Doctor Who- Unleashed - Season 2 Episode 03- The Well
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00:00¡Action!
00:01En este episodio, la doctora se encuentra en el aprendizaje de la lengua de signos.
00:05Mi nombre es la doctora.
00:08Me heen prensa.
00:09Normalmente, se me hace un año por 7 años para convertirme en lengua de signos.
00:15Bueno, gracias a algunos nuevos kit.
00:18¡Action!
00:20La stunt team están encerrando.
00:23¿Por qué me he vestido en un cajón en un fútbol de febrero de febrero de noche?
00:33And spoiler alert, we've got an exclusive clip from the next episode.
00:38Welcome to Doctor Who Unleashed.
00:48Well, have you come out from behind the sofa yet?
00:50No, me neither.
00:53But get ready for an exclusive behind-the-scenes look at the spine tingling,
00:57the well.
00:59And if you don't want spoilers, then maybe do this.
01:02No, no, no, please, no.
01:04Stop.
01:05No, don't tell me.
01:05Don't tell me, please.
01:07I don't need to know.
01:08Ready?
01:12In this episode, the Doctor faces an unseen alien life force on a killing spree.
01:17But the beating heart of the well is Alice, a character who we never 100% trust.
01:24What did you do?
01:25What did you do?
01:26What did you do?
01:26Just jumping there.
01:28So, so, so, so, get back.
01:29But who still manages to pull our emotional heartstrings.
01:33There's something behind me all the time.
01:36Now, please help me.
01:38A very difficult balancing act to pull off, but the formidable Rose ailing Alice nails it.
01:45I'm really angry at her because her performance was so beautiful.
01:50It was so stunning.
01:52That's what you have, Mr. Nudai.
01:54No, I was like, this is just a wasted performance that I'm giving.
01:58I was blown away.
02:01Blown away by her talent.
02:03And you take me home.
02:05I don't know how Rose did it because she was operating on three levels.
02:09To sign and speak at the same time is very difficult.
02:13And then to also have, like, in your head what you need to be doing as your character.
02:18I was like, that's so much to have in your head.
02:24And she just does it effortlessly.
02:25Did you enjoy it when you got to read the script for the first time?
02:33Yeah, it made me so excited because it's such a great character.
02:37It's such a complicated moment.
02:39It's a bit scary.
02:40It's a bit spooky.
02:41I loved that she's hiding what she doesn't really want to tell.
02:45But she didn't really have a choice.
02:46Yeah.
02:47And that just got me so excited.
02:50A lot of your work before has been, like, on stuff, you know, like,
02:53obviously EastEnders being a sitcom and your theatre work.
02:56Is this the first time you've really done something, like, sci-fi like this?
02:58Where we're in, like, a, you know, mining centre on a planet, that sort of stuff?
03:03Yeah, I'm actually having the best time ever because of that video.
03:06I mean, the attention to the detail, my caution, the space, though, I just...
03:12It's really hard to act really sad when I'm actually deep down.
03:16I'm so excited for everything I do.
03:18It's just amazing.
03:19Yeah.
03:20What is... What do you mean?
03:23BSL consultant Sarah Lawrence was brought in to support Rose, the cast and the crew.
03:29For people who don't know what your role is today,
03:32tell us, what are you doing here?
03:39I'm here.
03:40Well, it's really interesting, actually.
03:41Because in Doctor Who, in the script,
03:44the Doctor, the character of the Doctor,
03:46actually signs and there's also a deaf character in this episode.
03:49So my job has been to teach the Doctor how to sign
03:52and, while being on set, whilst they're recording,
03:56to make sure that signing is right.
03:58On-set communication with Rose
04:00and much of her interaction with the Doctor was signed.
04:03That gave the cast and crew the opportunity to learn some BSL,
04:08British Sign Language.
04:09Before we started filming, we did a deaf awareness course.
04:12Yeah.
04:13It was really important, just to ensure that we understand
04:16the barriers that are in place
04:19when you are communicating with somebody who's deaf.
