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00:00My husband, Norman Henry, was a good man, generally speaking.
00:19But he was also a man riddled with insecurities.
00:22You heard of Thomas Edison?
00:23What are you due for supper?
00:24Anyone here know a chap by the name of Mark Twain?
00:27Self-doubts.
00:28I see how she looks at you.
00:30My wife.
00:36And fear.
00:40Fear that the world was constantly laughing at his every move.
00:44This fear was not unfounded.
00:49You see, when he was just a boy, the world did just that.
00:58You're off-key.
01:00He's off-key.
01:02We've practiced this part over a hundred times.
01:06But some students are simply more gifted than others.
01:10And that's okay, Norman.
01:12Oh, darling, we're not done.
01:14Let's try it again.
01:18Let's try it again.
01:20I'll admit my husband has a flair for the dramatic.
01:34Whether he was actually laughed at that day or not is quite beside the point.
01:50I'm really sorry about that.
01:52I'm really sorry about that.
01:53I'm really sorry about that.
01:54You're not enough to worry about.
01:55I'm really sorry about that.
01:56You're the laughing stock of the entire congregation.
01:57I'm really sorry about that.
01:58It's fine.
01:59It's fine.
01:59I'm really sorry about that.
02:00It's fine. We can't be good at everything.
02:01I'm really sorry about that.
02:02Well, maybe he can be good at something.
02:03I'm really sorry about that.
02:04I'm really sorry about that.
02:05I'm really sorry about that.
02:07He would spend his life yearning for approval from a father who would offer him nothing in return.
02:19It's you who's embarrassing us.
02:21You know that, don't you?
02:24I'm really sorry about that.
02:25I didn't know it then, but the day I met Norman Henry was not one week after his father had died,
02:32leaving him with nothing but a fragility he would never be able to overcome.
02:45Fuck.
02:46Of course.
02:48You couldn't be any stupider.
02:51Norman, you really just could not be any stupider.
02:54Excuse me.
02:55That's not a very polite way to speak about yourself.
03:00Oh, hi.
03:01Hi.
03:03I'm sorry.
03:04Was I bothering you?
03:06I didn't think anybody would be here.
03:09They told me nobody would be here and that I could just let myself in through the side door.
03:13Am I bothering you?
03:14You're not bothering me.
03:18I'm not a robber.
03:20Well, how could I trust that statement now?
03:22No, really, really, miss.
03:23I promise I'm not, I'm not.
03:24It appears as if you're stealing all the cutlery from the dining hall.
03:27Um, giving it new life.
03:30The cutlery?
03:31It's fallen into neglect.
03:33The cutlery.
03:34Cutlery, yes.
03:35Oh.
03:35Forks, knives, little spoons.
03:40I, um, I give them renewed purpose.
03:47Oh.
03:49You're an artist.
03:52No.
03:53Hmm?
03:54No.
03:55No, I'm, I'm, I'm an opportunist.
03:58But you, you make little sculptures.
04:01No, I, I, I know a guy that makes little sculptures.
04:04Out of cutlery?
04:05Out of whatever I give him.
04:07Hmm.
04:10My sister's an artist.
04:12You seem passionate, like an artist.
04:18Yes.
04:18Well, uh, I'm sorry to disappoint.
04:25You didn't, you didn't disappoint.
04:30The thing, the things I get excited by are, they're not exciting.
04:35You're not exciting?
04:36I try not to be.
04:40Having just ended my relationship with a certain fraudulent inventor,
04:45I was intrigued by this humble man who saw beauty in the world and wanted no credit for it.
04:54A beauty that I had hoped he might find again in me all these years later.
05:06This penultimate chapter, dear reader, is as close as we came to falling back in love again.
05:36Oh, oh, oh, oh, oh, oh, oh.
06:06Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
06:36Hello?
06:57Herbert!
07:03Herbert!
07:10Hello?
07:17I'm going!
07:22Will you all shut up?
07:32But he was invited.
07:33He wasn't invited.
07:35Oh, I didn't work for you, woman.
07:40Hello?
07:41Excuse me?
07:45Excuse me?
07:55Who are you?
07:58Replacing the driver, I hope. He's about to die.
08:01A creditor?
08:03He's a lawyer. Says so on his bag.
08:06My occupation and identity are none of your concern.
