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00:00...and scenes which some viewers may find distressing.
00:10Wolfgang Amadeus Mozart.
00:11Antonia Salio.
00:12The whole reason why I came to Vienna was to write for the Imperial Opera.
00:17Oh, yuck. Who wrote this? Can I change it?
00:22Ha, ha, ha!
00:24My goodness! Oh, fantastic!
00:27Thank you!
00:28Good composer.
00:29It's an honor to serve the crown.
00:31I want you to succeed here.
00:33Hermosa!
00:35Hello.
00:40It used to be that I could find his voice as easily as I found my own.
00:44His?
00:45God's.
00:46Oh, yes. Him.
00:51It was just... too many notes.
00:54Just because you're stuck rehashing boring old operas doesn't mean I have to be.
00:57Maybe God doesn't speak to you because you fucking bore him.
01:01Perhaps it was in that moment I knew I was gonna kill Wolfgang Amadeus Mozart.
01:07He was good for you, and he is not in that moment I was going to take a fucking move.
01:08He was a lot like that.
01:09He was like you too.
01:10He was THE MOTOR
01:11No, no.
02:12It's a shocking thing to hear.
02:16Why?
02:17Why share this with me?
02:20Why not tell this to a priest or a constable?
02:24You and I have no great bond.
02:27Or had you forgotten what you did?
02:29But we have the greatest bonfrau Mozart.
02:36We have him.
02:48Hey, Mozart.
02:49They're ready for you.
03:22They expected better of you, you know.
03:30Oh, Antonio.
03:38Oh, and Frau Salieri.
03:40It's the Salieri.
03:42Oh, and Frau Salieri.
03:52It's the Salieri.
03:54You came.
03:56Of course we came.
03:57Congratulations.
03:58Thank you so much.
04:00Your bride is on a table.
04:02Yes, I don't know why.
04:04You know, I've been thinking about it, and I forgive you for what happened when you didn't
04:07defend me.
04:08I really do.
04:09I mean, I understand it now.
04:10You're in a very difficult position.
04:12We all know how beholden you are to this emperor, all the constraints and the rules.
04:16So no wonder that some of your things don't fly.
04:19You're like a big, beautiful bird in a cage.
04:20I could never do what you do.
04:23It drives me absolutely fucking mad.
04:25I heard there's a new one coming, though.
04:26Is that true?
04:27Yes.
04:28La scuola de gelato.
04:30La scuola de gelato.
04:31Ice cream school.
04:33Gelos.
04:34Ah, gelos.
04:35School of jealousy.
04:36Well, Stanzi's sister is going up for a part.
04:39Very good singer.
04:40Really fucking mental, but lovely singing, boys.
04:43Of course, they are.
04:44Please, make yourselves at home.
04:46Enjoy these sausages and gherkins.
04:48Please.
05:18You didn't come to the wedding.
05:29Who?
05:32My father.
05:39Mother didn't mind.
05:42I suppose he is dead, so I have to forgive him.
05:48You should write to him.
05:51Tell him off.
05:54Maybe I will.
06:00Come now.
06:01You're getting better, your majesty.
06:02What's the punishment for lying to an emperor, do you think?
06:04Is it flogging or beheading?
06:07There are people in this palace who drag you out of the garden
06:09and beat you to death with rocks, if I ask them.
06:12All of them, majesty.
06:14You still have some way to go,
06:16but you are improving, majesty.
06:23My niece, Elizabeth, was coming to Vienna.
06:26She needs a music tutor, lest she ends up like her uncle.
06:29The princess?
06:30Your majesty, I would be honored to...
06:32Oh, I'm sure you would call composer,
06:34but no, I think the princess would like somebody a little bit more...
06:38A bit more...
06:39Oh, I don't know.
06:40Vibrant.
06:42Well, she's young.
06:43You understand what I'm trying to say.
06:45Yes, I think I do, sir.
06:46She had a rather fun idea.
06:48How about Mozart?
