Emily in Paris - Season 5 Episode 03- Intimissimi Issues
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00I want to stay in bed all day.
00:21Whatever you said, I liked it.
00:25It translates to, the one who sleeps catches no fish.
00:34Well, I hate to see you go, but I like to watch you leave.
00:43But it translates to, I like your butt.
00:48Oh, my God!
00:50Oh, God, Mindy's on the couch.
00:53Yeah.
00:55You don't have to go, man.
01:02No, it's all good.
01:04Bilondo offered to put me up in a nice hotel, so why not?
01:08To spend time with your best friend.
01:10A best friend who I don't want to keep cock-locking.
01:13Marcella was basically chewing me away with his dick this morning.
01:16It does have a mind of its own.
01:18Oh, okay.
01:19So, what hotel are they putting you in?
01:21The Orient Express La Minerva.
01:23Oh, nice.
01:24Oh, I think, um, Alfie's staying there.
01:26You should text him.
01:27No, no, no.
01:28I've got so much choreo to learn for the show, and it's tomorrow.
01:31Emily, I can't believe I agreed to do this.
01:34Sorry again, Mindy.
01:36No big D.
01:39As in deal.
01:40No big deal.
01:42Your D was perfect.
01:44You know what?
01:46I'm going to go.
01:46Do you have enough of my son?
02:13Oh, yes, grazie, sisteretta.
02:15Tutto bene.
02:22Hi.
02:23Buongiorno.
02:24Do you mind if we, uh, sit?
02:27Oh, yeah.
02:27No, not at all.
02:28Please, please.
02:29I told you you'd speak English.
02:31Hi, I'm David.
02:32This is my wife, Katie.
02:33Nice to meet you.
02:34I'm Luke.
02:35Americans?
02:36Ohioans.
02:37Our first time to Europe.
02:38Can you believe how cheap this place is?
02:41Aside from the 11 o'clock curfew and the shared bathrooms, it's as good as any hotel.
02:46Exactamente.
02:47That's why I'm here.
02:49And Sister Christina's frittata is...
02:52I heard the eggs are blessed.
02:55Eggs Benedictine, huh?
02:56Ha, ha, ha, ha, ha, ha.
02:59The commercial starts on a beautiful woman sitting alone in a movie theater.
03:06When the lights go down, she's joined by a man.
03:10He puts his hand on her knee, and it's clear they know each other.
03:13The movie playing on the screen will be a series of quick cuts, first of a little boy and a
03:19little girl chasing each other through Solitano, and then it's the little girl and the little
03:24boy as teenagers, flirting, stealing glances.
03:29And back in the movie theater, the man's hand begins to move to the woman's thigh.
03:35On the screen, we see the teenagers walking through the village, unable to keep their hands
03:40off each other.
03:41Eventually, they're sharing their first kiss.
03:43We cut back to the theater, and it's just a beautiful woman watching the film alone,
03:49smiling at the memories.
03:50Or was it just a fantasy?
03:54It's so good.
03:56Feels classically Italian.
03:58Almost like Cinema Paradiso.
03:59That's true.
04:00Cinema Paradiso is one of my favorite films.
04:04Umberto's true.
04:05He loved movies.
04:07That's why we had the theater built.
04:08Well, then maybe we could call the fragrance Muratori Paradiso.
04:13Muratori Paradiso.
04:16I like that.
04:17I like it too, but if the goal is for the brand to appeal to a global audience, then maybe
04:22the commercial should be more cosmopolitan.
04:25Maybe we shoot it in Rome or Milan or even New York.
04:28No, it doesn't feel right at all.
04:32Well, we do want to make sure that the commercial is something that people from all over can connect
04:38with.
04:38That's why you hired me.
04:41Don't worry, it's going to be beautiful.
04:44I know how smitten you are, but Antonia's the one we have to please, not Marcello.
04:49I'm trying to please both.
04:51Well, just the one we'll do.
04:54Don't be our liability, Emily.
04:57It's been here for a while, knowing soon it will be time to go.
05:06Again?
05:08Di nuovo.
05:08Okay.
05:17Okay.
05:19You know what?
05:20Let's call it.
