- 7 months ago
Film de Albert Lewin · 1 h 22 min · 13 mai 1955 (France)
Genres : Aventure, Drame
Pays d'origine : États-Unis
Dans le Sahara marocain, le caïd Sil Hassein aide Enrique, un médecin français, à gagner la confiance des habitants de la région. Celui-ci désenvoute Saadia, une jeune fille qui accepte de travailler pour lui. Un vaccin provenant de France est dérobé par une tribu ennemie, alors que la peste envahit le pays. Saadia récupère la cargaison médicale en tuant Bouretza, chef de la tribu adverse. Mais les membres de celle-ci poursuivent la jeune fille et cernent Hassein et Enrique...
Genres : Aventure, Drame
Pays d'origine : États-Unis
Dans le Sahara marocain, le caïd Sil Hassein aide Enrique, un médecin français, à gagner la confiance des habitants de la région. Celui-ci désenvoute Saadia, une jeune fille qui accepte de travailler pour lui. Un vaccin provenant de France est dérobé par une tribu ennemie, alors que la peste envahit le pays. Saadia récupère la cargaison médicale en tuant Bouretza, chef de la tribu adverse. Mais les membres de celle-ci poursuivent la jeune fille et cernent Hassein et Enrique...
Category
🎥
Short filmTranscript
00:00:00The End
00:01:31Morocco is a land of strange and haunting contrasts.
00:01:36Here the primitive camel and the gasoline truck take on fuel side by side for the long haul over mountain and plain and desert.
00:01:45The mingling of old and new creates dramatic patterns in the lives of the people and in the character of the young prince, the Caid Silasen.
00:01:55Educated in France, he has brought his Western knowledge to the service of his country.
00:02:00Through crowded streets and noisy marketplaces, he drives his modern motor car to the ancient gate of the walled town.
00:02:09And where the new paved road parallels the time-worn camel trail, he moves swiftly to the military post, which guards the village of Anout and the age-old settlements on the edge of the Sahara.
00:02:22Inside the post, he drives to the hospital of his friend Henrik, the doctor, whose greatest struggle is to overcome witchcraft and sorcery in the remote villages of the district.
00:02:34Did that hurt?
00:02:38No.
00:02:39Look to me.
00:02:40Only next time, do it on the ground and not on the roof.
00:03:01May the dancing girl Zubita speak to the Caid?
00:03:04Speak, then.
00:03:06Was it not Allah himself who sent the doctor to us?
00:03:11It was, indeed.
00:03:13May the blessing of God be upon him.
00:03:15Amen.
00:03:16Islam.
00:03:17Islam.
00:03:18Let me drive you to Inimat for the tax collecting.
00:03:21Brahim can follow in the jeep.
00:03:23I don't seem able to make much headway in any merit.
00:03:25It's the sorceress Fatima who's responsible.
00:03:28But before long, your medicine will give her black magic some serious competition.
00:03:31I suppose it will do no harm to let the people have a look at me.
00:03:45You do not deceive me, Henrik.
00:03:47I know quite well that you're a wonderful doctor.
00:03:49I shall not deny it.
00:03:51You're too wonderful.
00:03:52Your skill could open the doors to the most brilliant career in France.
00:03:56Yet you've chosen to bury yourself here in our little village at the edge of the Sahara.
00:04:00I enlisted in the Colonial Medical Service.
00:04:02I didn't choose to come to Anahout.
00:04:04I was sent here.
00:04:05You chose Morocco.
00:04:07These are my people.
00:04:08It's fitting that I give my life to them, but why do you give yours?
00:04:12Have you so great a love for us?
00:04:14Certainly not.
00:04:16Do not be offended.
00:04:17I think I'm fortunate to be in Anahout.
00:04:19Why, Henrik?
00:04:20Because I have a friend here.
00:04:23I'm happy that you think so.
00:04:24For the rest, I'm a doctor.
00:04:26It is my business to heal people, here or elsewhere.
00:04:28Is it important where I practice my profession?
00:04:31Is no one sick in Paris?
00:04:33Paris has many doctors.
00:04:35Anahout has no one but me.
00:04:37I shall not complain about that.
00:04:39Our beloved Caid Silasen will speak to us.
00:04:54I have persuaded the doctor, our Tubi Ben-Anahout, to come here with us so that you may see
00:05:03him and know him.
00:05:04He's a man of kindness and wisdom who has come from far away to help us.
00:05:10If you are sick, you must go to Anahout to see him.
00:05:14He will help you, and he will not take any money.
00:05:17What the Caid says is true.
00:05:19You know how I was before.
00:05:22See how I am now.
00:05:24The Tubi has a great magic.
00:05:26It is in a needle.
00:05:28It is a better magic than Fatima's.
00:05:31Aye, yes, I'm not afraid to say so.
00:05:34You will do better to leave Fatima and go to the doctor, whose magic is stronger and cheaper.
00:05:39That is enough.
00:05:40The doctor brings you no magic, but science and a deep knowledge of the art of healing.
00:05:48If you were not so far removed from the world, you would understand this.
00:05:52Witchcraft has already disappeared from the towns, and soon it will be ended, even in villages such as Inimat.
00:05:58We will now proceed to the assessment of the taxes.
00:06:01You will pay a tax of 20 francs a camel, 6 francs a donkey, and 10 francs a palm tree.
00:06:07Let no man seek to hide his possessions from us.
00:06:11Caid!
00:06:14Will the Caid allow a poor man to speak to the doctor?
