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FunTranscript
00:00Welcome to the Henry Manor.
00:03A gilded-age tale of mystery and murder.
00:09But first...
00:10Hey, Lucky.
00:11The power's out in the dining room again.
00:13...but trying to make the 40s.
00:15Well, I'm talking.
00:19Mr. Henry made his fortune as a junk man.
00:23Something he was quite proud of, actually.
00:26But it wasn't until a chance encounter with Mr. Thomas Edison
00:31that he became truly revelant.
00:56This should be good.
01:01Oh, shit.
01:05Oh, shit.
01:06At this exact spot is where Thomas Edison accidentally slipped on a rug, hitting his head right here on this second step.
01:28Run!
01:29Run!
01:30Run!
01:32Wh㗏 !
01:33Run!
01:34Number two.
01:35BEEP!
01:36clue
01:37Spotlight
02:00his life. It is the dawn of a hobbyist. One day, I'm going to be an inventor.
02:16Dear reader, this is not a story in the conventional sense. You see, nothing is neat
02:24and tidy, nor is it laid out with ease for a dim-witted pony.
02:30Which I hope you are not, for both her sakes. No. This story in particular is a cautionary tale.
02:43My husband is dead. Killed in the dead. Anything to sabotage a deal with Thomas Edison.
02:50Looking back now, I can admit I was rooting for her. His foot could be sealed for a portrait of poodles.
03:00When I was a child, I had foolish dreams of what I might become. I saw the world differently.
03:07I don't get it. What does it do? It's not about that. What do you mean? It's not about the trap.
03:22If the entire contraption is used to cage poor Beatrice here. But look what I built. Look at all the intricacies of it. It's interesting. One day, I'm going to be an inventor.
03:41I wanted to invent something that might have saved our mother from her untimely fate.
03:45Do you both understand why God created you to reside together on this earth?
03:51She would say that her destiny was written, but ours was not. Slightly ironic sitting here now writing to you.
03:59Before our mother died, she would instill a sense of connection that would bond us to our core.
04:04We had promised our mother that we would come together on this day each year.
04:17No matter where life might take us, we would find each other. Again.
04:22When you become one together, you see the world for what it truly could be.
04:39And today, the day that Norman died, would be the day that I see clearly again.
04:52On June kinda subscribe.
05:02If there were intentional development stuff, you didn't know where we are, then, as far as there was.
05:09How long are we going to die anyway?
05:12The master'sよう.
05:14In the prototype jako structure, it must happen.
05:17At the top of the stone experiencing stable poverty and nature.
05:19The ownlessness of unity in this space was added.
05:21Let's move on.
05:51Someone gets around.
06:21While Norman and I had become infatuated with one another all over again, the rest of our
06:31world, so it seemed, was at a standstill.
06:37That's the funny thing about love.
06:40It's quite indulgent.
06:43What have you done, Lily?
06:44I've done nothing.
06:45He is not called on you, not in days.
06:52I don't care.
06:54Read between the lines, this isn't good.
06:58Maybe we should leave.
07:01Leave where?
07:03Lilith.
07:06Leave to go where?
07:09I didn't see it then, but we have become frozen in time with no money.
07:13Fuck!
07:14And no way out.
07:21Finito!
07:22Duke are on Tuesdays, but it's Wednesday.
07:26And like any caged owl, you become fidgety.
07:29I say, old maid, who you calling an old maid?
07:33She's gonna make that joke until she's dead.
07:36I was afraid to reveal the truth about Edison to my husband, afraid of what it might do to
07:42us, afraid yet again.
07:49And as our world grew more insular by the day, I grew more tepid.
07:56Cars!
07:57You're just such a cheese always!
07:58How are we supposed to hold this?
07:59How are we supposed to hold this?
08:00She's so perfect, the head!
08:01Me!
08:02Oh, my God!
08:03What are you all doing?
08:04Are we playing cards or aren't we?
08:05I could not shake the feeling that something was not right between us.
08:15Can't we just play?
08:16I have done with you!
