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00:01Now there's always some growing pains when a new person joins a team.
00:04I remember nothing but absolute delight when I came on board.
00:10You may have heard that I was up for the captain's chair.
00:12Turns out you're stuck with me.
00:14Nick Wagner, your new captain.
00:15Why are you being so cool right now? I hate this.
00:17I'm pissed. It should have been me.
00:19Root beer on an unprotected lip? You're a madman.
00:22The stress is getting to her.
00:24If she goes rogue and something happens, she's not a cop.
00:27You okay?
00:28I told you it was a clean shot.
00:29IA will clear me.
00:30I'm not worried about your badge. I'm worried about you.
00:32I just heard some rumors you don't respond positively to authority.
00:36Sometimes I forget what it's like to have somebody looking out for me.
00:39See you tomorrow, Guillory.
00:40Hey, any news? We found Roman.
00:42Sending you a photo now.
00:43That's not Roman.
00:44Roman asked me to put eyes on you and Ava just to make sure you two were okay.
00:47I actually let myself believe they didn't abandon us.
00:50I still believe that.
00:51Arthur, I want that backpack.
00:53So you think that whatever's in that bag will give you answers and not just more questions?
00:59That's weird.
01:00You see that?
01:01Hmm.
01:02It's not coming back.
01:03I'm gonna go check it out.
01:04It's not coming back.
01:05I'm gonna go check it out.
01:07It's not coming back.
01:08It's not coming back.
01:09It's not coming back.
01:10I'm gonna go check it out.
01:12All clear so far.
01:13It's not coming back.
01:14It's not coming back.
01:15I'm gonna go check it out.
01:17It's not coming back.
01:19It's not coming back.
01:20I'm gonna go check it out.
01:24It's not coming back.
01:25It's not coming back.
01:26Did you see that?
01:28It's not coming back.
01:30I'm gonna go check it out.
01:37All clear so far.
01:53We good?
01:54What's your 20?
01:56I don't know.
02:10Hey, we got a guard down.
02:18H lacked Bao2Rzz!
02:22you're not my problem
02:35good morning
02:50Morgan
02:50hey
02:51hey
02:51are you and Ava okay
02:53yeah we're good
02:54what's up
02:54I'm asking you straight up
02:55you have somebody
02:56following me again
02:57what no
02:58what are you talking about
02:59I don't know
02:59I think someone's been
03:00on my tail the past few days
03:01maybe it's nothing
03:03Arthur
03:03if you feel like
03:04you might be in danger
03:05you should call the police
03:06oh I don't think
03:07that's a good idea
03:08Roman wasn't too keen
03:09on the cops remember
03:10what does this have to do
03:11with Roman
03:11that's what I'm trying
03:12to figure out here
03:13I mean
03:14were you able to learn
03:16anything about what was
03:17inside that backpack of his
03:18no not yet
03:22all right well look
03:25maybe you should just
03:26hide the bag for now
03:27because whoever Roman's
03:28running from
03:29might not want what's
03:30inside that bag getting out
03:31you hear me
03:32yeah hey I gotta go okay
03:36all right well look
03:36just
03:37just be careful
03:39all right you and Ava
03:40keep your head on the swivel
03:41you too
03:42Ava and I didn't glove up
03:50at home is that
03:50gonna be a problem
03:51only if you think
03:52you two might be suspects
03:53in Roman's disappearance
03:54I think you can count us out
03:56and nothing in the bag
03:56look familiar
03:57rang any bells
03:58no
03:59also Roman's not a huge
04:00fan of law enforcement
04:01so if we could just keep
04:02this between us
04:03we'll keep the circle small
04:04thank you
04:05what's going on
04:11just revisiting an old case
04:13call came in pretty high profile
04:17I want these two on it
04:19go I got this
04:21close the door
04:23she only arrived here last week
04:34she have a name
04:35young girl leaning on a windowsill
04:37you guys are saying she a lot
04:38we are talking about a painting right
04:40painted by Rembrandt in 1645
04:42up until last night
04:43she was here with our other Dutch masters
04:45this intimate portrait captures
04:47the most fleeting moments
04:48of human expression
04:49sorry I missed it
04:51we'll need a list of museum employees
04:53anyone with access
04:53of course
04:54then I should call the fosters
04:56so they hear it from me
04:57the fosters
04:58Linda and Greg Foster
04:59loaned us the Rembrandt
05:00any idea how much it's worth
05:01I believe they paid
05:03over 20 million
05:04at auction
05:05a few years ago
05:06I'll get you that list
05:08thank you
05:08uh
05:10we are major crimes
05:12right
05:12I'm not really seeing
05:13what's major about this
05:14well theft of major artwork
05:16carries a penalty
05:16of up to 10 years
05:17before the DA tax on possession
05:19conspiracy
05:19breaking and entering
05:20why
05:20before a dead body
05:21no I've just seen
05:22actual missing girls
05:23get less attention
05:24well like it or not
05:25every news outlet's
05:26gonna run with this story tonight
05:27captain's probably trying
05:28to keep this thing
05:28from blowing up in our faces
05:29one guard said
05:30there was too much smoke
05:31for her to get a look at the thief
05:32second guard took a blow to the head
05:34but I hear she'll be okay
05:35so this is our point of entry
05:37yeah an exit
05:38as far as we can tell
05:39we had whatever this is
05:40sent over to the lab
05:41for testing
05:42I'll put a rush on the results
05:43and see if we can get a log of visitors
05:45the past few weeks
05:45so the thief entered here
05:49but the Rembrandt's
05:50all the way over there
05:51most thieves prefer not to
05:53bust through the wall
05:53like the Kool-Aid man
05:54okay so this person
05:56took the time
05:57to cut out the window
05:58toss down a rope
05:59slide down right here
06:01and then just walks
06:02right by
06:03Vermeer
06:03Caravaggio
06:04Turner
06:05Rubens
06:06Delacroix
06:08and Goya
06:08do you have any idea
06:10how much all of those
06:11are worth?
