Emily in Paris S05(EP1 - EP10)- Episodio 3- Subtítulo español and inglés - Emily in Paris S05 - Drama Koreano
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00:00I want to stay in bed all day.
00:20Whatever you said, I liked it.
00:25It translates to the one who sleeps catches no fish.
00:32Mwah!
00:35Hmm.
00:39Well, I hate to see you go, but I like to watch you leave.
00:43That translates to I like your butt.
00:49Oh, my God!
00:51Mindy's on the couch.
00:54Yeah.
01:01You don't have to go, man.
01:03No, it's all good.
01:04Bilondo offered to put me up in a nice hotel, so why not?
01:08To spend time with your best friend.
01:10A best friend who I don't want to keep cock-locking.
01:13Marcello was basically chewing me away with his dick this morning.
01:16It does have a mind of its own.
01:18Oh, okay.
01:19So, uh, what hotel are they putting you in?
01:21Uh, the Orient Express La Minerva.
01:23Ooh, nice.
01:24Oh, I think, um, Alfie's staying there.
01:26You should text him.
01:27No, no, no.
01:28I've got so much choreo to learn for the show, and it's tomorrow.
01:31Emily, I can't believe I agreed to do this.
01:34Sorry again, Mindy.
01:36Ugh, no big D.
01:39As in deal.
01:40No big deal.
01:41Your D was perfect.
01:44You know what?
01:45I'm going to go.
01:46You know what?
01:47I'm going to go.
01:48Go.
01:49Ciao, Celestino.
01:50Come hai dormito?
01:51Eh?
01:52Ciao, Viviana.
01:53Come va?
01:54Buona giornata.
01:55Do you have enough of my son?
01:56Oh, yes.
01:57Grazie, Sisteretta.
01:58Tutto bene.
01:59Hi.
02:00Uh, buongiorno.
02:01Do you mind if we, uh, sit?
02:02Oh, yeah.
02:03No.
02:04No.
02:05No.
02:06No.
02:07No.
02:08No.
02:09No.
02:10No.
02:11No.
02:12No.
02:13No.
02:14No.
02:15No.
02:16No.
02:17No.
02:18No.
02:19No.
02:20No.
02:21No.
02:22No.
02:23No.
02:24No.
02:25No.
02:26We, uh, sit?
02:27Oh, yeah.
02:28No, no.
02:29Not at all.
02:30Please, please.
02:31I told you you speak English.
02:32Hi, I'm David.
02:33This is my wife, Katie.
02:34Nice to meet you.
02:35I'm Luke.
02:36Americans?
02:37Ohioans.
02:38Our first time to Europe.
02:39Can you believe how cheap this place is?
02:41Aside from the 11 o'clock curfew and the shared bathrooms, it's as good as any hotel.
02:46Esatamete.
02:47That's why I'm here.
02:49And Sister Christina's frittata is...
02:53I heard the eggs are blessed.
02:55Eggs Benedictine, huh?
03:00The commercial starts on a beautiful woman
03:04sitting alone in a movie theater.
03:07When the lights go down, she's joined by a man.
03:10He puts his hand on her knee, and it's clear they know each other.
03:14The movie playing on the screen will be a series of quick cuts.
03:17First of a little boy and a little girl
03:20chasing each other through Solitano.
03:23Then it's the little girl and the little boy as teenagers,
03:27flirting, stealing glances.
03:29And back in the movie theater,
03:31the man's hand begins to move to the woman's thigh.
03:35On the screen, we see the teenagers walking through the village,
03:39unable to keep their hands off each other.
03:41Eventually, they're sharing their first kiss.
03:44We cut back to the theater, and it's just a beautiful woman
03:47watching the film alone, smiling at the memories.
03:50Or was it just a fantasy?
03:53It's so good.
03:56Feels classically Italian.
03:58Almost like Cinema Paradiso.
03:59That's true.
04:00Cinema Paradiso is one of my favorite films.
04:03Umberto's too.
04:05He loved movies.
04:07That's why we had the theater built.
