"amadeus (2025) reimagines the legendary rivalry between the genius wolfgang amadeus mozart and the ambitious antonio salieri in a stunning new tv series. set in the opulence of 18th-century vienna, this drama explores the thin line between inspiration and obsession, talent and envy. as mozart's divine music shatters every rule of the era, salieri's silent rage threatens to consume them both. witness a masterpiece of storytelling, breathtaking costumes, and timeless music. is genius a gift from god or a curse for those around it? watch the full journey of amadeus now."
#amadeus #amadeus2025 #mozart #historicaldrama #salieri #newseries2025
#amadeus #amadeus2025 #mozart #historicaldrama #salieri #newseries2025
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TVTranscript
00:01The following program contains distressing scenes.
00:10Mozart, your father has died.
00:13I thought it might help to have the news delivered by a friendly face.
00:18Is that where you are?
00:20There, in that demonic figure on the stage was his old father,
00:24and in that poor, wretched philander of Mozart himself.
00:28In any way, in time, I would place the final blade.
00:32How long do I have?
00:33I wouldn't linger.
00:35The mood is changing.
00:37You're a man out of time.
00:39I am enjoying it.
00:41I found it rather, um, tuneful.
00:45And I'd say the whole thing's rather thin so far.
00:47You're getting distracted. You have to focus on the music.
00:50You made me realize everything I know about you.
00:52I've had to learn through your characters.
00:54And I wondered if you could ever open up to me.
00:57You can't stay with me. It is a good idea.
01:00There is always a reckoning.
01:03You told me to do this. This can't happen again.
01:06This was your idea, Mozart.
01:08He was weak, broken, and alone.
01:11So, into the darkness we go.
01:16From him, er.
01:17Yes.
01:18Got you.
01:19He was weak, ken 후.
01:20Thank you so much we're janitor
01:25who loved you, 문var.
01:27I love you.
01:36How?
01:37Do you agree?
01:38Pramosar.
01:45Yes.
01:47Oh, thank goodness.
01:49My name is Alexander Pushkin.
01:52I've been searching for you.
01:54I, um, I've asked around everywhere.
01:57Cafes, bars, concert halls.
01:58And then finally I tried the post office.
02:00I don't know why I didn't start there.
02:01But, uh, here we are.
02:03What is it that you want, Mr. Pushkin?
02:05What is it that I want?
02:08Yes.
02:10Well.
02:14Uh, I'm a writer.
02:16You might have heard of me.
02:19Or you might not.
02:20Anyway, I'm writing a play.
02:23Or rather, I'm hoping to write a play.
02:25Are you going round to everyone's houses
02:26to tell them individually?
02:29No.
02:30No, I came to find you
02:32because I'm hoping to write about your husband.
02:34No, which one?
02:37I think you know which one.
02:40And what are you hoping to write about him?
02:42Well, I...
02:43I want to write about his death.
02:46He died of a fever.
02:48People think his music
02:49should have been some kind of shield.
02:52But he was flesh and blood
02:53just like the rest of us.
02:56He got ill.
02:57I heard something different.
03:03And what did you hear?
03:05I heard it was murder.
03:08You heard that?
03:09Yes.
03:10From who?
03:12The old Hofkappelmeister, Salieri.
03:14He ended up in an asylum.
03:18He lost his mind.
03:19Did you know that?
03:21I did.
03:22Presumably you heard he died last year.
03:24Yes.
03:25And they say he was ranting and raving.
03:29Screaming like a baby towards the end.
03:31And they say in the weeks before he died
03:34it was mostly incomprehensible,
03:35mostly nonsense.
03:36Mm-hmm.
03:37Except for one thing.
03:40One thing he kept saying.
03:44He told them
03:45that it was he
03:47who killed your husband.
03:51Apparently they say he confessed.
03:53And apparently he confessed to you.
03:59What do you think of that?
04:06Because I can tell you what I think.
04:07I think
04:08that would make a pretty good story.
04:23But I can tell you what I think.
04:30But I'm sorry.