04:22For example, you know, facing them when you're talking,
04:24don't just suddenly turn away.
04:26Yeah.
04:27Understanding how to work with an interpreter as well.
04:30And also, there's been, you know,
04:31it's quite a unique process that you don't come across every day
04:35if you aren't working with a deaf person.
04:36Just integrating those processes into working on set,
04:40it is completely different.
04:41You learn stuff about the prejudices.
04:43There's moments when people turn their backs on Alice
04:47and so they're deliberately shielding their lips from her,
04:49which makes her angry.
04:51Don't turn your back on me.
04:53Please, don't turn your back on me.
04:55Which is all very true.
04:56That's true of a real, lived, authentic deaf experience.
04:59So we had Rose go through the entire script
05:02and we actually had notes of her, of course corrections,
05:05of how to do things, how to phrase things,
05:07how to say things exactly.
05:09Hi there.
05:11My name is a doctor.
05:13So I got the chance to learn BSL, which was amazing.
05:17And I think there's such a more effective,
05:21beautiful, intentful way of communicating.
05:24You have to really commit yourself
05:26to communicating to who you're talking to.
05:27Was that OK?
05:28I did this and I did name with two fingers.
05:33I'm really impressed.
05:34He's very quickly learned sign language
05:36because normally it takes on average about seven years
05:40to become fluent in sign language.
05:42So, and he was learning to sign after he'd finished shoot
05:47when he was already so tired.
05:50Well done.
05:51I've never connected with another actor like this.
05:55This is such a different level of communication
05:58and it's really beautiful.
06:00Why am I getting emotional?
06:01He's going to become like a deaf icon
06:03because he's dying.
06:05Name me the doctor.
06:06The deaf community would go mad over that, I think.
06:17The well saw the doctor revisiting the scene
06:20of an iconic Doctor Who episode.
06:22What is this planet called?
06:246-7-6-7.
06:26The old name.
06:27400,000 years ago, what was the planet called?
06:30It was called Midnight.
06:32I've been here before.
06:36Back in 2008, the 10th Doctor took a tourist trip
06:39on the planet Midnight.
06:41A beautiful but airless death trap covered in diamonds.
06:46Here, the passengers and crew and all the watching Whovians
06:49were terrorised by an unseen entity.
06:52Fast forward 400,000 years and the 15th Doctor is back.
07:00The planet has been renamed 6-7-6-7.
07:03All the diamonds have been mined, but that entity is still lurking.
07:09Have you ever heard of a planet?
07:11What?
07:13I thought we saw.
07:14But what's going on, Russell?
07:16It's a sequel no-one ever expected.
07:18And it's the kind of episode you should never do a sequel to.
07:20So, that's where we went, frankly.
07:24Right to that.
07:25The interesting thing for me was that I watched that episode
07:29and there are two things that are similar about Midnight.
07:33Did you just...
07:34One is that it's the same monster, even though he's sort of morphed.
07:38What did you see?
07:40Upstairs.
07:41That ridge.
07:42Like, like a shadow.
07:43Just for a second.
07:45What's in a shadow?
07:46It's behaving slightly differently.
07:47It messes with you.
07:48It plays games.
07:49Why are you repeating?
07:51Why are you repeating?
07:53Another thing about Midnight is it's also a bottle episode
07:56in the sense that it's all set in the one small space
08:00and within there are a bunch of people and the monster.
08:05I can guarantee you everything's fine.
08:06The creature in Midnight was only ever heard, not seen.
08:14In the well, it gets physical and deadly.
08:17To me, this is the scariest monster that I've faced so far.
08:29I just think the way that Russell wrote it was terrifying,
08:33but really beautifully descriptive, but just an implication.
08:36It's your complete own interpretation as to what this monster actually is.
08:41Oh, yes.
08:43Oh, gosh.
08:44Just reading it was very, like, it put shivers down your spine.
08:49The monster's grown.