04:09Well, then maybe we could call the fragrance Muratori Paradiso.
04:12Muratori Paradiso.
04:15I like that.
04:17I like it too, but if the goal is for the brand to appeal to a global audience,
04:22then maybe the commercial should be more cosmopolitan.
04:25Maybe we shoot it in Rome or Milan or even New York.
04:28No.
04:30It doesn't feel right at all.
04:33Well, we do want to make sure that the commercial is something that people from all over can connect with.
04:39That's why you hired me.
04:41Don't worry, it's gonna be beautiful.
04:43I know how smitten you are, but Antonia's the one we have to please, not Marcello.
04:49I'm trying to please both.
04:51Well, just the one we'll do.
04:54Don't be our liability, Emily.
04:56He's been here for a while.
05:01Knowing soon it will be time to go.
05:07Again?
05:08Di nuovo.
05:12Okay.
05:18Okay.
05:19You know what?
05:20Let's call it.
05:21Proviamo dall'inizio.
05:22Okay.
05:23Mm-hmm.
05:24Giro.
05:25Fuori.
05:26La mano.
05:27La mano.
05:28Tre.
05:29Due.
05:30Uno.
05:31Oh!
05:32Sorry, I'm so sorry.
05:33Oh, Cristo.
05:34I know my knees are really sharp.
05:36Gianna, ti prego, vieni qua.
05:37No.
05:38Sto cercando di barare con un frigorifero.
05:40È una principiante.
05:42Okay.
05:43Hi, Mindy.
05:44Ciao.
05:45Si, Mindy il frigorifero, che non ce la fa fare una presa.
05:48In alto?
05:49Si, una liva del primo anno potrebbe farla.
05:51Una cantante su TikTok.
05:52Me ne rendo conto.
05:53Guarda.
06:02Facile.
06:03Cool.
06:04Facile.
06:05I know what that means.
06:06Dai.
06:07Di nuovo.
06:09Dai.
06:10Ti aiuto.
06:11Oh, I don't speak Italian.
06:12Oh, I guess I can sense.
06:14Cinque, sei, sette, otto.
06:17Arm.
06:18Yeah.
06:19Ciao.
06:20Oh, that's low.
06:21Jeez.
06:22Okay.
06:23This and this.
06:25Maybe, maybe we can think of another end of the dance.
06:28Yeah, maybe, maybe we do like a deep bow.
06:31Di nuovo.
06:32Di nuovo.
06:33Di nuovo.
06:34Di nuovo.
06:35Di nuovo.
06:36Di nuovo.
06:37Di nuovo.
06:38Di nuovo.
06:39Di nuovo.
06:40Di nuovo.
06:41Di nuovo.
06:42Di nuovo.
06:43Di nuovo.
06:44Di nuovo.
06:45Di nuovo.
06:46Di nuovo.
06:47Di nuovo.
06:48Di nuovo.
06:49Di nuovo.
06:50Di nuovo.
06:51Di nuovo.
06:52Di nuovo.
06:53Di nuovo.
06:54Di nuovo.
06:55Di nuovo.
06:56Di nuovo.
06:57So, after the embarrassment at Fendi, we need to sign another luxury client.
07:04Not only to preserve our reputation, but also to justify keeping an office.
07:08Hello, team. Now, do you want to tell them, or shall I?
07:11I was just about to tell them.
07:14Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
07:20The underwear brand?
07:21Lingerie.
07:23Oh, lingerie and underwear are two entirely different things.
07:27It's form over function. Good gas mileage versus faulty handling.
07:32Are you two really mansplaining lingerie to me? I mean, have either of you ever tried any?
07:37Surprisingly, no.
07:38Panties on me is like putting a muzzle on a polar bear.
07:41But I think I should be considered for decant.
07:44I already have some ideas. Something dark and sexy.
07:49Do you remember the film The Light Polar with Charlotte Rampling?
07:53Huh?
07:54Uh-uh.
07:55It's about a former SS officer and she was his prisoner.