06:12I'm sure you're going
06:13to tell me
06:13a lot more than the Rembrandt
06:15if this heist was about money
06:17the thief would have taken
06:17the most valuable piece he could
06:19our guy would have known
06:25that this Goya
06:25was the real jackpot
06:27maybe they didn't do their research
06:29every single detail
06:30of this thing was planned
06:31I mean look at the frame
06:32that perfectly straight line
06:33down the inside scene
06:35removing this canvas
06:36took precision and time
06:37somebody wanted this painting
06:39for a reason
06:39whoever the thief was
06:41they were not in it
06:41for the money
06:42this was personal
06:43they wanted her
06:45did you say 22 million?
06:51yeah
06:51but if Morgan's right
06:52we need to find out more
06:53about the Rembrandt
06:54to figure out
06:54who might have taken it
06:55and what their real
06:56motivation was
06:56excuse me
07:08is this major crimes
07:10you must be Mr. Eastman
07:11I'm Captain Wagner
07:13we spoke on the phone
07:14of course
07:14please call me Reese
07:15Reese just flew in
07:16from Mexico City this morning
07:18to help us find
07:18our missing girl
07:19yeah I had a lead
07:20on Carlos's
07:21La Mesa Harida
07:22but it didn't pan out
07:24uh help us how
07:25I'm an art recovery specialist
07:27I recover
07:28lost
07:28missing
07:29or stolen art
07:29you cram all the info
07:30right there in the title
07:31huh
07:32that's helpful
07:32and you are?
07:33Guillory works with us
07:34as a consultant
07:35she does
07:35and she really feels
07:36as though this painting
07:37has enough attention
07:38without flying someone in
07:40did the Foster send you?
07:41no their insurance company did
07:42if I can recover
07:43the Rembrandt safely
07:44the insurance company
07:46can avoid cutting
07:46a rather large check
07:47oh good good
07:49what a relief
07:50okay so this entire
07:52investigation is about
07:53saving an insurance company money
07:54that's awesome
07:55right guys
07:56just wanted to make sure
07:57you guys heard that
07:57go on
07:58Morgan believes that
07:59the Foster's Rembrandt
08:00was targeted for a reason
08:01other than money
08:02I mean anything's possible
08:05but in my experience
08:06it's always about money
08:08hmm
08:08wow
08:09not this time
08:10I mean thieves don't
08:11steal masterpieces
08:12to hang on their walls
08:13Miss Guillory
08:13maybe this one did
08:15Mr. Eastman
08:16Morgan and Al
08:19go see what the Foster's
08:20going to tell us
08:20about their painting
08:21great
08:22Phil and Reese on the way
08:23shall we
08:27the moment we saw her
08:40at auction
08:41we knew we had to have her
08:43I mean honestly we would have
08:46paid even more
08:47we think she's priceless
08:50Greg and I started a hedge fund
08:53right out of college
08:53and we worked 80 hours a week
08:55for decades
08:56so by the time we even thought
08:58about kids
08:59we couldn't imagine
09:00chasing a baby around here
09:02making a mess
09:02so we often thought
09:05of the girl in that painting
09:06as our daughter
09:07can you think of anyone
09:08who may have wanted to steal
09:09from you
09:09no
09:10you think this was personal
09:11so why share her
09:14I'm sorry what
09:15hmm
09:16oh just you're talking
09:17about this painting
09:18like your daughter
09:19and I've never put my daughter
09:20in a museum
09:21I'm just wondering
09:21why you wouldn't keep it
09:22to yourself
09:23loaning out a masterpiece
09:24increases its visibility
09:26and its reputation
09:27and its value
09:28spend some time in a museum
09:29jacks up the price
09:30you can sell it
09:30to the highest bidder
09:31she's not for sale
09:32hmm
09:33well in my experience
09:34these are two things
09:35they're greedy
09:36and chatty
09:37and these masterpieces
09:38they don't fetch
09:39the same price
09:40on the black market
09:40as they do
09:41at an auction
09:42so these thieves
09:43they like to talk to people
09:44they ask around
09:45and all it will take
09:46is one of these people
09:47to call me
09:47and I can help
09:49negotiate the return
09:50of your lovely servant girl
09:51do you call her
09:53a servant girl
09:54it's not a servant
09:56excuse me
09:57she's leaning out
09:59the windowsill
10:00looking for business