08:51The monster has learned.
08:52The monster has, like, and has been waiting for, like,
08:56a chance to get out and cause trouble.
08:58So I loved that it was, like, a bit of a continuation from Midnight.
09:02The elements kind of said to me, like, it's a mining planet
09:05and it's deserted and it's deadly and it's poisonous
09:09and there's something hidden as people have disappeared.
09:12All those scary things are in place.
09:13This one's got a broken neck.
09:16So that all just kind of...
09:17Indian just kind of demanded.
09:19It said, actually, don't try to pretend this is something else.
09:21This is the same planet.
09:24The one big difference between Midnight and the well
09:27is that in the former, everyone was stuck inside a static space bus.
09:31But in the latter, they're free to run around like action heroes.
09:35So is this what superhero V would look like?
09:38This is quite superhero-ish, isn't it?
09:39It is so... it's so superhero-ish.
09:42It's actually kind of more like my bread and butter,
09:45like, especially after doing a lot more, like, action things.
09:49Yeah.
09:49So when I put it on, I was like,
09:50Oh, I'm home.
09:53Actually, I had to kind of actively be like,
09:55no, this is Belinda, not other characters that I've played.
09:59Panos that I may or may not have played in other franchises in the past.
10:02That's also from Disney, yes.
10:04Those ones.
10:05Yes.
10:06I think the first day or something when we were running,
10:09it was very, like, action hero.
10:10And I was like, no, wait, I have to be a little bit more normal person.
10:13Yeah, yeah.
10:15Yeah, no, it's been...
10:16It's been... I love this.
10:18I love this outfit, except going to the loo, going for a wee is...
10:22Oh, is it?
10:23It's very difficult.
10:24I won't go into details, but it takes some time, does it?
10:27It takes time.
10:28There's so many attachments and zips and...
10:30I was just...
10:31Yeah, I need three people to...
10:34I need an entourage just to help me unclip and unzip.
10:38That's just you with normal life.
10:39That's actually...
10:40That's got nothing to do with the costume whatsoever.
10:41Yeah, it's actually just what I've written in my contract now.
10:49Camera set.
10:51And action.
10:52It's the 1st of February, 2024, and in classic Doctor Who fashion,
10:57we're in a quarry in the nighttime.
10:59And yes, yes, it is freezing cold.
11:02Some things just naturally belong together.
11:05Strawberries and cream, fish fingers and custard,
11:07the Doctor and quarries.
11:09For over 60 years, these rugged holes
11:12have been the go-to Doctor Who backdrop
11:14for a far-flung alien world.
11:17And tonight, this quarry just outside Bridgend in South Wales
11:20is about to become Shooty's first quarry.
11:23It's kind of something you inevitably do.
11:25Who is your commanding officer back at base?
11:27And frankly, it's a Doctor Who homeland.
11:29It always works.
11:30I like the fact also this is a mining planet.
11:32So it should look like a quarry.
11:34The whole surface used to be diamonds and they've been mined.
11:37So you're not pretending this is a rocky planet.
11:39It's actually been mined.
11:40So that takes the edge off, the quarry-ness of it.
11:43Yeah, love it.
11:45Cut!
11:45Tonight, we're filming the scene
11:47where Fi and Shooty, they've landed on the planet.
11:54Oh, my God!
11:58Life with you!
12:00I know, I know, I know.
12:03It's very atmospheric here.
12:05I've never been in a quarry before.
12:06Nice and quiet!
12:08Everybody's just setting up now.
12:10At the moment, they're talking through with the rest of the actors
12:12who play the troopers,
12:13talking through the scene with the director
12:14and the director of photography and everything over there.
12:18Oh, look at the helmets!
12:19Have you seen those helmets?
12:21That is way cooler than I was thinking it would be.
12:25Every one of the troopers has got their own person
12:28because they've got all the boxes there.
12:30Each box is for a specific helmet
12:32so they don't get mixed up or lost on their works.
12:35They've been made, especially for each of the different actors.