08:17And it was all a charade.
08:18Every single time!
08:23And then, like clockwork, she arrived.
08:28Right unscheduled to break us free from this insanity.
08:55Why?
08:56I'm not sure we was expecting you.
09:02Were the Henry's expecting you?
09:10Lovely to see you're still kicking, Gretch.
09:16Good deal.
09:17Ah, the stench of rotting paper bills.
09:23How I have missed you.
09:35Gretchen, can you be lighter underfoot?
09:38I've been saying that for many years.
09:40It's as if you're a direct descendant of Napoleon himself.
09:43Mr. Henry.
09:44Stomp, stomp, stomp.
09:46Yes, Gretchen.
09:47I do know the word choleric.
09:48Thank you very much.
09:49Mr. Henry.
09:50She has me reading now.
09:51Mr. Henry.
09:52Yes.
09:53We have a visitor.
09:54Is he coming for me?
09:58Now?
09:59You're not going to lie.
10:00Damn it, Robert!
10:01Rosie!
10:02Rosie Morsh!
10:03Oh no.
10:04Did she die?
10:06Not yet, sir.
10:07She's here.
10:08How the fuck does she find us?
10:09How the fuck does she always find us?
10:10Will you be greeting her?
10:11Relax, Norman.
10:12I do believe you should.
10:13She is your sister.
10:14She is, yes.
10:15Yes, she is your sister.
10:16Yes, yes.
10:17Yes, she is your sister.
10:18Yes, yes.
10:19It's a terrible time to entertain company though.
10:20She isn't company.
10:21She is my sister.
10:22It's just not a good time for us right now.
10:23We've got an artist wandering the halls.
10:24No, I'm not.
10:25He's asking for money everywhere he goes.
10:26It's fine.
10:27It's fine.
10:28It's fine.
10:29It's fine.
10:30It's fine.
10:31It's fine.
10:32It's fine.
10:33Yeah.
10:34I hate you.
10:35It's fine.
10:36It's fine.
10:37You can't go.
10:38Oh no.
10:39Oh, it's fine!
10:41Oh!
10:42No.
10:43You can't do something.
10:44Well, it's fine.
10:45No, we don't have anything.
10:46is my sister it's just not a good time for us right now we've got an artist wandering the halls
10:49he's asking for money everywhere it goes it's fine it's fine it's fine all right it's fine
10:55it would not be fine my sister had a way of making norman feel exposed i'll have the chef
11:01cook the remainder of the pheasant this pheasant's old oh i knew that pheasant wasn't old i knew it
11:09when norman got nervous he would laugh uncontrollably get out get out the doctors
11:18called it manic hysteria previously only diagnosed in women
11:25he was unable to form cohesive thoughts tonight we'll be hosting marion's sister that means our
11:31finest linens and our holiday china please lily i shall need you to dance this evening no you do
11:37not yes i do i do i said i will not see who play i will not i will not oh please how much of that
11:44pheasant do we have left is not left oh please no that's impossible oh chickens do a chicken or a
11:52hen she's a sculptor she won't know the difference where are you going this is for them the mess in
11:58the great room what's this for where's the ice we don't have ice no ice
12:07we need to ration our supplies appropriately what we need to do a much better job rationing our supplies
12:14appropriately you hear me goes for every single one of you
12:21what are you standing there for why is anybody working oh oh huh yes sir yes sir what do you mean
12:26yes sir nobody's working no no sir i meant yes yes sir to the other give me some flucking ice yes sir
12:31chip it off the rocks i don't care you leave her parched you leave her parched until you get a
12:37coffer full of fucking ice fuck her how are you doing sweetheart i can't wait to taste it i cannot
12:44wait to have your lovely horrible fucking food rosie marion my darling what you look gaunt
13:01as if the wrath of judgment day has pummeled you across a cliff's edge oh how i've missed you
13:07oh i've missed you sit down sit down ah are you remodeling what it is as if you're remodeling in
13:19this room specifically what no you're missing art oh uh no you know it's just a row in a house you
13:28haven't responded to my letters i thought you were dead every day i'd wait and wait with a
13:34renewed sense of dread it's a bit dramatic isn't it thank you i've been holding a tenancy in a small