04:31Because I'm sorry.
04:34I don't know.
04:45But I'm sorry.
04:46I state merely as a fact that I,
05:15on the 5th of December in the year 1791,
05:18killed Wolfgang Amadeus Mozart.
05:22What am I to glean from all of this, Antonio?
05:26You still don't believe it.
05:28Oh, it's lacking something.
05:29What?
05:31Specificity.
05:31Oh.
05:33How did you do it?
05:35Poison? Strangulation?
05:37You desired details.
05:39Well, you have given me details of every other damn aspect of your life so far.
05:42I apologize.
05:43I thought I'd been providing context.
05:46Well, then, let's get to it.
05:48Your confession.
05:51You want me to let the world know that you killed my husband?
05:55I need to know how.
05:57I don't need to be convinced.
05:59I don't need to know how I can do it.
06:04I don't need to know how I can do it.
06:09I don't need to know how I can do it.
06:15I'm sorry.
06:16Because the need is...
06:37Where is it that you go?
06:42I used to be more certain of your indiscretions.
06:45Is it his carnal desires that he feeds tonight?
06:49You are inflicting wounds on me, but they were survivable.
06:54But this spectre walking through my house, what am I to make of this?
07:01I have known, Antonio.
07:04I have known everything.
07:07And every time I have looked at you, I have seen a fallible, ruined man, and that has brought me sadness.
07:14Now I see no man at all.
07:17The sins of the flesh are at least human.
07:20But what sins are you looking for when you creep out of here?
07:24Out of here.
07:26I'll lock our bedroom door tonight and hope you don't think to look for me when you return.
07:31A fever was cutting through Vienna, killing those who didn't have the strength to fight it.
07:43And so night by night, I returned and weakened him further.
07:47His spirit.
07:50His body.
07:52And his mind.
07:53And his mind.
07:54And his mind.
07:55And his mind.
07:56And his mind.
07:58His heart.
08:00And his mind.
08:02And his mind.
08:03Out of all...
08:04And the sight of his children.
08:06His heart.
08:12The 1900s had grown and with the strength.
08:17Oh, my God.
08:47I've been playing this little game, inspired by Don Giovanni.
09:02I stood outside his window every night for a week.
09:09The masked man come to drag him to hell.
09:17It's remarkable, really.
09:21How fragile the mind is.
09:24How quickly it unraveled.
09:29Yes, that was him.
09:33Unraveled.
09:36Unsure.
09:39And alone.
09:40What's up?
09:51May I come in?
09:53Please.
09:59Sorry to call on you so late.
10:01Okay.
10:02Well, I've been worried.
10:06You have a new commission?
10:08Did you speak with the Masons about the magic flute?
10:12Ah, I did.
10:14I'm afraid they've taken it rather badly.
10:17Symbols were intended as a tribute.
10:20I know.
10:20I explained that to them.
10:22I must admit, I was surprised by the force of their feelings on the matter.
10:27Don't worry.
10:28They'll calm down in time.
10:30I'm not sure I have that.
10:33You don't look well, Maestro.
10:37I haven't been sleeping.
10:40I try, but I can't.
10:41Why not?
10:42Do you believe in hell, Antonio?
10:49Yes, I do.
10:51Do you?
10:57I remember...
10:59when I was staying in London as a child.
11:04My father...
11:06became ill.
11:08Bed-ridden for a few weeks.
11:10There was one night where his fever was particularly bad.
11:16I could hear something in the street outside.
11:19Sort of singing.
11:25I thought perhaps it was the angels come to take him away.
11:30Or if not the angels, then something worse.
11:34Just the first time I can remember having this feeling.
11:36Like I was being shown.
11:45Death?
11:48Can feel the end is close, Antonio.
11:53I'm writing a requiem.
11:58You just need to eat, Maestro.
12:01Nourish yourself for something other than wine.
12:03I'll get you something.
12:06I'll be back soon.
12:07Your vessel is weak.
12:15Silence is coming.
12:19Let's see if you can speak without a tongue.