12:36Every time they show cut, they are fast getting in there
12:40because it's cold
12:42so they're getting all those big coats on
12:43and they keep them warm.
12:45It was a busy old quarry tonight.
12:49And with so much going on down here,
12:51it's a perfect opportunity for me to dive in
12:54and learn about another role in the TV industry.
12:57For my work experience this episode,
13:04I'm joining trainee grip, Rhys.
13:07Well, thank you very much for having me along.
13:08It's all right.
13:09I guess the first place to start is,
13:11what's your job here today?
13:12So I'm a grip trainee.
13:13Yeah.
13:14Anything the camera goes on,
13:16we supply that and we set it all up.
13:20Cameras can be attached to tripods,
13:23dollies and cranes
13:24and tonight, I'm going to help Rhys lay a dolly track.
13:31Two little track joiners.
13:32So they join the track,
13:33they go on the little bits.
13:34Tidy.
13:35See if you can work that one out.
13:36Does this, like, go in a hole or something?
13:38So first of all...
13:40Oh, no, hang on.
13:42They go on, they clip on those?
13:44They join those bits,
13:45so they're going to join the track together.
13:47Yeah, yeah.
13:47There you go.
13:48And then you can tighten them with that.
13:51Oh, I see, I see, I see.
13:52OK, so they're on.
13:53So that stops it from, like,
13:54slipping and sliding away, right?
13:56But that's not tight at the minute.
13:57See how loose that is?
13:58Yeah.
13:58And there's a little gap in the track.
14:00And the dollies are so sensitive,
14:01you'll feel that little bump.
14:02Even the tiny little gap that side?
14:03Even the tiny little bump.
14:04So yeah, you've got a...
14:06Other way.
14:08Just got to make sure that's...
14:11Right.
14:12So they're tight in there now.
14:14The next step now is to level it.
14:16OK.
14:16So with leveling,
14:17all start at the high end.
14:18What is it about being a grip that,
14:20that, you know, attracted you to do that job?
14:22I think from a young age,
14:23I've always wanted to be hands-on
14:24and doing stuff.
14:25And then later in life,
14:27I developed that love for film and TV.
14:29And I was like, right, OK,
14:30that's something to do.
14:31Yeah.
14:31Is there anywhere I can put the two or two together?
14:32So I went to uni,
14:34studied film and TV.
14:35Yeah.
14:35I didn't really learn what a grip was in uni,
14:38but I did my own research
14:38and thought,
14:39that sounds amazing.
14:40Yeah.
14:40So went and did that for two weeks.
14:42And then, yeah,
14:42got a job straight away
14:43and been doing it ever since, really.
14:46Every day of my job is different.
14:47And that's what I love about it.
14:48Like, you see people going to offices,
14:50they're sat down at the same desk,
14:51the same computer.
14:52Here, like,
14:53when did you get to come to Corrie
14:54in the middle of the night?
14:55So thankful that I've fell into this.
14:57Bring it up there.
14:58Yeah.
14:59And then,
15:00that's not far off now.
15:01That's pretty good.
15:01That's pretty good.
15:02So then,
15:02fashion that wedge.
15:03Yeah.
15:03It's a different job to everything else.
15:05Yeah.
15:05And you know,
15:06if you didn't work in the industry,
15:07you wouldn't understand
15:08what we do.
15:09Yeah.
15:10It's quite hard to explain that
15:11to people sometimes.
15:12Especially there.
15:12And that's bang on.
15:13Nailed it.
15:14But it's really important, right?
15:16Because obviously,
15:17all the jazziest cameras in the world,
15:18all the most experienced directors,
15:20if the camera doesn't stay on something,
15:22then it can't work, right?
15:23No.
15:24The camera's always on something
15:26which we have to use.
15:28We have to do those jobs.
15:30Like,
15:30the dolly and stuff like that,
15:31we have to push it
15:32for the camera to move.
15:33Yeah.