07:58We could explore themes of fascism and submission.
08:02That would be a hot take for lingerie.
08:05I'm feeling it.
08:07Really?
08:08I think Emily is the right person for the account.
08:11You got a chance to redeem yourself after the Fendi fiasco.
08:14Boy, as my Jewish grandmother would say.
08:16Go home, think about it. Maybe try some things on.
08:20Send us some pictures.
08:22No.
08:23I want to prove the French can sell sex better than the Italians.
08:27But I'm American.
08:29Oh, that's your problem. Don't make it ours.
08:31Thanks for helping me.
08:42It's better than the other night watching Anton chew his wine.
08:44You're really good.
08:46I was forced to take ballroom lessons as a kid.
08:48What?
08:49My mum said they'd pay off one day.
08:51I can't actually believe she was right.
08:55You ready for the leap?
08:58Maybe.
08:59Maybe.
09:00No, I can't do this.
09:02You can do this.
09:06I don't think I can.
09:08I really don't.
09:09Just stop thinking about it.
09:11Turn off your brain.
09:12And jump.
09:21Okay.
09:22Let's take it from the head flicky thingy.
09:24You're gonna start with a sassy bitch.
09:26Stop.
09:29I need a sassy bitch.
09:30Okay.
09:32Okay, lay on it.
09:47Okay.
09:54Ready?
09:55Oh my god!
09:57I told you!
09:59I did it!
10:05Finally.
10:07Finally.
10:09We can't.
10:35Get it on so he can get it off.
10:39Hmm.
10:41How about just get it on?
10:43Intimissimi.
10:45Get it on.
10:46Are you working right now?
10:48Well, I could go sit alone in an office
10:50and try coming up with a lingerie campaign,
10:52but I thought this would be more fun.
10:54How about intimissimi?
10:56Better on the floor.
10:58Hmm, not bad.
10:59Eh?
11:00What about...
11:02make four play last.
11:05Make it five play.
11:07Hmm, non bene.
11:08Yeah.
11:09Yeah, non bene.
11:11See?
11:12Good ideas and good taste.
11:14No wonder you're a titan of industry in the making.
11:16Yeah.
11:17Tell that to my mother.
11:18She has no faith in me.
11:20Otherwise, I'd be running Muratori by now.
11:22Yeah, well, she's probably just having trouble letting go of the reins.
11:26Yeah, because she still thinks of me as the wild, responsible kid who was always in trouble with the nuns.
11:31Yeah, but you know, parents sometimes project their own fears onto their kids.
11:35Seems like it's just me.
11:37I'm sorry. I know how that feels.
11:45Your parents are like that too?
11:48Not exactly. I was thinking more Sylvie.
11:51I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith in my ability to actually run it.
11:57Sylvie and my mother definitely have one thing in common.
12:01I don't want to think about either of them right now.
12:05Me neither.
12:10Is it time to take the lingerie off yet?
12:12I still have to figure out this campaign.
12:14Fine. If it's better for work, you can leave the lingerie on.
12:19It might be even sexier.
12:25That's not a bad idea.
12:28Sexier than naked.
12:33Sexier than naked.
12:35Yes.
12:36We see a couple kissing passionately.
12:39She goes to take off her lingerie, but he stops her.
12:42Leave it on, he says.
12:45Is he gay?
12:47What? No.
12:48No, the lingerie is just so beautiful, it takes center stage.
12:52You want to see it.
12:53We want this lingerie to make people connect.
12:55This is two surfers.
12:57And a little confusing.
12:59Well, how about I take all these notes and rethink?
13:03I could have you something by...
13:05We can meet tomorrow at the same time.
13:07We are on a deadline to make our decision.
13:10Great. Well, let's make that happen.
13:12Well, I'm not going to be able to make it tomorrow.
13:15Oh.
13:16We'll miss you.
13:17I'm losing my touch.
13:27You know, I don't think my ideas are translating in Rome.
13:32I mean, I thought Italians liked sex.
13:34Actually, they are very repressed.