10:01that's a working girl
10:02well there's speculation
10:03that the subject
10:04was a courtesan
10:05but widely believed
10:06that she was either
10:06a servant girl
10:07a servant girl
10:08with a gold braid
10:09come on
10:09look at the way she leans
10:10it's domestic
10:11not provocative
10:12it's upsetting
10:13is what it is
10:14because she looks like a child
10:15but she's working
10:16she's contemplating life
10:18is this important
10:19to the investigation
10:20no it's not
10:21what else can you tell us
10:22about the Rembrandt itself
10:23the details about her providence
10:25are all in here
10:27this girl in the windows
10:36traveled all over the world
10:37Paris, London, Berlin
10:40she's lived a much more
10:41exciting life than me
10:42except now she's probably
10:43rolled up in the back
10:44of somebody's van
10:45well let's hope she got it
10:47all out of her system first
10:48this is interesting
10:51you got something
10:52maybe
10:53right after Rembrandt
10:55painted the young girl
10:56in 1645
10:57he sold it
10:58at that point
10:59it sort of bounced around
11:00for a few hundred years
11:0117th century
11:02Paris kind of skimmed this part
11:03until it was purchased
11:04by a Prussian nobleman
11:06who kept it until he died
11:07and his family kept it
11:10until 1932
11:11until Franz von Poppen
11:13dissolved the free state
11:14of Prussia
11:14I thought you said
11:15this was interesting
11:16look I'm trying to care
11:17about this case
11:18which at the moment
11:19is really just saving
11:20the insurance company
11:21from having to pay money
11:22to a couple of people
11:23who seem to be doing
11:23just fine
11:24where did she go next
11:25to a Polish businessman
11:27in Krakow
11:29and he hung it
11:30in his family home
11:31then it just kind of
11:32bounced around
11:32from collection to collection
11:34until good old
11:35Greg and Linda
11:36paid a fortune for it
11:37why is any of this important
11:39I don't know yet
11:40lab results came back
11:41on those slags
11:42we found on the museum floor
11:43tested positive
11:44for aluminum oxide
11:45so I did some research
11:47when aluminum combines
11:48with ferric oxide
11:49it creates a thermite reaction
11:51hot enough to melt glass
11:52that would explain
11:53why we didn't find
11:53any glass shards
11:54under the skyline
11:54it also came up
11:55in a report
11:56on another museum heist
11:57two years ago
11:58a Matisse was stolen
11:59from the Kunsthal Museum
12:00in Rotterdam
12:00and aluminum oxide
12:02was found under
12:02the museum skyline
12:03which might mean
12:04this isn't our
12:05thieves first rodeo
12:05you and Daphne
12:06look for others
12:06so far we found
12:0819 heists around the world
12:09with the same MO
12:10always a masterpiece
12:12stolen from a gallery
12:13always worth
12:1410 to 30 million
12:14in traces of aluminum oxide
12:16at every scene
12:17under a window
12:17or skylight
12:18just like ours
12:19do you have any idea
12:20who it might be?
12:21well the internet
12:21seems to think so
12:22some call him
12:23Jean Baptiste
12:24he's French?
12:25no
12:25but the first painting
12:26he stole was
12:27White Duck
12:28by Jean Baptiste
12:29Oudry
12:30stolen in Paris
12:3112 years ago
12:31tell me somebody's
12:33got eyes on him
12:33only once
12:35he tried to steal
12:37a Picasso in Madrid
12:38five years ago
12:38but a guard shot him
12:40in the left shoulder
12:40and he fled empty hand
12:41okay so why can't
12:42anybody find this guy?
12:43because he might not exist
12:44he could be a myth
12:46what do you mean?
12:47I mean it's impressive work
12:47but the name Jean Baptiste
12:49comes up whenever
12:49there's a heist unsolved
12:51you know the thief
12:51got in and out
12:52without a trace
12:53escaped to another
12:53masterpiece
12:54must be Jean Baptiste
12:55but is he real?
12:57maybe
12:58it could be 10 different guys
12:59check this out
13:00I searched public records
13:01someone sued
13:03claiming to be
13:03the Rembrandt's rifle owner
13:04we have a name?
13:05yeah an Ari Weissman
13:06but it looks like
13:07the records are sealed
13:08Ari would be the first guy
13:09to take matters
13:10into his own hands
13:10when the court ruled
13:11against him
13:11we got an address?
