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Short filmTranscript
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00:48.
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00:52.
00:54.
01:16.
01:18.
01:20.
01:22Show me.
01:30Something terrestrial.
01:31Gotta be.
01:32Bouncing off the moon.
01:34Gee.
01:35Never thought to check that.
01:37Look at that slope, man.
01:39You could ski down that thing.
01:41It is drifting.
01:42Look here.
01:43Zoom in.
01:44Zoom in.
01:45See that variation?
01:47And look, this gap here, this is where it stops,
01:49then starts over.
01:50It repeats?
01:51Every 78 seconds.
01:53The whole entire thing.
01:55Three hours straight and no end in sight.
02:02Can't be.
02:15It's gotta be something bouncing off the...
02:17off the...
02:18It's not bouncing off the moon, Dave.
02:20Maybe it's those Chatty Cathy's at the forest service.
02:23I hate those guys always on the radios talking about trees.
02:26Dave, it's not Smokey Bear we're picking up.
02:28Look at that signal.
02:29It's drifting.
02:30What is it then?
02:32Looks like simple pulse width modulation.
02:42Old school like Morse code.
02:43Maybe somehow it's the time signal out of Fort Collins.
02:47They use pulse width modulation.
02:49It's not the atomic clock.
02:50The atomic clock changes every minute because it's a clock.
02:53It's the same exact data repeated every 78 seconds.
02:56Plus, this is coming from 600 light years away.
03:03This Morse code of yours seems to be split four ways.
03:10The pulses are of equal duration, but they're positioned across four different frequencies.
03:15Looks like a player piano.
03:16So not binary, but bass four.
03:18Quaternary.
03:19Oh.
03:20This won't be easy to crack.
03:22This won't be easy to crack.
03:35What do you think it says?
03:36Maybe just, hello?
03:38Hey, we're out here.
03:40What'd we put on Voyagers 1 and 2?
03:43Chuck Berry?
03:44Maybe this is just their version of Johnny B. Good.
03:47Imagine the power it took to send it.
03:51Megawatts?
03:53Gigawatts?
03:54And that's if it's pointed only at us.
03:58Antenna the size of Africa.
03:59Bigger.
04:00You go to all that trouble to send a message.
04:05It's gotta be more than just hello.
04:10And why make it hard to understand?
04:12Quaternary?
04:13It's like encryption.
04:15Why would you bother to...
04:21It's not quaternary.
04:26I think I know what it is.
04:32I think I know what it is.
05:02The twin moons hung low and full.
05:19Two wine-green eyes peering over the horizon as if to steal a glimpse into Macasia's soul.
05:24She paced the blood-soaked decks of the Mercator looking for something, anything, that might take her mind off Rabanne.
05:31Ascending the foc'sle, her gaze lingered over a bare-chested young sailor.
05:36On hands and knees, he scrubbed, his sinewy forearms stretched taut as he washed away all trace of the day's fight.
05:43With a languid nod, Lucasia bade him follow to her cabin.
05:50Little did this callow deckhand know that serving at his captain's pleasure might take on such sweet meaning.
05:56Or, regrettably, that it would last but a single night.
06:03Later, at four bells, Lucasia stood by the mizzenmast.
06:08Once again, she was alone.
06:11She pulled her topcoat tighter, fingering its coarse wool as her thoughts flashed back to Rabanne.
06:17It had been he who first wrapped the coat around her, whispering in her ear,
06:22May this keep you warm in my absence, my shy.
06:28With that, Rabanne, proud, haughty Rabanne, mounted the plank and leaped from sight.
06:35The amaranth in slip sand closed over him, leaving nary a whipple.
06:53Attention, lovers of speculative historical romance literature, best-selling author Carol Sturka, will now sign her new novel, Bloodsong of Wickero.
07:02The fourth book in her Wins of Wickero.
07:04The fourth book in her Wins of Wickero's trilogy.
07:05Waikaro!
07:06Please, the tins of Waikaro.
07:08Yes!
07:09And Bloodsong is the best yet.
07:11God, are you in for a treat.
07:12Let's go sign books!
07:15I'm here.
07:16Rabanne is alive, right?
07:17Maureen.
07:18You can read it.
07:19Why, well, tonight I've already unplugged the phone.
07:22Just, Rabanne's not on the cover.
07:24No, he's not.