15:33For them to achieve
15:34a certain type of shot
15:35or swing the crane
15:36to achieve, you know,
15:38the kind of different angles
15:39they need or whatnot.
15:40So it's always, like,
15:41always hands-on.
15:42Always.
15:43Yeah.
15:43What have you got on tonight?
15:44I know you've got one career now,
15:46but what have you got?
15:47What else has gone on for you tonight?
15:49They're currently set up
15:49a B camera shop,
15:50so we've got a dolly
15:51really on standby.
15:52So a dolly is basically
15:53a camera on wheels?
15:54Yeah, essentially.
15:56All right, boys.
15:57As the trainee grip,
15:59Rhys is tasked with
16:00a range of jobs,
16:01from moving equipment
16:02and heavy lifting
16:03to more important stuff
16:05like taking the team's
16:06food orders.
16:07Lamb,
16:08dauphinoir,
16:09potato.
16:10How do you spell
16:11dauphinoir?
16:13But I've got one
16:14burning question
16:14about the job.
16:18There's an elephant
16:19in the room as well, Rhys.
16:20We're the only two people
16:21here in shorts.
16:23Yes, we are.
16:24And I was told
16:25that I had to wear shorts
16:26to come and work with Spears.
16:28What are we doing?
16:29It's February.
16:30It's the middle of the night.
16:32There's a vicious wind.
16:34It's part of the uniform.
16:35Yeah.
16:35Is it?
16:36Yeah, in the industry
16:37it's gripped uniform
16:38that it's like
16:39short all the time.
16:41You do know
16:41we live in Wales, right?
16:47All right, stand by.
16:48Still to come
16:49on Doctor Who Unleashed.
16:50The stunts team
16:52take flight.
16:55Iron mask
16:56the real midnight creature.
16:57And spoiler alert
17:00we've got an exclusive clip
17:02from the next episode.
17:04But first...
17:05Helmets!
17:09Accompanying the Doctor
17:10and Belinda
17:10on planet 6767
17:12was an 11-strong
17:14trooper unit.
17:15I loved having them around.
17:18It was so much fun
17:18when there's like
17:19a gang to hang out with.
17:21It gives you
17:21that extra boost of energy.
17:24Oh, it's just been
17:25everything and more.
17:26I'm such a big fan
17:26of the show.
17:27I've come in as like...
17:28She's so much fun
17:30to work with.
17:31I am actually
17:31such a huge fan
17:32of the show.
17:33And I came in as a fan
17:35and I'm leaving
17:36as a bigger fan.
17:38All of the troopers
17:39were sent
17:40to trooper boot camp.
17:41Now, squad!
17:43Squad!
17:44Yes!
17:44That whole element
17:46of the way they move,
17:48the way they come
17:49around corners,
17:50all of the protocol
17:52was all drilled
17:53into them
17:54by this ex-military guy
17:57who was on set
17:58with us.
17:59That was really fun
18:01for them to be able
18:02to bond
18:03on that military boot camp
18:05but then also
18:05take that behaviour
18:06through.
18:08Contaglia!
18:11Fantastic.
18:12They're no sooner
18:14than they've finished
18:15all that bonding
18:16and drill training,
18:17the creature
18:18starts taking them out.
18:19Yeah, it's a tricky one
18:23because it's the most
18:24brutal episode.
18:24There are nasty deaths
18:25in this.
18:26Actually, and there
18:26are dead bodies
18:27from the moment
18:27they enter that base
18:28and we had a lot
18:29of conversations
18:30about, you know,
18:31keep those bodies
18:32turned away from the camera,
18:33don't make the bruises
18:34too great.
18:34Some of them
18:35being shot.
18:35This one is laser fire.
18:37So we're in a funny territory
18:39between acceptable deaths
18:40and non-acceptable deaths
18:41which is flying through the air
18:43propelled by a psychic force
18:45is somehow acceptable.
18:48The snapping of the bones,
18:49the whack on the floor.
18:51You want a bit of that?