13:43boarding house in the city while i prepared my new show which you'd have been to if you cared about
13:47art anymore anyway i wandered over to you brownstone by the park you know i'd never come uptown unless i
13:54felt the need of some suffocating masochism yes oh my god but as i knocked on the door an entirely
14:01different rich old drab man answered not norman a different one he said you sold the house and
14:07moved up to the country on some sort of exclusive basis well that's not exactly what happened
14:11mary i think it's fabulous finally away from the druthers of status and free to think think think
14:16and tinker a free tinker thinker again at last that rhymes it does
14:21oh so is it difficult to finally leave norman i have a current work entitled the menstruation of
14:33the lonesome mistress i thought of you oh yeah i have not left norman oh i'm sorry about that
14:43no uh in actual fact we are experiencing a sort of renaissance i think you'd be quite surprised by
14:49norman a renaissance are you creating you must be creating something meaningful to declare a
14:53renaissance otherwise you're just blissful then we're blissful we're just fucking blissful okay
14:59blissful with a tinge of defensiveness i see
15:04still your sissy here mary
15:08you give this note directly to norveys and tell her she can have whatever she wants you heard that
15:14directly from me yes yes yes sir 8 p.m sharp tell her 8 p.m sharp i don't think nora bias
15:20winters in the country sir she's having an affair with the gardener next door she's having an affair
15:25with more than just the gardener see she's having an affair with all sorts of people good for nora
15:30bias great for us tonight sir i have but a single working appendage at the moment oh my god oh
15:38ferdinand you shouldn't worry i'm not entirely sure i'll make the watch from this bias this residence
15:42in time for 8 pm ferdinand please sir put it away ferdinand i'm begging you please put it away put it
15:47away okay i don't mind it's pond water that's fucking pond water pond ice tripped from the rocks
16:01i don't think i'm having a panic attack stop it stop it stop it oh please please please somebody
16:19get my wife please she's with her sister i'll go fetch her no no no no no no no no no no she's with her
16:27fucking sister please please please please help me oh please please help me please
16:38where are you going uh nowhere i i'm just going let me come with you no no no no you stay here i'll
16:43have them bring you some refreshment you know i can fetch my own glass of water mary i'm a single
16:48woman living in the village i know i know but not here go sit down this room shut up
16:57lock one more
17:03all right
17:07my my my my chest my chest feels like my chest i call doctor please help me help me please i'm so sorry
17:18it's not a heart attack it's not a heart attack you're not having a heart attack
17:20you're playing something you call doctor a bucket i don't want to die i don't want to die please
17:34i'm so sorry
17:40i'm so sorry
17:45i can't do it i can't do it i'm so sorry i'm so sorry
17:51i'm sorry please
17:53oh my god
18:01you seem to be in a bit of a state oh lord is that your um your professional assessment
18:11i worry for you are you lurking in the halls now i said i worry for you yes yes i heard you but then
18:18instead of answering your question i sort of pivoted to one of my own i do not lurk
18:24you're scaring us because i feel things because i'm a man who who stinks with his heart
18:33a man that will who will devote every second of every day to setting you free oh god you're an
18:38imbecile stop stop stop my marianne no no no mrs henry dammit echo come on it's mrs henry
18:52please let me approach you a few steps so that i may make out your figure in the light
18:58i will say this once and then i shall leave yes yes you need to leave echo you need to leave look
19:10i i will arrange a promissory note that's you know it's it's as good as cash on the henry name but you
19:15must leave you really you must leave please hear me oh oh i hear you my god i do i hear you
19:25please hear me i have never ever felt my heart soon so never ever in my life