13:35Oh, well, that hasn't been my experience so far.
13:39What's going on in here?
13:40Nothing.
13:41Just Emily intimacy issues.
13:43Oh, we're finally talking about it.
13:47From the moment you walked into the office in Paris, I noticed you had a wallop.
13:52No, Luke.
13:53No, who could blame you?
13:55I mean, a young woman in a foreign land, in a foreign office.
13:58But as time went on, I saw it was more than that.
14:02The very curated online presence, the bald outfit stealing focus from what's underneath.
14:07Maybe you've been hurt in the past.
14:09Luke, I don't have a problem with intimacy, okay?
14:11I have a problem with intimacy with the brand.
14:15Oh.
14:16I'm misunderstood.
14:18Yeah.
14:19Or maybe not.
14:28I still have my night partner idea.
14:42Great.
14:43One more, just like that.
14:45No, the boy's attitude.
14:47He seems to feed it.
14:48He should act like they're playing a game.
14:52Keep brawling or cut?
14:53Uh, cut.
14:54Cut!
14:56The little boy is sad at first, and then he realizes it's a game.
15:00I think we should keep it light from the beginning.
15:07I can do a take where it starts to play for.
15:10Sure.
15:14Okay, let's do it again.
15:16Okay, back to one.
15:22Grazie.
15:31Ah.
15:33Italian women, you're always late.
15:34Yes, but we're always worth the wait.
15:37Sorry, my sweet.
15:41Is that for me?
15:43Yes.
15:48It's gorgeous.
15:50Should we go see how it fits?
15:52It's your place.
15:53I have to be back at the office.
15:55But I can come over tonight after balando, balando, balando.
15:58Can I go to my place?
15:59Please.
16:00My father's staying with me now.
16:01And his breathing machine is very loud.
16:04But I can come to your hotel.
16:07Okay.
16:08But you have to be there before 11.
16:09Don't be late.
16:10I wouldn't gym a bit.
16:11I wouldn't gym a bit.
16:14Okay.
16:18Okay.
16:19Okay.
16:20Okay.
16:27Are you enjoying this?
16:28Or are you anxious for it to be over?
16:30I just wonder what Umberto would think.
16:33This would all be a little Hollywood to him.
16:36You always agree with what Umberto thought?
16:39Almost never.
16:41But it was nice to have someone to push back against.
16:45The success or failure of the company is all in my hands now.
16:48It's a lot of responsibility and a little lonely.
16:51A little lonely.
16:53I know that feeling.
16:54Hmm.
16:58What if we ended the commercial on the idea of the couple together rather than the woman alone?
17:05Oh.
17:07I like that.
17:10Bravo.
17:12Excuse me.
17:14Giancarlo?
17:17It's totally different from what I planned.
17:19Yeah, but I think it works better.
17:22I spoke to Antonia.
17:23She actually prefers this version.
17:25So then I guess I don't have a choice.
17:28Oh, still your vision.
17:29It's not if the ending's different.
17:31I didn't realize you were so precious about this.
17:33I didn't realize we were directing by committee.
17:36Giancarlo, we're here to please the client.
17:38And that's what the client wants.
17:40I think it's what you want.
17:42And you always do what you want.
17:43Isn't that right?
17:44Giancarlo, basta.
17:46You're behaving like one of the children on set.
17:47Do you want me to ask one of them to direct instead?
17:51I have a better idea.
17:55Tommaso.
17:56She's directing this now.
17:59Giancarlo!
18:01Doesn't feel great to be left.
18:03Does it?
18:04Oh my god, look!
18:05She looks like she's already won.
18:17Aww.
18:18I know.
18:19And this is the girl who had debilitating stage fright.
18:20She used to have to get one before performing just to calm down.
18:22Get one?
18:23You know.
18:24You know.
18:25You know.
18:26Forgasm.
18:27Is that what you said?
18:28Maybe.
18:30What is it?
18:31What is it?
18:32I'm just going to meet you in the seats.
18:33Okay.