18:52You want the visceral pleasure
18:53of that?
18:54But actually you need
18:55to go easy on it as well
18:56and say actually
18:56this is careful.
18:58There's six-year-olds
18:58watching this.
18:59All of the stunts
19:03needed to be carefully
19:04choreographed
19:05by stunt coordinator
19:06Derek and Max
19:08from the WIRE team.
19:09To complicate things further,
19:11everything had to revolve
19:12around a very particular
19:13concept.
19:15In the script,
19:16Russell pinpoints
19:17each character's position
19:18in relation to Alice
19:19and the unseen creature
19:21as if they were
19:22a wuzz on a clock face.
19:24So I definitely
19:25did not understand it
19:26when I read the script.
19:27I read that whole sequence
19:29as it being like
19:29oh wow that's really scary
19:30loads of people die.
19:31I kind of went
19:32okay well
19:34we'll do that
19:35on the day.
19:36We'll get to that.
19:37That's not my business
19:38really.
19:40I don't have a clue.
19:42Still confused?
19:43Let's have Belinda
19:44explain it again.
19:46It's like this.
19:47If this
19:48is Alice
19:49and this
19:50is us
19:52facing her
19:53now
19:53there is something
19:55behind her
19:56and if you go
19:58behind it
19:59you die.
20:02If it was a clock face
20:03you die at midnight.
20:06I have to say
20:07it took a while
20:08to
20:08to get
20:10into my brain
20:10but when we had
20:11rehearsal with Amanda
20:12she had
20:12she actually had
20:13a drawn out clock face
20:14with little toy soldier figures
20:16so we actually understood
20:17what was going on
20:18and who would be
20:19flying where
20:20who would be
20:20landing where.
20:21When you see it
20:24done
20:24it's absolutely
20:26genius.
20:29With the action
20:30routine mapped out
20:31that meant Derek
20:32and Max
20:33could get to work.
20:35First thing
20:36test the different
20:37wirings to be used
20:38for each stunt.
20:39Keep that under tension
20:40as soon as you start
20:41the ride
20:42then bring it to life.
20:43Next
20:44prepare the nitrogen
20:45ratchet system
20:46seriously
20:46I'm not making this up
20:47it's used
20:48for fast acceleration
20:50and power.
20:51By standby
20:51in
20:53three
20:54two
20:55one
20:56action
20:56Spot on
21:01Yeah
21:02So what we're trying
21:04to achieve now
21:05is just the last
21:06bit more energy
21:07going into the wall
21:08then I think
21:08we've got it nailed
21:09but if you sort of
21:10shot that right
21:11down the line
21:12you'd get away
21:13with that anyway.
21:15Alright well done mate
21:15that's
21:16all that's brilliant
21:17it brings it to life
21:19Now it's time
21:20to try out
21:21the digital
21:22four point wire rig
21:23this allows the team
21:24to pre-program
21:26repeatable
21:26and accurate
21:27flight paths
21:28into a computer.
21:29We haven't used
21:30the winch system
21:31on Doctor Who
21:31before
21:31but when this
21:33sequence came up
21:34and it was
21:35Max's idea
21:36to be honest
21:36and he's just said
21:38it would save
21:39so much more time
21:40if we use that system.
21:43Each wire
21:44has its own winch
21:46so the same
21:47four wires
21:47can do every
21:48single person
21:49all around
21:50the set
21:50so you don't
21:51have to keep
21:52moving rigs
21:53and changing
21:54wires
21:54and then
21:55if people
21:57do change
21:57their mind
21:58and they want
21:59someone to
22:00start two foot
22:01nearer
22:01or two foot
22:02further back
22:03it's easier
22:04to do than
22:04if they were
22:05on a conventional
22:06wire system.
22:08Test's over
22:08it's on to
22:09the real thing.
22:11Principal photography
22:12on the episode
22:12finished yesterday
22:13so the stunt team
22:14can now take
22:15their time
22:16working through
22:16the long list
22:17of shots
22:18that they still
22:18need for the
22:19clock sequence.