00:06:18Speak then.
00:06:19To Bib.
00:06:20It is my daughter Sadia.
00:06:23Yes, and what of your daughter?
00:06:25She is sick, to Bib.
00:06:26Very sick.
00:06:28And I am afraid.
00:06:30What is her sickness?
00:06:32I do not know.
00:06:34She suffers.
00:06:35She suffers very much.
00:06:36She cannot eat.
00:06:37She is burning with fever.
00:06:40Where is your daughter?
00:06:41In my house, to Bib.
00:06:43Very near.
00:06:43I will take you to her.
00:06:45You must not go to his daughter, to Bib.
00:06:47We know her well.
00:06:48She has the evil eye.
00:06:50She will bring misfortune upon you as she has upon all the others.
00:06:53You yourself know this to be true, Moha.
00:06:56Perhaps it is true.
00:06:59But if the doctor doesn't come to her, she will die.
00:07:02It is better that she should die if that is her destiny.
00:07:05Better for you, better for herself, and better for all of us here in Innamurt.
00:07:11Are we to interrupt the tax collecting for a trifle?
00:07:14One would think that the Mohas, a cursed daughter, were the man child of a Kaid on whose health the welfare of our village depended.
00:07:21In the presence of death, all human beings are equal.
00:07:27Thank you, Enric.
00:07:28I will go to Moha's daughter with you.
00:07:31Tax collectors can manage quite well without us.
00:07:34The blessing of God upon you.
00:07:39You must, Sadia, you must allow the doctor to look at you.
00:07:43I will not allow it.
00:07:45I will not allow any man to look at my body.
00:07:48But Fatima has not been able to help you.
00:07:50It is Allah himself who has sent the doctor to Innamurt.
00:07:53I will not.
00:07:55I will not.
00:07:59You do not understand.
00:08:01You will suffer no shame.
00:08:03No man has looked at me.
00:08:05I will not allow you to look at me.
00:08:08But it is not as if a man looked at you.
00:08:09At such a moment, a doctor is not a man.
00:08:11It is something else entirely.
00:08:13But you are a man, and I will not allow it.
00:08:15Would you rather die?
00:08:17Because you will.
00:08:17Yes, I would rather die.
00:08:21It is the Cahid C. Larson who speaks to you.
00:08:23Are you listening, Sadia?
00:08:25Yes, Cahid, I am listening.
00:08:28If I command you to do as the doctor bids you,
00:08:30to open the door to him, will you obey me?
00:08:33I entreat you, Cahid.
00:08:35Do not command me.
00:08:36Open the door, Sadia.
00:08:38I, C. Larson, command you.
00:08:47I, C. Larson, command you.
00:09:17I, C. Larson, command you.
00:09:20Acute appendicitis, it's unmistakable.
00:09:24There's a danger of peritonitis.
00:09:25I must operate at once with what I've got here in my bag.
00:09:28I may have to ask you to assist me.
00:09:47I, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. Larson, command you, C. L
00:10:18There was a moment when a strange fear seemed to take hold of the doctor.
00:10:42In her hut above the village, the sorceress Fatima prepared to use the statuette.
00:10:47Which, in her witchcraft, symbolized Sardia in a ritual of black magic.
00:11:07Erkia, Fatima calls you. Give power to my thoughts, Erkia.
00:11:13Her maiden, Sardia, do not let her die.
00:11:20Save her. Save Sardia.
00:11:24And send her back to me.
00:11:26The demon she had invoked took possession of Fatima.
00:11:41The demon she had invoked took possession of Fatima.
00:11:54She was, literally, possessed of devils.
00:11:58let her in instead.
00:11:59...
00:12:05��림
00:12:20THE END
00:12:50THE END
00:13:20THE END
00:13:22THE END
00:13:26THE END
00:13:28THE END
00:13:32THE END
00:13:34THE END
00:13:38THE END
00:13:40THE END
00:13:44THE END
00:13:46THE END
00:13:48THE END
00:13:50THE END
00:13:52THE END
00:13:54THE END
00:13:56THE END
00:13:58THE END
00:14:00THE END
00:14:02THE END
00:14:04THE END
00:14:06THE END
00:14:08THE END
00:14:10THE END
00:14:12THE END
00:14:14THE END
00:14:16THE END
00:14:18THE END
00:14:20THE END
00:14:22THE END
00:14:24THE END
00:14:26Also holy men like your friend Kadir.
00:14:29It's the function of medicine to understand both and to help the holy men.
00:14:35Have I your permission to speak of something quite personal?
00:14:39Of course.
00:14:41This morning when you were operating on the girl's sadia,
00:14:44there was a moment when a dreadful fear took hold of you.
00:14:48Yes.
00:14:49You were suddenly afraid of losing her.
00:14:54Yes.
00:14:54Was there someone in your past whom you lost?
00:14:58Someone very dear to you?
00:15:04This morning you called me your friend.
00:15:06I am the Kaid also.
00:15:08And you are most important in my community.
00:15:13I have suspected for a long time that there was a tragedy in your life.
00:15:18Perhaps it would help you to speak of it.
00:15:19It's not good for you to imprison yourself within the dungeon of your own soul.
00:15:28Don't you trust me?
00:15:29I do.
00:15:30I do indeed.
00:15:31It's quite ridiculous that I should find it so hard to talk about my feelings.
00:15:35I understand.
00:15:36This is what happened.
00:15:39During the resistance, I was stationed in Algiers.