12:25I can stop it.
12:27I can.
12:28I can stop it.
12:28Let me.
12:31Give up your stummas.
12:33God, just...
12:36Give me a sign.
12:39I'll end it all.
12:43All right.
12:43Is this what you want?
12:53Is this what you want?
13:01Please give him.
13:03Please.
13:07Speak for me once more.
13:11Let me stop.
13:11Let me stop.
13:19Let me stop.
13:35Hello?
13:41I'm sorry.
13:49I'm sorry.
13:55I'll see you next time.
14:25Oh, God.
14:26Oh, God.
14:27Oh, God.
14:28Oh, God.
14:29Oh, God.
14:55And what do you want from me?
15:06I want to know the truth.
15:10If there really was a confession.
15:12If I'm to write it, condemn a man, even a dead man,
15:16I want to know he was guilty of the crime I'm attributing to him.
15:21I don't want to be sued.
15:32Did the Papelmeister talk to you about the death of your husband?
15:35Yeah.
15:39And when was the last time you saw him?
15:42Salieri.
15:43It was after my husband's passing.
15:46He conducted a memorial concert for him.
15:53What are these?
15:56Oh, old letters.
15:58From Amadeus.
15:59Could I...
16:00Yeah.
16:05It's a very nice apartment.
16:10And you live alone?
16:11No.
16:12No.
16:13No.
16:14I live with my sisters, Sophie and Aloysia.
16:16It's a comfortable life.
16:18Looks it.
16:23But your husband never made much when he was alive.
16:27For a while he almost made as much as he spent.
16:30But then it dried up.
16:32Don Giovanni.
16:33The marriage of Figaro.
16:34The magic flute.
16:35How does the man who writes all of that end up penniless?
16:42Sabotage?
16:43What other reason could there be?
16:49Wolfgang!
16:50Where are you?
16:53You feeling better?
16:54You got the basket I sent?
16:57The basket?
17:01Basket?
17:02Bread and eggs and milk.
17:04I left it outside the door.
17:05You didn't get it?
17:06I felt a bit distracted.
17:07Hello, Frau Cavalieri.
17:10Yes, Katharina.
17:11You remember Katharina?
17:12I wanted to bring her to see the great maestro again.
17:17In fact, we're off to see your opera.
17:19My opera?
17:20The magic flute.
17:21Katharina hasn't seen it yet, have you?
17:22No.
17:23I've heard wonderful things.
17:24Oh, it's really wonderful.
17:25I thought the masons were closing it down.
17:26No, no, no.
17:27On the contrary, once they saw how lucrative it was,
17:28they...
17:29I thought the masons were closing it down.
17:30No, no, no.
17:31On the contrary, once they saw how lucrative it was,
17:32they...
17:33I thought the masons were closing it down.
17:34No, no.
17:35Why did nobody tell me?
17:36Actually, you should...
17:37Where's your coat?
17:38You should come with us.
17:39No, I can't.
17:40Oh, come on.
17:41Three old friends and colleagues
17:42sharing the joy of your music together.
17:43When might we get another chance?
18:05Uh oh!
18:06Then, let's go.
18:21What's the way that i got here?
18:24The causes of love won't be.
18:27OK, man?
21:51I want to leave this place, I tell you.
21:53I want to leave.
21:55I want to leave.
22:25I want to leave.
22:35One maestro.
22:36Oh no!
22:37You can't sleep.
22:38Not yet.
22:39Your work must be finished.
22:51Diminish the man, diminish the God.
22:55There you are.
23:15You took me there so people could see what I've become.
23:17I took you there because I thought it might raise your spirits to see your great success.
23:25Really?
23:39Dear God.
23:41I've always wondered, with Figaro, Don Giovanni, the masons.
23:55It's always felt as though some invisible hand was steering me to the rocks.
24:09Did I offend you so much?
24:11Did the music offend you so much?
24:15Yes, you offended me.
24:21You're obscene.
24:23You're obscene.
24:25Your nature, it's obscene.
