Emily in Paris - Season 5 Episode 03- Intimissimi Issues
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00And I want to stay in bed all day.
00:15Whatever you said, I liked it.
00:20It translates to the one who sleeps catches no fish.
00:25Well, I hate to see you go, but I like to watch you leave.
00:38That translates to I like your butt.
00:44Oh, my God.
00:46Mindy's on the couch.
00:49Yeah.
00:55You don't have to go, man.
00:58No, it's all good.
00:59Volando offered to put me up in a nice hotel, so why not?
01:03To spend time with your best friend.
01:05A best friend who I don't want to keep cock-locking.
01:08Marcella was basically chewing me away with his dick this morning.
01:11It does have a mind of its own.
01:13Oh, okay.
01:14So what hotel are they putting you in?
01:16The Orient Express La Minerva.
01:18Oh, nice.
01:20Oh, I think Alfie's staying there.
01:21You should text him.
01:22No, no, no.
01:23I've got so much choreo to learn for the show, and it's tomorrow.
01:26Emily, I can't believe I agreed to do this.
01:29Sorry again, Mindy.
01:31No big D.
01:34As in deal.
01:35No big deal.
01:37Your D was perfect.
01:40You know what?
01:41I'm going to go.
01:43See you next week.
01:44See you next week.
01:45What's up?
01:46See you, Celestino.
01:47Come dormi-tu?
01:48Ciao Viviana, come va?
01:49Buona giornata.
01:50Do you have enough for my son?
01:55Oh, yes!
01:56Grazie, Sister Estrella.
01:57Do you have enough of this son?
02:09Oh, yes, grazie, sister.
02:10It's all good.
02:17Hi, buongiorno.
02:19Do you mind if we sit?
02:22Oh, yeah, no, not at all.
02:23Please, please.
02:24I told you to speak English.
02:25Hi, I'm David.
02:27This is my wife, Katie.
02:28Nice to meet you.
02:29I'm Luke.
02:30Americans?
02:31Ohioans.
02:32Our first time to Europe.
02:33Can you believe how cheap this place is?
02:36Aside from the 11 o'clock curfew and the shared bathrooms,
02:39it's as good as any hotel.
02:41Exactamente.
02:42That's why I'm here.
02:44And sister Christina's frittata is...
02:48I heard the eggs are blessed.
02:50Eggs Benedictine, huh?
02:51The commercial starts on a beautiful woman sitting alone in a movie theater.
03:01When the lights go down, she's joined by a man.
03:05He puts his hand on her knee, and it's clear they know each other.
03:08The movie playing on the screen will be a series of quick cuts.
03:12First of a little boy and a little girl chasing each other through Solitano.
03:17And then it's the little girl and the little boy as teenagers,
03:21flirting, stealing glances.
03:24And back in the movie theater, the man's hand begins to move to the woman's thigh.
03:29On the screen, we see the teenagers walking through the village,
03:34unable to keep their hands off each other.
03:36Eventually, they're sharing their first kiss.
03:39We cut back to the theater, and it's just a beautiful woman
03:42watching the film alone, smiling at the memories.
03:45Or was it just a fantasy?
03:49It's so good.
03:51Feels classically Italian.
03:53Almost like Cinema Paradiso.
03:54That's true.
03:55Cinema Paradiso is one of my favorite films.
03:58Umberto Stu, he loved movies.
04:02That's why we had the theater built.
04:04Well, then maybe we could call the fragrance Muratori Paradiso.
04:08Muratori Paradiso.
04:11I like that.
04:12I like it too, but if the goal is for the brand to appeal to a global audience,
04:17then maybe the commercial should be more cosmopolitan.
04:20Maybe we shoot it in Rome or Milan or even New York.
04:24No, it doesn't feel right at all.
04:27Well, we do want to make sure that the commercial is something that people from all over can connect with.
04:33That's why you hired me.
04:36Don't worry, it's going to be beautiful.
04:39I know how smitten you are, but Antonia's the one we have to please.
04:43Not much, Arlo.
04:44I'm trying to please both.
04:46Well, just the one we'll do.
04:49Don't be our liability, Emily.
04:52It's been here for a while
04:55Knowing soon it will be time to go
04:59Again?
05:03Di nuovo.
05:03Ok.
05:06Ok.
05:13Ok.
05:13You know what?
05:14Let's call it.
05:16Proviamo dall'inizio.
05:17Ok.
05:17Mm-hmm.
05:19Giro.
05:20Fuori.