00:15:41I was a parachutist.
00:15:42I used to drop into occupied France.
00:15:44I blew up trains, munition works, fortifications.
00:15:47My liaison in France was a girl.
00:15:51Suzanne, her name was.
00:15:53We were to be married.
00:15:54It was dangerous work, but she insisted on doing it.
00:15:58One night she was discovered.
00:15:59She escaped, but she was wounded.
00:16:02She managed to reach the wrong neighborhood where I was waiting.
00:16:05She died there.
00:16:06Who can know better than you the countless tragedies that took place when your country was occupied?
00:16:13But that's all over now.
00:16:15Others have been able to resume their lives.
00:16:17Why not you?
00:16:18Why not you?
00:16:18Why not you?
00:16:24You know, I had a brother.
00:16:32We were very close.
00:16:35He was killed fighting in Italy.
00:16:37I know.
00:16:39I have taught myself to remember the happy times we had when we were boys together.
00:16:45Couldn't you remember your happy times?
00:16:48I watched her die.
00:16:49I'm a doctor, but I couldn't save her.
00:16:51She died clinging to my hand as if I could keep her from falling into death.
00:16:57I've never forgotten that hand clasp.
00:16:59I wake up at night feeling her hand in mine.
00:17:02How does one control his dreams?
00:17:05Sleep is a terror to me.
00:17:06I do what I can to avoid it.
00:17:08I work.
00:17:09I read.
00:17:10I think.
00:17:14Sometimes I pray.
00:17:16That's what happened this morning.
00:17:17You were afraid you couldn't keep her alive, the Burby girl in Inimert.
00:17:24Suddenly, for you, she was Suzanne.
00:17:26Yes.
00:17:27But you did keep her alive.
00:17:29You succeeded with her.
00:17:31It was a victory of the present over the past.
00:17:34Perhaps.
00:17:36I wish.
00:17:38Yes.
00:17:39If only you could find someone.
00:17:42Even here.
00:17:43I kept her alive, the girl Sadia.
00:17:49What will happen to her now?
00:17:52I don't know.
00:17:55Good night, Henry.
00:17:57Good night.
00:18:03Good night.
00:18:04Good night.
00:18:23Good night.
00:18:32How did you get here?
00:18:56The door is guarded against you.
00:18:58My friend Erkia does not care about doors.
00:19:03The doctor is coming.
00:19:04He will find you here.
00:19:05I do not want him to find you here.
00:19:07What is this they brought for you?
00:19:09It's a bed.
00:19:10It is for sleeping even when you are not sick.
00:19:13Who saved you from dying, Sadia?
00:19:16The doctor saved me.
00:19:19It was Erkia who saved you.
00:19:22Because I asked her.
00:19:24It was the doctor.
00:19:26It will be from an oath.
00:19:28He is a saint.
00:19:29Saints are stronger than devils.
00:19:30Erkia saved you.
00:19:32And if you do not return to me,
00:19:35she will destroy you.
00:19:37You and the doctor also.
00:19:40It is he who is coming.
00:19:43You will not harm the doctor.
00:19:45If you return to me, no harm will come to him.
00:19:49Otherwise...
00:19:51I do not know how she came to Beebe.
00:19:54I watched faithfully.
00:19:55No matter.
00:19:56I am glad to have the opportunity to meet Fatima.
00:20:00Tell me, Sadia.
00:20:01How old were you when you came to Enemert?
00:20:02I was 12 years old.
00:20:03And when did your bad luck start?
00:20:04Then?
00:20:05The first one was the chief of the village.
00:20:06He saw a hare running through a field of barley.
00:20:09Then a rooster was caught in his horse's mane.
00:20:11These are all men's of death.
00:20:13But the chief of the village is in good health.
00:20:15Because I broke the spell.
00:20:16And how much did he pay for that?
00:20:39And then what?
00:20:41They began to say I had the evil eye.
00:20:44They ran away from me in the streets.
00:20:46The chief wanted me to send Sadia away.
00:20:49But instead, you sent her to Fatima.
00:20:51Yes.
00:20:52No one else could save her.
00:20:54Save her from whom? From Taba?
00:20:57You dare to speak his name.
00:21:00Taba?
00:21:02Taba! Taba!
00:21:05Taba! Taba!
00:21:09You see, I'm still alive.
00:21:11Taba does not strike at once.
00:21:14But he will strike.
00:21:16Taba will punish you.
00:21:19You're a beautiful girl, Sadia.
00:21:21Were there no man who wished to marry you?
00:21:24There were three.
00:21:26What happened to them?
00:21:28Tell the doctor.
00:21:30One was a merchant who lost all his stock of goods in an accident.
00:21:34The next was a soldier.
00:21:36He was killed fighting in Italy.
00:21:38And the third?
00:21:39The third was a Frenchman.
00:21:41He was drowned in the gorge of the Tazraut.
00:21:43This does not frighten the two big?
00:21:45My interest in Sadia is professional.
00:21:48You are a handsome woman, Fatima.
00:21:50Why have you never married?
00:21:52That is my concern.
00:21:54I am told that when you are in the mood,
00:21:56you can conjure up an elegant devil
00:21:58who gives you more delight than any mortal man.
00:22:00That is as it may be.
00:22:03But this devil who delights you has given you no children.
00:22:12I understand you, Fatima.
00:22:14And I have compassion for you.
00:22:15You are a lonely woman.
00:22:16Lonely and childless.
