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00:00I want to stay in bed all day.
00:15Whatever you said, I liked it.
00:20It translates to the one who sleeps catches no fish.
00:25Well, I hate to see you go, but I like to watch you leave.
00:38That translates to I like your butt.
00:44Oh, my God! Mindy's on the couch.
00:48Yeah.
00:55You don't have to go, man.
00:58No, it's all good.
00:59Volando offered to put me up in a nice hotel, so why not?
01:03To spend time with your best friend.
01:05A best friend who I don't want to keep cock-locking.
01:08Marcello was basically chewing me away with his dick this morning.
01:11It does have a mind of its own.
01:13Okay.
01:14So, what hotel are they putting you in?
01:16The Orient Express La Minerva.
01:18Oh, nice.
01:20Oh, I think Alfie's staying there. You should text him.
01:22No, no, no. I've got so much choreo to learn for the show, and it's tomorrow.
01:26Emily, I can't believe I agreed to do this.
01:29Sorry again, Mindy.
01:31No big D.
01:34As in deal. No big deal.
01:37Your D was perfect.
01:40You know what? I'm going to go.
01:43Do you have enough of my son?
02:00Ciao, Celestino. Come hai dormito, eh?
02:03Ciao, Viviana, come va?
02:05Buona giornata.
02:07Do you have enough, my son?
02:09Oh, yes, grazie, Sistoretta. Tutto bene.
02:17Hi, buongiorno. Do you mind if we're set?
02:22Oh, yeah, no, not at all. Please, please.
02:24I told you you speak English.
02:26Hi, I'm David. This is my wife, Katie.
02:28Nice to meet you. I'm Luke.
02:30Americans?
02:31Ohioans. Our first time to Europe.
02:33Can you believe how cheap this place is?
02:36Aside from the 11 o'clock curfew and the shared bathrooms,
02:39it's as good as any hotel.
02:41Exactamente. That's why I'm here.
02:44And Sistra Cristina's frittata is...
02:48I heard the eggs are blessed.
02:50Eggs Benedictine, huh?
02:54The commercial starts on a beautiful woman
02:58sitting alone in a movie theater.
03:01When the lights go down, she's joined by a man.
03:05He puts his hand on her knee,
03:07and it's clear they know each other.
03:09The movie playing on the screen
03:10will be a series of quick cuts.
03:12First of a little boy and a little girl
03:15chasing each other through Solitano.
03:17And then it's the little girl and the little boy
03:20as teenagers, flirting, stealing glances.
03:24And back in the movie theater,
03:26the man's hand begins to move to the woman's thigh.
03:30On the screen, we see the teenagers
03:32walking through the village,
03:34unable to keep their hands off each other.
03:36Eventually, they're sharing their first kiss.
03:38We cut back to the theater,
03:40and it's just the beautiful woman
03:42watching the film alone,
03:44smiling at the memories.
03:45Or was it just a fantasy?
03:49It's so good.
03:51Feels classically Italian.
03:53Almost like Cinema Paradiso.
03:54That's true.
03:55Cinema Paradiso is one of my favorite films.
03:59Umberto's too.
04:00He loved movies.
04:02That's why we had the theater built.
04:04Well, then maybe we could call the fragrance
04:05Muratori Paradiso.
04:08Muratori Paradiso.
04:11I like that.
04:12I like it too, but if the goal is for the brand
04:14to appeal to a global audience,
04:17then maybe the commercial should be more cosmopolitan.
04:20Maybe we shoot it in Rome or Milan or even New York.
04:24No.
04:25It doesn't feel right at all.
04:27Well, we do want to make sure
04:30that the commercial is something
04:32that people from all over can connect with.
04:33That's why you hired me.
04:36Don't worry.
04:36It's going to be beautiful.
04:39I know how smitten you are,
04:41but Antonia's the one we have to please,
04:43not Marcello.
04:44I'm trying to please both.
04:46Well, just the one we'll do.
04:49Don't be our liability, Emily.
04:52It's been here for a while
04:55Knowing soon it will be time to go
04:59Again?
05:03Di nuovo.
05:03Proviamo dall'inizio.
05:19Giro, fuori.
05:21La mano.
05:21La mano.
05:233, 2, 1.
05:26Oh, sorry, I'm so sorry.
