- 2 days ago
Stranger Things Season 5 Episode 4 | Full Episode | English Sub | HD
Welcome to Ultimate Drama Station 🌼!
The war for Hawkins intensifies as the group splits up to tackle the growing threat from the Upside Down. While Eleven struggles to regain her full strength, a shocking revelation about the past threatens to change everything they thought they knew about their enemies. No one is safe as the shadows close in.
- Genre: Sci-Fi, Horror, Mystery, Thriller
- Quality: Full HD 1080p
- Language: English (With English Subtitles)
- Cast: Millie Bobby Brown, Finn Wolfhard, Joseph Quinn, Gaten Matarazzo
Follow Ultimate Drama Station 🌼 to stay updated with every heart-pounding episode of the final season!
Welcome to Ultimate Drama Station 🌼!
The war for Hawkins intensifies as the group splits up to tackle the growing threat from the Upside Down. While Eleven struggles to regain her full strength, a shocking revelation about the past threatens to change everything they thought they knew about their enemies. No one is safe as the shadows close in.
- Genre: Sci-Fi, Horror, Mystery, Thriller
- Quality: Full HD 1080p
- Language: English (With English Subtitles)
- Cast: Millie Bobby Brown, Finn Wolfhard, Joseph Quinn, Gaten Matarazzo
Follow Ultimate Drama Station 🌼 to stay updated with every heart-pounding episode of the final season!
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Short filmTranscript
00:00:00Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:10Derek, Derek.
00:00:10If you keep doing that, you're just going to hurt yourself.
00:00:13You just calm down so we can talk, okay?
00:00:16Do you know who I am?
00:00:17An evil child kidnapper.
00:00:20Okay, I understand why you would think that, but I'm not evil.
00:00:24I'm just a mom, a regular mom.
00:00:26That's my son, Will.
00:00:28Zombie boy.
00:00:30You know why they call him that?
00:00:31Because he died and came back to life.
00:00:32But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:00:39And now that scary monster is after you.
00:00:41Yeah, I know.
00:00:42Mr. What's It told me, which is why you need to...
00:00:43No, no.
00:00:44Mr. What's It is not who he says he is, okay?
00:00:47He is lying to you.
00:00:48All these monsters, they work for him.
00:00:49Now, that's why we took you here to this barn.
00:00:51We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't find you.
00:00:55So if I untie you, will you cooperate and come with us?
00:00:58Please.
00:01:01Okay, great.
00:01:02You're a very brave kid, Derek.
00:01:04I want you to know that.
00:01:05Very brave.
00:01:08Let me go!
00:01:13Get off of me!
00:01:14Please, the door!
00:01:15Get the door!
00:01:16Let me go!
00:01:17Get off me!
00:01:18Get away!
00:01:19Somebody help me again now!
00:01:21Get away from me!
00:01:22Let me go!
00:01:23Mom, the rope!
00:01:24I need the rope!
00:01:25I'm fooling!
00:01:26Let me go!
00:01:26Eat her!
00:01:30Compress!
00:01:30Dipshit!
00:01:31Shit!
00:01:40Dude!
00:01:41Oh!
00:01:41She's not lying to you, okay?
00:01:42Mr. What's It is a very bad guy.
00:01:43He sent the monsters after you.
00:01:45Suck my fat one!
00:01:46Jesus, what?
00:01:47You just signed your death warrant, dipshit.
00:01:49You're just a psycho and you're going to jail!
00:01:50I'm just trying to help you.
00:01:52I'm just trying to help you.
00:01:52My heart, please.
00:01:54You've got to hang down.
00:01:55I'm not listening.
00:01:55Your servant, my ex-waste.
00:01:56I'm not listening.
00:01:57I'm in the game.
00:01:58I'm in the game.
00:02:01Stay back!
00:02:16Stay back!
00:02:17You want him? You're going to have to come through me!
00:02:44We got it! We got it!
00:02:47It flipped! You're getting back towards us!
00:03:01Come on, what are you doing man? We gotta turn around!
00:03:03The gates are kind of like peanut butter boppers, right?
00:03:04What?
00:03:05The outside is like crunchy and tough, but then you bite down on it and it gives way to a gooey, creamy core.
00:03:08Dude, what the hell are you talking about?
00:03:10I drive fast enough, I think the Beamer can punch a hole straight into the gate,
00:03:12and then we can track the demo on its home turf in the upside down and follow it straight back to home.
00:03:15We're losing the signal!
00:03:16We're not going to follow anything if we crash!
00:03:17We're not going to crash if it's like a bunker!
00:03:19We're almost gone!
00:03:26Oh my god! Oh my god!
00:03:28I got it! I got it!
00:03:30We're not going to get to work!
00:03:33We're not going to make this!
00:03:34Get down!
00:03:35Oh my god!
00:03:36I'm not going to get to work!
00:03:40It's gonna work! It's not gonna work!
00:03:41We're not going to make it!
00:03:43It's not gonna work! It's not gonna work! It's not gonna month, it's not a month to stop!
00:03:45No!
00:03:47Swing up!
00:03:48Swing up!
00:03:49Dad, you're so quick! We got you!
00:04:03Will! Will!
00:04:05My arm!
00:04:08I got you! I got you!
00:04:15I'm out!
00:04:22I got you!
00:04:31You got you!
00:04:38Oh, yes, yes, that's right.
00:05:06Pockety-pockety-wockety-wack.
00:05:08Hards and ends and prick and roll.
00:05:09We'll be with you in just a minute, sir.
00:05:10He's almost done.
00:05:14Shush.
00:05:16Jelly.
00:05:22Alan Miller?
00:05:23I'm sorry, what is this about?
00:05:25It's your daughter, sir.
00:05:36It looks like our boy's taking us on the shortcut through our own cemetery.
00:05:52That's almost the county line.
00:05:53Doesn't this thing ever get tired?
00:05:54Uh, unfortunately, it looks like the opposite.
00:05:56I think he's speeding up.
00:05:57Wait, what?
00:05:57We're moving the signal.
00:05:58You've got to be shitting me, man.
00:05:59Can you go faster?
