- 6 hours ago
- #realityrealmus
#RealityRealmUS
Reality Realm US
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ❤️❤️❤️❤️❤️
Category
🎥
Short filmTranscript
00:00Oh! That is wonderful. She likes those higher notes. Yes. You know what this means. You're
00:13gonna have to get a piano. What's that, Mom? You're gonna have to get a piano. Are you
00:18sure? Yes, I'm sure. That's wonderful! That's wonderful!
00:30One, two, C-State, C-1.
01:00Does that sound good at all? Once I get a cold, I just have it for a while. They just
01:11kind of linger.
01:14Do you like a coffee from the world's most depressing coffee shop? Oh, absolutely. What
01:24do you want? Just cold, I mean, when you sell it that way, yeah. Have you ever heard of
01:29spatch-cocking a turkey? I think I might be trying that this Thanksgiving. I don't know
01:35if we should get jazzy with the turkey. Remember when we tried to fry one? That was a disaster,
01:39but yeah. I think we had an oil patch in our yard for about six months. But besides that,
01:46it was inedible. And can you make those big ribs for Travis? I am making those big ribs for Travis. The
01:52ones he affectionately refers to as dinosaur bones. Texas-sized ribs for a Texas-sized man.
01:58Oh my God. Touring is something that really brings my family together in a lot of ways.
02:08For me, part of the Paris tour is a celebration of my family. Ultimately, I just don't see any
02:17of this happening if all of my family hadn't been involved. I mean, we work together. We're kind
02:25of a family business for 20 years. This next song is by the Dixie Chicks. Oh, water. Yay. Her
02:31mom gets mad when she doesn't drink water. My parents didn't know anything about the music industry,
02:36but they were like, yeah, it's hard. Yeah, we know nothing about it right now. We'll get some books
02:41and read. Like, it's pretty insane. My mom does this every night, draws the 13 on. So now it's
02:49going to be shiny and new. In an industry as cutthroat as a music industry, learning hard lessons
02:56and experiencing ups and downs and triumphs and failures, it was a huge challenge for my whole
03:02family. But everybody was so locked in for my whole life. They all banded together to be like, no,
03:09she wants this. We want this for her. This tour, it's an honor to work on it. It's a real privilege.
03:18And we know that because none of us would be doing anything that we're really good at doing if it
03:23wasn't for what she does that she's incredibly good at doing. It's incredible fun. But mostly,
03:30it's a way for us to be together as a family and to sort of honor this thing we've committed
03:35our entire lives to. I think me and Gracie are going to change up the thing that we're going to do.
03:44Well, we think we want to do the song Us instead of because we just got nominated for the Grammy for Us.
03:50So a few days before we played Toronto, the Grammy nominations came out. We were very lucky. We got six
03:56nominations. And one of those was for a song that I did with Gracie while we were still on the
04:03Ares tour a year ago. This time last year, she and I went out to celebrate in between shows. We ended up
04:15having a lot of drinks. What do I do about this? Okay, you're going to fire extinguishers. I think we're going to die.
04:22Just press it. I don't know. Yeah, yeah. Oh, my God. Oh, my God. How can I?
04:30You never ran up on it. She could have learned from it.
04:34And then we ended up writing a song that we're really proud of.
04:37From you, I want it. How I want it. How I want it. How I get from you. How I want it.
04:42And just got nominated for a Grammy. So I just thought, wouldn't it be cool to do that song in Toronto?
04:48Kind of create a little kind of special moment, mash it up with one of the other songs that the fans really love.
04:54She had this idea to do Us and Out of the Woods, which like...
05:00Out of the Woods is in my like top three favorite songs of all time.
05:05Hey, dude, I have a cold, so I'm just going to like briefly go through.
05:09So we do double chorus, like mashup of Out of the Woods and Us, and I think it works in this key.
05:15Are we out of the woods yet, are we out of the woods yet, are we out of the woods yet, are we out of the woods?