22:203, 2, 1
22:22Action!
22:24WAAAH!
22:27Because we're
22:28using the winch
22:29system
22:29and we rehearsed
22:31it
22:31and we've
22:32dialled everything
22:33in
22:33this makes
22:34this so much
22:35easier.
22:36We just build
22:37it up slowly
22:37speed wise
22:39but they're
22:39landing in the
22:40same place
22:40every time.
22:41I just love
22:42how it's
22:43in confusion
22:43pro van
22:44or their wire
22:45so that they
22:46lift up
22:47in the back
22:48same place
22:49and land
22:49in the back
22:50same place
22:50and it looks
22:51so gentle
22:52to land
22:53that their feet
22:53just go like
22:54that.
22:56The last shot
22:57to get before
22:58the day wraps
22:58is a point of view
22:59angle from one
23:01of the flying
23:01troopers.
23:02Here we go
23:02shooting
23:03and
23:033, 2, 1
23:06Action!
23:07AHH!
23:08It's not quite
23:10as high tech
23:11technology
23:12as we used
23:12to
23:13but it did
23:14look very good
23:14it's him flying
23:15through the air
23:16holding a GoPro
23:16it's quite cool.
23:20AHH!
23:21That's excellent!
23:22Yeah, really good
23:23work.
23:24Really good work.
23:34It's great!
23:34It's excellent!
23:38The Hooniverse prides
23:42itself on the fact
23:43that many of the
23:44baddies the Doctor
23:45encounters
23:46are physical
23:47live action
23:49characters.
23:51Not only are
23:52these creatures
23:53testament to the
23:53skills and talents
23:54of the teams
23:55who bring them
23:55to life
23:56they're also
23:58invaluable
23:58for giving the
23:59actors something
24:00to react to.
24:01What the hell?
24:03But how do you
24:04get the cast
24:05in the right
24:05frame of mind
24:06when the
24:07four is
24:07never seen?
24:09Well, you give
24:09a fright mask
24:10to unleashed
24:11regular
24:11Paul Casey
24:12and tell him
24:13to go and
24:13scare the
24:14pants off him.
24:15There's always
24:15that chance
24:16that there
24:16could be a
24:17shadow
24:17somewhere on
24:18a wall
24:18or you may
24:19get a very
24:20small glimpse
24:21of him
24:21but you never
24:22actually see him.
24:23Yeah.
24:23So their
24:24reaction should
24:25be real
24:26because there
24:27is something
24:28there.
24:28And don't get
24:29me wrong
24:29I'm going to
24:30go all out
24:31to scare them.
24:32Absolutely.
24:33Yeah, yeah, yeah.
24:35To kind of
24:35help get Rose
24:37in that headspace
24:38I had Paul Casey
24:39right behind her
24:41and Rose was
24:42immediately like
24:43it was just
24:45it was so
24:46creepy.
24:47Thank you.
24:49With the green
24:50tree you
24:50realize a lot
24:51of imagination
24:52behind you
24:53there's something
24:54there but
24:55for him to
24:56actually wear
24:57a mask
24:57and come up
24:58it worked.
24:58So it did
24:59mean okay
25:00this is what
25:00Alice is
25:01experiencing.
25:02First bit of
25:03interaction in
25:04Paul.
25:05She was
25:05definitely
25:05like freaked
25:06out.
25:07That's the
25:08idea though.
25:08That's what's
25:08living behind
25:09it.
25:10Yeah.
25:11Luckily
25:12Paul's a mate
25:12now so he
25:13wouldn't try to
25:13scare me.
25:14But I am keen
25:15to find out if
25:16any of the
25:16Who crew have
25:17had any weird
25:18or spooky
25:18experiences.
25:22When I was
25:23very young
25:24I woke up
25:24at night
25:24and saw
25:25lights outside
25:26my window.
25:26You did?
25:27Yeah.