00:06:00Let's see.
00:06:03Henderson, you've got to talk to me here.
00:06:04What do you got, man?
00:06:05Henderson.
00:06:06Wait, I'm picking up some interference.
00:06:07How is that important right now?
00:06:08It means I can't hear the signal.
00:06:09Well, they listen harder, Henderson.
00:06:10You want to try to put these on?
00:06:11I'm driving, man.
00:06:11You do the flying.
00:06:12I'm driving, man.
00:06:13What is that?
00:06:14The item.
00:06:15Steve, slow down.
00:06:17Steve, watch out!
00:06:19Steve, watch out!
00:06:25Jonathan, it's Mom.
00:06:26Answer me, please.
00:06:26Over.
00:06:28Jonathan, please answer.
00:06:30Jonathan, Nancy, Dustin, it's Joyce.
00:06:32Please answer me.
00:06:34Hey.
00:06:35Any luck?
00:06:35Oh, on the plus side, I guess that means they made it through.
00:06:40You want to see where they're headed?
00:06:40What is it?
00:07:05I don't know, but I could feel it's important to him.
00:07:11It's Mr. What's it?
00:07:13His real name is Henry.
00:07:14A.K.A.
00:07:15Beckner.
00:07:15A.K.A.
00:07:15One.
00:07:16That's too many names.
00:07:17Why won't you just zip it and listen, dipshit?
00:07:19I had this feeling.
00:07:20He didn't want me there.
00:07:21I wasn't supposed to see it.
00:07:24You've never been this close to the hive mind before.
00:07:27I mean, that thing was, like, feet away.
00:07:29Sometimes at the squawk, when a signal comes in too strong, it overloads the whole system.
00:07:35I think that's what this was, an overload.
00:07:37You didn't just tap into the hive mind.
00:07:38You jacked right into the goddamn control center.
00:07:41And Holly, where was Holly?
00:07:43Holly.
00:07:44Holly, she was attached to this spire.
00:07:48She became a part of it, somehow, like it was doing something to her.
00:07:53And there were others.
00:07:55There were three others.
00:07:58I thought Beckner was just coming for dipshit.
00:08:00So did I.
00:08:01But I only knew about Derek because he walked right past me.
00:08:05Serendipitous timing.
00:08:06You hear that?
00:08:07Serendipitous.
00:08:07I don't know what that means.
00:08:08I'm really not loving all of these extra spires.
00:08:11I mean, night one, Beckner can have Holly.
00:08:13Night two, he takes three more.
00:08:14He's escalating, and he's coming for more.
00:08:15Yeah, eight more, if this is accurate, which brings him to a total of 12.
00:08:18What does he want with them?
00:08:20And why kids?
00:08:20And why 12?
00:08:21I don't know.
00:08:22But we have to stop him before he takes any more and buy Dustin and the others' time to
00:08:24find this place, to find Holly.
00:08:26Maybe if we can pinpoint his exact targets, we can get them out of Hawkins.
00:08:28And out of Beckner's reach.
00:08:29Did he forget we're quarantined?
00:08:31That's not all!
00:08:31There's another problem!
00:08:32On the way here, we saw soldiers load Debbie Miller onto a bus with a bunch more kids.
00:08:36And we followed them for two blocks more, and they loaded more kids onto it.
00:08:38I don't think they're taking them to school.
00:08:41Beckner's not the only one that wants these kids.
00:08:4211 was at the Wheeler house the same night Holly was taken.
00:08:5024 hours later, we've got three more missing kids.
00:08:53There's 73 children in Hawkins between the age of 9 and 10.
00:08:56If the pattern holds, our next target will be from this group.
00:08:59And you believe 11 have taken these kids?
00:09:01For what purpose?
00:09:02Killing them, protecting them, the reason doesn't matter.
00:09:05And these children, where are they now?
00:09:07Arriving at the Max Z any moment, which is where I want you.
00:09:09I should be looking for Lieutenant Akers.
00:09:10I find Akers, I find...
00:09:11You'll find a dead man.
00:09:13Report to the Max Z, Colonel.
00:09:14That's an order.
00:09:20Major General.
00:09:23With all due respect, these kids are in danger.
00:09:26To use them as bait seems...
00:09:28Seems what, Sergeant?
00:09:31Reckless.
00:09:32It's only reckless if you fail to protect them.
00:09:37Are you telling me you can't protect them, Sergeant?
00:09:40No, ma'am.
00:09:43Good.
00:09:54I'm sorry for scaring you.
00:09:56I haven't seen anyone in a really long time, so...
00:10:01I guess I got excited.
00:10:04Good news is, it doesn't look that deep.
00:10:06Not enough for stitches.
00:10:08I bet it stings, though.
00:10:09Huh?
00:10:11You can talk to me, you know.
00:10:13I won't bite.
00:10:16You do remember me, right?
00:10:19I've been to your house.
00:10:20Like, a lot.
00:10:21You're Max.
00:10:25Max Mayfield.
00:10:26You skateboard and never take off your Walkman.
00:10:28That's me.
00:10:29But how am I in here when I'm in a coma in Hawkins General?
00:10:32That's a very reasonable question.
00:10:36We should get going.
00:10:37It's not safe here.
00:10:37Come on.
00:10:39Where are we going?
00:10:40My home.
00:10:41I can't go far.
00:10:41I came here to meet Henry.
00:10:42Do you know Henry?
00:10:43Yeah, you could say that.
00:10:44No, he left me this note here, see?
00:10:45And he told me to meet him right here at the X, right here.
00:10:47I think he's in trouble with the monsters.
00:10:48Henry is a lot of things, but in trouble with the monsters is not one of them.
00:10:50No, but look.
00:10:50Look, the note says.
00:10:51Holly, I know what the note says.
00:10:52Then how do you know he's in trouble?
00:10:53Holly.
00:10:53He said hurry.
00:10:54Holly, I know what the note says because Henry didn't write it.
00:10:55I did.
00:10:57I don't understand.
00:11:01I'm sorry.
00:11:02I didn't want to lie.
00:11:03I just had to make sure that you came here.
