with me.
39:04But I thought we were staying here.
39:06Drop your weapon!
39:07This is the CIA!
39:09Alexander Hale!
39:10Surrender!
39:11Now!
39:14Oh.
39:15Come here.
39:15Oh.
39:17Oh.
39:17Oh.
39:30Oh.
39:32Oh.
39:33Oh.
39:33Oh.
39:34Oh.
39:36Oh.
39:41Oh.
39:43Oh.
39:44Oh.
39:44I see him!
40:05I see him!
40:07I see him!
40:09Watch out, coming!
40:11Go, coming, go, go!
40:12Go, coming, go, coming!
40:39Alexander Hale, stop!
40:55Stop!
40:57Stop!
41:01Orphanage, stand down!
41:05Step back!
41:07Step back!
41:09Lower your weapons and move back!
41:11You back up!
41:12Step back!
41:27Come on, Master Red!
41:32Osiris, we're orphanage.
41:35Come on.
41:36We need to get you to safety.
41:41We have Osiris.
41:43Get out of here.
41:59Get our people out of there.
42:03Do not fire unless you're out of there.
42:05Get our people out of there.
42:10Get our people out of there.
42:12Do not fire unless fired upon.
42:14Osiris is off the map.
42:15Repeat, Osiris is off the map.
42:19He's going after the target.
42:22Which direction?
42:25Alexander must have put the drive in the Faraday cage.
42:27We can't track him.
42:29Get me every camera we own east of the city.
42:31I want to see it.
42:32Yes, sir, we're on it.
42:32This is a manhunt.
42:33The operational theater is now the entire city.
42:35We find our operative, and we do not let him fall into the wrong hands.
42:39Roger that.
42:40Hold that quadrant.
42:52Henry!
42:54Edmund!
42:59I saw you on the monitor with Hale.
43:03What's going on?
43:04Did you tell anyone you know me?
43:09No.
43:12You're in trouble.
43:15Not anymore.
43:16Not anymore.
43:16Look, I don't know what the...
43:38I don't care what you did.
43:40Okay?
43:41This belongs to the orphanage.
43:43Make sure it gets to know.
43:44Okay, next block.
44:04Okay, next block.
44:06Come on.
44:34I
44:56Realized during all this that the only time that anyone actually told me the truth was when I'd already found it myself
45:04People I work for want me in the dark
45:15Because it's easier to control me that way
45:34I
45:36I
45:38I
45:40I
45:42I
45:44I
45:46I
45:48I
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46:22I
46:24I
46:26I
46:28I
46:30I
46:32I
46:34I
46:36I'm never gonna find out why this happened or why they chose me or if there's a way to get this thing out of my head
46:42And stop it from happening to anyone else
46:44Stop it from happening to anyone else
46:46I
46:48I
46:50I
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