19:35it is quite concerning my passion has always come from the control of my stroke i have always been
19:48in control of my stroke my own yes thank you thank you thank you thank you yes yes halt halt no halt
19:57halt i suddenly realized that the buddhas are a metaphor for my life i am but a but a trained
20:11out in the hand of the master i am not your master i do not love you i do not have secrets that only you
20:22can decipher i i i i you've created this narrative of delusion and that's what artists do right so
20:29congratulations free thought but i am a married woman and you know we i mean we we we shared a moment
20:35in in in uh uh you know a bedroom where you were as blind as a band you couldn't even make out the
20:41contours of my fucking cheekbones so it's over all right it's over
20:45stop i will not accept a promisade no i explained to your husband that i will not say ah
20:56halt halt please hear me do you hear me come come yes i will not accept it i'll be right back um
21:06would you be just go away it appears as if you're being chased by a gardener no no no it's yeah it's just
21:12the hell it's or a murderer you shall have me cast you as a wicked witch
21:22will you leave us alone ah i'd rather be a widow than you set us free
21:29how a widow did you say
21:31what do you do introducing the new temporary receiving vault system this state-of-the-art design
21:54allows your local cemetery to store up to five bodies with limited decomposition just until the ground
21:59thawed no more burning pyres or formaldehyde the receiving vault system coming to a cemetery near you
22:05no no man no man wake up it is time to go to your body
22:22no man no man
22:40you have your body
22:49no man
22:52yes
22:57service service service
23:01no
23:03no
23:03no
23:05no
23:05no
23:05i'm tired
23:06i'm tired
23:06fake it
23:08oh my god
23:09ehhh
23:18Do you remember the bathhouse?
23:20No, no, you shut your mouth.
23:23No, you shut your mouth.
23:25May I produce Mr. Norman Henry?
23:32Normie.
23:33Normie.
23:35You look positively tempestuous.
23:37Look at this one.
23:38Tempestuous, am I right?
23:39Very good.
23:39Hello, Rosie, hello.
23:41Loosen up.
23:43Do you know what your problem is?
23:44Do you meditate?
23:45No.
23:46You need to loosen up.
23:47You need to bring back that old Henry charisma.
23:55May I present the one, the only, fresh off her world tour?
24:01Who is Brooklyn?
24:02Brooklyn.
24:03Hello, hello, hello.
24:05Hello.
24:08It's Nora Baez.
24:10Yeah, she's fabulous.
24:11She has fabulous tits, am I right?
24:13Rosie.
24:13Straight off a world tour.
24:15I've heard, Norman.
24:17Your geriatric maid just told me.
24:20She told everyone here in this room.
24:26Shall I begin?
24:28Lord have mercy.
24:29Yes, yes, begin.
24:30I see clearly.
24:44Tonight, I will set her free.
24:50One day we will all be free.
24:53Tonight, tonight, tonight is her night.
25:03There was a certain lawyer in a certain town.
25:07You're flat.
25:08You're flat!
25:09From always snooping round.
25:11Higher?
25:12He was the most peculiar man I'd ever seen.
25:15I'll give you a description of the man.
25:17Have a note higher?
25:18Higher.
25:19There's much more disease.
25:20Oh, there it is.
25:21Right, you are good.
25:22Would you shut up and let her sing?
25:24Snoop, the lawyer.
25:25Well, if you're going to spend money on an act, might as well have her put the diaphragm into it.
25:29Rosie, it's no more bias.
25:31Are you having a stroke?
25:32Do you even know what a diaphragm is?
25:34What is it?
25:35That's a diaphragm.
25:36What is wrong with you?
25:38Never wore a collar.
25:40Snoop, the lawyer.
25:41For fuck's sake, I've had enough of this.
25:43Never spent a dollar.
25:47Oh, my God.
25:48Dizzy.
25:49Dizzy.
25:50I'm dizzy.
25:51Did you get him some ice?
25:52No, no, no, no.
25:53No ice for me.
25:54Don't be so silly.
25:55Suddenly a man of the people.
25:56Rosie, would you please just simmer?
25:57He has anxiety.
25:58I'm not anxious.
25:59I don't suffer from anxiety.
26:01He's wide open, darling.
26:02Let's just call it what it is.
26:03He's stressed about money.