06:50Mozart?
06:51She might rather like that.
06:53He tutors, surely.
06:54I've heard the boy play.
06:55I mean, God, if he can rub some of that off on my niece,
06:57then so much the better.
06:59How is he, anyway?
07:01I was worried that he was a bit wounded by my critique on his opening night.
07:04Well, he's written about 200 concertos and got married since then,
07:07so I think he's doing fine, sir.
07:10Yes, I was hoping that he might be given a chance to write something new for us.
07:14Another brothel set fantasy with too many notes, perhaps.
07:18Perhaps a little more judiciousness in your handling of him next time, but...
07:21You know, it's funny.
07:21I went away from that opera.
07:22I couldn't stop thinking about it.
07:24I've gone under my skin somehow.
07:26We need to be bolder, Antonia.
07:29You were right, getting you to restage Terraria, it was...
07:31A success.
07:32It was safe.
07:34A copy of a Parisian hit, that's what my sister called it.
07:37You know, courage is what's needed now.
07:39Courage in court and in government.
07:41We need to be brave, Antonia.
07:44Brave men win the day, do they not?
07:46Of course, Your Majesty.
07:47I'll let you give Mozart the good news about Elizabeth.
07:50One.
07:55My goodness, Rupert.
08:04Have you been practising?
08:07Um, yes.
08:10Yes, now I can tell you've really improved, haven't you?
08:13I kid, of course.
08:15I jest, I jape, I make merry.
08:17I can tell that you're lying, Rupert.
08:18I can tell you have not been practising.
08:21In fact, what you just produced leads me to question whether you haven't actually discovered
08:24something that is sort of the reverse of practising.
08:27A kind of not practising so powerful as to completely undo all of the accumulated knowledge of our
08:31previous session.
08:32A sort of anti-practice.
08:34Have you cultivated an irrational fear of competency, perhaps?
08:38Did somebody perform rudimentary surgery and replace your ten fingers with flaccid baby
08:43cocks, Rupert?
08:44Do you have flaccid baby cocks for fingers, Rupert?
08:46Have you even touched this fucking hops a quarter single time since I walked out of that door
08:50a week ago?
08:50No, I didn't think so.
08:56And that's why you're not playing it very well.
08:59Now, I'm going to go and use your privy in the hope that the noise of my intestinal fluctuations
09:04are more pleasing than whatever the fuck you just try to fart out of these keys.
09:07Are he be cocks for fingers?
09:16Yes.
09:17I'm going to run out of students.
09:19Don't worry.
09:20Everybody in this town wants to learn the violin or the forte piano or the fucking triangle.
09:24Got a letter.
09:27From your father.
09:28He came on your sleep.
09:29Like an assassin.
09:30Mm-hmm.
09:32Mm-hmm.
09:33Let me see.
09:43Don't worry.
09:44It's just his way.
09:46He doesn't deserve you.
09:48He definitely deserves me.
09:50Poor old bastard.
09:52Right.
09:53I might be a little bit late this evening.
09:55Mm-hmm.
09:55Bring some people back with me.
09:57Do you mind?
09:57No.
09:58Your sister is a great talent.
10:23I'm sorry.
10:31You did want to see me, didn't you?
10:33Yes.
10:33Aloysius said that you...
10:35Yes.
10:38I hear your husband lost another pupil.
10:42Yes, he did.
10:45Well, as luck would have it, a new job has become available.
10:48A royal appointment, actually.
10:51Princess Elizabeth.
10:53A princess?
10:54The princess.
10:55Now, tutoring her is a position that will hold significant standing in the court and beyond.
11:02I mean, he'd be perfect for it.
11:04He's a brilliant tutor.
11:05My playing has come on so much, and that's just...
11:07I'm wondering if you might bring me his manuscript so that I can properly consider his work.
11:11Make his case to the emperor.
11:16Yes, of course.
11:17Bring the works to my residence, newer ones, if possible, and I ask that we keep this strictly
11:24between us.