13:12yeah looks like
13:14he's local
13:14captain I could use
13:16a hand from detectives
13:17Austin and Forrester
13:18for a bit
13:18is this about
13:19that cold case?
13:22it is
13:23you heard the lieutenant?
13:28can I help
13:29with anything?
13:30no I'm good
13:31I'll keep you posted
13:31why don't you guys
13:34go find out
13:35if this Ari Weissman
13:36responds to the name
13:37Jean Baptiste
13:38we just wanted
13:47the painting back
13:48how badly?
13:50enough to sue
13:51not steal
13:52sorry you think
13:54that painting
13:54belonged to you?
13:56not me
13:56my grandma
13:57my father
13:59bought that painting
14:00in 1932
14:02I remember the day
14:04he hanged up
14:06on the wall
14:07whenever we all
14:08got together
14:09there was the girl
14:11smiling down to us
14:12she felt like
14:15part of the family
14:16your father
14:17had wonderful taste
14:18it's a very special piece
14:20one of my favourites
14:22we lived in Krakow
14:24my father
14:25my mother
14:26and my two brothers
14:28Jacob
14:29and Samuel
14:30I was the youngest
14:33the only one
14:38in our family
14:39that survived
14:40when the Nazis came
14:44they took everything
14:48I'm so sorry
14:56we're still here
14:59I'm guessing you searched
15:02the auction catalogs
15:03for years
15:04I thought you'd never
15:05find it
15:05and then one day
15:06there it was
15:07up for sale
15:08the owners
15:09they wanted to sell
15:11it to us
15:12for 20 million dollars
15:15we don't have
15:1720 million dollars
15:19the court said
15:20we couldn't prove
15:21it was stolen
15:22is that all?
15:26actually Ari
15:30we have to ask
15:31where were you last night?
15:33I was here
15:35with my grandma
15:36I saw your name
15:37on the museum
15:38visitor logs
15:39you were there
15:40a couple days ago
15:41I wanted to take
15:43a photo to show to her
15:44have you travelled
15:46outside the country
15:46the last few years?
15:47no
15:48no
15:49but she keeps asking
15:50me to take her to Poland
15:51she wants to visit
15:52the house where she grew up
15:54she's not doing much
15:55travelling now
15:56that painting was the closest
15:57she'll come to going home
15:59please
16:01thank you
16:04thanks for the assist
16:15you guys
16:16once every item
16:17is tagged
16:18photographed
16:18and packaged
16:19for forensics
16:20I'll get TID
16:21to get started
16:21on data extraction
16:22on this phone
16:23hopefully we uncover
16:23text messages
16:24call logs
16:25you want fiber analysis
16:26on the backpack?
16:27all of it
16:27I want the works
16:28this much activity
16:29people are going to
16:30start asking questions
16:31what are we saying
16:31if the captain
16:32asks what we're doing?
16:33tell him to talk to me
16:34and let's run
16:36this stack of photos
16:37through facial recognition
16:38okay?
16:45okay let's go over it
16:46one last time
16:47mom I got it
16:48trust me
16:48I do trust you
16:49that's why I'm paying
16:50you a premium
16:51instead of hiring
16:51a babysitter
16:52you've literally
16:53rejected every babysitter
16:54in California
16:54and I wouldn't say
16:55you're paying me
16:56a premium
16:56it is a perfectly
16:58reasonable wage
16:58based on current
16:59market conditions
17:00listen
17:01Chloe's routine
17:02has changed
17:03since she's down
17:04a nap
17:04so can you
17:04just indulge me?
17:05nap time
17:06from one to three
17:07classical music
17:08on low
17:08for lunch
17:09she gets half
17:09a grilled cheese
17:10and mushed up zucchini
17:11after that
17:12she can play
17:12with her blocks
17:13and if she gets
17:13frustrated
17:14then distract her
17:15with the singing giraffe
17:16I want to be very
17:16clear about something
17:17she's going to get
17:18frustrated
17:19and she will
17:20throw those blocks
17:20I'll be prepared
17:21okay perfect
17:22oh wait
17:24mom hold on a sec
17:25can this wait
17:25I gotta go
17:26I know but
17:26I just wanted to know
17:28what the cops are doing
17:28with dad's stuff
17:29from his bag
17:29did they find
17:31anything yet?
17:32these things
17:34take time
17:34I know but
17:35can't you push them
17:36to make it go faster?
17:37can't you be patient
17:38please?
17:39listen there's a reason
17:40I gave his stuff
17:41to them okay
17:41they're going to find
17:42something and when
17:42they do I'll let you
17:43know I promise
17:44okay
17:44all right
17:45thank you
17:45also I'm pretty sure
17:47that singing giraffe
17:48is broken
17:48so best of luck
17:50to you bye
17:50is it really?