05:28Oh, Cristo.
05:29I know my knees are really sharp.
05:31Gianna, ti prego, vieni qua.
05:32Ciao.
05:33Sto cercando di ballare con un frigorifero.
05:35È una principiante.
05:37Ok.
05:38Hi, Mindy.
05:39Ciao.
05:39Sì, Mindy il frigorifero,
05:41che non ce la fa fare una presa.
05:43In alto?
05:44Sì, una liva del primo anno potrebbe farla.
05:46Una cantante su TikTok.
05:47Me ne rendo conto.
05:49Guarda.
05:57Facile.
05:58Cool, facile.
06:00I know what that means.
06:01Dai, di nuovo.
06:04Dai, ti aiuto.
06:05Oh, I don't speak Italian.
06:06Oh, I guess I can sense...
06:08Cinque, sei, sette, otto.
06:12Arm.
06:14Wow, that's low.
06:16Jeez.
06:18This and this.
06:19Maybe, maybe we can think of another end of the dance.
06:23Yeah, maybe, maybe we do like a deep bow.
06:26Di nuovo.
06:28Di nuovo.
06:29Di nuovo.
06:33Ok.
06:35So, after the embarrassment at Fendi, we need to sign another luxury client.
06:58Not only to preserve our reputation, but also to justify keeping an office.
07:02Hello, team.
07:04Now, do you want to tell them, or shall I?
07:06I was just about to tell them.
07:09Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
07:15The underwear brand?
07:16Lingerie.
07:18Oh.
07:18Lingerie and underwear are two entirely different things.
07:22It's form over function.
07:24Good gas mileage versus sporty handling.
07:27Are you two really mansplaining lingerie to me?
07:30I mean, have either of you ever tried any?
07:31Surprisingly, no.
07:33Panties on me is like putting a muzzle on a polar bear.
07:36But I think I should be considered for the cunt.
07:39I already have some ideas.
07:42Something dark and sexy.
07:43Do you remember the film The Night Polar with Charlotte Trompling?
07:47It's about a former SS officer, and she was his prisoner.
07:53We could explore themes of fascism and submission.
07:58That would be a hot take for lingerie.
08:00I'm feeling it.
08:02Really?
08:02I think Emily is the right person for the account.
08:06You got a chance to redeem yourself after the Fendi fiasco.
08:09Boy, as my Jewish grandmother would say.
08:11Go home, think about it.
08:13Maybe try some things on.
08:15Send us some pictures.
08:17No.
08:18I want to prove the French can sell sex better than the Italians.
08:22But I'm American.
08:24Oh, that's your problem.
08:25Don't make it ours.
08:35Thanks for helping me.
08:37It's better than I watching Anton chew his wine.
08:40You're really good.
08:41I was forced to take ballroom now since I was a kid.
08:43My mom said they'd pay off one day.
08:46I can't actually believe she was right.
08:50You ready for the leap?
08:53Maybe.
08:55No, I can't do this.
08:57You can do this.
09:01I don't think I can.
09:03I really don't.
09:05No, just stop thinking about it.
09:06Turn off your brain and jump.
09:16Okay.
09:17Let's take it from the head flicky thingy.
09:19You want to start with a sassy beard.
09:21Stop it.
09:22Ready?
09:42Ready?
09:44Yeah.
09:44Oh, my God.
09:53I told you.
09:53I did it.
09:59Finally.
10:01Finally.
10:01Finally.
10:01We can't.
10:20Get it on so he can get it off
10:32Or how about just get it on
10:38Intimistic me
10:39Get it on
10:40Are you working right now?
10:43Well, I could go sit alone in an office
10:45And try coming up with a lingerie campaign
10:47But I thought this would be more fun
10:48How about intimissimi
10:50Better on the floor
10:52Hmm, not bad
10:54What about
10:56Make four play last
10:59Make it five play
11:01Hmm, non bene
11:03Yeah
11:04Yeah, non bene
11:05See, good ideas and good taste
11:08No wonder you're a titan of industry in the making
11:11Yeah, tell that to my mother
11:13She has no faith in me
11:14Otherwise I'd be running Muratori by now
11:17Yeah, well she's probably just having trouble letting go of the reins
11:21Yeah, because she still thinks of me
11:23As the wild, irresponsible kid who was always in trouble with the nuns
11:26Yeah, but you know, parents sometimes project their own fears onto their kids
11:30Seems like it's just me
11:32I'm sorry, I know how that feels
11:40Your parents are like that too?