24:29But your music...
24:33No.
24:35And for it to come from such a creature, how could I not take it as an insult?
24:45How could I not see the provocation in that?
24:47No.
24:48No.
24:49Well, this time, it just comes to you.
24:51It just comes to you.
24:53It just flows out of you like a stream running down a mountain and you give nothing in return.
24:57You make no sacrifice.
24:59No sacrifice.
25:00Look at me, Antonio.
25:04Do you remember when we sat on that stage and you asked me if I think music comes from God?
25:16Yes, and you said, when you write, it's not to capture the voices of angels, they're just instructions.
25:21For an oboe player or something, yes.
25:25But you were right.
25:28I knew it.
25:31That this thing...
25:35is bigger than us.
25:38It's unimaginable.
25:42I knew it then, but I was scared.
25:44You were scared? Why? Why were you scared?
25:46Because I don't understand.
25:47You must understand it. You must know how you do it.
25:50I need to know.
25:51I wish I could tell you.
25:53If only to unburden myself.
25:55Unburden yourself?
25:56Yes.
25:57For music.
25:59For some peace.
26:03It never stops.
26:04Oh, my God.
26:05Can you hear yourself? You are unbearable.
26:07I'm surprised you can't hear it in this room.
26:10I'm surprised the walls don't shake with it.
26:12I want to hear it!
26:14For a moment, a minute, a second, I would do anything to have your gift.
26:18You wouldn't want this. You don't know how it feels.
26:22You wouldn't know what to do with it.
26:24I wouldn't know what to do with it.
26:25You stalk me like I'm praying, but what would you do with this thing that you covered so much?
26:30You wouldn't kill me.
26:32Like it's killing me.
26:34What would you do with the silence I've suffered through?
26:38You would drive me mad.
26:44I couldn't stop thinking about you.
26:46I couldn't stop thinking about you writing your requiem.
26:50And so I kneeled down, and I prayed to a God I hadn't spoken to in years,
26:56to speak through me one last time.
26:58And if he did in return, I would offer him my own requiem for my own death.
27:03First I offered him my love, then I offered him my hate, and then finally I offered him my whole life.
27:11And you know what I heard?
27:15I heard nothing.
27:19I've heard nothing.
27:21Oh!
27:22Oh God!
27:23Oh God!
27:27Oh God!
27:31Come here.
27:36Come here, Antonio!
27:38Come!
27:49Come!
27:51Oh man, close your eyes, introitus, C minor, requiem, eternum, tomes, dominus,
28:18Stunlow, grant them eternal rest, O Lord.
28:48Stunlow, grant them eternal rest, O Lord.
28:55Student.
29:00Student.
29:03Student.
29:08Student.
29:15You're a requiem, Maestro.
29:24Offer that to God and see what he says.
29:28You need to talk to him, what's that?
29:31It's too late.
29:36What did I do?
29:42Why did you not let me stop?
29:45He doesn't listen to us, Antonio.
30:15For a moment, I was the only man on earth who knew, who knew that we had lost the finest
30:29composer to have ever lived.
30:32God's tongue cut from his mouth, and only jealous Salieri there to mourn him.
30:38Amen.
30:39Amen.
30:43Amen.
31:13My confession claims murder, and it's true enough.
31:22I'm responsible for his death.
31:24Without me, he would have lived longer.
31:27But I loved him.
31:29We wrote together.
31:31You wanted the details.
31:33You wanted the specifics.
31:37Well, there they are.
31:40The rest you know.
31:41The rest you know.
32:11The rest you know.
32:41The rest you know.