11:25Absolutely.
11:27Well, I'll go and get them right away.
11:31All right.
11:31Well, I'll go and get them right away.
11:33Thank you, sir.
11:34Thank you, sir.
11:35Thank you, sir.
11:36Thank you, sir.
11:37Thank you, sir.
11:38Thank you, sir.
11:39Thank you, sir.
11:40Thank you, sir.
11:41Thank you, sir.
11:42Thank you, sir.
11:43Thank you, sir.
11:44Thank you, sir.
11:45Thank you, sir.
11:46Thank you, sir.
11:47Thank you, sir.
11:48Thank you, sir.
11:50Thank you, sir.
11:51Thank you, sir.
11:52Thank you, sir.
11:53Thank you, sir.
11:54Thank you, sir.
11:55Thank you, sir.
11:56Thank you, sir.
11:57Thank you, sir.
11:58Thank you, sir.
11:59A young lady is here to see you, son.
12:11Yes.
12:16Send her in.
12:23Constanza.
12:24Herr Salieri.
12:25Come on, please.
12:26I'm telling you.
12:27Hop yourself to a treat.
12:30They're from Werner's.
12:31My footman gets them.
12:32Do you know Werner's in town?
12:33Very good bakery.
12:37So these are his newest works?
12:40All from the last month or so.
12:45All this from the last month.
12:47Or so.
12:54Do you think I could keep these?
12:56You know, to look over.
12:58I don't think that, um, well, he doesn't know I've come here.
13:02And he'll miss them.
13:05He doesn't make copies.
13:11These are origins?
13:13Mm-hmm.
13:14Dear God.
13:24Do you mind if I...
13:25No, please.
13:25asking me for a time.
13:40Oh, my God!
13:43Oh, my God!
13:48I've been waiting.
13:49So what do you think?
13:59Could you speak to the emperor on his behalf?
14:01Yes, I could speak to the emperor.
14:06Put his name for it.
14:14But know that to do so would be a cost on my body.
14:19It would be a cost.
14:22There are many powerful men who could give me something in return for my help.
14:29We don't have anything we could give you.
14:36I thought you wanted to help us.
14:43Well, I do.
14:45I do, of course I do.
14:49But you are a woman.
14:51I am a man.
14:54This is the way of things, not.
15:03Is it really so awful, the thought of it?
15:06The idea of it?
15:08Is it so high a price to pay for what I am offering?
15:12You do understand what I am offering.
15:34He must never know.
15:35I am a woman.
15:51Like you said.
15:53So where should we do it?
15:54Should we do it here?
15:55Or in the bedroom?
15:56You have to be delicate, do you understand?
15:58Get dressed.
15:59Why, have you changed your mind?
16:02You're just so dressed.
16:08The princess.
16:12Yes, I'll speak to the emperor.
16:14Forgive my sinful mind and my temptation.
16:27I walked to the edge, but I didn't go over it, didn't you?
16:32You pulled me back.
16:34And I commend myself to you.
16:38I know your destiny is right.
16:40Perhaps in your divine wisdom, you felt you'd given me too much already.
16:45Tarari was a success.
16:46I feel the next one will be too.
16:49And I am grateful.
16:51I'm so grateful.
16:57And I commend myself to you.
17:00To purity.
17:04This ends now.
17:07I swear.
17:08I swear.
17:10I swear.
17:34I swear.
17:35I swear.
17:35Dear Wolfgang, I write to you now as a father, a position which I understand you are soon
17:49to occupy yourself. I have great concerns about you and much that we need to talk about.
17:55I wonder if you will now understand this better once...
18:05He looks like a tomato.
18:25Has he said anything yet?
18:27Um, no.
18:28No.
18:29Very rude, John. Very rude.
18:33How was it?
18:34I shit myself.
18:49What are you trying to write?
18:52What are you trying to write?
18:55A mass.
18:56A mass?