00:22:18You wanted Sadia near you.
00:22:20Sadia could be your child.
00:22:22You would make her a witch like yourself.
00:22:25Shunned by everyone else.
00:22:26Cursed with the evil eyes so that no one would have anything to do with her.
00:22:29And you would have her all to yourself.
00:22:31There would be no others to take her from you.
00:22:33No husband, no father, no friends.
00:22:35She would belong to you and to you alone.
00:22:37And you would not have to be lonely anymore.
00:22:39Was that what you wanted?
00:22:41You would be even lonelier soon, I am afraid.
00:22:44Because I am taking Sadia to Anahout tomorrow.
00:22:47You will not see her again.
00:22:49To Anahout?
00:22:50You and your father will come to work in my hospital.
00:22:53There is much to do there.
00:22:54You can help me.
00:22:55She will not go.
00:22:56Not unless she wishes it, of course.
00:22:58Do you wish it, Sadia?
00:23:00Oh, yes.
00:23:01Yes, I do.
00:23:07You will come with me, Sadia.
00:23:09No, I will not.
00:23:13You were happy with me.
00:23:16Have you forgotten there were times when you were happy, Sadia?
00:23:20I was never happy.
00:23:29Go then.
00:23:30I will bring you back.
00:23:32The two bib does not believe in my power.
00:23:35If you are mistaken.
00:23:36I do believe in them.
00:23:37I believe that human thought is a powerful force.
00:23:39It can be used for evil if it is concentrated on one object with sufficient intensity.
00:23:42And for good also, fortunately.
00:23:43That is what prayers are for.
00:23:44You have a statuette of Sadia, I suppose.
00:23:45She has two bib.
00:23:46I have seen it.
00:23:47The doll helps you to find it.
00:23:48You have a statue of Sadia, I suppose.
00:23:49She has two bib.
00:23:50I have seen it.
00:23:51The doll helps you to fix your thoughts.
00:23:52Concentration is not easy.
00:23:53That is the purpose of the statuette.
00:23:54These are words I do not understand.
00:23:55The power is not in me, but in my devils.
00:23:56Perhaps.
00:23:57But I have powers also.
00:23:58You will be wise to give up your plans for Sadia.
00:23:59I do not fear your powers, and so I warn you.
00:24:00When the moon is full, the devils will die.
00:24:01I have seen it.
00:24:02The doll helps you to fix your thoughts.
00:24:04Concentration is not easy.
00:24:05That is the purpose of the statuette.
00:24:08These are words I do not understand.
00:24:12The power is not in me, but in my devils.
00:24:15Perhaps.
00:24:16But I have powers also.
00:24:18You will be wise to give up your plans for Sadia.
00:24:22I do not fear your powers, and so I warn you.
00:24:27When the moon is full, the devil whose name you've spoken will strike you.
00:24:34But if you will send Sadia back to me...
00:24:40Farewell, Fatima.
00:24:57The doctor is looking for a horse.
00:25:12This white one.
00:25:14I can't believe it.
00:25:16Where is it?
00:25:18You are.
00:25:19Aha!
00:25:20Is that me?
00:25:22I am the one.
00:25:24The doctor is looking for a horse.
00:25:26This white one.
00:25:27What will you take for him?
00:25:28Because it is the doctor,
00:25:30I will sell the white horse for 100,000 francs.
00:25:34You're very kind, but the price is more than I can afford.
00:25:37If the two-be will permit me to say so,
00:25:40this white horse is a vile beast.
00:25:43The doctor must not buy him at any price.
00:25:46On second thought, I wouldn't know what to do with another horse.
00:25:48But one always has use for a good horse.
00:25:51Now this brown horse, if the two-be will consider him,
00:25:53I can let him have him for 50,000 francs.
00:25:57The price is within my means.
00:25:59But the white horse,
00:26:01though he is, as the young lady says, far from a perfect animal,
00:26:05happens to appeal to me.
00:26:0775,000 then, and my heart goes with him.
00:26:11I know just the horse for the two-be.
00:26:14I saw him in the market at Goulamin last week.
00:26:17He's a much better horse than only 30,000 francs.
00:26:19When can I see this horse?
00:26:21Whenever the doctor wishes.
00:26:22Today, perhaps.
00:26:23Let us go, then.
00:26:28He's yours, two-be.
00:26:30For 50,000.
00:26:33I will send someone with the money.
00:26:40He's a wonderful horse.
00:26:42Two-be will never find a better one.
00:26:44You know about horses?
00:26:45Oh, in my father's village when I was little,
00:26:47I had a horse.
00:26:49A beautiful horse.
00:26:50Just like this one.
00:26:52You know, Sadia,
00:26:53I already have a horse.
00:26:55I ride him each morning.
00:26:57My friend C. Lassen and I, we ride together.
00:26:59But I'm often too busy to ride at all,
00:27:01and horses need to be exercised.
00:27:03I wouldn't want this one to be neglected.
00:27:05It would please me if you'd find the time from your other duties to ride him.
00:27:09Would you do this for me?
00:27:12Why do you laugh?
00:27:14Because I am less stupid than the two bib imagines.
00:27:17This is the first time, Sadia, that I have heard you laugh.
00:27:28Yes.
00:27:29And you also.
00:27:45Follow him, C. Lassen.
00:27:46I'll try to find Sadia.
00:27:47She must have been thrown.
00:27:48Oh, wait.
00:27:49I don't think we need to look for Sadia.
