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00:00My husband, Norman Henry, was a good man, generally speaking.
00:19But he was also a man riddled with insecurities.
00:22You heard of Thomas Edison?
00:23What are you due for supper?
00:24Anyone here know a chap by the name of Mark Twain?
00:27Self-doubts.
00:28I see how she looks at you.
00:30My wife.
00:36And fear.
00:40Fear that the world was constantly laughing at his every move.
00:44This fear was not unfounded.
00:49You see, when he was just a boy, the world did just that.
00:58You're off-key.
01:00He's off-key.
01:02We've practiced this part over a hundred times.
01:06But some students are simply more gifted than others.
01:10And that's okay, Norman.
01:12Oh, darling, we're not done.
01:14Let's try it again.
01:18Let's try it again.
01:20I'll admit my husband has a flair for the dramatic.
01:34Whether he was actually laughed at that day or not is quite beside the point.
01:50I'm really sorry about that.
01:52I'm really sorry about that.
01:54You know the laughing stock of the entire congregation.
01:56I'm really sorry about that.
01:57It's fine.
01:58I'm really sorry about that.
01:59It's fine.
02:00It's fine.
02:01It's fine.
02:02We can't be good at everything.
02:03Well, maybe he could be good at something.
02:04He would spend his life yearning for approval from a father who would offer him nothing in return.
02:19It's you who's embarrassing us. You know that, don't you?
02:23I'm really sorry about that.
02:25I didn't know it then, but the day I met Norman Henry was not one week after his father had died.
02:32Leaving him with nothing but a fragility he would never be able to overcome.
02:45Fuck! Of course, you couldn't be any stupider.
02:50Norman, you really just could not be any stupider.
02:54Excuse me.
02:56That's not a very polite way to speak about yourself.
03:00Oh, hi. Hi.
03:02I'm sorry.
03:04Was I bothering you?
03:06I didn't think anybody would be here.
03:08They told me nobody would be here.
03:10And that I could just let myself in through the side door.
03:12Am I bothering you?
03:14You're not bothering me.
03:16I'm not a robber.
03:18Well, how could I trust that statement now?
03:20No, really, really, miss.
03:22I promise I'm not, I'm not.
03:24It appears as if you're stealing all the cutlery from the dining hall.
03:27Um, giving it new life.
03:30The cutlery?
03:31It's fallen into neglect.
03:32The cutlery?
03:33Yeah, cutlery, yes.
03:34Oh.
03:35Forks, knives, little spoons.
03:38I, um, I give them renewed purpose.
03:45Oh.
03:47You're an artist.
03:51No.
03:52Hmm?
03:53No.
03:54No, I'm, I'm, I'm an opportunist.
03:57But you, you make little sculptures.
03:59No, I, I know a guy that makes little sculptures.
04:03Out of cutlery?
04:04Out of whatever I give him.
04:06Hmm.
04:07My sister's an artist.
04:11You seem passionate, like an artist.
04:15Yes.
04:19Well, uh, I'm sorry to disappoint.
04:23You did, you didn't disappoint.
04:27The th, the things I get excited by are, they're not exciting.
04:34You're not exciting.
04:37I try not to be.
04:39Having just ended my relationship with a certain fraudulent inventor,
04:44I was intrigued by this humble man who saw beauty in the world
04:50and wanted no credit for it.
04:53A beauty that I had hoped he might find again in me all these years later.
05:04This penultimate chapter, dear reader, is as close as we came to falling back in love again.
05:17copico.up?
05:18Open the door to rob coming in too long.
05:20Today's life depends on him and prayers.
05:23You wish him to pass through the fuzzy diamonds.
05:25You tried to some lurking in love again.
05:26Look at him.
05:27Before I see him in my investigations, he'll come out with him.
05:29You're a זה.
05:30A gälleraries of the pseudo lascivious ironroy Shopping,
05:31You guys have HTC-SHINE.
05:32You have to be affairs and see himessel,
05:34and let's do his power too.
05:35I'm sure he's having a seal.