18:57Yes, you know, celebration.
18:59For what?
19:01For becoming a father.
19:03Oh, how is that going?
19:06I'm trying to get the book to snooze.
19:08Leave alone.
19:09About as well as this fucking mass.
19:11Why can't you just sit and be a film again?
19:16Help!
19:17Help!
19:18Help!
19:19Help!
19:20Help!
19:21Help!
19:22Help!
19:23Help!
19:24Help!
19:25Help!
19:26Help!
19:27Help!
19:28Help!
19:29Help!
19:30Help!
19:31Help!
19:32Help!
19:33Dear Wolfgang, I've concerns about you and much that we need to talk about.
19:37I hear you've been making a spectacle of yourself.
19:40I hear hardly anything of your talent, and I hear even less of your success.
19:44You embarrass our good name.
19:45A child masquerading as a composer.
19:47Outstanding arrogance.
19:48To think you no better than your own father.
19:50The years your mother and I spent on you.
19:52Train for so long.
19:53So hard.
19:54You must listen to me.
19:55Insolent fool.
19:56Abject face.
19:57Salvage your reputation.
19:58Come back to Sons.
19:59We'll return home.
20:00Come back before it's turned out.
20:12It's Marcato.
20:13See you soon.
20:38Hello.
20:39Oh, you're having a night, Lair?
20:50Let's have a look at you.
21:00I do love you.
21:04I think I do.
21:06I think that's what this is.
21:09Do you feel loved?
21:13Eh?
21:14Can I ask you a question?
21:17Do you like me to love you, Raymond?
21:22No, I'm just asking.
21:24Just asking.
21:27All you do is piss and shit and suck on my wife's tits.
21:33You stole my act.
21:35Why can't I finish your fucking mask, Raymond?
21:41Oh, my God.
21:44Oh, my God.
21:47Yes, well, there we go.
21:53Yes, well, there we go. A noble attempt, Your Highness.
22:10Might I suggest...
22:11I don't care for it.
22:13I'm sorry?
22:15Music.
22:17Ah.
22:19Yes, I wondered if that might be the problem.
22:21Would you like to, um, sit next to me on the stool?
22:28Of course.
22:33The last teacher I had was even younger than you.
22:39Used to, um, rub himself onto the clavichord as I played.
22:45Did he?
22:46Yes.
22:46He put a finger inside me once.
22:53My father found out and had his hand cut off.
22:58That was just before I was sent to live here.
23:04Shall we, uh, start again?
23:09From the top?
23:09Well, we can start from whichever end you like, Herr Mozart.
23:16Very good.
23:18Fucking hell.
23:20Okay, Your Highness.
23:22Whenever you're ready.
23:24I'm just going to, uh, watch from over here.
23:27The opportunities I lost.
23:41The time I spent.
23:42Come back to Salzburg.
23:43You cannot continue to ignore me, Wolfgang.
23:45Come back to Salzburg.
23:46You must listen to me.
23:48Fight!
23:49Then I'll shut you up.
23:50Stanza!
23:52Pack your trunk.
23:53We're going away.
23:54Where?
23:57Salzburg.
24:00He used to feed every two hours or so, but it's been going down lately.
24:03Her night he usually sleeps quite badly.
24:05He needs his bedclothes cleaned.
24:06Child, I've raised four girls.
24:07I think we can look after a baby.
24:09Well, this one has a cock, so don't get startled and chop it off by mistake.
24:12We're right here when we get there.
24:13We don't find a statement at the end of the month.
24:15Off we go.
24:16Enough faffing.
24:18Bye, Raymond.
24:19Sometimes just you and me, without the small goat lying between us, kicking us with its
24:31tiny hooves.
24:33Do us good, I think.
24:33Don't talk about him like that.
24:36It was a joke.
24:37Mozart had taken you, his beautiful wife, on a sojourn away from the city.
24:45And in his absence, piano was mine once again.
24:49I released my newest opera, La Scuola de Gelosi, to great acclaim.