11:44Not exactly, I was thinking more Sylvie
11:46I mean, she put me in charge of the Rome office
11:48But she doesn't seem to have any faith in my ability to actually run it
11:51Sylvie and my mother definitely have one thing in common
11:55I don't want to think about either of them right now
11:59Me neither
12:01Is it time to take the lingerie off yet?
12:07I still have to figure out this campaign
12:09Fine, if it's better for work you can leave the lingerie off
12:13It might be a little sexier
12:16That's not a bad idea
12:21Sexier than naked
12:24Sexier than naked?
12:30Yes
12:30We see a couple kissing passionately
12:33She goes to take off her lingerie
12:35But he stops her
12:36Leave it on, he says
12:38Is he gay?
12:42What? No
12:42No, the lingerie is just so beautiful
12:45It takes center stage
12:46You want to see it
12:48We want this lingerie to make people connect
12:50This is to a surface
12:51And a little confusing
12:53Well, how about I take all these notes
12:57And rethink
12:58I could have you something by...
13:00We can meet tomorrow at the same time
13:02We are on the deadline to make our decision
13:05Great, well let's make that happen
13:08I'm not going to be able to meet tomorrow
13:10Oh, we'll miss you
13:11I'm losing my touch
13:23You know, I don't think my ideas are translating in Rome
13:27I mean, I thought Italians liked sex
13:28Actually, they are very repressed
13:30Oh, well that hasn't been my experience so far
13:32What's going on in here?
13:35Nothing
13:35Just Emily intimacy issues
13:38Oh, we are finally talking about it
13:42From the moment you walked into the office in Paris
13:45I noticed you had a wallop
13:47No, Luke
13:48No, who could blame you?
13:50I mean, a young woman in a foreign land
13:52In a foreign office
13:54But as time went on
13:55I saw it was more than that
13:57The very curated online presence
13:59The bald outfit stealing focus from what's underneath
14:02Maybe you've been hurt in the past
14:04Luke, I don't have a problem with intimacy, okay?
14:06I have a problem with intimacy, me the brand
14:08Oh
14:10I'm misunderstood
14:12Yeah
14:14Or maybe not
14:15I still have my Night Potter idea
14:25Great
14:38One more, just like that
14:40No, the boy's attitude
14:41He seems defeated
14:43He should act like they're playing a game
14:45Keep rolling or cut?
14:48Cut
14:49Cut
14:50The little boy is sad at first
14:53And then he realizes it's a game
14:55I think we should keep it light from the beginning
14:57I can do a take where it starts to play for
15:04Thank you
15:05Sure
15:06Okay, let's do it again
15:10Okay, back to one
15:12Thank you
15:13Thank you
15:27Ah
15:28Italian women you always hate
15:29Yes
15:30But we're always worth the wait
15:32Sorry, my sweet
15:33Is that for me?
15:38Yes
15:38it's gorgeous
15:43should we go see how it fits
15:46it's your place
15:47I have to be back at the office
15:49but I can come over tonight after balando balando balando
15:53can I go to my place
15:54my father is staying with me now
15:55and his breathing machine is very loud
15:57but I can come to your hotel
16:00ok
16:02but you have to be there before 11
16:04don't be late
16:05I wouldn't dream of it
16:06are you enjoying this
16:23or are you anxious for it to be over
16:25I just wonder what Umberto
16:27would think
16:28this would all be a little Hollywood to him
16:31you always agree with what Umberto
16:33thought?
16:34almost never
16:35but it was nice to have someone to push back against
16:39the success or failure of the company is all in my hands now
16:42it's a lot of responsibility
16:44and a little lonely
16:46I know that feeling
16:49what if we ended the commercial
16:55on the idea of the couple together
16:57rather than the woman alone
16:59oh
17:00I like that
17:03bravo
17:05excuse me
17:08Giancarlo
17:10it's totally different from what I planned
17:14yeah but I think it works better
17:17I spoke to Antonia
17:18she actually refers this version
17:20so then I guess I don't have a choice
17:22oh still your vision
17:24it's not if the ending's different
17:26I didn't realize you were so precious about this
17:28I didn't realize we were directing by committee
17:30Giancarlo
17:31we're here to please the client
17:33and that's what the client wants
17:34I think it's what you want
17:36and you always do what you want
17:38isn't that right?
