A writer (Bruce La Bruce), researching a book on male prostitutes, finds a young man (Tony Ward) to serve as a guide on the streets of Los Angeles.
#comedy #drama #90smovies #tonyward #lgbtq #gay #explore #discover
#comedy #drama #90smovies #tonyward #lgbtq #gay #explore #discover
Category
🎥
Short filmTranscript
00:00:00Well, here I am
00:00:29floating face down in a jacuzzi.
00:00:33Maybe you'd like to hear the facts,
00:00:35the truth, the whole truth, and nothing up your butt.
00:00:39If so, you see,
00:00:41the body of a young man was found floating in a jacuzzi.
00:00:46No one important, really,
00:00:47just a two-bit hustler with a couple of porno credits under his belt.
00:00:51Poor silly-ass fool.
00:00:53He always wanted a jacuzzi.
00:00:55Well, in the end, he got himself a jacuzzi.
00:00:57Except the price turned out to be a little high, didn't it?
00:01:02Let's go back about two months and find the day it all started
00:01:05when this guy called Juergens,
00:01:07who claimed to be some kind of a rider, came to town.
00:01:10Oh, no.
00:01:13I don't know.
00:01:14Oh, no.
00:01:28Oh, no.
00:01:31I can't hold me down.
00:01:56Yes.
00:01:57Oh, yeah.
00:01:58Oh, yeah.
00:02:01Oh
00:02:31Move move stand aside
00:02:50Move
00:03:01It was just business as usual for me that day little did I know that our paths would soon cross and nothing would ever be the same
00:03:31You know Festus you must have been a lumberjack in a past life. You sure can stack wood
00:03:54The door
00:03:58Away away
00:04:01Oh
00:04:08That was quite a fuck
00:04:13Nobody knows how to throw a good fuck these days back in the days in Easy Rider
00:04:18With Dennis and I riding our hogs across America people knew what fucking was about then
00:04:23Was acid, booze and ass, needles, guns and grass in those days
00:04:31Oh
00:04:40It's hot
00:04:42I know it's been so hot
00:04:44I wasn't speaking to you
00:04:51Juergen Anger
00:04:52Any relation to Kenneth
00:04:54Any relation to Kenneth?
00:04:55Nay
00:04:58Do you mind if I smoke?
00:04:59Denied
00:05:04First time in Hollywood?
00:05:06Could you please not speak?
00:05:08The annoying woman from the career placement center at UCLA said I would be provided with a driver
00:05:16Not a glib conversationalist
00:05:18Let's pretend we're in a limousine and there is a glass partition between us
00:05:24Shall we?
00:05:26I'm sorry, I'm just trying to make-
00:05:28Too much information
00:05:29I'm sorry, I'm just trying to make-
00:05:30Too much information
00:05:31I'm sorry, I'm sorry
00:05:45Could you speed it up a little please
00:05:47Please.
00:06:00Hey!
00:06:04H is for Hollywood, the very letter fledgling starlet Peg Entwistle dramatically leapt from.
00:06:10Landing in a bed of cacti, only to die of exposure three days later.
00:06:15Her cries for help lost amidst the cacophony of the creative city.
00:06:21Finally, my world's favorite location and the starting point of my research.
00:06:27Santa Monica Boulevard.
00:06:45Oh, fuck! Holy shit!
00:06:55Baby! Help!
00:06:57Help!
00:06:59Baby!
00:07:00Oh, shit!
00:07:03Help! Help me!
00:07:05Help me!
00:07:06Jesus!
00:07:07Help me!
00:07:09Help! Help!
00:07:11Help me!
00:07:13Baby!
00:07:15Baby!
00:07:17Baby!
00:07:19Baby!
00:07:20Baby!
00:07:21Baby!
00:07:23Baby!
00:07:24Baby!
00:07:25Baby!
00:07:26Baby!
00:07:27Baby!
00:07:28Baby!
00:07:29Baby!
00:07:31According to my calculations, this strip of Santa Monica Boulevard is a hotbed of cruising activity.
00:07:37At least that's what it says in my Dameron Guide 2000.
00:07:41Are you gay or straight?
00:07:42Are you gay or straight?
00:07:43Are you gay or straight?
00:07:44I heard you the first time.
00:07:45I am Monty Montgomery Ward.
00:07:46How are you doing?
00:07:47Do you know this guy named Peter Festus?
00:07:48No, why should I?
00:07:49Well, I heard his car was missing.
00:07:50Yeah, I didn't do, I didn't do nothing.
00:07:52I borrowed his car.
00:07:54I don't think he cared.
00:07:55I had to go on an errand, you know.
00:07:57It also says the plumber park is the rich man that's a gem.
00:08:01You know, why are you?
00:08:03You know, you're right?
00:08:04I'm kind of in trouble.
00:08:05About half that job.
00:08:06You're good.
00:08:07What are you guys?
00:08:08You're good?
00:08:09You're good.
00:08:10Do you know this guy named Peter Festus?
00:08:11You know, why should I?
00:08:12Well, I heard his car was missing.
00:08:14Yeah, I didn't do nothing.
00:08:16I borrowed his car.
00:08:17You know?
00:08:18It also says the Plummer Park, which we should be approaching at any moment,
00:08:22is one of the most notorious locales for finding liaisons.
00:08:27Someone told me they found his car in Plummer Park with a big den on the side and a blood stain.
00:08:35I don't know nothing about that.
00:08:40And there it is.
00:08:48Oh my!
00:09:08Jürgen perceives the brief moment of eye contact as an encouraging sign.
00:09:12Kismet, love at first sight.
00:09:16sight. To the boy, his glazed, fixed stare has just passed over the searching gaze of
00:09:24only one of a thousand potential tricks of the day. It doesn't get any greener, you know.