05:21Proviamo dall'inizio.
05:22Okay.
05:24Giro.
05:25Fuori.
05:26La mano.
05:27La mano.
05:283, 2, 1.
05:30Oh!
05:31Sorry, I'm so sorry.
05:33Oh, Cristo.
05:33I know my knees are really sharp.
05:36Gianna, ti prego, vieni qua.
05:37Ciao.
05:37Sto cercando di ballare con un frigorifero.
05:40È una principiante.
05:41Okay.
05:43Hi, Mindy.
05:44Ciao.
05:45Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:48In alto?
05:49Sì, una liva del primo anno potrebbe farla.
05:51Una cantante su TikTok.
05:52Me ne rendo conto.
05:54Guarda.
06:02Facile.
06:03Cool, facile.
06:05I know what that means.
06:06Dai, di nuovo.
06:07Dai, ti aiuto.
06:10Oh, I don't speak Italian.
06:11Oh, I guess I can sense.
06:14Cinque, sei, sette, otto.
06:17Arm.
06:19Wow, that's low.
06:21Jeez.
06:23And this.
06:24Maybe, maybe we can think of another end of the dance.
06:28Yeah, maybe, maybe we do like a deep bow.
06:31Di nuovo.
06:33Di nuovo.
06:34Di nuovo.
06:35Di nuovo.
06:35Di nuovo.
06:38Okay.
06:38So, after the embarrassment at Fendi, we need to sign another luxury client.
06:51Not only to preserve our reputation, but also to justify keeping an office.
07:07Hello, team.
07:08Now, do you want to tell them, or shall I?
07:10I was just about to tell them.
07:13Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
07:19The underwear brand?
07:20The underwear brand?
07:21Lingerie.
07:22Oh, lingerie and underwear are two entirely different things.
07:27It's form over function.
07:29Good gas mileage versus sporty handling.
07:32Are you two really mansplaining lingerie to me?
07:35I mean, have either of you ever tried any?
07:36Surprisingly, no.
07:38Panties on me is like putting a muzzle on a polar bear.
07:41But I think I should be considered for the cunt.
07:44I already have some ideas.
07:47Something dark and sexy.
07:48Do you remember the film The Light Polar with Charlotte Rampling?
07:52It's about a former SS officer, and she was his prisoner.
07:58We could explore themes of fascism and submission.
08:02That would be a hot take for Alain Zoy.
08:05I'm feeling it.
08:07Really?
08:07I think Emily is the right person for the account.
08:11You got a chance to redeem yourself after the Fendi fiasco.
08:14Boy, as my Jewish grandmother would say.
08:16Go home, think about it.
08:18Maybe try some things on.
08:20Send us some pictures.
08:21No.
08:23I want to prove the French can sell sex better than the Italians.
08:27But I'm American.
08:29Oh, that's your problem.
08:30Don't make it ours.
08:40Thanks for helping me.
08:42It's better the other night watching Anton chew his wine.
08:45You're really good.
08:46I was forced to take bourbon lessons as a kid.
08:49My mom set their pay off one day.
08:50I can't actually believe she was right.
08:55You ready for the leap?
08:58Maybe.
09:00No, I can't do this.
09:02You can do this.
09:03I don't think I can.
09:08I really don't.
09:09Just stop thinking about it.
09:11Turn off your brain and jump.
09:20Okay.
09:22Let's take it from the head flicky thingy.
09:24You want to start with a sassy bitch?
09:26Let's start with a sassy bitch.
09:35Ready?
09:49Yeah.
09:56Oh, my God.
09:57I told you.
09:58I did it.
10:04Finally.
10:06Finally.
10:23We can't.
10:25Get it on so he can get it off.
10:39Hmm.
10:40How about just get it on?
10:43Intimistic me.
10:44Get it on.
10:46Are you working right now?
10:48Well, I could go sit alone in an office and try coming up with a lingerie campaign, but I thought this would be more fun.
10:54How about intimissimi?
10:56Better on the floor?
10:58Hmm.
10:58Not bad.
10:59Eh?
10:59What about...
11:01Make four play last.
11:04Make it five play.
11:06Hmm.
11:07Non bene.
11:08Yeah.