25:28It was definitely
25:28coming from
25:29above.
25:30Oh.
25:31In my bedroom
25:32this is when I
25:32was a teenager
25:33I just had the
25:34distinct feeling
25:36that there was
25:37a person in
25:38the room
25:38but it was so
25:40strong that
25:41feeling that I
25:42was like I'm
25:42actually too
25:43scared to open
25:44my eyes and
25:44look.
25:45When I was a
25:45little kid we
25:46went to
25:47social secret
25:47bunker over in
25:48Dover.
25:48Yeah yeah yeah.
25:49And I turned
25:50around and I
25:50thought I saw
25:51someone in an
25:51army uniform and
25:52I was like oh
25:52that's cool they've
25:53got people dressed
25:54up here.
25:55So when I spoke to
25:56one of the people
25:57that works in the
25:57front desk I was
25:58like oh is there
25:58like is there
25:59people dressed up
26:00here like walking
26:00around she said
26:01no.
26:02I was like oh
26:03you're the only
26:04people in the
26:04tunnels and I was
26:05like oh okay
26:07cool.
26:09It was like around
26:09mid morning I
26:10remember because I
26:10checked my phone
26:11it was like 6am
26:11it was the weekend
26:12why am I waking
26:13up at that time.
26:13Why are you up at
26:146am?
26:15But like I just
26:16felt like my
26:17whole body sort of
26:18like sees up and
26:19then something with
26:20like three like
26:22almost like a claw
26:22like try and claw
26:24up my face and
26:25then like I just
26:26woke up immediately
26:27after that and I
26:27was like that is
26:28really creepy.
26:30So basically I
26:31woke up at the
26:31minute of the night
26:32I went to the
26:33toilet and I
26:34left my door open
26:35so you could see
26:36it in my hallway
26:37and then on the side
26:39there was like a
26:39wooden vault that's
26:40just decoration and
26:42I saw it move
26:42across and then I
26:45thought oh wait
26:45no no no no stop
26:47stop I put the
26:47light on and it
26:49just stopped and
26:50I got so scared I
26:52ran into bed and
26:53I heard and then I
26:55felt someone was
26:56like pushing it
26:57down to my back
26:58like lying down to
26:58my back and then
27:00I felt this clicking
27:00in my sort of
27:02across me and I
27:04thought it's my
27:04brain playing
27:05trick my brain
27:06playing trick and
27:07then I did a
27:07research about it
27:08and apparently
27:09when you shut
27:11your eye and
27:12because I'm deaf
27:12your brain starts
27:14muting up a
27:15centre to try and
27:16make sense to
27:17other environment
27:17and I think because
27:18I woke up in the
27:19middle of the night
27:21my eyes stopped
27:21playing trick on me
27:22thought it was a
27:23ghost
27:24no
27:25right bye bye
27:28thankfully despite
27:30all the scary
27:31stories and weird
27:32experiences I've
27:33managed to navigate
27:34the day without
27:34getting scared at
27:35all I've been
27:36practising my
27:36downfall I've
27:37been practising
27:38how I land
27:39are you going
27:39big I am I'm
27:41trying my best
27:42oh my goodness
27:43don't do that to
27:45me Paul
27:46you horrible man
27:48stop that I can't
27:51go over this I'm
27:51off bye bye
27:53this wasn't in my
27:54contract
27:55movements are
27:57just so great
27:58did I get you
28:00you did get me
28:01good
28:02I'm trying to
28:03keep together
28:03this is a
28:05hazard and we're
28:07going to show
28:07bye Paul
28:08next time on
28:12Doctor Who
28:13this week I
28:15found someone who
28:16knows its secrets
28:17in fact she's even
28:19been inside it
28:19I'm going to ask her
28:20to introduce herself
28:21hello everyone
28:23my name is Ruby
28:24present a
28:25says her
28:42yeah
28:43oh
28:43yeah
28:44yeah
28:46bye
28:47bye
28:48Gracias.
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