- 2 days ago
SPAGHETTI WESTERN NOT FOR KIDS 18 A Boy with a Silver Saddle Hunts Killers in the Wild West
Category
🎥
Short filmTranscript
00:00:00He was good, senor, look.
00:00:15Hmm?
00:00:16Well, in fact, it's the best we can do.
00:00:21Thanks.
00:00:22De nada.
00:00:25No, no, amigo, con dinero.
00:00:27You may know, senor Barrett, you're welcome here.
00:00:32Got him, man.
00:00:37See, guys, they're very close.
00:00:40You're welcome.
00:00:57Look, I'm pretty sure there's Mr. Luke.
00:01:12The first one is Silver Sands.
00:01:16Senor Luke, you know you're always welcome here.
00:01:19Please say hello to senor Barrett, bringing my respect.
00:01:22He's such a fine gentleman, Mr. Barrett.
00:01:25Adios, amigo.
00:01:26Hey, Luke.
00:01:30Hey, Luke.
00:01:31Are you hard of hearing, Luke?
00:01:34Go tell Barrett he's a crook.
00:01:36Go tell Barrett to return that $100.
00:01:38What are you talking about?
00:01:39I paid Barrett $100 in advance for a strip of land at Saavedra.
00:01:43Well, he lied to me.
00:01:44There was no land at Saavedra, so I want my money back.
00:01:46You've been sitting in the sun too long.
00:01:48You fellas have been getting rich on poor people like us.
00:01:50That $100 was all I own.
00:01:52Too bad.
00:01:52No land and no money.
00:01:56How'd you expect us to live?
00:01:58Put your wife in a whorehouse.
00:02:00The work ain't hard.
00:02:02And it's easy money.
00:02:03You've been at Asmambeah.
00:02:08Come on.
00:02:13Join me.
00:02:13Damn it.
00:02:14I'm sorry.
00:02:21Ngay tres.
00:02:22Give it a hug.
00:02:23Come on.
00:02:24Come on.
00:02:25I'm sorry.
00:02:26She's coming here.
00:02:26I'm sorry.
00:02:27Give it a hug.
00:02:28Give it a hug.
00:02:29Man, come on.
00:02:30Sit down.
00:09:37Hey,
00:10:07thank you.
00:12:03I think that you'd like it, in this town, I mean, and this is the best house in the state, you know, better than the ones in San Antonio or even Dallas.
00:12:33Do you remember when I met you six years ago? The music called in Waco. You got me out of trouble.
00:12:52Mm-hmm. As I recall. It looks like things have gotten better. No more problems, Eva.
00:13:06I'm pretty sure it could be a whole lot better, Roy. Yeah, but went for a bastard called Shep. I got to pay him every month, that dirty crook.
00:13:16You better leave here, then. Yeah, I thought of it, huh? Alabama. Louisiana. For a woman. And she's on her own in the city. Nothing changes.
00:13:32Hey, who the hell is this Shep? A filthy worm. I don't pay him tomorrow. It's the finish. All this will finish for me.
00:13:38You know, I'll go up in smoke, and I've worked hard to make this place what it is. Shep and Gorincha work as a team. It's a half and half deal. Shep's for the city. The country's for Gorincha.
00:13:53And where do you usually see this worm, Shep? I don't. Tom goes to it. Went so long. Where?
00:14:00Where? At the stage in Horst's post station at Chiquilla.
00:14:09Here. I want you to mind that horse. Yeah, Shep.
00:14:13It might sound similar, Sam. It's a little boy, Shep.
00:14:25And you was long. Real long.
00:14:27Darling, it's good to see you again.
00:14:37Risky? No, thanks.
00:14:38No, thanks.
00:14:51You know a guy around here that's called Shep?
00:14:54Hey, mister. Supposing one of us is called Shep.
00:14:57How come you're here?
00:14:58You're here to ask for.
00:15:14Who paid the orders to come here?
00:15:18No one gives me orders.
00:15:19I'll give you something.
00:15:20No!
00:15:21No!
00:15:22No!
00:15:23No!
00:15:24No!
00:15:25No!
00:15:27No!
00:15:28No!
00:15:30No!
00:15:32No!
00:15:33I got a ship.
00:15:35Yeah.
00:15:36This is terrible, right?
00:15:38No!
00:15:40No!
00:15:42No!
00:15:43No!
00:15:44No!
00:15:45No!
00:15:46No!
00:15:47The ship has got a ship.
00:15:48I heard them talking over there at Chivas, and I saw you.
00:16:12I thought I was going to shatter you.
00:16:19Yeah.
00:16:20You ain't no more.
00:16:31Hey, mister.
00:16:41I was wondering, is he your friend?
00:16:46You know who he is?
00:17:01Oh, yeah.
00:17:03Yeah, he's my partner.
00:17:05And my best friend.
00:17:07Smoke.
00:17:09Yes, but they were the deceased.
00:17:14Well, what's the difference?
00:17:17The stuff you take off a dead man is just as good as the stuff you take off a live one.
00:17:23Maybe better, because they don't come chasing half people.
00:17:26Have you only the gift of talking a lot, or can you also listen?
00:17:32Well, I can listen.
00:17:33But first off, I want to see the color of your money.
00:17:37But if I paid you money now to kill someone, could you listen?
00:17:43You're my partner at Chivas, or any other guy he would look at you?
00:17:59So $2.000, Roy.
00:18:04Do you have to buy a lot of things at $2.000, Roy?
00:18:08And how many humans have to kill before I get it, though?
00:18:13One.
00:18:14Just one.
00:18:16President Lincoln's already been killed.
00:18:19Now, listen here, Roy, this is a serious deal.
00:18:23Next Wednesday, you go to San Jacinto Cemetery.
00:18:26That's the place.
00:18:27Down there by the old mission.
00:18:29Your man will be down there.
00:18:31He'll be carrying a bouquet of flowers.
00:18:33And he'll lay him on the grave.
00:18:35Oh, it smells fishy.
00:18:39I'm willing to bet on it.
00:18:41And besides, my pistol can't be hired for this other job.
