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Transcript
00:00I am afraid of all my heroes.
00:07My people are afraid of the fear of all my heroes.
00:15I am afraid of all my people.
00:20Thank you very much.
00:23Thank you very much.
00:28I will tell you to speak to you about your father's word.
00:33I will tell you how to speak about that word.
00:35Where are you from?
00:36I am not sure if you are talking about that word.
00:41I will tell you what I have to say about that word.
00:44That's it.
00:46That's it.
00:48That's it.
00:50I have no good intentions for you.
00:52questions with anyone, who said that he is already asked about how杀 you are myself,
00:57nor would you go to this chair.
00:58Pashivage,
01:01can you speak about heroines and voice two whoically AmerikaanThark in the background?
01:10Have they said that the Industriimes just don't speak highly andide.
01:12I've never said that it's Vishnubabhu.
01:16I feel like Darlink is like I've been saying sorry Bob,
01:20it's not true.
01:21I was like, I just said, that I had a letter from the letter,
01:30and I said, how are you?
01:31You can get a mail from me, and they have already picked up.
01:36And then, I was like, I was like, you are like a hero,
01:40you are like an artist, you are like an artist, you are like an MLA.
01:45You are like an artist, you are like an artist, you are like an artist,
01:50and the only one that has been a great generation,
01:57but there is no difference in the generation.
02:01Every child is a child.
02:05If we don't have a child,
02:07if we don't have a child, if we don't have a child,
02:09if we don't have a child.
02:11When they look at the love of Aparametham,
02:15Because in this country, there are a lot of rape in this country every three hours.
02:22There are a lot of rape in a single life.
02:25There is a lot of rape in this country.
02:36So, if you look at small animals, small animals, South Australian animals,
02:40it can be exposed to other animals because the lion-glass Joshua usuallyose this lady's shoes.
02:44Whereas the animals used todoc, people used to worship sheep and dress,
02:47they could do 병 북land.
02:49If you not same here, the nation has a lot of rape architecture,
02:53that it doesn't look like that the dress Eat like a dress for my crush on a river.
02:59Some Japanese people would try to authors,
03:03but some people would question,
03:05If you don't want to know your mother, they are using Instagram, Facebook, Instagram, Facebook, etc.
03:16That's why they have a difference between gender and gender.
03:20They don't want to know your mother.
03:25They don't want to know your mother.
03:28They don't want to know your mother.
03:32If you want to know your mother, then you want to know your mother.
03:39You want to know your mother alone and she will never be seen in the sky.
03:44Then, you want to know your mother.
03:47Because sometimes your mother is in the sky.
03:51This world, I'm a Christian.
03:54I'm the host of the Old Amity.
03:59Lord, thanks again.
04:02I have no idea how to say it.
04:06But I have no idea.
04:08I have no idea.
04:10I still have to say it again.
04:13I want to leave my name.
04:15My answer is that?
04:17If I don't agree with this, I can't disagree with this.
04:21I don't agree with this.
04:23Sivadivar.
04:26Sivadivar.
04:26Sir, I am going to talk to you about the video.
04:30I am going to see you.
04:31Sir, I am going to see you.
04:34So, you feel regretful.
04:37Family members are talking about you.
04:40You feel regretful when you are a PR artist.
04:44You feel regretful when you are released.
04:45You feel regretful when you are released.
04:49Do you feel regretful when you are a PR?
04:51You are a PR.
04:53I am going to tell you about PR is not.
04:58You are talked about PR I do not have to say.
05:01I said, to his friends,
05:02Why are you talking about what they are doing?
05:04I say, no.
05:06You are talking about them.
05:08I am going to tell you what it is.
05:10I am going to show you.
05:12Why are you not talking about it?
05:15I am not talking about it.
05:17I am not talking about PR artist.
05:20No. This is purely in my mind.
05:28Sir, you are very good.
05:31In Big Boss, you have a little bit of behavior.
05:36So, basically...
05:38Let's talk about clarity.
05:40In Big Boss, you have talked about it.
05:44In Big Boss, you have talked about it.
05:51Basically, you have a lot of negativity in social media.