00:09:38J'adore.
00:09:46Pull over. Pull over. Pull over. I can't hear you. The glass partition is up, remember?
00:10:10Student.
00:10:16Idiot. You are very fired. Dismissed.
00:10:22Fine with me, auntie. Student.
00:10:46So whose place is this anyway?
00:10:58My friend Bud's. He's in Palm Springs.
00:11:02Oh.
00:11:04So why don't you kiss me?
00:11:06I don't kiss.
00:11:08Why don't you kiss me anyway?
00:11:10Just pretend you like it.
00:11:12Why don't you sit on my cock and let me fuck you like a little piglet.
00:11:14Okay.
00:11:16Alright.
00:11:18Alright.
00:11:28Hold it.
00:11:29Okay.
00:11:30Alright.
00:11:41Oh.
00:11:42Yeah.
00:11:43Oh.
00:11:44Yeah.
00:11:45Oh.
00:11:46Yeah.
00:11:47Oh.
00:11:48Yeah.
00:11:49Oh.
00:11:50Yeah.
00:11:51Oh.
00:11:52Yeah.
00:11:53Oh.
00:11:54So fucking good.
00:11:55Yeah.
00:11:56Oh.
00:11:57Oh.
00:11:58Yeah.
00:11:59Fuck.
00:12:00Oh.
00:12:01Oh.
00:12:02Yeah.
00:12:03Oh.
00:12:06Yeah.
00:12:07You little nasty sex pig.
00:12:24Yeah.
00:12:27oh yeah oh oh yeah oh yeah oh what the fuck the hell shit fuck are you doing man
00:12:45fuck
00:12:57fuck I told you man I don't want to kiss and shit what the fuck's the matter with you man
00:13:10I told you I don't like kissing I told you I don't like it what the fuck's the matter with
00:13:15you you're fucking sick man I can't believe this shit fuck
00:13:19I'm sick of this shit sick bastard man fuck do you know this guy named I will vest you
00:13:30no
00:13:32you don't know
00:13:47no what does he look like I don't know anything about that I just skimmed this guy and you
00:13:53know she was screaming like crazy and everything but I just I know it wasn't her it wasn't her
00:14:02how long have you been husband a long time a few years seems like a long time ever since
00:14:17my bitch girlfriend bailed and left a kid in my house it's cool though he's he's a cool baby
00:14:27he's all I have well I'm all he has
00:14:47he's a cool baby
00:15:06Give me the hat.
00:15:06Give me the hat, Rock.
00:15:08Give me the hat.
00:15:13That's a nice hat.
00:15:32Come on, buddy.
00:15:33We gotta go.
00:15:36We gotta go.
00:16:06We gotta go.
00:16:08We gotta go.
00:16:10We gotta go.
00:16:12We gotta go.
00:16:14We gotta go.
00:16:16We gotta go.
00:16:18We gotta go.
00:16:19We gotta go.
00:16:21We gotta go.
00:16:22We gotta go.
00:16:23We gotta go.
00:16:24We gotta go.
00:16:25We gotta go.
00:16:26We gotta go.
00:16:27We gotta go.
00:16:28We gotta go.
00:16:29We gotta go.
00:16:30We gotta go.
00:16:31We gotta go.
00:16:32We gotta go.
00:16:33We gotta go.
00:16:34We gotta go.
00:16:35We gotta go.
00:16:36We gotta go.
00:16:37We gotta go.
00:16:38We gotta go.
00:16:39We gotta go.
00:16:40We gotta go.
00:16:41We gotta go.
00:16:42We gotta go.
00:16:43We gotta go.
00:16:44We gotta go.
00:16:45We gotta go.
00:16:46We gotta go.
00:16:47We gotta go.
00:16:48We gotta go.
00:16:49We gotta go.
00:16:50We gotta go.
00:16:51We gotta go.
00:16:52We gotta go.
00:16:53We gotta go.
00:16:54We gotta go.
00:16:55We gotta go.
00:16:56We gotta go.
00:16:57We gotta go.
00:16:58We gotta go.
00:16:59We gotta go.
00:17:00We gotta go.
00:17:01We gotta go.
00:17:02We gotta go.
00:17:03We gotta go.
00:17:04We gotta go.
00:17:05We gotta go.
00:17:06We gotta go.
00:17:07We gotta go.
00:17:08We gotta go.
00:17:09We gotta go.
00:17:10We gotta go.
00:17:11We gotta go.
00:17:12We gotta go.
00:17:13We gotta go.
00:17:14We gotta go.
00:17:15We gotta go.
00:17:16We gotta go.
00:17:17We gotta go.
00:17:18We gotta go.
00:17:19We gotta go.
00:17:20We gotta go.
00:17:21We gotta go.
00:17:22Thanks.
00:17:23Bye.
00:17:31We're approaching the infamous Yukon Mining Company,
00:17:34another nexus of the hustling phenomenon.
00:17:38Memo to myself.
00:17:39Possible future location to set up my little office.
00:17:52Ah, dear boy.
00:18:16You must be the young person I arranged to meet her.
00:18:20I'm Amber Safferstein.
00:18:23You probably recognize me.
00:18:28Not really.
00:18:30Do you not watch daytime television?
00:18:32I'm a semi-regular on General Hospital.
00:18:36Are you that doc or something like that?
00:18:40Oh, you do recognize me.
00:18:42Not really. It just makes sense.
00:18:45Ah.
00:18:46Tell me, are you conversant with the Gianni Versace campaign?
00:18:51All those delicious young models balancing on thick roads.
00:18:56That's me. I'm a Gianni Versace model.