05:36No, I'm still alive.
05:37I'm sorry.
05:38You've affected by some others.
05:39We have all black ссыл hou Mär attainments.
05:402.
05:413.
05:424.
05:435.
05:446.
05:457.
05:467.
05:478.
05:4810.
05:4910.
05:5010.
05:5111.
05:5211.
05:5311.
05:5411.
05:5512.
05:5612.
05:5712.
05:5812.
05:5913.
06:0012.
06:0113.
06:0212.
06:0313.
06:0414.
06:0514.
06:0615.
06:0715.
06:0815.
06:09Oh, no, no, no, no, no, no.
06:39Oh, no, no, no, no, no, no, no.
07:09Hello?
07:16Will you all shut up?
07:31But we was invited.
07:33You wasn't invited.
07:34Oh, I didn't work for you, woman.
07:36Excuse me?
07:37Who are you?
07:38Replacing the driver, I hope.
07:39He's about to die.
07:40A creditor?
07:41He's a lawyer, says so on his bag.
07:43My occupation and identity are none of your concern.
07:48I am looking for my client's wife.
07:55Evelyn Nesbitt Thaw.
07:56Who?
07:57Who?
07:58If you could show me the way to the main house.
07:59Where the...
08:00Who?
08:01Where the real people are.
08:02Who?
08:03If you could show me the way to the main house, where the real people are.
08:08Oh, my God.
08:09Oh, my God.
08:10Oh, my God.
08:11Where the real people are.
08:13It's the main house.
08:14And why?
08:15Hello?
08:16Yeah.
08:17That's my concern.
08:18I am looking for my client's wife.
08:20Evelyn Nesbitt Thaw.
08:21Who?
08:22Who?
08:23Huh?
08:24What?
08:25If you could show me the way to the main house, where the real people are.
08:29Where the real, where the real people are.
08:42Okay, so...
08:45Mrs. Nesbitt Thaw.
08:48Oh, Mrs. Nesbitt.
08:52For the purposes of these legal proceedings,
08:55it is preferable for you to identify as your...
08:59...husband's property.
09:04Ah, well...
09:06Okay, you are the lawyer.
09:08I am.
09:11So, let us begin.
09:14I'm so sorry. Right now?
09:16Yes, this very instant.
09:17We're due back in the city by 4 p.m. for you to be sworn in.
09:21How exciting.
09:22I will be speaking to you as though I were the prosecution,
09:26but rest assured, I am a friendly.
09:29It's merely an act for you to be prepared.
09:33I'm so sorry.
09:35What's your name?
09:39Delphine Delmas.
09:41Delphine Delmas.
09:42Delphine Delmas.
09:43Delphine Delmas.
09:44Delphine Delmas.
09:47Right, well...
09:49Um...
09:50You see, I have...
09:52Acquired an audience for my dress rehearsal.
09:55And, um...
09:56They're all waiting for us.
09:58Waiting...
10:00For us?
10:02Mm-hm?
10:08Oh, no.
10:11Ah...
10:14Oh.
10:15Ah...
10:18Ah...
10:19Hello, and welcome, ladies and gentlemen, to the first and only dress rehearsal for...
10:49...the crime of the century.
11:00Isn't that good? We worked on that jingle together.
11:04Oh, God, sorry. This is, uh, this is my lawyer, Mr., uh, Mrs. Delphus Finimus.
11:09Uh, it's, um, Delphine Delmas.
11:11Right.
11:12Prickly fellow.
11:13Dig a bow!
11:14I'm not your, I'm not her, her, um...
11:17Ma'am, ma'am, might I have a word?
11:19Okay.
11:21Um, wouldn't you prefer to do this in, uh, in, in private?
11:28Are you sure you don't want to do this in private?
11:33Mr. Delphus, am I not to testify in front of the entire world tomorrow?
11:36It's Delmas, uh, yes, um...
11:38I think the name is Demas.
11:40Demas?
11:41Yeah, Demas, Demas.