17:51love you
17:51mom
17:52and what is
17:55your job
17:55at the museum
17:56I'm a gallery
17:57attendant
17:58I've been the
17:58assistant curator
17:59at the hard block
18:00for almost 20 years
18:01I just collect
18:02tickets in the paint
18:02shed
18:03I don't know
18:03anything about
18:04that painting
18:04getting stolen
18:05did you notice
18:05anything out of
18:06the ordinary
18:06the past few weeks
18:07maybe a visitor
18:08lingering around
18:09one sneezed
18:10on a premiere
18:10last week
18:11so I showed
18:12him Caravaggio's
18:13Judith Beheading
18:14Hall of Fernese
18:15as a warning
18:16did you get
18:17that bruise
18:18on your face
18:18took a nap
18:20on the floor
18:20are you sure
18:24you haven't seen
18:24anything out of
18:25the ordinary
18:25I noticed a guy
18:26hanging around
18:27the Rembrandt
18:27a few days ago
18:28he looked familiar
18:29like I've seen
18:30him a few times
18:31but I mean
18:32we see a lot
18:32of faces
18:33do you remember
18:33anything specific
18:34about him
18:34I remember
18:35thinking he looked
18:36like he went
18:36for a run
18:37yeah
18:42that's him
18:44oh come on
18:50we have to
18:51consider Ari
18:52a suspect
18:52he has means
18:53motive
18:53and his alibi
18:54wants the Rembrandt
18:55just as much
18:55as he does
18:55yeah because
18:56the painting
18:56belongs to her
18:57am I right
18:58I don't disagree
18:59but
18:59no but nothing
19:00listen
19:01the Weissmans
19:02are the victims
19:03here not the suspects
19:04are you picturing
19:06Miriam Weissman
19:07rappelling through
19:07a skylight
19:08well Ari's a gymnast
19:09I can totally
19:10picture him doing it
19:11look all the museum
19:12employees that we've
19:12talked to so far
19:13have alibis
19:14Morgan what
19:15are you doing
19:16I am fixing our
19:17crime board
19:17and correcting
19:18the timeline
19:19to include
19:20the first time
19:21that the painting
19:21was stolen
19:22in 1939
19:23well why confine
19:24ourselves to
19:25solving crimes
19:25in the 21st century
19:26if we find
19:27the young girl
19:28we should be
19:29returning it
19:29to Miriam Weissman
19:30not the Fosters
19:31I'm gonna take this
19:33Morgan it's not
19:35that simple
19:36I don't know
19:36what to tell you
19:37there's gotta be
19:37something we can do
19:38well even if we
19:39had the jurisdiction
19:39to resolve a crime
19:40from 80 years ago
19:41it's just not
19:42how the system works
19:43I really wish
19:44there was more
19:44we could do
19:45who was that
20:06excuse me
20:08who was that
20:09you said that
20:11thieves love to
20:12talk to people
20:12and sometimes
20:13those people call
20:14you
20:14was that people
20:15calling
20:15a man called
20:17claims he knows
20:19where the painting
20:19is
20:20he wants to meet
20:20with me to discuss
20:21where
20:24you don't want to tell
20:27me because you're
20:27worried if the police
20:28get involved
20:28they're gonna ruin it
20:29if we spook
20:30whoever this guy is
20:31we may never
20:32recover the painting
20:33fine then I'm
20:37coming with you
20:37I can't show up
20:39to the cops
20:39you don't see any
20:40cops do you
20:41where is this guy
20:50he's late
20:52why exactly
20:53is he calling you
20:54well not to sound
20:56insufferable
20:56but I'm the only
20:57person that does
20:58what I do
20:58sorry you were
21:00trying to not
21:01sound insufferable
21:02well from what I
21:02gather you're the
21:03only person that
21:04does what you do
21:04too
21:04it's a little
21:06different but
21:06sure
21:07well I think we
21:10have some time
21:10to spare
21:11see how this guy
21:13got in
21:13knock yourself out
21:14come on you're
21:15coming with me
21:16I need your
21:18insufferable talents
21:19on that roof
21:20if I could just
21:28hello
21:29lieutenant you
21:35got a second
21:35good news only
21:37well TID's
21:38backed up
21:39Hobson says
21:40cracking that
21:40blackberry could
21:41take weeks
21:41too many phones
21:42not enough text
21:43remind her of
21:44the parking ticket
21:44I got her mother
21:45out of in front
21:45of the Van Nuys
21:46courthouse
21:46she owes me
21:47you know the
21:49difference between
21:49good news and
21:50bad
21:50I ran those
21:50photos in the
21:51backpack through
21:51facial recognition
21:52no criminal
21:53record on the
21:54ones we could
21:54match
21:54parking tickets
21:55traffic stops
21:56nothing major
21:56and the ones
21:57we couldn't
21:57match
21:57only one
21:58I'll take it
22:05from here
22:06did you know
22:18there's a German
22:19diaper derby
22:20competition
22:20it's held
22:22annually in
22:22Bavaria
22:23contestants are
22:24judged on speed
22:25efficiency and
22:26the artistic flourish
22:27of the diaper
22:27application
22:28I do well
22:30is Chloe napping
22:31or not
22:31yes
22:32which brings me
22:33to my next
22:34point
22:34since I'm
22:35helping you
22:36babysit and
22:36not being
22:37babysat
22:38I'll give you
22:39ten percent
22:39of my pay
22:40fine
22:47twenty percent
22:48deal
22:49and I won't
22:50tell mom
22:51you're going
22:51through her