25:24It was such a hit, in fact, that my librettos
25:54de Ponte and I even considered a sequel.
25:57The idea was abandoned, but offered to another composer
25:59who reworked it into a new piece.
26:02You'll know it by the name Cosifantuti,
26:06but then I tried not to dwell on such detail.
26:09For a while, I reveled in my success and position
26:13as if nothing had ever changed.
26:17Little did I know what was coming.
26:22This is where you grew up?
26:24Would Master Wolfgang care for some supper, perhaps?
26:31Or would sir prefer to go straight to his bedchambers?
26:37Straight to the bedchamber, please, Florian.
26:39Very good, sir.
26:40Oh, my God.
26:44Oh, my God.
26:45Oh, my God.
26:47Oh, my God.
26:49Hmm.
26:49Morning, Florian.
27:17Morning, Master Wolfgang.
27:19Where is my father?
27:22Left early this morning, sir.
27:24He expects to return in a day or two.
27:27You told him that we arrived last night, yes?
27:29Oh, indeed, yes, sir.
27:33Very good.
27:49Good night.
27:50Good night.
27:51Good night.
27:52Good night.
27:54Good night.
27:55Good night.
27:57Good night.
27:59Good night.
28:00Good night.
28:01Good night.
28:02Good night.
28:04Good night.
28:05Good night.
28:06Good night.
28:07Good night.
28:08Good night.
28:09Good night.
28:10Good night.
28:11Good night.
28:12Good night.
28:13Good night.
28:14Good night.
28:15Good night.
28:16Good night.
28:17Good night.
28:18Good night.
28:19Good night.
28:20Good night.
28:21Good night.
28:22Good night.
28:23Good night.
28:24Good night.
28:25Good night.
28:26Good night.
28:27Good night.
28:28Good night.
28:29Good night.
28:30Good night.
28:31Good night.
28:32Good night.
28:33Good night.
28:34Good night.
28:35Good night.
28:36Good night.
28:37Good night.
28:38Good night.
28:39Good night.
28:40Good night.
28:41Good night.
28:42Good night.
28:43Good night.
28:44Good night.
28:45Good night.
28:46Good night.
28:47Good night.
28:48Good night.
28:49Good night.
28:50Good night.
28:51Good night.
28:52Good night.
28:53Good night.
28:54Good night.
28:55Good night.
28:56Good night.
28:57I don't know.
29:27I don't know.
29:33Hello.
29:35Good to see you.
29:39You too.
29:41We're having chicken.
29:43We've been here for three days.
29:45I had business out of town.
29:47Well, you knew we were coming.
29:49Where's your wife?
29:51Getting changed.
29:53Into what?
29:54Is there wine?
29:56You know, I wrote to you for months.
29:58You didn't reply.
30:00I've been busy.
30:01Oh, yes, I hear that.
30:02I hear you've been very busy.
30:04I hear you drink.
30:06I hear you throw lavish parties.
30:08Here we go.
30:09I hear you've been making a spectacle of yourself.
30:11Or am I wrong?
30:12Too many notes.
30:14I don't think that didn't filter back to me.
30:15The emperor does not know anything about music, does he?
30:18Is this cognac?
30:19Brandy?
30:20I don't take anything at this point.
30:22My greatest fear when he left Salzburg was that this would happen.
30:26That what would happen?
30:28That you would squander your gift.
30:31Not squandering anything.
30:33Teaching the princess piano.
30:35Did you not know about that?
30:37I thought you'd be impressed.
30:38That's one hour of your week accounted for.
30:40What of the rest?
30:41Why do I not hear any tales of triumph and glory?
30:45Just stories of an insolent fool dancing around an apartment he can barely afford with some pauper's daughter on his arm.
30:53Mozart?
30:58You should call me Papa.
31:02Your father is dead.
31:03He won't mind.
31:04My mother also forbade the wedding, by the way.
31:07He weren't the only one.