11:42Uh, okay. It's Delphine Delmas, uh, for those of you who aren't sure.
11:47Uh, ma'am, I do implore you to trust your husband's counsel on this.
11:51I believe that we should find a private suite and rehearse, uh, confidentially.
11:57Oh, Mr. Alphus.
12:00Come now, I trust these people completely.
12:03My friends.
12:05I'll make, uh, the merde.
12:11Very well.
12:12Okay.
12:13Uh, I'll make you talk.
12:14Let's go.
12:15Go, go.
12:17Let's go.
12:47Mrs. Thaw.
12:55Nesbitt Thaw.
12:57Could we switch them, perhaps?
12:59Thaw and Nesbitt.
13:01Wouldn't you like that?
13:03I knew you'd understand.
13:06I'll start from the beginning, I suppose.
13:09Yes, of course.
13:12Where were you in autumn of 1901?
13:15New York City, Manhattan.
13:20And were you romantically involved with anyone at that time?
13:25Yes, I was.
13:29Whom?
13:30Oh, um, Stanford White.
13:32Well, what about you?
13:38Do you love me?
13:41Uh...
13:52Okay, very good.
13:53Could you explain the nature of the relationship to the court, please?
14:07Yes, of course.
14:09Stannie and I loved each other very much for a time.
14:11He was like a father to me.
14:12Mrs. Thaw, isn't it true that you performed sexual favors for Mr. White
14:15in exchange for cash and gifts and travel?
14:23Is this not a little crass for public consumption?
14:30The real prosecution will try to frame you as a common whore.
14:43A whore?
14:49Why?
14:49I mean, why would they try to paint such an ugly picture about a lady like me?
14:58Mrs. Thaw.
14:59Nesbitt.
15:01Mrs. Nesbitt Thaw.
15:04Did Mr. Stanford White have a studio apartment he kept in Midtown
15:07with a velvet swing hanging from a crossbeam?
15:14Yes.
15:14And is it true that you, you would swing naked from the velvet swing?
15:29It was all in jest.
15:31In autumn of 1901, did Mr. Stanford White not drug you
15:59with your mother in the room
16:02and penetrate you through multiple orifices?
16:11She was asleep.
16:14My mother.
16:15That was not my question.
16:18Yes.
16:19Yes, he did this over and over again, day after day, month after month.
16:22And in exchange, he paid for your trips, your schooling,
16:25your apartment, your particulars.
16:27The very definition of a common whore.
16:38Oh.
16:40Well, there are many words with multiple definitions, you'll find.
16:44For example, the word, I love you.
16:46That is something that means a whole lot more to us women than it does to you men.
16:49Mr. White, tired of you.
16:51Did you not turn your attention to Mr. Harry Thaw's fortunes
16:53in an act of selfish desperation?
16:59I don't seem to know what this has to do with Harry shooting a man.
17:03It's Nesbitt.
17:03That you crafted a surgical campaign to target Mr. Harry Thaw
17:08to fleece him for cash and gifts and trips.
17:12To fleece him like a sheep.
17:23Don't be smart.
17:25A smart young lady doesn't play well with the jury.
17:29Well, what definition are you using to define the word smart?
17:34You see, it's all objective, isn't it?
17:35Your mother traveled to Paris at no expense of your own.
17:40Your mother traveled to Paris at no expense of her own.
17:45So I must ask, what was the currency?
17:56Kindness.
17:56I believe the currency was companionship
18:02and loyalty
18:04and friendship.
18:08And the trip was a gift
18:10from Harry.
18:15Our gifts are no longer acceptable practice
18:17from a husband to his wife.
18:18And come to think of it,
18:34I do believe I know
18:35where you're going with this, Mr. Ephraim.
18:37And it is downright shameful.
18:41Because my body
18:42is
18:43and has never been currency.
18:46not for gifts
18:49or trips
18:50or any other thing.
18:56It is delmas.
19:01You call it companionship
19:03and loyalty.
19:05I call it sex acts
19:07and role play.