11:09Yeah, non bene.
11:11See?
11:12Good ideas and good taste.
11:14No wonder you're a titan of industry in the making.
11:16Yeah.
11:17Tell that to my mother.
11:18She has no faith in me.
11:20Otherwise, I'd be running Muratori by now.
11:23Yeah, well, she's probably just having trouble letting go of the reins.
11:26Yeah, because she still thinks of me as the wild, irresponsible kid who was always in trouble with the nuns.
11:31Yeah, but you know, parents sometimes project their own fears onto their kids.
11:35Seems like it's just me.
11:43I'm sorry.
11:44I know how that feels.
11:46Your parents are like that, too?
11:49Not exactly.
11:50I was thinking more Sylvie.
11:51I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith in my ability to actually run it.
11:57Sylvie and my mother definitely have one thing in common.
12:00I don't want to think about either of them right now.
12:05Me neither.
12:10Is it time to take the lingerie off yet?
12:12I still have to figure out this campaign.
12:15Fine.
12:16If it's better for work, you can leave the lingerie off.
12:19It might be even sexier.
12:25That's not a bad idea.
12:28Sexier than naked.
12:30Sexier than naked.
12:35Yes.
12:36We see a couple kissing passionately.
12:38She goes to take off her lingerie, but he stops her.
12:42Leave it on, he says.
12:44Is he gay?
12:46What?
12:47No.
12:48No, the lingerie is just so beautiful, it takes center stage.
12:51You want to see it.
12:53We want this lingerie to make people connect.
12:55This is to a surface.
12:57And a little confusing.
12:59Well, how about I take all these notes and rethink?
13:03I could have you something by...
13:05We can meet tomorrow at the same time.
13:08We are on a deadline to make our decision.
13:11Great.
13:11Well, let's make that happen.
13:12Well, I'm not going to be able to make tomorrow.
13:15Oh, we'll miss you.
13:16I'm losing my touch.
13:28You know, I...
13:29I don't think my ideas are translating in Rome.
13:32I mean, I thought Italians liked sex.
13:33Actually, they are very repressed.
13:35Oh, well, that hasn't been my experience so far.
13:37What's going on in here?
13:40Nothing.
13:40Just Emily intimacy issues.
13:43Oh, we are finally talking about it.
13:47From the moment you walked into the office in Paris,
13:50I noticed you had a wallop.
13:52No, Luke...
13:53No, who could blame you?
13:55I mean, a young woman in a foreign land, in a foreign office.
13:59But as time went on, I saw it was more than that.
14:02The very curated online presence,
14:04the bald outfit stealing focus from what's underneath,
14:07maybe you've been hurt in the past.
14:09Luke, I don't have a problem with intimacy, okay?
14:11I have a problem with intimacy-me the brand.
14:15Oh, I'm misunderstood.
14:18Yeah.
14:19Or maybe not.
14:28I still have my night powder idea.
14:37Great.
14:43One more, just like that.
14:45No, the boy's attitude.
14:47He seems to feed it.
14:48He should act like they're playing a game.
14:52Keep rolling or cut?
14:53Cut.
14:54Cut!
14:56The little boy is sad at first,
14:58and then he realizes it's a game.
15:00I think we should keep it light from the beginning.
15:07I can do a take where it starts to play for.
15:11Sure.
15:14Okay, let's do it again.
15:16Okay, back to one.
15:31Ah, Italian women, you're always late.
15:35Yes, but we're always worth the wait.
15:37Sorry, my sweet.
15:40Is that for me?
15:42Yes.
15:43It's gorgeous.
15:50Should we go see how it fits?
15:52It's your place.
15:53I have to be back at the office,
15:55but I can come over tonight after balando, balando, balando.
15:58Can I go to my place?
15:59My father's staying with me now,
16:00and his breathing machine is very loud.
16:03But I can come to your hotel.
16:06Okay.
16:07But you have to be there before 11.
16:09Don't be late.
16:10I wouldn't dream of it.
16:13Are you enjoying this?
16:28Or are you anxious for it to be over?
16:30I just wonder what Umberto would think.
16:34This would all be a little Hollywood to him.