00:11:07You're one of them, aren't you?
00:11:08One of what?
00:11:09The monsters.
00:11:10Do I look like a monster?
00:11:10I don't know.
00:11:11Maybe you're in disguise.
00:11:12You're dressed weird and you're in a coma.
00:11:14Okay.
00:11:15Well, would a monster know that your brother tried to get a mohawk until your sister stopped him,
00:11:18saving him from possibly the greatest social humiliation that a freshman has ever experienced
00:11:22at Hawkins High?
00:11:23What color was this mohawk?
00:11:25Hot orange.
00:11:27And personally, I think the use of the word hot is a bit ironic, but people say I'm too
00:11:30negative.
00:11:30I just think I'm honest.
00:11:49Come on.
00:11:57Welcome.
00:12:00Hey, it even comes with a view.
00:12:14Where are we?
00:12:34In a memory, which exists inside a world of a thousand memories.
00:12:39I know it might look nice, but it's not.
00:12:41This place, this world, it's a prison.
00:12:51Henry's prison.
00:12:52Henry's prison.
00:12:52It's okay, sweetie.
00:13:14These are the good guys.
00:13:15They're going to keep everyone safe.
00:13:16Just try and think of this as a field trip.
00:13:19Mm-hmm.
00:13:20A learning expedition.
00:13:31Cargo has arrived.
00:13:33I repeat.
00:13:33Cargo has arrived.
00:13:37They're taking them into a barrack second from the library.
00:13:39Tunnels.
00:13:50Yeah, see?
00:13:51The north tunnel of the Max Z runs right underneath the barracks.
00:13:54Lucky break.
00:13:55I'm having one of these days.
00:13:56We're going to need a lot more luck if we want this plan to work.
00:13:57If we're right, the military's trying to protect these kids, so this barracks is going to be
00:14:00heavily guarded.
00:14:01I mean, we have to dig up into the barracks, unnoticed, grab the kids, get them to Murray,
00:14:04smuggle them out of pockets.
00:14:05All before anyone notices they're gone.
00:14:06Dick.
00:14:07What?
00:14:08What?
00:14:09Oh.
00:14:10Sorry, did I say that out loud?
00:14:10I thought I was talking in my head.
00:14:12But you guys know Tom, Dick, and Harry, right?
00:14:15Seriously?
00:14:16None of you have seen The Great Escape?
00:14:18Well, basically, it's about these POWs, right?
00:14:20And they're stuck in a barracks just like this one, and they need to escape.
00:14:23So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:14:26They have to hide the tunnels from the Nazis, so they put Tom in this dark corner, and they
00:14:29put Harry under the stove, and they put Dick in the washroom.
00:14:31And personally, for us, I like Dick.
00:14:35Oh, um, sorry.
00:14:36The washroom.
00:14:37I actually don't need...
00:14:38Never mind.
00:14:39Okay, say we go with Dick, how do we find the washroom?
00:14:42And how do we get the kids to it?
00:14:44How do we even know which kids are being targeted by Vecna?
00:14:46We use an inside man.
00:14:47Someone who could get into the barracks, measure the distance of the washroom, find out which
00:14:50kids have actually seen Mr. What's It, and somehow avoid the military altogether.
00:14:52Well, that's a lovely plan, but isn't it a tad...
00:14:55Mission impossibly.
00:14:55Yeah, I mean, Mike, who are you going to get to do this?
00:14:58Bond?
00:14:59Magnus?
00:14:59No, no, we don't want a super spy.
00:15:00We want the opposite.
00:15:01We want someone no one would suspect.
00:15:03Someone that could just walk in, no questions asked.
00:15:05The one kid the military failed to wrangle?
00:15:09What?
00:15:12Two grunts in the tower by the west gate, one more in the tower by the east gate.
00:15:41One, two, three, four on the ground.
00:15:44I hope to guide you right and Vecna is in there, because we might just die trying to break in.
00:15:47I am right.
00:15:48Well, you can't be right about everything, because your theories aren't exactly lining up.
00:15:51Why not?
00:15:51You heard Kryptonite.
00:15:53It means that Vecna's in there.
00:15:53He doesn't have his powers.
00:15:54If he doesn't have his powers, how could he have anything to do with Holly's kidnapping?
00:15:57You can ask him before I kill him.
00:15:59How high is that fence?
00:16:01Hey, you're not jumping that.
00:16:02Why not?
00:16:03Because this is not training.
00:16:04This is a real-world situation.
00:16:07And that roof is metal.
00:16:09You hit that on a jump, you're going to alert the whole damn base.
00:16:11Not if I time it with the thunder.
00:16:13Yeah.
00:16:13It's seven seconds.
00:16:17One, two, three, four, five, six, seven.
00:16:27Okay, you got lucky.
00:16:29Hopper, you copy.
00:16:30Dustin!
00:16:31Hopper, you copy.
00:16:32Dustin.
00:16:33Hey, hey, it's Hop.
00:16:35I copy.
00:16:35Oh, is it?
00:16:36Okay, well, they're alive.
00:16:37El, El, El, is El with you?
00:16:39Over.
00:16:39Yes, I'm here.
00:16:41Over.
00:16:41Okay, yay.
00:16:42Terrific.
00:16:43I don't know what you're doing right now, or if you're caught up with something important,
00:16:45but just meet us.
00:16:45Meet us at Rhone Cemetery Church, please.
00:16:47Rhone Cemetery?
00:16:48How the hell are you contacting us?
00:16:49I'm there.
00:16:50Right, you don't know.
00:16:51We're in the Upside Down.
00:16:52What?
00:16:53Long story short, we're in here to track a demogorgon using our telemetry tracker,
00:16:55only to then hit a wall.
00:16:57Literally.
00:16:57Now, Steve's Beamer is stuck, so we need El to come and pry it loose using her power,
00:16:59so we can then resume the search for said demogorgon, which will, in theory, lead
00:17:01us to Holly.
00:17:02Does any of this make sense?
00:17:03Do you need additional details?
00:17:04Questions, concerns, over.
00:17:06You hit the wall.