08:12I am looking for my client's wife, Evelyn Nesbitt Thor.
08:22Who?
08:23Huh?
08:24What?
08:25If you could show me the way to the main house where the real people are.
08:31Okay, so...
08:46Mrs. Nesbitt Thor.
08:48Oh.
08:49Mrs. Nesbitt.
08:50Huh.
08:51For the purposes of these legal proceedings, it is preferable for you to identify as your
08:59husband's property.
09:04Ah, well.
09:07Okay.
09:08You are the lawyer.
09:09I am.
09:12So, let us begin.
09:15I'm so sorry.
09:16Right now?
09:17Yes, this very instant.
09:18We're due back in the city by 4 p.m. for you to be sworn in.
09:21Wow.
09:22Exciting.
09:23I will be speaking to you as though I were the prosecution, but rest assured, I am a friendly.
09:30It's merely an act for you to be prepared.
09:33I'm so sorry.
09:35What's your name?
09:40Delphine Delmas.
09:42Delphine Delmas.
09:43Delphine Delmas.
09:44Delphine Delmas.
09:45Delphine Delmas.
09:46Delphine Delmas.
09:47Right.
09:48Well.
09:49Um.
09:50You see.
09:51I have acquired an audience for my dress rehearsal.
09:55And um.
09:56They're all waiting for us.
09:59Waiting.
10:00For us.
10:01Mm-hmm.
10:02Mm-hmm.
10:03Mm-hmm.
10:13Mm-hmm.
10:15Mm-hmm.
10:24Yeah, yeah.
10:27Hello, and welcome, ladies and gentlemen, to the first and only dress rehearsal for...
10:48The Crime of the Century!
10:57Isn't that good? We worked on that jingle together.
11:04Oh, God, sorry. This is, uh, this is my lawyer, Mr., uh, Mrs. Delphus Finimus.
11:09Uh, it's, um, Delphan Delmas.
11:11Right.
11:12Prickly fellow.
11:13Take a bow!
11:14I'm not your, I'm not her, her lawyer.
11:16Um, ma'am, ma'am, might I have a word?
11:19Okay.
11:21Um, wouldn't you prefer to do this in, uh, in, in private?
11:28Are you sure you don't want to do this in private?
11:34Mr. Delphus, am I not to testify in front of the entire world tomorrow?
11:37It's Delmas, uh, yes, um...
11:39I think the name is Demas.
11:40Demas?
11:41Yeah, Demas, Demas.
11:42Uh, okay. It's Delphan Delmas, uh, for those of you who aren't sure.
11:48Uh, ma'am, I do implore you to trust your husband's counsel on this.
11:52I believe that we should find a private suite and we'll rehearse, uh, confidentially.
11:58Oh, Mr. Delphus.
12:01Come now, I trust these people completely.
12:04My friends.
12:09I make, uh, the merde.
12:11Very well.
12:18Very well.
12:19bloque inside.
12:20icate.'s
12:21wait for the judge to stay the only one.
12:22I feel the judge to do the truth.
12:23Go ahead.
12:24Come on, I know.
12:41Come on, he looks bad at him.
12:42Stop by Erfolg.
12:44Come on, I always will.
12:45You will not have mooi.
12:46Mrs. Thaw.
12:55Nesbitt Thaw.
12:57Could we switch them, perhaps?
12:59Thaw and Nesbitt.
13:01Wouldn't you like that?
13:03I knew you'd understand.
13:06I'll start from the beginning, I suppose.
13:09Yes, of course.
13:12Where were you in autumn of 1901?
13:16New York City, Manhattan.
13:20And were you romantically involved with anyone at that time?
13:25Yes, I was.
13:29Whom?
13:30Oh, um, Stanford White.
13:46Could you explain the nature of the relationship to the court, please?
14:07Yes, of course.
14:09Stannie and I loved each other very much for a time.
14:11He was like a father to me.
14:12Mrs. Thaw, isn't it true that you performed sexual favors for Mr. White in exchange for cash and gifts and travel?
14:18Is this not a little crass for public consumption?
14:30The real prosecution will try to frame you as a common whore.
14:37A whore?
14:49Why?
14:51I mean, why would they try to paint such an ugly picture about a lady like me?
14:58Mrs. Thaw.
14:59Nesbitt.