05:21Are we in the pool yet, are we in the pool yet?
05:23So like do that whole chorus, and then we can do back-to-back bridges, right?
05:28Like,
05:58Anyway, so we do double bridges and then we go into, like, a double chorus, like, mashup of Out of the Woods and Us, and it'll be so, so cool.
06:15Then what does she do, though?
06:17The first chorus.
06:21It's just insane.
06:23She just, like, can do that in her sleep, where it's like, I'm going to chop up two to five songs and make them all.
06:28How does she mastermind that?
06:29I don't know, because she's just a mastermind.
06:32I need to, like, write in Sharpie on my arm, like...
06:35Don't pass out.
06:36Don't pass out.
06:38The structure of the song.
06:41Be like, me verse, me chorus, Taylor verse, Taylor chorus, me bridge, Taylor bridge, Taylor verse, me.
06:49I'm like, I'm like, I'm like, I'm like, catch me projectile vomiting on the heiress stage.
06:58Catching my breath.
07:10Steering out and open, I do catching my death.
07:14And I couldn't be sure
07:19I had a feeling so peculiar
07:23That this pain would be forever more
07:44Evermore and Peter, Jesus
07:50I don't, for the life of me, understand how she does it
07:54I have no idea
07:56Because I couldn't do it if my life depended on it
08:00I couldn't do it
08:01There wasn't a creative bone in my body
08:14It's like the background music for, like, a horror flick
08:18I agree
08:20You want me to sound that now?
08:28Yeah
08:28I was completely the opposite
08:31I went into business in school
08:32I don't have a musical background or play instruments
08:37But I do have this sort of intimate knowledge
08:40Of the psyche of someone who really has to do this
08:46And it goes back to my mother
08:49Marjorie
08:51She was an opera singer
09:04She was a music major out of college
09:07And went straight to work
09:09Live radio performing out of New York
09:11But she married my dad
09:13And they started moving around the world
09:15So wherever they were living
09:17She would star in local operas
09:20Everywhere we went
09:22She was absolutely beloved
09:24My sister and I were often brought along
09:30And put in the front row, listening
09:32And on the way home
09:35I remember she would say to me
09:37So Andrea, during that part of the delivery
09:41Did it make you want to cry?
09:45And I would say
09:46Well, Mom, um, a little bit
09:50A little bit
09:50You know, she was always looking for feedback
09:52But from an eight-year-old
09:55Like, opera
09:57So I would give her what I could
10:06But I knew that I had a job to do
10:08Because I was going to be quizzed on the way home
10:10It was a beautiful relationship I had with my mom
10:15But it was all with a full awareness
10:19That my mom was this person
10:21Who loved singing
10:22Who loved to perform
10:23And that people love
10:25So it began with my mother
10:37And I think that that prepared me probably better
10:42Than anything that could have
10:44For having a child like Taylor
10:46Who pretty much wanted to follow
10:50In my mother's footsteps
10:52Taylor always knew
10:55She wanted to perform
10:57And she was already writing her own music
11:02Without any co-writers
11:03This is a song I wrote yesterday
11:06I wrote this song yesterday
11:07This is a song I wrote, like, a week ago
11:09It's called One Sided Goodbye
11:11This song is called Beautiful Days
11:12And the title's kind of self-explanatory, so
11:15And then at 11 is when
11:18Taylor looked at me and said
11:20We gotta go to Nashville
11:22Please, please take me to Nashville
11:24That is where Faith Hill went
11:26Very quickly, I realized
11:33This is where my past with my mother
11:36Was gonna really, really come into play
11:38I think Taylor wanted to experience something
11:43That she thought was
11:45I hate to say the word, but destiny
11:49I do think that at a very young age
11:53We tend to know where we're going in life
11:56And it's good to listen to them
12:00And where their dreams are
12:02Even at that age
12:03So we're in Toronto
12:09In my hometown
12:10Everything that I own
12:13I don't realize
12:15Because it's just always here
12:16It's part of the fabric of my life
12:18But truly, everything is dance-related
12:21Everything is dance