19:08Risqué role play
19:10for that matter
19:10which you performed
19:11in exchange for a home
19:13and a life
19:14of status.
19:15So,
19:16disguise it as you will,
19:18Mrs. Thaw,
19:19but the truth remains
19:20that you reek
19:23of putrid
19:24desperation.
19:27You are
19:28as every woman
19:29who trolls
19:30the Lower East Side
19:31of Manhattan
19:31between the hours
19:32of 10 p.m.
19:33and 2 a.m.
19:37I can smell
19:39the rancid stench
19:42from here.
19:43We all can.
19:47Did you knowingly withhold
19:48the fact that you were
19:49indeed not a virgin
19:50when you met Mr. Harry Thaw?
19:51Did you knowingly withhold
19:53this information
19:54because you knew
19:55that you might be able
19:56to swindle him
19:57more efficiently?
19:58Did you, in fact,
19:59steal money
20:00from Mr. Harry Thaw
20:01under the false pretense
20:02that you were selling him
20:03your virginity
20:04and when he realized
20:05that you had been lying to him,
20:06he had a mental break
20:07which caused him
20:08to fatally injure
20:09Mr. Stanford White?
20:10So, in fact,
20:12was it not you,
20:14Mrs. Thaw,
20:15who is to blame
20:16for the untimely demise
20:18of Mr. Stanford White?
20:20It is your fault
20:25because you are
20:27a dirty whore.
20:28whore.
20:38How dare you?
20:42How dare you?
20:45Me?
20:47Wasn't it me?
20:48Oh, because I didn't
20:52want to sleep with Harry.
20:54I didn't want to sleep
20:56with him, okay?
20:58I didn't want to sleep
20:59with him.
21:00He was a beast
21:01and he hurt me
21:02and he whipped me
21:03and I didn't want
21:05to sleep with him now
21:06and I don't
21:07and I never will
21:08and he knew that
21:10because a woman
21:12doesn't always need
21:14to be explicit.
21:16She doesn't.
21:17Okay?
21:20Why the fuck
21:21does being a woman
21:22always have to be
21:23so explicit?
21:28Do you think
21:29I wanted Paris?
21:31Well, you certainly
21:31wanted something.
21:32I didn't want Paris.
21:33You never asked me
21:34what I wanted.
21:36I wanted clothes
21:37and a bed
21:38that I might call my own
21:40and I wanted
21:42to stop supporting
21:43my whole family.
21:46but I didn't
21:49want Paris
21:50and you can all
21:53sit here
21:54and judge me
21:55but I am not a whore.
21:58I am not a whore!
22:00I am a girl!
22:04I'm just a girl!
22:06I'm...
22:06I'm...
22:06I'm...
22:07I'm...
22:07I'm Evie, Mama.
22:09I'm Evelyn.
22:09I'm...
22:10My name
22:13is Evelyn Nesbitt!
22:16It's not
22:16Thaw!
22:17It's Nesbitt!
22:18Do you hear me?
22:20Delfus
22:20or Dingus
22:21or whatever it is
22:22they call you!
22:23It's fucking
22:24Nesbitt!
22:25We've heard enough.
22:30We've heard enough.
22:33No, no.
22:34We're not done.
22:34We're not nearly done.
22:36I shall only say it
22:37once more.
22:41We are done
22:42now.
22:46That performance
22:47was pathetic.
22:48See how easily
22:49she was broken.
22:49She is far
22:50from trial ready.
22:51I implore you
22:55to release
22:57this young woman.
23:00I believe
23:01the shame
23:02felt in this room
23:03is enough
23:09for us all.
23:12Yes, I...
23:14man's life
23:23hangs in balance.
23:25A murderer.
23:27She is his
23:28whore.
23:31That's enough.
23:34That's enough.
23:35That's enough.
23:44that's enough.
24:19Back to work, a lot of you.
24:40Up, back, out.
24:41Everybody out.
24:42Go, go, go.
24:43Go, out, out.
24:49Norman would hold her for hours that day.
25:13Intent on being the parent that neither of them had.