15:00Mrs. Nesbitt Thaw.
15:04Did Mr. Stanford White have a studio apartment he kept in Midtown with a velvet swing hanging from a crossbeam?
15:14Yes.
15:14And is it true that you, you would swing naked from the velvet swing?
15:29It was all in jest.
15:44In autumn of 1901, did Mr. Stanford White not drub you with your mother in the room and penetrate you through multiple orifices?
16:04Ha. She was asleep. My mother.
16:15That was not my question.
16:18Yes.
16:19Yes, he did this over and over again, day after day, month after month.
16:22And in exchange, he paid for your trips, your schooling, your apartment, your particulars.
16:27The very definition of a common whore.
16:30Oh.
16:31Oh.
16:31Oh.
16:31Oh.
16:32Oh.
16:32Oh.
16:32Oh.
16:32Oh.
16:32Oh.
16:33Oh.
16:33Oh.
16:33Oh.
16:34Oh.
16:34Well, there are many words with multiple definitions you'll find.
16:44For example, the word I love you.
16:46That is something that means a whole lot more to us women than it does to you men.
16:49And when Mr. White tired of you, did you not turn your attention to Mr. Harry Thaw's fortunes in an act of selfish desperation?
16:59I don't seem to know what this has to do with Harry shooting a man.
17:02It's Nesbitt.
17:03You crafted a surgical campaign to target Mr. Harry Thaw to fleece him for cash and gifts and trips.
17:12To fleece him?
17:16Like a sheep.
17:19Don't be smart.
17:20Don't be smart.
17:21A smart young lady doesn't play well with the jury.
17:32Well, what definition are you using to define the word smart?
17:34You see?
17:35You see, it's all objective, isn't it?
17:36I traveled to Paris at no expense of your own.
17:41Your mother traveled to Paris at no expense of her own.
17:46So I must ask, what was the currency?
17:51Kindness.
17:52I believe the currency was companionship.
18:04And loyalty.
18:05And friendship.
18:06And the trip was a gift from Harry.
18:11Mm-hmm.
18:13Are gifts are no longer acceptable practice from a husband to his wife?
18:20Yeah?
18:21Is that good?
18:22And come to think of it, I do believe I know where you're going with this, Mr. Ephraim.
18:37And it is downright shameful.
18:41Because my body is and has never been currency.
18:48Not for gifts, for trips, or any other thing.
18:56It is donuts.
19:02You call it companionship and loyalty.
19:06I call it sex acts and role play.
19:08Risqué role play, for that matter, which you performed in exchange for a home and a life of status.
19:15So, disguise it as you will, Mrs. Thaw.
19:19But the truth remains that you reek of putrid desperation.
19:27You are as every woman who trolls the Lower East Side of Manhattan between the hours of 10 PM and 2 AM.
19:35I can smell the rancid stench from here.
19:44We all can.
19:45Did you knowingly withhold the fact that you were indeed not a virgin when you met Mr. Harry Thaw?
19:51Did you knowingly withhold this information because you knew that you might be able to swindle him more efficiently?
19:58Did you, in fact, steal money from Mr. Harry Thaw under the false pretense that you were selling him your virginity,
20:04and when he realized that you had been lying to him, he had a mental break which caused him to fatally injure Mr. Stanford White.
20:11So, in fact, was it not you, Mrs. Thaw, who is to blame for the untimely demise of Mr. Stanford White?
20:20It is your fault, because you are a dirty whore.
20:29How dare you?
20:43Me.
20:44Wasn't it me?
20:45Because I didn't want to sleep with Harry.
20:46I didn't want to sleep with him.
20:47Okay?
20:48I didn't want to sleep with him.
20:49Okay?
20:50I didn't want to sleep with him!
20:51He was a beast!
20:52And he hurt me!
20:53And he whipped me!
20:54And I didn't want to sleep with him now!
20:55And I don't!
20:56And I never will!
20:57And he knew that!
20:58Because a woman doesn't always need to be explicit.
21:00She doesn't.
21:01Okay?
21:02Why the fuck does being a woman always have to be so explicit?
21:10I'm not.
21:11I'm not.
21:12I'm not.
21:13I'm not.
21:14I'm not.
21:15I'm not.
21:16I'm not.
21:17I'm not.