00:27:59It's an old trick of the Berber horsemen.
00:28:07No need for you to ride alone, Sadia.
00:28:09We'd be glad to have you join us.
00:28:11You're kind, but I'm not alone.
00:28:18Merzian is with me.
00:28:19He understands all I say.
00:28:22Forgive our little game to Bib.
00:28:24It was to show you that...
00:28:26that I kept my promise.
00:28:28I will not disturb you again.
00:28:30Would you object, Henrik, if I took Sadia to see our friend Kadir?
00:28:42Certainly not.
00:28:43You know how much I admire him.
00:28:44But why do you want Kadir to see her?
00:28:46She has a disturbing history.
00:28:49And you are now within the circle of her influence.
00:28:53Kadir sees deeply into things, and...
00:28:55I...
00:28:55I would like his opinion of Sadia.
00:29:03Of what country was your mother?
00:29:05Kenefra.
00:29:07The pale eyes of Kenefra.
00:29:11You don't find it necessary to close your eyes,
00:29:14even for a moment when the light is on them?
00:29:16No.
00:29:20Do you look always so straight at people?
00:29:26I don't know.
00:29:29Maybe.
00:29:36You will leave us now, perhaps?
00:29:46You will leave us now, perhaps?
00:29:51Yes?
00:29:53If it is better for the doctor, then I wish it.
00:29:57Even...
00:29:59Even if it is to go away.
00:30:08All is not clear to me.
00:30:10But this is written.
00:30:12Her destiny can be changed by a man strong enough...
00:30:16to defeat the powers which are attacking her.
00:30:19Who the man is...
00:30:21that I do not know.
00:30:23But it's the doctor, of course.
00:30:25Perhaps.
00:30:27I'm not sure.
00:30:29It may be the doctor.
00:30:31Or even you, Kai.
00:30:33Or someone unknown to us.
00:30:36But that man already has come into her life.
00:30:39I am sure of that.
00:30:42I'm sure of this, also.
00:30:47She has a soul...
00:30:49capable of the most extraordinary actions.
00:30:50You, sir.
00:31:08I am sure of that, too.
00:31:39Tabba.
00:31:45Tabba.
00:31:48Tabba the Avenger.
00:31:51Fatima calls you.
00:31:54Now is the time of the moon.
00:31:58Scatter my enemies
00:32:00as I scatter these ashes.
00:32:09The End
00:32:17The End
00:33:28Full moon brings good fortune, doesn't it?
00:33:31It's a sign of luck for the captain's birthday party.
00:33:33I thought it was the new moon that brought luck.
00:33:51It's a sign of luck.
00:34:19Oh
00:34:49What's my mother? I can't see my mother.
00:35:19I can't see my mother.
00:35:49It was plague. Bubonic plague. Before many days, the disease assumed epidemic proportions.
00:36:19I can't see my mother.
00:36:31I can't see my mother.
00:36:37I can't see my mother.
00:36:49I can't see my mother.
00:36:55We have two aims. One is to take care of the sick people in the village and to save as many of them as possible. The other is to localize the disease to prevent it from spreading from the village to the post and to other villages in this area.
00:37:16We have received from Abbott supplies of vaccine for preventive purposes, serum for treatment as well as DDT and other disinfectant chemicals.
00:37:24A doctor is coming to Magadir to take my place here at the post. Only one item remains, perhaps the most important of all.
00:37:31The Pasteur Institute of Paris has shipped us by air the entire available supply of a new vaccine against plague. These injections are specific, even for the pulmonary type of the disease which may develop as the plague progresses.
00:37:43We had been hoping that the new vaccine would arrive before we had to leave the post.
00:37:48What luck. What luck.
00:37:54I have some bad news. I've been talking to the residents in Rabat. The plane coming from Paris with the vaccine has made a crash landing across the border in Ifni.
00:38:03The pilot was injured. The navigator and the radio man carried him from the wreck. They had to walk quite a distance before they were rescued.
00:38:10And when they got back to the plane, the Aitra team had been there before them. The cargo was gone.
00:38:15Who are the Aitra team?
00:38:17They're the one tribe in all Morocco with which he could have difficulty.
00:38:20They hide out in the mountains where it's next to impossible to find them.
00:38:24They'll hold the cargo for ransom and negotiations with them if past experience means anything.
00:38:29May go on for weeks, perhaps months.
00:38:31But if they're informed of the nature of the cargo...
00:38:33Then they'll never give it up.
00:38:35Boo Razor, their chief, is a ruthless cutthroat.
00:38:39He hates the decent people of the villages and would like nothing better than to see them die like rats.
00:38:46We should have to make the most of what we have.
00:38:48But I must tell you that this increases the risk.
00:38:50If the plague becomes pulmonary, anybody who comes into contact with us has no more than a 50-50 chance of survival.
00:38:56If any of the volunteers wish to withdraw...
00:39:07I can't help feeling that we haven't the right to allow the Caid to associate himself so closely with our work.
00:39:12You're taking the risk, aren't you?
00:39:14I'm a doctor.
00:39:16I'm the Caid.
00:39:26wanna be the first check?
00:39:36Bedroom Icon Mario
00:39:37Bordering Morocco is Spanish IFNI
00:39:38and it was to this frontier that Saadia rode.
00:39:42She had to pass the border guards who would stop her if they saw her.
00:39:46Beyond the frontier, Sadia made her way to the heart of the barren mountain country,
00:39:59where the outlaws, headed by Boo Reza, were hidden.