00:17:08What kind of wall exactly?
00:17:10Uh, it's a bit hard to describe.
00:17:14Sort of.
00:17:15Huge.
00:17:16Disgusting.
00:17:17This smells like Henderson's armpit.
00:17:19Yeah, we hit the same thing, but not at the Rhone Cemetery.
00:17:21We hit it about a quarter mile southeast of the Old Hagen Bridge.
00:17:24That's the opposite side of town.
00:17:26Fascinating.
00:17:27We don't know what it is, but we think that Holly's behind it.
00:17:29Don't bother trying to break through.
00:17:30You can't.
00:17:31We're working on a solution.
00:17:32What kind of solution?
00:17:36Wait, what kind of solution?
00:17:37Popper!
00:17:38Listen, we've got to keep the airwaves clear, all right?
00:17:40We'll come get you.
00:17:41Just stay put.
00:17:43You think they're safe?
00:17:45I mean, compared to us?
00:17:45Yeah.
00:17:47Okay.
00:17:48Let's go see if that training has paid off.
00:17:50You're going to let me jump?
00:17:52Let's go.
00:17:53Before I change my mind.
00:17:59In fact, this curse.
00:18:00It never goes away.
00:18:03It never leaves you.
00:18:05With each victim that he took, he created a new gate.
00:18:07A gate to the Upside Down?
00:18:09When he took me, he opened the fourth, final gate.
00:18:13Splitting Hawkins in two.
00:18:15Wait, but if Mr. What's It, I mean, Henry, took you, how are you here?
00:18:21You mean shouldn't I be dead?
00:18:23It's okay.
00:18:23It's a fair question.
00:18:25I definitely should be.
00:18:26And for a moment, I was.
00:18:32I don't know how long I was gone, but then I felt something calling to me.
00:18:37Okay, see y'all.
00:19:05One night only. Don't miss it. Tickets are only 50 cents.
00:19:26That's two quarters for you, point, Dexter.
00:19:27Joyce! Is that stupid play of yours?
00:19:30Better see you there, Harrington.
00:19:31Friday night? You wish.
00:19:32Nice shot, jerk.
00:19:38Somehow, I was in another time. Hawkins.
00:19:4330 years ago.
00:19:45I'm trapped.
00:19:46Only, I wasn't actually there.
00:19:49Not really. I was just...
00:19:51an observer.
00:19:54And that's when I understood.
00:19:56I was trapped inside Henry's mind.
00:19:58His memories.
00:19:59It's like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:20:05Like Kamazots.
00:20:06Kama...
00:20:07What?
00:20:08Kamazots.
00:20:09From A Wrinkle in Time.
00:20:10Never read it.
00:20:10You should. It's amazing.
00:20:11Kamazots is like this dark planet that's under the control of it, which is this giant, disembodied, evil brain.
00:20:15Anyways, Meg's dad makes them in character.
00:20:17He gets taken prisoner there.
00:20:18So, Henry's kind of like it, and you're kind of like Meg's dad.
00:20:20Okay, well, I don't know if Meg's dad would agree, but the way I see it, when you're a prisoner in a messed up prison world, you really only have a few doors open to you.
00:20:30Door one, you take your own life.
00:20:33Door two, accept your fate.
00:20:35Or door three.
00:20:36You miss gay?
00:20:37I chose door three.
00:20:38That seems like the best door.
00:20:39So, I kept moving from memory to memory.
00:20:44Only this place is a maze.
00:20:47I became lost.
00:20:49Turned around.
00:20:50I got so turned around, I actually ended up right back at the beginning.
00:21:00And that's when I heard her.
00:21:04I heard Kate Bush.
00:21:06Is she one of your friends?
00:21:07You could say that.
00:21:13Music has a way of finding you, even in the darkest of places.
00:21:16Lucas had used it before, to reach me, to guide me out of Vecna's mind.
00:21:19Back to the light.
00:21:28So, this music was coming from Lucas?
00:21:31From the real world?
00:21:32Even after all this time, he hadn't given up on me.
00:21:40If you follow this music...
00:21:43Then what?
00:21:44Then I would lead me out of here?
00:21:47Back home?
00:21:50At least that's what I thought.
00:21:51Then...
00:21:53Everything went wrong.
00:21:58Come on, Angel.
00:22:00Come on, come on, darling.
00:22:02The rest is changing.
00:22:03Hey!
00:22:20What the hell are you doing?
00:22:22Can't you read, kid?
00:22:23No trespassing.
00:22:25Right.
00:22:25I see that, officer.
00:22:26It's just...
00:22:27My school is missing.
00:22:33Let's go.
00:22:42Move it.
00:22:47Holy shit!
00:22:48Are those laser blasters?
00:22:49Why just me?
00:22:50I'm the blaster if you don't keep it moving.
00:22:51Toys!
00:22:57Toys!
00:22:58What's up?
00:22:58What's up?
00:22:59All right.
00:23:00Absolutely not.
00:23:01Whoa, whoa, whoa, whoa, whoa, whoa.
00:23:03This is private chat.
00:23:04You can do exactly as he says.
00:23:06Got any questions?
00:23:07Direct them to him.
00:23:08Where might I relieve myself?
00:23:12Breaking bar.
00:23:14Shovel.
00:23:15Five safety goggles.
00:23:18A surveyor's wheel and...
00:23:20Hold for applause.
00:23:20Santa's sleigh is ready for his reindeer.
00:23:26We got built-in benches, seatbelts, foam padding.
00:23:30Everything a kidnapped child could desire.
00:23:32Foam padding.
00:23:33Don't want to break any eggs and wrap now, do we?
00:23:36I'm in.
00:23:36We're copied.
00:23:37We're good.
00:23:37I'm in.
00:23:38We're copied.
00:23:39Yes, yes, we copied.
00:23:40We copied.
00:23:40Where are you?
00:23:41Bathroom.
00:23:41Backstall.
00:23:4245 of my patients on the front entrance.
00:23:44Good job.
00:23:44Now round with anyone who's seen Mr. Wetted.
00:23:46And we'll be there soon.
00:23:47And remember, you're not dipshit Derek.