00:18:59I'm in 1945.
00:19:01I have some photographs here that show the many and varied uses my body has been subjected to.
00:19:14Now, time's up. I don't think so.
00:19:17You know what? I have a friend that could hook you up or something.
00:19:33Jürgen's memoirs continued.
00:19:35Ah, the Beverly Center.
00:19:38The heart of the creative city.
00:19:40Apparently closed down once again owing to another infestation of rats.
00:19:44I've been told that in Hollywood the rats nest high up inside dead palm trees,
00:19:50which is why they are constantly having to chainsaw them down.
00:19:53I have a vision of the rats falling from the sky like a plague.
00:19:57Yes, hello. My name is Ambrose Apperstine. You will refer to me by a mutual friend. Montgomery Ward?
00:20:07You'll probably recognize my voice. I'm on the telly on a semi-regular basis.
00:20:12Do you ever watch the soap operas? I'm also an established model.
00:20:16Yeah, I'm returning your page. My name is Roger B. Dean. I'm casting a portal.
00:20:37Nah, I don't do that.
00:20:39How about Fluffy? I'll pay you $200.
00:20:42Yeah? What's the address? I'll be right over.
00:20:44Come to 5118 Santa Monica Boulevard.
00:20:47Yeah?
00:20:49So, do you make a lot of money?
00:20:53I'm bad. I'm doing alright.
00:20:57Are you gay or straight?
00:21:00You're bugging me.
00:21:05Excuse me. Can I talk to you for a moment?
00:21:08About what?
00:21:10I think I might have something of yours.
00:21:14I don't have an entire message.
00:21:19But why, we're doing yours.
00:21:22You'll never do it, boss.
00:21:23I'm being dead, boss, about 15 hundred Briefs.
00:21:28No way to do it with books.
00:21:31No way to do the soll date.
00:21:33He has someone at labor
00:21:35who eat this man,
00:21:37with a pocket,
00:21:39who eat the hat.
00:22:10Damn, oh shit!
00:22:21Oh!
00:22:22Hi bud, you ho!
00:22:30Whoa!
00:22:31Ooh!
00:22:32I've got to go.
00:22:37Bye.
00:22:38Bye.
00:22:39Hi bud.
00:22:40Hey.
00:22:41Mind if I can't get here for a while?
00:22:42Somebody's chasing me.
00:22:43I think they know about the hit and run.
00:22:45Yeah, sure.
00:22:46Stay as long as you want.
00:22:47I've got a hot trick coming over.
00:22:49He's a Versace model.
00:22:51Hot.
00:22:59Wow!
00:23:00Woo!
00:23:01Woo!
00:23:02Woo!
00:23:03Woo!
00:23:04Woo!
00:23:05Woo!
00:23:06Woo!
00:23:07Woo!
00:23:08Woo!
00:23:09Woo!
00:23:10Woo!
00:23:11Woo!
00:23:12Woo!
00:23:13Woo!
00:23:14Woo!
00:23:15Woo!
00:23:16Woo!
00:23:17Woo!
00:23:18Woo!
00:23:19Woo!
00:23:20Woo!
00:23:21Woo!
00:23:22Woo!
00:23:23Woo!
00:23:24Woo!
00:23:25Woo!
00:23:26Woo!
00:23:27I'm gonna try and make my rent.
00:23:28And how much is that their rent?
00:23:30It's negotiable.
00:23:31Yeah?
00:23:32Well, hop in, friend.
00:23:33Woo!
00:23:34I got myself a regular cowboy, whoo!
00:23:40We're going to have us a hook nanny.
00:24:04For the past two weeks or so, the prettiest and most prized possession I own
00:24:25Is a picture of Luke Perry's speech I cut out during the blackout out of an old rolling stone
00:24:34Oh, this glossy brushed picture of Luke Perry's speech keeps me on my toes
00:24:46Sorry to speak
00:24:48Yodelay, yodelay, yodelay
00:24:54Yodelay, yodelay, yodelay
00:25:02Jesus is my friend, you know
00:25:05Jesus is my friend
00:25:07I see him everywhere I go
00:25:10Jesus is my friend
00:25:12Yodelay, yodelay, yodelay
00:25:16I was married for not even two and a half years
00:25:25I was in the military for almost a decade
00:25:32I love my wife
00:25:37I've got a little girl
00:25:39Three years old
00:25:41It's very painful
00:25:46To lose them
00:25:49But
00:25:50I guess that's just the way things are sometimes
00:25:56It certainly helped make me grow
00:26:02Sometimes that's all we need is just to go through adversity
00:26:08It just was so hard to deal with a loss
00:26:12Aw, that was quite a story young fella
00:26:17Almost broke my heart
00:26:19Would you like to go for another ride?
00:26:22Oh, it's gonna cost you extra
00:26:25Fine by me
00:26:26Let's do it
00:26:28Do it
00:26:30Alright
00:26:38Get up there little cow queen
00:26:40Woo!
00:26:41Woo!
00:26:42Woo!
00:26:43Woo!
00:26:44Woo!
00:26:45Woo!
00:26:46Woo!
00:26:47Woo!
00:26:48Woo!
00:26:49Woo!
00:26:50Woo!
00:26:51Woo!
00:26:52Woo!
00:26:53Woo!
00:26:54Woo!
00:26:55Woo!
00:26:56Woo!
00:26:57Woo!
00:26:58Woo!
00:26:59Woo!
00:27:00Woo!
00:27:01Woo!
00:27:02Woo!
00:27:03Woo!
00:27:04Woo!
00:27:05Woo!
00:27:07Do you know a John named Albreus Saperstein?
00:27:10Nope.
00:27:11Yeah, as a matter of fact, they do.