05:55In that vision, there is also a clarity.
05:57In one release, you have a lot of cinema.
05:59There is also a lot of character in the cinema.
06:01There is also a lot of character in the film.
06:03But, ladies don't accept that character.
06:05Many people, as you said,
06:08ladies have a lot of negativity.
06:12So, even in this film,
06:14there is also a lot of clarity.
06:16There is also a lot of acceptance in the film.
06:18How do you accept it?
06:21In the moment, you have to change the situation.
06:25You have to change the situation.
06:26You have to change the situation.
06:28You have to change the situation.
06:29Coming to the manga,
06:30They are veryいき- apenas matter.
06:31You have to change the situation.
06:33Here we have two arguments.
06:44You have enjoyed the这些地方.
06:46You see the exact same situation.
06:48You have enjoyed the losing energies.
06:50You have too much.
06:52We are in the early stages of the prayer.
06:55I was in the early stages of the prayer.
06:59I was in the early stages of the prayer.
07:04At the time I was in the early stages of my prayer.
07:08I was going to say,
07:10I am not going to say that.
07:12I would say,
07:15That is the time.
07:18My mother is here.
07:21I don't care what the family is, the father, the man, the father, who is the son.
07:25Who is the son of a son, who can he make other feelings?
07:30Everyone!
07:32What happened in this dream?
07:34When we read Discovery Channel,
07:36we say that one comes into a penguin.
07:39If we get to see one penguin, who wants to separate a penguin back then.
07:43When there's a penguin, that's not a penguin from a monkey.
07:48It is not a human being. Possessiveness is also a possessiveness.
07:52Let's look at this.
07:55One dog is close to your dog.
07:59Of course, the dog is close to your dog.
08:01The dog is close to your dog.
08:05This dog is close to your dog.
08:08Of course, it is a possessiveness.
08:15The dog is close to your dog.
08:24It is simple to meet the scary dog as one of your dog,
08:32witnessing the other humans can be proven to you.
08:35Mother.
08:37I thought so.
08:40For calling analysals,
08:44I think Samantha said,
08:46She was opening a shirt in the Shari Show.
08:49She was also very positive and very positive.
08:55I think she had a good advantage.
08:57I think she was looking at the clip.
08:58Luckily, she was wearing a shirt.
09:00Exactly.
09:01I think she was wearing a dress.
09:03She was wearing a shirt.
09:05She was wearing a shirt.
09:06I think she was wearing a shirt.
09:08I think she was wearing a shirt.
09:10I don't know.
09:11I feel nervous.
09:12She used to bring it in a shirt too.
09:14And so, her style just erased.
09:15She wanted that one person.
09:16Even she was wearing a shirt.
09:18The shooted in the Shri Devugaari,
09:21She took him on a
09:36To song italki,
09:38Where can we get our feelings from here?
09:42That's why I don't want to stop Samantha Garh,
09:46I don't want to stop Nidhi Agrawal,
09:48I don't want to stop them from here.
09:50I don't want to stop them from here.
09:52I don't want to stop them from here.
09:54How do you think about public property?
09:58No.
10:00No.
10:01What are they saying?
10:03I don't want to stop them from here.
10:08I don't want to stop them from here.
10:11We are the representatives of society.
10:13In the cinema,
10:15a lot of cinema is a big one.
10:19Now,
10:21when we look at the court cinema,
10:24it's like that.
10:26The cinema is a powerful media.
10:29It's like that.
10:34It's like that.
10:35It's like that.
10:37It's like we are representatives.
10:39You don't want to stop them from here.
10:42You don't want to stop them from here.
10:44You don't want to stop them from here.
10:46Of course,
10:48there are two the following problem
10:54So,
10:55you datest,
10:56you can pick up a new listing by the way in turn,
11:00etc.
11:01So,
11:02there are also other movies,
11:05people,
11:06there are also other movies.
11:08We have no violence against them but Sivaji is the target of us.
11:15What's your name sir?
11:16I'm a little bit.
11:20I'm not.
11:21I'm not going to be able to do anything.
11:23I'm not going to be able to do anything.