05:21La mano.
05:21La mano.
05:22Oh, sorry, I'm so sorry.
05:28Oh, Cristo.
05:29I know my knees are really sharp.
05:31Gianna, ti prego, vieni qua.
05:32Ciao.
05:33Sto cercando di ballare con un frigorifero.
05:35È una principiante.
05:36Ok.
05:38Hi, Mindy.
05:39Ciao.
05:40Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:43In alto?
05:44Sì, una liva del primo anno potrebbe farla.
05:46Una cantante su TikTok.
05:47Me ne rendo conto.
05:49Guarda.
05:57Facile.
05:58Cool, facile.
06:00I know what that means.
06:01Dai, di nuovo.
06:04Dai, ti aiuto.
06:05Oh, I don't speak Italian.
06:06Oh, I guess I can sense.
06:09Cinque, sei, sette, otto.
06:12Arm.
06:14Wow, that's low.
06:16Jeez.
06:16This and this.
06:19Maybe, maybe we can think of another end of the dance.
06:23Yeah, maybe, maybe we do like a deep bow.
06:26Di nuovo.
06:28Di nuovo.
06:29Di nuovo.
06:33Ok.
06:33So, after the embarrassment at Fendi, we need to sign another luxury client.
06:58Not only to preserve our reputation, but also to justify keeping an office.
07:02Hello team.
07:03Now, do you want to tell them or shall I?
07:05I was just about to tell them.
07:08Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
07:14The underwear brand?
07:15The underwear brand?
07:16Lingerie.
07:17Oh, lingerie and underwear are two entirely different things.
07:22It's form over function.
07:23It's form over function.
07:24Good gas mileage versus sporty handling.
07:27Are you two really mansplaining lingerie to me?
07:29I mean, have either of you ever tried any?
07:31Surprisingly, no.
07:32Panties on me is like putting a muzzle on a polar bear.
07:35But, I think I should be considered for decant.
07:38I already have some ideas.
07:41Something dark and sexy.
07:43Do you remember the film The Light Polar with Charlotte Trompling?
07:47Huh?
07:48Mm-mm.
07:49It's about a former SS officer and she was his prisoner.
07:52We could explore themes of fascism and submission.
07:57That would be a hot take for Lingerie.
07:59I'm feeling it.
08:01Really?
08:02I think Emily is the right person for the account.
08:05You got a chance to redeem yourself after the Fendi fiasco.
08:08Boy, as my Jewish grandmother would say.
08:10Go home, think about it.
08:12Maybe try some things on.
08:14Send us some pictures.
08:16No.
08:17I want to prove the French can sell sex better than the Italians.
08:21But I'm American.
08:22Oh, that's your problem.
08:24Don't make it ours.
08:31Thanks for helping me.
08:36It's better than another night watching Anton chew his wine.
08:39You're really good.
08:40I was forced to take ballroom lessons as a kid.
08:43My mum said they'd pay off one day.
08:45I actually believe she was right.
08:50You ready for the leap?
08:51Maybe.
08:52No, I can't do this.
08:56You can do this.
08:58I don't think I can.
09:02I really don't.
09:03Just stop thinking about it.
09:05Turn off your brain and jump.
09:08Jump.
09:15Okay.
09:16Let's take it from the head flicky thingy.
09:18You're going to start with a sassy bitch.
09:20Stop.
09:38You ready?
09:39Yeah.
09:40Oh my god.
09:41I told you.
09:42I did it.
09:43Finally.
09:44Finally.
09:45Finally.
09:46Finally.
09:47Finally.
09:48Finally.
10:16We can't.
10:18We can't.
10:30Get it on so he can get it off.
10:33Hmm.
10:35Or how about just get it on.
10:38Intimistic me.
10:39Get it on.
10:40Are you working right now?
10:42Well, I could go sit alone in an office
10:44and try coming up with a lingerie campaign,
10:46but I thought this would be more fun.
10:48How about Intimissimi?
10:50Better on the floor.
10:52Hmm.
10:53Not bad.
10:54Eh?
10:55What about...
10:57Make four play last.
10:59Make it five play.
11:01Hmm.
11:02Non bene.
11:03Yeah.
11:04Yeah, non bene.
11:06See?
11:07Good ideas and good taste.
11:08No wonder you're a titan of industry in the making.
11:10Yeah.
11:11Tell that to my mother.
11:12She has no faith in me.
11:13Otherwise, I'd be running Muratori by now.
11:16Yeah, well, she's probably just having trouble
11:18letting go of the reins.