00:27:14Oh.
00:27:15He's a weird little cuss.
00:27:18Oh.
00:27:20Delicious.
00:27:21Delicious.
00:27:22Delicious.
00:27:23Delicious.
00:27:24Delicious.
00:27:25He's got some pretty kinky kinks.
00:27:26Oh.
00:27:27Exquisite.
00:27:28Ah!
00:27:29I turn him on to my friend, Bud Cockram.
00:27:30Yes!
00:27:31Ah!
00:27:32Yes!
00:27:33Ah!
00:27:34Yes!
00:27:35Ah!
00:27:36Yes!
00:27:37Ah!
00:27:38Oh.
00:27:39Exquisite.
00:27:40Ah!
00:27:41I turn him on to my friend, Bud Cockram.
00:27:43Yes!
00:27:44Ah!
00:27:45Yes!
00:27:46Ah!
00:27:47Yes!
00:27:48Oh!
00:27:49ین Tang!
00:27:50Oh!
00:27:51Oh.
00:27:52My dear boy.
00:27:53Ah!
00:27:54Oh!
00:27:55Oh!
00:27:56Oh!
00:27:57Oh!
00:27:58My dear...boy!
00:27:59Oh!
00:28:00Ah!
00:28:01Oh!
00:28:03Oh!
00:28:05Ah!
00:28:06Oh!!!
00:28:07Oh!
00:28:08Yes!
00:28:09Oh!
00:28:10Oh!
00:28:11Ah!
00:28:13Oh!
00:28:14Not too heavily, dear boy!
00:28:17Ah!
00:28:18Ah. Ah. Ah. Ah. Ah. Ah. Oh, cut my buttocks still up, boy.
00:28:35Ah. Ah. Ah. Ah.
00:28:48Ah. Ah.
00:29:18I've never seen so many palm trees. How ironic that the world's capital of filmmaking should look so much like a movie set. A flimsy backlot construction.
00:29:30I hope this is the right place and not one of those crack dens everyone keeps talking about.
00:29:42Roger? Roger?
00:29:54Roger? Roger?
00:29:58Roger?
00:30:03Roger?
00:30:07Roger?
00:30:11Roger?
00:30:17Oh, my God.
00:30:47I'm here on the set of an actual Hollywood porno shoot, at the invitation of my friend Roger V. Dean, in order to experience the life firsthand.
00:31:11Roger is a true professional in every sense of the word, etc.
00:31:20I just hope my mere presence on the set doesn't upset the delicate equilibrium that is part of...
00:31:38A tense moment on the set as one of the players fails momentarily to live up to his contractual obligations.
00:31:49Come on, hurry up. Time is mine. Hurry up.
00:31:57Wait in just a second.
00:32:01Come on, hurry up. We don't have all day.
00:32:03It's him.
00:32:15It's him.
00:32:19Okay, quickly, on to the next scene.
00:32:21For the insert before he loses his fluff. Come on.
00:32:24This is everyone.
00:32:25Come on. Well, he still has his fluff.
00:32:32And...
00:32:3330 CD, take two.
00:32:37Action.
00:32:37Action.
00:32:53Okay.
00:32:54Oh, my God.
00:32:55Get out of me.
00:32:56Oh, my God.
00:32:57Oh, my God.
00:32:57Oh, my God.
00:32:57Roger.
00:32:58Roger.
00:32:58Oh, my God.
00:32:59Oh, my God.
00:32:59Oh, my God.
00:33:00Hey, hey.
00:33:00Roger.
00:33:01You deleted this shit, man.
00:33:02Jesus Christ.
00:33:04I'm sorry, everybody.
00:33:06Oh, shit.
00:33:07Oh, shit.
00:33:08Come down.
00:33:08Come down.
00:33:09Come down.
00:33:09Oh, shit, man.
00:33:11Jesus Christ, man.
00:33:12I'm gonna fucking get against me, okay?
00:33:14Fuck you, man.
00:33:15You're ridiculous, man.
00:33:16I can't deal with this.
00:33:19Oh, my God.
00:33:20Oh, my God.
00:33:21Oh, my God.
00:33:22Oh, my God.
00:33:23Oh, my God.
00:33:25Oh, my God.
00:33:27Oh, my God.
00:33:29Oh, my God.
00:33:30Oh, my God.
00:33:31Sorry.
00:33:32Sorry.
00:33:33Sorry, everybody.
00:33:34Yeah.
00:33:35Yeah.
00:33:36Yeah.
00:33:37Sorry isn't going to that.
00:33:38Wow.
00:33:39Where did that fluffer go?
00:33:52What was his name again?
00:33:54Monty.
00:33:55Monty.
00:33:56Damn good fluffer.
00:33:58Try to track him down.
00:33:59down.
00:34:29Oh, I can't help you.
00:34:35Please, I can't help you.
00:34:39I can't help you.
00:34:43I can't help you.
00:34:47I can't help you.
00:35:05So there I am working the corner of Gordon and Santa Monica across from the Hollywood
00:35:09Cemetery, trying to pay some bills.
00:35:12When I notice this bald amputee working the other side of the street.
00:35:16I know I've seen this guy somewhere before, but I certainly ain't interested.
00:35:20Not because he's missing a leg, mind you, but because he's got attitude supreme.
00:35:26So he's checking me out like he wants to start something up, as if I'm not busy enough trying to make a living.
00:35:31And finally he yells over at me.
00:35:34Any bites? Nah, it's dead, I reply.
00:35:37You look familiar, he says. You don't, I say.
00:35:46He says, I don't think it's going to pick up today. Why don't we do something together?
00:35:50I don't think so. I ain't into it, is my response.