18:35When I get nervous, I sweat and then things scoot around.
18:37So, I just need you to spray my butt with glue.
18:39That's the only thing I've ever touched on in my life.
18:41But we just need to have to get one before performing, just to calm down.
18:43Get one?
18:44You know.
18:45Horcasm.
18:46Is that what you said?
18:47Maybe.
18:49What is it?
18:51I'm just going to meet you in the seats.
18:53Okay.
18:55When I get nervous, I sweat and then things scoot around, so I just need you to spray my butt with glue.
19:02Honestly, I'm relieved that's all you're asking.
19:07I'm gonna make a fool out of myself, Emily.
19:10You're gonna be great.
19:11I don't think so.
19:12There's a big leap at the end,
19:13and I've only gotten it right one time.
19:15Okay, well, do you remember what you did that one time?
19:17Yes.
19:18Yes, I do.
19:19Well, then just do that.
19:20Right.
19:21Yeah, yeah.
19:22Yeah.
19:23Yes, that's good.
19:24Just breathe.
19:30Okay, baby, don't breathe.
19:32Really get in there.
19:33Luke said I had intimacy issues.
19:35If only he could see me now.
19:37Well, you definitely don't have intimacy issues with me.
19:39What, you think I have intimacy issues with other people?
19:42Well, I just think you need to be pushed slightly to open up.
19:45Like, if someone were to share something personal with you,
19:47then I think you'd share something personal about yourself.
19:50Yeah, exactly.
19:52But I didn't do that.
19:53Marcello opened up to me about his mom,
19:55but then I sort of pivoted to work.
19:58Oh, that's fine.
20:00You really think that's fine?
20:01No, I don't.
20:02But can we talk about this another time, please?
20:03I have to leap over a man's head, engage my core, point my toes,
20:06and then try not to pee when his thumbs jab into my bladder.
20:09So it's hard for me to think about anything else right now.
20:11Copy.
20:12Oh, my God!
20:13No, my God!
20:15Oh, my God!
20:16Don't worry, I practiced all night.
20:18I've got it.
20:19Don't worry, I practiced all night. I've got it.
20:49I've got it.
22:09That was amazing.
22:17Oh, good.
22:46I hate to dash off, but Bianca is coming over and I have a curfew, so ciao, ragazzi.
23:09What does it mean a curfew?
23:12Oh, sometimes it's better not to know.
23:14Um, I'm going to go to give her a hug for me, hmm?
23:19Hey, how are you doing?
23:21I don't want to talk about it.
23:22I don't want to think about it.
23:23I'm fine.
23:24Orlando may have slipped to just though.
23:26Well, it was all his fault, right?
23:27Look, it didn't even look like he was trying to catch her.
23:29Yeah, he wasn't.
23:31I love how a translator suddenly appears after there's an incident, but not a second before.
23:36What if we walk around the city and forget about the day?
23:39Create some new memories.
23:40Oh, I'm exhausted.
23:42I think I just got to go back to the hotel.
23:44Well, we could share a cab.
23:48Marjorie?
23:49Great.
23:50Nice.
23:51Okay.
23:52See you later, mate.
23:52Bye.
23:52Bye.
23:54Thanks for coming.
24:00So, how did the pitch to me to me go?
24:04Not my finest moment, but I have some more ideas.
24:08Do you want to tell them to me?
24:10Actually, I'd rather not talk about work, if that's okay.
24:15Va benissimo.
24:40Sister, please.
24:51Can you wait just a few minutes, please?
24:53The Lord shows no partiality, Luke.
24:56But could you?
24:58Just this once.
25:02Come on.
25:10It's past curfew, my dear.
25:20Curfew?
25:21I cannot let you in.
25:23God bless.
25:33Bianca!
25:34Bianca!
25:35Up here!
25:36Are you staying in a convent?
25:38Yes.
25:39It's a really good rate.
25:40Very central.
25:41Okay.
25:42Yeah, I am so sorry.
25:44The curfew is very inconvenient, and I so badly want to lay eyes on you, but I also want
25:50to respect the sisters.