17:39Giancarlo, basta
17:40you're behaving like one of the children on set
17:42do you want me to ask one of them to direct instead?
17:44I have a better idea
17:46Tommaso
17:50she's directing this now
17:53Giancarlo
17:55doesn't feel great to be left
17:57does it?
18:14oh my god, look
18:17she looks like she's already won
18:20aww
18:22I know
18:24and this is the girl who had debilitating stage fright
18:28she used to have to get one before performing
18:30just to calm down
18:31get one?
18:32you know
18:33orgasm
18:35is that what you said?
18:38maybe
18:38what is it?
18:47I'm just going to meet you in the seats
18:48okay
18:50when I get nervous
18:52I sweat and then things scoot around
18:54so I just need you to spray my butt with glue
18:57honestly, I'm relieved that's all you're asking
19:01oh, I just
19:02I'm going to make a fool out of myself, Emily
19:04you're going to be great
19:05I don't think so
19:06there's a big leap at the end
19:08and I've only gotten it right one time
19:10okay, well, do you remember what you did that one time?
19:12yes
19:13yes, I do
19:13well, then just do that
19:14oh, right
19:15yeah, yeah
19:16okay, yeah
19:17yes, I
19:18that's good
19:19just breathe
19:20okay, maybe don't breathe
19:26really get in there
19:27Luke said I have intimacy issues
19:29if only he could see me now
19:31well, you definitely don't have intimacy issues with me
19:34what, you think I have intimacy issues with other people?
19:36well, I just think you need to be pushed slightly to open up
19:39like if someone were to share something personal with you
19:42then I think you'd share something personal about yourself
19:44yeah, exactly
19:46but I didn't do that
19:47Marcello opened up to me about his mom
19:50but then I sort of pivoted to work
19:52oh, that's fine
19:53you really think that's fine?
19:56no, I don't
19:57but can we talk about this another time, please?
19:58I have to leap over a man's head
20:00engage my core
20:01point my toes
20:02and then try not to pee when his thumbs jab into my bladder
20:04so it's hard for me to think about anything else right now
20:06copy
20:07oh my god
20:14don't worry, I practiced all night, I've got it
20:30a ballare il tango con il suo partner, Orlando Aero
20:34e la cantatrice, Mingui Chen
20:37oh my god
20:41thank you
20:41so
20:42and
20:44how
20:46how
20:53we
21:54That was amazing.
22:12Oh, good.
22:42I hate to dash off, but Bianca is coming over and I have a curfew.
23:02So, it doesn't mean a curfew.
23:07No, sometimes it's better not to know.
23:09Um, I'm going to go to give her a hug for me.
23:11Hey, how are you doing?
23:16I don't want to talk about it.
23:17I don't want to think about it.
23:18I'm fine.
23:19Orlando may have slipped to just though.
23:21Well, it was all his fault, right?
23:22Look, it didn't even look like he was trying to catch her.
23:24Yeah, he wasn't.
23:26I love how a translator suddenly appears after there's an incident, but not a second before.
23:31What if we walk around the city and forget about the day?
23:34Create some new memory.
23:35Oh, I'm exhausted.
23:37I think I just got to go back to the hotel.
23:39Well, we could share a cab.
23:43Marjorie?
23:44Great.
23:45Nice.
23:46Okay.
23:47See you later, man.
23:47Bye.
23:47Bye.
23:49Thanks for coming.
23:50So, how did the pitch 20 minutes see me go?
23:59Not my finest moment, but I have some more ideas.
24:03Do you want to tell them to me?
24:06Actually, I'd rather not talk about work, if that's okay.
24:10Va benissimo.
24:11See you later.
24:41Sister, please.
24:46Can you wait just a few minutes, please?
24:48The Lord shows no partiality, Luke.
24:51But could you?
24:53Just this once.
24:57Come on.
25:05Is there someone?
25:11It's past curfew, my dear.
25:15Curfew?
25:16I cannot let you in.
25:18God bless.
25:19God bless.
25:28Bianca.
25:29Bianca.
25:30Up here.