00:23:49You're delightful, Derek.
00:23:50Okay, once you get that gate open and I'm inside...
00:24:02You lead.
00:24:04That's right.
00:24:04And you?
00:24:05I will destroy your kryptonite.
00:24:08Don't worry.
00:24:08I'll destroy your kryptonite.
00:24:09Okay.
00:24:10Okay.
00:24:10Okay.
00:24:14Okay.
00:24:19Okay.
00:24:20Okay.
00:24:21All right, come on.
00:24:44Come on, you got this, you got this.
00:24:51Wait, you're too early, you're too early.
00:25:15God.
00:25:18Sorry.
00:25:21Can I give your old man a heart attack?
00:25:25Nice job, by the way.
00:25:31Pop.
00:25:32Yeah?
00:25:35For what?
00:25:36For teaching me.
00:25:38And trusting me.
00:25:41Always.
00:25:46The day of reckoning has arrived.
00:25:48With this in mind, I've been sent by Mr. What's-It to gather the chosen ones.
00:25:52If you've been visited by Mr. What's-It, speak now.
00:25:54And when night falls, follow me to the latrine.
00:25:56And I will lead you to our savior.
00:25:57To safety.
00:25:59Derek's gone mental.
00:26:02Monsters are coming and you're all gonna die.
00:26:04Ha ha ha ha ha.
00:26:05Derek?
00:26:07Were you talking about Henry?
00:26:08Anywhere from Derek yet?
00:26:19Not yet.
00:26:20Just give him time.
00:26:21It hasn't been that long.
00:26:22I just can't get over the fact that the fate of the world rests on Derek freaking Turnbull.
00:26:27When you look in the mirror, do you see a Navy SEAL looking back at you?
00:26:30Sometimes people need someone to believe in them.
00:26:33And they can do amazing things.
00:26:35Your mom and Robin are getting along better.
00:26:36Well, it didn't hurt that mom scared off that demo.
00:26:40Saved Robin's life.
00:26:41Everybody's life.
00:26:44So, when your mom, when she had her axe, you could see her?
00:26:48Like, through the demo's eyes?
00:26:50Yeah.
00:26:50And I was so close to the hive.
00:26:52It's like I could feel what it was feeling.
00:26:54Like this anger.
00:26:56But I was still in there too.
00:26:57And I was afraid.
00:26:58I was afraid for my mom.
00:26:59You wanted to protect her?
00:27:00Yeah.
00:27:00But I just couldn't.
00:27:02It was like this scary movie you just can't turn off.
00:27:06Open sesame.
00:27:10Well, have fun.
00:27:13Thanks.
00:27:14Are you positive you didn't?
00:27:16Didn't what?
00:27:16Turn off the scary movie.
00:27:17Protect your mom.
00:27:18Not the other way around.
00:27:19I mean, no offense.
00:27:19I know she's badass and everything, but you know.
00:27:21Yeah, she's five foot three.
00:27:22Yeah.
00:27:22And Vecna likes to control the hive mind like a puppet master.
00:27:24So maybe when you tap into the hive, you can pull the strings too.
00:27:27Except I'm not Vecna.
00:27:29You sort of are.
00:27:30You're trying to say that I'm evil and hell-bent on destroying the world?
00:27:32Totally.
00:27:33No.
00:27:33I'm just saying that, you know, you're like a wizard.
00:27:35Like him.
00:27:36In D&D, Mike.
00:27:37Not in real life.
00:27:37True.
00:27:38In real life, you're more like a sorcerer.
00:27:39Because your powers don't come from a book of spells.
00:27:41They're innate.
00:27:42Listen, as far as crazy theories go, I've had crazier.
00:27:45And with Eleven in the Upside Down, we really need some magic up here.
00:27:47Oh, my God.
00:28:17I mean, if Hopper has a solution to get through this and to get to Holly, he should share it with us.
00:28:23I just say we ignore the old man.
00:28:24We keep moving.
00:28:25Look for a door or something.
00:28:26Yeah, and just curious.
00:28:28This door of yours, why it's soft like a peanut butter bopper?
00:28:30You got something to say, Bars?
00:28:31Why don't you just come out and say it, man?
00:28:32I'm just saying that maybe you shouldn't be making the calls from now on.
00:28:34It was not just his call.
00:28:35It was mine.
00:28:36Because it's my sister.
00:28:37And I agree with Steve.
00:28:39Okay, we can't just sit here.
00:28:41I don't know about a door, but this wall can't go on forever.
00:28:44There has to be a way around it.
00:28:45There isn't.
00:28:47This wall is a circle.
00:28:49A circle completely surrounding the upside down.
00:28:51Oh, yeah?
00:28:51And how exactly do you figure that?
00:28:52Because unlike you, I didn't sleep through Algebra 1.
00:28:56So my telemetry tracker picked up a weird frequency coming from the wall.
00:28:59And it took me a bit to place, but I've heard it before.
00:29:02Rather, we have.
00:29:03You remember when we were out looking for Hopper and you heard that sound off of Irwin Road?
00:29:05Yeah, you said it was interference.
00:29:06It was.
00:29:07But this interference, it wasn't coming from a military broadcast or an EMI.
00:29:10It was coming from this wall, which is important because that gives us three known locations.
00:29:14So I connected the dots, measured the midpoints, drew the perpendicular bias.
00:29:17All right.
00:29:18Yeah, we're not your teachers.
00:29:19We don't need to see your work.
00:29:20We get it.
00:29:20You think it's all a big circle?
00:29:22I don't think.
00:29:22I know.
00:29:22I triple-checked and my calculations are correct.
00:29:24Jesus, whatever.
00:29:25I still don't see how this gets us any closer to finding Holly.
00:29:27Because it's not about the circle, it's about the center.
00:29:31The DOE, the Department of Energy.
00:29:33That's...
00:29:33Hawkins Lab.
00:29:35What are the chances that the center of this wall just so happens to be in the very place where all of this started?
00:29:39Where the Upside Down was created?
00:29:40So the lab created the wall.
00:29:42I had no idea, but I think we should find out.