11:19Yeah, because she still thinks of me
11:21as the wild, irresponsible kid
11:23who was always in trouble with the nuns.
11:25Yeah, but you know,
11:26parents sometimes project their own fears
11:27onto their kids.
11:29Seems like it's just me.
11:30Seems like it's just me.
11:37I'm sorry.
11:38I know how that feels.
11:40Your parents are like that too?
11:43Not exactly.
11:44I was thinking more Sylvie.
11:45I mean, she put me in charge of the Rome office,
11:47but she doesn't seem to have any faith in my ability
11:49to actually run it.
11:51Sylvie and my mother definitely have one thing in common.
11:54I don't want to think about either of them right now.
11:59Me neither.
12:04Is it time to take the lingerie up yet?
12:06I still have to figure out this campaign.
12:08Fine.
12:09If it's better for work, you can leave the lingerie on.
12:13He might be a little sexier.
12:19That's not a bad idea.
12:22Sexier than naked.
12:27Sexier than naked.
12:29Yes.
12:30We see a couple kissing passionately.
12:32She goes to take off her lingerie,
12:34but he stops her.
12:36Leave it on, he says.
12:39Is he gay?
12:41What? No.
12:42No, the lingerie is just so beautiful,
12:44it takes center stage.
12:46You want to see it.
12:47We want this lingerie to make people connect.
12:49This is to a surface.
12:51And a little confusing.
12:53Well, how about I take all these notes
12:56and rethink?
12:58I could have you something by...
13:00We can meet tomorrow at the same time.
13:02We are on the deadline to make our decision.
13:05Great.
13:06Well, let's make that happen.
13:07I'm not going to be able to make tomorrow.
13:09Oh.
13:10We'll miss you.
13:21I'm losing my touch.
13:23You know, I...
13:24I don't think my ideas are translating in Rome.
13:26I mean, I thought Italians liked sex.
13:28Actually, they are very repressed.
13:30Oh, well, that hasn't been my experience so far.
13:33What's going on in here?
13:34Nothing.
13:35Just Emily intimacy issues.
13:38Oh, we are finally talking about it.
13:42From the moment you walked into the office in Paris,
13:45I noticed you had a wallop.
13:47No, Lou...
13:48Who could blame you?
13:49I mean, a young woman in a foreign land,
13:52in a foreign office.
13:53But as time went on,
13:54I saw it was more than that.
13:57The very curated online presence,
13:59the bald outfit stealing focus from what's underneath.
14:02Maybe you've been hurt in the past.
14:03Luke, I don't have a problem with intimacy, okay?
14:05I have a problem with intimacy with the brand.
14:07Oh, I'm misunderstood.
14:12Yeah.
14:13Or maybe not.
14:22I still have my Night Potter idea.
14:24Great.
14:37One more, just like that.
14:39No, the boy's attitude.
14:41He seems defeated.
14:42He should act like they're playing a game.
14:46Keep rolling or cut?
14:47Uh, cut.
14:48Cut!
14:50The little boy is sad at first,
14:52and then he realizes it's a game.
14:54I think we should keep it light from the beginning.
15:01I can do a take where it starts to play for.
15:04Sure.
15:08Okay, let's do it again.
15:10Okay, back to one.
15:22Please.
15:25Ah.
15:27Italian women you always laid.
15:28Yes, but we always both the weight.
15:31Ah.
15:32Sorry, my sweet.
15:34Is that for me?
15:37Yes.
15:42It's gorgeous.
15:44Should we go see how it fits?