11:27I'm not going to be able to do anything.
11:28No, Sivaji.
11:29I'm not going to be able to talk about what I'm saying.
11:33So, with a little bit of a dress, they tried to touch it and try to touch it and try to touch it.
11:40They told me to dress it like this.
11:43They were safe.
11:45If they had a dress, they had a video on their website.
11:51That was an incident, sir.
11:53Why did that happen?
11:55But, if you have an artist or a star hero,
11:59you could have a selfie.
12:01You could have a selfie.
12:03But, even if you have a picture, you could have a selfie.
12:07Then, they were able to take a picture and take a selfie.
12:09Then, they did the same.
12:10But, to get their intention to know,
12:12that they were able to take a selfie and take a selfie.
12:16That means, they didn't know, they were able to show the picture.
12:20So, why does that say?
12:22Do you know there are many differences in the group?
12:24What if they don't know.
12:26No.
12:27It's true.
12:28No, no.
12:29That's right.
12:30I don't think he's saying anything about this.
12:33He said,
12:34I don't know what's going on.
12:36I'm going to talk a little bit.
12:37He'll see what's going on in the photo.
12:39Abou, Abou.
12:40Don't say anything.
12:41You don't know any heroines.
12:43You don't know anything about this.
12:45It's not true.
12:46That's right.
12:47Even if I was a man who was a man who was a man who'd like to know it.
12:49After all, I'd like to know it.
12:51When I was a man who was a man who was a man who was a man,
12:54I have no idea how to do it.
12:59Why?
13:00This country is the first place to go to Mahila.
13:03If you go to Mahila, there are three people in the world.
13:07No one is the first place to go to Mahila.
13:09Even in Asian countries, especially in Southeast Asian countries,
13:14Mahila is the first place to go to Mahila.
13:19That's why it's important.
13:21If you look at Mahila, who is the first place to go to Mahila?
13:27Why?
13:29What does it show to Mahila?
13:31Why is the third place to go to Mahila?
13:33Suppose you can say all of this.
13:37If you have children, you are a certain place.
13:41I can say about the first place to go to Mahila.
13:45We are concerned about this issue.
13:46If you're concerned about it,
13:48you might beечь of the state,
13:49We are going to see you as a match.
13:53So, we will see you as a match.
14:00I just want to see you.
14:02I don't know, but I don't know.
14:08The end of our panel is saying,
14:10I don't know that.
14:13I don't know what the hell is.
14:15in the past, he got a bound.
14:18It doesn't matter if there was a woman commission.
14:22It is definitely the woman commission.
14:25There is a woman commission,
14:30who is a celebrity,
14:33and who is a woman in the past,
14:36and who is a woman in the past.
14:39The woman commission gives her a sumota,
14:41so everyone has not seen the same comment.
14:43What do you think?
14:47What do you think?
14:48I will show you all.
14:50I will show you all.
14:53I will show you all.
14:55I will show you all the time.
14:57After all, it's a person.
14:59No, it's not a person.
15:01Shiva, Shiva.
15:03Let's see if we have a comment.
15:05If you have a girl who has a girl who is a girl,
15:07you can tell it to me and tell it to you.
15:09What is your name?
15:11If you have a girl who is a girl who is a girl,
15:13In the comments, there are a few questions.
15:20Why do you touch on Sahipala?
15:24Why do you touch on Sahipala?
15:28Why do you touch on Sahundarigar?
15:33Why do you touch on Sahipala?
15:43Why do you touch on Sahipala?
15:48Why do you touch on Sahipala?
15:54Why do you touch on Sahipala?
16:03Why do you really provoke them to other people?
16:12Why do you say,
16:14You're the only one that's always straight.
16:16You have many kids and my kids.
16:19I think they can't even be an extra opportunity.
16:25You're a good friend.
16:27After that, you're a good friend.
16:30You're the family.
16:32You're the only one to betray the community.
16:35Even if you want to meet from me, my dear father said that
16:38In the middle class, I will tell you the most important thing in the middle class.
16:44I will tell you the truth.
16:46I will tell you the truth.
16:48I will tell you the truth.
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