07:25Yeah, he's never not been on the cover, Carol.
07:28If Rabanne doesn't come back, I'm done.
07:33Page 218.
07:38Okay.
07:39Okay.
07:40Okay.
07:41Bye.
07:42Thanks, Maureen.
07:43This is Olga.
07:44Hi.
07:45Hi, Olga.
07:46Lately, I can't take care of it.
07:47She has to be the first day.
07:48Hi, man.
07:49Love it.
07:50Happy reading.
07:51This is Nikki with her pillow.
07:52Nikki with her pillow.
07:53Oh, my gosh.
07:54Yeah.
07:55I'm done.
07:56I'm done.
07:57I'm done.
07:58Page 218.
07:59Page 218.
08:00Okay.
08:01Okay.
08:02Bye.
08:03Thanks, Maureen.
08:04Hi.
08:05Hi, Olga.
08:06Lately, I can't take care of it.
08:07Hi, man.
08:08Myself.
08:09You made this?
08:10Yes.
08:11This is Christine.
08:12This is Paulina and support person.
08:13This is Carlotta.
08:14Bye.
08:15Say Rabanne.
08:16Rabanne.
08:17Rabanne.
08:18When Rabanne and Ergamel fell in the cargo hold,
08:20do you remember what it was loaded with?
08:22Madovian Spicefruit.
08:23Which Lucasia is...
08:25Deathly allergic to.
08:28Oh, you guys want a picture too?
08:30Of course.
08:31Thank you so much.
08:35Hi, Tanya.
08:36Hi, Tanya.
08:37Are you excited?
08:38Hi, Eva.
08:39B.
08:40I got two books.
08:41One for the tub.
08:42This is an authentic petless, just like Le Bon's.
08:44Okay.
08:45Careful, it's really sharp.
08:46Okay, so three things.
08:47A, when finally are they gonna make a Waikaro movie?
08:50Please tell me it'll be an actual theater,
08:52it's not on the Lifetime network.
08:53B, you gotta get ILM to do the slip stand.
08:56Otherwise, it's just gonna look like mail.
08:58Pardon my French.
08:59And C, at a small but very crucial point,
09:02as a two-masted scooter,
09:04the Mercator would not possess a mizzenmast, so...
09:07Craig, I'm gonna need you to put this back in the bag
09:10before the store manager sees it.
09:12Oh.
09:13Right?
09:14I'm your humble servant.
09:16Oh, that's the one.
09:17Oh, I love you.
09:18Thank you guys so much.
09:19Thank you so much.
09:20See you guys the next one.
09:21All right, all right.
09:28Hi, ladies.
09:29I have us going to the Hyatt Regency of Dallas.
09:32Yeah, thanks.
09:33Uh, perfect.
09:34That was quite a send-off.
09:36I'm sorry, should I know who you are?
09:38Uh, depends.
09:39You a big fan of mindless crap?
09:41Uh-huh.
10:11Good morning, Doc.
10:16Oh, it certainly is.
10:19Hey, Mel.
10:21Hey.
10:22Oh, where'd those come from?
10:24Yours truly.
10:26Help yourself.
10:27I think they're mostly glazed,
10:28but one box ought to be sprinkled, powdered, and all that.
10:31What did we do to deserve this?
10:33Uh, my 14-year-old son for marching band.
10:37Oh, aren't you a good dad?
10:39What does she play?
10:40Trombone.
10:41Dr. D!
10:42Good evening, morning, whatever.
10:43Look what Mel brought.
10:44Ooh, for us?
10:45Yeah, please.
10:46They got you two working late.
10:47Yeah, I gotta guess a bunch of rats.
10:49So how goes the big project?
10:51What have you heard?
10:52I don't know.
10:53Thanks?
10:54Well...
10:55Our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
10:57but after eight whole months of animal testing,
10:58I don't know.
10:59What have you heard?
11:00I don't know.
11:01Thanks?
11:02Well...
11:03Our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:05but after eight whole months of animal testing...
11:07Macaques.
11:08Rabbits.
11:09Mice.
11:10Guinea pigs.
11:11Guinea pigs.
11:12Now rats.
11:13No clinical signs whatsoever.
11:15Put another way...
11:16We've got bupkiss.
11:17We've got bupkiss.
11:18We've got bupkiss.