21:18I'm not.
21:19I'm not.
21:20I'm not.
21:21I'm not.
21:22I'm not.
21:23I'm not.
21:24I'm not.
21:25do you think i wanted paris well you certainly wanted something i didn't want paris you never
21:34asked me what i wanted i wanted clothes and a bed that i might call my own
21:40and i wanted to stop supporting my whole family
21:46but i didn't want paris and you can all sit here and judge me but i am not a whore i am not a whore
22:00i am a girl i'm just a girl i'm i'm i'm i'm evie mama i'm evelyn
22:09my name is evelyn nesbit it's not thaw it's nesbit so you do you hear me
22:20delfus or dingus or whatever it is they call you it's fucking nesbit we've heard enough
22:26we've heard enough
22:31no no we're not done we're not nearly done i shall only say it once more
22:38we are done now
22:44that performance was pathetic see how easily she was broken she is far from trial ready
22:51i implore you to release this young woman
22:58i believe the shame felt in this room
23:03is enough for her soul
23:09man's life hangs in balance
23:25she is a murderer she is his whore
23:29that's enough
23:31that's enough
23:35do
23:41she is a murderer and she is the same
23:44she is the same
23:48is a murderer and she is the same
23:52why little cool
24:24Back to work, a lot of you.
24:40Up, back, out.
24:41Everybody out.
24:42Go, go, go.
24:43Go, out, out.
24:54Norman would hold her for hours that day.
25:18Intent on being the parent that neither of them had.
25:22I don't know.
25:52It was a practice for her mother to take long walks, unannounced.
25:57I'm so sorry.
26:01I'm so sorry.
26:03Oh, my darling girl.
26:05She told us to send word when her mother arrived back at the estate, and they'd have Harry's
26:10driver pick her up.
26:18But Mrs. Nesbitt never returned to the house.
26:21Nor would she see her daughter, not ever again.
26:32I do believe after the mock trial, the atmosphere in her home had changed ever so slightly.
26:46A lingering air of forgiveness and gratitude, albeit brief, would blow through with the wind.
26:53I do appreciate your kindness with me these past few days, Mr. Henry.
27:06And you too, Mrs. Henry.
27:16The time has come, Mrs. Nesbitt talk.
27:23Chin up.
27:30Gets better.
27:36Mr. Henry.
27:39You've got nothing to worry about.
27:40I'm the girl on the swing.
27:46I believe you're much more than that.
27:51Yes.
27:53So do I.
27:54All right.
28:12Look, I shall only say this once, so listen with your hearts.
28:19The next time you see me, it shall be my name in lights.
28:24And when you do, I urge you to remind yourselves as of why.
28:29It is because I will have broken free.
28:36At all costs.
28:40Evelyn Nesbitt would soon see her name in lights.
28:42She would, in fact, fulfill her promise to her mother.
28:58She'd become the most famous in the entire world.
29:02I will be a great big stage actress.
29:04You have.
29:05And everyone will love me, mother.
29:06They will all love me.
29:08But what she truly desired was unconditional love.
29:12And it was this that would elude her until her dying day.
29:19Evelyn had gifted us a valuable lesson that day.
29:22That our destiny resides solely in our will to break free.
29:26After that speech, really?
29:36Okay.
29:38So, are you looking to ask me something?
29:41Um, well, it's just that it's, it's, it's, it's Christmas Eve.
29:57Yeah, well, um, I don't celebrate.
30:02Sadly, my, my family perished.
30:05Oh.
30:07You said you had a sister?
30:09She's an artist.
30:20I, I don't, I don't, I don't celebrate either.
30:23But for other reasons.
30:28Ah, yes.
30:29Yes, right.
30:33So, um, are you looking to ask me something?
30:39Well, um, we could not celebrate together.
30:53Okay.
30:57Norman, are you awake?
30:59I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I
31:29All right, I'm okay.
31:53Yeah, go back to sleep.
31:57What's wrong?
32:00Nothing.
32:01We're gonna be okay.
32:04We're gonna be okay.
32:12But unfortunately, this could not have been further from the truth.
32:24Is it all?
32:31Putain de merde.
32:38We bring you news from the courthouse, lower Manhattan district.
32:47In the Thaw trial, where his wife Evelyn Nesbitt Thaw has just taken the stand dressed as a schoolgirl.