00:35:56So I turn around and I see this potential trick pulling up in his car and I'm thinking.
00:36:03Here comes lunch.
00:36:06There goes lunch.
00:36:08Because he drives right past me and makes a beeline for the gimp.
00:36:15I guess the chump wants to hump the stump.
00:36:22So Baldi gets in the car and I'm out of business.
00:36:26Now get this.
00:36:27Meanwhile, another Baldi is strolling up the other side of the street.
00:36:30But this one's hot.
00:36:33So I'm checking him out, but he only has eyes for old Peglet, who's already hooked up with Billy Ray Jaded and Mr. Fetish.
00:36:43Persistent schmuck that I am, now that the competition is gone, I go,
00:36:47Hey, hey, hey, hot skinhead!
00:36:51Hey, hey, hey, hot skinhead!
00:36:53Hey, baby, come over here, I want to talk to you!
00:36:56Then I go,
00:36:58Hey, what's your name?
00:37:00Piglet, he says.
00:37:02So I start singing.
00:37:03The wonderful thing about Piglet is Piglet's a wonderful thing.
00:37:08Come over here, I want to talk to you!
00:37:10And after serenading him and everything, he just ups and walks away.
00:37:14Into the cemetery, no less.
00:37:16Ah, what the hell.
00:37:17Life.
00:37:18It'll kill ya.
00:37:30You still have the back smell of Billy Ray Jades,500.
00:37:32An down stream.
00:37:33Oh boy.
00:37:34Or styleseat.
00:37:35Oh boy.
00:37:36Hello there young man.
00:37:37John Stevenson.
00:37:39Bye, went over here.
00:37:40I'm sorry to meet you with the obligatory coat to pay the price!
00:37:45Hello there, young man!
00:37:49is there something the matter with you I'm just thinking about something are
00:38:04you grieving for a loved one kind of I'm sorry do you come here often no yeah not
00:38:15here but the area so you spend a lot of time on Santa Monica Boulevard yeah do you work on the
00:38:25Boulevard somewhere yeah does that mean that you're working now maybe I'm gonna be so bold
00:38:38is to ask you if I could purchase your services are you a cop I beg your pardon if you are you
00:38:47have a legal obligation to tell me listen baby boy I'm not a cop I'm a mortician okay then let's go
00:39:08the Hollywood Cemetery the final rusting place of Valentino Clifton Webb Peter Laurie Douglas Fairbanks
00:39:27Jr. Jane Mansfield Joan Hackett Virginia Rappé the list goes on the Hollywood Knickerbucker Hotel
00:39:36where famed costume designer Irene threw herself out of a window over unrequited love
00:39:42for Elizabeth Taylor how sad making nowadays Hollywood seems to have been taken over by ubiquitous religious
00:39:50cults let me see just as I thought a perfect fit
00:40:03just kidding
00:40:09let me go get myself ready make yourself at home
00:40:14I'll be just a moment just hang on for one more minute
00:40:43are you okay out there please be patient I'm almost ready
00:40:49are you okay out there please be patient I'm almost ready
00:41:05are you ready
00:41:13are you ready
00:41:13are you ready
00:41:13are you ready
00:41:35There we go.
00:42:05I'm not trying to scare you tonight, I hope you don't mind, but you have to wear a condom,
00:42:23please.
00:42:24Yeah, sure.
00:42:25I don't think you need to worry about anything, though.
00:42:27I'm sure it's considered set of sex.
00:42:30The safest it may be, you never know.
00:42:36Yeah, well, I hope you got some big ones.
00:42:39As a matter of fact, I'm waiting to meet a person like you.
00:42:42It just so happens I got large and extra large.
00:42:47Yeah, I need the extra large.
00:42:54Are you a sadist?
00:42:56I hope you know what you're doing.
00:43:05I'm gonna take that hope of yours and shove it up your ass.
00:43:26What's up?
00:43:28I'll never want you to have a problem and get you any more questions in the sense from me.
00:43:31What do you think of me?
00:43:33I'll never forget.
00:43:36Well, a lot of decisions are coming up with me.
00:43:39But I'm not sure what you're getting to.
00:43:41I'm going to talk to you to myself.
00:43:43I'm not sure what you're getting.
00:43:45I don't want to tell you to do it.
00:43:47I'm just going to talk to you everything first.
00:43:50I'm going to talk to you and I'm going to talk my myself here.
00:43:52I don't know.
00:44:22I don't know.
00:44:52I don't know.
00:45:22I don't know.
00:45:32Now, let's see.
00:45:34Monty.
00:45:35A perfect ten across the board.
00:45:38Mind, body, face, soul, and teeth.
00:45:42You look like someone.
00:45:54You want some company?
00:45:57No thank you, please.
00:45:58Come on, we both know why you're here.
00:46:02I assure you I am here strictly for anthropological reasons.
00:46:07I'm conducting research for a book I'm writing.
00:46:11Whatever you say, Grandma.
00:46:28Excuse me, excuse me, excuse me, excuse me, excuse me, buddy.
00:46:35I was wondering if I might have a quiet word with you.
00:46:39Why don't you buy me a drink?
00:46:41Well, for that matter, why don't you buy me a drink?
00:46:44No, no, no, wait, wait.
00:46:48I think I might have something of yours.
00:46:54Shit.
00:46:55No, no, no, no.
00:46:56I just want to return it to you.
00:46:57I thought you were going to bust me.
00:47:09What?
00:47:11Never mind.
00:47:12No, no, no.
00:47:13I found it at your little al fresco gymnasium.
00:47:17Right.
00:47:19Thanks again.
00:47:21Okay.
00:47:57Do you know this guy named Jürgen Enger?
00:48:20Yeah, he's kind of a queer word.