00:18:44So forget it.
00:18:46Ain't for hire, it ain't for sale.
00:18:48Ain't nothing.
00:18:49If you're talking to Cole, Thomas, and Barrett.
00:18:54Barrett.
00:18:58Different story of his Barrett.
00:19:03I'll even do it, Gratis.
00:19:05I'll even do it.
00:19:35Are you wounded?
00:19:45Let me see.
00:20:00Do you feel pain?
00:20:04It's only a scratch, sir. I don't feel it.
00:20:07You must have been real scared up at the cemetery with all those bad men and all that shooting going on.
00:20:12No, sir. I wasn't that scared.
00:20:17Hey, what the... Hey, wake up.
00:20:21Come on, boy. Wake up. Hey.
00:20:23Wake up.
00:20:30I must have sort of fainted on you, right, sir?
00:20:36Right. When you fell down, you looked like a big sack of potatoes.
00:20:40I'm sorry about that, sir, really.
00:20:43You are, huh?
00:20:47Who sent you to the cemetery? What were you doing there all alone?
00:20:50I always go alone. From Houston, I coach. Every month.
00:20:54You say Houston?
00:20:55Yeah.
00:20:56What's your name?
00:20:57Barrett, sir. Thomas Barrett.
00:20:59I know. There's a Thomas Barrett there, and I figured he's around 60.
00:21:03Well, I'm Tom Barrett, too, though. The other is my uncle.
00:21:06Well, what do you know? I saved the life of a Barrett.
00:21:09Yes, sir. I'm sure grateful.
00:21:18You're just screaming. If I know who you were, I wouldn't have raised a finger to help you.
00:21:23Now, listen to you here, Barrett Jr.
00:21:25Earlier this morning, they were out to kill you up in that cemetery.
00:21:31The trap was planted even for me.
00:21:35But it's you that want to murder.
00:21:38But you'll prevent it. Isn't that right, sir?
00:21:41I ain't gonna prevent nobody, Kitty.
00:21:42I hope you're not leaving me here.
00:21:44You guessed it.
00:21:45You bet I'm leaving you pee in the pants.
00:22:01You see, I'm leaving you, Thomas Barrett Jr.
00:22:04I'm leaving you.
00:22:05Please, mister, don't leave me alone.
00:22:08How am I gonna get out of here?
00:22:16The canteen filled with water?
00:22:19With a big knife like this one?
00:22:21Boy, it goes miles and miles.
00:22:26Well, it ain't no rather, but it's bad enough.
00:22:28And you're killing it, too.
00:22:39Yes, sir. You see, it's small and huge.
00:22:41The Barrett Jr. taught us all how to throw a knife.
00:22:44Tell me that if you can defend yourself, what made you scream like that?
00:22:47The Barrett Jr. says it's better to yell before Amy.
00:22:51It increases concentration when it brightens the animal.
00:22:53This way.
00:22:53Ah!
00:22:54Do you want me to help you, sir?
00:23:05No.
00:23:08Give me a pot of rotero.
00:23:11They never bump into me again.
00:23:12I'm in.
00:23:12I'm in.
00:23:24I'm in.
00:23:44What do you think of the kid after the line?
00:24:14I don't know who did it, but the reason is clear, my dear.
00:24:28He was kidnapped because he's your brother, and everyone knows here that you're very rich.
00:24:37Look at me.
00:24:39You think that anyone would want to kidnap me, Margaret?
00:24:42But, Thomas, you're over on the sun.
00:24:45Hadn't you anything else to tell me?
00:24:49Excuse me, Margaret.
00:24:51But at this point in life, I'm a man who's worth very little.
00:24:56This kidnapping now really hurts.
00:24:58It's awful.
00:25:01My poor little boy.
00:25:04Mr. Barrett.
00:25:06Don't have to knock.
00:25:07Come in, Turner.
00:25:08He's the one, my dear, who can tell you what's being done to find our boy.
00:25:17They can tell you.
00:25:18You can be sure he's doing everything possible.
00:25:20We know the name of the kidnapper now.
00:25:23He's an old gunman.
00:25:24Name of white blood.
00:25:26Has an old hatred for your family.
00:25:28Where's my little brother?
00:25:30Not sure of the exact place, Miss Margaret.
00:25:32We didn't bend 30 miles west to San Jacinto, where the cemetery is, but no luck.
00:25:36Have any of you ever seen anything?
00:25:38They're searching down by the cemetery and around it.
00:25:41They're doing a good job.
00:25:43I don't think they're doing a good job at all.
00:25:47I want the state of Texas to boast this is our biggest manhood.
00:25:50They were coming in that cemetery, wait for me to kill me.
00:26:14What do you know about a snake?
00:26:16Oh, wait a minute, Roy.
00:26:18I just took that 10% from that fella to try to convince you.
00:26:22And how about I know if he didn't give you 100% instead of 10% to get me killed, huh?
00:26:27Why, if I thought anything was wrong, you think I'd be here at all?
00:26:34Then, Mika, I'm going to offer you the deal of a lifetime.
00:26:37Tell me, Snake, another trap, huh?
00:26:41Boy, my fingers just etching to pull the trigger and kill you.
00:26:43What do you want to kill him for, sir?
00:26:45Please leave me alone if we weren't for him.
00:26:47I don't know if I found you.
00:26:50That little kid.
00:26:53You took him here, is that right?
00:26:55Uh-huh.
00:26:58It's a better reason to put a couple of bullets in your head.
00:27:02Come here a minute.
00:27:04Come here.
00:27:05Miss Roy, with that kid, we can get us more gold than we can loan our horse.
00:27:13Forget it, Snake.
00:27:15I'm paying money to get that kid out of my hair.
00:27:17Who knows who sent us that kid?
00:27:18He did that.
00:27:20The Lord has given us a gift in that kid, and he's worth his weight in gold.
00:27:24Now you can't deny your gift from the Lord.
00:27:27Your business with the Lord is your affair alone, boy.
00:27:30Listen, you can let us in any way you please.
00:27:32Look out, men are coming.
00:27:3320 men are more coming here.