00:29:45Don't you?
00:29:51The music.
00:29:51It led me to a new memory.
00:29:53Only, something was different about this memory.
00:29:56I was there.
00:29:58It was the day that Henry cursed me.
00:30:00It was his first memory of me.
00:30:03I know, as if this goddamn place wasn't heady enough, right?
00:30:06But I still had the music to guide me.
00:30:08So, I followed it.
00:30:11And it led me through new memories.
00:30:18Terrible memories.
00:30:20Let go!
00:30:20Follow me into death.
00:30:22I felt like they would never end.
00:30:38But then eventually, they did.
00:30:40It was the night that Becna killed me.
00:30:46The night he took me to prison.
00:30:51I finally found it.
00:30:57The way out.
00:30:58And I was so close.
00:31:12And I was so close.
00:31:16So close that I could feel it's a hand on mine.
00:31:18And it was like I was there.
00:31:22Like I was with him.
00:31:24In that hospital.
00:31:25No.
00:31:33No.
00:31:38No.
00:31:39No.
00:31:39No.
00:31:39No.
00:31:47No.
00:31:52Lucas!
00:31:54Lucas!
00:31:55Lucas!
00:31:56Lucas!
00:31:59Hello, man.
00:32:03I ran.
00:32:07And I kept running.
00:32:09I'll never forget the look on his face that day.
00:32:36He was scared.
00:32:38More than scared.
00:32:39He was terrified.
00:32:41There's something about this cave.
00:32:43This memory.
00:32:46He won't come in.
00:32:48And here, I'm safe.
00:32:52So I turned it into my sanctuary.
00:32:57My home.
00:33:00I took door two.
00:33:02Shitty door two.
00:33:05Except your fate.
00:33:07That was.
00:33:09Until you showed up.
00:33:11And now door three is back.
00:33:13Escape.
00:33:15I have a plan.
00:33:16A plan to get us out of here.
00:33:17And it's gonna take time.
00:33:19More time than we have now.
00:33:20Henry will return to his house soon.
00:33:22And when he does, he cannot know that you're gone.
00:33:24You want me to go back there?
00:33:26Back to him?
00:33:27Back to Henry?
00:33:27Henry, no, I know.
00:33:28It's scary.
00:33:29But if you want to get out of here, if you want to escape Camazots, this is the only way.
00:33:36It's the only way.
00:33:41Tell me what I need to do.
00:33:42Hey.
00:33:58Hi.
00:34:01Do you, um, by any chance remember Tammy Thompson?
00:34:04Yeah, isn't she that terrible singer?
00:34:06Yeah.
00:34:07But in the ninth grade, I thought that she sounded like Whitney, goddamn Houston.
00:34:11I mean, the first time I saw her, oh my god.
00:34:14Like, time slowed down.
00:34:16It was like a scene from some label movie.
00:34:18You know, her hair blew in the wind and she just looked perfect.
00:34:21So goddamn perfect.
00:34:23And it was right then and there that I knew she was the one.
00:34:26That with Tammy, I would finally be able to be myself.
00:34:28You know, all of myself.
00:34:29Because there was always this part of me that kind of scared me, you know.
00:34:33But I thought that if Tammy loved me, all of me, you know, I wouldn't be so scared anymore.
00:34:39And then he showed up.
00:34:41Steve the hare, Harrington.
00:34:42Oh, god.
00:34:43You probably can't guess the rest.
00:34:44Tammy fell for him hard.
00:34:47And my entire fantasy life with her, along with the rest of my life, pretty much imploded before my eyes.
00:34:52I mean, my grades plummeted.
00:34:54I got grounded.
00:34:54I had to stay home every weekend doing chores.
00:34:56But then one day, I was cleaning Patchett out of my parents' garage and I found this 8mm film reel, you know.
00:35:00And it was just from the Slim movie that I made in the fourth grade.
00:35:02But I got it up on the projector.
00:35:04And all of a sudden, I was looking at this little version of myself.
00:35:08And that little me, I could hardly recognize her.
00:35:11You know, she was so carefree.
00:35:14And like, fearless.
00:35:16She just loved every part of herself.
00:35:19And that's when it hit me.
00:35:20It was never about Don't Have Damn.
00:35:22It was always just about me.
00:35:26I was looking for answers in somebody else, but I had all the answers.
00:35:32I just needed to stop being so goddamn scared.
00:35:35Scared of who I really was once I did that.
00:35:39I felt so free.
00:35:42It's like I could fly, you know.
00:35:44Like, like I could finally be...
00:35:45Rock and Robin.
00:35:47Yeah.
00:35:48Rock and Robin.
00:35:50Hey, guys!
00:35:51Take your time, will you?
00:35:56You finally hit dick.
00:35:58Hit the dick, yep.
00:35:59Let's just hope it's not too hard.
00:36:00If it is, I'll soften it.
00:36:07Hey!
00:36:08Hey!
00:36:09Hey!
00:36:11Hey!
00:36:13Take me, okay?
00:36:30Damn it, damn it!
00:36:35Make a sound, it'll be your last.
00:36:36Not if you understand.
00:36:38Come on, let's go.
00:36:42Come on!
00:36:44It's not working.
00:36:46How do we get through?
00:36:47I don't have clearance.
00:36:48I didn't ask if you have clearance.
00:36:49I asked how do we get through.
00:36:50You can't.
00:36:51Dr. K, your boss.
00:36:53She got clearance?
00:36:54I don't know.
00:36:55I don't know.
00:36:57Thanks for your help.
00:36:59Plan B.
00:36:59I don't know.
00:37:19I don't know.
00:37:20Google pageare.
00:37:21No, I don't know.
00:37:22I don't know.
00:37:23I don't know.
00:37:23Come on!
00:37:23Come on!
00:37:24Come on!
00:37:24We're through.
00:37:54Oh, shit.
00:38:00Oh, shit.
00:38:18Oh, shit.
00:38:20Oh, shit.
00:38:22Close your eyes and focus on your breathing.
00:38:25Breathe in and out.
00:38:27As you continue breathing, I want you to picture yourself on a beach.