11:19Okay, how do you want to do this?
11:36Uh, I can put him to sleep if you want to do the cardio.
11:42I can put him to sleep if you want to do the cardiac sticks.
11:46I hate the cardiac sticks.
11:48You're more than welcome to gas him.
11:51I hate gassing him.
11:53Might be in the wrong career.
11:55All right, cardiac sticks it is.
11:58Let's get it over with.
12:02Uh-oh.
12:04Check it out.
12:06Oh, damn.
12:08What do you figure happened there?
12:12I don't know.
12:39He's looking pretty dead to me.
12:42You got a heartbeat?
12:45Can't feel jack shit in these gloves.
12:55Huh.
12:56Huh, what?
12:59He's absolutely got a heartbeat.
13:01Strong one, just bam, bam, bam.
13:02It's weird.
13:03If I didn't know any better, I'd...
13:04Oh, God, oh, shit.
13:06Oh, no.
13:07You've got to be kidding me.
13:10Did he break the skin?
13:12Um, yeah, I don't...
13:13Yeah, it's through the glove.
13:14Shit.
13:15Uh, soak it quick.
13:17If it's a murk.
13:18If it's bleeding, make sure to squeeze it out good.
13:20I'm gonna call this in as soon as I catch him, okay?
13:23Okay?
13:23Okay.
13:24Okay.
13:25Okay.
13:25Okay.
13:26Okay.
13:26Okay.
13:27Okay.
13:28Okay.
13:29Okay.
13:30Okay.
13:31Okay.
13:32Okay.
13:33Okay.
13:34Okay.
13:35Okay.
13:36Let's mark 336, and, uh...
13:50Jen?
13:53Talk to me, Jen.
13:58Jen!
13:59Jen!
14:00Jen!
14:00Shit!
14:02I'm coming out right now.
14:04I got you.
14:05I got you.
14:06Oh, come on.
14:07I got you.
14:14Oh, God.
14:17Jen, can you hear me?
14:18It's gonna be fine.
14:19You're gonna be all right.
14:20Come on.
14:21You're gonna be all right.
14:22You're gonna be all right.
14:23You're gonna be all right.
14:24You hear me?
14:25Come on.
14:26Come on.
14:27Talk to me.
14:28Come on, Jen.
14:29Come on.
14:30Jen?
14:31You all right?
14:32Jen?
14:33Did you say something?
14:34Jen?
14:35I got you.
14:36I got you.
14:37I got you.
14:38Jen?
14:41Hey, hey, hey, hey, Jen.
14:42Can you hear me?
14:43Jen, say something.
14:45Shh.
14:56Damn it.
14:57You're kidding me.
14:58It's kidding me.
15:00You're right.
15:01You're right.
15:02It's...
15:03... kidding me.
15:04Sigh.
15:13Really?
15:27Can you believe this thing?
15:31You've got skinny arms.
15:32I wish we could maybe...
15:38Hey.
16:02I wish we could maybe...
16:04I wish.
16:05I wish.
16:06I wish.
16:07I wish.
16:08I wish.
16:09I wish.
16:10I wish.
16:11I wish.
16:12I wish.
16:13I wish.
16:14I wish.
16:15I wish.
16:17I wish.
16:18I wish.
16:20Yes?
16:21Yes?
16:51I don't know.
17:21I don't know.
17:51I don't know.
18:21I don't know.
18:51I don't know.
19:21I'm going to get some gum.
19:23I don't know.
19:53I don't know.
20:23I don't know.
20:33I don't know.
20:34I don't know.
20:35I don't know.
20:36I don't know.
20:37I don't know.
20:38I don't know.
20:39I don't know.
20:40I don't know.
20:41I don't know.
20:43I don't know.
20:44I don't know.
20:45I don't know.
20:46I don't know.
20:47I don't know.
20:48I don't know.
20:49I don't know.
20:50I don't know.
20:51I don't know.
20:52I don't know.
20:53I don't know.
20:54I don't know.
20:55I don't know.
20:56I don't know.
20:57I don't know.
20:58I don't know.
20:59I don't know.
21:00I don't know.
21:01I don't know.
21:02I don't know.
21:03I don't know.
21:04I don't know.
21:05I don't know.
21:06I don't know.
21:07I don't know.
21:08I don't know.
21:10I don't know.
21:11I don't know.
