00:00First question is from an eagle-eyed fan.
00:02Yes, let's go, let's go.
00:04Oh, come on.
00:05There's the moment in one short day where they're suddenly in a salon
00:08and the nail choreography is suspiciously familiar to some nail choreography in In the Heights.
00:14Was that an homage or did you just figure no one really saw it the first time?
00:20A little sassy.
00:21Oh, Lin-Manuel Miranda.
00:22You are sassy, Lin.
00:24I would say, you know, Chris Scott, who is also the choreographer of In the Heights,
00:29was we were definitely cognizant of what we were doing there.
00:33And we like little nods to our own work, even if it's step up to the street or whatever.
00:37So there's, yes, there's breadcrumbs, I would say.
00:39I can't confirm or deny those reports. You might have to ask Christopher Scott.
00:42But yes, we were aware that there are some fun things that are little winks to ourselves, too.
00:47So we can call it an homage, maybe.
00:49Sure, sure, yes.
00:50Well, sassy boy.
00:53I mean, listen, we pull inspiration from where we pull it.
00:56You know, when you're dealing with the salon, you got to listen to what the salon wants.
01:00And the salon in Washington Heights, you know, it's a fantastical world.
01:03And that's why I kind of love when you can kind of see a parallel,
01:06because Oz is as fantastical as it gets.
01:09And that was always our intention with Washington Heights was to show the beauty in there, too,
01:13and make it larger than life as well as because that is what it feels like.
01:17So I love the parallel.
01:18And, you know, of course, Lynn's going to catch it because that guy, he's sharp.
01:22He's a sharp one.
01:23So it's a copycat or homage, you know?
01:25Oh, homage.
01:26I mean, I did both.
01:27So I get to I get to copy, you know, it's all it's all the same.
01:30It's from me, you know, but yeah.
01:31Absolutely.
01:32How will the class strengthen?
01:33So kind of go out on top of my head.
01:34Think about what we do in my head.
01:35Maybe not look at something I'll hold in on top of your head,
01:36and we can tell you why the color is used.
01:37That's my friend.
01:38And it's true.
01:39That's cool.
01:40So we're starting from Dallas, right?
01:41Maybe, we're trying to move into, in central talks,
01:42you know, melee, or let away.
01:43We hè.
01:44That's cool cool.
01:45Act?
01:46Yeah.
01:47Again.
01:48And if you're almost everywhere, you'd need this,
01:49if I said, if you never catch upgeh 1,
01:51I should go down the back of our God's backyard 이것
01:52to try to come into as well.
01:53So now I mean, you know, but yeah,
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