26:04Norman.
26:05Rosie, Rosie, don't do this.
26:07Clearly this is a fucking charade.
26:11Rosie, right fucking here.
26:14You're to have me believe that you willfully moved up to the country to hear Nora Bay sing bedtime stories.
26:32We have not moved up to the country.
26:33We have not moved up to the country.
26:34We have not moved up to the country.
26:35We have not moved up to the country.
26:51You are broke, Norman.
26:52Rosie, don't do this.
26:54Yes.
26:55You just bend over and take it.
26:57You always have.
26:58I do not bend over.
26:59You don't talk to my wife that way.
27:00I do not bend over and take it.
27:01I do not speak to my wife that way.
27:03Come on.
27:04What was I supposed to do?
27:05It's not what they expected you to do.
27:06It's what you expected of yourself, Mary.
27:08We are not broke.
27:10Yes, we are, Norman.
27:11Yes, we are, Norman.
27:12Will I be paid?
27:13You'll be paid.
27:14Probably not.
27:15We are Henry's.
27:16I can assure you, you will be paid, my darling.
27:19You know she was a genius.
27:21She built things.
27:22Contraptions.
27:23Did you know that?
27:24Your stupid name means nothing compared to what she could have been.
27:32I've worked very hard for my stupid name, Rosie.
27:35A junk man.
27:37I've built my fortune through diligence and hard work.
27:42I have built it out of absolutely nothing.
27:46And you still have nothing.
27:48You're a middleman with nothing.
27:49No skills.
27:50No talent.
27:51Nothing.
27:52Nothing.
27:53Well, that's not what Thomas Edison said to me.
27:58Oh, really?
27:59Thomas Edison?
28:00Oh, really?
28:01Yes.
28:02Thomas Edison and I are changing the world because I mean something.
28:09You understand?
28:10I mean something.
28:11What did you say?
28:12Wow.
28:13I don't know what I said.
28:14What did you say?
28:15Shut up.
28:16I don't know.
28:17You know what I said.
28:18What did you say?
28:19I made a deal.
28:20I made a brilliant deal.
28:22A brilliant, brilliant deal.
28:27Marion.
28:28Marion.
28:29Marion.
28:30Marion.
28:31Marion, please.
28:32Please, Marion.
28:33Let me.
28:34Can you please.
28:35Can you just let me explain?
28:37you're...
28:38I...
28:54Can you?
28:55Well, it seems my work here is done.
29:25Gretchen! Gretchen! Get my valise, my hatbox, my easel, my luggage, and call my carriage.
29:40Yes, ma'am.
29:43Marion, Marion. It's all about Spike. Spike, Marion. It's all about Spike.
29:54I'm sorry. I'm sorry.
30:07Oh, God. You don't have any?
30:15Will you let me explain? Please, will you let me explain?
30:22I wouldn't do this to you!
30:26I don't know what to say.
30:32Fuck!
30:35I forgave you. I've forgiven you our whole life. Nothing's equal!
30:46How could I have been so stupid?
30:48Not fair!
30:52To cast aside all inhibitions and believe that something might have changed within my husband.
30:58He left Marion. He can quit the charade. He's gone about his business.
31:02There'll be other deals. I promise.
31:04No. He still saw me as a pawn.
31:08That was eventful.
31:10Always is.
31:12So, are you ready to make more money than God?
31:15A chess piece that he could simply move aside for the betterment of the Henry name, of course.
31:22Oh, my God. I prayed for you, Marion. I prayed for this deal. I prayed for this deal every day.
31:30I don't think I made a mistake, Marion. You just have to trust me, for God's sake.
31:48I'll wait you out, girl.
31:53I'll wait you out.
31:58I'm standing there trying to make a meal. Now I'm trying.
32:00He comes in and he says, oh, you are an artist. I'm an artist. Oh, the stupid idiot.
32:04And I say to him, look, what? What?
32:06He takes the knife. He says, I'm going to save her.
32:09I'm going to save my Marion.
32:11And he stands up there and he goes, walking away.