31:09She did attend it, though.
31:10You think me rude?
31:12What would you call it?
31:14I'm a straightforward man.
31:16I don't feign enthusiasm where I do not feel any.
31:19I don't send regards where I do not feel they're warranted.
31:22How is my grandson?
31:26Wolfgang.
31:27He cries when he doesn't get exactly what he wants.
31:29He pays no attention to anyone else's feelings, needs or desires, so we can be sure he's a Mozart at least.
31:38I'm glad to have finally met you.
31:43Hmm.
31:44I told you Vienna would not be impressed with your frivolities.
31:49Oh, you think the Imperial Opera indulges nonsense?
31:53An opera set in a whorehouse.
31:56That was your grand entrance?
31:58Yes.
31:59Was it worth it?
32:00For you to get a dressing down on stage from the Emperor in front of everybody?
32:05Was that what we were working so hard towards all those years, all those miles?
32:12I'm talking to you.
32:13Yes.
32:14What about a follow-up?
32:18I assume you have plans to try and salvage your reputation?
32:22I've written hundreds of things.
32:23I write every day.
32:24Father, don't worry.
32:25Thank you very much.
32:27Looking forward to the chicken.
32:29What about a follow-up then?
32:30Well, obviously, I have been a little bit distracted.
32:33I have a Basset Hound who I'm trying to train.
32:36He can follow basic commands except for when he sees a pigeon,
32:40when he completely forgets what he was doing and sits there drooling slightly,
32:44like forgiveness because he's an imbecile and he is a Basset Hound.
32:48But you are not a Basset Hound, Wolfgang.
32:51Your ears are not long and soft.
32:54You do not have a rounded muzzle or a glossy coat.
32:57You are a man.
32:59Something colourful should be able to float into view
33:06without knocking every last intelligent thought from your mind.
33:09Grow up.
33:10You're distracted.
33:11No one cares.
33:12Your first opera was a failure.
33:14You haven't written a second one.
33:15That should alarm you as much as it does me.
33:18What's his name?
33:19What?
33:20Your Basset Hound.
33:22Gregor.
33:23Well, that's a bit of a silly name, Papa.
33:25Well, Wolfgang was already taken.
33:28You are throwing away the gift that God gave you.
33:35Not you as well.
33:37Wolfgang.
33:38They're my gifts.
33:41So they're mine to do what I want with.
33:43No.
33:44They are not.
33:45You tell him.
33:46Maybe he'll listen to you.
33:52People have died for your tans.
33:54Beg your pardon?
33:56Your mother is in the ground.
33:59No flowers on her grave.
34:01No mourners to tend it.
34:03Left to rot in a cold corner of a Parisian church,
34:07five hundred miles away from home.
34:09Because you...
34:10She was ill.
34:13She was ill and you didn't send for me.
34:22It's not true.
34:24It's true.
34:25It's true and you know it's true.
34:27And you can drink and whore and play as loud as you can.
34:32But you know she stands in the dark and watches you.
34:35And she weeps at what you're doing with the gift that she gave her life for,
34:40you selfish little bastard.
34:42Little bastard!
35:05Why'd you behave like that?
35:08Hmm?
35:09Why?
35:12Like what?
35:14Wolfgang.
35:15Like the great Amadeus Mozart who teaches piano to princesses and writes ditties for babies.
35:21Our baby.
35:26It's one piece you've never been able to finish.
35:31Perhaps you can't write a celebration for something you don't actually celebrate.
35:35You know I spent five minutes with your father and I have to say I'm not a fan.
35:43But he's right.
35:46People have made sacrifices for you.
35:48They have.
35:49They've humiliated themselves.
35:51Twisted themselves into what you needed because we see what you are.
35:57What you could be but you need to earn that.
36:01You're not a little boy writing minuets anymore.
36:04You're a man.
36:08At least you're fucking supposed to be.
36:09I'm surprised to be.
36:39I don't know.
37:09I don't know.