00:48:24He's pretty cool, though.
00:48:26You like him?
00:48:27Yeah, he's all right.
00:48:29Where'd you need him?
00:48:32He kind of chased me for a while.
00:48:35Why was he chasing you?
00:48:41He found a shirt with blood on it.
00:48:44Whose shirt was it?
00:48:46My shirt.
00:48:46God.
00:48:50You're right.
00:48:52I hate you.
00:48:55I'm like,
00:48:56you asked a question,
00:48:57you're right.
00:48:58You asked a question
00:48:58I heard issues come in.
00:48:59But um...
00:49:00MUSIC CONTINUES
00:49:30What are you doing?
00:50:00Destroying evidence
00:50:01Evidence of what?
00:50:05Never mind
00:50:06I don't believe we've been formally introduced
00:50:10My name is Jurgen Angler
00:50:11Any relation to Kenneth?
00:50:14I think not
00:50:15And you are
00:50:18Monty
00:50:19Monty Ward
00:50:21I have a little proposition for you, Mr. Ward
00:50:27Look, Studley
00:50:29I think you're quite cool and everything
00:50:31But you're not exactly what I look for on a date
00:50:33I have to be able to get it up
00:50:35No, no, no
00:50:36You misunderstand me, Montgomery
00:50:37I merely want to conduct an extensive interview with you
00:50:41About the history of hustling and Hollywood
00:50:43It would merely entail me driving you around
00:50:47You showing me this...
00:50:49No, I'm not interested
00:50:50I could pay you $1,000
00:50:52After so many vice buss, the scene moved briefly from Pershing Square in downtown LA to Hollywood Boulevard
00:51:21Then directly north to Selma Avenue
00:51:23Which became the bastion of hustling activity in the late 70s
00:51:29Hello?
00:51:30Yes, what is it?
00:51:31Speak up!
00:51:32Don't waste my time!
00:51:33Yeah, is this L.A. Plaza Escorts?
00:51:34Yes, it is
00:51:35Yeah, I was wondering if I could schedule an interview today
00:51:36An interview?
00:51:37Uh huh
00:51:38Are you experienced?
00:51:39Yeah
00:51:40Yeah
00:51:41I think that can be arranged
00:51:429442 Santa Monica Boulevard
00:51:43Okay
00:51:44We have an opening, but you better hurry
00:51:45Alright, thanks
00:51:46Alright, thanks
00:51:47Hurry now
00:51:48Alright, bye
00:51:49Alright, bye
00:51:50Alright, bye
00:51:51Bye
00:51:52Bye
00:51:53Yes, it is.
00:51:54Yeah, I was wondering if I could schedule, like, an interview today?
00:51:57An interview?
00:51:59Uh-huh.
00:52:00Are you experienced?
00:52:02Yeah.
00:52:03I think that can be arranged.
00:52:059442 Santa Monica Boulevard.
00:52:08Okay.
00:52:09We have an opening, but you'd better hurry.
00:52:11All right, thanks.
00:52:13Hurry, now.
00:52:14All right, bye.
00:52:23All right, bye.
00:52:53Hello.
00:53:00I think I have the wrong place.
00:53:05I was supposed to come in here for an interview?
00:53:08Oh, you've come to the right place all right.
00:53:11Yes, I think you'll do quite nicely.
00:53:15I don't really think I'd fit in here.
00:53:22Maybe I should just go.
00:53:24Why don't you stay a while?
00:53:25I believe we have a place for you in our organization.
00:53:28Somewhere.
00:53:52I'll be out in a moment.
00:54:04Go ahead and make yourself at home.
00:54:06Come on.
00:54:07Come on.
00:54:08Give me that onion ass.
00:54:09Uh-huh.
00:54:10Ooh.
00:54:11Ooh.
00:54:12Smells so good, it makes my eyes crack.
00:54:15Yeah.
00:54:16Ooh.
00:54:17You're a fucking giebler.
00:54:18Look at this fucking giebler.
00:54:20Ooh.
00:54:21Ooh.
00:54:22Spread them.
00:54:23Let me see those kookabubs.
00:54:24Let me see them.
00:54:25Come on.
00:54:26I'm going to do a Nicole on you.
00:54:27Fucking chicken.
00:54:28A little piss chicken snow.
00:54:30At least use a condom.
00:54:31Yeah.
00:54:32I guess I'm going to do it, huh?
00:54:33This is mine, huh?
00:54:34Oh, this is good.
00:54:35Ah.
00:54:36Ah.
00:54:37This is pretty cool.
00:54:38Save me.
00:54:39Ooh.
00:54:40Ah.
00:54:41Ah.
00:54:42Ah.
00:54:43Ah.
00:54:44Ah.
00:54:45Ah.
00:54:46Ah.
00:54:47The main cruising route on Santa Monica Boulevard extends in a figure eight from the Circus
00:55:09of Books at its westernmost point to the Pierce Brothers Mortuary at its easternmost point.
00:55:15The circuit is affectionately known by the Hustlers as the Loop.
00:55:18The parking lots of these two locations form the ends of the figure eight.
00:55:22The most easterly section of the loop is preferred by black Hustlers, and it becomes lighter
00:55:27the further west you go.
00:55:28Once you pass Spalding going west, you enter the Free Zone, where mere cruising overtakes
00:55:33Hustling.
00:55:34You may find a stray, virgin Hustler in this zone, but the prospects are slim.
00:55:39The Circus of Books parking lot is ground zero.
00:55:41You won't find any Hustlers here.
00:55:43Just horny civilians looking for a free, quick dickie.
00:55:47Informative.
00:55:48Hell yeah!
00:55:49Don't run from this dick now.