15:45it fits it's your place i have to be back at the office but i can come over tonight after balando
15:52balando balando can i go to my place my father's staying with me now and his breathing machine is
15:56very loud but i can come to your hotel okay but you have to be there before 11. don't be late i
16:05would in gym a bit are you enjoying this or are you anxious for it to be over i just wonder what
16:26umberto would think this would all be a little hollywood to him you always agree with what
16:32umberto thought almost never but it was nice to have someone to push back against the success
16:40of failure of the company is all in my hands now it's a lot of responsibility and a little lonely
16:47i know that feeling
16:53what if we ended the commercial on the idea of the couple together rather than the woman alone oh
17:00oh i like that bravo excuse me
17:12it's totally different from what i planned yeah but i think it works better
17:17i spoke to antonio she actually prefers this version so then i guess i don't have a choice
17:22oh still your vision it's not if the ending's different i didn't realize you were so precious
17:28about this i didn't realize we were directing by committee Giancarlo we're here to please the
17:32client and that's what the client wants i think it's what you want and you always do what you want
17:38isn't that right Giancarlo basta you're behaving like one of the children on set do you want me to
17:43ask one of them to direct instead i have better idea
17:46to maso she's directing this now
17:52what Giancarlo doesn't feel great to be left does it
17:59oh my god look she looks like she's already won
18:20oh i know
18:25and this is the girl who had debilitating stage fright she used to have to get one
18:29before performing just to calm down get one you know
18:34orgasm is that what you said
18:36what is it i'm just gonna meet you in the seats okay
18:51when i get nervous i sweat and then things scoot around so i just need you to spray my butt with glue
18:59honestly i'm relieved that's all you're asking oh i just i'm gonna make a fool out of myself emily
19:04you're gonna be great i don't think so there's a big leap at the end and i've only gotten it right
19:09one time okay well do you remember what you did that one time yes yes i do well then just do that
19:14oh right yeah yeah yeah yes i that's good just breathe
19:25okay maybe don't breathe really get in there luke said i have intimacy issues if only he could see me
19:31now well you definitely don't have intimacy issues with me what you think i have intimacy issues with
19:36other people well i just think you need to be pushed slightly to open up like if someone were to
19:40share something personal with you then i think you'd share something personal about yourself
19:45yeah exactly but i didn't do that marcella opened up to me about his mom but then i sort of pivoted to
19:51work oh that's fine you really think that's fine no i don't but can we talk about this another time
19:58please i have to leap over a man's head and gauge my core point my toes and then try not to pee when
20:03his thumbs jab into my bladder so it's hard for me to think about anything else right now copy
20:14don't worry i practiced all night i've got it
20:29a ballare tango con il suo partner orlando and
20:34yeah
20:39oh
20:41yeah
20:46yeah
22:30I'm sorry.
22:33I'm sorry.
22:34It's okay.
22:37Oh, good.
22:38It's not okay.
22:40Idiota.
22:44And I know what idiota means, you're the idiota.
22:47I hate to dash off, but Bianca is coming over and I have a curfew.
23:02The curfew is so charming at you.
23:04It doesn't mean a curfew.
23:06No, sometimes it's better not to know.
23:08I'm going to go to give her a hug for me.
23:11Hey.
23:12How are you doing?
23:13Hey.
23:14How are you doing?
23:16I don't want to talk about it.
23:17I don't want to think about it.
23:18I'm fine.
23:19Orlando may have slipped to just though.
23:21Well, it was all his fault, right?
23:22Look, it didn't even look like he was trying to catch her.
23:24Yeah, he wasn't.
23:25I love how a translator suddenly appears after there's an incident, but not a second before.
23:30What if we walk around the city and forget about the day?
23:33Create some new memories.
23:35Oh, I'm exhausted.
23:37I think I just got to go back to the hotel.
23:39Well, we could share a cab.
23:43Marjorie?
23:44Great.
23:45Nice.
23:46Okay.
23:47See you later, mate.
23:48Bye.
23:49Thanks for coming.
23:55So, how did the pitch 20 minutes ago?
23:59Not my finest moment, but I have some more ideas.
24:03Do you want to tell them to me?
24:06Actually, I'd rather not talk about work if that's okay.
24:10Bye.
24:25Bye.
24:44Sister, please.
24:46Can you wait just a few minutes, please?
24:48The Lord shows no partiality, Luke.
24:51But could you?
24:53Just this once.
24:55Come on.
25:06Is there someone?
25:13It's past curfew, my dear.
25:15Curfew?
25:16I cannot let you in.
25:18God bless.
25:25Bianca!
25:26Bianca!
25:27Up here!
25:28Are you staying in a convent?
25:29Yes.
25:30It's a really good rate.
25:31Very central.
25:32Okay.
25:33Yeah, I am so sorry.
25:34The curfew is very inconvenient.
25:35And I so badly want to lay eyes on you.
25:36But I also want to respect the sisters.
25:37You know what I mean?
25:38You're such a sweet man.
25:39I don't want to leave without showing you your surprise.
25:43Oh, que bella!
25:44Mamma mia ma!
25:45Sister, please!
25:46Please!
25:47Jesus loved prostitutes.
25:48And a curfew is a curfew.
25:49David, get out here quick!
25:50I don't want to leave without showing you your surprise.
25:52You know what I mean?
25:53You're such a sweet man.
25:54I don't want to leave without showing you your surprise.
25:57Oh, que bella!