32:53Exuding a sense of calmness, you normally only find in the male persuasion.
32:57But nonetheless, this reporter could not help but take note of a certain quality one might find in a silent picture actor.
33:04After Evelyn had left, I had this feeling that our situation might improve.
33:16Looking back now, I suppose I was a bit lovestruck again.
33:25We had entered a dream-like state.
33:28One of companionship and happiness and trust.
33:34All of my experiences, had they led me here?
33:47To this moment?
33:49To a moment of grace and love where my husband might be willing to accept the impossible?
33:55I did not invent the lightbulb.
33:59I suppose you know who did.
34:02This secret I had held so deeply within.
34:06I had even convinced myself it was not true.
34:09But for the first time, I had felt like maybe he could hear my truth and set me free.
34:18følge
34:45But while I would grapple with the right moment to confide my secrets to Norman,
35:05Edgar and Lilith were grappling with a truth of their own,
35:08that they might never return to Paris.
35:15What do you think of the inevitable way?
35:18What do you think?
35:19You're not you.
35:21The way in which she looked at me.
35:25The way in which she looked at me.
35:29Oh, you're upset.
35:31Of course, I am.
35:33I am an artist.
35:36She doesn't like you.
35:37You have to tell her story.
35:39What do you think of these feelings?
35:44Or of mine?
35:46Or how do you think of my feelings?
35:52You don't know anything.
35:55How do you think of...
35:58Salish!
36:05This mounting desperation paired with Edgar's obsessions had begun to weigh heavily on me.
36:12How much longer could I protect my husband...
36:15I don't get it.
36:16...from the inevitable?
36:17Well, you don't read very often.
36:19No, I just don't get the hyperbole.
36:24It's not hyperbolic.
36:26Do you even know what that means, Norman?
36:28No.
36:30It just sounded good for the moment.
36:32Excuse me.
36:42Pardon.
36:43Yeah.
36:44Hello.
36:51Yes?
36:52Will he be here today?
36:53Of course.
36:54Um, I'm not sure.
36:56He said he'd fit it in as he could.
36:59Well, I've been waiting very, very patiently for days.
37:02Very, very patiently.
37:04I would like to go home.
37:05I've been waiting very patiently.
37:07Well, you are still occupied on a project, are you not?
37:12My wife told me about your portfolio.
37:16Your work sounds quite exhaustive.
37:20Happy to hear you're intrigued with our ballerina.
37:23Lilith?
37:24Lilith, yes.
37:25Lilith.
37:26I have decided against it, which is why I'm here inquiring about the appraiser.
37:33I just said I will no longer be painting your ballerina.
37:39Um, and why very well not?
37:42What happened to your, uh, passions and desires and, and, and, um, passions?
37:49It seems that passions and desires are very, um, fleeting in this house.
37:59Uh, um, they change on a whim.
38:06Like hobbies, eh?
38:08I beg your pardon.
38:09My wife is nothing of a hobbyist.
38:11Oh, it's all right.
38:12No, no, no.
38:13Quite the contrary.
38:14I know, Mr. Henry.
38:17I know your wife very well.
38:20Um, that's a very inappropriate statement, don't you think, artist?
38:26Sooner or later, we will all come to terms with this, uh, masque charade.
38:33We, we will all come to terms with this, with this masque charade.
38:40He was not wrong.
38:50We would soon all come to terms with the house of cards my husband had built.
38:56But at this moment, I was concerned that for Edgar Degas, the statement was far more nefarious.
39:10Norman?
39:18Norman, are you awake?
39:29I hear a sound from your vicinity.
39:31Are you awake?
39:32Are you sleeping?
39:36Oh my god, you've been killed.
39:40Oh.
39:52Come out, you fucking coward.
39:53Marion.
39:57Is that you?
40:01Marion.
40:03If you're trying to kill me, there are simpler ways.
40:06He was right.
40:07There were easier ways to see him in a box six feet under.
40:12But nothing would come easy for Norman Henry, not even his death.
40:17What I can divulge is that the sword was sharp, and the cut was quick and clean.
40:24Now you have me getting ahead of myself.
40:28This chapter was about love.
40:30Let us simply leave it at that.
40:32Let us simply leave it at that.
40:33Let us simply leave it at that.
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