12:22This is a
12:23I believe a Christmas tree ornament
12:25I'm such a dance geek
12:27I think more than just loving dance
12:29I'm a true dance nerd
12:31Yes, too much
12:33I think you have to have
12:35A certain personality to tour
12:37Truly
12:38It's like one thing to be a dancer
12:40Or a musician
12:41But it's another thing to be able
12:42To handle what a tour entails
12:44And it's not for everybody
12:47It was always for me
12:49I did great
12:49I loved being on the road
12:51My whole life
12:54It was my dream to tour like this
12:56And I loved performing in this show
12:58But after this tour
13:01My dance career is coming to an end
13:04It's like that beautiful bittersweet
13:07I think is how it'll end for me
13:09Everything that I saw had dance on it
13:14So I knew from a young age
13:16That this is what you wanted to do
13:19Before you could even write
13:21You drew yourself dancing
13:23And the teacher wrote
13:27Amanda wants to be a dancer
13:28I like dancing because it is fun
13:31I dance good
13:32My mom takes me to dancing
13:36And sometimes my dad does
13:38Thanks for sometimes taking me, Dad
13:40Thanks for always taking me, Mom
13:42You're welcome
13:44Are you guys excited to come?
13:46Oh my gosh, of course
13:47On Saturday
13:47I'm going to try to wave to you guys
13:50A little bit
13:51Yeah, yeah
13:52But watch your step, though
13:53I'll fall
13:54Thanks, Dad
13:55So as we go into these last few shows
14:08I can't help but think that this is potentially the last time that I will ever do this
14:13In front of my family and friends, you know
14:15But I think we all know how rare and special opportunities like this are
14:22And Tay
14:25You are, oh God
14:28You are all things kindness and all things grace
14:35And absolutely my life is different from now moving forward because of you
14:40So have an incredible show
14:42I love you guys
14:43Let's enjoy
14:45Thank you for un-retiring
14:48Oh, my favorite pop star
14:50You are my favorite pop star
14:52Let's go out there
14:54Fuck
14:59If you love like that
15:01And you're my favorite pop star
15:04Do you want me to be my love
15:07So do it when you do it
15:10Baby, now we've got them
15:12Now we've got problems
15:15And I don't think we can solve
15:18You made it really deep ties
15:21For Taylor, it's always been about the audience, making sure that she felt an intimate connection
15:45with them, meeting people, talking to them, hugging them. But with the Aeros tour, that
15:53could no longer be possible because of COVID and the risk that it brought to everybody
15:59backstage that, you know, you've got this massive production, having it shut down would
16:04be a disaster.
16:06I decided that if I couldn't meet fans in the crowd, in the show, then I have to come
16:15up with different ways to still give people an intimate experience.
16:23Ethan Tobeman is a brilliant production designer. I've been working with him. Mainly, I started
16:28on music videos. This was the biggest undertaking that we had.
16:33I'd like to build worlds around a storyteller, their relationship with their fans, our relationship
16:40with the songs. If every idea that you have creates an emotional response, you are able
16:46to make people in the last row feel like they're in the first row.
16:54I wanted to make sure that our production was accessible from every part of the stadium.
16:59Well, these people are all the way up here. So, we made the floor video. And a video screen on the floor.
17:05So now as they look down, they get this incredible view. But now the people on the floor can't see.
17:10And so we're going to get a camera that's overhead. We'll be able to shoot the floor and put up on the screen.
17:16I mean, we have a cinematographer for this tour, which we've never had before. So many people are going to be
17:21watching those screens. So we know which shots are cooler than other shots.
17:38And then also, I was like, do some wild card stuff, Ethan. I want there to be a moment where the fans are
17:43like, what just happened? And that's when he comes up with things like me diving into the stage.
17:48At which point, I'm like, Ethan, that is not going to work. How does that even work?