00:38:31The water is blue, blue as a smurf.
00:38:33You listen to it lap the sandy shore, like a dog slurping from his bowl.
00:38:38It's called visualization.
00:38:44Mom does it when she's out of Valium.
00:38:47Oh.
00:38:57Oh, shit.
00:39:02Oh, shit.
00:39:06Oh, shit.
00:39:10Oh, shit.
00:39:14Oh, shit.
00:39:18Howdy.
00:39:35Feel the sand under your butt.
00:39:38It feels cool and soft.
00:39:40Good time.
00:39:41There you go.
00:39:42Good job.
00:39:43Good job.
00:39:44All right.
00:39:45Hey, sweetie.
00:39:46What's your name?
00:39:47Debbie.
00:39:48Do you work for Mr. What's It?
00:39:50Mr. What's It?
00:39:51Oh, yes, of course.
00:39:52I'm one of his elves.
00:39:53You know, like a magic elf.
00:39:55Elf.
00:40:09Right here.
00:40:10Couple more steps.
00:40:11All right.
00:40:12Nice.
00:40:13You good?
00:40:14All right.
00:40:15Great job.
00:40:16Step by step.
00:40:25Go up.
00:40:26Hmm.
00:40:27Oh.
00:40:28Shit.
00:40:55Eleven, I have been looking for you for a very long time.
00:41:03My name is Dr. K.
00:41:06I know who you are.
00:41:09I know who you've taken.
00:41:14And I also know that you and your men are going to die.
00:41:25What the hell?
00:41:55No!
00:41:58No!
00:42:01No!
00:42:03No!
00:42:08It's best not to struggle.
00:42:38The greater the perceived threat, the more aggressive its response.
00:42:46Miss Robin, what about the others?
00:42:48Uh, just Robin, and don't worry, they're right behind us.
00:42:50Something's wrong, isn't it?
00:42:51No, sorry, everything is going exactly according to plan.
00:43:01Sorry, I have a plumbing problem here.
00:43:03Are you by chance looking for Mr. What's It?
00:43:05Right through there.
00:43:08There's a little breeze of air, I'm telling you to save it.
00:43:15You look up at the sky, searching for the clouds, but all the...
00:43:19Mr. What's It?
00:43:21Mr. What's It?
00:43:38Shit!
00:43:39Officer! Officer!
00:43:40Whoa, whoa, whoa, hey, calm down. What was going on?
00:43:42Good job, man.
00:43:43We've been spotted!
00:43:44Oh, no, no!
00:43:45Just get him out of here. Just go!
00:43:46What about the others?
00:43:47Just go, go, go, go!
00:43:48Damn it!
00:43:49Okay, come on out!
00:43:55Hey, stop right there!
00:43:56Ashley, Clyde's a sea!
00:43:57If you're gonna рай my robe, you're gonna fire.
00:43:59Ashley?
00:44:00Do you wanna die?
00:44:02Oh, damn it!
00:44:03Oh, damn it!
00:44:04Don't you go!
00:44:05Don't you go the goddamn door!
00:44:07Oh, hell yeah!
00:44:11That was wrong!
00:44:12You do, literally, mean that heaju...
00:44:13The reason she's been so hard to track.
00:44:16The thorn in my side.
00:44:20And after all that effort to hide her,
00:44:22you bring her here, of all places?
00:44:26Why?
00:44:28Why risk her life for the other?
00:44:31What do you know that I don't?
00:44:39It's actually holding back, if you can believe it.
00:44:41That heat you feel...
00:44:44...weakens it.
00:44:49But in the cold, it thrives.
00:44:55I can stop it.
00:44:57But you're gonna have to start talking.
00:45:11It hurts.
00:45:13Good hour.
00:45:25In your current state, I'm afraid that won't work.
00:45:27You're not the sharpest, are we?
00:45:37You're too late.
00:45:53Cavalry's on its way.
00:45:55That's all right.
00:45:56I'll be quick.
00:45:57Grocery delivery.
00:46:08Where's everyone else?
00:46:09Coming.
00:46:12Come on, sweetie.
00:46:13Come on down.
00:46:14Come on.
00:46:15You get down here right now, or a monster's gonna eat you.
00:46:17I got you.
00:46:32That's good.
00:46:33Good, good.
00:46:33Hey there.
00:46:34Where do you think you're going?
00:46:35What are you doing?
00:46:47Hey.
00:46:48You gotta go.
00:46:48Oh, you gotta go.
00:46:49Come on.
00:46:53We're gonna get to the woods?
00:46:54No.
00:46:54That's a crippled-eyed chick.
00:46:55Can't get you there.
00:46:56We can't.
00:46:57We can't leave.
00:46:58We came for Henry.
00:46:58You take this compass.
00:46:59You're gonna follow it northeast.
00:47:01That'll take you to the graveyard.
00:47:01You're gonna find Nancy and the others.
00:47:03Hey, hey, hey.
00:47:05What is that?
00:47:06It's just a fail-safe, okay?
00:47:07It's a fail-safe.
00:47:08If anything happens, I gotta make sure that he goes down with me.
00:47:10No.
00:47:10No.
00:47:11It's the only way.
00:47:11It's the only way.
00:47:12I'm not gonna risk losing you.
00:47:13I will not risk it.
00:47:15Hopper, no.
00:47:16I want you to know something.
00:47:17From here on out, I want you to know how proud I am of you.
00:47:20I am so proud of you.
00:47:21I am so proud of what you've overcome.
00:47:24I'm proud of who you are.
00:47:26No.
00:47:27No.
00:47:28No, Hopper.
00:47:29Hopper.
00:47:30I love you, Jane.
00:47:30Hopper.
00:47:31Hopper.
00:47:32Hopper.
00:47:32Hopper.
00:47:32Hopper.
00:47:33Hopper.
00:47:33Hopper.
00:47:34Hopper.
00:47:35Hopper.
00:47:36Hopper.
00:47:37Hopper.
00:47:38Hopper.
00:47:39Hopper.
00:47:40Hopper.
00:47:41Hopper.
00:47:42Hopper.