00:27:35They look like Mexicans.
00:27:46Come here.
00:27:48Here, don't move.
00:27:49I want to leave one alive.
00:28:02I want to leave one alive.
00:28:02I want to leave one alive.
00:28:04Look out, men are coming.
00:28:05Go, go, go, go, go, go.
00:28:05Go, go, go, go, go, go, go, go.
00:28:07Go, go, go, go, go.
00:28:10Go, go, go, go, go, go.
00:28:19You guys.
00:28:24Go, go, go, go, go.
00:28:29Hey, Steve, take this.
00:28:49It's empty.
00:28:51Get water.
00:28:52Water?
00:28:53Yeah, water.
00:28:54Hurry up, come on.
00:28:55There he is.
00:28:59There he is.
00:29:29There he is.
00:29:59There he is.
00:30:29There's only a trick.
00:30:31I mean...
00:30:31Get back here.
00:30:44Come on.
00:30:47Snake, put some carbide in the canteens.
00:30:49Quick.
00:31:03Come on.
00:31:03We've got a roof here.
00:31:05The roof here.
00:31:07Behind the church.
00:31:08Okay.
00:31:09Come on.
00:31:29Good to go.
00:31:35Oh, God. That thing can't hold me. The one's rotten and I'm too heavy.
00:31:50Let me go, sir. I'm out of him in here. I can go up there.
00:31:53Get it out of your head. It's much too dangerous.
00:31:55Sure, but, sir, the next thing is just as dangerous.
00:31:58Hey, Ryder, besides Roy, they ain't gonna do it in no harm. They don't even kidnap him.
00:32:03Spruce your eyes. Give him the canteen and give it to him.
00:32:05Yeah, he can't stop. Come on.
00:32:27Are you out of your head?
00:32:29Yeah.
00:32:30Are you ready to throw the canteen out there with the canyons?
00:32:33Ready?
00:32:33Okay.
00:32:40Come on.
00:32:41Come on my Ovester.
00:32:44Come on.
00:32:44Come on.
00:32:44Come on.
00:32:45Come on.
00:32:46Come on.
00:32:46Come on.
00:32:47Come on.
00:32:50Yeah.
00:32:50Oh
00:33:20Look what I found
00:33:42Here, it's yours
00:33:48Thanks, kid
00:33:50It's perfectly all right
00:33:52Here, come and get it
00:33:54It's ready
00:33:55Give me a plate
00:34:20I wonder how gorgeous found out that pee in the pants here was with me and you
00:34:34Why do you call me that way, sir? It's not true. I don't pee in no pants. Call me, sir, the right way, Thomas
00:34:41Why do I call you Pee in the Pants? It's okay Pee in the Pants, I'll tell you
00:34:47I find it hard to call you Mr. Barrett, pee in the pants. Don't like the name of Barrett
00:34:54I'll be calling you Thomas from now on, huh?
00:34:59Thank you, sir
00:35:00Well, I guess get rich to us to keep all the reward and the acre, right?
00:35:18I want to go back to that house again. It's on the family's ward, you can collect it. I'll leave again after I get there
00:35:26But aren't you homesick?
00:35:28I'd much rather travel with you. I've been so happy. I really enjoyed myself a lot
00:35:32I'd be too scared to live in my house now
00:35:35While they're trying to discover who lost my dad, whoever wants to kill me will kill me for sure
00:35:39You understand that, don't you?
00:35:41Sure it do. Thomas, you know a tall, blind gentleman's, elegant, thinks of King Tutton. Here's a game that
00:35:49It's sort of a roulette that works for the battery
00:35:52Yeah, sure. I know who that is. It's Turner. He's at our house. He manages our estate
00:35:58I guess you're right
00:36:03You stay here with him
00:36:05Would you like to look after him for a couple of days while I'm gone?
00:36:11Sure, all right
00:36:13What are you going to do?
00:36:15Don't worry about it
00:36:17Just take care of the kid and don't let him out of your sight even for a second
00:36:21Even when you're sick
00:36:23He's so confident
00:36:26Five thousand rewards
00:36:28Sure, cause he's a tough over it
00:36:30He sure is
00:36:31Five thousand, huh?
00:36:32Go on, go after him and it's all yours, huh?
00:36:35Can you imagine it?
00:36:37Five thousand bucks
00:36:39They grow the trees
00:36:41On the one we're stringing up royal blood
00:36:43Can't wait to see him hanging on it
00:36:45It'll be a big day
00:36:47Hey Jim! For Pete's sake will you pipe down?
00:37:01Hey Jim! You're giving me a headache with a damn harmonica!
00:37:07It'll be a headache with a damn harmonica!
00:37:09It'll be a headache with a damn harmonica!
00:37:11Oh, that a boy Jim! I'll do the same for you someday!
00:37:17Ha ha ha ha ha ha ha!
00:37:19Oh, that a boy Jim! I'll do the same for you someday!
00:37:21Ha ha ha ha ha ha!
00:37:23Oh, that a boy Jim! I'll do the same for you someday!
00:37:27Ha ha ha ha ha ha!
00:37:29I'll do the same for you someday!
00:37:31Ha ha ha ha ha ha ha ha ha ha ha ha ha ha!
00:37:33Put that gun back down on the table, Turner.
00:38:02Would you mind?
00:38:03Come on, now.
00:38:04You don't think this old gun can hurt me just holding it in my hand?
00:38:08These guns haven't been loaded in years.
00:38:11I know, but they are relics of our family.
00:38:15And we're a jealous of them.
00:38:16Yes.
00:38:18And I don't belong to this family, huh?
00:38:20I beg you not to make such illusions.
00:38:23I'm not in the proper mood today.
00:38:27Is that that true?
00:38:28No, ma'am.
00:38:29It's Tom.
00:38:30Excuse me.
00:38:31What is it, Tom?
00:38:31They've been awaiting Mr. Turner.
00:38:33You're ready to go.
00:38:34Good.
00:38:34I'll be right over.
00:38:42You know, I never intended to force you, Miss Margaret.
00:38:45But I hoped that real soon you'll be chasing your mark.