17:58You have red lights until you get the green lights. Green lights tell you that you're not going to run
18:03into anything. Oh, my God. And then you're into a bag.
18:05I wonder what that looks like from the top.
18:12From the top? Yeah. And it looks cool.
18:14It looks even better. Like, as if I'm coming back to the piano. I'm walking here. And I just...
18:22Look at you. There you go. Did it look good?
18:25I love it so much. Do it again? Yeah, if you're comfortable with it.
18:41People scream.
18:53It's happening right in front of your eyes.
18:58That creates joy.
18:59And that's, I think, what great shows do. Make adults feel like children.
19:09What we were trying to do with this tour was make it the biggest thing we've ever done.
19:23But truthfully, none of it happens without a song and a person up there willing to sing it.
19:30I love songs. I love songs.
19:38Okay.
19:43Storytelling for me is one of the key aspects that makes me feel like life is worth living.
19:48Cause our song is a slamming screen door. Sneaking out late, tapping on.
19:53Here's a window when we're on the phone and he talks real slow.
19:57It's just, it's that important to me.
19:59It gets better than this.
20:02You'd take my hand and drag me head first.
20:07And crafting a song is just the happiest I ever am.
20:12Hi.
20:14Okay, so let's go.
20:15Sorry, hold on. I just wrote this 15 minutes ago.
20:27If you're in a writing session with me, like, I'll go into my lyric space and it's just sort of like,
20:31just rocking back and forth in a corner muttering.
20:37What if you start over with the same melody?
20:41So it's, so it's in the middle of the night.
20:44Yeah. So it starts over.
20:45Yeah, yeah, yeah, yeah, yeah.
20:46It's very, I've never lost that sense of just like, I don't know.
20:51It's for me, it's, um, it's endlessly fascinating.
20:56I never get bored of it.
21:03Songwriting happens whether I'm on tour or not.
21:06Because my life has just always been a kind of free-flowing state of you live it,
21:14you feel it, you wonder about it, you write about it.
21:20I started going to Sweden in between my shows,
21:24and it just felt like the most exciting way to make a secret album.
21:28It would just be the three of us, and we would write, and we would record.
21:37Do you want to hear the vocals?
21:38Yes, please.
21:38All right.
21:39You don't, don't have to hold back on the violence.
21:41So go, go more violent?
21:43I mean, it was almost like you were a little...
21:46I think I was trying to be in tune, I didn't have the click track.
21:49Yeah.
21:49I can be more violent.
21:52Trust me.
21:52All right.
21:53Making the album while I was on the Eras tour, I was in a place in my life where
22:00life felt so full of possibility, and it felt like I was figuring things out,
22:03and it felt like so romantic and magical and passionate,
22:07and I wanted to encapsulate that feeling on this album.
22:10All that time, I'm on and I tell you,
22:14we're just calling me powers, now I can see you.
22:17Oh, I can see you.
22:19I can see you, I can see you, I can see you, I can see you, I can see you, I can see you.
22:30We hadn't made any music together since Reputation, which came out in 2017.
22:35So going back and working with Max and Shellback, our relationship is very much that I feel like
22:43they've always been mentors, and I've always felt like they're apprentice, and they are so brilliant.
22:51What?
23:02Good job, everyone.
23:05Mostly dog.
23:05It's really a very respectful relationship that you would have with people that you,
23:11you know they're your peers, but you also look up to them.
23:13Okay, so this is a Swedish Christmas dinner?
23:17What is this?
23:18This is, uh, I don't know what dinner, but I mean,
23:22station cruises included.
23:23This is the, this is the first station, first station of Swedish Christmas.
23:29So we put nuts and raisins in the cup, and then we put the spiced wine in there,
23:38and it's hot, and we drink it.
23:40Yes.
23:41I'm excited.
23:41That's absolutely delicious.
23:45This is, this is incredible.
23:46Yeah.
23:46Go Yul.
23:48Go Yul.
23:49Go Yul.
23:50Merry Christmas.