00:40:16The end of the year, Sadia made her way to the heart of the barren mountain country,
00:40:46and she made her way to the heart of the barren mountain country.
00:40:49You are perhaps of the tribe of the Yitratim?
00:40:53Are you perhaps of the tribe of the Yitratim?
00:40:58Are you perhaps of the tribe of the Yitratim?
00:41:01You are not Boo Reza.
00:41:16What business have you with Boo Reza?
00:41:21You are Boo Reza, I will tell you.
00:41:24If you are not Boo Reza, you will take me to him.
00:41:31Mehdi!
00:41:34Lawsin!
00:41:37Cover her eyes.
00:41:39Get down!
00:42:09Come here!
00:42:13Go!
00:42:14Come here!
00:42:17Come here!
00:42:19Come here!
00:42:22Come here!
00:42:33I am hungry.
00:42:45I suppose you can talk her through it.
00:43:05Bring another glass.
00:43:06I have been sent from Anahout.
00:43:09It is about the cargo of the airplane.
00:43:12Who sent you?
00:43:14Captain.
00:43:15Tony Fox.
00:43:16The Captain?
00:43:21If the business is done in the usual way, it will take long.
00:43:29The Captain does not want it to take so long.
00:43:32The Captain Osmoneye?
00:43:35The price is not too high.
00:43:37Why have they sent you and not someone more suited to such business?
00:43:42The Captain said that women are taboo amongst the fighting tribes.
00:43:46It would be safer for me than for a man.
00:43:49Besides, I am a Berber.
00:43:50Berber women have always done such things.
00:43:53The Captain.
00:43:54The Captain and I have the idea that Borica likes pretty girls.
00:44:00He is not stupid, this Captain.
00:44:04the case which the airplane was carrying? Some glass tubes for an experiment. The
00:44:11captain says they have no commercial value. They are for him. Isn't there some
00:44:16kind of sickness in and out? Yes. Mortatious? No. Plague. I knew it. I just wanted to
00:44:30hear what you would say. Do the tubes contain some kind of remedy? No. They are the property of the
00:44:38captain. If the tubes contain a cure for the plague, I shall not return them. How would you like to wait
00:44:49here while I check up? As you like. I am not in a hurry. Are you happy in and out? No. I am not happy
00:44:59there. Listen to me then. You are young and you are beautiful. From now on, everything can be
00:45:10different. Tomorrow morning, I will give you my terms about the cargo. You will go back and bring
00:45:17money here. Then we shall be rich and you shall stay with me. If it please, Allah.
00:45:28May I ask a favor of Bureza? I am an innocent girl and religious.
00:45:45Lord, I would like you first of all to say your prayer, even though it is past the hour of sunset.
00:45:54It will be the first time in a long while. But I'll do it if it will please you.
00:53:17I'm so happy.
00:53:28I'm so happy.
00:53:47I'm so happy.
00:54:17Are you crying, Mom?
00:54:31No, Ahmed.
00:54:35Nobody sings.
00:54:36Nobody sings, too.
00:54:39I know.
00:54:42Will you, Mommy, please, please, Mom.
00:54:47I love you, Mommy.
00:55:01Ahmed.
00:55:04Louisa, help me.
00:55:06Goodbye, Mother, dear.
00:55:16Children know.
00:55:19Somehow they know.
00:55:20We've just discharged our last patient.
00:55:45I'm lifting the quarantine in the morning.
00:55:47You can expect us back at the post sometime tomorrow afternoon.
00:55:50Would you mind very much if I asked you to stay in the village one more day?
00:55:54But why?
00:55:55I shall need a day to organize the celebration.
00:55:58Celebration?
00:55:59Is that necessary?
00:56:00You're a hero, Henry.
00:56:02You've beaten the plague.
00:56:03Not one case in the whole region outside on out.
00:56:06The whole country's talking about you.
00:56:08You and the Kaid.
00:56:09You and the Kaid.
00:56:14Hmm.
00:56:14Bye, everybody.
00:56:35See you next time.
00:56:37Email the view.
00:56:39New Zealand.
00:56:39Go, society.
00:56:40Go, society.
00:56:40Go, society.
00:56:41Go, society.
00:56:42Go, society.
00:56:43Go, society.
00:56:43Go, society.
00:56:44I'll be right back.
00:57:14See, Larsen.
00:57:44I... I'm sorry.
00:58:10They told me I'd find you in the library.
00:58:13I lost my way in this labyrinth you live in.
00:58:17Henrik is to know nothing of what you have seen here.
00:58:19Neither he nor Sadia.
00:58:23I understand.
00:58:24She can bring him happiness.
00:58:29I do not intend to be the one to prevent it.
00:58:33He's here now.
00:58:34He's waiting for us.
00:58:35I'm happy to see you.
00:58:53I've been trying to find the courage to ask your advice, that of the Kaid.
00:58:57Courage?
00:58:57No one wants to risk appearing ridiculous.
00:58:59We have experienced much together, we three.
00:59:01We need not fear to say what is in our hearts.
00:59:04Some time ago, I told See Larsen about an incident in my past.
00:59:07A cruel incident which was responsible for my coming here.
00:59:11I imagine there was something of the sort.
00:59:13You said that while others had resumed their lives, I had not.
00:59:16Do you remember that?
00:59:17I remember.
00:59:18I was upset at the time, perhaps because you were right.
00:59:21And now?
00:59:22I've had the idea that it might be possible for me to resume my life after all.