25:58Mamma mia ma!
25:59Sister, please!
26:00Oh!
26:01Please!
26:02Jesus loved prostitutes.
26:03And a curfew is a curfew.
26:04David, get out here quick!
26:05There's a hooker trying to get in.
26:06This makes up for no TV.
26:10This is Mercati di Traiano, built between the years 100 and about 120-ish.
26:37It's world's first shopping mall.
26:40Are you serious?
26:41Mm-hmm.
26:42Ha!
26:43Oh!
26:44Okay!
26:45Oh my god!
26:46I totally see it!
26:47Versace.
26:48Armani.
26:49Muratori.
26:50Ah!
26:51Dancing fountain over there.
26:54Ooh, food court over there.
26:56It's beautiful.
27:04Hey.
27:05Is there a problem?
27:08I've just, I've been thinking a lot about what you said about your mom.
27:14My family's not so different.
27:17They always made me feel like, um, I had to succeed in life to matter.
27:24Good grades, good job.
27:27Yeah, and, and they're good people, you know?
27:30Don't get me wrong.
27:31It's just existing was never going to be enough.
27:34Achieving is what life is about.
27:37So I, I try really hard and I push to make everything work and I want to be perfect, you know?
27:48And then I, I come to a place like this and it is just, it's so beautiful.
27:53It takes my breath away.
27:56And it's, you know, it's because of all the imperfections, the, the cracks and, and, and the crumbling columns.
28:04And I, it just, it makes me think that maybe I don't have to push or fix or try so hard.
28:13Maybe I can just let things be and it will all be fine.
28:17Maybe even better than fine.
28:47Oh, I'm going to make us some espresso.
29:15Wait, so now you're wearing underwear?
29:31Hi roomie.
29:32I miss you.
29:33I miss you.
29:34I didn't like leaving you alone last night without a shoulder to cry on.
29:38I feel like a horrible best friend.
29:40No, I didn't cry much.
29:41It's okay.
29:42Um, how about, I'll FaceTime you when I'm getting ready.
29:44Okay.
29:45Ciao for now.
29:46Ciao.
29:47This campaign is about one of the most intimate things you can do with your partner.
29:51Talk.
29:52Talk.
29:53Che brava.
29:54Mi piace un sacco, si.
29:55Si, e questo li possiamo usare anche per le foto.
29:56Esatto.
29:57Si, e questo li possiamo usare anche per le foto.
29:58Esatto.
29:59Si, e questo li possiamo usare anche per le foto.
30:00Esatto.
30:01Si, e questo li possiamo usare anche per le foto.
30:02Esatto.
30:03Si, e questo.
30:04Si, e questo li possiamo usare anche per le foto.
30:05Esatto.
30:06Si, e questo li possiamo usare anche per le foto.
30:07Esatto.
30:08Esatto.
30:09Si, e questo li possiamo usare anche per le foto.
30:10Esatto.
30:11Esatto.
30:12Che brava.
30:13Che brava.
30:14Mi piace un sacco, si.
30:15Si, e questo li possiamo usare anche per le foto.
30:17Esatto.
30:18Esatto.
30:19Esatto.
30:20Esatto.
30:21Esatto.
30:22Esatto.
30:23Questa è un altro cliente.
30:24Non più problemi di intime di simi.
30:27Ah, fantastico.
30:29Oh, potre potremmo se hanno qualche volta che vogliono dare a una carità ?
30:36Che carità è questa?
30:38St. Luke's house of fetiche?
30:40No, per i nonni in the convent che sono state.
30:43Sono dei fatti di fanno.
30:44E ci sono dei fatti di formazione.
31:01C'è via.
31:03C'è via.
31:04Niente.
31:06Intime come si vuole lavorare con noi.
31:10Non è tutto ok?
31:12Giancarlo walked off set
31:17and refused to come back.
31:19And I had to finish directing the entire shoot.
31:23What happened?
31:28It's a mess, Emily, it's a mess.
31:30After all the work we've done,
31:32I might have ruined this entire campaign.
31:42It's a mess.
32:12It's a mess.
32:42It's a mess.
33:12It's a mess.
33:42It's a mess.
33:44It's a mess.
33:46It's a mess.
33:48It's a mess.
33:50It's a mess.
33:56It's a mess.
33:58It's a mess.
34:00It's a mess.
34:02It's a mess.
34:12It's a mess.
34:14It's a mess.
34:16It's a mess.
34:18It's a mess.
34:32It's a mess.
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