16:36You always agree with what Umberto thought?
16:39Almost never.
16:40But it was nice to have someone to push back against.
16:45The success or failure of the company is all in my hands now.
16:48It's a lot of responsibility and a little lonely.
16:52I know that feeling.
16:58What if we ended the commercial on the idea of the couple together rather than the woman alone?
17:04Oh, I like that.
17:10Bravo.
17:12Excuse me.
17:14And Carlo?
17:17It's totally different from what I planned.
17:20Yeah, but I think it works better.
17:22I spoke to Antonia.
17:23She actually refers this virgin.
17:25So then, I guess I don't have a choice.
17:28Oh, still your vision.
17:29It's not if the ending's different.
17:31I didn't realize you were so precious about this.
17:33I didn't realize we were directing by committee.
17:36Giancarlo, we're here to please the client.
17:38And that's what the client wants.
17:39I think it's what you want.
17:41And you always do what you want.
17:43Isn't that right?
17:44Giancarlo, basta.
17:45You're behaving like one of the children on set.
17:47Do you want me to ask one of them to direct instead?
17:49I have a better idea.
17:54Tommaso, she's directing this now.
17:59Giancarlo!
18:01It doesn't feel great to be left, does it?
18:19Oh, my God, look!
18:23She looks like she's already won.
18:26Oh, I know.
18:30And this is the girl who had debilitating stage fright.
18:33She used to have to get one before performing just to calm down.
18:36Get one?
18:37You know, orgasm.
18:40Is that what you said?
18:43Baby!
18:43What is it?
18:52I'm just going to meet you in the seats.
18:54Okay.
18:56When I get nervous, I sweat and then things scoot around.
18:59So I just need you to spray my butt with glue.
19:04Honestly, I'm relieved that's all you're asking.
19:06Oh, I just...
19:07I'm going to make a fool out of myself, Emily.
19:09You're going to be great.
19:10I don't think so.
19:11There's a big leap at the end,
19:13and I've only gotten it right one time.
19:14Okay, well, do you remember what you did that one time?
19:17Yes.
19:18Yes, I do.
19:18Well, then just do that.
19:19Oh, right.
19:20Yeah, yeah.
19:21Yeah.
19:22Yes, I...
19:23That's good.
19:24Just breathe.
19:30Okay, maybe don't breathe.
19:31Really get in there.
19:33Luke said I have intimacy issues.
19:35If only he could see me now.
19:36Well, you definitely don't have intimacy issues with me.
19:39What, you think I have intimacy issues with other people?
19:41Well, I just think you need to be pushed slightly to open up.
19:45Like, if someone were to share something personal with you,
19:47then I think you'd share something personal about yourself.
19:50Yeah, exactly.
19:51But I didn't do that.
19:53Marcello opened up to me about his mom,
19:55but then I sort of pivoted to work.
19:58Oh, that's fine.
20:00You really think that's fine?
20:01No, I don't.
20:02But can we talk about this another time, please?
20:03I have to leap over a man's head,
20:05engage my core, point my toes,
20:07and then try not to pee when his thumbs jab into my bladder.
20:09So it's hard for me to think about anything else right now.
20:11Copy.
20:17Oh my god!
20:18Oh my god!
20:27Don't worry, I practiced all night.
20:34I've got it.
20:35Bene.
20:35Yeah.
20:36A ballare il tango con il suo partner,
20:38Orlando Ely e la tantadrice,
20:41Ninu-Ni-Ciè.
21:57That was amazing.
22:16Oh, good.
22:43It's not good.
22:49Idiota.
22:50Am I not idiota?
22:51It means you're the idiota.
22:52You understand?
22:53Oh, yeah, I know.
22:53But I don't talk to a priest like this.
22:56You're an idiot.
22:56I hate to dash off, but Bianca is coming over, and I have a curfew, so ciao, ragazzi.
23:09It doesn't mean a curfew.
23:12Oh, sometimes it's better not to know.
23:14Um, I'm going to go to give her a hug for me, hmm?
23:19Hey.
23:20How are you doing?
23:21I don't want to talk about it.
23:22I don't want to think about it.
23:23I'm fine.