00:59:27With someone here in Morocco, where my work is.
00:59:30You know who it is.
00:59:32It is Sadia.
00:59:33Would you approve, See Larsen?
00:59:41I approve of whatever brings you happiness.
00:59:46I have not spoken to her, and she has given me no positive indication.
00:59:51She has the pride of the Berbers.
00:59:54She will never reveal her feelings.
00:59:56I think she has some sentiment for me, but it may be no more than gratitude.
01:00:00I would not wish to take advantage of that.
01:00:03Yes, of course.
01:00:05Besides, we are of a different people.
01:00:07That is why I've hesitated to speak to her.
01:00:10We have a saying.
01:00:12Do not seek the moment.
01:00:13Wait for it.
01:00:17Thank you, Kadir.
01:00:19That is the wisdom we Europeans have still to learn.
01:00:33What is it, Sadia?
01:00:56What brings you here at this hour?
01:00:58I could not go to the doctor.
01:00:59I was afraid to go to the Cahid.
01:01:01I've come to the Holy Man.
01:01:02You are trembling.
01:01:03What's happened to Frightena?
01:01:04Fatima has been here.
01:01:06You saw, huh?
01:01:06No, I found this in my room.
01:01:10It is the statuette, my statuette.
01:01:12Fatima had it.
01:01:13But why are you frightened?
01:01:14This could only mean she will inflict no more black magic on you.
01:01:17I'm frightened for the doctor.
01:01:18Oh, what can Fatima do to the doctor?
01:01:20I had his picture in my room.
01:01:22See, Lawson made it.
01:01:23The doctor gave it to me.
01:01:24Yes?
01:01:25It's gone.
01:01:25Fatima has taken it.
01:01:29You think she will use the picture to bring misfortune on him?
01:01:32I know what Fatima and her devils can do with the picture.
01:01:39You are a holy man.
01:01:41You can help him.
01:01:43You will know what to do against her devils.
01:01:45Do you love the doctor, Sadia?
01:01:47I adore the doctor as one adores a saint.
01:01:50And Silasen.
01:02:00You have answered my question.
01:02:03You see the secret in every heart.
01:02:06You loved him even then when he brought you to me the first time.
01:02:10Long ago.
01:02:11Silasen is the cahit.
01:02:13Sadia, what is Sadia?
01:02:16Flower loves the sun.
01:02:17It cannot rise to the heavens.
01:02:20I'm frightened for the doctor.
01:02:23Soon again it will be time of the moon.
01:02:24She said that Taba would strike him at the time of the moon.
01:02:27It was at the time of the moon that the plague came.
01:02:29But the doctor overcame the plague.
01:02:31He was stronger than her, devils.
01:02:32Now she has his picture.
01:02:33She will use it to put a spell on him.
01:02:35You must have faith, Sadia.
01:02:37Faith in the strength of goodness.
01:02:41It is not easy to have faith.
01:02:43No, it is not easy.
01:02:51I will try to have faith.
01:02:54But I am afraid.
01:02:58This, Lana.
01:02:58This is not easy.
01:03:15See you.
01:03:16, ma'am.
01:03:23Good luck.
01:03:53I have a friend in Paris who would be glad to have that lovely head, or one like it, over his fireplace.
01:04:14Do people go to Paris?
01:04:16Rabbi has offered me a holiday. I haven't decided.
01:04:19Would you be sad if I went away?
01:04:22Who would not be sad?
01:04:25If I go, I shall come back. You may be sure of that.
01:04:34Sadja?
01:04:35Yes, Tupip?
01:04:38I...
01:04:44The Kaid and I are going to Buran. We shall return before nightfall.
01:04:52The Kaid and I.
01:05:08THE END
01:05:38THE END
01:06:08THE END
01:06:10THE END
01:06:12THE END
01:06:14THE END
01:06:16THE END
01:06:18THE END
01:06:24THE END
01:06:26THE END
01:06:28THE END
01:06:30THE END
01:06:32THE END
01:06:38THE END
01:06:40THE END
01:06:42THE END
01:06:46THE END
01:06:48THE END
01:06:52THE END
01:06:54THE END
01:06:56THE END
01:06:58THE END
01:07:00THE END
01:07:02THE END
01:07:04THE END
01:07:06THE END
01:07:08THE END
01:07:10THE END
01:07:12THE END
01:07:14THE END
01:07:16THE END
01:07:18THE END
01:07:20THE END
01:07:22THE END
01:07:24THE END
01:07:26THE END
01:07:28THE END
01:07:30THE END
01:07:32THE END
01:07:34THE END
01:07:36THE END
01:07:38THE END
01:07:40THE END
01:07:42THE END
01:07:44THE END
01:07:46THE END
01:07:48THE END
01:07:50THE END
01:07:52THE END
01:07:54THE END
01:07:55THE END
01:07:56THE END
01:07:57THE END
01:07:58THE END
01:07:59THE END
01:08:00THE END
01:08:01THE END
01:08:02THE END
01:08:03THE END
01:08:04THE END
01:08:05THE END
01:08:06THE END
01:08:07THE END
01:08:08THE END
01:08:09THE END
01:08:10THE END
01:08:11THE END
01:08:12THE END
01:08:13THE END
01:08:14THE END
01:08:15THE END
01:08:16THE END
01:08:17THE END
01:08:18THE END
01:08:19Oh, my God.
01:08:49You there! At the cave! Can you hear me?
01:09:10Yes, we hear you!