25:31Are you staying in a convent?
25:33Yes.
25:34It's a really good rate.
25:35Very central.
25:36Okay.
25:37Yeah, I am so sorry.
25:40The curfew is very inconvenient.
25:41And I so badly want to lay eyes on you.
25:44But I also want to respect the sisters.
25:47You know what I mean?
25:48You're such a sweet man.
25:51I don't want to leave without showing you your surprise.
26:00Oh, que bella!
26:03Mamma mia mamma.
26:04Sister, please.
26:07Oh, please.
26:08Jesus loved prostitutes.
26:12But a curfew is a curfew.
26:15David, get out here quick.
26:17There's a hooker trying to get in.
26:20This makes up for no TV.
26:30This is Mercati di Traiano.
26:33Built between the years 100 and about 120-ish.
26:37It's the world's first shopping mall.
26:40Are you serious?
26:41Mm-hmm.
26:42Ha!
26:44Oh!
26:45Okay.
26:46Oh, my God.
26:46I totally see it.
26:48Versace.
26:49Armani.
26:50Muratori.
26:51Ah.
26:53Dancing fountain over there.
26:55Ooh, food court over there.
26:57It's beautiful.
27:04Hey.
27:05Hey.
27:07Is there a problem?
27:10I've just...
27:11I've been thinking a lot about what you said about your mom.
27:15My family's not so different.
27:18They always made me feel like, um...
27:22I had to succeed in life to matter.
27:24Good grades, good job.
27:27Yeah, and they're good people, you know?
27:31Don't get me wrong.
27:31It's just existing was never going to be enough.
27:35Achieving is what life is about.
27:37So I...
27:37I try really hard.
27:43And I push to make everything work.
27:46And I want to be perfect, you know?
27:49And then I come to a place like this, and it is just...
27:51It's so beautiful.
27:53It takes my breath away.
27:56And it's...
27:57You know, it's because of all the imperfections.
28:00The...
28:00The cracks and...
28:02And the crumbling columns.
28:04And I...
28:06It just...
28:07It makes me think that maybe I don't have to push...
28:11Or fix, or try so hard.
28:15Maybe I can just let things be, and it will all be fine.
28:19Maybe even better than fine.
28:24Hmm?
28:41Hmm...
28:59Hmm...
29:08Hmm...
29:10Hmm...
29:11Wait, so now you're wearing underwear?
29:31Hi, Rumi.
29:32I miss you.
29:33I miss you!
29:35I didn't like leaving you alone last night without a shoulder to cry on.
29:39I feel like a horrible best friend.
29:40No, I didn't cry much.
29:42It's okay.
29:43Um, how about...
29:43I'll FaceTime you when I'm getting ready.
29:45Okay.
29:46Ciao for now.
29:48Ciao.
29:48With Emily.
29:52Yes.
29:54Yes.
30:04This campaign is about one of the most intimate things you can do with your partner.
30:09Talk.
30:09Guess what? We got another client. No more intimacy problems.
30:26Ah, fantastic! Oh, could you ask if they ever have any likely won returns that they want
30:33to give away to charity?
30:35What charity is that? Saint Luke's house of fetishes?
30:39No, for the nuns in the convent I'm staying in. They're big fans.
30:54Where are you staying?
30:56What?
31:04Good news. Intimissimi wants to work with us. Is everything okay?
31:14Giancarlo walked off set and refused to come back. And I had to finish directing the entire shoot.
31:22What happened?
31:27It's a mess, Emily. It's a mess. After all the work we've done, I might have ruined this entire campaign.
31:34It's a mess.
31:35It's a mess.
31:36It's a mess.
31:37It's a mess.
31:39It's a mess.
31:40It's a mess.
31:42It's a mess.
31:45It's a mess.
31:46It's a mess.
31:47It will be a mess.
31:48It will be a mess.
31:49It's a mess.
31:50You're dead into trouble.
31:52You're dead.
31:53It's a mess.
31:54I know we don't do anything else.
31:55And I'm alive.
31:56I know we don't do anything else.
31:57I am here.
31:58I know.
31:59I'm last.
32:00Well, I know I've gotten his way.
32:01Thanks for being my friend.
32:02I know I'm перед well.
32:03I know I've gotten this one.
32:04You're dead.
32:05I know I know.
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