21:12Oh, how I hate all those paying customers showering me with love and respect.
21:13Gotta go, why do I have to make so much money?
21:16Wahhh!
21:17How do you bear it?
21:28A bunch of dummies.
21:29Wow.
21:30Is it a ship that's us on sand?
21:33Purple sand?
21:34That is uh, that's brilliant.
21:36The world needed that.
21:38And the world needed yet another female character
21:40who spends all her time mooning over
21:42some fucking proud and haughty pirate.
21:45He's a coarser.
21:46Not a pirate.
21:48Mandovian Spicefruit.
21:51Jesus, that...
21:52It's like a bad episode of Star Trek.
21:55All right, so how about you throw everybody a change-up?
21:56Hmm?
21:57Greensand?
21:58Is that a purple?
22:00Maybe it's time for your serious book.
22:04Why not?
22:04You've been plugging away on it for five years.
22:07Four and a half, barely.
22:09Pardon me.
22:09So put it out already.
22:11I can't just...
22:11It needs polishing.
22:16Obviously, I mean, it does, right?
22:17Okay, take the next few months and polish.
22:20I'll work it out.
22:21I'll buy you some more time before your next Wai Karo.
22:25You really think bitter chrysalis is that good?
22:30I think people will love it.
22:34Have you ever read, um, Finnegan's Wake?
22:40No.
22:41I've tried, too.
22:43In grad school.
22:46It's probably great.
22:48I don't know.
22:50All I know is it made me miserable trying to get through it.
22:53I figure you make even one person happy.
23:01Maybe that's not art.
23:04It's something.
23:12To Rabanne.
23:14Proud, haughty Rabanne.
23:16Did you bring your cigarettes?
23:27Since when do you smoke?
23:29Since now?
23:29Since now?
23:30Since now?
23:30Since now?
23:33Are you trying to start a forest fire?
23:53Stop wasting my butane.
23:56Stop telling me how to smoke.
23:57I used to smoke in middle school.
23:59You know, you're supposed to light the other person's cigarette first, by the way.
24:01That's etiquette.
24:02Yeah?
24:02On a plane, do you put your own oxygen mask on first?
24:08Ooh.
24:10You gonna hear it?
24:10Houston Mom, 78, says about Blood Song.
24:13Best Waikaro ever!
24:15All caps.
24:15And, uh...
24:1716, 17.
24:20No.
24:20Exclamation points.
24:21Wow.
24:21Is that a new record?
24:22It's gotta be.
24:23Spoiler alert.
24:24Rabanne is back.
24:25And yummier that ever.
24:26Yummier than ever.
24:27Think she means?
24:28Mm-mm.
24:29You better belief he's got my permission to come aboard.
24:32I'd walk his plank anytime.
24:34I'm sensing an auto-comotif.
24:36Little bit.
24:36Think Houston Mom's off for meds again?
24:38I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:43Huh.
24:46Look at that.
24:48What?
24:50What do you think they're doing?
24:52What's what doing?
24:53The planes.
24:55Look.
24:55I don't know.
24:59What's that weird?
25:00Yeah, it's weird.
25:01Isn't it?
25:02All of them kind of parallel like that.
25:05Huh.
25:17Anybody else weigh in?
25:20That's all the usual suspects.
25:21Plus, a few new ones.
25:23Everybody loves it.
25:35You want to answer a few questions for them?
25:38What, now?
25:39No, no, no.
25:40Do a quick one.
25:40Let them know you're paying attention.
25:43Carol, my husband says Rabanne can be my hall pass, which I don't think is fair, since Rabanne's not a real live person.
25:49Although I wish he was.
25:50In real life, was there an actual man you were thinking of when you came up with Rabanne?
25:56That's hilarious.
26:00You want to tell the truth?
26:04What do you have to lose?
26:05Put down George Clooney.
26:11What?
26:11Nothing.
26:12What's wrong with him?
26:12Nothing.
26:13Just, I mean, how about a hot Brazilian soccer player, someone with dreadlocks?
26:17Hip it up.
26:19Just put George Clooney.
26:23It's safe.
26:30Shit!
26:30Buddy, you okay, buddy?
26:54Oh, Jesus.
27:13Helen, should we call someone?
27:17Helen! Helen, stop looking at the goddamn phone!
27:24Helen?