25:52You know what I mean?
25:53You're such a sweet man.
25:56I don't want to leave without showing you your surprise.
25:59Jesus loved prostitutes.
26:17But a curfew is a curfew.
26:20David, get out here quick.
26:22There's a hooker trying to get in.
26:24This makes up for no TV.
26:35This is Mercati di Traiano.
26:38Built between the years 100 and about 120-ish.
26:42It's world's first shopping mall.
26:45Are you serious?
26:46Mm-hmm.
26:47Ha!
26:49Oh!
26:50Okay.
26:51Oh, my God.
26:51I totally see it.
26:53Versace.
26:54Armani.
26:55Muratori.
26:56Oh, ah.
26:58Dancing fountain over there.
27:00Ooh, food court over there.
27:02It's beautiful.
27:03Hey.
27:12Is there a problem?
27:16I've just, I've been thinking a lot about what you said about your mom.
27:20My family's not so different.
27:23They always made me feel like, um, I had to succeed in life to matter.
27:29Good grades, good job.
27:33Yeah, and they're good people, you know?
27:36Don't get me wrong.
27:36It's just existing was never going to be enough.
27:40Achieving is what life is about.
27:44So I, I try really hard.
27:49And I push to make everything work.
27:51And I want to be perfect, you know?
27:54And then I, I come to a place like this and it is just, it's so beautiful.
27:58It takes my breath away.
28:01And it's, you know, it's because of all the imperfections.
28:05The, the cracks and, and, and the crumbling columns.
28:09And I, it just, it makes me think that maybe I don't have to push or fix or try so hard.
28:18Maybe I can just let things be and it will all be fine.
28:24Maybe even better than fine.
28:48Maybe it will knock you out.
29:06Maybe it will knock you out.
29:08Well, you know, I'll knock you out.
29:12I'm going to know some boys.
29:15I'll knock you out.
29:17I'm going to make us some espresso.
29:23Wait, so now you're wearing underwear?
29:36Hi, Rumi. I miss you.
29:38I miss you!
29:39I didn't like leaving you alone last night without a shoulder to cry on.
29:43I feel like a horrible best friend.
29:45No, I didn't cry much. It's okay.
29:47How about I'll FaceTime you when I'm getting ready?
29:49Okay. Ciao for now.
29:52Ciao.
29:56Where's Amity?
29:57Shhh. Yes.
30:09This campaign is about one of the most intimate things you can do with your partner.
30:13Talk.
30:15You're good.
30:17I like him a lot.
30:18Yes, and we can use this for photos.
30:20Yes.
30:21Yes.
30:22Guess what?
30:23We got another client.
30:24No more intimacy problems.
30:25Ah, fantastic.
30:26Oh, could you ask if they ever have any likely won returns that they want to give away to charity?
30:30What charity is that?
30:31St. Luke's house of fetishes?
30:32No, for the nuns in the convent I'm staying in. They're big fans.
30:37Where are you staying?
30:38Where are you staying?
30:39What?
30:40What?
30:41What?
30:42Good news.
30:43Intimissimi wants to work with us.
30:44Intimissimi wants to work with us.
30:45What?
30:46Intimissimi wants to work with us.
30:47Is everything okay?
30:48What?
30:49What?
30:50What?
30:51What?
30:52What?
30:53Is he not?
30:54No, just got a piggy bank at once.
30:57No.
30:58He can't do anything with us.
30:59I got a piggy bank.
31:02Okay, what?
31:04And I'm not even the devil.
31:07This thing is why people love you.
31:10I can't.
31:11No.
31:12You got a piggy bank.
31:13So even though you were going to have a mind.
31:19I see everything you met in control.
31:20Carlo walked off set and refused to come back.
31:24And I had to finish directing the entire shoot.
31:28What happened?
31:33It's a mess, Emily. It's a mess.
31:35After all the work we've done,
31:37I might have ruined this entire campaign.
33:20You
33:50You
34:20You
34:50You
35:20You
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