22:51clothes
22:52how generous
22:53of you
22:53what if we promise
23:12not to touch
23:13anything
23:13that works
23:15for me
23:15have you ever
23:20have you ever stolen
23:21anything
23:21nothing with a
23:23provenance
23:23you
23:24yeah I stole
23:25a classmate's
23:26trainers once
23:26in primary school
23:27Scotland Yard
23:29know about this
23:30no you deserved it
23:32you used to kick
23:33this kid Gideon
23:34in the shins
23:35with those shoes
23:35at recess
23:36did you wear them
23:37to school
23:38no I donated them
23:39to a thrift store
23:40right by the bus
23:41stop
23:41that way he could
23:42see them
23:43every time he
23:43looked through
23:44the window
23:44you monster
23:45this glass is
23:49reflective
23:49what do you mean
23:50these skylights
23:51all have a one way
23:52window film on them
23:53the thief wouldn't
23:53be able to see in
23:54it was a risky
23:55little game
23:56breaking glass
23:57not knowing
23:57who's down there
23:58excuse me
24:00we were just
24:02leaving
24:03the guard saw you
24:04come up here
24:05are you Mr. Eastman
24:06yeah why
24:07one of my docents
24:08found this at the
24:09front
24:09they didn't see
24:11who left it
24:12so you go back
24:29to the crime scene
24:30on your own
24:31without a police escort
24:32detective Keredick
24:33did you know
24:34about this
24:34no about what sir
24:35the museum director
24:36just called me
24:37and told me
24:37that your partner
24:38took Mr. Eastman
24:39on a tour
24:40of the crime scene
24:41ducked right under
24:42the tape
24:43cut the seal
24:44are you trying
24:45to sabotage
24:46this investigation
24:47you made it
24:47quite clear
24:48how you feel
24:48about this case
24:49no I'm not
24:50trying to sabotage
24:50anything okay
24:51I was trying to help
24:52he was going anyway
24:53would you prefer
24:54I just let him
24:55go by himself
24:55neither of you
24:56should have been
24:56there in the first place
24:57okay I understand
24:58that and I'm sorry
24:59but if we didn't
25:00we wouldn't have
25:01gotten this
25:01whoever left this
25:02wants to meet
25:02at 1pm
25:03that gives us
25:07less than two hours
25:08are Forrester
25:09and Osdill
25:09still with the lieutenant
25:10you thinking
25:11our surveillance up
25:11yes and we need
25:12to see the museum
25:13security cameras
25:14maybe we can get
25:15eyes on whoever
25:15dropped this off
25:16don't you think
25:16that Reese should
25:17take the lead
25:17on this though
25:18and why would
25:18we do that
25:19because I'm
25:20who they want
25:20to speak to
25:21great idea
25:21I'll send Morgan
25:22with you
25:22and you can tamper
25:23with more evidence
25:24hey I'm sorry
25:25okay I'm sorry
25:26I went to a building
25:27without your permission
25:28first I see now
25:29that that was a bad idea
25:30bad idea
25:30how about reckless
25:33and insubordinate
25:34I just said
25:36I'm sorry
25:37I know that you
25:38don't like rules
25:39but when you're
25:40in my precinct
25:40I expect you
25:41to follow my command
25:42you practice that
25:45in a mirror
25:46Morgan calm
25:48do not tell me
25:50to calm down
25:51we need to grab
25:53someone from the SIS
25:54the sooner that we
25:55get to the ransom's
25:56location the sooner
25:57that we can start
25:58surveillance
25:58okay great
25:59Reese and I
25:59will follow you
26:00no detective
26:01Karadik and I
26:02can handle it
26:02from here
26:03our consultants
26:04have done enough
26:05are you kicking
26:07me off the case
26:08I walked up
26:10on a roof
26:10oh great
26:11the fosters
26:12are on their way
26:12up they want
26:13an update
26:13talk to them
26:14I'll be waiting
26:15downstairs
26:15just make it quick
26:16what is going on
26:18Morgan
26:19what were you
26:20thinking
26:20I get it
26:22this is why
26:27I work alone
26:27do you drink alone
26:33I prefer to have
26:35company
26:36great
26:36good luck
26:38you believe that
26:47guy
26:48kicking me off
26:49the case
26:49so he can go
26:50follow a lead
26:50that we found
26:51he knows how
26:52I work
26:52I do my thing
26:53and then cases
26:54get solved
26:54right
26:55what's wrong
26:55with that
26:55nothing's wrong
26:56with that
26:57Reese
26:57that's the answer
26:57to that question
26:58you have every
26:59right to be upset
27:00yeah I know
27:00I do
27:01because he called
27:01me out
27:02like I'm a child
27:02I have kids
27:03I don't even
27:04talk to them
27:04like that
27:04what
27:08boys
27:09boys
27:10girls
27:10mix
27:11mix
27:12don't change
27:12the subject
27:12I gotta get
27:13this out
27:13and why
27:14are we still
27:14driving
27:14shouldn't we
27:15be eating
27:15and drinking
27:16by now
27:17he's suggesting
27:18I'll go faster
27:19look at the kind
27:20of car you're
27:20driving
27:21we just got
27:21passed by a
27:22Subaru
27:22you should be
27:22ashamed of
27:23yourself
27:23where did you
27:29get this
27:30our consultants
27:30came across it
27:31good news is
27:32your painting
27:32doesn't appear
27:33to be damaged
27:33what happens
27:34now
27:34we're supposed
27:36to pay the ransom