23:24Orlando may have slipped to just though.
23:26Well, it was all his fault, right?
23:27Look, it didn't even look like he was trying to catch her.
23:29Yeah, he wasn't.
23:31I love how a translator suddenly appears after there's an incident, but not a second before.
23:36What if we walk around the city and forget about the day?
23:39Create some new memories.
23:40Oh, I'm exhausted.
23:42I think I just got to go back to the hotel.
23:44Well, we could share a cab.
23:48Marjorie?
23:49Great.
23:50Nice.
23:51Okay.
23:52See you later, mate.
23:52Bye.
23:53Bye.
23:54Thanks for coming.
23:55Bye.
23:55Bye.
23:55Bye.
23:55Bye.
23:55Bye.
23:55Bye.
23:55Bye.
23:55Bye.
23:57Bye.
23:57Bye.
23:57Bye.
23:57Bye.
23:57Bye.
23:57Bye.
23:58Bye.
23:58Bye.
23:58Bye.
23:58Bye.
23:58Bye.
23:58Bye.
23:58Bye.
24:00Bye.
24:00Bye.
24:00Bye.
24:01Bye.
24:02Bye.
24:02Bye.
24:29sister please can you wait just a few minutes please the lord shows no partiality look
24:55but could you just this one come on
25:03c'è qualcuno
25:12it's past curfew my dear curfew i cannot let you in god bless
25:25Bianca Bianca up here are you staying in the convent yes it's a really good rate very central
25:41okay yeah i am so sorry the curfew is very inconvenient and i so badly want to lay eyes
25:48on you but i also want to respect the sisters you know what i mean you're such a sweet man
25:55i don't want to live without showing you your surprise
25:59sister please oh please jesus loved prostitutes but the curfew is a curfew david get out here quick
26:21there's a hooker trying to get in this makes up for no tv
26:27this is mercati traiano built between the years 100 and about 120 ish it's world's first shopping
26:44more are you serious oh okay oh my god i totally see it versace armani mara tori ah
26:58dancing fountain over there food court over there it's beautiful
27:03hey is there a problem
27:13i've just i've been thinking a lot about what you said about your mom
27:19my family's not so different they always made me feel like um i had to succeed in life to matter
27:29good grades good job yeah and and they're good people you know don't get me wrong it's just
27:37existing was never going to be enough achieving is what life is about so i
27:44i try really hard and i push to make everything work and i want to be perfect you know and then i
27:54i come to a place like this and it is just it's so beautiful it takes my breath away and it's
28:03you know it's because of all the imperfections the the cracks and and and the crumbling columns and i
28:11it just it makes me think that maybe i don't have to push or fix or try so hard
28:18maybe i can just let things be and it will all be fine
28:23maybe even better than fine
28:26you
28:31you
28:33you
28:35you
28:39you
28:41you
28:43you
28:45Oh, my God.
29:15Oh, I'm going to make us some espresso.
29:24Wait, so now you're wearing underwear?
29:36Hi, Rumi. I miss you.
29:38I miss you.
29:40I didn't like leaving you alone last night without a shoulder to cry on.
29:43I feel like a horrible best friend.
29:45No, I didn't cry much. It's okay.
29:48How about I'll FaceTime you when I'm getting ready?
29:50Okay. Ciao for now.
29:53Ciao.
29:56Is that how many?
29:57Shh.
29:58Shh.
29:58This campaign is about one of the most intimate things you can do with your partner.
30:14Talk.
30:14Guess what? We got another client. No more intimacy problems.
30:31Ah, fantastic.
30:35Oh, could you ask if they ever have any likely won returns that they want to give away to charity?
30:41What charity is that? Saint Luke's house of fetishes?
30:45No, for the nuns in the convent I'm staying in. They're big fans.
30:48Where are you staying?
31:08What?
31:09Good news.
31:11Intimacy Mew wants to work with us.
31:16Is everything okay?
31:17Giancarlo walked off set and refused to come back.
31:24And I had to finish directing the entire shoot.
31:28What happened?
31:33It's a mess, Emily. It's a mess.
31:35After all the work we've done, I might have ruined this entire campaign.
31:39Okay.
31:47We are done.
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