23:51Go Yul.
23:51Go Yul.
23:53Go Yul.
23:55I was really ready for that sort of challenge to go back in with these two people and really
23:59try to stretch and challenge myself as much as possible to make hopefully the best album
24:06that I could possibly make.
24:08I think it should be high.
24:12Good thing.
24:14You know what I mean?
24:15Like, so that it's, it's got something weird and creepy about the high.
24:19Oh, I'm obsessed with this.
24:21I usually hear about new music within five minutes of it being written.
24:37That is the best thing I can possibly think of, and also the scariest, because now I know
24:44something that nobody else knows other than the people who are in that room, and that's
24:49a massive responsibility.
24:50It's like, I don't, no, don't send, no, don't send it to me.
24:53I don't want it on my phone.
24:54No, no, no.
24:54Or like, I'm immortal now, baby dolls.
24:57Like, that you're still talking to all those girls.
24:59Yeah.
24:59But I'm immortal now, baby dolls.
25:04I couldn't if I tried.
25:07Nah.
25:08I like that other one that you went to.
25:09Yeah.
25:10I couldn't if I tried.
25:17Thank you for the lovely boob.
25:18Kay.
25:19I think, I think you put, uh, bring the beat back on, okay.
25:23Damn it.
25:24I just love it.
25:25I love being hyper detailed and having, having several overarching themes that are woven throughout.
25:35And I think the fans have really gotten into that obsessive nature of my storytelling too.
25:42I think for a lot of people, they feel such a personal connection to her.
25:47Her deeply personal writing, the drama that she's been through, the heartbreak and regret that she's
25:54shared with people. And I think it must be meaningful to her for that to resonate.
25:58Woo!
25:59Yeah.
26:00All right. This is going to be my last song for today. Taylor Swift is one of my favorite singers
26:06and inspired me to sing one of her songs.
26:10I think a lot of people can relate to this.
26:12I wanted to give a compilation of lyrics that I still have yet to recover from.
26:16When you were young, they assumed you were nothing.
26:23One of the things that sets her apart from a lot of other people is how she writes.
26:26You choose stars around my scars, but now I'm bleeding.
26:35So I knew you, stepping on the last train,
26:39remind me like it last day night.
26:43I knew you, leaving like a potter, and like water.
26:49I knew you, hanging on my sweater, baby, cause you better write.
26:58Her writing is personal and it's vulnerable and it's very specific,
27:02but in that specificity, people see themselves.
27:06There we are again when I loved you so, back before you lost the one real thing you've ever known.
27:18I don't remember a time existing without her music.
27:22Every chapter of my life is marked by an album of hers that came out around the same time.
27:26I started writing music when I was eight.
27:31I remember my friends saying, would you rather have 10 trillion dollars,
27:37or like write a song with Taylor Swift?
27:38I'm like, write a song with Taylor Swift.
27:41Oh, this is going to be a fun one.
27:50Hello.
27:51Hi, hi, hi, hi.
27:52Hi, how's your dress?
27:54Thanks, man.
27:56How are you feeling?
27:57I'm, you know, I'll get there.
27:59This is going to pull me through my cold.
28:00This is a medical thing for me.
28:03Um, so what I would do is I'd start out by like talking to them about
28:07how we're so excited because we just got nominated for a grammy together.
28:13So we thought what better than to play a little song for you now.
28:17And then I'll be like, Gracie, come out.
28:21What?
28:23Oh, it's crazy.
28:24No, the double bridge is going to send me off a cliff.
28:27Oh, it felt just like a joke.
28:34I'll show you don't and now we're talking.
28:38It still feels surreal to be here, you know?
28:41She is just the easiest person to be around.
28:43She's such a dear friend.
28:44I fucking love her.
28:46And then sometimes I'm like, how is it that we're singing this song?
28:50For me, this is like a dream.
28:52I always get, like, so smiling.
28:58It's going to be great.
28:58How about did you, how did you miss us, us, us?