27:37that's not
27:37what I said sir
27:38the LAPD
27:39never pays ransom
27:39we don't suggest
27:40that you do either
27:40I don't believe this
27:41okay so what
27:42do you suggest
27:42that we do
27:43are we just
27:44gonna sit here
27:44and do nothing
27:45detective
27:46we have been
27:46waiting by the phone
27:47and we have
27:48heard nothing
27:48and now
27:49now
27:49who sent you this
27:51do you have
27:51any leads
27:52anything
27:53we're assembling
27:53a team
27:54to follow that
27:55lead
27:55and recover
27:55your painting
27:56and how long
27:57does it take
27:57to assemble
27:58this team
27:59of yours
27:59they're assembling
28:00in the war room
28:01right now
28:01and I should be
28:02with them
28:02instead of
28:03here
28:04detective
28:04we just
28:05want her back
28:07I understand sir
28:08let us handle
28:09the response
28:09we'll get back
28:10to you when we
28:10find out more
28:10thank you for
28:13keeping us
28:13in front
28:13detective
28:14of course
28:16just a little
28:20bit more
28:21yes sir
28:21thanks bro
28:22I just wanted to call you because there's something I didn't get an answer to at the diner
28:39because my mom flipped out
28:40well how's your mom feel about you calling me
28:43oh this call never happened
28:45actually I should probably tell her so she won't grab me again
28:48yeah well it sounds like a wise move
28:51look Ava
28:51I'm in the middle of working right now so
28:53you said that I reminded you of my dad
28:55what was he like
29:00hello
29:06look I won't bother you again
29:10I promise
29:11I just
29:11I'm sorry
29:15maybe this wasn't such a good idea
29:16I'll just leave you alone
29:17no no
29:18just
29:18hold on a second
29:19if you want to have a serious talk about your dad
29:23then we have to do it the right way
29:25I don't know
29:26maybe me you and your mom
29:28we could
29:28I don't know
29:30find ourselves back at that diner at some point
29:32how does that sound to you
29:35sure
29:35yeah
29:36listen Ava
29:38until that happens
29:39you and I
29:39we can't
29:41look
29:46Roman didn't always do things the easy way
29:49but he always did things
29:50the right way
29:52I mean he had a lot to do with me getting my life together
29:55and believe me
29:56he saved my ass more than once
29:58he's a stand-up guy
30:03through and through
30:04well look Ava I gotta get back to work here
30:10hey Arthur
30:11yeah
30:11thank you
30:14of course sweetheart
30:34everything alright detective
30:35something on your mind
30:37you know I read somewhere
30:42carrying around unexpressed frustrations
30:44is like carrying a heavy backpack
30:45every unspoken thought
30:48adds another stone to the load
30:50making your journey much more difficult
30:51she's confused sir
30:54yeah so am I
30:56you're confused
30:58sir is there something you want to tell me
31:02I can't protect you
31:06if I don't know where you are
31:08I have to be in a position
31:11to help if things go south
31:13I need to know everything
31:14and that's not because I don't trust her
31:18but because I do
31:20still confused
31:25no
31:26good
31:27because the same applies to you and everyone else
31:30you understand
31:32yes sir
31:35next time you lose your cool with her
31:39I'd suggest you find a different approach
31:41oh yeah why is that
31:42because if you don't
31:43it's going to put me and you in a position
31:45where things will definitely go south
31:46all clear
32:05just getting a little impatient
32:14don't worry the ransomware will turn up soon enough
32:17with you detective
32:18impatient with me
32:20why
32:20we're sitting here nice and quiet
32:22nothing but time for you to read me in
32:24read you in on what
32:26Roman Sinqueira
32:29oh come on Adam
32:35you don't think I see things
32:37what do you want to know
32:41oh we don't have time for this
32:48it'll blow our cover
32:49or spook our ransomware
32:53we're here for the panty
32:54not some car thief
32:55leave it alone
32:57he's committing a crime
32:59I'll handle this
33:01detective
33:02hey
33:04hey man that's my car
33:05what are you doing
33:06bro
33:07get out of my car
33:08now
33:09whoa
33:10LAPD
33:11put the gun down
33:12now
33:13at your feet
33:14let's go
33:15put that gun down
33:17now
33:17drop it
33:21on the ground
33:22good
33:26keep your hands where I can see him son
33:28that's our guy
33:31let's go
33:31wait so now you're still in the car
33:50that's right it's your lucky day
33:52detective
34:09you took my car sir
34:11yeah couldn't wait
34:12he was getting away
34:13well I'm right behind you
34:22what you stole that car
34:25no sir
34:26I commandeered a private vehicle
34:27in an emergency
34:28because you left me
34:29I had no choice
34:30I told you not to mess with that guy
34:32he was committing a crime
34:36get out of that car detective
34:45you hear me
34:47yes I hear you sir
34:53pull over right now
34:59pull over to the side of the road
35:02need some help
35:09I got it handled
35:11that was close
35:19I'm well aware
35:21I'm gonna make my move
35:25what move?