00:38:47You're ready to go.
00:38:49You're ready to go.
00:38:51You're ready to go.
00:38:53What?
00:38:59You're ready to go.
00:39:01Go.
00:39:01I'll take my hand off your mouth, but no yelling.
00:39:31You're a blood, aren't you? You're so sad. That's it, the outlaw.
00:39:40Yeah, I'm so sad, all right.
00:39:42How come you hate the barracks? Tell me.
00:39:44If the dead were here, they'd be answering you.
00:39:49If someone here could answer you, you're still living.
00:39:52Where is he? Where is Thomas?
00:39:55He's all right, like I told you.
00:39:57I already prepared the money, the $5,000.
00:40:02It's the reward money you asked for.
00:40:04Bringing back safely, I'll give you all the money you asked me to give you.
00:40:07Who asked anything? You got me wrong, miss.
00:40:10But the message.
00:40:12What message?
00:40:13The message. This one here.
00:40:15It was from the window, and I picked it up.
00:40:18For the floor, which kind of explained.
00:40:21That's your name, isn't it?
00:40:22It's my name, all right, but not my signature.
00:40:24I was planning to go there today.
00:40:31From the Barrett's, I don't ask anything.
00:40:35But then, tell me what this means.
00:40:40Please, how come you're here?
00:40:41How come you're holding Thomas?
00:40:42You'll be seeing your brother soon.
00:40:43You can rely on him.
00:40:46I'm looking for a man called Turner.
00:40:51The reason I'm here is to see him.
00:40:53The empathy, Turner? Why?
00:40:55To murder him.
00:41:01Hey, what's that guy's wrong?
00:41:03He's out of the house.
00:41:04He'll see the roof.
00:41:05We'll have her, man.
00:41:06He's out of the house.
00:41:07He's out of the house.
00:41:07He's out of the house.
00:41:08He's out of the house.
00:41:08He's out of the house.
00:41:09He's out of the house.
00:41:09He's out of the house.
00:41:10He's out of the house.
00:41:10He's out of the house.
00:41:11He's out of the house.
00:41:11He's out of the house.
00:41:11He's out of the house.
00:41:11He's out of the house.
00:41:12He's out of the house.
00:41:12He's out of the house.
00:41:13He's out of the house.
00:41:14He's out of the house.
00:41:15He's out of the house.
00:41:16He's out of the house.
00:41:17He's out of the house.
00:41:18He's out of the house.
00:41:19He's out of the house.
00:41:20He's out of the house.
00:41:21He's out of the house.
00:41:22it's me snake on your fire hey snake answer me are you gonna answer me or am i going to kill you
00:41:53you have 30 seconds and then i'm gonna burn you
00:41:59i'm really sorry sir i didn't know it was you
00:42:09i'll be done good
00:42:12better with me now for the bushes i saw something moving in the bushes
00:42:16pilot title says close to shoot first we'll die later that's what the father taught me
00:42:21damn idiot you positive whatever his name is
00:42:23what's having a snake
00:42:37this is great
00:42:48is this the way you take care of the boy
00:42:50you cut me loose and i'm going to cut his ears off you're not going to cut off anything
00:42:57come on
00:43:02you took me by surprise
00:43:07don't you talk about catching people by surprise
00:43:11you surprised me about that ransom note
00:43:14what what's wrong with it we get the ransom we split it right down the middle
00:43:19and you don't think i take it all do you
00:43:30i'm just looking out after your interests
00:43:32we'll untie
00:43:34roy roy untie me
00:43:43hey thomas
00:43:45uh i'm sorry about that slap i gave you
00:43:48you did right sir
00:43:51remember i almost shot a hole in your head
00:43:56the reason i got sores for this
00:43:59it's really because i never want to see a hell of a pistol
00:44:04yep you see thomas i was about your age when i killed for the first time instead
00:44:09i've no doubt sir you had good reasons
00:44:11uh yeah but it influenced my whole life that incident
00:44:22uh i would like to explain the facts to you so you will be
00:44:24don't explain it to me you didn't explain sir
00:44:27sure i was more pushy than you because thank god i missed you
00:44:30if i hadn't missed you i'd be desperate now
00:44:34you want to make friends with me
00:44:35huh
00:44:42i feel much better now sir
00:44:44and from now on don't call me sir i don't really like it
00:44:47call me roy
00:44:49it's fine with me roy you're a real friend
00:44:52will you two cut out that gooey talk and untie me
00:44:56come over here and cut me loose
00:45:05three o'clock
00:45:16i'm gonna give you 60 seconds to run away
00:45:18i'm glad you're having fun keep it up
00:45:32all right
00:45:32all right
00:45:33your turn
00:45:35janice upstairs for you
00:45:37this everything's normal
00:45:39yes
00:45:40yes
00:45:40no one suspects of it
00:45:43that tuna there watching good
00:45:45don't worry ma'am
00:45:48now watch go of me
00:45:49oh
00:45:55okay
00:45:55i'm
00:45:58i
00:46:00i
00:46:01i
00:46:02i
00:46:03i
00:46:04i
00:46:06ever
00:46:07i
00:46:08i
00:46:10i
00:46:42Oh, yes.
00:46:48Well, what do you know?
00:46:49Another cigar.
00:46:53Watch closely, huh?
00:46:54And now we'll put another hand in it.
00:46:57Then we'll open it.
00:46:58Open it.
00:47:01Great.
00:47:02Traffic, traffic.
00:47:03Well, now.
00:47:05Are you still up?
00:47:06It's 1 a.m.
00:47:07Aren't you tired?
00:47:08Uh-uh.
00:47:08I hope you better join yourself soon.
00:47:09Fantastic.
00:47:10I could go out to busy at it for now.
00:47:13I doubt Padre Otero would improve, boy.
00:47:16You've got a bad influence on Roy.
00:47:19Peggy.
00:47:20You're going down now.
00:47:22And don't forget what I told you.
00:47:23All right.
00:47:26See you.
00:47:30And you know where you're going?
00:47:31Bad for you.
00:47:32You had a busy day.