01:09:13We want the girl, Sadia, who killed Burezza!
01:09:19Give us the girl, and you may all go in safety.
01:09:31And if not, by morning, there will be more of us here.
01:09:37We will overwhelm you by force of numbers, and you will die, all of you!
01:09:46Will you allow a girl to cost the lives of so many men?
01:09:54Is one girl worth so much?
01:09:58You do not wish to reply!
01:10:05Farewell!
01:10:07At six o'clock, unless the girl has been surrendered to us, I will order the attack!
01:10:14Could you look at Maisie Antovib?
01:10:37There's something wrong with him.
01:10:39There's something wrong with him.
01:10:40There's something wrong with him.
01:10:44There's something wrong with him.
01:10:49I haven't seen you.
01:10:51I haven't seen you.
01:10:53How hard are you?
01:10:55I haven't seen you, too.
01:10:57You're a guy.
01:10:59Oh my God.
01:10:59I can't see you, too.
01:10:59I can't see you.
01:11:00Bring me my kit.
01:11:30Now, when you abandon your passion to self-sacrifice, I must tie you up before you destroy us all.
01:11:46Oh!
01:11:52Oh!
01:12:06Sadie.
01:12:16Sadie.
01:12:26Where are you, Sadie?
01:12:31Take his hand.
01:12:33I am here.
01:12:39Don't go away, Sadie.
01:12:43You are my life.
01:12:47I am here.
01:13:03I am here.
01:13:09I am here.
01:13:13You are my life.
01:13:17I am here.
01:13:25Oh, my God.
01:13:55Oh, my God.
01:14:25Oh, my God.
01:14:55Oh, my God.
01:15:25Oh, my God.
01:15:55Oh, my God.
01:16:26The sorceress Fatima had put a spell on the doctor so that his medicine would fail and the kaid would die.
01:16:32The cry went up to burn the witch.
01:16:36It is not too late, Fatima.
01:16:43Let me tell the people that you've removed the spell you placed on the doctor so that the kaid may be well again.
01:16:50I will not remove the spell.
01:16:53The kaid will die and the doctor after him.
01:16:56The kaid will die and the doctor after him.
01:17:00He will proclaim your wickedness.
01:17:01He will die and the doctor also.
01:17:03Even if they kill me, from wherever I am, I'll reach him.
01:17:13The magic has held no boundaries, then.
01:17:17The people themselves have put an end to this.
01:17:20There will be no more black magic in this region to keep them in darkness.
01:17:25Your magic has no terrors for me, Fatima.
01:17:33Perhaps it has for you.
01:17:36I cannot draw your picture, but I can write your name.
01:17:41No!
01:17:46You are doomed, Fatima.
01:17:48You are doomed, Fatima.
01:17:49You are doomed, Fatima.
01:17:50By your own formulas of death.
01:17:51If only he'd let me have Sadio.
01:18:03You have used the doctor's picture to help you project your poisonous thoughts against him.
01:18:08Thoughts have power, for good as well as evil.
01:18:13Now we shall see what good thoughts can accomplish.
01:18:17In front of C. Lassen's house, his people waited, anxiously, hopefully.
01:18:42You who can hear me, repeat my words to those who cannot.
01:18:49Prepare yourselves, collect your thoughts, so that the power of our prayers may mount up.
01:18:57They must go very high, very far.
01:19:04Pray, therefore, with all your souls.
01:19:09O God, we beseech you, make the tide well.
01:19:16It is too soon to call him Lord.
01:19:21He must not be taken from us.
01:19:22We need him.
01:19:24Do not cease to pray.
01:19:25Let all your thoughts have the same object.
01:19:26Let the tide be well again.
01:19:31Let the tide be well again.
01:19:33Do not cease to pray.
01:19:34Let all your thoughts have the same object.
01:19:38Let the tide be well again.
01:19:40Let the tide be well again.
01:20:00We are calling on our God.
01:20:02If you want to help us, pray to yours.
01:20:06He is the same.
01:20:09therese, even when we are there.
01:20:22See, Lassen?
01:20:25It is I, Henrik.
01:20:28Help us.
01:20:30Fight.
01:20:32Do hear our prayers.
01:20:33Pray with us.
01:20:35We need you.
01:20:36I as well as the others.
01:20:38You and she, you are perfect for each other.
01:20:40This is how it was meant to be.
01:20:42And I'm not unhappy.
01:20:48You must live.
01:20:50For me, for her, for your people.
01:20:53You can live.
01:20:55Help us.
01:20:57Pray with us.
01:21:06Walk us all but you may not
01:21:22church now.
01:21:26Paul that is my sermon,
01:21:30you may not.
01:24:33Yes, I know.
01:24:36There are sometimes great compensations for our little tragedies.
01:24:40How have you learned that?
01:24:42All those prayers, the prayers of the people, they cured not only C. Lassen, but me also.
01:24:47I sleep like any normal human being.
01:24:51You can't imagine what that means.
01:24:53I've recovered from the past.
01:24:56And the future?
01:24:57Will you return to France?
01:24:59Only for a visit to see my friends there.
01:25:00I can't turn my back on these people.
01:25:04I can't turn my back on these people.
01:25:04It would be like a betrayal.
01:25:07My work is here as long as I live.
01:25:09I can't turn my back on these people.
01:25:14I can't turn my back on these people.
01:25:16What?
01:25:17If he hadn't broken that drum with one blow, it would have been a very bad omen.
Comments