27:38Oh, my God, Helen!
27:40Helen?
27:46Help! Help! Somebody help us!
27:49Help!
27:51Just hang in there. Hang in, hang in there.
27:54Just hang in there.
28:02Oh, my, my, my!
28:04Oh, my.
28:14Fuck!
28:15I don't know.
28:45I don't know.
29:15I don't know.
29:17Please.
29:18Please.
29:19Please.
29:20Yes!
29:21Yes!
29:22Yes!
29:23Shit!
29:24Please remain on the line.
29:27An operator will be with you shortly.
29:29Be free to the author.
29:32Operator.
29:34Is.
29:37Do you think the author is on the line?
29:40Well no...
29:46Oh, my God.
30:16Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come
30:46You better get out.
30:48Come on, get out.
30:49Get out!
30:54No!
30:55Fuck!
30:58Fuck it!
30:59Go!
31:16What is that?
31:46Look!
31:48No...
31:52No...
31:54No...
31:58Oh!
31:59No!
32:00No...
32:02No...
32:07No!
32:11Oh, thank God.
32:30Oh, thank God.
32:41Oh, thank God.
33:11Oh, thank God.
33:41Oh, thank God.
34:11Oh, please wake up.
34:12Dr. Nguyen, wake up.
34:41Oh, my God.
34:48Oh, my God.
34:50Oh, my God.
34:50Oh, my God.
34:58Oh, my God.
35:00Oh, my God.
35:02Oh, my God.
35:02Oh, my God.
35:12Oh, my God.
35:14Oh, my God.
35:16Oh, my God.
35:24Oh, my God.
35:26Oh, my God.
35:28Oh, my God.
35:36Oh, my God.
35:38Oh, my God.
35:40Oh, my God.
35:42Oh, my God.
35:51Oh, my God.
35:53Oh, my God.
35:55Oh, my God.
36:05Oh, my God.
36:07Oh, my God.
36:09Oh, my God.
36:13Oh, my God.
36:21Oh, my God.
36:23Oh, my God.
36:25No, no, no, God, no, come on, please, please, no.
36:55No, no, no, come on, please, no.
37:25Let's go.
37:55Let's go.
38:25What? What is happening?
38:27Hey, hey, don't you touch her!
38:45You put her down! Put her down!
38:48Get out! Go away!
38:54What the hell is wrong with you people?
38:57He just wanna help, Harold!
39:00Come on!
39:30Come on!
39:32Come on!
39:36Come on!
39:38Come on!
39:41Come on!
39:43Come on!
39:47Come on!
39:49Come on!
39:55Come on!
39:57Come on!
39:59Come on!
40:01Come on!
40:03Come on!
40:09Come on!
40:11Come on!
40:13Come on!
40:15Come on!
40:17Come on!
40:18Come on!
40:21Come on!
40:23No, no, no, no.
40:53No, no, no, no.
41:23No, no, no.
41:53No, no, no.
42:23Oh, Christ, no.
42:27Come on, come on, come on, come on, come on, come on, please.
42:45Come on, come on, come on, come on, come on.
42:57There's a spare key.
43:03We can show you.
43:07No, no, stop, don't, don't, don't, don't come any closer.
43:09We don't mean to scare you, Carol.
43:12You're in no danger.
43:14We really do want to help.
43:16Remember, April 2016, the last time you got locked out?
43:20You put a spare key under the flower pot.
43:23The one on the right.
43:25Back there.
43:26There you go.
43:42Leave me alone.
43:44Please.
43:44Sure, Carol.
43:46Just give us a couple of minutes to clear out.
43:48Sure.
43:49Sure.
43:50Sure.
43:51Sure.
43:52Sure.
43:53Sure.
43:54Sure.
43:55Sure.
43:56Sure.
43:57Sure.
43:58Sure.
43:59Sure.
44:00Sure.
44:01Sure.
44:02Sure.
44:03Sure.
44:04Sure.
44:05Sure.
44:06Sure.
44:07Sure.
44:26We're very sorry for your loss.
44:37Dr.
44:38Judy.
44:43Come on.
44:44clよろしく.
44:46Bye.
45:07I don't know.
45:37I don't know.
46:07I don't know.
46:37I don't know.
47:07I don't know.
47:37I don't know.
48:07I don't know.
48:37I don't know.