29:08Wonder if you regret the secret of us, us, us, us, us.
29:21I think you'll remember the genius young lady you saw earlier tonight, Gracie Abrams.
29:37So will you please welcome to the stage, once again, Gracie Abrams.
29:51I know you know, it felt just like a joke.
29:57I'll show you don't and now we're talking.
30:01There's something that happens between friends who make music.
30:07It's this kind of, like, undeniable bond that you have.
30:09My paper comes, what the hell was I doing?
30:13With Gracie, we've had so many special moments.
30:32I love you, Gracie.
30:33You know, my opening acts on this tour are kids that were like 10 years old at my show.
30:40And now that we're singing together, like, you just can't believe the way that everything's
30:45falling into place in the way you never could have dreamed it would.
30:58In the field, in the field, in the field, in the field, yeah, come on!
31:06Toronto, give it up again for Gracie Abrams!
31:09You know, I look forward to seeing the different ways that the fans react from night to night.
31:28You see the tears and you see the hugging each other and it just, I love it.
31:32But for me personally, watching the show, that moment that Taylor appears and there she is,
31:40that to me is absolutely worth everything.
31:48It makes me feel like this was my calling in life, whether it was Taylor or my mom,
31:56it was to be around someone who loves entertaining and is extraordinarily talented. It was just,
32:05just ditto. It just happened all over again.
32:11You know, Taylor sings Marjorie, which is dedicated to my mother. And, you know, we...
32:17I knew I was going to do it at some point.
32:32The experience writing Marjorie was, I was kind of a wreck at times writing it. I'd sort of break down
32:40sometimes.
32:49She died when I was 13, when I was on a trip to Nashville to try and make it.
32:55So I've always just sort of felt like she was, um, seeing, seeing this, you know.
33:02One of the things that still rips me apart when I listen to it is that she's singing with me on this
33:06song. I wrote these lyrics.
33:19Then you hear her actually sing.
33:26It's things like that that just make you feel like your whole heart is in this whole thing.
33:30During the tour, she does Marjorie. And I said to her, God, Taylor, I don't know if I can make it
33:41through the tour crying every night when you sing that song. It just gets me.
33:47It started off as something very simple. You know, we didn't even have lights prepared for that song.
33:59We didn't know that the fans were going to honor that song with the reverence that they do.
34:05That they were going to hold their phones up.
34:17It just became a very loving tribute to her grandmother.
34:22We do Marjorie every night. You know, I think about family. My dad passed away last year. She's
34:31thinking about her grandmother. But those of us that have gone through something similar in the
34:35recent years, like that's always kind of an emotional moment in the night.
34:40My papa was a big part of the family, my favorite person in the whole world. And he unfortunately passed.
34:48Every single time I'm on that stage, I definitely feel his presence, especially the first night.
34:53Just this big rush fell over me. And I was like, it's my grandpa.
34:56Marjorie is about Taylor's grandmother, but it's personal to me. And I think that's a testament to
35:05Taylor's writing because it really feels like it's your own experience. The idea that you have a loss
35:16and yet they are still here with us is kind of what I need to cling to in every night.
35:26I've been performing with Taylor for 12 years. And truly, the Ares tour was a surprise to all of us.
35:42We had had COVID. We all wanted to be together to make music again. I know I very much needed to
35:48be here to make music again. I lost my mother September of 21. So when rehearsal started,
35:58not only did I need music and need to be with my, my band family,
36:04I needed to heal.
36:17Music is the thing that is the most healing to me.
36:21I, for the past few years, have been really learning to accept and lean into
36:39that two different things can be true at one time. And last year that really smacked me in the face,
36:48because we started this tour and we were all making memories and falling in love with each other. And I
36:55was the happiest I had been in some time. And at the same time, I was heartbroken every moment
37:05because my mother wasn't here to experience this joy and to see the Ares tour.