32:13And I say, he knows it.
32:15Who's this?
32:16Who? Who? The fucking French artist. You know who. He's on his way, my dog.
32:46It comes. Don't do this.
32:49Where are you?
32:54Marion. I'll leave you alone if you just come in here.
32:58Marion. Talk to me, Marion, please.
33:01You just have to trust me, for God's sake.
33:04Shut up! Shut up!
33:07Like with the painting.
33:09Stop feeling sorry for yourself.
33:11You are not the fucking victim.
33:14Just because you had an onslaught of guilt doesn't mean that you get to make this moment about you.
33:20Darling, take your time. Take your time. Take your time.
33:22Norman, this is not about that.
33:24Whatever this is, it's not that.
33:26And I am not forgiving you. Could you just your robe, Norman?
33:29Oh.
33:30Please, could you have a...
33:32That was unintentional, Norman.
33:34Tell you something.
33:35Of course it was unintentional.
33:36Everything you do is unintentional, Norman.
33:38That's not true, Marion.
33:39That's the problem.
33:40That's not true, Marion.
33:41Just because, you know, you've, you know, you...
33:42Take your time.
33:43Yes!
33:44Ah!
33:45Ah!
33:46Ah!
33:47Ah!
33:48Ah!
33:49Ah!
33:50Of all the nights you could have snuck your whore into your bedroom!
33:53Oh, my God, I...
33:59Well, Marion.
34:01You look quite queasy.
34:03I bet you are, Norman.
34:04I bet you are.
34:06Oh.
34:07I think I need to call on the doctor.
34:14Oh.
34:15Call on the doctor.
34:17I think I need to call on the doctor.
34:19It doesn't work.
34:21I don't care.
34:23Gretchen!
34:24Gretchen!
34:25Gretchen!
34:26Gretchen!
34:27Gretchen!
34:28Gretchen!
34:29Get the doctor!
34:31Get the doctor!
34:32Get the doctor!
34:35Take your hands off her!
34:37You co-sucker!
34:42Get out, mate!
34:45Gretchen!
34:47Get the doctor!
34:50You co-sucker!
34:51You co-sucker!
34:52You co-sucker!
34:53You co-sucker!
34:54You co-sucker!
34:55Help.
34:56Oh, no...
34:57What?
34:58The threats...
34:59...and you...
35:00Put your fucking hands off my husband's car!
35:02Oh, yeah, yeah!
35:03Put that cock down, you fucking...!
35:05You co-sucker...
35:06Who's bad this week?
35:07America's the death!
35:09Get out, get out!
35:11What is it?
35:12For fuck's sake!
35:13Help.
35:14Why is it...?
35:15I co-sucker!
35:16It wasn't love. It wasn't love at all.
35:20It was simply a swift choice.
35:25Fucking dammit, Norman!
35:27Why couldn't you keep your underwear on just this one night?
35:30He wasn't supposed to use me.
35:31Shut the fuck up!
35:32Oh, I'm sorry. I'm sorry. I'm sorry.
35:35I can't feel my legs.
35:37Fuck's sake, don't you fucking die on me. Don't you dare.
35:40Norman, don't you dare die on me.
35:42You were a coward. Don't you dare!
35:44You know, no, no, no, no, no.
35:47You know, I am, I'm gonna speak the truth, Norman,
35:51if it is the last thing that I ever say to you.
35:53I am gonna say this to you.
35:55Yes, I am. Norman Henry.
35:59I'm your wife, and I invented the fire.
36:04I do see you.
36:08I do.
36:09Is he fucking dead? Did you fucking die? Did he die on me? Did he?
36:19Norman, you fucking louse!
36:22How could you die on me right then, you fucking hell?
36:26I do.
36:28This, this, this right here.
36:30This is worse than Edison.
36:33You know that?
36:34You, you had the last laugh, didn't you, Norman?
36:37You laugh, you just, oh, Norman.
36:48Oh, Norman.
36:50Oh, Norman.
37:00Oh, Norman, you can't.