00:47:43Hopper.
00:47:44Hopper.
00:47:45Hopper.
00:47:46Hopper.
00:47:47Hopper.
00:47:48Hopper.
00:47:49Hopper.
00:47:50Hopper.
00:47:51Hopper.
00:47:52Hopper.
00:47:53Hopper.
00:47:54Hopper.
00:47:55Hopper.
00:47:56Hopper.
00:47:57Hopper.
00:47:58Hopper.
00:47:59All right, kids, come on.
00:48:22Find a seat in the back.
00:48:28All right.
00:48:28Okay, let's have some fun, huh?
00:48:30This is going to be great, huh?
00:48:31Okay, let's get our seatbelts on.
00:48:33Safety first.
00:48:34Come on, time's a-wasting.
00:48:35Pretty comfy, huh?
00:48:36Not really.
00:48:37Oh, sorry.
00:48:38Robin, Lucas, do you copy?
00:48:40Over.
00:48:41Copy, it's Robin.
00:48:41Lucas, I copy.
00:48:43We've got a problem here at the MAAC.
00:48:45What kind of problem?
00:48:46Let go of me, you asshole!
00:48:48You want to explain to me what in God's name is going on here?
00:48:50Get the hell off me!
00:48:51We've got five missing kids, sir.
00:48:52You've lost five kids?
00:48:53How is that possible?
00:48:54This woman...
00:48:55Joy Spires?
00:48:56She broke into the barracks.
00:48:56She's been helping them escape through some kind of tunnel.
00:48:59I'm sorry.
00:48:59Can you repeat that?
00:49:00Listen, these kids, they are not safe, okay?
00:49:03They are in danger.
00:49:04And why exactly do you think they're here now?
00:49:06They're under our protection.
00:49:07If I may reject, officer, I've seen what's coming.
00:49:09And no disrespect meant, but you and your men can't protect shit!
00:49:13Run!
00:49:13Run!
00:49:13Run!
00:49:14Get off!
00:49:14Get off!
00:49:14Get off!
00:49:15Get off!
00:49:15Get off!
00:49:15Get off!
00:49:16Get off!
00:49:16Get off!
00:49:17Get off!
00:49:17Get off!
00:49:18Get off!
00:49:19Get off!
00:49:20Get off!
00:49:21Get off!
00:49:21Get off!
00:49:22Get off!
00:49:22Get off!
00:49:23Get off!
00:49:23Will!
00:49:24Will!
00:49:25Will!
00:49:25Will!
00:49:25Will!
00:49:25Are you okay?
00:49:27Baby, are you okay?
00:49:32They're here.
00:49:33Take the nearest threat! Engage on sight!
00:50:03I'm gonna die!
00:50:09Get behind me!
00:50:33Get behind me!
00:50:41Stay behind me!
00:50:43Move!
00:50:45Move!
00:50:47Move!
00:50:49Move!
00:50:55We are under attack!
00:50:57I repeat, we are under attack!
00:50:59We gotta go!
00:51:07We gotta go!
00:51:08We gotta go!
00:51:09What about the other kids?
00:51:10Shit!
00:51:19Go, go, go, go!
00:51:21Come on, shall we?
00:51:23Yeah!
00:51:25Go, go, go!
00:51:27Come on, shall we?
00:51:29Go, go, go!
00:51:31T-
00:51:32T-
00:51:33T-
00:51:34T-
00:51:35T-
00:51:36T-
00:51:37T-
00:51:38T-
00:51:39T-
00:51:40T-
00:51:41T-
00:51:42T-
00:51:43T-
00:51:45T-
00:51:46T-
00:51:47T-
00:51:48T-
00:51:49T-
00:51:50T-
00:51:51Alright, eyes on me! Stay close!
00:51:53Will, come on, come on!
00:51:59Wait, wait, wait, wait!
00:52:00I'm not ready to die! I'm not ready to die!
00:52:02Wait up, wait up!
00:52:03Stay close, stay close!
00:52:08Is everybody okay? Are you guys okay?
00:52:12The radio shack!
00:52:13If we move quick enough, I think we can make it!
00:52:15Get into the tunnels and get the hell out of here!
00:52:17Okay? Eyes on me, remember?
00:52:21Go, go, go, go!
00:52:24Alright, go!
00:52:28Get down!
00:52:31Go, go, go!
00:52:38Go, go, go!
00:52:39Go, go!
00:52:51No!
00:52:53Hold on, lady! Hold on!
00:52:54Hold on!
00:53:03What the hell just happened?
00:53:04I have no idea!
00:53:05But I love it!
00:53:06Ha ha ha ha!
00:53:10Oh, God!
00:53:11Oh!
00:53:12Oh!
00:53:13Oh!
00:53:14Oh!
00:53:16Oh!
00:53:19Oh!
00:53:21Oh!
00:53:22Oh!
00:53:23Oh!
00:53:24Oh!
00:53:25Oh!
00:53:26Oh!
00:53:27Oh!
00:53:28Oh!
00:53:29Oh!
00:53:30I don't know.
00:54:00I don't know.
00:54:30I don't know.
00:55:00I don't know.
00:55:30I don't know.
00:56:00I don't know.
00:56:30I don't know.
00:57:00I don't know.
00:57:30I don't know.
00:58:00I don't know.
00:58:30I don't know.
00:59:00I don't know.
00:59:30I was looking for the answers in somebody else, but I had all the answers.
00:59:43Do you want to be friends?
00:59:53Do you want to be friends?
00:59:55I just need to stop?
00:59:57I just need to stop being so scared.
01:00:07I'm scared of who I really was.
01:00:14Wow, it's so good.
01:00:16No wonder I did that. I was so free. It's like I couldn't fly.
01:00:46I'm scared of who I really was.
01:01:16Oh, my God.
01:01:46Oh, my God.
01:02:16Oh, my God.
01:02:46Oh, my God.
01:03:16Oh, my God.
01:03:46Oh, my God.
01:04:16Oh, my God.
01:04:46Oh, my God.
01:05:16Oh, my God.
01:05:46Oh, my God.
01:06:16Oh, my God.
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