33:11CHOIR SINGS
33:41CHOIR SINGS
34:11CHOIR SINGS
34:23CHOIR SINGS
34:35CHOIR SINGS
34:37CHOIR SINGS
34:39CHOIR SINGS
34:41CHOIR SINGS
34:43CHOIR SINGS
34:45CHOIR SINGS
34:47CHOIR SINGS
34:49CHOIR SINGS
34:51CHOIR SINGS
34:53CHOIR SINGS
34:55CHOIR SINGS
34:57CHOIR SINGS
34:59CHOIR SINGS
35:01CHOIR SINGS
35:03CHOIR SINGS
35:05CHOIR SINGS
35:07CHOIR SINGS
35:09CHOIR SINGS
35:11CHOIR SINGS
35:13CHOIR SINGS
35:15CHOIR SINGS
35:17CHOIR SINGS
35:19CHOIR SINGS
35:21Your entire story has been a pathetic attempt to tie your name to my husband's legacy.
35:25I'm asking to be remembered.
35:28Just remembered.
35:31I have sat in your husband's shadow and it is cold.
35:35And it is dark.
35:38I have lived long enough to see myself become extinct.
35:42Forgotten Salieri.
35:45His life. His music. All gone.
35:51They won't remember your music.
35:54If this confession gets out, you live on immortal.
35:58Trapped in a story you do not control.
36:00Told by people who do not care about the truth.
36:04Is that really what you're asking me to do?
36:07I'm begging you.
36:16To be forgotten is a gift.
36:21A past public 하는 public iHeartman.
36:24I will accept a speech.
36:25For the fact the truth is to be alive.
36:27To be forgotten.
36:28To be fair.
36:29To be fair.
36:30To be fair.
36:31To be fair.
36:32To be fair.
36:33To be fair.
36:34To be fair.
36:36To be fair.
36:38I looked up Wolfgang's burial records, his funeral.
37:00It was a modest affair, minimal mourners.
37:03You didn't go.
37:05It was December, Herr Pushkin.
37:07It was a storm.
37:09I said goodbye to Wolfgang later, my own way.
37:13Some people did go to the burial.
37:14Did you know that?
37:15Yes, Franz went.
37:17Yes, Herr Sussmaier went.
37:18And did he ever tell you who else was present?
37:20No.
37:22A record shows six mourners present at your husband's funeral.
37:26Sussmaier von Strach, three junior members of the Viennese opera,
37:30and one Antonio Salieri.
37:34You didn't know.
37:40What drove him there, do you think?
37:41Love?
37:42Hate?
37:43Guilt?
37:44God, I don't know.
37:46And what about Salieri's funeral?
37:51I wasn't invited.
37:52No.
37:53Well, sparsely attended, I believe.
37:55Not many friends in the end.
37:57But a much more lavish affair.
37:59The old Hofkappelmeister still demands a grand send-off.
38:03He'd even prepared his own composition, his own requiem, to be played.
38:15Taken from the conductor at Salieri's funeral.
38:20Played only once, at his request.
38:24Have a look.
38:34Why are you showing me this?
38:36Just keep looking.
38:41Do you see it?
38:46Both their hands.
38:51You knew this tomb meant better than anyone from outside.
39:09What is the truth?
39:12One, two, four years to complete the room.
39:28Both of you are still fighting.
39:30So long ago, but the table was really missing.
39:34Those días where the singular part of work was everything from outside.
39:41I can tell you a story, Mr. Pushkin.
39:57How silly he killed Mozart, but the truth of it, the real truth, that will die with me.
40:08I hope your audience enjoys it.
40:35Dawn has come, and I must release you and myself.
40:44One moment's violence, and it is done.
40:49You see, I cannot accept this. I did not live on this earth to be his joke for eternity. I will be remembered.
40:56If not in fame, then in infamy.
41:00One more moment, and my battle with him is won. I shall be immortal after all.
41:09For the rest of time, whenever men say Mozart with love, they will say Salieri with love.
41:18Now I go to become a ghost myself, but I will stand in the shadows when you come here to this earth in your terms.
41:33And when you feel the dreadful bite of your failures, and you hear the taunting of an uncaring God, I will whisper my name to you.
41:48Salieri, Salieri, the patron saint of mediocrities.
41:55And in the depth of your downcastness, you can pray to me.
42:01I will forgive you.
42:13I will forgive you.
42:21Amen.
42:51Amen.
43:21Amen.
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