00:47:33Janice will take you to bed, dear.
00:47:35But Janice is still up a little longer.
00:47:37All right, now, look.
00:47:38You go to sleep.
00:47:40Now we're here.
00:47:42But I'd like to stay with Roy.
00:47:45Now you go straight to bed, you hear?
00:47:47Roy!
00:47:47Come on, Thomas.
00:47:53He's fine now.
00:47:55I'm going down.
00:47:57You stand up here in this.
00:47:58In a little while, you'll be hearing something very interesting.
00:48:00Is it true, Thomas, that you enjoyed being here with us?
00:48:12Oh, yes, very much.
00:48:13You know, I've been thinking cheers.
00:48:15What's that?
00:48:16I want Margaret to buy this house for me.
00:48:18Because I'd love to come when I please.
00:48:20And who is this Margaret?
00:48:21My sister.
00:48:22Well, I wouldn't be so sure she'd want to buy it, you know.
00:48:32But no matter.
00:48:33You'll always be welcome when you come.
00:48:49And now, Thomas.
00:48:50Sleep.
00:48:54All right, good night.
00:48:56Good night to you, dear.
00:48:59Have a pleasant drink.
00:49:07It's Jess.
00:49:10Good night.
00:49:12You don't want me to go away?
00:49:15There's something I can do for you.
00:49:17No, no, thanks.
00:49:18Goodbye, for now.
00:49:19Good night, Miss Janice.
00:49:31Well, what do you know?
00:49:32You got a whole bunch of outlaws there.
00:49:34What do you do, babe?
00:49:35Make a collection of them?
00:49:37Yep.
00:49:38Only the ones that I like.
00:49:40And they've all been here in this room.
00:49:42Oh?
00:49:42It'll be difficult for you, won't it?
00:49:44To get up early and go out on that man, huh?
00:49:47Huh?
00:49:48No, I'll make it all right.
00:49:50Damn that Roy blood.
00:49:52Don't seem to me like that Turner fellow.
00:49:54It's moving heaven and earth to find that Barrett kid.
00:49:56And then you've got not for longer to keep Houston.
00:49:59Well, I don't think he wants to find him.
00:50:01He's a gambler.
00:50:01He's got an ace up his sleeve.
00:50:03What does that mean?
00:50:04I'm kidding.
00:50:05Come on, honey.
00:50:06You've been wasting precious time.
00:50:08Let's talk about the ones that you understand.
00:50:10Better still, no talking.
00:50:12Let's do it.
00:50:13Come on, honey.
00:50:13Show me what you can do.
00:50:15Come on.
00:50:16Show me, darling.
00:50:17All right.
00:50:18No.
00:50:18No, I ain't showing you anything if you don't tell me the reason right now, sweetie pie.
00:50:22That Turner don't care to find that baby.
00:50:24Come on.
00:50:25Forget it, baby.
00:50:25Let's have a look at your baby.
00:50:27Oh, my dear.
00:50:27Now, I want to know more.
00:50:28Okay, you win.
00:50:30Because after Richard Barrett died, the only ones that remained rich were Thomas and Margaret,
00:50:36his two jokes.
00:50:37His brother gambled away as part of the Barrett fortune.
00:50:40So if something happens to the kid, Margaret gets it all.
00:50:43What's Turner got to do with all this?
00:50:45You said he's got a high for mother Chris.
00:50:47And if he plays his cards right, he'll get it to marry him and wind up with the whole
00:50:51Barrett fortune right in his lap.
00:50:53So now that you know the reason, baby, honey, let's get down to the prison for him before
00:50:57I go crazy.
00:51:03Did you hear something, Lord?
00:51:04Did he talk about Turner?
00:51:05Mm-hmm.
00:51:07What did I tell you?
00:51:11I got to see Turner.
00:51:13He's here, Lord.
00:51:14Having fun.
00:51:14He's downstairs gambling all the time.
00:51:18Uh-huh.
00:51:19You bet.
00:51:20Because his time is up.
00:51:23No, Roy.
00:51:24I beg you.
00:51:26Don't do it here.
00:51:28I'm afraid it would give this house a bad name.
00:51:31Please, Roy.
00:51:33I got you.
00:51:33Don't say to you.
00:51:34I'll do it here.
00:51:35I won't do it.
00:51:37Okay.
00:51:37I can't.
00:51:37I...
00:51:38I'm afraid it would give this house a bad name for you.
00:51:49Please, I'll do it here.
00:51:55Maybe, I'll do it there.
00:51:55Yes.
00:51:56Come back here.
00:52:21Thomas!
00:52:22Sounds like Turner.
00:52:23Wait.
00:52:25Thomas!
00:52:26It is, Turner.
00:52:27Where are you, sir?
00:52:31Thomas, you brat!
00:52:33What's on that note?
00:52:37Sheriff, the kid's heading right here.
00:52:40Thomas, he's here.
00:52:41Yeah, sure.
00:52:43And if he's here, so is right blood.
00:52:45I don't want the two to escape.
00:52:47Otherwise, your career, Sheriff, is over.
00:52:49Hey, wasn't it the Barrett kid there?
00:53:13It sure was.
00:53:14Come on, let's go tell Sheriff.
00:53:15Mark all the answers and make sure you search all the rooms, you hear?
00:53:19Get, you darn fool!
00:53:21What do I do?
00:53:21Get out of here and bring me that catcher, Jack!
00:53:26Wait, wait!
00:53:27Stop!
00:53:27Look out!
00:53:27What?
00:53:28What?
00:53:28What?
00:53:29What?
00:53:29What?
00:53:29What?
00:53:30What?
00:53:30What?
00:53:30What?
00:53:30What?
00:53:30What?
00:53:31What?
00:53:31What?
00:53:34Where the heck have you been to?
00:53:36After wanting to be, but I didn't have the courage to go to the camera.
00:53:38Sheba, did you see that kid, Sheba?
00:53:45Oh, my, but you look funny, Sheriff.
00:53:48Show me a little respect.
00:53:52Why, close up your place, Sheba.
00:53:54I don't think you will.