37:13I can't.
37:26Do you ever imagine your life a hundred years from now?
37:32Oh, of course.
37:35What young lady doesn't?
37:37Well, you're different than most young ladies.
37:41Oh, cause I'm educated, or?
37:46No.
37:48Because you're different than most young ladies.
37:50A cantankerous painter once said that the bones of an artist would live on forever.
37:57Oh.
38:00Ha, ha, ha, ha, ha, ha, ha, ha, ha.
38:08Whilst the brick of a rich man like you shall fade to dust.
38:18Hu. ha, ha, ha, ha.
38:19to dust the day Norman Henry died it was frigid the ground was frozen solid too
38:41frozen to dig even the shallowest of graves and so I would sit and contemplate
38:48what was to become of my husband after he would fade to dust and in turn what would become of me
39:00as I told you on the first page of this journal
39:17this was never a story of murder it was always a cautionary tale
39:24you see if you're lucky enough to have ideas and passions you must embrace them at all costs
39:46because it is these ideas and passions that push the world round you see there's a big tall tightrope
39:57right and I'm at a circus and I'm I'm wobbly up there in the sky I know I'm gonna fall
40:06and on one side of the tightrope there is a beautiful life as a mother and on the other side of the rope a career
40:16both very hard
40:21in different ways I imagine
40:26exactly
40:27I for one I don't believe in compromise
40:36yes
40:39yes well
40:39you're not a woman
40:42now I'll have you know that while I am indeed a woman
40:51I will no longer be compromising
40:55you see I am a woman of invention
41:03I always have been
41:06and I always will be
41:08hi
41:10I'm looking for the records of a student you had here in 1867
41:15this would be it
41:16it's very delicate works
41:19music
41:22it's true
41:22I'm worth it
41:23Your way
41:25I'm willing to miss
41:28Oh
41:29and let me see you
41:31as always
41:32you
41:33as always
41:34as always
41:35who
41:36is
41:36what
41:37and
41:39we're
41:39and
41:41and
41:42so
41:42we're
41:44what
41:44and
41:44and
41:45and
41:46we're
41:46we're
41:47the
41:47oh
41:47and
41:48W
41:48I
41:49What I have learned, dear reader, is that against all odds, you must stay true to who
42:00you are or risk fading to dust.
42:30For a moment in time, I had forgotten my very name, and like all those around me, the artists,
42:45the craftsmen, the creators, while sometimes we might lose our way, we will never.
43:00Never, ever lose our sense of purpose.
43:06I am Marian Morsh, college graduate, loyal wife, and the one and only inventor of the
43:27light bulb.
43:29Now, perhaps, take a moment and imagine what I might do next.
43:45I am Marian Morsh.
43:49I am Marian Morsh.
43:55I am Marian Morsh.
43:57I am Marian Morsh.
43:59I am Marian Morsh.
44:01I am Marian Morsh.
44:03I am Marian Morsh.
45:05What's he digging for?
45:25Oh, my God.
45:37Come on.
45:39Come on.
45:40Janice!
45:56Janice, look at this.
45:58Those look like your poodles.
46:04Dolores, may she rest in peace.
46:07Oh, God, too soon.
46:09Hey, you should get this.
46:12You see that?
46:14It says, Degas.
46:18Degas.
46:19What a sense of humor you all have.
46:21But we're not paying $5 for this.
46:23Okay, what you want to do?
46:26I have $3 left on me.
46:29Will you take that?
46:30Three bucks?
46:32It's a picture of poodles.
46:34This is not a Degas, honey.
46:36I'm an art history professor.
46:37It's not a Degas.
46:38Three bucks.
46:43Yeah, three bucks.
46:44Just whatever.
46:46Enjoy.
46:47Thanks.
46:49So cute.
47:12Bye.
47:14Bye.
47:14Bye.
47:14Bye.
47:14Bye.
47:14Bye.
47:15Bye.
47:17Bye.
47:18Bye.
47:18Bye.
47:18Bye.
47:19Bye.
47:20Bye.
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