25:22I don't know.
25:50Evelyn had told us that it was common practice for her mother to take long walks, unannounced.
25:57I'm so sorry.
26:01I'm so sorry.
26:03Oh, my darling girl.
26:05She told us to send word when her mother arrived back at the estate, and they'd have Harry's
26:10driver pick her up.
26:18But Mrs. Nesbitt never returned to the house.
26:22I'm so sorry.
26:23Nor would she see her daughter, not ever again.
26:32I do believe after the mock trial, the atmosphere in her home had changed ever so slightly.
26:47A lingering air of forgiveness and gratitude, albeit brief, would blow through with the wind.
26:53I do appreciate your kindness with me these past few days, Mr. Henry.
27:14And you too, Mrs. Henry.
27:16The time has come, Mrs. Nesbitt, talk.
27:29Chin up.
27:32Gets better.
27:36Mr. Henry.
27:37You've got nothing to worry about.
27:44I'm the girl on the swing.
27:47I believe you're much more than that.
27:51Yes.
27:53So do I.
27:54I'm the girl on the swing.
27:58All right.
28:12Look, I shall only say this once, so listen with your hearts.
28:19The next time you see me, it shall be my name in lights.
28:23And when you do, I urge you to remind yourselves as of why.
28:29It is because I will have broken free.
28:36At all costs.
28:40Evelyn Nesbitt would soon see her name in lights.
28:53She would, in fact, fulfill her promise to her mother.
28:58She'd become the most famous in the entire world.
29:02I will be a great big stage actress.
29:04You will have.
29:05And everyone will love me, mother.
29:07They will not love me.
29:08But what she truly desired was unconditional love.
29:12And it was this that would elude her until her dying day.
29:18Evelyn had gifted us a valuable lesson that day.
29:21That our destiny resides solely in our will to break free.
29:31After that speech, really?
29:36Okay.
29:38So, are you looking to ask me something?
29:41Well, it's just that it's Christmas Eve.
29:57Yeah, well, I don't celebrate.
30:02Sadly, my family perished.
30:03You said you had a sister?
30:12She's an artist.
30:19I don't celebrate either.
30:23But for other reasons.
30:25Ah, yes.
30:29Yes, right.
30:33So, um...
30:34Are you...
30:36looking to ask me something?
30:43Well, um...
30:46We could...
30:47not celebrate together.
30:50Okay.
30:57Norman, are you awake?
30:59Well, we could ask you a little boy.
31:21All right.
31:51I'm okay.
31:54Yeah.
31:55Go back to sleep, Norman.
31:58What's wrong?
31:59Nothing.
32:00We're gonna be okay.
32:03We're gonna be okay.
32:11But unfortunately, this could not have been further from the truth.
32:21Is it all?
32:28Oh, shit.
32:35We bring you news from the courthouse, Lower Manhattan District, in the Thaw trial where
32:48his wife Evelyn Nesbitt Thaw has just taken the stand dressed as a schoolgirl.
32:52Exuding a sense of calmness you normally only find in the male persuasion.
32:57But nonetheless, this reporter could not help but take note of a certain quality one might
33:01find in a silent picture actor.
33:05After Evelyn had left, I had this feeling that our situation might improve.
33:16Looking back now, I suppose I was a bit lovestruck again.
33:24We had entered a dreamlike state, one of companionship, and happiness, and trust.
33:43All of my experiences, had they led me here?
33:46To this moment?
33:48To a moment of grace and love where my husband might be willing to accept the impossible?
33:55I did not invent the light part.
33:59I suppose you know who did.
34:01This secret I had held so deeply within.
34:05I had even convinced myself it was not true.
34:08But for the first time, I had felt like maybe he could hear my truth and set me free.
34:31But while I would grapple with the right moment to confide my secrets to Norman...
34:58It was something that would bring me to Paris.
35:04Edgar and Lilith were grappling with a truth of their own.
35:07That they might never return to Paris.
35:11From there, it was three days to Paris.
35:13It's useless to return to the inevitable.