49:07I don't know.
49:37If we can help you in any way, please let us know.
49:39We can deliver food, medicine, whatever you need.
49:43Just dial zero, day or night.
49:45You will want to call from a landline as all the cellular networks are down.
49:49But we are here for you.
49:51We feel like we're doing all the talking here.
49:59Are there any questions you might have for us, Carol?
50:02Anything at all?
50:03Yeah, yeah, yeah, yeah, yeah, I guess to start with, what the fuck is happening?
50:19Well, basically...
50:20It's an alien invasion, right?
50:22I mean, obviously, it's an alien invasion.
50:23Actually, no, it is not.
50:25What the fuck it isn't?
50:26You know my name.
50:28You know Helen's name.
50:30You are talking to me from my TV.
50:35And what the fuck is everybody's shit like this
50:39and those two weird neighbor kids
50:42and next door they know we're some goddamn...
50:44How would they know that, huh?
50:48Are you reading my mind?
50:50No, absolutely not.
50:52We couldn't do that if we wanted to.
50:54Who is we?
50:55Why is everybody suddenly we?
50:56You know, we could continue this
50:58after you've had a good night's sleep.
50:59Who is we?
51:01We is us.
51:03Just us.
51:04Who the fuck is us?
51:05Us.
51:06There are no aliens.
51:08None on this planet.
51:10We are, however, beneficiaries
51:12of extraterrestrial technology.
51:15Fourteen months ago, astronomers discovered
51:17a radio signal from 600 light years away.
51:21There's no telling how long it's been repeating,
51:23maybe throughout all of human existence.
51:26This signal, it's made up of four tones,
51:29representing guanine, uracil, adenine, and cytosine.
51:34It's a recipe, it turns out,
51:37for a nucleotide sequence, RNA.
51:41Scientists have created this sequence in a lab.
51:43It is not a living thing, per se.
51:46It is more akin to a virus.
51:49Though it's not that exactly either.
51:51It's kind of a psychic glue,
51:53capable of binding us all together.
51:58Okay.
52:00So if you're not aliens,
52:02who am I talking to right now?
52:05Who are you?
52:05This particular individual,
52:08this is Davis Taffler,
52:10Undersecretary of Agriculture
52:11for Farm Production and Conservation.
52:15But you are currently talking
52:16to every person on Earth,
52:19including Davis Taffler.
52:21We're all one.
52:23How does that work?
52:24We don't know exactly.
52:26It just does.
52:29Can I talk to the president?
52:31That individual passed away this evening,
52:33unfortunately, along with quite a few
52:35senior members of the United States government.
52:38Davis Taffler happened to be nearby
52:41and intact,
52:43and he was wearing a suit.
52:44So...
52:45So...
52:45So you're in charge now?
52:47The Undersecretary of...
52:49No, nobody's in charge,
52:50or everybody's in charge.
52:53Really, there's no such thing anymore.
52:55But there has got to be others like me.
52:58Your situation is a rare one.
53:00There appear to be 11 other individuals like yourself.
53:03In Albuquerque?
53:05No, in the world.
53:07We have reached out to them.
53:09Like you, they are disoriented,
53:12understandably.
53:14Rest assured, Carol,
53:16we will figure out what makes you different.
53:19Figure it out? Why?
53:21So we can fix it.
53:23So you can join us.
53:25Oh, God.
53:32Carol?
53:33You still there?
53:39You said my life was my own.
53:41It is.
53:43100%.
53:44So what happens when I say no?
53:49Carol,
53:50once you understand
53:52how wonderful this is,
53:54Carol?
53:57Carol?
54:15Hi!
54:16You've reached 505-796-6933.
54:19We're on the French Riviera
54:20drinking champagne.
54:22We are not here in our sweatpants
54:23screening your call.
54:25Make it a good one.
54:27Carol?
54:28Hello?
54:29It's us.
54:31Hello?
54:33We're sorry we upset you, Carol.
54:35We only want to make you happy.
54:37Shut up!
54:38Shut up!
54:38Shut up!
54:39Shut up!
54:39Shut up!
54:39We're not here in Australia.
54:59Bye-bye!
54:59We're also there!
55:00We're making you happy.
55:02We're at people call.
55:02We're looking at people's supremacy.
55:03We're at people's knees in our tracks.
55:04And you're talking about them.
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