37:39I don't know.
38:09Who the hell is that?
38:14Why does it smell of smoke?
38:15Is the house on fire?
38:16Only briefly, sir.
38:17I'm sorry for the hour of my arrival.
38:19I have urgent news for Herr Mozart.
38:21Which one?
38:22The composer.
38:23Which one?
38:24Wolfgang.
38:25Sir, I'm sorry to tell you that your son is dead.
38:35He succumbed to a fever shortly after you left.
38:38I'm sorry to tell you that.
39:08Oh, no, no, no, no.
39:18No!
39:48She needs rest.
39:59A proper bed.
40:08Wolfgang.
40:12Good speed on your travels.
40:18Good speed on your travels.
40:48Good speed on your travels.
41:02That's the last time I leave you with a baby.
41:06Oh, Wolfgang.
41:13Is she dressed?
41:15She's in bed.
41:16She's asleep.
41:19I've never seen anybody sleep like this.
41:23What am I supposed to do?
41:25Have another.
41:28Have another before the grief is allowed to settle.
41:31Only joy can dispel grief, joy, and light, and love, and music.
41:34What?
41:42What?
41:43What?
41:44How?
41:48Oh, I...
41:49God.
41:53God.
41:57God.
43:59There's a service on Sunday at the church.
44:04The Mass for Raymond is ready to perform.
44:07People keep saying to me that God speaks through me.
44:27Well, now he's taken our son.
44:36Maybe we can speak back.
44:39And if it's in your voice, I think you might hear it.
44:44And if it's in your voice, I think you might hear it.
45:14And if it's in your voice, I think you might hear it.
45:44And if it's in your voice, I think you might hear it.
46:14And if it's in your voice, I think you might hear it.
46:44And if it's in your voice, I think you might hear it.
47:14And if it's in your voice, I think you might hear it.
47:16And if it's in your voice, I think you might hear it.
47:44And if it's in your voice, I think you might hear it.
48:14Lays on
48:46Thank you for showing me what you are.
48:50You gave me the desire to praise you,
48:53and then made me mute.
48:57You put into me the perception of the incomparable,
49:01and then ensured that I would know myself forever mediocre.
49:09Why?
49:14What have I ever done to you?
49:17Straight from the path, I came back to you.
49:19I came back to you.
49:20I promised myself to you to piety.
49:23I have only ever pursued virtue with rigor.
49:28I have worked, and I have worked with the talents you allowed me,
49:33surely that in the end, in the practice of the art
49:36that alone makes the world comprehensible to me.
49:39I...
49:43I might hear your voice.
49:48And now I do hear it.
49:52And it says only one name,
49:54and it's not mine.
49:56You chose him.
49:59A foul, spiteful, shit-talking bastard Mozart
50:04to be your sole conduit.
50:06And my, my sublime pleasure
50:08is to be the one man alive in this time
50:10that can clearly recognize your incarnation.
50:13You give me just enough talent
50:15to know how little I truly possess.
50:26you take him home.
50:34It's...
50:35..it's a wonderful joke.
50:42So be it.
50:49From this time on, we are enemies.
50:52you and I are not accepted from you I won't they say God is not mocked I tell
51:01you maddest I tell you I am not mocked
51:10you are the enemy and ending now and this I swear to my last breath I will
51:20block you on this earth I will block you and a little vessel as far as I am able
51:29diminish the man diminish the God
51:39kill the man
51:42kill the God
51:50kill the man
51:51kill the man
51:52kill the man
51:53kill the man
51:55kill the man
51:56kill the man
51:57kill the man
51:58kill the man
51:59kill the man
52:00kill the man
52:01kill the man
52:02kill the man
52:03kill the man
52:04kill the man
52:05kill the man
52:06kill the man
52:07kill the man
52:08kill the man
52:09kill the man
52:10kill the man
52:11kill the man
52:12kill the man
52:13kill the man
52:14kill the man
52:15kill the man
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