35:17What are you talking about?
35:19You're not you.
35:20The way I watch myself in Paris.
35:25The way I watch myself now.
35:28You're obsidian.
35:30Of course, I am.
35:33I am an artist.
35:35If she doesn't like you, you have to play, she needs to be on the board.
35:38This mounting desperation paired with Edgar's obsession
36:08had begun to weigh heavily on me.
36:12How much longer could I protect my husband?
36:15I don't get it.
36:16From the inevitable?
36:17Well, you don't read very often.
36:20No, I just don't get the hyperbole.
36:24It's not hyperbolic.
36:26Do you even know what that means, woman?
36:29No.
36:30Just sounded good for the moment.
36:38Excuse me.
36:42Pardon.
36:43Yeah.
36:44Hello.
36:46Adepreza.
36:51Yes.
36:52Will he be here today?
36:53Of course.
36:55I'm not sure.
36:56He said he'd fit it in as he could.
36:59Well, I've been waiting very, very patiently for days.
37:03Very, very patiently.
37:04I would like to go home.
37:05I've been waiting very patiently.
37:07Well, you are still occupied on a project, are you not?
37:13My wife told me about your portfolio.
37:16Your work sounds quite exhaustive.
37:20Happy to hear you're intrigued with our ballerina.
37:23Lilith?
37:24Lilith, yes.
37:25Lilith.
37:26No, I have decided against it,
37:27which is why I'm here inquiring about the appreza.
37:30I just said I will no longer be painting a ballerina.
37:40And why very well not?
37:42What happened to your passions and desires and passions?
37:49It seems that passion and desires are very fleeting in this house.
38:01They change on a whim.
38:06Like hobbies, oui?
38:08No, I beg your pardon.
38:10My wife is nothing of a hobbyist.
38:12No, no, no.
38:13Quite the contrary.
38:14I know, Mr. Henry.
38:17I know your wife very well.
38:20Um, that's a very inappropriate statement, don't you think, artist?
38:25Sooner or later, we will all come to terms with this, uh, masque charade.
38:33We will all come to terms with this masque charade.
38:42Masque charade.
38:44Spence of crisis.
38:49He was not wrong.
38:50We would soon all come to terms with the house of cards my husband had built.
38:56But at this moment, I was concerned that for Edgar Degas,
39:01the statement was far more nefarious.
39:17Norman?
39:19Norman, are you awake?
39:20I hear a sound from your vicinity.
39:31Are you awake?
39:32Are you sleeping?
39:36Oh my god, you've been killed.
39:48Oh.
39:48Oh.
39:50Come out, you fucking coward.
39:53Oh.
39:53Oh.
39:57Oh.
39:57Oh.
39:57Is that you?
39:57Oh.
39:58He was right.
40:05He was right.
40:07There were easier ways to see him in a box six feet under.
40:11But nothing would come easy for Norman Henry, not even his death.
40:16What I can divulge is that the sword was sharp and the cut was quick and clean.
40:22And now you have me getting ahead of him.
40:23Now you have me getting ahead of myself.
40:25Now you have me getting ahead of myself.
40:27This chapter was about love.
40:31Let us simply leave it at that.
40:34And now you have me getting ahead of me.
40:35Let us know.
40:36Let us know.
40:36Let us know.
40:36Let us know.
40:37Let us know.
40:37Let us know.
40:38Let us know.
40:38Let us know.
40:39Let us know.
40:39Let us know.
40:39Let us know.
40:40Let us know.
40:40Let us know.
40:40Let us know.
40:41Let us know.
40:41Let us know.
40:42Let us know.
40:43Let us know.
40:43Let us know.
40:44Let us know.
40:44Let us know.
40:44Let us know.
40:45Let us know.
40:45Let us know.
40:45Let us know.
40:46Let us know.
40:47Let us know.
40:47Let us know.
40:48Let us know.
40:48Let us know.
40:49Let us know.
40:49Let us know.
40:49Let us know.
40:50Let us know.
40:51Let us know.
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