00:53:55Of course, I could tell this story around, you see.
00:53:58Right here.
00:53:59Laughter throughout the entire state of Texas.
00:54:04Steady, boy.
00:54:05Quick, get on the back.
00:54:12Hold on.
00:54:16Go.
00:54:21Terrific.
00:54:22It's nice.
00:54:24Gee.
00:54:26See how high it's going, son?
00:54:28He, he, he.
00:54:30He, he, he, he, he, he, he, he, he, he, he, he, he.
00:54:35This place is much better for the boy.
00:54:38He'll be safe here.
00:54:41And, Padre, it sure is more appropriate than the other place.
00:54:43You don't have to be worried, Senor.
00:54:45He will be safe.
00:54:48How could anyone want to find out, Miss Charles, Senor?
00:54:51It was their vultures, Padre.
00:54:54So keep your eyes open.
00:54:56I'd still even look around here, too.
00:54:58Tell me, don't you happen to know who invented gunpowder?
00:55:02He was a friar.
00:55:04A father like me, Senor.
00:55:06So you can be certain that if anyone with bad intention show their faces here, we will give them our benediction.
00:55:15You see, Thomas?
00:55:16Come, come.
00:55:17You go now.
00:55:19Run.
00:55:20Run.
00:55:21Run.
00:55:22You see how it goes, I?
00:55:25Up to the sky.
00:55:27Up to the sky.
00:55:28I don't seem to understand you, Miss Margaret.
00:55:39It seems like I'm under accusation.
00:55:41Well, you're not under accusation.
00:55:43But you've given up all search, Turner, and you can't deny it.
00:55:45Yes, because we do have to share of you.
00:55:48Now, have you said to me never to take interest in your personal troubles?
00:55:51I've done as you asked me to.
00:55:52I have limited duties as your administrator.
00:55:54Unless you'd be willing, under these unusual and unfortunate circumstances, to change your attitude towards me, Miss Margaret.
00:56:05Did you hear me?
00:56:06Of course I heard.
00:56:08Are you taking me for an idiot expecting me to throw my arms around your odious neck?
00:56:13Why don't you tell me the word, Miss Margaret?
00:56:14Because you'll be sure the minute you do out again, and I'll bet I'll find the kid.
00:56:21Miss Margaret, please, that's me.
00:56:23You forced yourself on me at a moment like this, you mean?
00:56:26Because your kind of woman likes that, huh?
00:56:28You're a woman.
00:56:30But you're a woman I adore.
00:56:37Turner!
00:56:40There you go, Turner.
00:56:41No, you don't.
00:56:44Put that away or I'll kill her.
00:56:46No!
00:56:50No!
00:56:56No!
00:56:57No!
00:56:58No!
00:56:59I...
00:56:59I...
00:57:00I...
00:57:00I...
00:57:00I...
00:57:00I...
00:57:01I...
00:57:01I...
00:57:02I...
00:57:03I...
00:57:04I...
00:57:05I...
00:57:06I...
00:57:07I...
00:57:08I...
00:57:09I...
00:57:10I...
00:57:11I...
00:57:12I...
00:57:13I...
00:57:14I...
00:57:15I...
00:57:16I...
00:57:17I...
00:57:18I...
00:57:19I...
00:57:20I...
00:57:21I...
00:57:22I...
00:57:23I...
00:57:24I...
00:57:25I...
00:57:26I...
00:57:27I...
00:57:28I...
00:57:29I...
00:57:30I...
00:57:31I...
00:57:32I...
00:57:33I...
00:57:34I...
00:57:35I...
00:57:36I...
00:57:37I...
00:57:38I...
00:57:39I...
00:57:40I don't know.
00:58:10I don't know.
00:58:40I don't know.
00:59:10I don't know.
00:59:40I don't know.
01:00:10I don't know.
01:00:40And he hoped one day he could marry Margaret.
01:00:49Where's Thomas?
01:00:50At the nation of San Jacinto, and at the protection of the Friars.
01:00:59I don't know.
01:01:00I don't know.
01:01:01I don't know.
01:01:02I don't know.
01:01:03I don't know.
01:01:04I don't know.
01:01:05I don't know.
01:01:06I don't know.
01:01:07I don't know.
01:01:08I don't know.
01:01:10I don't know.
01:01:13I don't know.
01:01:14It's just a little boy playing.
01:01:26Yes, I'm sure.
01:01:28A little boy that was a force of me.
01:01:30Let's go.
01:01:44Let's shoot it up in that direction.
01:01:55Come on.
01:02:14Let's go.
01:02:44Let's go.
01:03:14Let's go.
01:03:30Let's go.
01:03:32Let's go.
01:03:34Let's go.
01:03:36Let's go.
01:03:40Let's go.
01:03:42Let's go.
01:03:44Let's go.
01:03:46Let's go.
01:03:48Let's go.
01:03:52Let's go.
01:03:54Let's go.
01:03:56Let's go.
01:03:58Let's go.
01:04:00Let's go.
01:04:02Let's go.
01:04:04Let's go.
01:04:06Let's go.
01:04:08Let's go.
01:04:10Let's go.
01:04:12Let's go.
01:04:14Let's go.
01:04:16Let's go.
01:04:18Let's go.
01:04:20Let's go.
01:04:22Let's go.
01:04:24Let's go.
01:04:26Let's go.
01:04:28Let's go.
01:04:30Let's go.
01:04:32Let's go.
01:04:34Let's go.
01:04:36Let's go.
01:04:38Let's go.
01:04:40Let's go.
01:04:42Let's go.
01:04:44Let's go.
01:04:50Let's go.
01:04:54Madre de Dios, a man can't even trust a priest, a friar anymore.
01:05:11Madre de Dios, a man can't even trust a priest.
01:05:41I see a volcano want to love with the rich. She told me, okay? Okay, I'm in love with Jesus.
01:05:52My name is Rob on the cross. She was dead in the morning.
01:05:58She was beautiful and feel mean, but a stupid woman, or just.
01:06:02Hey, chico. I think it's much better than you eat. You've got to be healthy, remember?