00:55:50Ooh.
00:55:51You're waiting on this.
00:55:52You can feel that boy pussy, man.
00:55:53Come on.
00:55:54Come on.
00:55:55Come on.
00:55:56Come on.
00:55:57Come on.
00:55:58Come on.
00:55:59Come on.
00:56:00Oh.
00:56:01Oh.
00:56:02Oh.
00:56:03Oh.
00:56:04Oh.
00:56:05Oh.
00:56:06Oh.
00:56:07Oh.
00:56:08Oh.
00:56:09Oh yeah.
00:56:10Don't run from this dick now.
00:56:12Ooh.
00:56:13Ooh.
00:56:14That nutshell good.
00:56:38So what do you want me to do?
00:56:48Put this on.
00:56:50Rule of thumb.
00:56:51Traveling east to west on the boulevard you go from black to white to rainbow, you know,
00:57:09as in the gay flag.
00:57:11Until you're in Santa Monica proper.
00:57:13And at the end of the rainbow is stupid light.
00:57:15Stupid light?
00:57:16Bookstore.
00:57:17Oh.
00:57:18You mean a different light?
00:57:19Whatever.
00:57:20What are the going rates?
00:57:22Really desperate?
00:57:23Five dollars or a place to stay or something to eat.
00:57:26I even knew a guy who lost track of the value of money and would sell himself for a buck
00:57:30a fuck.
00:57:31Desperate?
00:57:32Twenty dollars.
00:57:33The standard low end figure.
00:57:34High end?
00:57:35Three hundred bucks.
00:57:36It all depends on the kind of car the date is driving.
00:57:38What are they doing over there?
00:57:41Just taking a little hustle now.
00:57:43Let's get unconscious.
00:57:45Yeah.
00:57:46Yeah.
00:57:47Yeah.
00:57:48You're the whitest Michael I ever this year.
00:57:49Yeah.
00:57:50Yeah.
00:57:51Yeah.
00:57:52Yeah.
00:57:53You're the whitest Michael I ever this year.
00:57:54Yeah.
00:57:55Yeah.
00:57:56Yeah.
00:57:57Ain't mine.
00:57:58Ugh.
00:57:59Is that my beeper going off?
00:58:02Whose beeper is that going off?
00:58:04It's mine.
00:58:05Oh, it's mine.
00:58:06Does somebody have a phone?
00:58:20Hello?
00:58:21It's Roger Vedeem.
00:58:22Yeah?
00:58:23I'm doing another project.
00:58:24I can be there in half an hour.
00:58:26I'm teaming you up with a Versace model.
00:58:28Cool.
00:58:29Bye.
00:58:33Next?
00:58:38Contrary to popular belief, the hustlers work mostly during the day.
00:58:42Lunch hour is popular with the businessmen, especially the married ones.
00:58:46Although boys have been spotted working the boulevard as early as 8am.
00:58:50There's the Tomcat, the gay porno theater.
00:58:52Notice the impressions of the hands and feet of the famous porn stars on the cement out front.
00:58:57Just like Kramen's Chinese.
00:58:59Something like that.
00:59:01So, you think you were raped.
00:59:03My dear, that wasn't rape.
00:59:06That was merely an exercise in black power.
00:59:10Actually, I'm impressed.
00:59:12Nine huge black penises in a half hour.
00:59:17Pretty good for a piece of high snow, twinkie trash like you.
00:59:21A million man march wouldn't slow you down any, I'm sure.
00:59:25Oh, you've come to the right place all right.
00:59:30Here is the real seat of black power.
00:59:33Crawl.
00:59:34Crawl!
00:59:35Crawl!
00:59:36Ha ha ha ha!
00:59:40Ha-ha-ha-ha-ha-ha-ha!
01:00:10Ah!
01:00:12Ah!
01:00:14Ah!
01:00:19Hi-ha-ha!
01:00:34Hi-ha!
01:00:40Did you have a refreshing jacuzzi, Montgomery?
01:00:45Yep.
01:00:46Monty.
01:00:48Monty.
01:00:50You must be exhausted after our little drive today.
01:00:53Yep.
01:00:54Our little tour, as it were.
01:00:57Yep.
01:01:05You know what?
01:01:07Juergens, you've got a really hot set up here.
01:01:19You know, now that we're collaborators and everything,
01:01:27well, you know, you can do anything you like, if you like.
01:01:34On me, no charge.
01:01:38Do you really mean it?
01:01:43Why not?
01:01:46Sure.
01:01:48Well, that sounds wonderful.
01:01:51Maybe I should make us some drinks.
01:01:53Or, you might want to stay for dinner.
01:01:56I make a mean lasagna.
01:01:59Sure, what the hell?
01:02:01Okay, um, margaritas.
01:02:02Why don't I make us a couple of margaritas?
01:02:04Oh, do you take yours with or without salt?
01:02:07Salt.
01:02:10Salt.
01:02:11Okay.
01:02:12So just, uh, make yourself at home.
01:02:14Why don't you have another jacuzzi?
01:02:15That's what it's there for.
01:02:16And, uh, don't steal anything.
01:02:20Just kidding.
01:02:21Okay, I'll be right back.
01:02:22Okay, I'll be right back.
01:02:23Okay, I'll be right back.
01:02:53irds
01:02:56And finally...
01:03:13Well, this is where you came in. Back at the jacuzzi again. The one I always wanted.
01:03:25He fished me out ever so gently. Funny how gentle people get with dead bodies.
01:03:36Why do huskies like to wear white?
01:03:38Purity.
01:03:43You wear white?
01:03:44Yeah.
01:03:47See?
01:03:52Are you gay? Try it.
01:03:58I'm a hustler.