37:15Um, yeah, like if you saw me sobbing somewhere, you would never know that I was the happiest I had been
37:23in a while. And if you saw my joy, it was often that I was pretty devastated.
37:31And so knowing that I just want to, I don't know, give permission to feel both,
37:41to be here, feel what we feel, be as present as you can in these next four shows.
37:48Thank you to all of you. Thanks. Come fuck me down.
38:00All right. All right, guys. You heard her. Let's go out there.
38:04Fuck shit! Fuck me up!
38:06Up! Up! Up! Up! Up! Up! Up! Up! Up!
38:08Up! Up! Up! Up! Up! Up! Up! Up!
38:20Never be so kind and forget to be clever
38:40Never be so clever and forget to be kind
38:45And if I didn't know better, I think you were talking to me now
39:00If I didn't know better, I think you were still around
39:08If I didn't say that, if I didn't say that
39:15You're alive, you're alive in my head
39:20If I didn't say that, if I didn't say that
39:25You're alive, so alive
39:28The autumn chill that wakes me up
39:32You love the amber sky so much
39:35Long limbs and frozen swims
39:37You always go past where I feel you can touch
39:40And I complain the whole way then
39:42The car ride backing up the stairs
39:45I should've asked you a question
39:47I should've asked you how to be
39:50Asked you to write it down for me
39:53Should've kept every grocery store receipt
39:56Cause every scrap of you would be taken from me
40:00Watched as you signed your name Marjorie
40:03All your closets are back of dreams
40:06And how you left them all to me
40:09What died didn't stay dead
40:13What died didn't stay dead
40:15You're alive, you're alive in my head
40:19What died didn't stay dead
40:23What died didn't stay dead
40:25You're alive, you're alive so alive
40:28And if I didn't know better
40:33I think you were singing to me now
40:38If I didn't know better
40:43My mom's voice is in that song
40:55And she would've loved to have seen all of this
41:00She'd be so proud
41:02And I think she'd also be really, really stoked
41:07That she's now singing in the stadium every night
41:10Oh-oh, oh-oh-oh
41:14Oh-oh-oh
41:16Oh-oh
41:18Oh-oh
41:20Oh-oh, oh-oh
41:24Oh
41:26Oh-oh
41:57Toronto, we're at the very end of this tour, so you doing that, you have no idea how much it means to me and to my band, to my crew, and everybody who's put so much of this into this tour, into their, I don't even know what I'm saying anymore.
42:26I'm just having a bit of a moment, sorry.
42:35It's not even the last show.
42:44I love you guys. Thank you so much for that.
43:16Oh, it got, I got emotional. I felt like a dumbass.
43:19That was the best part.
43:20I couldn't put words together, Austin. That was kind of embarrassing. That's nice of you to say, though. You're a very supportive person.
43:27That was the first part of us.
43:28It was nice of you to say that.
43:32You know what got me was, like, Camila made this speech before the show where she was talking about how her mom died, like, her mom died recently.
43:42And she was just saying, like, how heartbroken she is that her mom never got to see the Aerosaur, and never got to see her do this.
43:50And I was just thinking about it all night. I was, and I, you know, and I knew that, and I, we always used to, like, make eye contact on Marjorie, me and Camila because of her mom.
43:57But it put it in perspective, like, I don't know, like, the fact that mom did get to see it.
44:04And, like, Travis got to see it, and Dad got to see it, and, like, I just felt so lucky, and that's what, it's, like, cracked me. It cracked me wide open.
44:18Oh, my God, it was unreal. It's just incredible.
44:22It really was, and I think you have every right to feel emotional because it has to be hitting you, honey, that this has been the dream tour of your life.
44:30Yeah, it has.
44:31I just never thought, I never thought we'd ever do something this good.
44:35I mean, it's going to be an emotional time from here on out to the end.
44:39It's so crazy that, like, all this has happened, and we all got to experience it together.
44:43We love you.
44:44Love you.
44:45Love you, too.
45:01Love you, too.
45:18Love you, too.
Be the first to comment