01:06:13You're laughing, but you better let me out of here, sir. If you intend to go on living.
01:06:17If your free meal tells food, we'll settle not to hurt you. Otherwise, you'll all fish bad.
01:06:25I better fear me.
01:06:27I better fear me.
01:06:32I better fear me.
01:06:33I better fear me.
01:06:34I better fear me.
01:06:35I better fear me.
01:06:36I better fear me.
01:06:37I better fear me.
01:06:38I better fear me.
01:06:39I better fear me.
01:06:40I better fear me.
01:06:41I better fear me.
01:06:42I better fear me.
01:06:43I better fear me.
01:06:44I better fear me.
01:06:45I better fear me.
01:06:46I better fear me.
01:06:47I better fear me.
01:06:48I better fear me.
01:06:49I better fear me.
01:06:50I better fear me.
01:06:51I better fear me.
01:06:52I better fear me.
01:06:53I better fear me.
01:06:54I better fear me.
01:06:55I better fear me.
01:06:56I better fear me.
01:06:57I better fear me.
01:06:58I better fear me.
01:06:59I better fear me.
01:07:00I better fear me.
01:08:01He's worth $10,000 allÃ.
01:08:05One hombre and I will bring the dinero on the road of the Indian Wells.
01:08:08He will meet another hombre that will bring him to our camp.
01:08:11We give him a brother, we take the dinero.
01:08:13We have 10 hours time.
01:08:16Hey, you.
01:08:18What guarantee do we get that you're going to keep your part of the bargain?
01:08:22No guarantee, senor.
01:08:23Well, you don't have no choice, huh?
01:08:25Then remember dinner's thing.
01:08:28I'm going to go, are you?
01:08:31Yeah!
01:08:36Leave him go, Fetcher.
01:08:38I'm sure there'll be no hope for our little boy.
01:08:40You can bet on it.
01:08:44This man's dangerous, Miss Morgan.
01:08:47I'm sure you don't want me to stay inside while you talk to him.
01:08:49You can leave me alone with Roy Blood.
01:08:51It's all right.
01:08:52I'll open the door, Sheriff.
01:08:53Remember, he's dangerous.
01:08:56Hey, Roy.
01:08:57Got a visitor.
01:08:58I hope you didn't believe what that stupid sheriff told you.
01:09:23Not at all.
01:09:24If you wanted to get that ransom, he could have gotten it from me.
01:09:28I've come to you hoping to get advice.
01:09:31Has Gorincha given any sign of her life?
01:09:33Yeah.
01:09:34He's asked to ransom at $10,000.
01:09:36And he's fixed a short one by the time.
01:09:39In 10 hours.
01:09:46Don't pay it.
01:09:47Don't pay it.
01:09:49Can't trust a thief, you know.
01:09:51He will still kill Thomas.
01:09:53I've known people like Gorincha.
01:09:55As long as you hold up paying, Thomas is safe.
01:09:58It's very easy to say, don't pay.
01:10:01Do you expect me to abandon my brother and leave him in the hands of those vultures and let them do whatever they like?
01:10:06We'll try something, I promise.
01:10:08Got me to get out of here, Miss Morgan.
01:10:10You'll have to.
01:10:10I'll give you my word to bring the kid safe and sound to you.
01:10:14Come in.
01:10:15Come in.
01:10:15Did you say you wanted to see me, Mr. Barrett?
01:10:21Yes, sir.
01:10:23It's a pleasure.
01:10:23I want to speak to you.
01:10:35It's a long time since you were working with us, and we consider you like one of the family.
01:10:42Yeah, well, it's a very unhappy moment for the family, Mr. Barrett.
01:10:47Yes, for my family.
01:10:50And above all for myself.
01:10:51I don't know, I'm all upset, filled with remorse.
01:10:58I've neglected Thomas.
01:11:00I should have been like a father to him and to Barrett, too.
01:11:04And surely at this moment now, I must really take the responsibility.
01:11:08I'm going to pay the $10,000.
01:11:22Listen, bring him the damn money.
01:11:25I want our child.
01:11:27What about the money, Mr. Barrett?
01:11:29That's a lot of cash.
01:11:31Well, I haven't had some money put aside.
01:11:34Small amount.
01:11:36That's all the lousy money I got.
01:11:38I don't mind partnering with her to save that boy.
01:11:43Tell me now that you'll go.
01:11:46Well, I don't know.
01:11:48What about Miss Barrett?
01:11:51She's, she seems mighty to decide.
01:11:55Because Margaret's much too upset.
01:11:58She could possibly do anything or decide.
01:12:01I'll take all of the responsibility.
01:12:08All right, Mr. Barrett.
01:12:20If that's what you think is the right solution,
01:12:24I'll go.
01:12:25You can reach her.
01:12:32Sheriff, I finished.
01:12:33Open up for me, please.
01:12:34You can't do exactly what I tell you.
01:12:44Listen, Roy, boy.
01:12:45You ain't got a gun on you.
01:12:46Let go of that gun.
01:12:47I want you.
01:12:48See this kid?
01:12:48You better drop your guns.
01:12:50I'll shut this kid right through her neck.
01:12:52Now, get your hands up.
01:12:54Please.
01:12:56Get in there.
01:12:57It's all you.
01:12:57Hurry up.
01:13:00I've been following you.
01:13:10All right, cowboy.
01:13:13One of the heck he's more in that direction.
01:13:19Hey.
01:13:21What you doing there, Snake?
01:13:22See that fellow right by now?
01:13:24Yeah, just a cowpuncher.
01:13:26He's a Barrett man.
01:13:28Why does he introduce you?
01:13:29Yeah, we have to stop him.
01:13:30I'm pretty sure he's carrying that money.
01:13:32He's bringing it to the rich.
01:13:33Why?
01:13:34$10,000.
01:13:36Jeez.
01:13:37And I couldn't drop them any time the last three minutes.
01:13:40Come on, let's go quick.
01:13:41Okay.
01:13:41Let's go quick.
01:13:52Good luck.
01:13:55Bye.
01:14:26We're still screaming.
01:14:27You bring the dinero, you give it to us.