01:04:13The looks of me. The love we shared's seem to go nowhere and I lost my life. For I tossed and turned. I couldn't sleep at night.
01:04:17We shared, seemed to go nowhere
01:04:28And I lost my life
01:04:35For I tossed and turned
01:04:39I couldn't sleep at night
01:04:47Hey, did you guys hear about this hell-burned body they found in a crematorium?
01:04:54No
01:04:55They're right over in the Hollywood Cemetery
01:04:58I tell you, the body wasn't supposed to be there
01:05:00You know what I said is they were trying to fucking dump them off
01:05:03So, imagine this, the place fucking explodes, bodies all over
01:05:08Fucking bodies were everywhere
01:05:10The sky, the fucking place burns up
01:05:13Holy fuck
01:05:15Rolls of explosion and everything
01:05:17Picture this
01:05:19The guy had one leg missing
01:05:22Easy
01:05:24That's fucking disgusting
01:05:25That's what I said
01:05:27And he was wearing this black leather mask
01:05:30Black leather hood on his head
01:05:35That's hot
01:05:36No way
01:05:39That's what I said
01:05:41It's fucking shit, man
01:05:43I believe one of the morticians is in custody
01:05:46You're gonna nail his ass, man
01:05:49It's fucked up if you ask me
01:05:54Shit
01:05:56I believe one of the morticians is in custody
01:06:00No way, that's fucking shit
01:06:05Not goddamn
01:06:18I told you I don't like kissing
01:06:19I told you I don't like it
01:06:20What the fuck's the matter with you
01:06:52Do you know this guy named Jürgen Enger?
01:07:03Yeah, he, you know, he asks you questions.
01:07:09He talks to you.
01:07:11He looks in your eyes, you know, and when he asks you questions, he actually asks ways for the answers.
01:07:20It's cool.
01:07:21It's cool.
01:07:23Do you like him?
01:07:24Yeah, he's all right.
01:07:28How much do you like him?
01:07:30Are you in love with him?
01:07:35I don't think he can fall in love with somebody like that, but, you know, he's pretty, he's cute.
01:07:44I can't feel it.
01:07:57I can't do it.
01:08:01I'm not sure you're all over there.
01:08:05I'm not sure you're all over there.
01:08:31So
01:09:01I like this place.
01:09:31We can just sit here for a little while, but that's okay with you.
01:09:42I bet you used to like the beach.
01:09:50You know, there's something that I've been meaning to tell you.
01:10:01I never got a chance to.
01:10:04I fell in love with you the moment I saw you on the boulevard, that exact moment.
01:10:32I'm cold.
01:10:44You must be cold too.
01:10:45I left my coat in the car.
01:10:51I'm gonna go get it.
01:10:52You stay here.
01:10:53Don't move.
01:10:54And don't steal anything.
01:10:58Don't move.
01:10:59Don't steal anything.
01:11:05I left my coat in the car.
01:11:07I'm gonna go get it.
01:11:09You stay here.
01:11:10Don't move.
01:11:11And don't steal anything.
01:11:12Don't steal anything.
01:11:14So, let's go.
01:11:44You're alive.
01:11:54What happened?
01:11:56You slipped and hit your head on the side of the jacuzzi.
01:11:59I thought you were dead.
01:12:01I was going to dump your body in the ocean.
01:12:06Oh.
01:12:14I've been needing to tell you something.
01:12:18I think I've killed someone.
01:12:22I don't want to hear this.
01:12:28That t-shirt you found?
01:12:30I used it to mop up the hit and run.
01:12:33Please stop.
01:12:34No, you must listen.
01:12:43Don't you have to own a car to commit a hit and run?
01:12:48Stolen.
01:12:49Well, I don't care.
01:12:55These things don't matter to me.
01:12:57You're alive.
01:12:59That's all that matters.
01:13:01Yeah, what the hell.
01:13:03It's only life.
01:13:08Yes.
01:13:09But it's mine.
01:13:11So, let's go.
01:13:41So, let's go.
01:13:44So, let's go.
01:13:45Let's go.
01:13:54Let's go.
01:13:55Let's go.
01:13:58Let's go.
01:13:59I don't know.
01:14:29Let's go.
01:14:59Let's go.
01:15:29Let's go.
01:15:59Let's go.
01:16:29Let's go.
01:16:59Let's go.
01:17:01Let's go.
01:17:31Let's go.
01:18:01Let's go.
01:18:03Let's go.
01:18:05Let's go.
01:18:33Let's go.
01:18:35Let's go.
01:18:37Let's go.
01:18:39Let's go.
01:18:41Let's go.
01:18:43Let's go.
01:18:45Let's go.
01:18:47Let's go.
01:18:51Let's go.
01:18:53Let's go.
01:18:55Let's go.
01:18:57Let's go.
01:18:59Let's go.
01:19:01Let's go.
01:19:03Let's go.
01:19:05Let's go.
01:19:07Let's go.
01:19:09Let's go.
01:19:11Let's go.
01:19:13Let's go.
01:19:15Let's go.
01:19:17Let's go.
01:19:23Let's go.
01:19:25Let's go.
01:19:27Let's go.
01:19:29Let's go.
01:19:31Let's go.
01:19:33Let's go.
01:19:35Let's go.
01:19:37Let's go.
01:19:39Let's go.
01:19:41Let's go.
01:19:43Let's go.
01:19:45Let's go.
01:19:47Let's go.
01:19:49Let's go.
01:19:51Let's go.
01:19:53Let's go.
01:19:55Let's go.
01:19:57Let's go.
01:19:59Let's go.
01:20:01Let's go.
01:20:03Let's go.
01:20:05Let's go.
01:20:07Let's go.
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