35:26no move
35:27let's pull a two vehicle box in
35:43let's pull a two vehicle box in
35:55just pull over and get a chopper in the air
35:57we need eyes in the sky
35:59just listen to me detective
36:02had we both been in one car
36:18I think that
36:18never mind
36:23I'm not even convinced
36:29he should have the job
36:31I mean Lieutenant Soto
36:32was absolutely qualified
36:33well how did he get the promotion?
36:35politics
36:36nepotism
36:37I guess
36:37you know what it might be
36:38he's tall
36:39data shows taller people
36:41get promoted faster
36:42did you know that?
36:43but if you can't buy
36:43pants off the rack
36:44what's the point in living?
36:45okay
36:46when's the last time
36:47you bought pants off a rack?
36:49pretty sure there's a tailor in London
36:50who's got your inseam memorized
36:52well you know
36:53I do like clothes that fit
36:54mm-hmm
36:55I can tell
36:56you think you know me
36:59but you can't get past
37:01the accent can you?
37:03I mean you do sound like
37:04you were born clutching
37:05a croquet mallet
37:06well
37:08let me share something with you
37:10my father
37:10he was a bin man
37:12always out collecting
37:14other people's rubbish
37:15all the kids at school
37:17they used to make fun of me
37:18they said that they could
37:20smell out of me
37:21but when I walked into a museum
37:23I was staring up at the same
37:26beauty as kings and queens
37:27like this kid from Stevenage
37:29it didn't matter who I was
37:31I mean the Mona Lisa smiled at me
37:33like she smiled
37:34at everyone
37:36I'm gonna be honest
37:40I'm still really pissed
37:42so I wasn't fully listening
37:43but I did hear
37:44bin man
37:44and Mona Lisa
37:46not exactly sure
37:47how they're connected
37:48but I bet it was poignant
37:49yeah
37:49it was
37:51I mean I'm glad you didn't hear it
37:53I mean you don't really
37:54strike me as a girl
37:55that's attracted to someone
37:56that's so sentimental anyway
37:58what am I attracted to?
38:04I think you appreciate
38:05our challenge
38:05I think you need something
38:12exciting enough
38:13to get you out of
38:13the head of yours
38:14really
38:15like what?
38:20I have a few ideas
38:21I've got a few ideas
38:24every day
38:32every night
38:34it's all the same
38:36hungry girls
38:40are calling out my name
38:43he tried to steal a Picasso
38:59in Madrid five years ago
39:00but a guard shot him
39:01in the left shoulder
39:01and he fled empty-handed
39:02I'm the only person
39:04that that's what I do
39:0519th heist around the world
39:07with the same in-law
39:08this isn't a thief's first rodeo
39:09in my experience
39:10it's always about money
39:12have you ever stolen anything?
39:13John Baptiste might not exist
39:15he could be a myth
39:15it's a very special piece
39:17one of my favourites
39:18I should get that
39:22hey what's up?
39:27I'm down at the museum
39:28and you're gonna want to see this
39:30our case just got blown wide open
39:33I'm down at the museum
39:35and you're gonna want to see this
39:37I can see it so clear
39:39walk away
39:41walk away
39:43walk away
39:43you're gonna hate me
39:44tell my world
39:45it's a wonderful thing
39:46ooh yeah
39:47it's a wonderful thing
39:49and the road in the air
39:51I can see it so clear
39:54you walk away
39:56walk away
39:58you're gonna hate me
39:59tell my world
40:00it's a wonderful thing
40:01I want to get paid
40:04I want to get paid
40:08who are you?
40:11who are you?
40:18where is it?
40:25I want that backpack
40:26I want that backpack
40:27I want that backpack
41:02So fast.
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