01:14:30No. First I want to see the rich and then you take me to the kid.
01:14:33Give me your pistol.
01:14:36Vamos, hombre.
01:14:55There's too many tracks here.
01:15:00We'll never find them.
01:15:02You tell me Grinch is near the Indian Wells.
01:15:03It's taking a lot of time to get there.
01:15:06Yeah, but look.
01:15:08There's Indian Wells all the way from here.
01:15:10The urban way that's today's ride.
01:15:12Oh, where's Grinch?
01:15:30The urban way that's today's ride.
01:16:00There's the Jump in.
01:16:11What are you doing?
01:16:12I
01:16:16I
01:16:20I
01:16:24I
01:16:26I
01:16:28I
01:16:30I
01:16:32I
01:16:34I
01:16:36I
01:16:38I
01:16:40I
01:16:42I
01:16:44I
01:16:46I
01:16:48I
01:16:50I
01:16:52I
01:16:54I
01:16:56I
01:16:58I
01:17:00I
01:17:02I
01:17:04I
01:17:06I
01:17:08I
01:17:10I
01:17:12I
01:17:14I
01:17:16I
01:17:18I
01:17:20I
01:17:22I
01:17:24I
01:17:26I
01:17:28I
01:17:30I
01:17:32I
01:17:34I
01:17:40I
01:17:42I
01:17:44I
01:17:46I
01:17:48I
01:17:50I
01:17:52I
01:17:54I
01:17:56I
01:17:58I
01:18:00I
01:18:02I
01:18:04I
01:18:06I
01:18:08I
01:18:10I
01:18:12I
01:18:14I
01:18:16I
01:18:18I
01:18:20I
01:18:22I
01:18:24I
01:18:26I
01:18:28I
01:18:30I
01:18:32I
01:18:34I
01:18:36I
01:18:38I
01:18:40I
01:18:42I
01:18:44I
01:18:46I
01:18:48I
01:18:50I
01:18:52I
01:18:54I
01:18:56I
01:18:58I
01:19:00I
01:19:02I
01:19:04I
01:19:06I
01:19:08I
01:19:10I
01:19:12I
01:19:14I
01:19:16I
01:19:18I
01:19:20I
01:19:22I
01:19:24I
01:19:26I
01:19:28I
01:19:30I
01:19:32I
01:19:34I
01:19:36I
01:19:38I
01:19:40I
01:19:42I
01:19:44I
01:19:46I
01:19:48I
01:19:50I
01:19:52I
01:19:54I
01:19:58I
01:20:00I
01:20:02I
01:20:04I
01:20:06I
01:20:08I
01:20:10I
01:20:12I
01:20:14I
01:20:16I
01:20:18I
01:20:20I
01:20:22I
01:20:24I
01:20:26I
01:20:30I
01:20:32I
01:20:34I
01:20:36I
01:20:38I
01:20:40I
01:20:42I
01:20:44I
01:20:46I
01:20:48I
01:20:50I
01:21:02I
01:21:04I
01:21:06I
01:21:08I
01:21:10I
01:21:12I
01:21:14I
01:21:16I
01:21:18I
01:21:26I
01:21:28I
01:21:30I
01:21:32I
01:21:34I
01:21:36I
01:21:38I
01:21:40I
01:21:42I
01:21:44I
01:21:46I
01:21:48I
01:21:50I
01:21:52I
01:21:54I
01:21:56I
01:21:58I
01:22:00I
01:22:02I
01:22:04I
01:22:06I
01:22:08I
01:22:10I
01:22:12I
01:22:14I
01:22:16I
01:22:18I
01:22:20I
01:22:22I
01:22:24I
01:22:26I
01:22:28I
01:22:30I
01:22:32I
01:22:34I
01:22:36I
01:22:38I
01:22:40I
01:22:42I
01:22:44I
01:22:46I
01:22:48I
01:22:50I
01:22:52I
01:22:54I
01:22:56I
01:22:58I
01:23:00I
01:23:02I
01:23:04I
01:23:06I
01:23:08I
01:23:10I
01:23:12I
01:23:14I
01:23:16I
01:23:18I
01:23:20I
01:23:22I
01:23:24I
01:23:26I
01:23:28I
01:23:30I
01:23:32I
01:23:34I
01:23:36I
01:23:38I
01:23:40I
01:23:42I
01:23:44I
01:23:46I
01:23:48I
01:23:50I
01:23:52I
01:23:54I
01:23:56I
01:23:58I
01:24:00I
01:24:02I
01:24:04I
01:24:06I
01:24:08I
01:24:10I
01:24:12I
01:24:14I
01:24:16I
01:24:22I
01:24:24I
01:24:26I
01:24:28I
01:24:30I
01:24:32I
01:24:34I
01:24:36I
01:24:38I
01:24:40I
01:24:42I
01:24:44I
01:24:46I
01:24:48I
01:24:50I
01:24:52I
01:24:54I
01:24:56I
01:24:58I
01:25:00I
01:25:06I
01:25:08I
01:25:10I
01:25:12I
01:25:14I
01:25:16I
01:25:18I
01:25:20I
01:25:22I
01:25:24I
01:25:26I
01:25:28I
01:25:30I
01:25:32I
01:25:34I
01:25:36I
01:25:38I
01:25:40I
01:25:42I
01:25:44I
01:25:46I
01:25:48I
01:25:50I
01:25:52I
01:25:54I
01:25:56I
01:25:58I
01:26:00I
01:26:02I
01:26:04I
01:26:06I
01:26:08I
01:26:10I
01:26:12I
01:26:14I
01:26:16I
01:26:18I
01:26:20I
01:26:22I
01:26:24I
01:26:26I
01:26:28I
01:26:30I
01:26:32I
01:26:34I
01:26:36I
01:26:38I
01:26:40I
01:26:42I
01:26:44I
01:26:46I
01:26:48I
01:26:50I
01:26:52I
01:26:54I
01:26:56I
01:26:58I
01:27:00I
01:27:02I
01:27:04I
01:27:06I
01:27:08I
01:27:10I
Be the first to comment